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#bill meta
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Its funny how brutally honest the axolotl poem is. Imagine being the most feared triangle in the multiverse and some giant space lizard tells your twelve year old sworn enemies about the time you saw your own dimension burn and then tells them "[bill] says he's happy, he's a liar." I think if I was Bill Cipher I would put the axolotl at the top of my enemies list for that one
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sleep-deprived-person · 2 months
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So apparently KOSA (2024 edition) is getting either thrown out until next year or put into effect in six days. That was a guesstimate based on a different person saying that's when Congress is back in session and may be false.
Update that's going in the main post at the top: it has enough support to pass Congress.
It failed the last two times because people were voting against it.
This time, KOSA has traction among the pro-LGBTQ parties. Because nobody is fucking calling their bullshit and screaming from the rooftops that calling it the "Kids Online Safety Act" is misleading.
What will it passing do?
Nothing much, only prevent any education on LGBTQIA+ (it's that stupid fucking argument about us grooming kids again), shut down nearly every fandom space on the internet, and make it required for most big tech companies to have your ID.
Want to have resources for kids to discover their identity readily available? Yes? Then fucking speak up against this stupid fucking bill.
Fandom spaces like Tumblr, Twitter (? I thought the MAGA assholes liked Musk?), Tiktok, Archive Of Our Own, and any other website that hosts fanfic or fanart? Either shut down permanently, forced to uproot to a different country and down for a while (best case scenario, and they likely won't be able to send any data, and therefore fanfics, to the US), or gutted so that you only get to put G rated cishet ships on there, if any shipping at all. How to avoid that? I've already said it: Call your fucking representatives.
Want to avoid the fucking dystopic task of being legally obligated to give big tech your government issue ID? Again, cause an uproar. Call your goddamned representatives.
If they can pass this, the ripple effects could be catastrophic.
So, for fuck's sake, any Americans that can impact this stupid fucking bill and see this? Do everything in your power to shut it down because you have until February twenty sixth (26th) to send this bill back to where it belongs.
And if you can't do that? Reblog, copy my tags, and boost the signal.
Sorry not sorry for ranting, making you scroll through that, and swearing a probably excessive amount, but KOSA is a bill with a GLOBAL IMPACT being passed by ONE COUNTRY because some old people are scared of two guys with who were told they were girls kissing within five hundred miles of a child. Fuck this shit, I shouldn't have to worry about bad bills in America but I fucking do because I use the internet and would like to avoid mass censorship. Fuck this, fuck conservatives, and fuck the fact that some boomers make your country's policies.
Now, if you won't mind me, I'm going to be up until three in the morning downloading fanfiction or copying and pasting them into a a text file if I can't so I can read them by the end of the week.
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Me, on a new date: Hey, have you ever thought about the fact that there are plenty of planets where "the Doctor" doesn't refer to the Time Lord carrying around the sonic screwdriver, but rather to the young women who swing through their lives and ask their names and demand answers and sacrifice themselves, to the young men who start off unsure and second-fiddle but bring a kindness, a loyalty, with them and end up finding their own voices and their own purpose? Do you ever think about the role that myth plays in Doctor Who, how so many companion exits and finales take on the role of storytelling, about how companions become gods and immortals and walk the entire dystopian earth and wait two thousand years and be the cause of every Cyberman's single tear and wrench the Doctor back into the universe and carry the story off of screen with them, that they birth myths in their wake, that Doctor Who finales so often leave science-fiction behind them and become mythology itself, when these humans insert themselves into the mythology of the Doctor only to usurp him, that they make themselves the Bad Wolf and Orpheus and the Woman Who Walked the Earth and the Doctor Donna and the Last Centurion and the Girl Who Saw the Stars and most of all, they become the Doctor themself, that the Doctor's story goes nowhere if Rose doesn't save him on Satellite Five or Amy doesn't pull him back into existence or Martha doesn't walk the entire hell-earth to restore him or Clara doesn't make him forget her or Jack doesn't sacrifice himself to stop the Daleks or Bill doesn't carry him away from the Cybermen or Donna doesn't stop him from drowning himself with the Racnoss or Yaz doesn't pilot the TARDIS or River Song sacrifices herself at the library or Sarah Jane and Mickey don't help restore the earth back to its place in the sky and that the Doctor is only a myth with so many stories to their name because their companions make it so-
My date, sliding the breadsticks out of their purse back onto the table, hopelessly intrigued: Go on...
