#basically all of them

[mirekat]

Ok, while I’m on this kick of praising early-season DS9, I would like to humbly nominate this scene for the category of Best in Series. Or at least, like, top ten. Right up there with “So I lied. I cheated...” and “It’s insidious. Like the Federation.” I mean, the Marx Brothers patter? Inspired. Nana Visitor’s delivery? Immaculate. And most importantly, the way it gives every lead but Sisko--who gets his due in the next scene--a two- or three-line spotlight that captures something essential about who they are:

Odo’s commitment to a clear, absolute morality that transcends formal laws (“You have a code.”)

Jadzia’s mix of carefully-cultivated emotional pragmatism (“This is Kira’s decision to make”) and self-protective humor (”Well that’s rather dull”)

Bashir’s determination to be In the Thick of It even when he’s struggling to keep up (“Will someone please explain this conversation to me?”)

O’Brien’s habit of expressing deep feeling through awkward diffidence (“it’s been a pleasure serving with you”)

Quark's performative sleaze (”For you I’d have reduced my catering rates”) and pattern of trying to bond with people by baiting them

And of course the way Kira’s eyes and mouth and shoulders soften, heartbreakingly, in the little breath before she says, “These are my friends.” 

It’s SO GOOD, it’s all so good, and you will never convince me otherwise.

#important to note too that while sisko's 'i'm going to get you back major' is not technically part of this scene it serves as its vital coda #and also important to note that kira's eyes and mouth and shoulders soften specifically in response to jadzia's smile #which is vital for Gay Reasons #kira nerys #jadzia dax #julian bashir #miles o'brien #quark #odo #basically all of them #2.2 'the circle' #ds9

[sweet-milky-tea705]

Romants…

#i am a vere enjoyer but mhin and kuras also feel right for her #also ais. maybe leander. #basically all of them #art #my art #sketch #yasenia #doodle req #<not really #i should make a new tag tor just straight up doodles #doodles #vere #touchstarved #touchstarved mc

[strwbryfrogs]

the found family trope where all the characters have a great dynamic with each other>>>>

#im looking at u #six of crows #the gilded wolves #the atlas six #on my knees for this trope man #found family #BTW im reading the gilded wolves and im glued. #i LOVE all the characters #esp laila and enrique! and zofia!!!!! and severin! and hypnos! and tristan! #basically all of them #i love it when they all have a Very personal relationship between each of dem

[paladin-n-cleric]

apart from running up that hill, what was the best s4 song ?

#i liked california dreamin #and object of my desire #basically all of them

[poorly-drawn-mdzs]

The math just adds up!

#dungeon meshi #falin touden #marcille donato #farcille #I always loved how chapter 27 ends with them both so bloody and 28 starts with them in the bath. #not just because of how iconic the bathtub moment is but because you know they had to scrap off so much gore first. #I think everyone in the party took a very long and methodical bath but Falin was basically *all* blood*. #Being covered in blood is one of those 'just girly things' that women deserve to stop being shamed about. #I just don't think Chilchuck is progressive enough. He probably made them take a bath first B*/ #Okay jestering aside I want to just highlight - #The magnitude of Marcille's joy at seeing her dearest friend again! Of holding her and sharing her presence in the same room! #Something about this reunion feels like a beautiful dream you are afraid of waking up from...

[biggest-gaudiest-patronuses]

Of the 19 hijackers who carried out the Sept 11 attacks:

15 were from Saudi Arabia (a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)

2 were from the United Arab Emirates (also a powerful/oil-rich country the U.S. works hard to maintain diplomatic relations with)

1 was from Egypt, 1 from Lebanon.

None of the hijackers were from Iraq.

None of the Sept 11 hijackers were Iraqi.

None of the 9/11 hijackers were from Iraq.

