at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
18K notes
·
View notes
so a thing this fandom does that remains FASCINATING to me, as a function of the fact a lot of this fandom is people's first fandom or only current fandom, is just... assume a lot of things it does is a scourge that this fandom has invented or doesn't exist outside of it? or like, is uniquely bad here? and i won't deny that sometimes mcyt fandom is a bit more intense by virtue of numbers, but like...
duo names: confusing fandom-injokes to describe duos and groups tend to be an anime fandom thing specifically for many historical reasons, but they're not uncommon. hey quick--if you haven't been in KHR fandom, can you guess what 1827 is? no? i'll give you a hint: that's actually a ship name. or, ygo fans, tell me the difference between puppyshipping, prideshipping, violetshipping, and rivalshipping. my hint is that they're all kaiba ships and two of them are actually the same ship. good luck!
reducing characters to a specific trait: have you read fic in another fandom before? i would recommend you go do so and come back to me. my example here is "sasuke likes tomatoes", for the record.
common au fanon that's confusing to outsiders: my deep cut here is "when i got into certain tv fandoms i was baffled by the existence of sentinel/guide fics", which is a slightly older tv fandom thing so many of you probably don't know what i'm on about. but trust me: in certain fandoms it's ubiquitous and unless you've watched a completely different tv show you're gonna have to entirely pick it up from reading fic. oh hey, hybrid aus and watcher!grian, nice to see your relative here,
fanon being treated as canon: did you know there's this whole bnha character, naomasa, who is treated as canonically having a lie detector quirk? did you know that, best i can tell, that's not in canon anywhere, it just got echoed through fanon enough that everyone treated it as canon? 'fanon trait becomes so ubiquitous everyone assumes it has to be there' is not a new thing. also, batfamily fans, i have been lead to understand the tim and coffee thing is also this.
characters being treated badly to make a different dynamic look better: the fact we have the term 'character bashing' tells you all you need to know, here. if anything my one complaint on this front isn't even that it's happening--it's that i wish bashing and/or "not [character] friendly" was tagged a little more frequently, haha.
characters being reduced to their family dynamics: tale as old as time. "even the family dynamic thing" yes even that. just because this fandom tended to be particularly ship-adverse in the past didn't mean it didn't do basically the same behaviors as any fandom with shipping did with those dynamics, just gen. and other gen fandoms also do that. yes, down to the "and shipping reduces them to a ship, unlike my gen dynamic, which is very in-character; why can't people just be friends?" thing. some of you have to have been marvel fans right.
characters being reduced to their ships: some of you have to have been marvel fans right.
The Discourse: yeah this is an "actively running show" fandom thing, but also a hiatus fandom thing. ask a homestuck about vriskourse sometime. as much as i hate to say it, it probably made doomsday discourse look cute.
and those are just like... some things i've seen people complain about on my dash recently. idk it just hit me there are probably fans in mcyt fandoms who are assuming that some things (like hybrid aus or duo names) are the kind of things that only happen here, so i thought i'd offer some examples of other places they happen! i also have even more examples if you'd like.
to be clear: this isn't shaming anyone for complaining about any of these things. lord knows i go complain to my friends about it all the time, just the other day i was complaining in the category of 'they keep bashing my guy'. it's more of just... a gentle reminder that maybe we're big, maybe we're loud, maybe we have problems... but these problems aren't always unique.
so uh. we're all suffering together i guess...?
531 notes
·
View notes
i'm rewatching the second to last day of wormhole eclipse convo for the one millionth time because i need parts of it transcribed for my blog post and vitalasy straight up asking "Why do we play?" is killing me. you may as well turn towards the camera and stare directly at me. 2k words of this analysis are spent on definitions of play. stop that
(incoherent vitalazam ramble below the cut real stream of consciousness in here. i guess some of this might get rehashed in the thing i'm Supposed to be writing right now but it won't have the same sense of fervor due to the restraints of proper grammar. consider this a bonus...?)
i can't even articulate what i want to say here fucking. fuck my life. the way this conversation is a perfect capstone on eclipse's relationship. zam spends the entire thing acquiescing to whatever vitalasy tells him but not hearing any of it. because he's still mad but he can't express that, and Vitalasy is still mad (Cannot acknowledge zam's anger at him re: exploits without jumping to his own defense. and then he cuts himself off because he knows that's not helping . purely said that on reflex. it reads like a joke.) and vitalasy Still doesn't understand him at all, is still so intensely frustrated by him. and it's just manifesting as vitalasy digging the two of them into this pit while zam does nothing, doesn't fight back even though he reads it as vitalasy trying to kill him to which vitalasy says "i'm not trying to kill you!" even though moments later vitalasy will offer to ban zam, has been urging him to do it this whole time. because not only is killing zam in this moment made trivial and pointless by the exploits but even if it were possible and it could mean something it Wouldn't mean anything because it wouldn't change anything; banning is synonymous with leaving and despite how relentlessly zam toys with the idea he will never. ever. Ever. actually do it.
he's miserable but he can't put himself before the server the way vitalasy thinks would be best for him and for everyone else because as far as zam is concerned his health and the health of the server are one and the same. he's playing out the exploits and sticking with spoke because it's like, it's almost saying "if you won't see it through I will" to a vitalasy who has in his own words discarded first the exploits and then the server itself. BUT AGAIN: HE CAN'T EXPRESS THIS! HE APOLOGIZED TO VITALASY! it would be wrong to go back on that but the apology was as much of a lie as his relationship with vitalasy always was when they were on good terms.
i mean look at this you can literally watch him course correct over and over again as he remembers what vitalasy wants from him. it never ends. i want to squeeze him until he dies. it's exponentially easier to place the blame on himself but doing that has always just freaked vitalasy out he hates when zam does that so bad. it's the easy way out of dealing with a problem to punish yourself for it.
LIKE OKAY ... what does he want? does he want vi and subz to just fight him? would that be easier? that's always been the expected response that's the counter to the move zam has made on the board. i betray you; you attack me; differences are settled in combat. he talks about fighting at one point like winning and losing have ingrained moral qualities. if someone thinks you're wrong, and tries to stop you, and you beat them, it proves that you're right. but he tried to go against the exploits and vitalasy wouldn't fight him, vitalasy stepped out of bounds entirely and said "i'm not playing anymore, i don't like this game!" after fucking the game over for everybody else, and he never forgave that. and now, vitalasy hates what zam is doing but he's not trying to fight it, he's trying to force zam to do what he did, to stop playing by his own rules. to look outside of bounds. to consider a bigger picture. he is notoriously bad at that.
he likes mapicc so much because they speak the same language. you know how mapicc is able to temporarily settle their differences before the pangi duel and subsequent extremely obvious betrayal by handing a "win" to zam and it Works? it works really well? whatever. whatever
45 notes
·
View notes
Me with my bff, a week ago, an absolute tool: I'll watch MHA with you, but maybe in season 5 after it picks up.
Me now, approaching the end of the season, wiser, but hurt beyond mortal comprehension: literal torture would be preferable to doing that ever again in my entire life.
21 notes
·
View notes
the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
15K notes
·
View notes