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#bittersweet john wick imagine
johnwickb1tsch · 3 months
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bittersweet 🖤 a yandere!john wick x fem!reader coffee shop sunshine/grump au
Table of Contents
something sweet
burned
the cougar
the mountain
lamb in the lion's den
avenging angel
the book thief
joyride
pest
drunk text
mondo piccolo
la dolce vita
vino veritas
kitten
walk of shame
bad girl
got u
war and peace
crime and punishment
lost and found
bound for hell
deal with the devil
show me your teeth
bully
knots
breaking point
surprise
haunted
lady of the daisies
say something
run
tbc...
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lilithlinen · 27 days
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A Dance With Destiny - John Wick x You
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Summary: In the heart of the city, amidst the rhythmic pulse of life, two worlds collide. You, and your husband attend a masquerade ball, where you unexpectedly reunite with your past lover, John Wick, a deadly and legendary assassin. As you share a dance and reconnect, your passion reignite, unbeknownst to your husband.
Sitting at the bar on the upper levels of the Continental Hotel, the music is loud, & the bass is amped enough to be felt through the floor, neon lights flashing. You're just about to take another sip of your drink, when you notice a man among the crowd, sporting a sharp-looking suit, could it be him? you ignore the thought, thinking that it's impossible. You continue sipping on your drink and fix the strap of your dress. The man stares for a few moments more, sizing you up, and then moves on, seemingly paying you no mind. Moments later, you feel a tap on your shoulder.
You turn around slowly and look up at the man standing, your heart nearly skips a beat, you gulp and put your drink down. "John?"
A faint smile crosses his face as he nods. "Yeah… That’s me."
You let out a shaky breath and wrap your arms around him, you have known each other for years and it's been 10 years since the last time you saw him. "Oh my goodness...it's really you.."
"It's been a while, I guess…" As you release him from the hug, he notices your wedding ring. "I assume you got married…"
You move your hand away as he notices your wedding ring, touching the necklace you're wearing with your name engraved on it, feeling uncomfortable "...Yeah, I did. And..." You sigh softly, "I'm sorry about your wife."
"Helen meant the world to me. Just how you mean the world to someone else now." A shadow crosses his features, before being quickly replaced by his calm facade. "So…" He motions to the crowd, gesturing to all the people around them. "What are you doing here, exactly?"
You sigh softly looking at him, feeling a bit nostalgic. You take a sip of your drink before answering him. "Well, my husband is handling some business here with Winston, what about you? Are you working again?"
He nods. "Not by choice, mind you. I’m Excommunicado. Have been for the past year."
You furrow your brows and look at him with concern. "I have heard. They must be looking for you.."
"Trust me, they have been looking for months by now. I came here for a drink, and to see an old friend. Seems I got two things off my list." He smiles softly.
You touch his arm warmly and smile softly, "You can't imagine how happy I am to finally see you after all those years...10 years, John."
"It seems like yesterday. You still wearing that necklace?" He looks at you, eyes softening slightly.
You touches the necklace you're wearing with the engraving of your name, smiling softly. "Yeah, the one you gifted me...never took it off since then."
His voice is gruff. He gazes into your eyes. "Remember what you told me back in El Sauzal? About love being worth fighting for? It rings truer than ever now. I couldn't save mine, but you found yours." He gives your hand a squeeze. He sighs at the memories of the time spent together, a bittersweet smile on his face. "You didn’t take it off, even through your wedding?" He looks at you, curiously.
You nod slowly sipping your drink, then you put the glass down and look at him. "Yeah, even through my wedding. It never leaves me."
His eyes look like they're staring into your soul, filled with that same faint smile, still questioning. "So, you never forgot about me either, huh?" He takes a sip of his drink.
You look at him sadly. "How could I-....How could I, John? We almost spent a life time together."
Silence falls between the two of you, though it doesn’t feel awkward at all. The music is still booming, people still dancing, though you can't help but feel like John is staring into your soul. Suddenly, he pulls you closer, bringing you into a firm embrace. "Y/N, listen to me…" You gaze at him as he brings you into a firm embrace.
He doesn't kiss you, despite feeling the urges. Instead, he leans down and whispers in your ear. "Don't…ever let anyone know I'm here." He pulls back, the weight of the burden that's hanging over his shoulders apparent on his face. "They're looking for me, and I'm running out of time and places to hide. For your own safety, Y/N, please don't tell anyone. Especially your husband. And if you ever need help don't hesitate to contact Winston, he owns me a favor."
Your gaze slowly moves from his lips to his eyes and nod your head. "I won't, John.." You gather yourself and look at him. "I wouldn't do that to you. I want you safe...that's all that matters to me."
He sighs, then looks straight into your eyes, his voice low yet urgent. "I should leave soon, Y/N. Before it's too late. But I'm not leaving without one last dance…"
You look at him sadly because he is leaving again and only god knows if you will ever see him again. "I would love that, John."
He holds out his hand for you to take, and as your hand gently touches his, a spark of electricity ignites within him. Just like old times. He smiles, and leads you to a small, relatively secluded corner for a quick dance. Slowly, with the music booming with the beat, he holds you in a slow embrace, the feeling of your soft and inviting presence almost making him forget the danger he is in — if only for tonight.
You dance slowly to the music and you're holding onto him just like the old days, forgetting about everything and your husband, just enjoying his presence before he leaves.
His expression is soft, lost in the moment with you, remembering all the good times and bad, and just how much he's missed you. He takes you in a gentle embrace, and twirls you. Despite it being a slow dance, there's a spark that fills the air between the two of you, and you can't help but notice the way he looks at you, with affection and yearning. He twirls you once more, and your face is just a few inches from his. You gaze into his eyes savoring each moment.
He doesn't say anything, instead reaching out, caressing your cheeks, looking into your eyes, and then softly pressing his lips to yours in a long and passionate kiss — your first kiss after so many years of waiting.
Without hesitation you close your eyes and kiss him back passionately, wrapping your arms around him in a loving embrace.
Your bodies move almost as one, your lips intertwined in a rhythmical, sensuous dance. You both kiss for a good minute, before he finally pulls back, breathing heavily and staring at you, longing, wanting you, and yet knowing that this is your last kiss for who knows how long. "Y/N, please forgive me for doing this to you…" He whispers, your eyes still locked, his hand now moving down to your waistline.
You gaze into his eyes and cut him off by kissing him passionately again, and just for this moment, you forget about everything — the people dancing, the loud music, your husband — it's just you and him. It's as if you hadn't been separated for 10 years. Your tongue meets his, giving in to your deep, long-suppressed yearning for each other.
Your warm, velvety lips envelope his once more, as your bodies melt together in another fit of passion. Your tongues twist and entwine, your faces just an inch apart, and your hands roaming freely across your bodies. One hand of his grabs your neck, gently guiding your head, as the other finds its way under your dress, moving the fabric out of the way to expose your smooth legs and touch your bare thighs. His lips leave yours for a moment, to move down to your neck…
Your bodies pressed so close together that every inch of your skin is felt on his. You're his, and he is yours, though you can’t admit it. You run your fingers through his hair, holding him in your embrace, kissing him passionately — like it's the last day on Earth.
Your body pressed against his is the most intoxicating feeling he ever felt in a long, long time, your movements in sync as if this is all meant to be. His lips leave your neck, and he gazes at you, smiling, yet in your shared moment of passion, there is a hint of melancholy — the fear that this might be your last dance for a long time, or perhaps the last dance ever. "Y/N, you have to believe me, when I tell you — that you have always meant the world to me…"
You look into his eyes sadly as you stroke his face tenderly and lovingly, gazing into his eyes "I've always loved you, John.. And I'll always love you." Sighing at the feeling of melancholy. "Will I ever see you again?"
Your touch on his cheek soothes him, yet he grimace, realizing that he can't guarantee anything, yet he can't leave you thinking he wouldn't want to see you again. His eyes glance at your face, and then at his watch, knowing it's high time for him to leave. He sighs, and whisper softly. "Yes, I promise. One day, I will be with you once more. But tonight, I must go." Again with the melancholy...
You know that it might be the last time you ever see him, you nod slowly and hold his hand tightly while gazing into his eyes. "I will wait for you, no matter how long it takes."
He smiles. Your words are something he cannot describe, and yet they pierce his heart all the same. For a long moment, he stays still, not saying anything. He and you both know that this night might be the last of its kind. However, the promise you made is all he needs to hear to make this as bearable as possible. He gives you a final, long kiss and whisper. "Goodbye, Y/N. Until we meet again." Before you can respond, he leaves, disappearing into the dancing crowd, heading for an exit.
After he leaves, you sit back at the table, as the melancholy fills you again and everything around you. You look down at your wedding ring and let out a heavy sigh. "Fuck it."
As you sit there gazing at your wedding ring, a hand slowly moves in on your shoulder, and a voice whispers. "Y/N." You look up, to see your husband standing there, with a look of surprise on his face. He eyes your necklace, the one John gifted you years ago. His gaze is locked in with your own, before his eyes widen in both recognition and horror. He opens his mouth to say something, only to have no words come out. The shock is all his face.
You look at your husband and frown a bit. "Hey, what's going on?"
His grip tightens on your hand, and he stammers, trying to find the right words. The revelation is clear on his face — that something happened with you and John, and he can't handle this truth. His eyes darting between your face and the dance floor where John disappeared. Trying to maintain composure, he says. "Did... did you and John....? This isn't the first time you met him here, was it? Tell me everything. Now!" His voice quivers, and his questioning eyes speak volumes about his anger and betrayal.
You swallow hard, your heart racing. His question confirms what he already suspects. You remember the promises you made John, the connection between you two — something deeper than friendship — and now you have to decide whether to lie or tell the truth. With a heavy heart and clammy palms, you look away from him for a moment, trying to gather your thoughts. "It's complicated, Leo. I can't explain right now. We were just old acquaintances. Please, let's talk later."
Leo's eyes narrow, his jaw clenching as if he wants to argue further. But eventually, with a heavy breath, he decides to give you some space. He nods once, his face filled with hurt and betrayal. He reaches over and cradles your face in his hands, his eyes never leaving yours. As if to remind himself of the true depth of your relationship, he leans in and plants a lingering, passionate kiss on your lips, before pulling away. "Alright, fine. But this ends tonight. I need answers." And with those words, he turns and storms out of the club, leaving you alone, amidst the laughter and music. You remain seated, feeling a mix of fear, guilt, and a tinge of sadness. The night had turned out to be far different than what you expected. How will you resolve this mess?
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r1-jw-lover · 2 months
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HULLO!!!!! :P
rank your top five fav ships from the john wick series !! :3
Hi, thank you for the ask. Just wanna put a disclaimer that my first venture into the JW fandom was through the fourth film, so my ranking list will be heavily biased on that movie.
John x Caine
It's not even one year since JW4 is out and John/Caine is already on the top ten most written ships on AO3 within the John Wick fandom.
This pairing has just the right amount of bittersweetness and melancholy for me, and putting it on top of the actors' chemistry, the gay divorced vibes, the bickering, friends to reluctant enemies, the parallels, being each other's mirror, their deep trust, understanding and care for one another, you get my number one JW ship on this list.
The friendship between John & Caine is definitely one of the most developed and convincing out of all the friends John Wick had in the series, and in spite of the circumstances forcing them to be pitted against each other, they still managed to find comfort in the other's presence regardless, and I think that in itself is beautiful.
2. Koji x John x Caine
You know what else is better than putting Keanu Reeves and Donnie Yen together in the same movie? Putting Keanu Reeves, Donnie Yen AND Hiroyuki Sanada together in the same movie.
You have already seen the incredible fanart [1, 2, 3] by the wonderful @ibahibut. They are THE old men yaoi of the recent decade of cinema, period.
The dynamics between the three of them are immaculate. Not only you have John & Caine (explanation above), John & Koji are very supportive of each other, and Koji & Caine have both the closeness and the inevitable tragicness that undercurrents their brotherhood.
All in all, I desperately need a prequel series of this trio.
3. John x Helen
It's the only canon romantic relationship in the series so it has to be on the list. Other than the fact that one of them is dead, I think that John/Helen is incredibly sweet, which make the heartaches even more painful.
John's grief for Helen's passing is one of the main driving forces for the character throughout the series. His almost religious love and devotion to his wife is all the more apparent given that Helen is the reason John had fought to stay alive for as long as four movies.
At the end of the day, John only wished to die not as the Baba Yaga but as a loving husband, finally succumbing to his wounds with Helen being his last thought before dying. (TAT)
4. Akira x Mia
Gosh, I love my lesbian rarepair too much. I initially shipped them merely for the shits and giggles (i.e. Akira getting back at Caine by dating his daughter lol), but then I also come to realise their potential as a pairing story-wise.
Outside of the obvious enemies to/and lovers vibes, I could imagine both Akira and Mia inheriting a lot of angst from their respective "father problems" that they must resolve between each other. Will Akira ever tell Mia about her plan to kill Caine? Will Mia ever understand Akira's revenge against her father? Will Mia decide to step into the fold of assassins because of Akira? Will Akira leave the High Table to be with Mia like how John did for Helen?
As a conclusion... Gosh, I love my lesbian rarepair too much.
5. Marquis x Wuxia DJ
The funniest and best crack ship ever made up in the John Wick fandom, and there's just the two of us, hahahaha. They give off high-school exes who are so, so fashionable and serve cunt while talking shit about the other behind each other's backs.
It's number five on my list because it's that good.
Honorable mention: Cassian x Gianna
Before the fourth movie is released, Cassian & Gianna is the only pairing I could see happening in the background. Cassian's loyalty to Gianna even after she died is very touching, and Gianna seemed very appreciative of it from the short interaction they have in JW2.
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carolap53 · 1 year
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Prepare the Way “He will turn many of the children of Israel to the Lord their God, and he will go before him in the spirit and power of Elijah, to turn the hearts of the fathers to the children, and the disobedient to the wisdom of the just, to make ready for the Lord a people prepared.” (Luke 1:16–17)
What John the Baptist did for Israel, Advent can do for us. Don’t let Christmas find you unprepared. I mean spiritually unprepared. Its joy and impact will be so much greater if you are ready!
That you might be prepared . . .
First, meditate on the fact that we need a Savior. Christmas is an indictment before it becomes a delight. It will not have its intended effect until we feel desperately the need for a Savior. Let these short Advent meditations help awaken in you a bittersweet sense of need for the Savior.
Second, engage in sober self-examination. Advent is to Christmas what Lent is to Easter. “Search me, O God, and know my heart! Try me and know my thoughts! And see if there be any wicked way in me, and lead me in the way everlasting!” Let every heart prepare him room . . . by cleaning house.
Third, build God-centered anticipation and expectancy and excitement into your home — especially for the children. If you are excited about Christ, they will be too. If you can only make Christmas exciting with material things, how will the children get a thirst for God? Bend the efforts of your imagination to make the wonder of the King’s arrival visible for the children.
Fourth, be much in the Scriptures, and memorize the great passages! “Is not my word like fire, says the Lord!” Gather ‘round that fire this Advent season. It is warm. It is sparkling with colors of grace. It is healing for a thousand hurts. It is light for dark nights.
John Piper
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hoewkeyesblue · 4 years
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Not My Family
requested by: anon
“can you write shelby sis ( #105 & #113 angst list and #21 fluff list) being quite the troublemaker recently so everyone is upset with her and she tells the family that there's someone following her often but they don't believe her and just send her away. she gets attacked quite badly and stays with johnny dogs in his caravan (and he doesn't tell the family cause he's upset too) and when they see her again she doesn't want to talk to them cause they let her down? you can decide the end :)”
angst #105 “I thought you cared about me. someone who cares about someone else doesn’t let them down like you just did.” and #113 “I can’t look at you anymore.”
fluff #21 “I need a hug.”
pairing: shelby!reader x john shelby, shelby!reader x arthur shelby, shelby!reader x tommy shelby (no incest)
summary: once your brother told you that you had a family that would never let anything bad happen to you. when you grew up, you understood that thomas shelby was a motherfucking liar.
word count: 1, 239
warnings: angst, swearing, mentions of aggression and abuse, the word “fuck” is used a lot in here.
author’s note: I wanted this oneshot to be awesome because I loved the prompt, I really did!!! thank you for requesting this, thank you! and also thanks to my best friend who’s helping me every day with my writing. love you, boo.
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“I told them”, your voice was full of pain and resentment. “I told them there was someone following me, but they didn’t listen. They never listen to me”, you hissed under your heavy breath.
“I think you may have some broken ribs, Y/N. I should take you to a hospital”, Johnny said, clearly worried. You denied.
“If I go to the hospital, people will see. People will talk and they will come, I don’t wanna see those bastards right now. I don’t know if I want to see them ever again, to be honest”, you tried to look strong but it was difficult. Really difficult.
Everything was hurting; your legs, your torso, your head. You could still feel the warmth of the blood running through your hair, there’s probably a concussion. You felt off, you felt sad, but mostly, you felt angry.
“You could die”, he tried but were instantly interrupted by you.
“If it’s my time to die, so be it”, now your voice was lower, cracking a bit. “Thank you for taking care of me, Johnny.”
“Someone has to.”
***
Days passed by and you were getting better. Physically, at least; mentally, you were only getting sadder. Every day you would close your eyes and suddenly you were back at that night, being spanked, touched in ways that made you throw up just for thinking about.
Every day you would remember how you told your brothers countless times that someone was following, watching you. Every day you remembered they didn’t listen.
Your heart ached every time you thought about it.
“No one will ever hurt you, Y/N”, that’s what Tommy said when you were younger. “There are bad people that will try, but there’s us, your family, that won’t let them.”
Fucking liar.
“Y/N”, Johnny greeted as entering the caravan. “‘Was with the boys today, they’re convinced that you’re dead”, he told and you opened a wicked smile.
“Did you tell them?”
“Of course not. I think they deserve to think that for a while, at least until you get better”, he explained. “How’s your head today, by the way?”
“Still hurts a little, but it’s fine”, you tranquilized. “I guess I won’t be coming back home after. Maybe I should go to America, what do you think?”
He never had the chance to respond, because in a split second, Tommy was there.
***
“What the hell, Y/N?”, Arthur screamed as soon as he entered Tommy’s house. You were sitting on the sofa, eyes on your hands. “We fucking thought you were dead! Fucking dead!”
“Well, I almost was!”, you screamed back, standing up to impose yourself but regretting it when you felt dizzy because of the agonizing pain. You sat again, but added: “And that’s on you, all of you! Fucking bastards!”
“How is that our fault? We didn’t put a fucking gun in your head and told you to stay in the fucking caravan instead of going to the bloody hospital!”, now John was screaming.
Tommy, of course, didn’t say a word.
Maybe he didn’t care enough to do so.
“You put a gun in my head when I told you what was happening and you decided to ignore it. That’s what you did, you fucking ignored me!”
“I’m sorry if you’re always lying and fucking around, none of us could possibly imagine that you were being serious”, his voice was filled with irony and anger.
“I was being dead serious, John, don’t put it on me.”
You were exhausted, your hands were shaking and you felt like throwing up again. You did throw up every single day since the unfortunate event happened. Soon there were tears running down your cheeks and you hugged yourself, feeling alone.
“I thought you cared about me. Someone who cares about someone else doesn’t let them down like you did”, you cried out. The room was now in silence, the only sound you could hear was your own sobs.
Arthur was the first one to approach; he kneeled in front of you and tried to hold your hand, but you didn’t accept the gesture.
“Y/N...”, he hesitated. You knew he regretted everything, but it was too late now. “Look at me.”
“I’m sorry”, they could hear your hurt in your voice. “I can’t look at you anymore.”
A thunderous noise made you jump in your place and you looked up to see John, his face red, throwing everything off a table.
“Fuck!”, he yelled.