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thefiresofpompeii · 3 months
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the composition of this shot... finger pointed at the doctor in accusation, bill is speaking the words but both masters are talking through her, surrounding her as witnesses as she channels their bitterness, their rage, their abandonment. the master waited for him. jack waited for him. older amy in that hospital waited for him. bill waited for him. ashildr-me waited for him. but he always came back too late. the man whose ship's engine noise is a sound that heralds hope wherever it lands left the ones he cared about behind. when hope itself leaves you behind, what redemption could you ever dream of?
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disconnect-soul · 2 months
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Alright guys, time to actually post something again instead of reblogging random things
KOSA is not a good thing, I know, shocker. But what I would like to point out is the fact that it goes directly against the constitution by eliminating our freedom of speech. Why is it that those who claim they are "Pro America," those who are so called "Patriots" are people who are signing this bill? Aren't they supposed to support the US and it's values? If so, then why do they actively work and support the erasure of one of the fundamental values of the people? What's stopping them from taking away our other rights?
Nothing. Absolutely fucking nothing
We HAVE to stop KOSA from being passed
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not sally writing a whole show where shes an amazing mother supporting her kid out of an abusive relationship and then becoming abusive towards her real life kid. not telling her agent that she has 'more to bring to the table than breakfast' only to end up as a waitress in a breakfast bar. not barry spinning a narrative to his son about being a war hero and even naming himself after superman when his son doesnt even know his real name or that they're on the run for murder. 'he thinks my name is emily' 'but he knows who YOU really are.' not hank telling barry that he didnt want to take everything for himself and wanted to split it 50/50 with cristobal only to kill cristobal and taking it all for himself but still acting like it's both of their empire. naming his business a combination of their names and erecting a golden shrine to his dead lover. everyone is acting. everyone trying desperately to live their own lie.
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starflungwaddledee · 5 months
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maybe a little bit generic of me, but i adore the dream land four!
magolor and bandee are tied for tippy top favourite, but this whole group just mean everything to me and i am extremely normal about them. after these guys it's probably a very close galacta knight and marx!
king dedede was actually my first ever played exposure to the franchise (through smash multiplayer at a party where i picked him due to Bird) and marx was my first 'character i recognised + played + was obsessed with outside the mains' in star allies so i still consider him my original Little Freak (affectionate)
ask answer for @trainerbob23!
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This is an analysis of Kaveh and Alhaitham’s argument posted on the Port Ormos bulletin board!! Because it is crazy actually!!
I think this exchange of theirs out of the three posted throughout Sumeru is particularly interesting, and this is due Alhaitham openly expressing that Kaveh does not understand what Alhaitham is really trying to say to him: “I have never denied what you meant, but you don’t understand what I am saying to you at all.”
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This exchange is relevant in various ways in exploring the motif of communication. As according to their usual rapport, the two disagree over their differing philosophies, as in sensibility versus rationality, however, Alhaitham’s particular concerns in Kaveh spending his money on “nonsense” highlights the underlying reason for this exchange. From this comment, the argument is recontextualised through Alhaitham’s intention for getting involved, as Kaveh prompts the workmen to take his money in order to help them out.
When Alhaitham states that this is a meaningless action due to the inevitability of people rising or falling on their own accord, rather than solely critiquing Kaveh’s “impulsiv[e]” altruism, as Kaveh interprets, Alhaitham is directly contradicting his own comment – as he is interfering on Kaveh’s decisions.
As concern is evidently the intention behind his interference, Kaveh cannot perceive this, and instead attempts to critique Alhaitham’s perspective in return, although Alhaitham states: “Make no mistake. I have never denied what you meant…” This response asserts that Alhaitham does not deny, but rather agrees with, Kaveh’s statement of “mutual assistance, fairness, and righteous anger” driving the world.
