he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
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gary’s twin sister, nadine!!
i’m a sucker for the bonnie & neddy episode :’)
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Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
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*cracks knuckles* we know Tyler isn’t the original Clancy right? Y’all caught that? Clancy’s bishop was Keons, Tyler’s is Nico, and now “Clancy” is Tyler. Because “scaled and icy” is an anagram for “Clancy is dead” and that album was the one where dema was using Tyler’s popularity for their own purposes. Clancy failed to stop the cycle on his own, and despite already being used as a figurehead for dema, Tyler decided to take up the role of “Clancy” in the wake of what seemed like a total collapse of the Banditos. Their leader had been taken out, and now they had no one to organize them.
But Tyler taking on the name Clancy isn’t him taking on the role of leader or even organizer. He is showing us (the Banditos) that we all can be our own inspiration, we don’t need a figure to follow, we don’t need a leader to lead us. We can do this, fight dema, ourselves.
Y’all got that, right?
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
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What if I straight up didn't explain myself? What if I just said trust me on this? Would you?
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realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards
*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then
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my sirius & harry thought of the day:
harry kept that firebolt alive for all 137 years of his remaining life through sheer willpower and magical strength. he did not let a single twig of it die off. not only was he absolutely unhinged about taking care of it, not letting anyone near it after 5th year, but he also basically single-handedly reinvented the field of broom-crafting just so he could keep his godfather’s gift to him alive. he didn’t do anything with this skill, basically driving everywhere who knew him spare bc !!! ‘harry do u know what u just did? most brooms don’t last over 6-7 years, not even a fraction of that if used at the pace and frequency as u. if u could just—‘
and he just flat out shuts them up bc how does he tell them that the reason his firebolt is still alive is bc sirius’ love runs thru it and harry would die himself before he let it bc he can’t lose the last piece of sirius he has left. he cannot perform this miracle on any other broom, tho he can probably make the single best non-sirius-gifted broom that the WW has ever seen just bc of how extensive his knowledge is now
and the thing, right, is he doesn’t keep the firebolt locked up in some display like some artefact. sirius would’ve never wanted that. his dad would’ve hated it. brooms were meant to be flown. so fly, he does. wonderfully. it’s forever his primary broom and he puts it thru all the paces, keeping up with all sorts of newer, flashier, pro models w utter ease.
it’s like this: when he uses this firebolt, it feels like perhaps he has his godfather back for just a second. and harry is forever weak to that feeling.
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the gorgug-porter conversation is interesting to me because like. yea for the overwhelming majority of the conversation porter’s being shitty & trying to fit gorgug into a box that gorgug just does not fit into by trying to make gorgug’s relationship with his rage more focused on the aggression aspect of it. but then there’s also this specific thing that brennan brought up again in the ap, which is that gorgug’s relationship with his rage is wholly “this is a tool i use to protect my friends.” which isn’t a bad thing! but that’s his Whole relationship with it, & gorgug seems to place next to no value on his rage in relationship to himself. which is problematic, because it’s first & foremost his rage.
being raised in a household with a sort of toxic positivity largely meant that, whether or not it was his parents’ intention, gorgug internalized the message that more traditionally “negative” emotions such as anger are the wrong response to something. part of the reason he prioritizes his artificing is probably because it’s “fixing” things. in comparison to being a barbarian, which gorgug associates with “breaking” things. good vs. bad behavior, in his eyes.
it’s a totally unacceptable bar to measure a 16 y/o by, but i do think part of porter’s reasoning for not letting gorgug multiclass is him recognizing that gorgug generally does not value anger as a valid emotional response to something, at the very least for himself. & that directly conflicts with what being a barbarian is, because whether you like it or not, that rage is what fuels you. but again, barring a kid from pursuing something they deeply care about in part (not entirely, porter has a lot of more bullshit reasons) because of their fundamental values & world outlook is crazy.
so yes, 98% of porter’s reasoning is pretty shitty, immature, rife with a toxic view that there’s only one proper way to access rage, & generally not a good thing to do as a teacher, but also within that reasoning is the 2% of ‘there is a fundamental part of yourself that you only value if you can use it to take care of other people & you need to accept that as something that can take care of you, too.’ but that’s something to discuss with a therapist or a guidance counselor, not something that should hugely impact gorgug’s academic future.
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So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?
He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.
Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.
But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.
Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.
But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.
It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.
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Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.
Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now
Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.
Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!
Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.
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We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
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☆ thrice the bell tolls
{☆} characters neuvillette
{☆} notes cult au, imposter au, villain au, drabble, gender neutral reader
{☆} warnings minor angst
{☆} word count 0.9k
"Get in the water."