Tommy seemed tired of everything that was happening and that’s what hurt you the most. He stood up and walked in your direction, saying in a bittersweet tone: “We’re your family, we need each other. You can’t be mad with us forever.”
“You’re not my fucking family”, you spat. “Once you told me my family would never let anything bad happen to me, remember?”
“If we’re not your fucking family”, he sounded so cold, principally when added: “Go home. And only come back when you change your mind.”
You stood up again, ignoring the pain you felt and looking into his eyes while saying: “Fuck off, Thomas Shelby.”
***
You were incredibly drunk.
You knew you should keep alcohol away for a while, but you needed to forget what happened that afternoon. Fucking Shelbys.
Normally you’d be listening to some music, but your head still hurt a lot, so you decided not to.
That was it.
Your new life; you and whiskey.
“Fucking good life”, you said to yourself, laughing out loud. “Who needs family, eh?”
You swear you could hear a knock on your door but ignored it while looking at yourself in the mirror. The whiskey’s bottle in your hand, the messy hair, the purple marks on your face, arms, and legs.
“Fucking family”, you muttered again.
Knock, knock.
“For fuck's sake”, you walked to the door and opened it to see John and Arthur, looking lost and guilty as fuck. You groaned, “What are you doing here? Get lost!”
“We’re here to apologize”, John murmured.
“What is that now?”, your voice was bitter.
“We don’t agree with Thomas and... we decided to come here and apologize, Y/N. Properly”, it was Arthur’s time to speak. You could see their eyes examining your bruises.
“Come in”, you muttered, lying on the sofa.
Arthur closed the door and soon enough they were sitting on the same sofa as you; John on your right, Arthur on your left.
“We did this to you”, John started while Arthur nodded in agreement. “We didn’t listen to you and we’re really sorry. I only wish we could go back in time and...”
“Cut the bullshit”, you blurted. “There’s no going back, John. Let’s stick with the present, shall we?”, you didn’t notice, but you were crying again. Maybe the alcohol had cut off your control over your body.
“Fuck, Y/N...”, Arthur hissed.
“Please, forgive us. I’ll ask some man to guard your front door and if you need anything, anytime, you can call me and I’ll be there. I promise”, John seemed like he was going to fall apart.
You were his little sister, he couldn’t forgive himself.
“We promise!”, Arthur corrected. “What can we do for you? Just tell us. Anything. If you want me to go to Tommy’s and beat his ass I swear to God I’ll-”
A little, soft smile appeared on your face amongst the tears.
“I just need a hug, boys.”
-------------
blinders taglist
@haphazardhufflepuff @iwillboilyourteeth
tommy shelby taglist
@captivatedbycillianmurphy @kassandra-of-troy
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hawkland · 3 years
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Destiel fic recs/what I’ve been reading (round #2)
I promised (eventually!) more fic recs and I figured I’d better do it soon before my list to talk about got TOO long. Also I’m just bubbling to praise up an amazing fic I read last night that literally has given me a fanfic hangover this morning and I need you all to suffer with me.
Starting with that fic in question:
Aria for an Angel (84k) by anyrei, mugglerock. I hurt all over from this one and I command you to do the same.
That said, DO NOT READ if you can’t stand the idea of Cas finding love/happiness with someone else (even if the fic is endgame Destiel). Also don’t read if you can’t stand your heart being shattered by pain before being carefully put back together again. Those warnings aside, this is one of the most stunning fics I’ve read yet in SPN fandom and I’m going to rec it at you no matter what. I’ve been feeling very pissy at Dean lately, as I’m on season 12 in my complete watch-thru, and with how much Cas has been suffering and getting beaten down for, like, SEASONS now. And it got me looking for fics where Cas gets some of the TLC/love/care that he needs from someone else, at least until Dean can get his shit together. Enter Mick Davies. Mick comes to Cas for help with a case that ends up involving a Grigori, and the two grow closer as Cas enjoys spending time with someone who genuinely expresses care and concern for him...but when Dean finds out will he have to choose between the Winchesters, his found family on Earth, and his new boyfriend? And when tragedy strikes, is it too late for a second chance at his first love again?
This story is funny, hot, heartbreakingly sad and just completely wrung me out emotionally. The characterizations totally worked for me, the growth they all went through was the kind of stuff I only wish the writers of the show could pull off. There’s just...there’s so much pain and love and some good stuff with poor Sam and Mary caught in the middle of this shitstorm and I wasn’t sure I could be brought back around to wanting Cas and Dean together in the end, but the authors pulled it off and everything about this story hurts, and heals, in the best possible way.
The rest of my recs in this round-up beneath the cut.
Seek to Know You Better (32k) by ahurston. Season 15 canon-divergence—so no Empty, no rusty nail, but things are relatively calm and settled in the hunter/Winchester world. As such Dean and Cas go on a road-trip together, investigate some minor cases, and gradually open up and really TALK via a “36 Questions That Lead to Love” article Cas finds on-line. One of those fics that just gives you a happy glow inside to read; it feels very believable and the characters have a maturity and adultness to them that just feels right. The little details of all the places they stop for food while talking are a delight, and it’s just the right amount of pining (for me) before they finally get things together.
Purgatory, director's cut (27k) by runsinthefamily. THIS IS THE ULTIMATE PURGATORY FIC (well, in my reading adventures so far.) Written (apparently?) before season 8 actually aired, it takes a very different - and weirdly creative and bizarre - look at what purgatory would be like. And if Cas stuck with Dean through it all.  It also posits that as a human Dean would be “allergic” to purgatory and need Cas’s grace to hold himself together...but the deeper they travel, trying to get out, the more precarious Cas’s hold on his vessel becomes. I love everything about this fic, the weird imagery, the way Dean just...rolls with everything happening to Cas and still loving him because it’s Cas, not his vessel, that’s important.
Grooming Instincts (26k) by jemariel. More wing!kink which...yeah. Gimme all the wing grooming/back massages and weird angel anatomy, please. Cas is grumpy while going through what he describes as “molting” only...it’s a bit more complicated than that. And Dean has no idea what he’s gotten himself into until Cas starts grooming him...and Kevin is able to translate/figure out what’s happened. Funny and hot and just...a yummy happy read with great bits from Sam, Kevin and Charlie for good measure.
Things that Leave Marks (23k) by thestoryinsideme. Canon-divergent from Season 9.  Wherein it takes Dean three years to find Cas after getting kicked out of the bunker. And when he does, it’s apparent he’s been through a lot, and he’s not exactly ready to or certain about going back to life with the Winchesters. This was sad and sweet and fluffy and angsty in all the right ways for a comfort fic read. (Also features Cas the budding artist! I love that idea!)
Wavelength-gasm (11k) by Mumble-Bee. The fuck or die trope gets a very fun twist when it involves needing to fuck an angel in his true form. Dean certainly learns this the hard way! This rec is for all the trueform!Cas-loving freaks like me out there...I’ve certainly never seen a smut fic embrace the weirdness of it all like this one.
Drive Faster Sammy (7k) by almaasi. Speaking of fuck-or-die fics, pray for Sam in this one. He has to listen to Dean helping when Cas gets struck by one (again) and they don’t have time to make it back to the bunker—so things get kind of graphic in the backseat of the Impala.
Love Burns Its Casualties (5k) by anactoria. Beautiful and bittersweet fic set during “The End”. Present-day Dean can’t sleep, and ends up invited by future!Cas to spend what he knows is likely his last night alive with him.  Features casual weed use (if that bothers you), some very hot shotgunning (if it doesn’t), and is just...a wonderfully written atmospheric story that I’ve already re-read several times. (It’s especially a good read when slightly stoned yourself. Um. Not that I’m necessarily advocating for that sort of thing, unless it’s legal in your neck of the woods. Um. Anyway...)
something quiet and minor and peaceful and slow (3.7k) by celeste9. Heaven fic, so don’t read if that’s not your thing. Also don’t read if you’re completely convinced John Winchester is an unredeemable homophobe and terrible parent all around. I, personally, liked this take a lot more as it shows a struggling but not horrible John confused about why this angel keeps popping over, asking Mary questions about what Dean will want in his little slice of Heaven. The title really describes the lovely mood of this little fic and I liked it a lot.
heaven, reconstructed (9k) by vaudelin. Another Heaven fic, more focused on Cas than Destiel (but that is endgame). Goes into what exactly Cas was doing, working with Jack to try to build a better Heaven while awaiting Dean’s eventual arrival. It’s a great fic for world-building (in more ways than one!) in the SPN universe and I like a story that explores Cas’s relationships with others beyond Dean and Sam. I’d add too that as a fan of The Good Place, I just in general enjoy stories that look at the complexity of what actually would constitute a “perfect” afterlife. So imagine Castiel as a TGP architect here if you will (I certainly did!)
The Passion of the Christ (and his angelic ex-boyfriend) (4.9k) by Bzzee. Another heaven!fic, but pure delightful crack. What happens when Dean and Cas run into one of Cas’s ex-boyfriends in Heaven’s roadhouse...who just happens to be Jesus Christ. Dean isn’t too happy with that knowledge (and neither is Judas). Just read it—heresy and all. For a crack fic it’s actually wonderfully smart and wicked.
Can't You Hear It Calling (4.7k) by imogenbynight. A “missing scene” from s8e32 (Sacrifice). Cas expects to never see Dean again once he (expects to, at least) close the gates of Heaven. As a parting gift, he takes Dean back in time to a Led Zeppelin concert...and then a motel room to spend a final night together. As a music lover, the description of the excitement of the concert (and the happy/sadness when the show is almost over) totally hit me in the feels...and it’s such angsty/beautiful smut when they get together.
You're Gonna Live Tomorrow (3k) by MajorEnglishEsquire, microcomets, orange_crushed. Cas doesn’t know a lot about being human (yet), but he does know one thing - he wants to marry Dean. Sweet, sweet happy fluff, just enjoy.
Who's Counting? (1.7k) by Annie D (scaramouche). Just some pure angel-powered delicious smut. Dean learns the hard way, over and over again, that angels have basically no refractory period.
30 notes · View notes
alj4890 · 4 years
Text
Christmas Prompt
(Thomas x Amanda) with the given prompt from @jlpplays1-41daysofcheerchallenge​​ for black and white
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(Thomas Hunt x oc*Amanda) in a Christmas one shot
A/N I had something planned for this movie for our RCD Appreciation Week, but ended up going with another. Using it for @jlpplays1 41 Days of Cheer Challenge seemed meant to be. This isn't a part of my AU's though I had considered Thomas and Amanda meeting under simliar circumstances in Another Night, Another Dream storyline. Still, I am a sucker for fluff and first impressions. So here we go again.
Above image taken from the 1940 holiday classic Remember the Night and I do spoil most of it in this. Sorry!
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Masterlist
The Theater
Amanda settled into the red cushioned seat and set her soda down in the cupholder. She pulled up on the tab to open her box of Junior Mints and glanced around. She couldn't believe that hardly anyone was here for the holiday movie marathon.
When she told those back home in Cordonia that she was traveling to Los Angeles specifically to attend this week of nothing but classics from silent era to ending with 1954's White Christmas, none had volunteered to come with her. 
"If I'm going to California, I want to sightsee and party with the stars...not attend some tiny theater for old movies." Maxwell had reluctantly admitted when she voiced her surprise that he didn't want to go.
Everyone else pleaded with her to do something else. After all, she had only seen it advertised on the theater’s website.
“What if it isn’t in a safe area of the city?” Liam asked. “You will be alone, late at night in what could be a dangerous area.”
“Why are you spending money to see movies you have seen a hundred times before?” Drake rolled his eyes at her explanation of experiencing it in a movie theater.
"It's the week before Christmas." Olivia had argued. "You should be here with us where you belong, not alone in some strange city watching movies you already own on blu ray.”
When it came to things that she truly loved, Amanda's stubborn streak made itself known. They all shook their heads. If she had to have one crazy weird attribute, willing to travel for movies might not be the worst thing she could have.
And here she was on her third evening, ready to watch the first half of the 1940's classics. The evening was beginning with Remember the Night.
Amanda adored this particular one. She could remember when her mother first shared this movie with her when she was nine years old. It had been late one night when neither could sleep. They had cuddled under a blanket and only had the Christmas tree lights on.
She had fallen hard for Fred MacMurray's portrayal of John Sargent from the very beginning. His sarcastic, dry humor mixed with his gruff, morally right persona had hidden what was later revealed to be a very tender heart toward those he loved.
Barbara Stanwyck's con artist/thief was just the right person to shake him up. Of course, he managed to open her eyes and smooth out her understandable rough due to circumstances edges.
Their love story had all the elements from humor to bittersweetness. The perfect movie made even more so because it was set during a snowy Christmas and New Year's.
Amanda had secretly searched a long time for her tall, dark, and handsome Fred MacMurray/John Sargent. Most of the men she thought might be the one seemed to be lacking that one key element that made him so desirable: the tender heart. She had recently given up that long held dream. The man simply did not exist in the real world.
"I was born in the wrong time period." Amanda would say to herself each time she watched this. "That's why I can't find anyone like him."
She shook herself out of these unhappy thoughts and watched as John argued against dismissing the case of Barabara Stanwyck's character, Lee.
________________
She's back, Thomas thought when he saw the same woman come in by herself and take the exact same seat she had the past two nights. She had another box of candy and soft drink, just like she had each other time. She laid her jacket on the seat next to hers and he knew from observing her the other times that she would end up using it as a cover around the second hour of the movie marathon.
He settled more comfortably in his own chair further back. Seeing her dedication in supporting this small, independent theater made him not lose hope in people knowing and enjoying these classics. He had tried to encourage his film students to come and had even played around with the idea of offering extra credit. He decided against it in the hopes they would come simply because of what these old black and white movies contained: emotional storytelling at its finest.
There was no CGI nor any enhanced techniques. No method acting. Nothing except a story acted out with the sheer talent to draw one within the imagined world and make the individual wish they could remain.
Something about these black and white movies made the winters and snowfall seem even more shiver worthy. Knowing it was all done on a soundstage, made it even more impressive.
He was surprised that his attention continued to stray to the woman sitting a few rows ahead of his and a couple of seats over to the left. He had looked forward to seeing the movies he actually owned on various discs on the large screen.
"I was born in the wrong time period." He would mutter when reading about the golden age of film. To be a part of the beginning of not only sound in films, but also during a time of discovering a wealth of talent in actors and screenwriters, would have been a dream come true. A dream to be able to feel that excitment of making movies was something he was in desperate need of.
He had gotten burned out. After filming The Last Duchess, he felt empty. Nothing had sparked his creativity. Nothing made him want to jump back into the director's chair and bring a story to life. He felt like he was teetering on the edge of something about to happen in his life...something life changing. He hoped whatever it was would happen soon.
Being unable to sit back and wait patiently for the mystery life changing event to happen, he had decided to return to his second love of teaching. It had been going well the last few semesters. There was only one drawback to this. He didn't know quite what to do with himself now that he was on winter break.
He shook himself from the quagmire of his depressing thoughts and focused on the scene of John offering to take Lee to her mother's home in Indiana on his way to see his own.
______________
Amanda laughed at the scene of John's irritation and resulting sarcasm while dealing with the small town judge. She could hear a deep laugh somewhere behind her. She supposed it was the same lone man that had been here the last few nights.
He shares my sense of humor, she thought. Hearing that laugh didn't make her feel quite so alone in the theater. She had never minded being on her own. There were many times that she loved to escape the nobles and her friends for a needed breather. Yet something about the holiday season made being alone seem...well...lonely.
She needn't be. Amanda had a wonderful life. One day she would meet someone to share it with. It might not be her dream man that was currently on the screen, but he would be perfect for her.
_____________
Thomas watched the lone woman dig in her purse for a tissue. She had been moved to tears over how cruel Lee's mother was and how sweet John had been to tell her he was taking her to his childhood home for Christmas.
He wracked his memories and realized he couldn't recall the last time he witnessed a woman of today crying over a black and white movie of yesterday. Perhaps I've been around the wrong women, he thought.
He wished he could see the expression on her face caught up in the bittersweet emotion. What had made her cry? Was it simple pity for the heroine of the movie? Did it remind her of something from her own past? Was it John's actions that set off her tears?
He grimaced and tried to keep his attention strictly on the movie.
________________
Amanda sighed at that ending. To make such a choice...could I do that if I had been Lee?
"I must be a horrible person." Amanda mumbled as she gathered her things. She planned on getting a refill before The Shop Around the Corner started.
"Why do you think you're horrible?"
She turned around in surprise. "Oh!" Amanda stared at the famous man who had been the only other one in the theater tonight. "I..." Her smile held hints of self-depreciation. "I don't know if I could leave John and willingly plead guilty to my crimes. I would be tempted to marry him like he wanted and allow him to pull all the tricks to make the jury side with me."
Thomas nodded. "Yes, it would be difficult. I believe though that nowadays the heroine would probably do that very thing."
Amanda's grin reappeared. "Now that we no longer have the Hays Office making certain the wicked paid for every action, I imagine that someone would rewrite this to Lee not only being claimed innocent but that John was evil to continue to serve as prosecutor.”
His eyes widened. "You know about the Hays Office?"
"Of course." She stepped out into the aisle. "I love film history."
He followed her out into the lobby. "You're not leaving yet, are you?"
She turned around once more in surprise. "No. I was going to get a refill."
He hesistated a moment. Thomas couldn't help but notice that not only could she keep up intelligently conversation wise, but he also found her attractive. "Would you care to sit with me during the next film?"
"I don't know if we will be able to find two seats together with such a crowd." She teased.
He chuckled softly. "If I am able to find two side by side..." Thomas trailed off and waited.
Amanda lowered her eyes and grinned. "Then I would appreciate you saving me a seat."
______________
A few movies later and at a small nearby diner...
"Do you have any particular recommendations?" Amanda asked as she picked up the menu.
"All of the pies here are some of the best around." Thomas lifted his own menu, yet continued to glance at her over it.
She smiled when the waitress approached.
"What can I get you and your lady friend to drink, Professor?" The middle aged, slightly tired woman asked.
He nodded toward Amanda to go first.
"Iced tea, please." She replied.
"Coffee." He added.
"Are you ready to order or do you need another moment?" She asked.
"I am, are you?" Thomas asked.
Amanda grinned. "Go ahead. I make decisions for food better under pressure."
He chuckled. "Apple pie a la mode."
The waitress turned to Amanda.
"I'll have the same." She decided at the last moment.
Once they were alone, Thomas folded his arms on the table. "I have a question that has been driving me mad most of the night."
Amanda lifted an eyebrow. "Oh? And what might that be?"
"During Remember the Night, you were crying. Why?"
Her cheeks turned a little red under his steady regard. The Thomas Hunt wanted to know why she had teared up. She still couldn't believe his interest in her thoughts. Granted it wasn't like anyone else had been there to steal his attention away from her. She might as well enjoy it for what it was: a once in a lifetime opportunity. They had spent most of their time sitting next to each other in the theater, talking and pointing out various aspects of the scenes they loved in the movies they had seen so far.
"Everything about that scene when John and Lee go to her childhood home hurts. When you compare it to the first glimpse of John's it really strikes you at the differences." She explained.
"How?" He asked, wanting to hear more of her thoughts.
Amanda leaned forward as she went further into detail. "Take the lighting for example. Lee's home is cast in shadows. No lights are on inside that we can see, welcoming anyone approaching with warmth. John's had lamps shining like a lighthouse, beckoning one to safety from the cold. Lee's mother and stepfather didn't bother to step out on the porch or even invite them inside from the cold. The single light near the mother cast harsh shadows, adding even more to the foreboding sense that no love would be awaiting the prodigal daughter. John's had family coming out into the cold, wanting to hug and hurry them inside to warm up. Current joy at seeing him again and memories of happiness waited inside that bright house."
