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stevesbipanic · 2 years

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Hello. I noticed these ficlets, so I was wondering if I can add one too: Robin comes out to Steve, but he already figured it out.

Ty for this prompt, here's my reimagined version of the bathroom scene.

Steve sat next to the mall toilet clutching it tightly after emptying his stomach.

"The ceiling stopped spinning for me. Is it still spinning for you?"

"Holy shit. No. You think we puked it all up?"

"Maybe. Ask me something. Interrogate me.

"Haha! Ok. Interrogate you. Sure. Uhm when was the last time you peed your pants?"

"Today."

"What?"

"When the Russian doctor took out the bone saw.

Steve starts giggling again, "Oh my god."

"It was just a little bit though," Robin replies joining in his laughter.

"Yeah it's definitely still in your system."

"Alright my turn."

"Ok, hit me."

"Have you...ever been in love?"

"Honestly? No."

"Not even Nancy Wheeler? She's such a priss."

"Turns out, not really."

"Anyone else you got your eye on?"

"I thought I found someone who's a little bit better for me. And it's crazy. Ever since Dustin got home, he's been saying, you know, "you gotta find your Suzie. You gotta find your Suzie."

"Wait who's Suzie?"

"It's some girl from camp. I guess it's his girlfriend. To be honest with you, I'm not 100% sure she's even real. But that's not...that's not really the point. It doesn't matter. The point is this girl, it's somebody that I didn't even talk to at school. And I don't even know why. Maybe because Tommy H would have made fun of me or I wouldn't be prom king. It's stupid, I mean, Dustin's right, it's all just a bunch of bullshit anyways. Because when I think about it, I should have been hanging out with this girl the whole time. First of all, she's hilarious. She's so funny. Like this summer, I've laughed harder than I have laughed in a really long time. And she's smart. Way smarter than me. She can crack top secret Russian codes. You know, she's honestly unlike anyone I've ever met before.

Robin is quiet in the next stall.

"Robin? Robin, did you just OD in there?"

"No. I am still alive."

Steve slides under the stall, sitting across from Robin.

"The floor's disgusting."

"Yeah well I've already got a bunch of blood and puke on my shirt so...What do you think?"

"About?"

"This girl?"

"She sounds awesome."

"She is awesome"

"Steve, I need to tell you something."

"Yeah Robin?"

"I'm not like Nancy Wheeler."

"I know Robin."

"No you don't understand Steve, I will never be like Nancy Wheeler."

"I know Robin. I lied earlier. I do remember you in Mrs Click's class. I noticed you everyday."

"Steve I wasn't looking at you."

"I know Robin, Tammy Thompson sat next to me."

"What?"

"Honestly you should have better taste than that Muppet."

"She did not sound like a Muppet!"

Steve does a very bad but very accurate impression of Tammy's singing. Robin can't help but laugh.

"Wait but, but how did you know?"

"I didn't love Nancy Wheeler, Robin, and I tried really hard to love you the way that my dad would want me to. But I can't, I don't."

"Holy shit."

"Yeah...Holy shit."

"Is that why you flirted with Eddie Munson the other day?"

"You had a crush on Kermit!"

If they get out of this alive, Steve and Robin think they're going to have a lot to talk about.

#ty for the prompt ❤️#stranger things #stobin #platonic stobin #platonic soulmates #coming out scene #bathroom scene #steve harrington #robin buckley #brief steddie #gay steve harrington #lesbian robin buckley #st3 #had to rewatch the scene for the beginning quotes #ficlet

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aoibhinnslater04 · 11 months

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Kanej AU

The scene (specifically from the series rather than the books but basically the bathroom scene) where Nina doesn’t interrupt them and Kaz doesn’t decide to sabotage himself

Basically a whole load of Kanej angst!!

Word count: 1697

Requested by @arany-studio

TW: mentions of rape, trauma, injuries

Kaz walked into the small room to find Inej packing her knives. He saw her pause at the sound of his steps, her head tilting slightly towards him, before she resumed sorting her knives.