#9/11 #serious post #not a shitpost #this should be one of the first things kids learn when they learn about the 9/11 attacks #politics #this is just...it's such an essential and brazen fact and i rarely see basic outrage over it #i want outrage. i want fury. i want disgust over the way fundamental facts are disguised and discarded and downplayed #because there are things we should KNOW. basic fact we should ALL KNOW. and they are tucked away in the footnotes. #and no this is NOT to put the blame on other middle eastern countries #we know this was carried out by a specific terrorist organization not a national government #but King George the Second decided (and was encouraged by his cabinet!) to invade a nation! #a nation that was not at all related or responsible!!! #a dictatorship to be sure--but a dictatorship that King George the First had been happy to support #so what changed? why did we go in guns blazing to DEMOLISH a country *we had NO PLANS OF REPAIRING*??? #well. because they wanted a villain didn't they. a nice clean war. clarity of purpose. us the heroes against them the villains #and when you're in that mindframe--truth is irrelevant. you can pick your villain (your victim) by rolling a roulette wheel #truth is irrelevant #worse: to the people in charge #truth is a HINDRANCE #'Alternative facts' existed long before it became a catchphrase #facts don't matter. truth doesn't matter. the impulses of a handful of volatile & rich & power-high people--that's History. congratulations

[bigolialragu]

dungeon meshi as my favorite new girl scenes (and i change drawing process halfway through sshhh dont be scared its normal i swear)

#basically i found this note from 2021 where i wrote all of these and MORE i see new girl when i close my eyes #this is by me for me #i love them all so much #my art #dungeon meshi #delicious in dungeon #dunmeshi #senshi #laios #chilchuck #chilchuk tims #marcille donato #marcille #falin touden #falin #laios touden #kabru #izutsumi #senshi of izganda #dungeon meshi fanart #fanart

[ash-and-starlight]

humble contribution

#basic: interpreting mizu’s gender based on what u think fits best #based wired inspired: interpreting mizu’s gender based on the ship so that it’s always a gay relationship #also whoever drew taigen’s nose Like That.. #i am forever thankful i need to kiss them with tongue #ode to taigen’s nose: page 1 of 204737835737493 #did i spend too long on this instead of just simply grabbing screenshots? look away #blue eye samurai #mizu #akemi #taigen #taigen’s top knot before it met its early end teach the angels how to sing baby 😔🙏 #ringo #my art #yuri is when there’s blood and themes yaoi is two blokes who do fuck all

[ao3-crack]

(x)

#archive of our own #ao3 quotes #ao3 stuff #archive of our own quotes #fanfic #fanfic quotes #funny #ao3 #ao3 tags #basically I wrote this for myself #but you can read it too #me with all of my fics #seriously I write them for myself #then I go through my wips and wonder why no one has updated them in so long

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

#my favorite out of these is comicfury because it gives you the most control out of all of them #and you can offer monetization tools like ads and patreon links #it also offers super easy tools to help build your own site if you're new to that #it's as close to “running your own site” as comic hosting can get #but you can also learn how to run your own site if you want undeniably full control without fear of the platform host shuttering #also look into collectives like SpiderForest! #they basically operate as a co-op where people host their work with them and get ad opportunities #but you have to apply to get in #ama #ask me anything #anon ama #anon ask me anything #webcomic tips

[kymsys]

'It was late spring, the first time all year that the sunshine had any real strength behind it. Satoru was wittering on about something inane as always — Tentomon or something equally ridiculous.

There was nothing special about the moment. Not really. Except for the fact that Satoru had shrugged off his jacket in the heat. It was draped around his shoulders just so, exposing the long column of his throat, pale after a long winter. Really, there was nothing special about the moment. But when Suguru looked at the boy silhouetted against the spring sky, bright and blue and boundless and beautiful — just like his eyes, Suguru thought — his heart skipped a beat all the same. With all the sight afforded to him, Satoru never missed a thing. So it was risky, what Suguru did. Later, when he was looking at his new phone wallpaper under the cover of darkness, grinning like an idiot, he'd wonder how he ever got away with it. Yet, if Suguru's yearning to capture that perfectly ordinary moment forever was stronger than all reason, perhaps it was stronger than the Six Eyes, too. After all, not even Satoru could stop time.' - by my beloved @fushiglow ♥

(( also glo says: FUN FACT! Tentomon is voiced by Suguru's VA — ergo it's Satoru's favourite Digimon, obviously )) ---------------------------------------------------------

freshly added headcanons: • gojo at some point randomly barged into sugurus room and put glowy stickers all over his ceiling • suguru has gojo as his phone wallpaper, but keeps it a secret • suguru is a hamasaki ayumi fan • the cinnamoroll phone charm is from gojo who spent almost an eternity getting that out of a gatcha machine for him • they were happy

#look what glo did #pls all go check out glos writing #so basically i made a small little sketch of gojo and the glo came up with this whole ass cute story around it #AND I LOVED IT SO MUCH THAT I HAD TO DRAW IT #and here we are #i love them so much #i feel very normal about them #gojo satoru #geto suguru #jujutsu kaisen #satosugu #stsg #jjk #kymsys art