He listened to her silently in complete agreement. He marveled at her ability to cut right to the aesthetic of the two instead of focusing in on the dialogue. The words spoken were of course moving in terms of emotion, yet for her to point out something he tried to do for his students made him want to talk to her even more.
"Here you go." The waitress set their plates and drinks in front of them. "Has my nephew been behaving himself?"
Thomas nodded. "He has been doing very well this past semester. You should be proud of him."
The tiredness left the woman's face hearing that. "You really think he has a future in cinematography, Mr. Hunt?"
"I do." He said a bit gruffly. "I recommended him for a scholarship." He picked at his pie. "You should receive the letter soon about the approval."
"You mean--" the waitress teared up and tried to get the words out. "Thank you. This...this means the world to us."
He waived off her thanks. "His talent and your tenacity is what did this. I had no part in it."
She turned to Amanda who was observing their interaction quietly. "Don't let him fool you. He had everything to do with giving my Brandon his dream future."
The young lady realized that her suspicions were correct. There was a good deal more to the famous director than what he decided to reveal to the outside world. 
Thomas cleared his throat and avoided eye contact. The waitress poured his coffee and left them alone.
Amanda picked up her fork and took a bite. "You were right. The pie here is very good." She noticed relief flood his features over the attention no longer being on his kindness.
"I'm glad you agree." He took a bite of his own. "Are you planning on attending any of the other nights at the theater?"
"All of them, actually." She grinned at him. "It was why I decided to come to Los Angeles for a visit."
"I see." His brow furrowed with thought. "I plan on attending the whole week also."
She reached for the sugar packets to add to her glass of tea while waiting to hear what he would say next.
"If you are planning on being there and I am, then perhaps we could go together." Thomas looked at her over his coffee cup to gage her reaction.
"I would like that." Amanda said with a hint of color to her cheeks. "Then perhaps we could talk about the movies over pie."
His lips curved into a soft smile. "I would like that."
_____________
Last night of the holiday classics...
"Thank you, Thomas, for making this week so enjoyable. I have loved our discussions each night." Amanda kissed his cheek on impulse outside the theater.
He took her hand and cleared his throat. "I have enjoyed it also." He looked down at their fingers laced together. "When do you leave for Cordonia?"
"Day after tomorrow." She said, wishing time had not gone by so quickly.
His frown formed. "Must you go so soon?"
Her eyebrows lifted. "I suppose I don't necessarily have to." She pushed the strands of hair back that were determined to remain in her face as a breeze blew. "Christmas is a few days away though."
"You could spend the holidays here, if you would like...with me." Thomas tugged her close and slowly captured her lips in a tender kiss.
She was rooted to the sidewalk in shock over him kissing her. She had hoped he would. But as each night ended without one, she assumed he wasn't attracted to her. Now, though...
She wrapped her arms around his neck, pulling him into another more active kiss. She smiled against his lips when his hands slipped in her hair, encouraging the kiss to go on.
When it ended, she took a brief moment to gather her thoughts. "Perhaps I could stay until after New Year's, if you would like me to."
Thomas held her pressed against him and brushed his lips against hers. "I can't think of anything more I would like."
_______________
3 years later in that same theater...
"Would you like any Junior Mints?" Thomas asked, helping her off with her coat.
Amanda set her hand on her very distended belly and shook her head. "I don't believe our baby shares my love for peppermint and chocolate." She slowly lowered herself in the seat and sighed. "I can't believe you thought of coming here again."
He sat down next to her and placed his arm along the back of her seat. "I thought it might be nice to relive the night we met that led to this." He placed his hand on her stomach, smiling softly at the movement he felt.
She laughed while looking around the empty theater. "Seems to be the same crowd as was before."
"That is my doing." He explained. "I rented the entire theater just for us."
"You did?" Her smile turned tender.
He nodded, presssing a kiss to her lips. "And I have the same movies as before."
She rested her head on his shoulder and thought back to that night. "I didn't expect to end up staying here when I first came."
"I'm grateful my powers of persuasion worked so well." He gently rubbed her tense back while thinking of when he first approached her.
After spending the holidays together, he had received a script that had reinvigorated his passion for directing. He returned to Cordonia to film it and to spend more time getting to know Amanda. On the night of his new movie's premiere, he asked her to marry him. A few months after that they were on their honeymoon.
Now here they were, anxiously awaiting the arrival of their own classic film lover, who was already a week overdue in making his or her appearance.
As Remember the Night began, Thomas pressed a kiss to her forehead. "I am very thankful I met you that night."
Amanda sat up and held her stomach. "Meeting you was quite a surprise, though I believe tonight's might give it a run for its money."
His brow furrowed. "Why is that?"
She looked up at him with an excited smile. "My water just broke."
51 notes · View notes
winterironbang · 5 years
Text
Art Previews
Below you will find the art previews for this year, remember authors that its not quite time for claiming yet!
Take a good look and pick 2-3 favourites and remember which Number they are for when claiming does begin.
1. Prompt: Tony was taken by Hydra not long after the New York invasion and experimented heavily on Tony. The Winter Soldier escapes his captivity and kinds Tony locked up in his dragon form in a huge cell and decides he should break this poor creature out as well.The Winter Soldier could be his own personality next to Bucky, and if so he doesn't like Steve if that would come up. Restrictions: No Rape/Non-con, No OT3 (Stuckony), preferably a rather happy ending, or bittersweet. No sad endings. CLAIMED
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2 Prompt: Tony has always had a thing for swimsuit models.Limitations: go wild.Additional notes: happy to be as involved or uninvolved as the writer wants! CLAIMED
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3. Warnings: None that I can think of? Prompts: Definitely don’t have to stick to this, but this was just what was in my mind drawing this — They’re a Shoulder Angel and Shoulder Demon each trying to do a good job for their assigned Human - Natasha Romanov. I’d love it if maybe they’ve been working together over time to help Natasha (maybe to get out from under Red Room) without actually really seeing each other for a while until eventually they do. Not-Quite-Identity!Porn of some sort, with a bit of oh no he’s hot when they meet. Just imagine the hijinks with a little Nat and these boys as her conscience! Ha! Limitations: I know Tony is depicted as a Demon here, but this is Tony, please don’t make him out to be the actual Devil? He’s just doing his job but - oh no! - he gets attached to his Human and adversary and only wants the best for them, screw Hell’s policies CLAIMED
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4. warnings: none i thinkprompt: Post-apocalyptic AU! Scrappy mechanic Tony meets badass loner and fighter Bucky (with a clunky metal arm)? Maybe some getting to know (and later: trust) each other and surviving (together?) in a hostile world? Trying to make a living? limitatons and any additional notes:  No dubcon/noncon between Tony/Bucky, no sad ending, no super descriptive toture/body horror, Tony and Bucky should survive. Angst/Pain/Suspense otherwise are fine :)The second art is optional. CLAIMED
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5. Desired collaboration level(s): I would love to be included with the writing/brainstorming process, even just so much as being a cheerleader for it!-Additional details/requests/Prompt: Pre-WI/getting together fic. Wing Au. Maybe something like "Winged beings are discriminated against/unliked/people are nervous of them. Picture scene is: Tony was sitting out in the rain/stuck in the rain, Bucky comes and sheilds him from it with his wing. -Do Wants: Hurt/Comfort, angst is fine too, must be happy ending please, I prefer canon-divergent, but total au is fine too. -Do NOT Wants: Beastiality, Mpreg, A/B/O dynamics, BDSM, D/S verse, Hardcore kinks, Genderbends, Non-con, MCD, underage/age-changes/de-aging, Sad endings!(I would prefer no other/background ships, but can be discussed!) CLAIMED
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6. Warnings: blood Limitation: non-negotiable absolutely no Steve Rogers bashing Wants: OUAT crossover (non negotiable). Jefferson IS Bucky OR Bucky is Jeffersons twin. Steve as a main character as well. Prompt; Bucky goes missing after a mission, with seemingly no reason. A year later They find Bucky, only he's calling himself Jefferson and crying about a broken hat, and a horrific scar around his neck.
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7. warnings: possible gun violence, languageprompt: loosely based on Killing eve "you hired me to kill you!?" "I wanted to see you..." basically, Tony and Bucky (established relationship? Mutual pining? ) haven't spoken in awhile for reasons (are they fighting? Busy? ¯\_(ツ)_/¯) so Tony Hires Bucky to kill him. limitatons and any additional notes: none that I can think of but if you think there's something that could be squicky/a no go, just lemme know. I'm very open to collaboration with my author. CLAIMED
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8.  No warnings or limitations.  CLAIMED
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9. Warnings: None Prompt: Tony Stark meets Bucky Barnes in 1993 and they both fall for each other. One night, Bucky starts to cry. Tony asks what's wrong and Bucky tells him what happened to his parents. Notes: It really doesn't matter how you end this fic as long it includes some good old fashioned angst! CLAIMED
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10. Warnings: noneNotes: Was thinking of a Brookly-99 spin on it, something cute and funny for some feel good happy, but very open to anything really :) CLAIMED
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11. warnings: None Prompt: (Description: View is outside of a building. In one window Tony plays the violin. In the other Bucky types away.) CLAIMED
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12. Warnings:NonePrompt: (description: Bucky is sitting atop a motorcycle. Tony is approaching him, offering his hand for a handshake. Scene is dusk on an empty road.) CLAIMED
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13. prompt: tony is one of the last of his kind (inherited from his mother’s side). he hides his wings from the world, and only pepper, happy, and rhodey know what he is. everything else is canon as per the mcu. it’s up to the author to decide how far in the universe they want to take it, and if they wish to incorporate his wings elsewhere in the series, but tony is iron man and it must be post winter soldier. pre-relationship to getting together. limitations: please no graphic depictions of rape, suicide, or self-harm (specifically cutting. other forms of self-harm are okay, but please no self-inflicted cutting). no character bashing, ESPECIALLY of steve. no major character death. things i would like to see: BAMF!tony, ptsd (from either bucky or tony, or both!), a COOL secret reveal, angst, hurt/comfort, and fluff. some smut is okay! i would love if tony keeps the arc reactor. arm maintenance!! please!! tony being terrified of bucky finding out about his wings, and bucky being scared of hurting tony. relevant notes: tony’s wings are 18 ft (5.4 m) in diameter, and are red and gold. bucky still has hydra arm. that’s about it! i’m flexible on most things :) CLAIMED
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14. Description/Prompt: John Wick AU in MCU Open for brainstorming or alternate interpretations Warnings: canon typical violence for story (john wick levels or mcu levels up to author?) Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED
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15. Description/Prompt: any frontier myth/ old wild west tropes welcome Open for brainstorming or alternate interpretations Warnings: canon typical violence for story? Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED
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16. Prompt: Romancing The Stone AU. Tony is a tech reliant city boy who is out of his depth in the South American jungle while trying to save a friend. Bucky is the broke traveller who he convinces to be his guide. Adventures and hijinks and a happy ending ensue. Notes/Limitations: Doesn't have to follow the movie if you're not familiar with it. I don't want Tony to be a damsel in distress that needs to be rescued, just a fish out of water who adapts to his new environment. Any rating is fine, smut is welcome, no character bashing.  CLAIMED
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17. warnings: general audiences prompt: Bucky is part of the Avengers but he and Tony keep their distance. On a mission Tony saves Bucky from another fall. Later he asks Tony why he didn't let him slip when he knows he killed his parents. He doesn't believe Tony forgave him and confesses that he sometimes hates Steve for not catching him limitations: no Steve/Bucky/Tony, preferably no Stony, no ABO, no mpreg, preferably no BDSM or dom/sub CLAIMED
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18.  warnings: malnutrition, (minor) injuries, shackleslimitations: anything involving children and/or pregnancy CLAIMED
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19. Warnings:none Prompt: Mage Tony and assassin/rogue Bucky. Limitatons: No major character death, no infidelity, no unhappy ending, Bucky did not kill Tony's parents, would be absolutely fine with graphic sex Additional notes: Art will have at least one more companion piece featuring Bucky/Winter in Assassin type garb and probably wielding daggers. CLAIMED
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20. warnings: none? prompt: Dreadful pirate Bucky with a heart of gold! limitaions and any other notes relevant to the authors for claiming: I'd prefer it if Bucky wasn't actually a bad guy. Go easy on the gore, and please don't do any noncon or dubcon between the OTP. Angst or pain are good as long as there is at least a hopeful ending! CLAIMED
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21. Prompt: After the death of King Howard Stark, his son Anthony had to step up to the throne as the rightful heir. James Buchanan Barnes, a knight and new member of the Royal Guard, is sworn to protect his king no matter what. Even if that means protecting Anthony from his own damn feelings. Warnings: N/A Limitations: major character death, terminal illness, homophobia, transphobia, sexism, racism, incest, ableism Notes: Their designs are fantasy-influenced more than historical, and even though I was using MCU as reference, I aged Tony down since canonically Howard died when he was younger anyway! Also the scribble of a background is supposed to be inside the castle, during a party/ball or something? CLAIMED
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22. Artist Withdrew.
23. Warnings: None Prompt: The Addams Family AU Limitations/notes: None CLAIMED
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24. warnings: none? prompt: Warlord Bucky gets a new conquest: Tony. (How? tribute? prisoner? Marriage contract?) Tony may expect the worst, but slowly discover Bucky isn't so bad... limitaions and any other notes relevant to the authors for claiming: please no evil Bucky. I like getting to know each other and slowly falling in love. No dubcon/noncon between tony/bucky. CLAIMED
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25. Warnings: implied violence, kidnappingPrompt: I went with four comic panels sort of depicting a kidnapping scenario. Bucky (probably) wouldn’t be the kidnapper — i'm gonna try and make him look more surprised in the final draft. Limitations: Go wild. G ratings through Explicit is fine with me. Preferably no M-Preg though.  CLAIMED
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26. Warnings: None CLAIMED
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27. Warnings: None CLAIMED
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28. Description/Prompt: fluff or comfort? Warnings: - Limitations:  DNWs include a/b/o, mpreg, noncon, dubcon between major protagonists, death of major protagonists, unhappy/ bad endings CLAIMED
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29. Desired collaboration level(s): I would love to be included with the writing/brainstorming process, even just so much as being a cheerleader for it! Additional details/requests/ Prompt: Human!Tony/Werewolf!Bucky. Werewolf au. Do Wants: Hurt/Comfort, angst is fine too, must be happy ending please, I prefer canon-divergent, but total au is fine too. Do NOT Wants: Beastiality, Mpreg, A/B/O dynamics, BDSM, D/S verse, Hardcore kinks, Genderbends, Non-con, MCD, underage/age-changes/de-aging, Sad endings!(I would prefer no other/background ships, but can be discussed!) CLAIMED
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thranduilsperkybutt · 5 years
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Gif source:  John
Imagine you’re the adoptive daughter of John Wick because your mother was in a romantic relationship with him before she passed away, the two of them protecting you from a well-known mafia gang, and ever since your mother died, John has decided to teach you everything about being an assassin.
---------  Request for @goddessofhomosexuality  ---------
He hadn’t planned on teaching you anything about his life before he met your mother, but things had changed when she died. Circumstances had led to the upheaval of his past, and therefore compromised the possibility of a normal future for you.
At the very least, John could try to teach you how to survive it.
“Your mother would be proud,” he murmurs in a bittersweet tone, but you focus on the praise.
You grin up at him, “Well, I had a good teacher.”
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Note
What are some of the most tear-jerking Johnlock fics you've ever read? (Excluding Alone on the Water)
Oooh, I think I got something perfect for you here, Nonny. I finally have a reason to post this list XD
MAJOR CHARACTER DEATH / HEAVY-ANGST
The Sidewalk by politewarning (K, 956 w. || Post-TRF, Angst, Friendship, Sherlock’s Birthday) – Standing on the sidewalk outside the hospital on the 6th of January to have a one-sided conversation with his dead friend was not something John had intended to make into a ritual.
Sherlock’s Mind Palace by Valkyrie Of The Dead (K+, 1,091 w. ||  Drama, Hurt/Comfort, Major Character Deaths, Self Reflection) – Sherlock needs to change his mind-palace once again. He had hoped he wouldn’t, he had thought he wouldn’t, because they were invincible, weren’t they?
Friends Protect People by ArwendeImladris (T, 1,145 w. || Angst, Reverse-TRF, Friendship, Tragedy, Ambiguous Ending) – Friends protect people. John protects Sherlock.
The Simple Separation Will Not Come Between Us by The Circus (T, 1,278 w. || Hurt/Comfort, MCD, Violence, Heavy Angst, Sherlock’s Mind Palace, Prose) – The choice is simple. Real, and No John. Or Not Real, and John. For a prompt that says ‘John dies and Sherlock loses himself in his Mind Palace’
Yorkshire Gold by Tammany Tiger (K, 1,467 w. || Friendship, Hurt/Comfort, Mild Angst, Open Ending, Grief) – Mycroft may not mourn Sherlock’s death-but even if he knows his brother lives, he’s not without his own grief. It ain’t easy being The British Government. But at least he’s got good help. Set between the Fall and the Return.
Left In The Ashes by zoltargirl (T, 1,497 w. || Angst, MCD, Angry Sherlock, Brutal Violence) – Rage is a unique quality in all human beings. In Sherlock Holmes, it’s terrifying.
By the Graveside by CraftyLion (K, 1,505 w. ||  Hurt/Comfort, Major Character Death) – But what if Sherlock never really survived The Fall? What if the Sherlock in the graveyard was merely a spirit, forlornly watching his friend from the Other Realm?
A Long Way To Home by PeaceLoveAndCheese (T, 1,568 w. || Angst, Hurt/Comfort, Reunion Fic) – Human emotions are tiring, troublesome things. And Sherlock wants to be known as anything but that. No matter how hard you try though, you’re only human. And it’s been a long year.
Ten Minutes by PrettyArbitrary (K+, 1,660 w. || Angst, Friendship, MCD, Unhappy Ending) – In ten minutes Sherlock will live in a world with no John in it. Ten minutes is how long they have for everything. Warnings: there are no happy endings here.
Take My Hand, Knot Your Fingers Through Mine by patster223 (K+, 2,003 w. || H/C & Friendship)- Love this one so much. Sherlock and John get into a cab accident, and Sherlock just NEEDS to be near John. It’s angsty and bittersweet. I love this one.
Only Human by BlackBandit111 (K+, 2,179 w. || Tragedy, Major Character Death, Sally POV) – Sally Donovan didn’t think she’d ever see Sherlock cry.
The Deafening Silence by occasionally-maybe-never (T, 2,238 w. || Angst, Major Character Death, Post-TRF) – ‘Sherlock hopes fiercely that John can hear him, as sometimes coma patients can. He knows that John will understand, that his admission of love isn’t a grand, sweeping romantic statement, but simply an expression of truth.’ When Mycroft retrieves Sherlock to bring him home, it’s not to John having dinner, but to John on his death bed.
Thief by KendylGirl (M, 2,430 w. || Rev. Reich., Heavy Angst, Regret, Grief / Mourning, Pining Sherlock, Implied Drug Use, Self-Flagellation) – John has been gone for four months, and Sherlock is not dealing well with it. When he finds a personal item of John’s, the situation reaches a crisis. Part 3 of When to Let Go
The Battersea Bridge by pininglock (M, 2,585 w. || MCD, Angst, Grief, Unhappy Ending) – A life without John Watson isn’t a life worth living.
You Paid Me Well In Memories by Ballykissangel - (K+, 3,149 w. || Heavy Angst, Hurt, Comfort, Grief) –  It’s Sherlock’s birthday and John is not doing well. No matter how hard he’s tried to keep on living, he knows he is going to give up soon and he isn’t going to make it. Today is his last and only chance to visit Sherlock’s grave to talk and give him his gifts: His dog tags, a book full of notes and memories and the meaning of love as Sherlock watches on in grief.