In lieu of this, rather than continuing the argument, Alhaitham claims that there is no point to it, as Kaveh does not understand what he is saying, as in, Kaveh does not understand that his intentions in interfering are out of concern. He follows this up, regardless, by criticising Kaveh’s handling of his budget, as, evidently, Kaveh has offered to give his own money to these workmen, and refuses to pay for Kaveh’s drinks for that month.
For Alhaitham, Kaveh’s lack of self-prioritisation leads him to impulsive altruistic acts which serve to jeopardise his own position, particularly regarding money. If Kaveh can afford to give away money, he can afford to pay his own tabs, is the takeaway from this exchange. Although, similarly to the exchange between them posted in Puspa’s Café, this applies to one particular month, insinuating that Alhaitham will continue to pay for next month’s tabs of his own accord.
The main argument, as well as the disagreement over the speaker of Kaveh’s quote, serves as a humorous exchange, but as a motif for communication it acquires a new meaning. The two hold perspectives which contrast the other which puts them on unequal footing, demonstrated within the argument over the speaker of Kaveh’s quote. Although it is not disclosed who is actually in the right, both are convinced of their respective viewpoint. There is an element missing here, a potential solution to this problem, and it lies within the idea of “correctness” established within A Parade of Providence.
The omission of there being an objective, correct answer to this particular debate serves as a parallel to their conflicting viewpoints, with the basis of their exchange being to “prove” to the other their “correctness” – here, it is in regard to Kaveh.
However, “correctness” being the basis of their exchange, and thus, relationship, is challenged with Alhaitham shutting down the initial debate due to Kaveh’s misunderstanding of his meaning. Correctness, then, and its importance, is called into question within this exchange, with Kaveh being the one to chase it; his last message being that he would “prove” himself to be right.
At the core of this bulletin board exchange is the idea that Alhaitham harbours an alternative ‘meaning’ than the one that Kaveh assigns to him: “… you don’t understand what I’m saying to you at all.” This is a meaning which Kaveh cannot perceive due to his current understanding of Alhaitham. This represents the standing of their current relationship, where Kaveh believes Alhaitham holds him in disdain, although this belief is incongruous with Alhaitham’s actions which show his care for Kaveh.
In these instances of communication through the Bulletin Boards, it is interesting to note that Kaveh is revealed to have been drunk and “scribbling” on these notice boards, and hopes that Alhaitham does not know.
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Although this is a humorous detail, it adds another layer to the unreliability of their method of communication, as Kaveh has no recollection of these exchanges with Alhaitham, and therefore could not have properly interpreted Alhaitham due to an altered state of mind. It is uncertain whether Alhaitham is aware of Kaveh’s being drunk whilst responding to him, or whether he is believed to have been lucid, which creates another element of unreliability in their exchanges.
Alhaitham understands Kaveh’s thinking and the reasons for why he acts as he does, but he cannot articulate his concern in a way that Kaveh will understand, both out of Kaveh’s incapability of receiving goodwill, but also due to his logical manner of expression. Kaveh perceives Alhaitham’s concealed expressions of concern as personal gripes and criticisms of his beliefs, and therefore believes that their relationship is based on the scholarly principle of proving the validity of one’s philosophies.
The Port Ormos Bulletin Board reinforces the core essence of their relationship: Alhaitham is invested in a personal regard, whereas Kaveh cannot see this due to his perception of Alhaitham and Alhaitham’s inability to communicate in a way Kaveh would understand.
(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
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monstrousmuse · 2 months
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I am not sure if anyone here has already made this connection or pointed this out (apologies if so), but while doing some research into Flatland/the 11 dimensions the other day, I discovered something pretty interesting…
In the ‘Book of Bill’ announcement video, as well as distorted, synthesised background music and the Morse Code (which has already been deciphered), we can also hear several lines of spoken dialogue, the first of which being the line: “some other mystic dimension”.
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Now, this line already raises several questions - which ‘dimension’ is being referring to here? And why is it considered to be ‘mystic(al)’? Well, we don’t have a definite answer to either of those questions just yet, but if you will humour me for a moment, I have a few suggestions. Either this ‘other mystic dimension’ could be referring to Bill’s own homeland, the Second Dimension (which would naturally be considered ‘other’, ‘mystic’ and generally unfamiliar to us, the readers), or perhaps, it is referring to the Third Dimension itself, or what is known as Spaceland (Height/Up) in Abbott’s novella. I think the latter to be far more likely, especially with what I am about to show you. This is where my excessive YouTube deep-diving habits came in useful.
