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hedgehog-moss · 2 days

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The blueberry tart moral quandary has been very fun to ponder! Thank you for sharing it with us. I think the real question, however, is what each of your animals would think about ordering two slices of tart under the circumstances

You're right, that IS the true question here. Let's situate this in a universe where blueberry tart is safe & delicious to eat for all animal species.

CHICKENS. The chickens would definitely want that second helping of tart because chickens live in a solipsistic moral universe and would hesitate to share tart even if it was their dying sister's last wish. However if you place two slices of tart on the ground for 2 chickens, they will immediately and violently start fighting each other over the same slice, thus giving you the opportunity to discreetly retrieve the first slice for yourself. Moreover, if a chicken manages to break off half of the slice and starts running like hell to go eat it elsewhere in peace, the other chicken will take off after her instead of eating the other half happily by herself. If they then break this half in two while fighting over it, they will resume fighting over that half of the half, allowing you to retrieve 3/4 of the second slice. And so on. This is Zeno's paradox applied to chickens and tart: the hens will spend the rest of eternity fighting over diminishing crumbs while you get almost all of the second slice back (albeit broken in increasingly minuscule halves.)

CATS. Not only would the cats want that second slice regardless of who else wants it, they would also sit & start grooming themselves on the rest of the pie with great serenity, rendering it inedible for anyone else. However, my original post established that the pies were under large bell jars. Two of my three cats are (to their everlasting torment) stymied by this sadistic human invention. If the bell jar is heavy enough that you can't push it off the table (a popular strategy), then Mascarille and Merricat will just circle it a few times, ram their faces into the glass, do a full body swipe against it in case this might open a secret door, and then walk away in frustration. Morille on the other hand is a cat possessed of extreme patience, diabolical intelligence and acute interest in forbidden food. She will get the tart no matter how long she has to lie in wait.

DOG. Pandolf would not want a second slice or even a first one, if he is made to understand that this might make other people sad. The thing with Pandolf is, he can smell disappointment. His great big nose picks up on every particle of human disappointment in the air and they go straight to his heart. He is also too polite to even defend his bone from thieving chickens. There's no way he would claim any tart at all unless someone gave it to him and made it clear they would be happy for him to eat it. However Pandolf is very cute when he sits there with a lolling tongue, happy for others to have a good time, and there is also no way one or several persons wouldn't give him their slice of tart. He would definitely end up with tart.

LLAMAS. Pampelune is the matriarch and since her duties involve dying to protect her herd in case of predator attacks, she considers it her prerogative to eat first and as much as she damn pleases in compensation. She would get two slices. I believe Poldine would choose to have only one slice and kiss everyone in the restaurant on the cheek for good measure, and I also believe she would actually get zero tart. As shown in the salt video, Poldine understands her place in the pasture hierarchy (the one who eats last) and has to resort to subterfuge to get even 1 lick of salt while others are gorging themselves. She will be very dependent on other people's temperance and decency to get any tart (so, Pandolf is her best bet.) Meanwhile Pampérigouste is trying to figure out how to escape the restaurant undetected to go on an adventure while the sheeple are talking about tart. She will get one or two or three slices but only if they can facilitate her various stratagems (for example, to bribe a guard at the door.)

The FISH—do not have the cognitive abilities to worry about morals but more importantly, do not experience soul-deep desires in the way the birds and mammals in this list do. My fish live in a smooth and quiet world where the gods make food rain from the sky every day. In this luminescent existence of untroubled abundance their capacity for longing has atrophied. They do not understand what wanting tart means, let alone the complex philosophical agonies humans can put themselves through when faced with culinary conundrums.

DONKEY. Pirlouit's first instinct would be to claim all the tart he can eat and then some. However donkeys and fish sit at opposite ends of the philosophical spectrum; Pirlouit strikes me as an animal who would be interested in exploring the ethical ramifications of the issue, as an intellectual exercise. 70% of his life consists in quiet deep ponderings. I think Pirlouit could get distracted ruminating the blueberry tart quandary in light of the rich philosophical heritage of donkey civilisation, and arrive too late to get any tart by the time he determined whether one or two slices is the right answer. Kind of like that time he got distracted by his need for revenge and was late for breakfast and the llamas had already claimed the hay.

IN CONCLUSION.

#ask #thank you for the question this was also fun to ponder!#morille & the hens were the most obvious answers

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canisalbus · 7 hours

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hey another anon following up on Machete info, /why/ is Machete so disliked by his peers and held so tightly by the church?