Too Late by SJBHasADayPass (T, 3,390 w. || Angst, Suicide, Tragedy, Major Character Death, First Person POV) – Six months after the Fall, John is finding it difficult without Sherlock, and Sherlock is finding it just as painful.  
Nursery Rhymes by macrauchenia (T, 4,064 w. || Angst, Suspense, MCD, Unhappy Ending) – “Hickory dickery dock. Sherlock’s against the clock. When the wick is gone, so will be John. Hickory dickery dock.” - John is in a struggle for his life in a warehouse rigged to blow by Moriarty.
Sink Like a Stone by pennydreadful (T, 4,348 w. | Angst / Dark, Cuddling/Snuggling) – After defeating Moriarty at the pool, life isn’t quite the same around 221B Baker Street…it’s more peaceful. And stranger.
London’s Ghost by JustlikeWater (K+, 5,642 w. || Tragedy, H/C, Angst, Post-TRF AU, Sherlock POV) – “Today, it’s been weeks since Sherlock died. Other times, years. He doesn’t know for sure, though. Time passes differently for the dead”
I’ll Be Fine by whitchry9 (T, 6,473 w. || Hurt / Comfort, John Whump, Friendship, MCD, Heavy Angst) – John says he’ll be fine, and Sherlock believes him. Until he can’t any more. And it’s awfully hard to forgive John for lying about something big like that, even if he didn’t mean to. Not using warnings because spoilers, but there are some.
Second Waltz by Atiki (T, 6,685 w. || MCD, Angst, Fluff, Cancer) – “The night I died, you wished I could wait for you.”
Not Alone by taliapaxton (K+, 7,034 w. || Angst, Friendship, MCD, Euthanasia) – Alone on the Water from Sherlock’s point of view. Inspired by the wonderful fiction, “Alone on the Water”
Goodbye, John by XxMildredxX  (T, 7,154 w. || MCD, Angst, Self Reflection, Bittersweet Ending) – John finds it very difficult to tell Sherlock of his diagnosis, but it seems Sherlock has deduced it himself. As John says goodbye, he and Sherlock struggle with the feelings that this brings on them, and how Sherlock will go on when John has gone.
It’s Natural To Be Afraid by Jenn1984 (T, 7,283 w. || Tragedy, Angst, MCD) - Refusing to accept the obvious, Sherlock searches for what he believes truly happened the night his world was shattered.
Drowning in Darkness by chappysmom (T, 7,575 w. || Hurt/Comfort, Kidnapped John, Post-TRF Hiatus / Reunion, John Whump, Angst with Happy Ending, Depressed John, Background Case Fic) – He couldn’t decide if it was a relief or a curse that he’d been left completely, absolutely alone. You couldn’t fight darkness with your fists, and no matter how strong your will-power, it could be beaten down by the constant monotony of nothingness. Nobody needed John.
Alone On the Water by Mad_Lori (G, 7,725 w. || MCD, UST/URT, Angst, Euthanasia, Love Confessions) – Sherlock Holmes never expected to live a long life, but he never imagined that it would end like this.
On the Steadfast Approach of an Oncoming Darkness by 2bee (T, 7,772 w. || Apocalypse, Minor Character Death, Sort of Parentlock) – The world is ending. Not fast, but slowly, like falling asleep with a fever.
When Evening Falls So Hard by Ballykissangel (K+, 8,251 || Heavy Angst, Hurt, Comfort, No Slash) –  All the kings horses, all the kings men couldn’t put John Watson and Sherlock Holmes back together again. Post reichenbach prequel to We Might Not Make It Home. Returning Sherlock never dreamed they would end like this, he never thought he would be watching a shattered John standing on the roof edge of Barts leaving a death note as Sherlock begs him not to jump.
Galapogos by anchors (E, 8,460 w. || Hurt/Comfort, Angst, 5 and 1, John Whump) – Somewhere in the depths of the universe, and somewhere in the middle of Sherlock’s chest, a star goes into supernova.
In The End by whitchry9 (K+, 9,677 w. || Memento Fusion || Amnesia, Growing Old, Hurt / Comfort, Friendship, Heavy Angst) – When a brain injury leaves Sherlock unable to make new memories, John wonders how Sherlock will cope, and what it will mean for The Work and their life. Because after all, how can you live if you can’t feel time passing?
We Might Not Make It Home by Ballykissangel (K+, 10,702 || Angst, Hurt/Comfort, No Slash) – A few months later they are on a case that has gone horribly wrong They find themselves gravely wounded and locked in a cellar Holding onto to each other and trying their best to stay alive Sherlock can’t bring himself to say another goodbye to his dying friend and John can’t find the will to live anymore and just wants to stop hurting. Sequel to When Evening Falls So Hard.
Where the Sun Never Shines by teahigh (T, 11,634 w. || PTSD, Nightmares, H/C, Post-TRF, Implied Sex) – John is a mess. Sherlock can’t fix him, but he tries. That’s good enough, John thinks.
Software Malfunction by tiger_in_the_flightdeck (E, 16,679 w. || Android Sherlock, Love Story, Unhappy Ending, Angst) – “You think I can’t love you? Just because you’re made with metal, and detailed programming?” The doctor propped himself on his elbow, and looked down at it. “I am nothing but blood and bone, and tissue. Things just managed get mashed together in a manner that made me like this. Just like you were put together to make you how you are. When I kiss you-” he did so, briefly, to prove his point. Then more deeply, and lingering, because he could. “When I touch you, or smile at you, does it make you feel different from when others have done it in the past?”
Six Months by dreamergirl090 (T, 16,978 w, Angst, Friendship, Major Character Death) – John doesn’t show up to a crime scene. Lestrade wonders if John and Sherlock had a row. Molly knows it’s more complicated than that. This is a beautifully painful fic about John and Sherlock finding each other at the end.
Sherlock’s Head, John’s Heart by Altego (T, 17,252 w. || Tragedy, Heavy Angst, Heavy Bromance, Sherlock’s Mind Palace, Mary is Nice, Friendship) – After Mary dies, John tries to cope, and Sherlock blames himself but tries to make John understand how important John is in his life.
Checkmate to a Castled King by LaSuen (T, 18,290 w. || Friendship, Hurt / Comfort, Sick Sherlock, Heavy Angst) - John dies. Or at least everyone thinks he does.
The dying Doctor by marylouleach (T, 21,168 w. || Hurt/Comfort, Friendship, John Whump) – Doctor Watson is gunned down in a dark alley after work, Sherlock wont rest until he finds the man responsible. Guilt riddles him when he realizes he could have prevented this.
When to Let Go by KendylGirl (M, 22,109 w. || Friends to Lovers, Reverse Reichenbach, Sacrifice, Forgiveness, Angst, Love, Implied Drug Use) – What if it were John who had to die to thwart Moriarty’s plans? John’s supposed death shatters Sherlock, and when he returns, it will challenge the pair to forge a path of forgiveness, to peace, and to find a way back to each other. Part 1 of When to Let Go
You Have Drawn Red From My Hands by J_Baillier (T, 67,085 w. || Three Garridebs, Heavy John Whump, Hurt / Comfort, Pining, Heavy Angst, Case Fic/Adventure, Slow Burn, Sick Fic, Injury, Guilt & Depression, Just Talk Already Please, Medical Realism, PTSD) –  John getting injured leads Sherlock on a path of guilt and revelations.
Not Broken, Just Bent by Schmiezi (E, 87,585 w. || Pining, Love Confessions, Torture, Hurt/Comfort, Heavy Angst, Villain!Mary, Suicidal Ideations, Main Character Death, Sherlock POV, Eventual Happy Ending) – “For a second, I allow myself to remember teaching John how to waltz. There is a special room in my mind palace for it. A big one, with a proper parquet dance floor. For a second, I go there. I remember holding him, closer than the World Dance Council asks for, excusing it with the fact that we are training for a wedding, not for a competition. For a second, I feel his hand on mine again, smell his sweat, hear the song we used. For a second, I allow myself to love him deeply. For a second, only a second, that love reflects on my face.” Fix-it for S3, starting at the end of TSoT. Evil Mary.
If you want something softer but still tearful:
Pining Sherlock [MOBILE FRIENDLY VERSION]
John Realizes How Important Sherlock is To Him
John Marries and Sherlock Admits his Feelings
Kidnapping, Hostage, & Stalking
John During the Hiatus
Angst With a Happy Ending
Letters from Sherlock After the Fall
Angsty Fluff
Hope you enjoy!
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johnwickb1tsch · 3 months
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bittersweet ~ a yandere!John Wick x fem!reader sunshine/grump coffee shop AU... Part 1
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-Imagine that after John Wick wins his freedom from the High Table, he [re]retires to your sleepy little mountain town, where you work in a coffee shop...
-Your quaint little town tucked in the mountains is the kind of place people go to get away from it all, and you can’t help but wonder what Mr. Wick is running from. He is an unfairly handsome man. You nearly make a huge fucking fool of yourself, the first time he approaches your counter, so taken that you could hardly speak. For all his good looks there is something compellingly melancholy about him. You see it in his soulful dark eyes, and the set of his shoulders. You can see this man carries a weight beyond what anyone of his years should bear.   
-He becomes a regular at your little coffee shop, and you get over your shyness with him. He’s soft spoken, sometimes a little grumpy, but usually impeccably courteous compared to some of your unbearably entitled clientele visiting from the Big City for the ski resort or the hiking. He never orders anything fancy, just black coffee, and he likes to stay for an hour or so in the cozy cabin atmosphere of your shop. He favors a corner table tucked in the back by the river-stone fireplace, usually reading an old book, though sometimes you think he just sits, his attention fixed beyond the page he’s on, eyes not really seeing the room.
-You manage not to stare too hard, when you see him without gloves for the first time, and realize he is missing his left ring finger. You are not repulsed. You just wonder what happened to him.
-In time you notice he barely touches his unadorned coffee, and you wonder if he even likes it. You don't know where you get the cheek to tease this so-serious man. “Do you just order it like that to match your clothes?” You’ve never seen him in anything but head to toe black.
At first he looks at you as though you have grown a second head. Then he answers, completely dead pan, “Maybe it matches my soul.” 
You snort with laugher, not believing him.
Maybe you should have, looking back.
“Sure, Mr. Wick.”
The next day you surprise him with a cup of something you concocted with him in mind. It's nothing too scathingly original. Just a dark chocolate mocha, with a splash of hazelnut, and just a bit of steamed cream. “Try this,” you say, setting it on his table totally unsolicited. You feel validated, for he's barely touched his black coffee again. 
“What is it?” he asks, peering at it suspiciously. 
“I just think you might need something a little sweet.” 
He looks up at you through his long hair, and you don't know why, but a little chill runs down your spine. It's not fear, exactly. It's like walking in the woods, and stumbling on a powerful animal on the trail. Something that maybe could eat you, if it chose, but instead just disappears back into the dark trees.
You do not pester him anymore that day, even if it is the highlight of your shift sometimes. But when you go to clean up his dishes you do notice the cup you gave him is empty. 
He doesn’t come in for almost a week after that, and you fear that maybe you were too pushy and pissed him off with your boldness. 
Maybe it's a little pathetic, the way your heart leaps when he walks through the door again.
“I’ll have…whatever that thing was you made the other day.”
You try not to gloat, but your lips twist in a smile.
-It becomes your little mission in life to make this man smile, and if just the corner of his mouth ticks up at some point during his visit you feel as though you’ve accomplished a good thing.
Maybe it’s totally a cliché, but you’re an artist, and when you’re not making coffee, or cleaning up coffee, you draw bright designs on the chalkboard around the menu with your pastels. You make elaborate landscapes and art nouveau maidens inspired by Mucha. People in town seem to enjoy your weekly designs, which is nice, even if it’s not entirely the recognition you crave. Four years of art school just to doodle on the chalkboard, you can hear your father say. He’s not wrong, but it still stings.
One day, you sketch Mr. Wick reading in the corner on the back of a discarded receipt. He is…such a lovely man. When you walk past you slip it on the table for him. You don’t let yourself watch his reaction. If you had, you would have seen his expression soften, the stony façade cracking even if just for a moment.
Is this how you see him? Not some broken down old man, the way he absolutely feels after his war with the High Table, but something…not unpleasant to look at.
You don’t know it at the time, but this is the action that sets off an avalanche. You wake a sleeping beast in him, and a dark obsession begins to kindle.
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curdinway-blog · 4 years
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Top 102 Movies of the 2010’s, According to a Crackpot
I’ve decided to try the impossible.
The seed for this idea came from Polygon.  The site ran an article by which various staff members ranked their top ten movies for the decade.  Naturally, that got me thinking about MY top ten films for the decade.  Then I realized I hadn’t seen most Oscar winners, let alone enough movies to qualify to make a list.  Then I realized I would have much, MUCH more than ten movies in my list.
Thus, I embarked on a madman’s dream.  It involved crunching movie after movie after movie, then trying to hopelessly rank it on my list if I thought it was good enough.  I missed my own deadline of New Year’s.  Now, I am releasing this on my next deadline: The Oscars.  Literally now, when they are already underway.
I hope you will read this list with some forgiveness in your hearts.  Biting off more than you can chew doesn’t describe it.  There are a whole host of movies I wanted to see before I made this list I haven’t gotten to and probably never will.   There are many movies on this list I saw close to a decade ago and am trying to place in a ranking against pieces I just saw a few days ago.  Oh, and I’m comparing across genres and types.  What I’m trying to say is, this list is probably going to suck in a lot of ways.
With that being said, I really did try to rank the following to the very best of my ability.  I racked my brains, racked them, and racked them again. Ultimately, I made my decisions from a whole host of criteria, ranging from everything from pacing, to various aspects of entertainment value, to complexity/themes, to cinematography.  I tried to be objective as much as possible, but I also think that how much you like a movie should be considered a piece of criteria as well. After all, that’s primarily why we go to the movies; we want to have a good time.  As such, expect to see a lot of science-fiction and animation of this list. In my defense, it was a great decade for each.
And now…without further ado…let me introduce…The Top 102 Films of the 2010’s, According to a Crackpot!
  102. Live Die Repeat: Edge of Tomorrow
Starship Troopers meets Groundhog Day, Live Die Repeat is a well-executed mecha-battle movie with a wrinkle of time-travel tossed in for good measure.
 101. Wreck-It Ralph: Ralph Breaks the Internet
It may not be as good as the original, but Wreck-It Ralph 2 makes the grade with some cunning swipes at internet culture, the world’s best worst Disney Princess song, and bittersweet revelations about what it means to be a true friend.
 100. Mirai
Few films truly approach their story from a child’s perspective; but in tone, structuring, and imagination, Mirai lets us see again through young eyes.  Director Mamoru Hosoda uses time travel as a vehicle for exploration of deeply personal familial relationships, and how they shape us into the people we become.
 99. The Last Gold
The Last Gold is an unheralded little gem about a quartet of female US Olympic swimmers who found themselves competing in an impossibly frustrating and unfair situation; the 1976 Olympics.  As East German swimmers swept podium after podium (with the aid of a systematic doping program), the US Women’s team faced intense public criticism, especially phenom Shirley Babashoff, who could have been the female Mark Spitz if not for the rampant cheating going on.  Largely forgotten and regarded as a disappointment by the American public, The Last Gold illustrates the team as one worth remembering and dignifying; in particular, for their final, desperate effort at gold in the 4 x 100 m freestyle relay.
 98. Mad Max: Fury Road
Pretty much nonstop surreal nutty action, Mad Max surely has some of the most creative and tricky stunts done in the past decade.
 97. The Amazing Spiderman
Utterly forgotten in the wake of its more successful follow-ups (and predecessors, for that matter), The Amazing Spiderman is nonetheless a solid reboot of some well-worn material. The concept behind Spidey’s origin is well-thought out and original, and ties directly to an interesting villain who is more the victim of his own genius than the archetype evil megalomaniac.
 96. Doctor Strange
Doctor Strange marks itself as unique among the various Marvel offerings by pondering nothing less than the meaning of life… and overloading us with psychedelic, Inception-esque imagery.
 95. Concussion
Featuring a terrific and vocally unrecognizable Will Smith, Concussion asks not only some difficult questions about the country’s (and my own) favorite sport, but also some difficult questions about what it means to be an American.
 94. The Big Sick
I’m not a big rom-com guy, but The Big Sick won me over by creating romantic tensions from realistic scenarios; in particular, the difficulties that arise from differences in race and religion.  The film’s awkward sense of humor is well-incorporated, making this a funny movie as well as an intelligent one.
 93. Bridesmaids
A funny movie about friendships and change (anchored by an excellently tragicomic Kristen Wiig), Bridesmaids showed the Judd Apatow formula could work on equal terms for the female sex.
 92. 50/50
50/50 tackled the cancer movie with an unusual slant of good humor, and chased it down with heartfelt drama and good performances.
 91. Hanna
In which a supergirl Saoirse Ronan (pre-fame and accolades) is honed into an assassin by her father so that she can kill a wicked, hammy CIA operative Cate Blanchett before the agency gets to her first.  If you ever wanted to see a small girl beating thugs to death with her bare fists in the style of Jason Bourne, this one’s for you.  Loads of fun, totally bananas, and dripping with cool.
 90. Hunger Games
More or less a faithful adaptation of a literary bestseller, Hunger Games nonetheless deserves credit for doing the job right.  The cinematics and ideas here are very nice for a teen blockbuster, and Jennifer Lawrence rightfully turned into a star for BEING Katniss Everdeen.
 89. What We Do in the Shadows
Quirky, subversive, hilarious, and utterly “New Zealand”, What We Do in the Shadows made vampires and werewolves funny again…in a good way.
 88. Icarus
An accidental documentary seemingly spurred on by fate, Icarus is about the creep of misinformation and deception into every aspect of our lives, even sports, by the unscrupulous and powerful.
 87. Prometheus
A film I absolutely adored the first time around, but toned down my enthusiasm for with a more critical eye to detail.  Nevertheless, Prometheus should be appreciated for its immense scale of ambition and huge open-ended philosophical questions; it should also be appreciated for throwing a veritable kitchen sink of full of campy horrors at its viewers, including a crazy autosurgery scene.
 86. 10 Cloverfield Lane
10 Cloverfield Lane flies high on its simplicity.  Three main actors, one small doomsday shelter, and loads of palm-sweating, stomach-clenching, double-guessing suspense.  John Goodman, you so craaaaazy.
 85. Fantastic Beasts and Where to Find Them
Give J.K. Rowling credit for not making this a cynical cash grab; the writing in Fantastic Beasts is actually delightful.  There is a strong balance here between the sweet magical whimsy going on and some dark, brooding commentaries on American society.  A strong cast of endearing characters rounds out a very robust entry in the Harry Potter series.
 84. How to Train Your Dragon II
A very good sequel to a classic, HTTYD II still provides the acrobatic, dragon-flying goods, even as it steers us into a troubling, thought-provoking battle between might and right, fixed circumstances and free will.
 83. The Big Short
While Inside Job will always remain the definitive work on the maddening 2008 financial collapse, The Big Short is a strong effort featuring intimate inside perspectives of the actual people who did the dynamiting.  A slick sense of humor and a celebrity all-star team intent on ripping Wall Street a new one makes this film a winner.
 82. Captain America: Civil War
Cap: Civil War is noteworthy in that it makes civilian collateral damage the primary fulcrum and conflict of a superhero movie.  It is also a bit of a “mini-Avengers” that successfully incorporates some slam dunk additions to the team; then pits them against each other.
 81. Get Out
One of the decade’s cleverest and most ambitious horror flicks, Get Out shows how the sum of a million little microaggressions equates to something very ugly indeed.
 80. The Hateful Eight
A slow-burner as far as Tarantino films go, The Hateful Eight is an interesting social play interspersed with exaggerated violence and profanity; a commentary on how our nation was forged in the fires of overcoming racial and societal differences.