During my research quest, I stumbled upon this video of the famous astronomer and science communicator Carl Sagan (take note of this name) explaining the concept of the Fourth Dimension, as well as other Flatland-adjacent things. And lo and behold, at 4:37, what do we hear?
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“And the poor Square has to say: ‘Well, I was in some other mystic dimension called Up…”
Yes, that’s right. The exact words that were used in the promo video.
To provide you some context, here Sagan is recounting the experience of A Square who, with the guidance and revelations of A Sphere, has just returned from a recent foray into the Third Dimension, and is trying to explain his sudden disappearance and newfound knowledge of Height to his friends. So saying, it is likely that the ‘other mystic dimension’ being referred to in the BoB video is in fact, the Third Dimension, since this is a book that has been written from Bill’s perspective, and it seems that he will be filling in the role of A Square in this narrative, discovering the Secrets Of The Universe and all. Although, I must emphasise that this is still just speculation on my part, based on the assumption that Bill’s backstory will be pretty similar to, if not a direct retelling of Flatland:
“Flat minds in a flat world with flat dreams.”
Who knows, Alex Hirsch may just subvert our expectations entirely.
“I liberated my dimension (…)” / “Saw his own dimension burn. Misses home and can’t return.”
Anyway, I have another little piece of the puzzle to share. The line spoken in the announcement video isn’t merely a word-for-word recreation of what Carl Sagan said, It is Carl Sagan. They used a direct clip from an episode of Cosmos. This has me giddy with excitement, because Carl Sagan, a man with much notoriety within the scientific community, and many achievements and accolades to his name, is known to be one of Ford’s scientific idols.
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The level of detail in this show, and I guess now in its extended literary canon’s advertisement material, is insane. Do with this information what you will. Perhaps there’s a connection here that will be expounded upon in the book. Perhaps it’s just a cool reference. Even so, it is a very intriguing one nonetheless, especially with the tie-ins to Flatland, theoretical physics and Ford’s hero-worshipping. It’s clearly intentional.
(If anyone is interested, here is an excellent meta which provides a very detailed exploration and analysis of Ford’s respective connections to Sagan and Tesla.)
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zephrunsimperium · 1 month
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Thinking about how BillFord as a ship often gets a bad rap in this fandom as being incredibly toxic.... which isn't wrong. But FiddAuthor is often seen as the "safer" ship even though it's incredibly toxic too?
In canon, they bring about the worst in each other. And yeah, Bill had a hand in that, but he didn't create anything new in Fidds or Ford. That's what makes Bill a master manipulator. Fidds and Ford don't just have the capacity to be destructive, they actively are destructive towards each other in canon.
I love both ships, I think they can both be portrayed deeply without glorifying abuse or toxicity. Bill, Ford, and Fidds are all incredibly interesting characters and their relationships can help us as fans make sense of things in our own lives.
Just my two cents.
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o-wild-west-wind · 6 months
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okay, here’s my actual thoughtful post: I get why people are upset about the finale…I really do. but I want to mention that there’s a bigger picture to this story that’s missing if you’re zooming too close onto Izzy as a character, and I’m honestly so grateful that the show stuck to the thematic arc it introduced in season 1 because, as per usual, it’s about the themes 🤌 and this show never skimps on the symbolism!!
so here’s the thing: the primary themes are toxic masculinity (& it’s opposite, queer joy); trauma; love as a healing force for the above; and, title alert—DEATH. because it’s so much more than a cool title!
now, Izzy has always represented something metaphorical about all of these points; most directly, he’s always represented masculinity, and s2 has been an arc of toxicity deconstruction. but crucially, he’s also represented all that for Ed, who is the deuteragonist of this show. because—don’t forget—Stede and Ed are the show.