"You've been lying low?" he asked, his voice rough.

"I've been gathering Intel on Pekka's assassin. I've discovered my bladesmith supplies him with bone-cutters and fillet knives," she responded, still not looking at him.

"Taxidermy tools," Kaz choked out.

"His name's Mogens. I've got his address,"

"That must have cost you."

Inej cut him off. "A new set of blades." She paused before continuing. "He intends on taking me alive, so he can put me back in the Menagerie."

"I won't let that happen," Kaz said gruffly.

"And why should I believe you?" Inej asked, sharply, turning to face him at last. "We were ambushed, Kaz. Whatever this is, this blood feud you have with Pekka Rollins, I don't believe it's about some Saints-forsaken club! You are gambling with our lives and I deserve to know the reason! You owe me that much," she spat out, the first time Kaz had truly seen her angry. She always managed to find something positive about every situation, even being taken by slavers, sold to a Menagerie where she was abused and raped nearly every day, because her parents and brother weren’t there with her, they were safe, they were alive. Suddenly a bright red staining her sleeve caught Kaz's eye.

"Inej, your arm," he whispered, his eyes fixed on the blood spilling out of her. She paused and glanced down, before sighing and rolling her eyes. She seemed to whisper a silent prayer for patience before removing her shirt, leaving her with just a vest on. She checked the bandage, before removing it, wincing. Kaz looked away, unable to bear it, before finally answering her question.

"Pekka Rollins killed my brother."

He felt Inej stiffen slightly, and heard her turn to face him. There was a long moment of silence, as she searched his half-hidden face, before finding whatever it was she was looking for.

"Then we destroy him."

Kaz turned his head quickly up to face her, and saw the openness and anger in her face. She meant it, too. They shared a look, a brief moment where they were both just two people in pain, where they could get comfort from each other, before Inej winced again, and the moment shattered. She glanced once more at her arm, before turning away from Kaz again, reaching for the alcohol to disinfect the wound. She poured some on a piece of linen, and started dabbing at it, twisting her neck to make sure she was reaching every bit of the exposed cut. Kaz, hardly even aware of his own body, moved towards her. She glanced up at him, her beautiful doe eyes searching his face, before she turned to the cut again. Kaz reached out his hand silently, an offer. With her eyes now again on his face, not moving, as if hypnotised, she handed him the cloth. He wasn't able to remove his gloves, not yet, but he hadn't been so close to another human being since Jordie had died.

Inej saw his momentary hesitation, and turned away from him, allowing him to move at his own rate. He reached towards her, dabbing at the wound with the cloth. He heard her breathing hitch slightly, and kept dabbing, not wanting to break the spell by speaking. But then Inej spoke, her words soft and hesitant.

"Is there anyone to protect you?"

You, Inej. You.

But instead he responded, slightly harsh, "Was there no one to protect you?"

Inej turned to look at him, her face soft and vulnerable. She opened her mouth, but he cut her off before she could say a word.

"Look for Mogens' tells. Signs of an old injury that point to a weakness or a repeating action that tells you what he's going to do next."

He saw her face turn contemplative, before she asked hesitantly, "Do I have one?"

He turned his head back to her soft brown skin, before responding "you shift your weight onto your back leg before you lunge. "

She turned fully, facing him again. He stepped back slightly, cursing himself inwardly. She whispered, so softly he could barely hear her. "What's yours?"

Kaz paused, before looking her in the eye. "The limp. The cane. No one's ever smart enough to look for the real one."

Inej moved slightly, just an inch towards her. It was as though his senses were heightened. He smelt her gentle jasmine scent, saw her lips slightly parted, heard her soft breathing, felt her gentle touch as she recovered the cloth he forgot he still held, and all he could think about was her nearness. He hadn't so much as removed a single glove, but he felt as vulnerable as though she had stripped him naked.

