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#at this point i feel like i don't even know what i truly feel or truly am because whenever i look back at my past self im like wtf
woso-dreamzzz · 18 hours
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End of the World IV
Katie McCabe x Child!Reader
Caitlin Foord x Child!Reader
Summary: Christmas in Australia
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Before Christmas, there was an argument.
Ma wanted to take you with her for Christmas but Mammy also wanted to take you.
There was a big argument, like how there's always an argument when Ma and Mammy are in the same room.
You end up with Mammy though because she was doing more 'child safe' things. That means you're in Australia with her and Caitlin.
Australia is hot at Christmas and you don't think you like that. Mammy had to buy you a whole new wardrobe because your summer clothes are stuck in boxes in the loft and Mammy couldn't get them out in time because Ma decided too late to let you go with her.
You're on a beach right now, digging your toe into the sand in unease as Mammy tries to get you to step foot in the sea.
You shake your head. "No."
"Kiddo," She says," Come on. It's just the ocean. It won't hurt you."
You keep shaking your head. "Ma said that Australia's oceans have sharks that will eat me."
Katie sighs deeply, cursing Ruesha in her mind before Caitlin steps forward.
"I can look after her," She says," At least until you're done swimming."
"Are you sure?" Katie checks. She knows that Caitlin is still a little wary around you and she doesn't want to make either of you feel awkward.
"It's fine," Caitlin insists," We'll have fun in the sand. It'll be good."
You're still holding your bucket and spade as Caitlin leads you away from Mammy. You sniffle a little bit as Mammy paddles out into the sea leaving you with Caitlin alone.
She sets you up next to the towels and the big basket of stuff she and Mammy brought with. You stare at her. She stares back.
"So," Caitlin says," Do you want to make a sandcastle?"
You sniffle.
Caitlin's eyes go wide.
"Wait! No, I'm sorry! I didn't mean to make you sad! We don't need to make sandcastles!"
You burst into tears and Caitlin grows even more panicked.
"Is it the sand? We can go and sit on the steps!"
"Mammy!" You whine, reaching out towards Katie has disappeared into the sea," Mammy's gone!"
Caitlin follows your gaze. "Oh, she's not gone. She's just out swimming."
"Mammy!" You cry again, tears spilling down your cheeks," The sharks are gonna get her!"
"They won't," Caitlin tries to assure you.
"They will!" You insist," Ma said the sharks in Australia are always in the sea."
Cautiously, Caitlin reaches out for you. She gently manoeuvres you into her lap and you let her. "See that lifeguard there?" She points at a man in a big chair," And that building over there? They make sure that sharks aren't in the water."
"Really?"
"Yep," Caitlin says," If any sharks swim in then they tell everyone so no one goes in the water."
You wipe your nose on the towel that's been wrapped around you. "Promise?"
"I promise, kiddo. Katie'll be very safe. Do you want to build a sandcastle now?"
You shake your head, fisting the strap of Caitlin's swimsuit. "No thank you. Stay like this please."
Caitlin tries not to let her shock show as she nods. "Sure, yeah, we can stay like this."
Katie isn't quite sure what to say when she gets out of the water to see Caitlin trying to sunbathe with a limp and sleeping you lying on her chest.
"Hey," Katie says, with a little smile," What's all this then?"
"She was convinced the sharks were going to eat you," Caitlin replies with an eye roll, gently tracing patterns against your back," But she's fine now."
"Well," Katie says," I think that's our cue to head back and have our own naps. She's dead to the world right now."
"What about lunch?"
Katie shrugs as she very carefully picks you up, adjusting you so your head is buried in her neck. "We can get a late lunch afterwards. The little miss needs an actual pillow to rest her head." She looks down at you with a wince. You're truly, deeply asleep. "And maybe a pull up too."
Caitlin and Katie end up asleep as well and Katie wakes up groggy to small hands shaking her shoulder.
Caitlin's arm is thrown over her shoulder as she blinks awake.
"Kiddo?" She asks," What's wrong?"
"I'm hungry, Mammy," You say," Can we have lunch now?"
"Yeah, we can get lunch. Let me just get Caitlin up."
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So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.
So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.
So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)
Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.
Now that you have context, we can get into the actual process.
To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.
Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.
And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)
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Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.
That I printed wrong.
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Twice.
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Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.
Then I simply stitched along, putting everything together into a beautiful text block.
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And came up with a design for the cover.
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Yes the glue did end up lumpy. Ignore it.
Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.
The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.
Finally, we get to the stage of gluing. Behold, my bookpress.
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Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.
Then, once everything is glued together, one must give the book its "gilt" edges.