There is no trepidation in the voice of the Sovereign as he speaks, only pure contempt that bleeds into the very air until it chills their lungs – there will be no penance here. No redemption. He stands before them with apathetic indifference, and with his hands he shall draw judgement upon sinners without a shred of mercy, so heavy his gaze they cannot move. This land shall become the grave of gods – no, not gods, Archons. Transcendent..and fallible.
Horribly, humanly fallible.
What a cruel thing to be – neither god nor mortal, in the end. Their Authority a stolen, coveted thing, so easily taken in a blaze of fury that singes them to the bone, in winds so harsh it tears the breath from their lungs from the sheer pressure, in the way their hairs stand on end as if lightning shall smite them for their arrogance. Judgement has come for them, in the end, and no plea nor bargain can save them from it's justice – they shall be judged and they shall be sentenced.
"..I was willing to put aside your past transgressions – forgive your thievery of the Authority that is not your own – to see Their vision of harmony come to reality." He speaks with nothing but clarity and calmness that unsettles – as gentle as the serene pond illuminated by gentle sunlight, ducks drifting across its pristine surface and creating faint, brief ripples. Calm as the tide as it recedes from the shoreline. His eyes speak of the tempest – the raging winds and the harsh waves that will crash and break and ravage. There is a fury so turbulent it makes the wind go still, the earth erode and the water recede. "You do not deserve repentance when Their body bears the marks of your transgressions," There will be no mercy. They try to plead, to beg and bargain but they cannot speak – their cries go unheard just as Theirs were ignored. A horrifying irony.
"Self proclaimed Acolytes, all, yet you bathe in Their most divine blood and call yourselves Saints," He breathes in, taps his cane against the hardened earth, and holds his head high as he meets their eyes unflinching. Mercy, they think, for we are innocent – we did not know. "Sinners, to the very last. You tear at the flesh of the most Divine like wild dogs to sate your own hunger, for you know nothing else."
His voice is the toll – it echoes like the ringing of a bell, calling them to the water like a siren. It beckons, it demands, and it will not wait. The water recedes and he stands like a beacon among the shores – a bastion of light where it has been snuffed out.
His eyes witness their sins – heavy a burden he bears as he witnesses that which they must atone for. The cruel hand of an Archon as it spills the Divine blood of the very earth beneath their feet. He sees Their agony, feels it to the last. Every bolt of wind, every jagged rock, every bolt of lightning. Every single one he feels until he weeps – for Them, he weeps.
His left hand renders judgement – guilty. Their transgressions are grave, and no redemption can be found for such horrors they have inflicted upon the mortal vessel of the Divine. They have felt their sorrow, have felt Their pain, and he has found them guilty.
And with his right hand..he enacts justice.
"Let your sins be your anchor – let your sins weigh heavy upon your shoulders so that you may feel a brief flicker of the agony you have inflicted upon Them," He lifts his cane with a solemn resolve, tears staining the scales upon his cheeks. "I shall weep for you, too, for no other shall do so in my stead. Return, wretched beasts, to the earth and let it nourish Them where you did not."
And at his call, the waves devour.
Entire cities, entire nations – those who bear the sin shall drown in it's wake, dragged to the lowest depths where even the sun cannot breach. It takes and takes, claws and tears and rips at the bodies of the damned – it devours the world, impartial and unrelenting in it's judgement.
And Neuvillette alone weeps.
◇
"Neuvillette? Are you..crying?" Their voices makes him startle back to awareness, the briefest flicker of shame welling up in the empty space of his chest as he wipes away the tears that roll down his cheeks like drops of rain.
"It..appears so. Forgive me, most Divine, it seems I had a brief lapse in focus." He clears his throat, straightens his back, tries to ignore the pit in his stomach as he watches Their lips pull into a smile all too happy. He..he should be happy too, shouldn't he? He should. If They are happy, so should he be. His lips curl into a smile that doesn't feel like it fits on his face, but he delights in the way They smile wider when he does.
They approve, and that's all that matters, isn't it?
"It won't happen again, I assure you."
Their approval is all that matters.
So why does his chest ache so badly? He did as They commanded, he removed the stain upon Teyvat and ensured Their safety.
So why does he feel such sorrow?
The thought gnaws at him like the tides erode at stone, yet he cannot bear to burden his Creator with such..nonsense.
He will bear this weight alone until the day the waves come to claim him, too.
"Shall we visit the gardens today, Divine One?"
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OKAY! Chatot rant in tags below! Read at your own discretion.
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