 79. The Hunger Games: Catching Fire
Catching Fire does what all good sequels aim to do; take the appealing constructs of the original film and pump them up on steroids.  Everything the Hunger Games did, Catching Fire does bigger, badder, and better.
 78. Big Hero 6
A weeaboo’s dream, a great superhero flick, and a gentle meditation upon loss and healthy grieving, Big Hero 6 is a very entertaining film with a big heart and a wonderfully plush-looking buddy robot.
 77. Mary and the Witch’s Flower
Mary and the Witch’s Flower is a Studio Ghibli flick, helmed by Studio Ghibli animators…under a non- Ghibli studio.  Here are all the familiar beats we love as viewers; the weird, wonderful setting (a school of sorcery for talented children), abuses on the natural world wrought by technology and ambition, and a delightfully ordinary red-headed girl who must think on her feet and grow if she is to survive.  Harry Potter crossed with Miyazaki…who could ever resist that?
 76. Avengers: Infinity War
The key to Infinity War’s successes is Thanos.  The Mad Titan had been waiting in the shadows for most of MCU’s run during the past decade; in Infinity War, we finally see him in the formidable flesh.  At once terrifying and tragic, Thanos is the most iconic villain of the 2010’s; a villain finally worth pitting an entire squad of heroes against, and perhaps, more than a match for all of them.  The film’s shocking ending and willingness to go to darker places makes this movie MCU’s The Empire Strikes Back.
 75. Alien: Covenant
Man, did Covenant get a bad rap.  Audience members branded its characters stupid, its monsters unscary, and its premise a letdown from Prometheus.  They were wrong on every count.  The characters of Covenant act as normal explorers should; not as we, in all of our omniscient wisdom, should advise them to.  The monsters are absolutely bloodcurdling; truly nasty, unrelenting creatures which are content to flay their victims alive if they cannot kill them outright.  And the story did not answer many of Prometheus’s big questions because it was simply better and more interesting than that.  I posit the reason Covenant was such a flop is not any failure on its part, but rather a failure of audiences’ openmindedness and tolerance for the macabre.  Alien: Covenant is the best Alien movie since at least Aliens; a pitch-black, bordering on nihilistic tale of bad things happening to good people.  It is also a successful conglomeration of the various qualities of Alien, Aliens, and Prometheus, and a fascinating cross-examination of an android who is too human for his own (or anybody’s) good.
 74. The Shape of Water
Amélie meets The Swamp Thing, The Shape of Water is an odd, intriguing romantic Cold War thriller that celebrates those members of society who are ostracized, marginalized, or cast aside.
 73. ParaNorman
Funny, scary, and important, Paranorman is a spooky, kid-friendly take on tolerance and the price of ignorance.
 72. Gasland
By all practical accounts, Gasland is horrifying.  This is a film that shows the surreal consequences of free-for-all fracking; water that can be set on fire, air pollution that exceeds 100x the safe limit for some toxins around fracking wells, and literal poisoning of wildlife and residents via breathing, drinking, and skin absorption.  While all of this content would make for a great documentary, it is banjo-pickin’, easy-going filmmaker Josh Fox who makes this film even better. His heartfelt personal accounts and willingness to stand aside and let the victims speak for themselves gives this documentary a warmth and decency usually missing from such explosive exposés.
 71. Wreck-It Ralph
A hilarious mash-up of video games and memorable arcade characters, Wreck-It Ralph manages to stay clever, hip, and inventive the whole way, even as it plays expertly off audience nostalgia.
 70. Green Book
Thanks in large part to its pair of terrific leads, Green Book manages to be an uproariously entertaining road trip buddy movie; even as it brings to light the racial problems which existed (and continue to exist) in America.
 69. Scott Pilgrim vs The World
Possibly the most Millennial film ever made, Scott Pilgrim is a busy, delicious barrage of video games, garage bands, pop culture references, and comics.  Intricately detailed and gut-bustingly funny, Scott Pilgrim’s supply of visual gags and uber-referential one-liners is practically (turns 8 sideways on fridge) infinite.
 68. Captain America: The Winter Soldier
Winter Soldier is high-tier MCU.  The electric superhero proceedings benefit from a deliciously twisty plot, and a surprising injection of sharp political commentary.
 67. Dunkirk
One of the most viscerally intense PG-13 movies ever, Christopher Nolan’s war epic is a nightmarish tour-de-force that places viewers directly in enemy crosshairs.  In typical Nolanian fashion, however, this is also high-brow, intellectually stimulating fare.  There is not only the logistical puzzle at play of how to successfully evacuate 300,000 plus English soldiers from the French coast; Dunkirk understands warfare as a product of two extreme and opposite polarities of human nature. War cannot be waged without nasty, selfish streaks of human survival, as there will simply be no one left to fight it; neither can it be won without remarkable acts of courage and willing sacrifice.
 66. Blackfish
Deeply troubling and disturbing, Blackfish shows what happens when you take the most intelligent and sensitive animals in the world besides us and confine them in a bathtub for their entire lives.  A stirring call for respect for nature, and a long-running tally of SeaWorld’s sins, Blackfish is a must-see documentary.
 65. Contagion
Contagion is one of the decade’s scariest films.  After all, murdering mask-wearing lunatics and supernatural bumps in the night can be discounted as a trick behind the camera; but the boogeyman in Contagion almost assuredly exists, a nuke buried somewhere in the bosom of Mother Nature.  If we blunder into it, God help us all.  The film’s chilly, distant demeanor and scientific accuracy (Contagion gets bonus points for being the most scientifically accurate movie of all time) makes its depiction of a modern plague frighteningly plausible; its fixations on points of transfer are enough to convince anyone to wash their hands twice.  
 64. How to Train Your Dragon
One of the best movies to ever exit out the Dreamworks pipeline, HTTYD is an excellent parable about hate and jingoism, wrapped up in an exhilarating thrill ride that made us all want a Toothless of our own.
 63. Restrepo
Restrepo is such a hard film to gauge.  It doesn’t take aim at politics, or delve too deeply into the lives of its subjects; American soldiers in the Korangal Valley, Afghanistan.  Restrepo is content to simply put us in their boots.  Never has combat been so realistically brought to the American doorstep.  In Restrepo, one can see the terror of death, the adrenaline hit of downing an enemy, the tomfoolery of kids messing around with one another in between bouts of fighting for their lives.  This is the pure essence of modern war; in its DNA, one can see what so many directors of fiction have been trying to recapture in their work.  Restrepo is a remarkable and dangerous accomplishment; an accomplishment that would eventually cost co-director Tim Hetherington his life while shooting a subsequent film in Libya.
 62. Abominable
Dreamworks has been a rather lackluster studio in comparison to the rest of the industry.  With that being said, it is more than capable of making great movies; and Abominable is right up there with the best the studio has ever made.  This gorgeously made Asian-flavored film explores China as a meeting grounds of various philosophies; wealth and privilege versus working class, urban versus agrarian, East versus West, and how exploitation and cultural diffusion have reshaped life there.  It is also simply a wonderful tale of an introverted girl who must travel to the Himalayas to deliver a magical yeti back to nature; and how that journey unlocks her ability to grieve and connect with others.
 61. Winter’s Bone
Winter’s Bone is the movie that announced to the world that this Jennifer Lawrence person could act, I tell you h’what.  This menacing coming-of-age journey through the Ozark drugscape shows the importance of family in such poor, isolated communities as something more than a cliché of hillbilly pride; it is actually a means to survival and redemption.
 60. The Boy and the Beast
The Boy and the Beast can certainly be appreciated simply as a fantastical, colorful training/battle movie about an orphaned human boy and his cantankerous bear master.  But it is as it dives deep into the complexity of the male mind that the film fascinates thematically and generates stirring emotional resonance.  In particular, the film has something to say about the anger that can spur young men to violence, and the stabilizing force a mature male presence can have (but does not always have) on that anger.  The benefits of fatherhood extend to father-figures as well, who become more emotionally aware and sensitive, and gain deeper meaning and fulfillment in their lives. Hosoda is truly one of the best directors working in animation today, and The Boy in the Beast is typically intelligent, thematically dense work from him.
 59. The King’s Speech
A feel-good film done with classical style, The King’s Speech is an elegant, touching tale of friendship that will surely play well among lovers of The Royal Family.
 58. The Artist
Thanks to rich visual storytelling and fantastic performances, this pre-talkie throwback hardly needs words to delight.
 57. The Tale of Princess Kaguya
Isao Takahata’s final film The Tale of Princess Kaguya feels like a beautiful pastel picture book brought to life.  At once a fable of ruinous greed, classism, and sexism, it is also a haunting soliloquy of love, nature, freedom, beauty, and death…all that makes life precious.
 56. Kubo and the Two Strings
Kubo and the Two Strings makes me mad.  Not because it is a bad film; far from it.  I am angry because Kubo had everything going for it.  It had big-name actors, it had effects which pushed stop-motion to its limits, it had a big marketing push in theaters to push viewership, it had great critical reviews.  It was supposed to be Studio Laika’s crown jewel; the film that would win big at the box office and thrust the studio of perennial indie hits like Coraline and Paranorman into well-deserved limelight.  And it was good.  Like, really good!
Unfortunately, Kubo and the Two Strings flopped at the box office, for reasons I cannot imagine nor articulate in polite company.  But it will get its due here; Kubo is a stop-motion masterpiece with rich, resonant themes and ground-breaking visual effects.  It also has a rendition of “My Guitar Gently Weeps” on a Japanese samisen. So go see the damn thing.
 55. The Wind Rises
We might be getting another Miyazaki film after all, but The Wind Rises was a fantastic send-off piece for anime’s most legendary director.  This is a truly complex, mature film about the relation of beauty and art to woe and suffering, and a critical examination of the tunnel vision that often grips great artists.
 54. Knives Out
A classic whodunit tweaked for the modern era, Knives Out balances its twisty mystery proceedings with some well-timed black humor and more than a few pokes at the wealthy elite.
 53. Inside Job
A carefully researched and scathingly delivered incrimination of the greed that ruined a nation, Inside Job is one of the best documentaries of the era.
 52. Hugo
A wondrous, Dickensian-tale of an orphan who lives in a Paris train station and discovers the secret of a mysterious automaton, Hugo is an intelligent, sensitive family picture and a touching love letter to early cinema.
 51. Moonlight
Being different is hard, as I can say from firsthand experience.  While I can hardly imagine what it is to be African-American or gay, let alone both at once, Moonlight offers some glimpse into that difficult reality.  The film’s touching love story is a journey of self-acceptance and courage that is well worth seeing.  
 50. Tangled
Tangled was Disney’s announcement to the rest of the field that it was back, baby.  After a period of shaky and poorly thought-out 3-D projects in the early 2000’s, Disney took a long, hard look at itself and identified what it did best, then brought out the best of those qualities in its witty, triumphant take on Rapunzel.  Here are the songs, guffaws, villains, and magic we all love as fans, delivered perfectly into the next dimension.
 49. Source Code
Groundhog Day via sci-fi thriller, Source Code is a clever, action-packed take on time travel, but also an emotionally investing take on what it means to live each day-and life-to the fullest.
 48. Toy Story 4
Rarely has a sequel piece ever seemed as risky as Toy Story 4.  The studio had its closing piece in Toy Story 3; a film I thought was respectable but not particularly interesting.  But rather than let sleeping dogs lie, Pixar opted to throw that ending in the garbage…and pulled something far more bizarre and wonderful from the trash.  Toy Story 4 is a wacky, existential riff that acknowledges the importance of family and responsibility in our lives, while simultaneously declaring that it is okay to value ourselves outside those traditional parameters.
 47. Arrival
Arrival is hard science-fiction done exceedingly right.  Depicting an extraterrestrial visitation across the globe, Arrival seems truly tangible in a way most alien films do not, down to the very form of its decidedly non-humanoid creatures.  In vein of Contact or Interstellar, Arrival picks the brain and heartstrings with equal acumen, making it a lasting and valuable commodity to anyone’s sci-fi library.
 46. Spiderman: Homecoming
Spiderman: Homecoming is the geekiest of Spiderpieces.  This is the Spiderman where Spiderman is Go-Pro-ing himself before a big battle, or joining a quiz bowl team, or building a Lego Death Star with his nerdy confidante, complete with miniature Lego Palpatine.  Light, refreshing, and utterly hilarious, Homecoming gets a lot of mileage out of Tom Holland’s awesome portrayal, and tells a simple, uncomplicated story that doesn’t impede the shenanigans.
 45. Harry Potter and the Deathly Hallows Pt. 2
Audiences were expecting a fireworks show for Deathly Hallows: Part II, and boy did they get one. A terrifically exciting heist sequence and a grand final battle made this the most epic and exciting entry in the Harry Potter canon.  The culmination of carefully laid character arcs and sentimental links back to the series’ early days had fans smiling through their tears and punching their tickets to Platform 9 ¾ again and again.  A splendidly satisfying sendoff.
 44. Skyfall
Apparently, you can teach an old dog new tricks.  Skyfall brought Bond into the new decade in style, modernizing and sharpening all its facets while remaining, yes, Bond.  James Bond.
 43. Argo
Argo is a rock-solid retelling of a tense CIA extraction op, hitched to the allure and wonder of good old-fashioned movie making.  
 42. Free Solo
Free Solo is a marvelous documentary, and I mean that quite literally.  Marvel at the jaw-dropping heights depicted, marvel at the logistical challenges of filming a free climber without killing or distracting them (which would mean the same thing).  But most of all, marvel at the huge cojones of subject Alex Honnold, as he attempts to climb the world’s largest rock wall; without the life-saving grace of a rope. As a thrill act, Free Solo is visceral and terrifying.  But as a character study, it is equally fascinating.  The same things which make Honnold such a one in a billion talent are the same things which cripple him emotionally and socially.  Watching Honnold slowly start to conquer these own personal obstacles-even as he prepares for the physical obstacle of his life-is a truly satisfying experience.
 41. The Lego Movie
Endlessly imaginative and hilariously subversive, The Lego Movie is not only a worthy standard-bearer of its iconic toy brand, but also a glorious celebration of creativity and free expression.
 40. Snowpiercer
I’m gonna describe Snowpiercer using single word describers.  Okay?  Hilarious. Bloody.  Ambitious.  Tragic. Exhilarating.  Revolutionary.  F***ing insane.  Okay, that last one was two words.  How about amazing?  Yeah. Amazing works.  This dystopian satirical piece is a mad thrill ride on a runaway train through an environmentally wrecked world, and it is one of the craziest things I’ve ever loved in my life.
 39. Moneyball
This movie is a sports genre gamechanger about a sports genre gamechanger; that is, the “Moneyball” strategy that forever changed the world of baseball evaluation.  Watched purely on the terms of its baseball X’s and O’s, Moneyball succeeds.  However, it is the tale of lovable loser Billy Beane, and the film’s assertion that winning comes second to loving yourself, that really turns this hit into a home run.
 38. The Social Network
As eccentric and brilliant as its central genius, The Social Network depicts the synthesis of Facebook as an unflattering mirror for the site itself; that it is often driven by negative emotions of inadequacy, jealousy, and loneliness, and serves as a proxy for the real social interactions we require for fulfillment and happiness.  Slickly edited, funny, and smart, this is one of the most iconic and generational films of the decade.
 37. Gravity
The opening few minutes of Gravity is one of the most intense movie scenes not only of this decade, but of all time.  From there, the tension just barely relents.  Suspenseful and tightly-spun as a space survival story, Gravity is also a technical marvel which redefined zero-G cinema forever; and made us eternally thankful we are safely on the ground.
 36. Beasts of the Southern Wild
Beasts of the Southern Wild is a ground-level view of poverty and climate change in the Mississippi River Delta region, seen through the eyes of a child.  Quvenzhané Wallis brings her role to life with an incredible child performance, and lends this work a sense of deep intimacy and emotional resonance, even as it grasps at themes which are national to global in scale.
 35. Incredibles 2
Incredibles 2 is one of Pixar’s best ever sequels.  Here are the same witty, relatable family dynamics we fell in love with in Incredibles 1; but the superhero shenanigans have been one-upped and then some.  In fact, Incredibles 2 has the best action sequences I have ever seen in a 3-D animated film.  Add in a smart ideological battle between the current age’s (perhaps correct) cold cynicism and yesterday’s quixotic beliefs, and you have one of the best superhero movies ever, as well as a film that arguably beats out its OG.
 34. Guardians of the Galaxy
I admit that from the film’s opening credits, where Chris Pratt canters across an alien planet to “Come and Get Your Love” and utilizes a scurrying lizard creature as his own personal microphone, that I was sold on Guardians of the Galaxy.  This is one of those rare works like Shrek or Princess Bride that simultaneously skewers and elevates its genre; in this case, the old-timey B-movie science-fiction flick.  A riotously funny movie that just doesn’t give a (expletive), Guardians of the Galaxy is also surprisingly poignant when it chooses to draw its eclectic bunch of outlaws into an impromptu family.  This is absolutely one of the best films in the MCU.
 33. Coco
A gorgeous, vibrant love letter to Mexico full of zesty music, Coco has some big things to say about art and its link to memory, and how exploitation can tarnish its beauty. Pixar has once again illustrated a remarkable ability to craft a world utterly original and believable in its own rich details and machinations; a world which sets a grand stage for its intimate story.  It has also once again illustrated an ability to make us all cry our eyes out.  Curse you, Pixar!
 32. Her
The film that made a romance between an artificial intelligence and Joaquin Phoenix work somehow, Her is a thoughtful and sensitive film that expands our definition of love to encompass all levels of intimacy and circumstance.  It is also, to my knowledge, the most gentle and hopeful AI movie ever made, and it deserves commendation for that.
 31. Spotlight
Spotlight is a black hole. This film about the Boston Globe’s reporting on the Catholic Church’s coverup of child molestations by priests starts off slowly, then sucks you in more and more, gathering its mass until you are crushed under all the weight of deception, apathy, pain, and despair.  I suppose this is also a strong allegory for the value of reporting or something like that, but frankly, I was too upset for most of the film’s duration to notice.  As a lifelong Catholic, Spotlight made me feel utterly betrayed and angry; not only at the Church, but also at myself for sleeping at the wheel. This simply cannot happen again.
 30. Citizenfour
Citizenfour qualifies as arguably the most important film of the decade.  Laura Poitras’s documentary on government informant Edward Snowden is an intellectual horror flick; full of deserved paranoia, stunning overreaches of executive power, and spooky mirrors to the Orwellian nightmare of 1984. Citizenfour reveals how the alluring promise of the internet has betrayed us, and provided a means to the exponential surveillance of everyone in our supposedly free Western society.
 29. Marvel’s The Avengers
Avengers seemed like a fantasy project when it was announced.  How could anybody hope to make a movie about not one superhero, not two superheroes, but a whole team of them, without sacrificing narrative coherence, without losing sight of the big personalities at play?  Joss Whedon proved such an all-star game could be possible, and somehow, work synergistically.  This is one of the biggest popcorn movies ever, and it changed the expectations for superhero flicks towards bigger, grander, better. The success of Avengers also established MCU as the defining franchise of the 2010’s; and perhaps, beyond.
 28. Inception
Inception’s script took Christopher Nolan 10 years to tweak, and watching the film you can believe it. This is a 3-D maze of a caper/heist movie, in which dreams form the substance of worlds stacked atop one another. It is a devilishly tricky exercise, but one that is done with the greatest precision and execution. Featuring impressive and trippy set-pieces, one of the generation’s best femme fatales, massively cerebral ideas, eerie atmosphere, and an insidious sense of ambiguity, Inception kept me awake for quite some time after I watched it at two in the morning.
 27. Room
Focusing on a kidnapped mother and her young son Jack, who has only known captivity, Room could have been a very dark movie.  Instead, it chooses to tack a different route; how do we survive trauma, both its initial effects and its aftermath, and triumph over it?  