[amu-says-hav-says]

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

#good omens #good omens spoilers #good omens season 2 #good omens 2 #GO2 #GO2 spoilers #ineffable husbands #not me going to my basically unused sideblog that isn't GO related because I NEED TO YELL THIS SOMEWHERE #I mean outside of the relationship thing there are so many ways #that Nina and Crowley line up and Zira and Maggie #but the girls story isn't about them as people #it's about this relationship the boys are tryna push on them and what that relationship reflects about the boys #anyway I'm on my first rewatch for all the clue I missed #so I imagine I'll only spot more clues to berate myself about as I go #HOW DID I FALL FOR ITTTTTT #I can't believe I was so blind #OFC the Disaster Puppy Lesbian was Crowley #and OFC the Emotionally Abused Tortoise was Aziraphale

[soyochii]

No grave can hold my body down, I'll crawl home to you. 🦋🏮

#hualian #hua cheng #xie lian #heaven official's blessing #tgcf #i read all 8 books in 5 days #guys they are so hozier coded #from eden and work song is basically them #wow devotion as a trope rly hits 😭😭😭 #my art

[originalartblog]

Apparently much-needed reminder that reposting artists' art (by saving the images or screenshotting them and reuploading them yourself) on other platforms without the artists' expressed permission and without credit is theft and an insult to their passion and craft. You are profiting (in views, in attention, in feedback) from someone else's work and ideas, who do not get that feedback for sharing their creation.

If you are an art reposter, you are a thief and I have no respect for you.

#learn basic internet etiquette i am begging but also holding a knife. yes i'm mad. more about others than myself. #do you know how many artists i have seen leave social media because their art started being reposted all over? #tip: way too fucking many #i've had many people tell me about people reposting my art on tiktok #no one ever asked to repost my art on tiktok. ever. they just save super fried bad crunchy jpegs of my art and repost them #they get 20k likes and don't even bother naming me #also a reason i started signing my name more legibly and why my blog web address is always there but apparently no one can even read that #a few people got an ok for translations on other platforms though #i'm going to be annoying with this post and reblog it a few times to try to catch the people who apparently need to be told #tiny skk adventures #nawy's comics #nawy's doodles #apparently those are reposters' favourites so here look at this

[mildarka]

Felt like making a reverted AU

#Night has Killer's jacket... and his phone... and his knives #so many knives in those pockets #basically everyone's memories are wiped and Dream + co just plonked them back in their own aus (theres drama there) #Night is meant to be with Dream but he got bad vibes #accidentally drew the most sans looking sans ive ever drawn and i hated every second of drawing him #dreamtale nightmare #nightmare sans #passive nightmare sans #tagging all of these suckers #sans #sans undertale #killer sans #dust sans #horror sans #cross sans #the sans *is* killer he's just being boring rn #my art #Night accidentally got adopted by Killertale sans + paps while trying to get Killer to remember literally anything #mil's reverted au

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

#tomgreg #succession #tom wambsgans #greg hirsch #shiv roy #roman roy #kendall roy #yeah no im not tagging everyone thats too much #this is me going 'how much implications themes and symbolism can i fit in one painting' #yes i gave rose shivs haircolor. if we ever find out how she looks like and its not like this im just gonna pass away i guess #but yeah i hope yall connect the dots #i put waaay too much thought and work into this. i was googling pictures of all the actors as kids just for reference (sigh) #honestly kinda wanted to make tom and greg link pinkies as like. a pinkie promise. but that was too hard to draw in this angle #at least not without obstructing the view of the ring which is important to see so ya #my fave is actually the tomshiv wedding pic i went off with that. i love them... they should have run away to become sheep farmers fr fr #anyway im so glad im done with this UGH!! finally i can draw smth else without being like oh noooo i need to finish this #i see a lot of you wondering why there is no portrait of logan but one of ewan #it's bc the placement of the painting represent their standing. logans portray would not hang next to the stairs #his present portrait hangs at the end of it. all the way up at the top. alone and withering away #basically the picture you see underneath ewan to the right? its where toms parents would be. the right side of the wall is tom and gregs #and the left one is the roy siblings theirs. since they grew up rich rich. and tom and greg didn't #but ya thats why ewan hangs here and logan does not :)