I'm simplifying a little, but a lot of it has to do with how much of an outsider he is in his circles. The college of cardinals is composed of nobility and a significant portion of it operates on nepotism. Machete managed to get in mostly on his own merits. He doesn't have prestigious background, but he was mentored by an esteemed priest (and later bishop), studied and worked exceedingly hard and had excellent recommendations and a reputation as a dedicated, diligent, meticulous and obedient person. He landed a position as the Pope's personal assistant and was eventually created a cardinal by the said Pope. He has low tolerance for those of his peers that are incompetent or lazy, play dirty or abuse their power. He despises the flagrant corruption going on around him and actively tries to expose and weed it out whenever possible. His colleagues find him suspicious, overly strict, hard to work with and think he's either a deceitful social climber who got into his position by manipulating and sucking up to the Pope, or a foolish lowborn who doesn't know what he's gotten himself into.

After the Pope dies Machete loses his title as the secretary of state and is relegated into inquisition duty, which doesn't do his severe public image any favors. He starts to get infamous among laity as well, people generally don't think fondly of someone who deals with and oversees trials, excommunications and executions. Since he doesn't have a powerful family to back him up and he's never been that good at making allies, he's an easy scapegoat whenever other cardinals need someone to take the blame for their numerous scandals.

Machete was raised in a monastery after being left there by his parents at age 3 or 4 due to his sickliness, and started his training as a priest's apprentice at age 7 or so. The church has been a constant presence in his life for as long as he can remember and the only source of care and security he's had. He was driven to become a priest because he believed it would make him worthy of keeping around and provide him the respect, purpose and protection he needed.

#answered #anonymous #Vaschete lore

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comradekatara · 3 days

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sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

#analysis #sokka #katara #katara&sokka #hakoda #kanna #kya #hakoda&sokka #kanna&sokka #kya&sokka #kanna&katara #whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me #like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal #but simultaneously dehumanized etc etc #but also the fact that like. zuko treats her the same way katara treats sokka #he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor #when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE #katara and zuko are like ‘let’s put azula in her place’ and high five #and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet #so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf #but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times #so there’s rly no need to argue that #whereas katara loves calling sokka an idiot so i do believe that some clarification is in order #but like. yeah there’s no way sokka was dismissed or neglected as a child #he’s dismissed and neglected by the world at large #but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye

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yanderederee · 11 hours

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I love your work and your whole blog is just so amazing! I would like to request letter A for Baji from Tokyo revengers. Thank you, have a nice day dear! :)

This one’s going to be longer than normal— sue me. Read more cause it’s long

Affection: How do they show their love and affection? How intense would it get?

Baji Keisuke is a very intense person. When he feels strongly about a person, it’s hard not to notice. He goes out of his way to give Pah’s dog extra attention when he’s away, carries Mikey to and from places when he falls asleep randomly— everyone feels at ease when they’re with Baji because he is a safe person that they know they can trust.

So for his significant other; of course he’ll show his affections openly. Though it may look like less like romantic affection than it would a doting mother (does that make sense?)

Baji will wholeheartedly take care of you.

You have a stomach ache in public? He rubs your back and finds a place for you to sit, or takes you home immediately if you want. Even if he’s not entirely sure how to fix your issues, he’s dutiful in the way he cares for you.

Order something you don’t like at a restaurant? You got two options, you two can swap meals (because he doesn’t care what he eats as long as you’re happy), or he’ll order a safer option for you.

Can’t sleep? He’ll be half delirious, but he’ll stay on the phone with you and let you chat while he mumbles back replies to make you feel better. Battery might be shot tomorrow but he only uses it to stay in touch with you anyway.

Leaning into romantic affection: not so much into the casual stuff like hand holding (he’s a little squirrelly and gets frustrated if his arm is locked down for too long), but loves looping his arm over your shoulder and holding you close to him at all times. It’s more than showing people you belong to him, it’s also the comfort having you near brings him.

If he’s sitting and getting stir crazy, he’ll play with your fingers. It eventually becomes a fidget of his so he doesn’t realize he does it, but everyone else does.

Likes cuddles, specially holding you. He loves feeling you wrapped up in his arms and pressed into his neck. He could get lost in thought and lay there for hours thinking of all the things he adores about you.

If you fall asleep, he’ll stare at your face; gently pat your hair or trace your features… he’s star stuck thinking about you.

Also shows his affection in protecting you. Can not stand when other people waste your time. If you’re enjoying the conversation then sure, he’ll endure. But if you show any sign of fatigue or annoyance, he’s quick to swoop in and come up with an excuse to get yall going.

That goes for his own friends too. If anyone so much as gives a backhanded comment about you, (I.e: she’s leeching all of your time Baji/Cant you go anywhere without her?/she’s fine but I don’t like having her around/etc), he goes off. There was nothing fucking wrong with you and if you were content being by his side, then he would happily keep you there.