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elbdot · 21 hours
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Hi, first of all I love your art and am a huge fan of EAA.
Secondly, I don't know if you play DnD at all but I saw "Field Guide to Floral Dragons" on kickstarter and it reminded me of your art so just wanted to let you know because I thought it was cool.
Again, love your art and am looking forward to future chapters of EAA!
Thank you so much!!! :DD
YES I've seen the Field Guide Kickstarter, at this point it gets shown to me on Instagram EVERY DAY, the algorithm sure knows my interests 😂 It looks like an awesome book and I both LOVE that it's being so well received and at the same time hate that I have such bittersweet feelings about it, because it is exactly what I've been dreaming to publish myself for years and it's just. Frustrating that I'm still exactly where I left off 2 years ago. I'm happy the Kickstarter is such a huge success, it gives me hope people could get just as excited once my Gardendragons get republished again, hopefully in a big way! But a little insecure gremlin-voice inside my head makes me also afraid people will think of me as a copycat, even though my book has been written and illustrated LONG before in 2016 already 😂
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Technically I know nothing is truly original, the concept of flower-based dragons is not unique. And I know my Guidebook will be VERY DIFFERENT, especially since my book would not be tied to DnD, it's more about connecting science with fantasy, a gardening book that teaches about insects and flowers THROUGH dragons. All my flower dragons are the size of flowers or smaller and are supposed to live in the real world, with the intention of teaching kids and adults about our native flora and importance of wild bees, as they live in a symbiosis with the dragons. And at the final chapter you get to learn what to plant in your garden to create a habitat for both dragons and bees!
I shouldn't be disencouraged, I shouldn't be envious or sad, just because I haven't found a new publisher or book agent yet, but I just want my Gardendragon books to be translated and republished SO BADLY but haven't made any new contacts yet that could help me reach my goal 😂
I should REALLY work on more illustrations or even animations to at least make my little dragons a bit more known on the internet. I'd love to see them flourish again ;w;
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respectthepetty · 17 hours
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This is gonna sound very weird but I hope as we go on with the show you won't stop making posts about how much you love Ming's toxic ass cause they make me laugh and I'll need them when in the future I'll feel the urge to somehow strangle Ming through the screen. No pressure but please help a girl in need if you can!
You're writing to the person who is openly praying that Ming gets worse (amen), so I am not one to call others weird.
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Something about those who live in a glass house shouldn't throw stones, you know?
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Because, once again, I want Ming to be awful to Joe, and only Joe, which I know is kind of weird of me, but I'm just too happy to care.
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A few people have commented that Ming will get worse, and I'm giddy from the mere thought of it, so I'll be here all season being unhealthy about Ming's behavior.
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Because in the first episode, he was awful, which I LOVED, and I don't think some people really see just how bad he was simply because he is being played by Up, which was a brilliant move by casting, so I love that the show directly told us he is a nightmare, and we could judge all his actions accordingly.
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Regardless of Tong's fake personality, Ming just showed up at the set without any warning and ambushed Tong at his job
Ming only wants to eat alone with Tong, and it's of course because he likes Tong, but he even hung up on his sister mid-conversation after she threw him a little welcome back surprise (sidenote: I think he and his sister might be similar personality-wise because her call while Tong was eating with Ming was convenient)
Ming doesn't tell Joe his name or how he got Joe's number
He called Joe drunk and obviously pissed off, then snapped at the staff for being shocked by his behavior
He doesn't tell Joe he thinks of him, but instead reversed Joe's statement to point out that Joe thinks of him
He doesn't compromise
And none of these have to do with sex and Ming wanting to fuck Joe because he looks like Tong because Ming's toxicity isn't just about sex.
This is about how meek Ming is around Tong
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Compared to how aggressive he is with Joe.
Pushing Joe down and standing over him, which in the heat of the moment doesn't seem like much.
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But Joe took Ming to his house because Ming told him to. Joe doesn't eat instead opting to watch Ming eat. Joe lets Ming spend the night because Ming asked. Joe gets on the bed because Ming tells him to. Joe goes to Ming when called. Joe bottoms because Ming wants him to. Joe does everything Ming wants.
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With Tong, Ming can't control anything, but with Joe . . .
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Ming's gonna control everything.
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Or at least that's what I'm hoping!
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So I'll be here all season, cheering every single time Ming does something truly fucked up because he is going about his issues in the worst way by trying to exert dominance on a stand-in of Tong since he is weak for the real Tong until he ends up regretting it once he loses Joe and tries to replace old Joe with new Jo which restarts the vicious cycle that began this entire shit show in the first place! *deep breath*
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God, I'm so happy!