Kaz cleared his throat before stepping back, grabbing the fresh roll of bandages off the bench. Inej obediently turned away again, allowing him to take a deep breath. The silence was killing him, and he spoke without thinking.

“You know, I don’t find this part easy. The cutting, the slicing, causing pain is the easy part. Repairing the damage afterwards is far more difficult.”

He wondered if she knew that he wasn’t talking about her wound, then, not really. He was trying to explain that although he was broken, he was trying to repair himself, trying to fix the cracks to become the sort of man she would be proud of, that Jordie would be proud of.

Inej let out a deep breath, sending strands of her dark hair fluttering outwards. Kaz reached out automatically, smoothing her hair down against her head. She stiffened, and so did Kaz, that brief moment of automatic affection an oddity to both. But Kaz then again, feeling almost dizzy with desire, allowed himself to gently stroke her hair. His gloves were still on, a barrier that separated them, but as he felt Inej relax at his touch, he allowed himself to want more, to want Inej. Perhaps one day she might want him too.

Inej cleared her throat, bringing back reality. “Once, when I was much younger, the first time that I tried to walk across the tightrope, I fell. Not when I was on the wire, but at the end, can you imagine? I fell, and hadn’t yet learned how to fall properly. My parents ran to me, but I didn’t feel the pain. I think I was in shock.”

Kaz waited, sure she had a point to this story.She hesitated, before continuing.

“I broke my leg in three different places. My mother thought I might never walk again. My leg healed, but some scars still remained. I couldn’t walk on the tightrope for months, fearing what would happen when I reached the end.”

She turned to face him now, causing him to step back.

“Finally I decided enough was enough. I had been afraid for too long. So everyday for three weeks, instead of walking across the tightrope, I would climb the ladder and just stand at the end. I stood there for an hour that first day, until I had calmed enough to climb down. The second day, I stood there for forty five minutes. Finally, I was only standing there for a few seconds. It took a long time, and the end is still my least favourite part, but I fought against my fears and won.”

She stepped closer to him, and this time he didn’t move back.

“You will fight your fears Kaz Brekker, and then one day you will live without the same fear. It might still hurt occasionally, but you are stronger than you give yourself credit for.”

Kaz looked down at her, his face soft, open and vulnerable. Inej looked straight back up at him, her eyes wide and searching, waiting. Kaz bent down slightly towards her, and brushed his lips slightly against her forehead in the gentlest kiss. Her eyes shuttered closed briefly, the softest sound escaping her throat, but she didn’t move. She allowed Kaz to tell her without words what he was capable of, what was too far and yet not enough. She allowed the broken man before her to fix a small, fractured piece of himself, before she stepped back, quivering slightly. She was feeling everything all at once, her emotions threatening to overwhelm her. But she stayed steady, and breathed, like she was at the end of the wire once again. Kaz gazed at her, his expression full of wonder, like a young boy, his future full of possibilities.

She turned, so he wouldn’t see the tears that had filled her eyes, and grabbed a hairbrush, unpinning her plait to rebraid it. But he held out his hand, and said, softly, gruffly, as if he, too, was fighting back unshed tears, “Let me.”

Inej handed him the brush, and climbed onto the small bench in front of him, and as Kaz began to gently brush her hair, untangling the knots with such care it was as though he thought she might break at the slightest tug. Inej allowed, then, the tears to fall. She didn’t see that Kaz, too, had tears trickling down his cheeks.

She let out a deep breath, she didn’t realise she had been holding, shuddering slightly, and allowed her eyes to shut for a moment. It had been so long since she had slept, and she had never felt so tired, as if her emotions had drained her more than usual. Her body swayed slightly, but then felt Kaz steady her. He gently laid her back onto the bench, and she felt him move away. She thought he had gone, but then heard his uneven steps return. She felt the softness and warmth of a blanket cover her, and felt him gently lift her head to put a pillow underneath.

“I thought you had left me,” she whispered, her voice heavy with sleep.

“Never,” he vowed. “I will never leave you.”

