leah diane sainz-jones
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nathan landers
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Cody Christian
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I very recently came across an aurora wolf plush just like wuffy but in new condition and had to get him to have alongside my scruffy guy. Was incredibly sweet taking a comparison photo like this, wuffs been through a lot and is very worn in comparison to the fluffy new fellow, i think it gives him character. they are siblings now
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sooooo so so fucking sick how obsessed with space severance is. the apparent hard divide between work and home that is proven to be a total fabrication. characters drawing maps of where they work as an exercise of their agency. the constant tension of where different characters are, where they’re supposed to be, where they’re not supposed to be, the constant incoming proximity of supervisors and security guards. severance is obviously corporate horror but it’s also spatial horror. and it’s a very good demonstration of the limitation of drawing hard boundaries on maps. Lumon may only technically control the lives of their employees when they’re inside their facilities, but the characters are always preoccupied with some other place - the outside world when they are inside and the inside of Lumon when they’re at home. The power of the company extends beyond its borders, literally implanted into the brains of its employees
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Yesterday night a lady came through our drive through and was like “the way the planets are aligning and the fact that we’re getting a blood moon has me worried. I sense severe werewolf activities on the horizon. You better walk your coworker to her car tonight after you’ve closed” and I didn’t even know what to say I was just like “yes ma’am”
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Cody Christian
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the rat king
Theo Raeken & The Dread Doctors
Mature, Gen, Body Horror, Angst, Dark, Theo Raeken-centric, POV Second Person, Pre-Canon
Theo Raeken, age fourteen.
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Tyler Hoechlin as DEREK HALE
Teen Wolf - Season Three, Episode Twenty-Three: “The Divine Move”
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Lindsey Hilario at Annie's Ibiza F/W 24
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Felix Gonzalez-Torres: Untitled (1991)
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The House
Acrylic. 2024
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