“Fuck you say? Ain’t no one ask you, so keep your shit shut.” He can get really aggressive with his language and dialect, don’t try fighting him further than that, it will end in fists and blood.

Speaking of, is happy to beat the shit out of anyone for you. There’s not a lot that is beneath him. (More on this @/Blood) He doesn’t hit girls, but he will pull their hair and scream in their face for a long time until they get the picture to not mess with you.

Overall: Baji only becomes an intense yandere if other people get involved. If it’s just the two of you, he’s extremely doting and careful with you, but does his best not to stir you into complex feelings that might cause you to leave him.

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transcriptroopers · 2 days

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"Non-Violent" Protests

I recently saw a disturbing video of the anti-war protests currently going on. You may have seen it; several cops are holding down a Black protestor, who is restrained and not resisting. Still, while the protester is being held down by three cops, one uses a taser on this restrained person for several prolonged seconds. The white crowd stands around them doing nothing. Scratch that - a bunch of them are filming - some quickly raise their phones when the tazing begins around 19 seconds in- and I assume they think this is doing something.

Tasers are not a non-lethal weapon! Black people are disproportionately targeted and killed by inappropriate taser use by police, and Black protesters are disproportionately arrested compared to their white peers. Standing there filming knowing you’re in no danger is taking advantage of your white privilege!

The crowd should have stormed those cops the moment the taser came out. Or at least after multiple seconds of contact. There is a single cop with a weapon pulling guard duty, who can easily be dispatched from behind.

When your comrade is being arrested, don't just stand there with your thumb up your ass. DE-ARREST THEM. The cops completely ignored being surrounded by useless observers because they know that getting filmed doesn’t mean shit. Look at their armed guard, his positioning! His weapon at ease and his movements relaxed because he knows none of you represent a threat to him even though you outnumber him ten to one! Meanwhile, look at how many of them it took to restrain this man! You all move in at once, push ‘em away from your comrade, expect resistance so stay together stay tight, protect your comrade so we can get the handcuffs off and get 'em out of there.

These mass protests have served as a perfect example of how non-violent action is a mere spectacle. If you aren’t willing to defend each other from violence, you are a participant in the violence.

I highly recommend Peter Gelderloos’ “How Nonviolence Benefits the State” regarding the tactics of student protestors over the past week. If you really care about putting up a real resistance to systemic violence, then it’s time to start re-educating yourself about what violence is.

#free palestine #atlanta #BLM

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osmanthus-dandelion-wine · 2 years

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genuinely shocked at the amount of people that think character death = good story. In most circumstances, character deaths seem like an easy way out for shock value rather than meaningful development (Signora for example). Some of the best character arcs are those where the writers had to figure out how to develop the character in the arc of the story rather than just killing them and moving on

#genshin impact #genshin impact spoilers #xiao #la signora #criticism #hyv has done good jobs when a character had to die and it was a satisfying end to their arcs (himeko or otto more recently)#and they flubbed it before with signora #the whole point of the quest was for xiao to shake this mindset of a warrior's death and that he has to be alone and die alone #that is exactly why yelan was there to challenge that point since she hates the idea of self sacrifice and being the only one to survive #both suffered survivor's guilt and had two completely different ways they went about coping #and the end of that quest was genuinely one of the only times xiao did not degrade himself as a slaughterer #and he was proud to be a yaksha #because his duty was to protect the people #so why set all that up for him to die #it would have been sadder but after a while you'd think 'that made no sense'#ffs he didn't want to die either he tried to bring a rock to make bosacius' shrine #idk i guess getting older just made me see how much harder it is for writers to write development than killing the character off #and another series did initially kill their character off and it was not satisfying #so when they redux their game and had that character finish their arc what do you know they had one of the best character arcs

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lucksea · 2 months

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havent decided how i want the introduction to go yet but i imagine it would roughly be one of these two

#null havoc damage #cult of the lamb #i just havent decided what baal and ayms relation to narinder is. i like both main ideas for them #like its very fun and sweet to imagine that he sees them as his sons. but it makes more sense to me that he was more distant #i just dont see narinder as a father. i think he would take care of them but i dont think he would be affectionate at all #like genuinely. 'guardian' is the best term you could give him. they are his apprentices #he taught them magic and combat and they probably guided souls in his stead. but they arent family. to me #i think its possible in this au that once they all got free THEN they started bonding more #like baal and aym would have spent a long time with their mother but given their immortality from having some of the crowns powers #they would eventually return out of a sense of duty that they were raised with. which would lead to more genuine interaction #i think narinder could have a habit of taking in strays but i dont think he would be their dad. just someone to feed and protect them #until theyre old enough to leave. yknow #but i LIKE the idea of him being nice. because i am a sap. i think its sweet when people draw them getting along

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feroluce · 1 month

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So I adore time loops and I think Sampo would be very fun in a time loop AU. Because despite having so many onscreen interactions with so many characters, he almost always seems to hold people at a certain careful distance, so it's fun to imagine what or who he's willing to use a time loop for, how far he's willing to go, how much he actually does care.