And then Inej fell asleep, guarded by the healing man above her, his dark eyes keeping watch, protecting her from anything that meant her harm.

#kanej #kaz brekker #inej ghafa #six of crows #crooked kingdom #bathroom scene #angst #kanejedit #kanej angst #netflix shadow and bone #shadow and bone #shadow and bone netflix #shadow and bone season 2

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mistydragonflyart · 1 month

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WARM UP 11

I'm working on this other drawing about haircuts and genders and I got really frustrated with it so I drew this drawing instead also about haircuts and genders. It actually helped me figure out how to color the background of the other one so that's cool.

Anyways, I cut my hair last week and it's kinda too short. Oops.

#my art #art #digital art #illustration #illustration art #warm up #color palette #original art #self portrait #haircut #bathroom scene #bathroom #i drew this at midnight ya'll so i got mixed feelings #gender art #it's about gender because any time I cut my own hair I get lots of weird feelings about my gender #like this time for a whole day I actually considered cutting it even shorter because I convinced myself I could pull off a mullet of sorts #and look extra cool but any time I blinked I look too fem with my hair down #can't wait for it to grow just a bit longer and then it'll be the ideal length

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oxfordelise · 4 months

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Chapter Twenty-Four: Curls

| FFN | AO3 |

“Well, sometimes you can say some very mean things, Draco.” She cast her eyes down at him, an admonishing look on her face.

He picked up his wand and waved it around in the air, scoffing at the comment. “Well, I’m a very mean person, Moaning Myrtle.” He mocked, turning his back to her and using his wand to clean up the awful tear stains on his undershirt.

#oxfordelise #dramione #draco malfoy #hermione granger #harry potter #betterthanrevenge #quotes #chapter update #dramione fanfiction #fanfiction #hermione x draco #draco x hermione #death eater draco #moaning myrtle #bathroom scene #hbp #6th year #A change is coming

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no-1-rosalind-lang-apologist · 11 months

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EXPLAIN THIS ATHEISTS

#six of crows #kaz brekker #crooked kingdom #inej ghafa #kanej #kaz x inej #inej x kaz #bathroom scene

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reidiot · 2 years

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it's always "wyd" and never "who's my damaged little girl?" smh...

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okletsgetnuts · 4 months

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huariqueje · 1 year

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Morning Toilette - Aleander Goudie ,2002.

Scottish, 1933 - 2004

oil on bord, 75 x 61 cm.

#Aleander Goudie #scottish artist #bathroom scene

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ride-a-cow-boy · 2 years

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Katherine Heigl in One for the Money (2012) | dir. Julie Anne Robinson.

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thatsamoodrightthere · 2 years

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KinnPorsche episode 7 bathroom scene

All week I've been planning on writing out a full episode analysis but the last few days have been unexpectedly rough mentally, so I'm just going to analyse the bathroom scene and see if any of it makes sense because my brain is a dumpster fire right now and this could all be rubbish. Yet again this is a beast of a post, I almost dread to think what a full episode analyse would look like. This show being what it is I'd say apply all trigger warnings just in case.

Vegas is once again being a creepy shit, while trying to come across as really nice and helpful. He's all for taking advantage of Porsche while he's intoxicated, which seems to be a theme I've got to say, now I've never read the novel and don't intend to but what is it with Vegas? Is he not capable of getting a willing partner so he's resorted to drugging people or preying on drunk people? I am really not liking that this prize parasite is supposedly the one for Pete but that's a tangent for another post I reckon.

So he's making a show of being helpful to Porsche, getting him out of his wet shirt and sort of half heartedly drying his chest off and kind of out of nowhere he kisses Porsche. Whose facial expression mimicked my words watching the episode, what the actual fuck. Porsche is drunk so he's not hiding any of his facial reactions at all, it's instantaneous discomfort and he's visibly confused because again for him this has come out of absolutely nowhere.