The film is sold by Brie Larson and Jacob Tremblay.  Larson deservingly won an Oscar for her role;  Tremblay’s performance is the best child performance I have ever seen.  Together, they create a mother-son relationship that is utterly real and compelling.  The film is also noteworthy for its camerawork, which is used very effectively to suggest changes in Jack’s worldview as he grows older.
 26. Django Unchained
Brash, bold, and unapologetic, Django Unchained is a gloriously socially-conscious revenge fantasy. Featuring buckets of blood and Wild West shoot ‘em up gunfights against Klansmen and slave-holders, the film charts the course of a former slave on his way to rescue his sweetheart from the clutches of a diabolical slave owner.  
 25. Lincoln
Thanks to yet another star turn from acting legend Daniel Day-Lewis, Lincoln is a witty and warm biopic of one of our greatest presidents.  It is also a glimmer of encouragement during the political gridlock and dysfunction of the early 2010’s.  Rather than proving democracy does not work, Lincoln seems to argue, such issues are actually a sign of a functioning and healthy democracy.  Our ability to disagree strongly with one another and come to imperfect compromises in order to solve our problems is our country’s greatest legacy.  It was also the means to the passing of our noblest and most overdue piece of legislation: The 13th Amendment.
24. Won’t You Be My Neighbor?
Won’t You Be My Neighbor is, for me, the best documentary of the decade.  Focusing on the extraordinary Mr. Fred Rogers, the film does a great job of humanizing Mr. Rogers; revealing his insecurities, relentless drive, and sly sense of humor (often through dream-like Daniel Tiger animated sequences) while demonstrating that yes, he really was that good of a person.  As it progresses, the film grows increasingly melancholic and encompassing.  The qualities Mr. Rogers stood for-namely, understanding, love, honesty, and respect-seem sorely lacking in today’s society.  Even more distressingly, it would seem the saintly Rogers was beginning to have his own doubts about his life’s work as the cruelty and hate of the 21st century emerged in full on 9/11.  Won’t You Be My Neighbor expresses human goodness as something fragile which must be fostered and prioritized by all of us if Mr. Rogers’ message is to mean something in our modern world.
 23. Moana
Moana’s audiovisuals are off the charts amazing.  The lush tropical landscapes and utterly lifelike oceans make this the most graphically impressive 3-D animated work I’ve ever seen.  The soundtrack, partially composed by Lin-Manuel Miranda, stands as one of Disney’s best all time.  But it is Moana herself, the titular princess, who stands as the film’s greatest game-changer.  Realistically proportional, of Pacific Islander descent, and strong enough to carry a story without a love interest, Moana is a refreshingly modern character utterly in command of her own destiny.  Add in a rich story steeped in Polynesian culture and veined with environmental undertones, and you get the new high bar for the Disney Princess Movie.
 22. The Breadwinner
The Breadwinner is a testament that must be heard.  Adapted by Cartoon Saloon from Deborah Ellis’s excellent book of the same name, the movie is a street-level account of Parvana, a young girl who goes undercover as a boy to feed her family in Taliban-era Afghanistan.  The conditions portrayed are nearly unimaginable; imagine being a prisoner in your own home, only let out for reprieve under the supervision of a male guardian.  Such was the reality of thousands of women and girls in Kabul as late as 2001.  Cartoon Saloon drenches this film in a constant, lingering fear; at the same time, normalcy is depicted and triumphed. Siblings still squabble.  Clothes are still washed, meals are still cooked and eaten, water is still fetched.  Stories are still told.  The Breadwinner is not just Parvana’s tale; it is the voice of the thousands who live in war-torn or oppressive societies worldwide, and yet still make their own brand of normalcy, still form expression and find joy.  Their daily survival is an inspiration to us all; their story is to glimpse the resiliency and spark of the human spirit.
 21. A Quiet Place
A Quiet Place is one of the most auspicious debuts I can remember.  First time director John Krasinki makes his creature feature a masterwork of tension and clever sound editing, and crafts an indelible world where so much as a pin dropping puts everyone on pins and needles.
 20. Inside Out
Pixar’s peek inside a child’s mind is a work of the utmost intelligence and sensitivity.  Intuitive enough for even the youngest viewers to understand, yet nuanced enough to describe the transition of a human consciousness from child to adult with painful clarity, Inside Out is one of the studio’s very best features, and a strong defense of mental health and self-expression.
 19. Your Name
For so long, director Makoto Shinkai was an exercise in frustration.  5 Centimeters Per Second was gorgeous.  Garden of Words was the most visually stunning 2-D animation I had ever seen.  And yet the writing was pedantic.  The plot was tepid, the characters flat.  I would watch these films, eye candy at its most pure and non-nutritional, and seethe that they were not better, that all that glorious potential was yet unrealized. And yet, I never stopped believing in the potential of Makoto Shinkai.  One day, I reasoned, this guy was going to piece a story together with some semblance of care as he did his illustrations, and on that day something special would be born.
I saw Your Name just a short time ago.  Of course it’s jaw-droppingly beautiful, that goes without saying.  But here’s what else it is, folks: it’s funny.  It’s heartwrenching.  It’s suspenseful.  It’s got plot twists.  It’s got a story.  And not just a good story, but a GREAT one.  
I imagine watching this movie must be like watching your kid graduate high school.  You forget all the mouthing off and dirty socks left all over the place and that fender bender with your new car, and just soak in the glow of that special moment you always believed would come.  You couldn’t be happier.  You couldn’t be prouder.  And you know this is the beginning of something truly wonderful.
Congratulations, Mr. Shinkai.  You did it, man.
 18. Interstellar
The knock on Christopher Nolan was always that he had the heart of a robot and didn’t have strong female characters.  Debate whether that is true of his other films, if you must; but not this one, because Interstellar is possibly the biggest tear-jerker in sci-fi history, and Jessica Chastain’s Murph is a bitter, brilliant centerpiece to it all. Interstellar stands tall as one of the best science-fiction films of the decade.  It has strong, ambitious science wrapped in glorious visual effects, and is very quietly a solid piece of Americana, lovingly arrayed amidst America’s cornfields and dusty roads in a tribute to The Great Depression.  Most of all, however, Interstellar is a wondrous joining of heart and intellect, a working theoretical thought experiment that demonstrates love is a force greater than gravity, space, time, or any other cosmic entity the universe may foist upon us.
 17. The Force Awakens
While it is not number one on my list, perhaps no film brought me greater joy this decade than watching The Force Awakens during its Thursday night premiere.  It was nothing less than the very Star Wars movie I had hoped and dreamed for as a kid.  As a massively entertaining blockbuster surpassing huge expectations, Star Wars: The Force Awakens is terrific.  As a perfect passing of torch from beloved old to promising new, it is an utter triumph.
 16. Rogue One
Okay, is my bias showing yet?
Perhaps this is a bit steep for some people, but heck, when you are dealing with the second-best movie in one of Hollywood’s most beloved franchises, you have to give props where props are due.  Rogue One is such a gamechanger for Star Wars.  Its gritty, pulpy sense of realism seems peeled straight from a Star Wars comic book; its characters immediately strike as memorable, particularly K-2SO, who is like C-3PO if C-3PO got sent to prison and came back jacked.  Rogue One also is important for its many departures from tradition.  Many of the innovations credited to Episode VIII were done first-and done better-in this film.  Rogue One is not afraid to show the rebellion in terms of moral gray; a shocking act shortly after the film’s opening establishes this and destroys the previous model of basic black and white good vs. evil.  If Luke, Leia, and Han got to play the part of hero in A New Hope, then it was because there were elements in the Rebellion doing the dirty and morally-questionable grunt work shown here; Rogue One shows how the war was won.
Rogue One also introduces a few other themes riffed heavily by Episode VIII, including the idea that the Rebellion/Resistance is not a neat, idealistic counter to oppression but an uneasy conglomerate ravaged by internal conflict, and that force-sensitive people are not necessarily the product of hereditary chains of Jedi and Sith, but often sporadic and independent products of the Force.  It is, on top of what it initiated, simply a well-paced and superbly-crafted piece of space opera.  Rogue One has the best romance (besides Han and Leia) in Star Wars history, has hands-down THE BEST Vader scene ever filmed and another that is a classic in its own right, and has one heck of a villain in Director Krennic. Krennic is one of those mid-level bureaucrats that must have always existed for the Empire but which never received such deserved attention before; his position of weakness, coupled with burning ambition, makes him a hilariously pathetic figure, one you might begin to feel bad for were he not such a nasty piece of work.  Even the soundtrack is great.  Rogue One is a war film, and Michael Giacchino of Medal of Honor fame makes this sound like a war film, even though it also sounds very much like Star Wars. Ultimately, that’s what Rogue One is. It is a Star Wars film that manages to be a war film and everything else it wants to be terrifically well.  To hell with it.  I’m putting it this high.  If you have a problem with Rogue One being the #16 movie on my list, you can go kiss a wampa’s backside.
 15. Roma
Like its protagonist-a nanny to a wealthy family in 1970’s era Mexico-Roma is a film of marvelous patience and understated strength.  Alfonso Cuarón’s otherworldly composition and autobiographical authenticity makes this movie a deeply complex take on class and gender, as well as a heartbreaking meditation on what it means to love and be part of a family.
 14. Spiderman: Into the Spiderverse
Spiderverse was such a brilliant reimagination of what the superhero genre could be.  Not only did it break convention by featuring an African-Hispanic-American kid as its protagonist; it prismed a classic Marvel character in danger of going stale into a delightful and zany spectrum.  At once funny as hell and a poignant portrait of growing up as a minority in America, Spiderverse isn’t just the great animated Spiderman movie that nobody saw coming; it’s one of the best superhero movies ever made.
 13. Baby Driver
Baby Driver is the coolest movie of the decade.  The film centers around Baby, a gentle young getaway driver locked up in bad deals with bad hombres, motoring through traffic and criminal plots in an attempt to just get out and get his girl; but it is so much more than that.  This is Tarantino, juiced up on Bullitt, playing in time to a nonstop eclectic jukebox.  The dialogue is sharp and hilarious, the characters are all immediately memorable and lovable (even the baddies), and it should go without saying that the car chases are PHENOMENAL.  This is entertainment on nitrous oxide.
 12. Lady Bird
I did not go into Lady Bird expecting great things.  Lady Bird is a family drama.  I, for the record, do not like family dramas.  But I liked this one.  I liked this one a heck of a lot.
Lady Bird is told with so much humor and honesty about the mistakes we make as kids and parents.  Struggles for independence and control, respectively, fuel furious arguments and alienation during the difficult period of adolescence.  It is not until later that we gain the wisdom to understand why we fought and gain a richer understanding and appreciation of one another’s feelings.  In Lady Bird, there is a key revelation regarding the girl and her mother that seems to unfold at the film’s close.  It is a profound and emotionally resonant moment that brings the film around to a highly satisfying conclusion.
This movie is also one of the first “time capsule” pieces on the early 2000’s.  As we grow older, I would expect more of these films to emerge, but as of right now Lady Bird is the only one that comes to mind.  The film absolutely nails the sense of growing up in a troubled time; the Iraq War blares constantly on the news, full-time employment becomes a tenuous prospect no matter how qualified you are, and gay rights are still something very much in infancy.  Lady Bird plays out its teenage struggles against this backdrop, showing how such crises were navigated, albeit painfully sometimes, and overcome.  Few films have been so well-rounded, nuanced, and well-crafted this decade.
 11. Song of the Sea
If you are unaware of the name Tomm Moore, it may be time to become acquainted, as the guy has been killing animation since he first stepped onto the scene with Secret of Kells in 2009. It is no exaggeration to call him the Irish Miyazaki; and Song of the Sea his Spirited Away.  Like that film, there is a deeply human story to be told, but it is all dressed up in fantastical trappings.  In Spirited Away, a girl struggling to grow up found herself working in a spirit bathhouse.  Song of the Sea uses Irish mythology as a gateway to understand the deep and complicated love between siblings, and the necessity of expressing and sharing loss.
This is one of the most beautiful animated pictures this decade.  Were the framed stills not hundreds of dollars on Cartoon Saloon’s website (yes, I’ve looked at them), I would probably own at least a few by now. The animation style is so distinctive and innately appealing, with gentle watercolors that soothe and invite the mind. The Celtic musical arrangements are similarly intricate, wonderful, and soothing.  Together, story, art, and music come together, and work some deep and affecting magic on the soul.  Song of the Sea should be regarded as one of the best animated films this decade.    
 10. Sicario
Sicario is an utterly bleak, magnificent film that truly depicts the drug war as it is; a chaotic maelstrom of murder, torture, and corruption, spinning and spinning with no end in sight.  In such a storm, there is no moral high ground to claim, let alone hold.  There is only power to control which direction the storm is heading next, whom it will chew up and devour in its path.  And as for the powerless, the best they can hope for is to stay out of its way.  Sicario is a sharp critique of American drug policy and a stark glimpse into the grim reality of cartels, packaged perfectly as an ultra-violent thriller.
 9. Looper
It is hard to do a time travel story well.  Managing plot threads makes plots a nightmare; it is a difficult juggling act merely to keep one’s head above water.  That is what makes Looper so special.  It is not only a cool-looking, cyberpunk-flavored noir that manages its logic very well; it also features great characters, and larger overarching themes of fate and redemption it advances via those same logistical acrobatics.  Looper blew my mind the first time I saw it.  It is easily one of the best time travel stories ever, and a sci-fi classic to boot.
 8. Blade Runner 2049
It is going to ruffle some feathers to say this, but I think Blade Runner 2049 is even better than the original Blade Runner.  While Ridley Scott’s dark, smoggy Los Angeles will always be iconic, Blade Runner 2049 had Roger Deakins behind the camera, and he took us to sections of our nightmarish future we had never been before.  Patterns of solar farms set up outside of town to feed swathes of humanity.  A post-apocalyptic landfill outside of town for the city’s forsaken.  Best of all, a neon-orange radioactive Las Vegas.  That seems to be the common theme of 2049.  It has taken all the best features of Ridley’s classic and expanded them while trimming down the less successful elements.  The defining theme of Blade Runner-what makes us human-is here expounded upon and taken to even deeper levels.  And the film’s beautiful ending brings the franchise to a truly satisfying conclusion.
 7. Zootopia
Zootopia feels like Disney’s final evolution.  The cute critters from its primordial past have fully anthropomorphized, to the point that they must contend with some of the same societal ills as us; chief among them prejudice.  Visually gorgeous, full of top-notch tongue-in-cheek gags, and the slickest, most concise cartoon buddy cop riff since at least Who Framed Roger Rabbit, Zootopia counts as one of the most finely crafted animated features I’ve ever seen.  Its timely message, coupled with its fantastic quality and outreach potential to the young, makes it one of those rare movies that can change the world.
 6. Ex Machina
Ex Machina is one of the most finely-tuned and lean films science-fiction has to offer.  In the age of growing research into artificial intelligence, it is also vastly important.  Many films have explored the issues associated with artificial intelligence, but few have so fully delved into the ethical quagmires which might arise.  Creating new minds means accepting responsibility for the lives of welfare of other beings.  Are we prepared to do such a thing?  We, who are constantly waging war and victimizing one another?  Also, if we are so morally limited, how can we avoid passing on negative traits to our digital children, who will be vastly more powerful and intelligent than us?  What if they think differently than us?  The possibility of misunderstandings would be catastrophic for both parties.
Ex Machina explores all of these issues with deep intelligence and building tension.  This film is one of those beautifully ambiguous works I love so much that require you to pay attention and come to your own conclusions.  The primary question in the film asked of the characters is the same one the film asks you: is Ava, the artificial intelligence in question, essentially human?  For me, the question was left unanswered until the final, remarkable, tragic shot.  
 5. The Revenant
Bloody as hell and absolutely gorgeous, The Revenant is a deep plunge into our primal hearts, into the remarkable human invention of identity.  At the most fundamental level, we are all the same species; we share the same roots, the same trunk.  Yet by means of our human experiences, our courses of life and interactions with other humans, we draw deep fundamental lines between one another.  These lines are powerful things.  They are what we see ourselves as.  We draw lines of genetic heritage; lines of cultures born into, or adopted.  Lines brand certain people as friends, while others remain strange or alien.  Sometimes, lines can even define people as something hostile; a new species which may destroy us if it is not destroyed in turn. And there are lines which describe the people we call our families; those whom we love and protect at the most fundamental level of our being.
The Revenant draws attention to the lines we draw as human beings; how they are as deeply ingrained to us as breathing or bleeding, for better, and for worse.  Aided by director Alejandro Iñárritu’s magnificent direction, and anchored by Leonardo DiCaprio, who has never been better in his storied career, The Revenant is a deep, uncompromising gaze into our personal and national Heart of Darkness.
 4. Zero Dark Thirty
Zero Dark Thirty became the unfortunate victim of warring politics.  Right-wingers decried the portrayal of torture in the movie, while leftists criticized the movie’s account of torture supposedly supplying the correct information (Director Kathryn Bigelow acknowledged to Stephen Colbert her lead, being from the CIA, might be untrustworthy on that particular facet but she was operating with accuracy to her source).  That is all a shame, because such criticism misses the point of the movie entirely.  Zero Dark Thirty is made in the spirit of true and utter neutrality.  There is no political axe to grind.  There is no glorification in the act of Bin Laden’s death; in fact, the face of America’s most notorious terrorist is never shown. Zero Dark Thirty is a work of national recollection.  It begins with a deeply painful call to authorities on 9/11, and does not end until Bin Laden’s assassination over 9 years later.  In between, there is torture, bombings, false leads and frustrations, hours upon hours of poring over data and entries, and finally, that fateful, dangerous foray into Pakistan.  We are reintroduced to each of our own actions through the eyes of Maya, the CIA agent who supposedly made the case that it was in fact Bin Laden hiding in Abbottabad.  At the end of Zero Dark Thirty, the movie adds up that long tally of what we sacrificed in order to defeat our greatest enemy and posits a simple question: was it worth it? Each will have their own answer to that difficult and important question.  This is one of those rare films that forces us to review our path as a nation, examine what we did right and what we did wrong, and adjust our trajectory accordingly. Zero Dark Thirty is an essential American masterpiece, crafted by a true and powerful auteur at the top of her game.
 3. The Raid 2: Berandal
The Raid: Redemption was a revelation in what could be attempted in a martial arts movie.  Its creators decided that wasn’t enough and upped the ante. What ensued was the madness of Berandal.
The stuntwork of Berandal has to be seen to be believed.  Some participants were knocked out cold; it is amazing nobody was killed.  It is doubtful something like this will ever (or should ever) be attempted again, so we may as well enjoy it.  There are car chases, assassins affectionately known as “Bat Boy” and “Hammer Girl”, simply loads and loads of fantastic martial arts combat, and more.  But in between all this ruckus, there is a compelling gangster story to be told, populated with fascinating characters.  A son looking to take over and dangerously expand his father’s influence; a creepy rival leader who cheerfully pulls out razors for throat-slitting; a sad, old-timer assassin who confesses to his daughter that killing was the only way to provide for her; an informant, caught in the middle of the maelstrom and sweating out the possibility that he will be discovered and never make it back to his young family; and of course, Hammer Girl.  She’s my favorite.  
In The Raid: Redemption, character Mad Dog talked about the pulse.  Berandal is that pulse, fully transposed into brutal, symbolic symphony, in which the façade of civilization and negotiations between thugs break down into savage, unbridled violence.  This is the best action movie ever, and the Indonesian Godfather, all rolled into one.