At the end of the Masquerade Duet companion quest, Sparkle mentions a catastrophe soon to befall Jarilo-VI. And some players have interpreted this as a past event (the catastrophe being the story quests we took part in there), but other players have speculated this as an upcoming disaster that Sampo is trying to mitigate.

And so, Gepard finds Sampo in Belobog, right after he was supposed to return from Penacony...or whatever it was called, Gepard had almost been too relieved to remember the name after Natasha assured him that Sampo was fine and not missing or dead, just on a trip since the planet was finally open for travel.

He had assumed this was some kind of vacation, or some shady business endeavor (valid), but when he sees him, Sampo looks. Exhausted.

His usual smirk is there, but there's something horribly off about it that Gepard can't put into words. His voice doesn't have the usual bounce in it. His gait slightly off. There are bags under his eyes, his hair is just the slightest bit out of place. Sampo looks exhausted.

His feet move without him really thinking, he goes up to Sampo to say...something. Maybe just ask him if he's ok. But he can't leave this alone and not do anything, because Gepard can feel it, something is wrong.

And that feeling sticks with him, like the persistent cold, like frostbite, all day. Gepard can't seem to shake it. There is a collective unease seeping through Belobog, sinking deep, tangling around their bones. And the only one who seems to be reacting truly different to it is Sampo.

Gepard tries to tail the guy a few times, anything he can do to learn about what's going on and ease this devouring dread, but Sampo seems to know where he's hiding and calls him out every single time.

He dodges every question (normal), slips out of every grab and grasp (normal), barely even looks at Gepard (decidedly NOT normal).

And maybe it's the darkness that seems to hover over them. The way the air feels like it is pressing down and smothering the breath out of his lungs. But Gepard's patience finally snaps, much sooner than he ever would have thought it would, and he finally grabs Sampo by the collar, hauls him up and forces his back against the brick wall of the alleyway. Because maybe Sampo makes his living double crossing and stabbing backs and he wouldn't understand this, but Gepard has a family, he has people he wants to protect, and so he needs to know what the fuck is going on.

And he knows he's crossed a line the moment he says it. He knows it's not true. Gepard has seen the way Sampo and Caelus sneak around in the Fragmentum or meander down the alleys, snickering with their arms slung around each other. He's seen the way Sampo lets Hook climb up his back onto his shoulders while he takes the moles on little adventures. He's seen the way he and Serval rib each other like it was natural, easy, and the way he goes out of his way for Natasha like he wouldn't any other client, had even trusted her with the knowledge that he was leaving off-planet.

Sampo has people he wants to protect, too, and Gepard shouldn't have accused him otherwise.

But before he can even apologize, Sampo does something stranger still.

Instead of telling him off, or taking a swing at him- both things Gepard would admit he deserved- Sampo just. Lifts one hand, lays it over Gepard's fists still balled in his jacket. Like he's keeping him there. Even through his gloves, his hand is warm.

And Sampo doesn't even really look at him, he leaves his head hung low as he quietly tells Gepard to just go home. Stay in with his family. Don't come out. Please. Please.

But eventually, the catastrophe strikes.

And Gepard can't. He can't stay safe inside his home while this is happening. He can't ignore this. He tells Serval and Lynx to stay in. Don't come out. And he dons his armor and marches out to protect as many people as he can.

When it's all said and done, all Gepard can see is rubble piled around him and a blackened sky. He can hear fire crackling. He can hear a voice he recognizes as Serval's wailing and screaming his name, and he knows she's not going to find him in time. She shouldn't even be out here.

A bloodied face swims into view, bright green eyes looking hollowed and haunted, posture weary and defeated. Gepard reaches out a shaking arm, trying to grab at Sampo's pantleg, trying to make any sound other than gurgling the blood filling his throat, because he knows it for certain now, he knew, Sampo knew.

"Not this time either, huh...?" The sigh he heaves isn't theatrical, for once. Somewhere, rubble groans and loudly collapses. Sampo doesn't even startle or turn to look at it. "I'll figure it out soon, I promise. There has to be a way to pull you through this alive. There has to be."

Something materializes in his hand, something red. Gepard's vision dims at the edges as he watches Sampo hold the mask over his face, as it seemingly attaches itself directly to his skin.

"See you on the next go around, Captain."