As well as the visual cues the viewers get of Porsches face, his body immediately responds, and not how Vegas wants it to. Porsche curls sideways and away from Vegas and his arm comes up between their necks and shoves outwards trying to gain enough distance to get a decent foothold. Vegas is pushing Porsche practically on top of that counter, it's a disadvantage but Porsche also brings one of his legs up between them as another barrier to Vegas. Literally everything about Porsche's body is screaming 'I do not want this' and while he's not yet at the point of fighting to get Vegas off of him, he's trying to show that the advance is unwanted. Normal people would read that reaction and back off while apologising profusely for the misunderstanding but we have already established that Vegas is a vile bastard and he keeps pushing that unwanted advance with complete abandon.

Thanks to Pete keeping Kinn updated on Vegas being overly friendly with Porsche, Kinn is already on his way while this whole bathroom scene starts. It's been a pretty tough transition for Kinn this episode, he's recovering from being shot, has had no choice but to lend Porsche out to the minor family, had a tense conversation with his father and he knows Vegas is making a play for Porsche so he's already angry before he gets to the bathroom. He storms in like a threatening storm, with the absolute boss energy to match it. He rips Vegas off of Porsche like his weight is nothing and throws him across the room courtesy of one hell of a deserved punch. Kinn's got his gun out and pointed at Vegas in seconds and I'm not gonna lie I really want someone, anyone I'm not picky, to shoot Vegas in the dick so I was a bit disappointed that didn't happen but you know I live in hope.

Kinn's voice from the second he entered that bathroom was probably the 'strongest' we've heard in this episode, you can audibly hear his rage and he's using that power in his voice to absolutely dominate everyone in that room and it visually works. Even Vegas, the creepy shit, isn't unaffected. Kinn is aware that Vegas wants everything that Kinn has, including his power and position so everything that Vegas has done is a subtle power play or has an element of it. Vegas responds to Kinn's command in that bathroom with as much disdain and helpless disrespect as he possibly could while having a loaded gun pointed at him, he slaps the gun away and consequently the hand with that all important ring on it (I absolutely wanted to call it the ring of power just because it makes me laugh), it's a not so subtle sign that he will listen for now but he's not afraid of Kinn and won't cower before his authority.

I found it really interesting that, had a fight broken out, it was equal man power with the exception of Porsche. So we have an enraged Kinn with two of his best bodyguards, god love those poor sods and the situations they end up in, and we have Vegas and two of his bodyguards. The positions they were in was quite awkward but also telling, Vegas didn't really have an opportunity of killing Kinn and escaping that room and likewise Kinn couldn't have shot Vegas without being at least injured by one of the bodyguards at his back.

Just going to take a minute to enjoy the absolute boss energy of Kinn to stand there with his back to two armed men who were not loyal to him and probably wouldn't have minded shooting him while his back was turned. There has been a lot of speculation on Kinn and his trust issues, including whether or not he trusts his bodyguards to keep him safe but we see here that he does, at least he trusts Pete and Pol enough to turn his back on armed possible assailants. Anyway back to my main thought process of all those armed people and if they started shooting each other. Even if Vegas had attempted to shoot Kinn, his bodyguards might be occupied with Kinn's but we can't forget about Porsche. Unarmed, half naked and intoxicated he might be but he is still a formidable opponent and Vegas knows that because Porsche fought him off, however brief it was, when Porsche was drugged and vulnerable and in that bathroom he's had time to start sobering up. Taking on that much risk, with that many guns in such a small vicinity would literally have been suicide for Vegas and you can see he comes to that conclusion just before he slaps Kinn's gun away, he's a creep and while I question his intelligence at times he is obviously risk aware and acts accordingly to save his own skin and he leaves.

Kinn, still in a rage, orders all bodyguards to leave. They've not even fully left before Kinn is crowding Porsche back into that counter and the mirror, noticeably Kinn is still angry and that's not helped by the fact that Porsche looks amused.