I’ve always doubted myself for feeling this after seeing how fandom saw Izzy as a third romantic figure (which like by all means have a blast in your fanfics I don’t care it’s about joy at the end of the day and pursue that as you want to), but after hearing something about djenks referring to Izzy as a father figure, it confirms a major point for me—Izzy is also in a lot of ways a parallel to Ed’s dad, and a representation of the trauma and guilt Ed felt from that formative killing. for so long, Izzy was an aggressive shadow in Ed’s life, and a tangible reminder of those daddy issues—someone telling him what to do, keeping him Blackbeard—and the beautiful thing is how that changed this season, how Izzy became a version of masculinity that could love and be beautiful and make good from the hurt, the literal poison into positivity. someone antithetical to his own paternalistic force, healing our daddy issues one drag show at a time. BUT, Izzy is still thematically representative within Ed’s arc—and by also representing the trauma that made Ed “Blackbeard,” it does make smart writing sense as to why Izzy died (NOT saying you can’t be sad about it—stick with me for a moment).
because here’s the thing—as aforementioned, this show is also about DEATH. killing is the root of everyone’s trauma, and reconciling a relationship with death is the ultimate arc Ed and Stede are both on, with the ultimate path of learning to live despite its inevitability. there’s a reason it was such a huge thing that Ed couldn’t personally kill, and then in this episode killed so many people with his bare hands in the name of love—and there’s a reason that was framed as a good thing. and there’s also Ed’s (and arguably Stede’s) active suicidality, which has been a huge force driving this season. these are characters who see death as this all-consuming thing, and they see their own deaths as the only solution. death is the traumatic force driving almost everything about their being for so long—and its reconciliation is everything for them, the greatest sign of growth. so Izzy’s death, and everyone beginning again with love—healing each other with love—is a cap to it all. it’s death as a positive force, for once. it’s death as love, not trauma. it’s death as something that will always happen, but this time not forced by your own hand. it’s a death to everything toxic, to what “Blackbeard” represented, and all the while a sort of rebirth. it’s kind of a death to…death? it’s functionally like the real physical moon replacing the giant romantic imaginary orb: it’s taking the thing that’s been artificially morphed in Stede and Ed’s heads and making it real this time, with all the bittersweet emotions that come with tangible reality.
and honestly, I’m glad that it was tragic and emotional. I didn’t think I’d be so devastated to see Izzy die, but it really did get to me, especially because of everything he said to Ricky and then to Ed. but think of it this way: Izzy and Ed might be romantically compelling because they were toxic and charged (and I hope people still enjoy everything they get from that dynamic in fan work), but imagine if the show had actually gone in that direction—where would it take us thematically? it would kill the thesis; it would be love as chaos and entertainment, but not healing. instead, this show gave us something so much more powerful: a legitimate, fully-fleshed trauma arc.
trauma hurts. Izzy’s death hurts. but that’s okay. that’s great, actually! it means the storytelling was effective—that Izzy’s arc made you feel something. and i know this won’t be every viewer’s experience, but honestly? I’m glad I can have this grieving process in such a beautifully framed light in the safe space ship of this show, because let’s be real—death, real life death, fucks you up. and let me tell you, I could’ve used this show during so many episodes of grief in my life. but here it is now, reminding us that our grief and trauma doesn’t define us—and WHAT a powerful thing for queer love, especially, to be presented as the thing that heals us all. ESPECIALLY when so much grief and death in this community is woven so deeply with the trauma of our identity.
so grieve as you need to, but don’t forget to turn the poison into positivity 💛 because that’s what the show is telling us—choose live, despite!
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godsfavoritescientist · 10 months
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Trying to remember an axolotl thought I had a while back. I don't love the idea of the dichotomy between them and Bill Cipher being just "good vs evil." I think they're "peace vs chaos". Rest vs action. Stagnation vs change. Mountain vs river. The axolotl isn't trying to fix everything it is just having a nice time in its lil corner of the multiverse, and its chill energy benefits those who happen to stumble across its path. It just wants to do its own thing 99% of the time, but since Bill is so committed to influencing everything and everyone all the time, he managed to even catch the attention of someone whose attention is very rarely caught. So Bill has influenced the axolotl to play a tiny bit of an active role in the fate of the universe, and in exchange, the axolotl has influenced Bill with the hope that Bill will calm down one percent and maybe even find some peace.
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sad-endings-suck · 4 months
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Mizu’s Fighting Style: Season 1 VS Season 2
Season 1: Kill Bill katana era.