 2. Avengers: Endgame
No list of top films of the decade would be complete without Avengers: Endgame.  It’s the biggest blockbuster in history; and for once, that title is deserved.  Nothing like it had ever been attempted before; indeed, it may be hard to do ever again.  Facing 1 in 14 million odds, the Russo brothers pulled off a miracle, wasting not a moment in a three hour movie that never feels long and completing the arcs of over a dozen beloved characters, en route to a final and wholly satisfying conclusion to the most ambitious film project ever attempted.  If that wasn’t enough, there are more than enough in-jokes, clever riffs on past movies, and sensational action pieces to please even the most critical fan.  Avengers: Endgame is the closest to pure catharsis you can feel, and without a doubt the best superhero movie ever made.  I confess that I moved it back and forth between #1 and #2 on my list at least a few times; ultimately I left it at #2, with the compromise that even if it cannot be called the best movie of the decade, it will forever be known as THE film of the decade.  
 1. Wolf Children
Wolf Children is one of those movies you come across that can only be described as magical.  As a simple tale of motherhood, it succeeds. As a complex allegory for race and adolescence, it works equally well.  It can be shown to the young.  It can be shown to the old.  It can be shown to all in between.  It is sublimely beautiful, patient, and paced.  It is excellently scored.  It has some of the most fully-realized characters ever depicted in animation.  It is warm.  It is gentle.  It is funny. It is sad.  It is life; in all its unpredictability, twists and turns, and wonder.
But I think the reason I truly love Wolf Children is because it engages with the two most difficult and important aspects of being a good, healthy, happy human; how do I love others, and how do I love myself?  Wolf Children shows us a truly rapturous example.  For being the most beautiful movie, both inside and out, I have seen this past decade, and for a whole host of other reasons, Wolf Children deserves to top this list.  Truly, it is Alpha Wolf.
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carolap53 · 2 years
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Prepare the Way “He will turn many of the children of Israel to the Lord their God, and he will go before him in the spirit and power of Elijah, to turn the hearts of the fathers to the children, and the disobedient to the wisdom of the just, to make ready for the Lord a people prepared.” (Luke 1:16–17)
What John the Baptist did for Israel, Advent can do for us. Don’t let Christmas find you unprepared. I mean spiritually unprepared. Its joy and impact will be so much greater if you are ready!
That you might be prepared . . .
First, meditate on the fact that we need a Savior. Christmas is an indictment before it becomes a delight. It will not have its intended effect until we feel desperately the need for a Savior. Let these short Advent meditations help awaken in you a bittersweet sense of need for the Savior.
Second, engage in sober self-examination. Advent is to Christmas what Lent is to Easter. “Search me, O God, and know my heart! Try me and know my thoughts! And see if there be any wicked way in me, and lead me in the way everlasting!” Let every heart prepare him room . . . by cleaning house.
Third, build God-centered anticipation and expectancy and excitement into your home — especially for the children. If you are excited about Christ, they will be too. If you can only make Christmas exciting with material things, how will the children get a thirst for God? Bend the efforts of your imagination to make the wonder of the King’s arrival visible for the children.
Fourth, be much in the Scriptures, and memorize the great passages! “Is not my word like fire, says the Lord!” Gather ‘round that fire this Advent season. It is warm. It is sparkling with colors of grace. It is healing for a thousand hurts. It is light for dark nights.
John Piper
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johnwickb1tsch · 2 months
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bittersweet ~ a yandere!John Wick x fem!reader sunshine/grump coffee shop AU... Part 22 all chapters
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WARNING: NSFW, SEXUAL CONTENT, YANDERE SH!T. Plz take care. I luv u all. 😘
-He sets you on the vanity, the marble cool against your bare bottom. The contrast of his hot hands upon your thighs is maddening, and you whimper as he withdraws from you.
“Shh,” he says. “Do you want these undone? Or do you want me to touch you?”
The fact that you actually have to think for a moment before you answer makes his eyes shine.
“Untie me,” you answer as quickly as you can form words. By the way he looks at you, you’re afraid it wasn’t fast enough. There is a heavy pause between you, electric with the warring of your wills.
“Hmm.” You can’t stop yourself from making a sound when he leaves you, though he only takes a few steps to the tub, turning on the taps.
“I’ve had a long day,” he says, looking you over like he might like to eat you.
You worry your lower lip between your teeth, your heart in your throat.
This is it, you realize. No turning back now.
“Where were you?”
“You’ll find out later, if you’re a good girl.”
You’re not sure you like the sound of that.
He bats the door closed with a swing of his long arm before returning to you, standing between your spread legs. You are cold, in just the thin silk of the stupid nighty, and the line of his body so near yours warms you like a furnace. He takes your wrists in his sure hands, running his fingers over the ropes as he admires his handiwork upon you. Then he begins to pick at the first knot, and even he seems to have trouble undoing it at first.
You really hope he doesn’t have to cut it. You do not like the thought of a blade in his hand, that close to your skin.
“Is this…something you’re really into?” you dare ask, your heart in your throat.
“Shibari? I may have dabbled in my misspent youth,” he answers with a smirk, enjoying your uneasiness far too much. “Are you curious about it, kitten?”
“No,” you answer quickly, winning a pout that has no business on the lips of a grown ass man, but somehow is cute.
You understand it’s something some people enjoy, and that’s perfectly fine. Consenting people, who know what they’re getting into, and trust each other.
Sadly, that is not the boat you’re in right now.
“Shame. Maybe later, when you’ve come to trust me more.”
The fact that he knows you don’t trust him now is perhaps a little heartening. However, you decide you will not be bringing it up again.
When at last your restraints are reduced to a pile of red silk on the floor you cannot suppress your sigh. He runs his hands over the marks in your skin, seeming fascinated by the twisted patterns imprinted in your flesh.
“You alright?” he asks, rubbing to aid the circulation. Even just on your wrists, his touch is maddening.
You press your lips, warring with the desire to tell him off for it, or play it like no big deal. You decide to go with what is already obvious between you.
“I didn’t like that.”
He turns your face up to his with a hand that engulfs your jaw. “Then be a good girl, and I won’t have to do it again.”
“Be sweet to me, and I will.”
He narrows his eyes at you for your pithy insolence, but you can tell that he’s secretly pleased. When he lowers his head to kiss you, his tongue sweeping your mouth possessively, you hate to admit that you forget all about your aching wrists, and your self-respect, straining to reach more of his soft mouth as he uses his height to draw away.
He places your hands on his chest, looking at you expectantly. Realizing that he wants you to undress him, you try for the first button.
As it turns out, you really weren’t lying about the circulation in your fingers. Or maybe the lack of use throughout the day, something. It is not easy to undo the first button of his shirt. It is tiny, and the hole is tight, and you are ready to rip it off by the time you finally manage to slide it through.
 “Don’t tear it,” he warns, as though he can read your thoughts.
You sigh, and concentrate on the second. It gets easier as you use your fingers more…and the prize you begin to unveil spurs you on. You realize you are biting your lip again when you taste blood in your mouth. Button by button, you unveil the marvel that lies beneath.
He stands still as a statue as you work, watching you with those eyes that miss nothing. You are not half as nervous as you should be, enjoying your task. When you pull out his shirt tails you finally begin to understand. 
A myriad of scars covers his body from collar to below his waist line. Large and small, fresh and old. Cuts, and round puckered flesh that look like bullet wounds. Your heart drops to your feet, and you sense it as John stiffens under your scrutiny. 
“Oh, honey...” 
It hurts to look at. It hurts because you cannot fathom the pain he must have gone through, enduring all these injuries. He lets you touch him, tracing the lines of these old wounds. You meet his eyes, finding him vulnerable, before giving in to the urge to press your lips to his chest over an old scar that cuts across his pectoral. His eyes slide closed, and you think it might be the first time you've seen him surrender to anything.
You slide down from the counter, pressing against his body as you plant your feet on the floor. Wanting to see all of him, you circle him slowly, never once taking your hands off of him. The scars continue there, and across the expanse of his powerful shoulders are sinister looking tattoos. Some men get tattoos like this because they think it makes them look hard, but somehow you just know that they mean something in his world. Something...ominous. On top of the tattoos, the praying hands in the center of his back bears a horrible brand of an upside-down crucifix.
That might have hurt more than all the rest.  
You rest your head in the divot of his shoulders, wrapping your arms around his muscled torso. It feels good, to nestle here. Better than it should.
“I wouldn't have run,” you tell him, and you feel a tremor run through his steadfast frame, his big hands covering yours just beneath his heart. 
You make your way back to his front, and his sharp eyes follow your every movement. 
“You would have had questions.” 
“Of course I would have.” 
You’re not a total idiot.
“You would have been scared.” 
You just shake your head, knowing it was true. At that time, you wouldn't have had the sense.  Even now, knowing what he was capable of... you still weren't half as scared of him as you should be. 
His gaze upon you is surprisingly soft, as he considers your words. You dare think you’ve finally gotten through to this man, until his long fingers close around your jaw, holding your gaze upwards. “You’re not lying to me just to appease me, kitten?”
Rather than follow the wiser path of meek contrition, you give way to the indignant anger rising in your breast.
“You’re so worked up about me running from you, but you know what? You ran from me first. You didn’t even give me the chance to accept you.”
He narrows his eyes down at you, considering what you’ve said.
If you're lying, he has to punish you.
If you're telling the truth, then this whole thing blew up for nothing, and it's all on him. 
Rather than hash this out, he dips his head to kiss you again, and he is not exactly gentle with you. Hungry for you, his tongue sweeps into your mouth, his teeth on your lips leaving you bruised. His hips pin you against the vanity, his erection pressing into you unforgivingly.
His fingers tangle in the lace skirt of your nightie, pulling it up. You fight him on instinct, and hear the silk tear as he jerks it from your grasp, defeating you so easily. He draws it up over your head with a flourish and throws it across the room, leaving you utterly bare to his gaze.
You are glad for the warm steam that is filling the room from the running bath. The tub is so massive it’s not even a quarter of the way full. Still, you try to cover yourself, but John grips your wrists in his big hands, twisting your arms behind you easily.  
His eyes rake over you, and your nipples harden as though he’d touched them. “So. Fucking. Beautiful.”
He falls on you, releasing your hands to cup your face as he kisses you again without mercy. His touch is possessive, inexorable, unyielding, and his hands explore your body, the curve of your bare back and the swell of your breast. His thumb and forefinger pinching your nipple make your knees weak. He recedes like a crashing wave down your body, his mouth upon your chest, your breasts, his tongue wreaking sweet agony upon your aching tips.
You don't know how much more of this your pussy can take. You've never been this turned on, for this long, in your life. 
You blink stupidly, when suddenly John is on his knees before you, looking up at you with his nose nuzzling the curls between your legs. That brief moment of eye contact electrifies you, before he guides your leg up over his shoulder, and licks your weeping slit. You lean back on the marble counter, and if not for his strong hands on your hips and your ass, you would have fallen, your legs shaking beneath you as he wrecks you with that devilish tongue.
He brings you so close to the edge with licks and little sucks, torturing you making circles with the tip of his tongue before taking mercy with broad, hard strokes, two of his long fingers sliding inside of you. That burning knot of pleasure begins to tighten within your womb. You clench on his fingers, your grip white-knuckling on the side of the vanity, so relieved for release on the horizon that you could cry.
That is when he leaves you, wiping his mouth on your belly as he stands before kissing you with the same punishing force as before. You whimper into his mouth, cheated of your pleasure, so pent up you could die.
“Hush,” he tells you, more gently than you would have expected from him in this unforgiving mood. He lifts you up onto the vanity again, easily as though you weigh nothing. With stars in your eyes, you watch as he undoes the zipper on his slacks with quick efficiency, pushing it all down to the floor and kicking it away.
You cannot help but stare, your lip caught between your teeth again. How many times a day can you think to yourself, This man is beautiful? His trim waist and powerful thighs covered in crisp dark hairs. The line of soft dark hair on his belly leads the eye downward…he is thick, and long, and even while you know you are in trouble, you cannot quell the dark thrill of knowing he is going to absolutely ruin you.
“Like what you see?” he asks, pulling you from your trance. He pumps himself up and down a few times, spreading the precum leaking from his tip.
Unable to find words in that moment, you nod.  
“What was that, sweetheart?” His big hands on your thighs pull you to the edge of the vanity top, his body wedged between your legs.
You make a frustrated sound between your teeth. “Yes, I find you very fucking beautiful, Mr. Wick.”
He offers you a cruel little laugh before catching your lips with his, his thick tip hovering at your weeping entrance. You try to move closer to him, hungry for the stretch and burn of his cock entering your body, but he holds you fast.
There is a surprising vulnerability in his next words, uttered quietly against your ear. “You want me?”
“Yes.”
God help you, but it’s the truth.
You give a strangled moan as he pushes inside of you, writhing from his cock and his teeth in your shoulder. The sound he makes is more animal than human as he works himself inside.
“Even your pussy fights back,” he huffs with strained laughter, easing himself in and out. “God, baby, you feel so good.”
Your fingernails dig into his shoulder as your body protests the invasion half-way.
“Wait…”
“Can’t…” he informs you raggedly. “Breathe for me, kitten, I know you can take me.”
“It’s been a long time,” you admit between a deep inhale, trying to adjust. A long time, and to be frank, none of your previous experiences with men prepared you for him.
“How long?” he demands, as though this is information he desperately needs to know.
“Over a year.”
Long before you met him.
He veritably growls his approval at this figure, and if you weren’t so cock-drunk you would have rolled your eyes at the fragility of the male ego. As it is…you can hardly think straight at all.
“That’s my good girl,” he rasps against your skin as he slides deeper and deeper inside. “So wet for me. So good.”
You cry out as he bottoms out against your cervix. He looks down between you, fascinated by the sight of his body buried in yours to the hilt.
“That hurt?”
“A little.”
“Sorry.” You can hardly believe it when he kisses you with contrition. “I’ll try…” He thrusts again, slower this time, and it makes you see stars. “To be gentle.” He presses his thumb to your lips, and you open for him, sucking and leaving a trail of saliva as he withdraws. When he circles that thumb over your clit you mewl like the needy little kitten you are for him, your thighs tightening upon his narrow hips. He moves for you at just the right speed, teasing you with the thickness of his shaft in all the right places inside. Your walls grip him with abandon, desperate for the pleasure he’s been dangling before you for days.
“You wanna cum, pretty kitten?”
“Yes,” you pant, so desperate for release. Your tight little pussy clenches around his cock in answer, and he sucks in breath through his teeth.
“Then you have to say something for me. And you have to mean it.” 
Fuck. 
“What?” You can hardly remember your own name, much less form complicated sentences as he fills you to bursting, merciless and so very wonderful, his thumb working magic on your clit.
“Say you’re mine.” 
He glides inside you, stretching you more somehow, but removes his hand to grip your hip.
When you meet him with silence he kisses your neck, nipping at your skin as punishment. There will be marks all over your chest and neck tomorrow.
It doesn't matter.
Not like you're going anywhere.
Not like anyone will see you. 
You keen, craving more pressure, more friction, pulling him deeper with legs wrapped around his back, bringing you so close to where you need him. You think you can come on his cock, whether he touches you or not. It would be a victory, to prove that your pleasure needn't only come at his own whim. 
Knowing all too well, he denies it to you, holding himself just shy of it. 
“Say it,” he demands. “Say you're mine, and I'll give you everything you want.” 
“Even freedom?” you dare ask as he strums at you again, a master at keeping the fire at just the right height, making you feel so good, but never quite enough to make you cum.
You don't know how you have the cheek, with his clever fingers between your legs frying your brain.
This man was made to torture you, it seems. He shifts, so that he is making shallow strokes that only barely stimulate you. You scream a little in frustration. It actually makes him smile. 
“Did you know that ninety percent of women cannot orgasm on penetration alone?”
“You don't have to be so fucking smug about it.” 
“You need me.” 
“Do I?”
You reach for your clit, hoping he will be distracted by watching you. Most men would, but not John. He is a man of focus, determination, sheer will. He catches your hand with a warning growl, twisting it behind you. 
Pulling you closer, he buries himself as deep as he can, his face buried in your hair. It doesn’t hurt this time. It feels like he makes you whole, and you feel the bass growl he makes against your ear in the depths of your soul.
“Please? I can’t wait anymore, baby girl. I want to feel you cum with me.” There is a new desperation in his words, and you know he must be close.
“Then let me cum,” you answer, hardly recognizing your own voice. “I want it. I want you.”
“Say you’re mine.”
You are tempted. Boy, are you. You want it so badly your legs tremble, your back arched tight as a bow. A tear rolls down your cheek, because fuck you if a part of you doesn't want to say it. Not just because it's the only way you're going to get to orgasm, and he’s driving you insane. But because...you know it would make him so fucking happy.
You’re afraid if you say it aloud, it might be true.
You are so close, but he is a master of bringing you just to the edge before backing away. In that moment, you hate him as much as you love him. You know, you just know, that if you give in to this possessive madness so soon, there will be no going back. You will be so fucked, and not in the way you want to be.
You just shake your head.
“Go to hell.” 
It is, decidedly, the wrong answer, of course. His eyes darken, and he ruts inside you out of spite, spilling himself with a growl and his teeth in the curve of your neck. You feel the scalding hot rush inside you, the impossible fullness. It is good, and you are this close as he shudders against you, but in the end it’s just not enough.  
You keen miserably as his slick length slides from you, leaving you filled with his cum, utterly wrecked yet still unsatisfied. He wipes his tip across your belly, marking you.
Men.
“You are the stubbornest fucking woman I’ve ever met,” he grumbles low in your ear.
It sends a shiver across your skin.
You have to try twice before you find your voice.
“Thank you.”
He actually laughs, a harsh, disbelieving bark as he shakes his head at you. You watch as he goes to turn off the bath taps, the tub finally full, thoroughly enjoying the view despite how he’s left you. He steps into the water, turning so that he can see you with his arms on the rim of the tub.
You take some pleasure in the fact that he doesn’t look quite satisfied either.
Though your legs barely work, you slide down to the floor with a glare, intending to use the shower instead, away from him. You feel his seed dripping from you, down your thighs in warm thick rivulets. He didn’t ask if you are on birth control, and you’re grateful for your IUD, feeling like you’re armed with a secret weapon. If he means to bind you further to him with bearing his child…he’ll be disappointed. You decide right then that’s a card you’ll play close to your vest.
You take one step towards the shower before he makes a sound of warning low in his throat, and you freeze in your tracks. “In here,” he directs, and you close your eyes with wariness. Of course, that was the deal you’d made with the devil, and he’d warned you not to break an agreement with him.
He’s going to torture you more, you reckon, with his mouth or his fingers or maybe even that magnificent cock again, and you just don’t think your body can take it.
You’re not sure your heart can take it, either.
“Don’t make me ask again.”
Resigned to your fate, you go, sinking into the warm water. It would have been wonderful, you know, if your every nerve had not already been on fire.
You hover up to your neck in the deep tub, trying to relax and succeeding only by half. “Come here,” says your beautiful tormentor, holding out his hand to you. The invitation is deceptively gentle this time. Mr. Wick, the undisputed King of Hot and Cold.
“You are such an asshole,” you inform him as you take his hand, letting him pull you into the circle of his arms against his chest.
“So you tell me,” he says with his lips against your temple, his arm around your waist holding you to him. “You might be a tiger kitten, but you’re still just a kitten.” He almost sounds proud about it. “I’m going to win in the end.”
You’re afraid he’s right, but you’re not ready to surrender just yet.
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johnwickb1tsch · 2 months
Text
bittersweet ~ a yandere!John Wick x fem!reader sunshine/grump coffee shop AU... Part 20 all chapters
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gif credit to dilfgifs
WARNING: NSFW, SEXUAL CONTENT, YANDERE SH!T. Plz take care. I luv u all. 😘
-You try to go as long as you can, but later that night you decide you just can’t stand it anymore. You’re pretty sure it’s been days, and you feel gross.
“Can I…use your shower?”
He turns to you with a small smile. “You mean, our shower? Yes.”