Kinn shouts in Porsche's face, because that's worked out so well for him before and it's not helped that what he shouts is automatic blame upon Porsche. "What the heck were you doing?" The background music here also changed to a more ominous sound, which matched the mood onscreen perfectly. Porsche reacts about as well as you'd expect after being unfairly blamed for the unwanted advancements of a parasite, sorry I mean man, and his stance is beginning to radiate defiance.

There was a lot of visual cues and body language with the bathroom scene and I can't adequately describe just how powerful and moving it made it. Take for instance Porsche, Kinn has just shouted at him and instead of shouting back he focuses on looking, really looking at Kinn's face. His eyes are flitting all over it because he's trying to get a read on Kinn and we see the confusion Porsche feels when he can't. The reason he can't is because this isn't the Kinn from the forest who became an open book to Porsche, or even the Kinn from earlier in the episode where he was making Porsche promise to return to him. No, this Kinn is the one who has been warned off, again, by papa Korn but Porsche doesn't know that. To Porsche, Kinn has shut him out for no reason beyond the situation they are now in and that gets Porsche's defiance and own irritation to the forefront and then Kinn repeats his question and slaps Porsche.

Once again proving that he is not willing to take Kinn's crap, Porsche with force shoves Kinn off of him. Also interesting to note that Porsche hit Kinn's left shoulder/chest area close to the bullet wound with zero hesitation or concern, it's absolutely savage and I approve. Porsche immediately snaps at Kinn that he's done nothing to warrant... Well any of it really because he's done nothing wrong and he's right to snap that Kinn never trusts him. Kinn helps his cause here by nodding along to the fact that he doesn't trust Porsche, give the man a gold star for sabotaging himself - he deserves it no contest.

Every word and action now is clearly coated in irritation from the both of them, you can practically feel the weight behind every charged word and they are about to get brutal. Porsche lands the first blow by telling Kinn to shoot him just like he shot his ex, the absolute stillness on Kinn's face for a second before it's wiped away by unadulterated violence is hair raising. That look on his face, while academically interesting, is visceral and alarming and yet Porsche doesn't even flinch. Throughout this scene we've seen Porsche's strength in himself, what he'll accept, what he won't and that not much living actually seems to scare him which has been commented on before. Kinn pushes Porsche even further into the counter and he's all tightly controlled rage but did anyone else notice where his hand landed on that counter? His thumb curls around his gun - a subtle sign of the violence in the air and the threat of who Kinn is and what he's willing to do.

What Kinn says next is vile, absolutely vile and honestly I was screaming profanities at him in my head so I had to watch it a few times to get over that initial reaction and analyse the scene. You can see by his expression that his words are a calculated move, they are designed to hurt Porsche to the full extent and Kinn knows Porsche. He knows that to hurt him he has to diminish his worth and value, not to himself because Porsche is too self assured for that, no he has to diminish his role in Kinn's life and that's just instant maximum damage. It's the hurt bomb to end all hurt bombs and Kinn knows that, that's why he says it and not because he believes it. Boy better not believe it or a bullets gonna get lodged somewhere painful. I genuinely think that a talent of Kinn's is to suss out weaknesses, whether in a person's character or as something that can be used against someone, he can find it and store it away until he has need of that knowledge and he can use it as a weapon and I don't think anyone in his life is safe from that, not his family and evidently not Porsche.

Feeling less than happy with Kinn myself, I cheered when Porsche slapped him and our boy wasn't holding back (as he shouldn't). In a move that wasnt intended as one Porsche snapped back with the most devastating of possible comebacks, 'I shouldn't have loved a crappy guy like you.' immediately he tries to walk away, not because of what he said but for the absolute hurt he is feeling. His expression was just breathtakingly devastated and so deeply hurt and the impression I got from his confession was that it was matter of fact. His word choice was quite telling 'loved' not 'love' I don't think that was accidental at all but a sign he was already compartmentalizing it, he was already turning his hurt inwards and walling it off whether to protect himself and/or begin processing his hurt. Yes he loves Kinn but he's not going to put up with his appalling behaviour nor is he willing to be walked all over just because he feels love for Kinn. Porsche values himself even if others don't, that sort of behaviour from Kinn is devaluation at best and Porsche knows his own boundaries and he sticks by them. Porsche is fully prepared to walk away and hes not afraid to show Kinn that, it's like he's saying 'yes I love you but I can walk away and one day I'll stop loving you'.