Season 2: John Wick gun era.
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Me, to my new date: doctor who thinks it's a sci-fi story because the Doctor thinks it's a sci-fi story and because the companions think it's a sci-fi story, but it's really just a story about ghosts. a story about an ancient creature carrying the ghosts of everyone they have ever loved, meeting new people, and seeing them only as future ghosts. they are haunted by the future and the past and the present because they are the only constant in a world constantly in flux, and they are running as fast as they can to things before they burn and fade to dust but everything will always end, you understand, because this is the only thing the Doctor understands and yet they keep going. they love too much to stop. doctor who is not science-fiction, it's horror and optimism and spiritual more than anything else, it's religious unto itself, the TARDIS is a haunted house and a church and a graveyard and a hospital and the Doctor is the most haunted being in the universe but more than anything, this is a love story, because how can you love something without being haunted by it- hey, what are you doing?
My date, shoving breadsticks in their purse: I have to go-
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thefiresofpompeii · 13 days
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the ninth doctor trusted rose enough to believe she would stay with him after his face changed. and twelve took some convincing but towards the end of deep breath accepted that clara would stay by his side no matter how old he looked. but thirteen was so used to losing people. her previous self had loved clara and lost her, he had looked after bill and failed to save her, he had tried to redeem missy and (to his knowledge) lost that cause too. no wonder she wouldn’t trust yaz to stay for her fourteenth face. no wonder she believed she ‘had to do this next part alone’. she had grown quietly distant with the new knowledge that she was no longer even an ordinary gallifreyan, not something of this universe, but outside of it, alien even to the aliens. isolated and inaccessible, standing on an invisible pedestal her ancestors placed her on — a pedestal that more resembled a cage. glass walls on all sides like the forced regeneration chamber. thin glass wall between her and yaz now, transparent but too solid to break through. harder than azbantium when there’s no solid footing to stand on.
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of course yaz would run when she saw her new self. of course she would leave. companions would never stay now, they would never fully understand. when thirteen said that she would need to do ‘this next part’ alone, by ‘next part’ she meant ‘the rest of her (potentially eternal) life’. it’s the classic gambit: push the one you love away before they get the chance to reject you. because they always will, now. either that or they die in horrible circumstances. better to flee like you’ve always done.
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this is why the bigeneration was a narrative necessity, why the giggle was the perfect vision of a positive finale. the original version of the doctor gets to settle down with people that he won’t lose. people that he won’t turn away from. people whose hearts he won’t inevitably break. he’s sitting there in the back yard and he’s not going anywhere…
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…yet somewhere out there in sheffield lives a police officer named yazmin khan. she’s not all sunshine and rainbows — all cops are bastards, after all. sometimes she takes her nameless rage out on a shoplifting suspect. sometimes she hands a parking ticket to a kid that didn’t deserve it. and sometimes she does genuine good for the community, sometimes she goes to the club and dances with strangers, sometimes she sits on the sofa and watches a documentary about space exploration and laughs at the painful inaccuracies. and many miles south, the doctor spends time with his family, but he’ll never get the courage to visit her. because she’d want to run away with him again. and he could never give her that, not anymore. anything but running.
yazmin khan loved the universe in the eyes of her doctor. oh, that doctor in the garden? the stay-at-home-doctor? he’s brilliant, but he would never be enough for her. his presence would never replace the cosmic vistas and myriads of stars thirteen gave her. and she’s never coming back
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unremarkablehouse · 1 month
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Don’t ask, don’t tell…
ok so it’s absolutely hilarious the way Mulder and Scully get super awkward and deny that they have sex, to the point where TLGM straight out ask “Mulder’s role in the upcoming blessed event..” and they both go quiet. I understood when they were working together but by that stage Mulder had been fired! Hell, their faces when Scully was under oath and admitted that Mulder “was her lover” (such an understatement), they looked like two teens caught with their clothes inside out. This leads me to conclude a few things:
Mulder and Scully probably had a friends with benefits thing going on for years before they were actually a couple.
They probably have some crazy kinky sex, because people who have vanilla sex would own up to it more. Hell, Mulder would even have probably high fived Langley. Both of them blush and get awkward so you know they’re both crazy together.
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