Hoping that’s the end of it, and this exchange won’t get weird, you slip out from under his arm to go into the bathroom. You check your prospects, finding expensive shampoo, conditioner, bodywash, shaving gel…but no razor. You guess you get it, kind of, but really. Then again, maybe you'd better not ask. Why send mixed signals by shaving off your body hair? It’s just an aesthetic mostly catering to the male gaze anyway…
But it bugs you.
You pop your head back out of the door. “Razor?”
He doesn’t even look up from his book.
“You’ve got to be kidding me.”
This annoys you for some reason. “Just so you know, I am not going to try to kill myself.” Brave words for someone in your situation, but at least at the moment, you mean them.
“I was more worried you might try to kill me.”
You open your mouth again, until he fixes you with that laser-like stare. “Just take your shower, y/n, or do I have to come in there to help you?”
The thought of his large hands on your body slick with soap sends an inconvenient spear of desire straight to your center.
“No.”
You disappear fast as a groundhog into its burrow, closing the door behind you.
“Door open!” he yells in that particular tone, and sensing the shift in his mood, you comply rather than pull his tail some more.
Well done, you, you chide yourself as you strip out of your dirty dress and your ACE bandage in the cavernous shower. He was actually in a good mood, somehow, after you tried to knock his head off with a book. And now you…what? You did something to piss him off, at least a little bit.
Learning his moods was going to take some doing.
It was the only way you were getting out of here alive.
You keep looking over your shoulder, half expecting to see him looming behind you. That man moves silent as a ghost when he feels like it.
It’s creepy. And…kind of hot, if you’re being honest, but that is not a helpful thought.
You feel a thousand times better with all the grime washed from your hair and your body. You wrap yourself in a big fluffy towel that feels like a cloud on your skin, and put off going into the bedroom by drying your hair.
There are products on the sink that you use, face lotions and hair creams, and more expensive versions of the same type that you could never afford. How did he know?
Then again, he has fucking gorgeous hair, he probably knows more about styling product than you do.   
You turn to look at his handiwork upon your bum. The bruise is a red and purple swirl nearly the size of your fist. You can actually see the neat lines of his teeth marks. “Jesus Christ.”
His eye was going to heal way before that was.
When you can’t really dawdle in the bathroom anymore, you war with the next conundrum.
Fresh clothes.
Fuck it. You march out, heading for the closet without making eye contact with the reclining leopard on the bed. You can feel his eyes on you, and fuck if it doesn’t turn you on to be watched like that. Like you are some kind of prize to be desired.
It feels utterly insane to you, to say the least. You’re not that beautiful, but he looks at you like you’re Helen of Troy.  
With your hand on the closet door John clears his throat pointedly.
You know you can’t ignore him. Risking his wrath while you’re wrapped in nothing but a bath towel is so not a good idea.
You turn to find he’s laid something out at the foot of the bed for you already.
“Wear this,” he says. It’s an order clothed in velvet. Polite, but…you sense the unyielding directive underneath.
You pad on bare feet to the foot of the bed. It’s a silky lavender nightie with lace at the bodice. Nothing too wacky. No embarrassing peep holes or extraneous straps. You are somewhat relieved.
Until you see the underwear he’s paired with them.
Your underwear, as a matter of fact.   
Those went missing a long time ago.
Speechless, you look to him, knowing you look like a fish out of water but unsure what to say.
This has been going on for way longer than you even knew, and you didn’t have a clue.
“You took these from my apartment.” You manage not to yell it.
“I didn’t want you to wear them for anyone but me.” He has the cheek to sound grouchy about it, like you did something wrong.
You feel your temper rising like the mercury in a thermometer. You know you’re going to say something stupid, but you just don’t know how to keep it in.
“How. Fucking. Dare you?”
He just sighs, like he already knows how this is going to go. “Don’t play this game with me, baby.”
You bite down on the impulse to demand he not call you baby.
“You could have just…asked me out. I would have said yes, you know?”
He actually looks away as you tell him this.
“Maybe you would have. Until you realized I’m just a bitter old man, and you would have left me.”
You blink at that. How can he be so smart, and yet so blind?
“I knew you were a bitter old man all along! But you know what? I liked you anyway. I thought you were interesting, and funny, and so fucking handsome, and I wanted to fuck you. But now…” You clench your fists, shaking with all the vitriol you know you can’t unleash on this unpredictable man.
This unpredictable killer.
He takes your fury, seemingly nonplussed. You’re not sure any of it registers at all, and it takes some of the wind out of your sails. “This isn’t love, John,” you say quietly, your throat tightening with every syllable. “Love is…having the courage to bare your heart to the sword, and take what comes. You can’t control it like this.”
He tilts his head at this, a wave of that lovely dark hair covering his face. You get the feeling like he’s hiding from you, when he does that.
Finally he asks, “Have you ever been stabbed, y/n?”
Your heart skips a beat, as you wonder if he’s threatening you. “No.”
“Well let me tell you. It fucking hurts.”
Then he reaches down the bed to pluck up the panties, sticking them in his pocket. “I guess I’ll just keep these. You’re not going to need them anyway.”
You glare daggers at him.
He offers you the slightest, smuggest, smile.
“You sonofabitch.”
“Watch that mouth, kitten. Unless you want me to fill it up with something else.”
You bare your teeth with the thought. “I fucking dare you,” you spit, snatching up the nightie to take it to the bathroom to change.
“Nuh uh,” he interjects. “Change here.”
You freeze in your tracks, understanding exactly what he’s demanding of you.
This is how it’s going to be, you tell yourself. He’s going to be sweet, and then he’s going to be insufferable, and if you’re not careful, he’ll get downright mean. Don’t be fooled by the sweet moods, because all the rest is just beneath the surface waiting.
It was so hard to remind yourself of that, when he was being good to you.
You don’t turn around. You moonlighted as a drawing model after college. You can handle this, right? He’s already seen parts of you anyway…
It’s soooooooooo much different than being in that classroom, when you undo your towel and let it fall to the floor. You can feel the weight of his gaze on your bare form. In the end, knowing it’s just your backside, that he’s already gotten way more than an eyeful of…doesn’t really help. With shaking hands you quickly you pull the nightie over your head.
You hope he feels guilty about the size of that fucking bruise, but you have a feeling he probably likes seeing his marks on you.
“Come here.” He practically purrs, and your flesh aches for the sound. Fuck.
You turn to face him, but do not move. Once again, that glorious boner is making an appearance. It’s almost flattering, how often this man has a hard-on when he’s around you. If this had been a normal relationship, you would have made it your mission to oblige him at every opportunity, just to see what the old man could take.
As it is…all you want to do is fight him, and you know you are destined to lose.
He pats his thigh, as though he expects you to sit on his lap. Without underwear. Or a bra. Or a sense of self-preservation.
You shake your head no with the glitter of moisture in the corners of your eyes. You’ve never felt so helpless in your life, and you hate it.
 He frowns at your defiance. My god, no one can do a forbidding frown, like Mr. John Wick. It lodges your heart in your throat, even while you find him magnificent.
“Are you going to make me make you?”
And there it is.
You sigh, and you feel like a piece of your soul exits your body. Good. Good, be empty. He can’t hurt an empty husk.
“I guess so.”
You close your eyes, and you wait. You wait for his rough hands, for the violence that is surely coming to you. You shake like a leaf, unable to stop. You don't know why you'd allowed yourself to hold out some hope, that maybe he really wasn't going to hurt you.
Yet, it does not come.
You open your eyes to find him still frowning at you. He hasn’t moved a muscle.
The longest three seconds of your life tick by. You count them in your thundering heartbeats, and then he scoots over on the bed. “Fine. Come lay by me then.”
You are shocked to your toes. You forget how to move. 
“Now.” He snaps his fingers, pointing to the bed beside him, and you scurry over before he loses his patience with this kinder offer. Cautiously you crawl up beside him, and when he holds up his arm you understand the cue, snuggling into his side with your head on his shoulder. 
Alright, this, you can do. 
This feels almost…normal. The way your head fits into the divot of his shoulder is just…divine, if you’re being honest, and your body shudders as you suppress a sob, hiding your face against his chest. It’s not fair, that you still want him so much, and you mourn for the promise of sweetness that was snatched from your table before you ever really got a chance to taste it.
“Shh,” he soothes, touching your hair, his big hand dwarfing the crown of your head. “I’ll try to remember to be patient with you.”
You nod against him, wanting to believe him, knowing that makes you a sad little fool.
“But my patience has its limits. Remember that, kitten.”
Oh. You weren’t going to forget.
He continues to hold you, and eventually your heart slows, the tension in your body finally relaxing.
It’s incredible, really, how you just can’t leave well enough alone.
Now that you’ve both calmed, you feel bold enough to ask, “John?”
“Yeah, baby?” His lips on the top of your head make your eyelids flutter, it’s so sweet.
“Do you…at least know that it was wrong, to break into my apartment?” You feel like the answer to this one question will help you gauge everything about his state of mind.
He is silent for a long time. Long enough to let your imagination run rampant with the things he might do to punish you for this impertinence, after he was so generous as to just let you lay down with him and snuggle.
Yet there’s no anger in his voice when he answers, “Yeah. But I’ve been breaking the law my whole life, sweetheart, and no one’s stopped me yet.”
It’s the truth, and a nice neat little warning, all wrapped up in one.
You should be scared again, but you just sigh against his chest. Maybe you’ve used up whatever hormone is responsible for adequate fear responses for the day. Or maybe…his games are working on you already, claiming your sanity inch by inch.
You lay there in his arms, and eventually you start to doze. He strokes your hair, a sweet and lulling touch that makes you curl your toes. When those featherlight fingertips find their way to the back of your neck, and the tops of your shoulders, you cannot help but squirm. In your half-asleep state, this is your kryptonite, and your leg tangles with his, your pelvis pressing against his hip. It feels like the most natural thing in the world, to crane your head towards him.
Only when you feel him shift to lean towards you for a kiss, do you realize what you are doing.
You turn your head at the last second, and his grip on you tightens from comforting to bruising in a nanosecond. “Wait—”
He has you on your back before you can blink.
 “Are we still pretending you don’t want me, kitten?”
“I…”
Suddenly his hand is between your legs, manhandling you like he owns you, raking up your thigh to swipe at your folds. He finds you soaking wet with slick, of course, and he makes a point to press your clit with his thick fingers as he withdraws. It sends an agonizing jolt of desire spreading through the cradle of your hips, the ache in your stupid little cunt nigh unbearable. You hardly recognize the keening sound that escapes your mouth.
Was that you?
It worsens ten-fold as you watch him bring his fingers to his lips, sucking them clean. “Tastes like lies to me.”
Goddammit.
“John…”
You can hardly believe it, when he slides off of the bed, leaving you cold and alone, confused and filled with desire. The pulsing ache between your legs drowns out any rational thoughts you might have had a moment ago.
“Little liars don’t get to cum. I’ll let you think about that tonight.”
You feel like you did that night in Italy, watching him walk out the door when all you really want is to feel his thick, insatiable cock teeming inside you.
Which is fucking insane, of course.
And you were thinking he might be the crazy one?
 “Same rules, sweetheart. Don’t you dare touch yourself tonight. I’ll fucking know.”
With one last baleful look over of his shoulder he touches his hand to the lock, and sweeps out of the room. He leaves you stunned on the bed, disheveled and unsure, once again, of what the fuck just happened?
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johnwickb1tsch · 3 months
Text
bittersweet ~ a yandere!John Wick x fem!reader sunshine/grump coffee shop AU... Part 5 all chapters
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-You take him home, and you can't help but stare in awe as you go through the gate. The Wick residence is quite the cabin-style manse, a behemoth in dark painted wood and stone and massive mirrored windows.
“Do you...want to come in?” he offers as you park in the circle drive. “Dog would love to see you.” 
You look at him, not sure if that is code for he would like you to spend more time with him. It’s so hard to read this man. It doesn't seem like he's hitting on you though. Just…being nice? You know he must be lonely, and you truly have nothing better to do. 
“Ok. I can stay for a little while.”
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The mudroom leads into the kitchen, which is dark cabinets and black marble countertops. Dog trots up to you immediately upon entrance, snoofing your outreached hands and leaning heavily on your legs. “Hi sweetie,” you say, scratching his side.
“How about a snack?” John offers, opening the refrigerator. “I’m always hungry after a hike.”
“Okay.” 
“Want some coffee? Tea?”
“I can make it, if you show me where your stuff is.”
“No, it’s your day off. Let me take care of you. You always take care of me.”
You're a little dumbfounded, standing in this man’s kitchen who by his own admission, you barely know. Never once have you been invited by any of the wealthy visitors from the coffee shop into their homes. Why would you be?
You aware again of how he towers over you. It makes your very bones weak, when he looks down at you with those shining dark eyes. He does not look away from you, holding your gaze. You don't know why, but you feel a little like a butterfly caught in a spider’s web. 
“Have a seat,” he directs, nodding towards a leather-upholstered stool at the island.
 “Ok...”
You are not used to being taken care of. You’ve been on your own for so long.
You feel a little out of place, and cautiously slide up onto the stool, looking around. It’s an open plan, you can see into the recessed living room with its cavernous ceiling. The house is painted in dark shades, masculine, but very stylish. It's classy but comfortable, with large windows to let in the light and the natural beauty from outside.
Then you watch with more than a little fascination as John sets up a kettle and a French press, then starts putting together a little charcuterie spread on a wooden board. His hands are poetry in motion, and like when he’d helped you with your burn, you cannot look away. He slices artisan sausage and cheese, expensive locally crafted treats from the grocer you can never afford on your ramen budget. They look delicious.  
You feel like quite the honored guest. The kitchen fills with the heavenly scent of coffee as he pours the hot water into the carafe, and you relax slightly.
“You didn’t have to do all this for me, Mr. Wick,” you say as the selection on the charcuterie board expands to sliced apple and herby crackers, still a bit mortified.
 “Call me John,” he insists, looking at you through his hair. Your heart does an extra hard tha-thump in your chest. “And it’s my pleasure, really.”
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With sundries in tow you go to the living room, where there are soft leather couches and a rustic walnut wood coffee table. He turns on the gas fireplace, lending the room a warm glow. You notice there are bookshelves flanking the fireplace that rise almost to the ceiling, completely full. This place is incredibly cozy, and as you settle into the cushion you regret already that you’ll have to leave.
Dog clambers up on the couch with you, practically climbing into your lap. You laugh, hugging the affectionate canine as he licks your face, but John gives him a funny look. 
“Is he not allowed on the couch?” you ask, feeling sheepish. 
“Not usually, but I'll let it slide.” He says it with a slight smile, looking at the animal bemusedly. “It's not often we have company.” 
Dog offers a canine smile, undoubtedly well aware that he is getting away with something this special day.
You take a sip of your coffee, and sigh. This is the good stuff. “God. You make better coffee than I do. Why do you even bother to come into the shop when you could just stay here all day?” You could just sit and read in this room for hours, you reckon. Look out the window. Watch the fire, and forget the outside world even exists.
“The shop has its perks,” he says quietly, looking at you out the corner of his eye. As usual, you're not sure if he's talking in double speak. In the end you decide it’s all in your head, and you relax a little more.
After snacking on tasty tidbits and sipping a bit more brew, you look around more. A wrought iron staircase leads up to a landing. You can tell the house sprawls a long way further back than just what you can see. Before you can stop yourself you blurt out, “Do you really live here all alone?”
You’ve never noticed a wedding ring, but then, he’s missingthe appropriate finger.
“Yes.” He looks off into the fire. “I was married once, but she passed away.”
Shit. You and your big fucking mouth.
“Oh. I'm so sorry.”
“Thanks. It seems like it was a lifetime ago now.” He frowns, clearly still deeply pained about it, and you feel so terrible for bringing it up. But sometimes once the scab is open, it's best to remember something good.
“What was her name?”
“Helen.”
“How pretty.”
“Yes. She was...a lovely woman.”
“What was she like?”
He smiles then. It's slight, and completely to himself. But you feel some validation in your train of inquiry. “She was smart, and funny, and she lit up any room she walked into.”
His total opposite, it sounded like. There’s a reason opposites attract, to make a whole. 
He sighs, a forlorn sound that squeezes your heart. “And, I loved her with all my heart.” 
“What a lucky woman,” you say before you can stop yourself. 
You absolutely feel the weight of the sidelong look he pays you this time.
“We had some luck, before she was diagnosed. But when you love someone like that...eternity wouldn't be long enough.”
You're not sure why there are tears in your eyes for someone you never met. 
“I wouldn't know,” you admit. 
No one has ever loved you so much. 
“You're young yet. You will, someday.” You can still feel him looking at you, out the corner of your eye. His gaze has such weight to it, a heady, heavy thing that is like a hand on your skin. 
“I’m not sure I want to,” you admit frankly. “It sounds…terrifying.”
“It is,” he agrees. “But when it hits you...you don't really get a choice.” 
Before you can think of an answer to that, somewhere in the house a phone rings. With a little frown John gets up to answer it. “Make yourself at home,” he tells you. It sounds a bit like an order.  
You take an impossibly soft blanket and drape it over you and dog, snuggling up in the cozy warmth. You don’t really mean to fall asleep, but you close your eyes, and you ae done for.
You dream that someone is gently touching your face, tracing the curve of your cheek ever so lightly.
You only wake up when there's a small noise, and you find John cleaning up what's left of the charcuterie board. 
“Sorry,” he whispers, glaring down at the cheese knife that dared roll off onto the table. 
That he would apologize to you, when you're the one who fell asleep in his house, is pretty absurd.
You sit up a little. The weight of dog has made one of your legs go numb. 
“I'm sorry,” you counter. You are mortified as you wonder if you were snoring. Waking up early for your shift at the coffee house tires you out so badly. It can be hard to have a real life, when you wake up at four in the morning. “I didn't mean to doze. It's so warm and comfortable here.”
He frowns again, but you don’t realize it’s because he’s wondering if you are warm and comfortable in your own tiny apartment. He holds up a hand when he sees you struggling to get free of the blanket. 
“It's alright. Stay as long as you like.” 
He takes what little is left of the sundries back into the kitchen. 
You manage to get up, and stretch, reawakening your limbs. You join him in the kitchen. The sun is hanging low in the sky. It will be dark soon. You have sooo overstayed your welcome, or so you think.
“You might as well stay for dinner now,” John says. As usual, you can't really tell if he's joking. 
He’s not, in fact, but he is being careful about how he handles this delicate thing between you. Seeing you snoozing contentedly on his couch with his dog moved him to his toes, and the notion of keeping you there with him is becoming harder and harder to resist.
It would be so easy, he thinks, just to keep you.
Fat snowflakes have started to fall outside. 
“I think I've imposed on you enough for one day. Thank you, this was nice.” 
He looks out at the snow, which is falling even more heavily now. 
“Sure you want to go out in this?” 
“Right now? Yes. In two hours, probably not.” 
He nods at that, seeming to think on something. “Will you...text me that you've gotten home safe?”
You are finding out that this outwardly stone-faced man has a protective steak that is totally endearing. You never would have guessed from his prickly exterior. 
“Sure. What's your number?”
He tells you, and you punch it into your phone. “Alright. See you later, Mr. Wick.” 
He doesn't correct you, and is it just you, or do his pupils dilate when you call him that? 
Hard to tell, with eyes so dark as his.
There is a pregnant moment between you, in which you wonder if you should offer him a hug, or if that would totally ruin the balance of your companionship. You briefly wonder what he would do if you stood on tiptoe, steadied yourself with a hand on that muscular chest, and kissed him on the cheek, before you decide you need to go.
Later you text him a funny string of emojis involving a house, snowflakes, the wide-eyed smiley, and a penguin, imagining how they would make him scrunch up his brow. 
Does this mean you're home safe? 
Yes, Mr. Wick.
Glad to hear it. Good night, y/n.
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