Kinn grabs Porsche before he can leave and in a move all too reminiscent of his creepy cousin, he crowds Porsche against the wall. Again. Porsche's body language and the position he ends up in, is also like with Vegas when he was uncomfortable and wanted out. He's turned away from Kinn and he's even hugging his arms to his chest. Part of it is also defiance, sure Kinn's got him pinned but that doesn't mean he has to look at him. You see Kinn's expression as he realises that too, his face just crumples in on itself -hes fucked up and he knows it. He can probably remember what it was like before to lose Porsche's trust and his willingness to share his happiness with those around him, to be shut out by Porsche is to lose all the joy and light he brings to those around him. Yet again Kinn is faced with a Porsche that is hurt because of him and that destroys whatever leftover anger/jealousy Kinn has. Now he has to try and find a way of reaching Porsche who has closed himself off and who won't even look at him and who doesn't want to be there in that room with Kinn anymore.

I noted that Porsche was still breathing really heavily, he's emotionally in pain and very possibly still angry, you can hear his breathing right up until Kinn issues his very sincere and soft apology. As soon as he does, Porsche's breathing levels off and becomes calmer and quieter. The music for that apology scene and the defeated/devastated look on Kinn's face was just absolutely masterful, there aren't words for that ability to grab at the audience and really make them feel every bit of emotion possible.

Kinn nuzzling at Porsche shouldn't have been sweet but by god it was, it was just the sweetest thing. Porsche though seemed somewhat unaffected, his eyes were open but he didn't really seem very present - maybe he was thinking it all through because he came back to himself when Kinn nuzzled his ear. That got a reaction, he immediately closed his eyes and his body relaxed and he turned around to face Kinn. He looked so sad here and slightly resigned, like he's just realised this is probably going to be an ongoing thing with them in the future, I wanted to give him blankets and ice cream and maybe pat him on the head a bit.

Kinn was scanning Porsche's face like he's never seen him before because he wants and needs confirmation that Porsche meant what he said, all while Porsche is looking at him unimpressed like 'yeah I love you, so what'.

I'm going to be honest I was a little unsure about the sex scene at first. When Kinn was kissing Porsche's body, Porsche didn't really seem all that on board with the idea. He was passive, allowing the touch but not engaging until Kinn kissed him, he returned the kiss and got some control back by grabbing Kinn's neck pushing him back and scanning his face. Again trying to read Kinn and this time Kinn is an open book. I just want to celebrate the little nod Kinn gave, with their past sexual encounters I think it was super important for that little check in of consent, from both of them. If for no other reason, than consent being imperative, than once again Kinn is stone cold sober while Porsche is... Well not. He's sobering up but he's still still under the influence. I really liked that once consent was given, Porsche went from gripping Kinn's neck to cupping his face with both hands and drawing him in for a soft, unhurried kiss.

I'm not going to comment on the sex scene itself, for reasons that aren't at all to with awkwardness at analysing it.

My final take on that ending is that the hug they shared reminded me so much of the goodbye hug in episode 6, tight, all encompassing, a little bit desperate and like they never want to let go of each other. Porsche's face, which we see clearly while Kinn's is hidden, quite clearly shows some turmoil. That whole situation escalated so quickly and I'm interpretating his look at the end as 'you are a fucked up human being, imma keep you,' because we know from the glimpse of episode 8 that they look very happy with each other. Hopefully we get a bit of a breather angst wise but with the supposed dead ex turning up I'm not going to hope for too much.

#kinnporsche #all trigger warnings #bathroom scene #sort of analysis #my brain is not working #might be a load of rubbish #cant figure out how to put gifs in #gave up #here be stupid boys #again #but they work it out #yay progress

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