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Propaganda why Aang is insufferable:
He has some very bad ideas that the narrative never explores and gets rewarded by the narrative for bad behavior.
Mostly just the way he deals with his crush on Katara and kind of forces it on her. It’s honestly really shitty because she never truly reciprocated his feelings and had plenty of moments where she shows she’s just trying not to hurt his feelings with a straight up rejection, but ends up with him in the end just because that’s what he wanted.
Like we know what it looks like when Katara actually has a crush on someone, she wouldn’t let the situation like the war affect how she feels about demonstrating those feelings when she’s so in touch with them. Like how she was with Jet and Haru. I just wish the writing team did a better job of showing Katara developing feelings for Aang way better than they did lol.
Made a series that was otherwise reasonably tolerable impossible to watch. I hate that all the jokes written for his character target 8-year-olds exclusively. Also his little TV show keeps appearing on my dash no matter how many words I block and I hate it
Propaganda why Gregory is insufferable:
This boy is so poorly written, it hurts. In the gameplay, he just acts annoyed and pissed off the whole time. Then, in the endings, he becomes a whole other character who acts scared and sad, which does not match the previous hours of gameplay AT ALL
But that just annoyed me
What really made me hate him was the GGY and Robot Gregory stuff, because OH NO, Gregory could not just be a normal kid who got into this situation by chance, he has to be a robotic recreation of the Crying Child, despite not acting one bit like CC, or, according to the GGY story in the books, he's responsible for multiple murders and is Afton's/the Mimic's apprentice.
Just let this kid be fucking normal!
(Also, unlike a lot of people, I really enjoy what the Ruin DLC did to his character. And don't try to say that's still the mimic, the mimic recycles dialog from the main game. This Gregory uses completely unique dialog, and unless the mimic was able to form new words in his voice all of a sudden, that's still him. He had to make a tough decision, one life or over hundreds and I can respect that)
Suffers from being made into another one of Matpat's ""is actually a robot theory"". It is annoying as hell, especially if its canon. We do not need robot children theories in a game about possession, child murder and serial killers. Especially not dumb theories about him being a 'recreation' of someone with a completely different personality. It has completely ruined any enjoyment I had in that character because we're just going back to the Afton family again
Someone made a good point about how his personality seems to be reminiscent of a certain trend where a video game protagonist has to be snarky even though it would’ve worked better for the horror atmosphere if he was more scared because it would’ve made the player feel his fear. I recall people being surprised about his personality and expecting him to be more scared, and I assume the developers were just afraid of ppl calling Gregory “whiny”, but it still feels like a missed opportunity
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lokideservesahug · 2 days
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Against All Odds
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Pairing: Sergio 'Checo' Pérez x wife!reader
Warnings: Mentions of crashes, children, swearing, slightly suggestive towards the end.
Notes: I'm not the most confident with this but I really hope I did this request some justice...
Request: Could you do fic for Checo Perez with wife reader? It was when he was at Racing Point when he won his first race at the 2020 Sakhir GP. She was worried when there was a crash and he was involved. But she was quickly assured that he was fine. He wanted to win that race for his wife and their children. So, he decides to fight his way through. Just something for his first win. You decide how it goes. Thanks!! :)))
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Summary: What happens after a driver crashes? They retire right? Well a certain Mexican driver may have a different agenda to the average pilot...
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You had never understood people when they said that their heart stop but when you saw on the big screen the racing point car hit the wall, you sure felt it. It was an accident, sure you know that but when the Renault behind him knocks his back end, you can't help but feel a brief moment of restatement towards the Frenchman that hit your husband. Your thoughts are still working in overdrive when you hear a few mumbles about lack of response. Shit. Checo hasn't responded yet. You squeeze your sons shoulder ad he grabs your leg, clearly worried about his father.
You just stare at the screen, waiting. Hoping. Praying. You can't even feel yourself breathe until... "I'm ok" the grunt of your husband made the entire mood of the garage shifts to be slightly less sombre. You can't even focus on your surroundings but when you see your husband pull back onto the track you grow slightly confused. "He's continuing?" You turn to the nearest crew member you can find. He nods his head and says something about Checo insisting on continuing to race and you can't help but smile and be proud if the sheer drive (no pun intended) of your lover.
He makes some truly amazing overtakes after the crash. And when Checo begins to come closer and closer to George you can feel yourself become short of breath for the second time today. The 63rd lap comes and goes but on the 64th lap, he completes the most glorious overtake (at least to you) and begins to lead the race. You can't stop yourself from smiling as everyone else in the garage jumps and cheers at his current P1 standing. You all continue watching on the edges of your setas as the laps race by. 70. 75. 80. 85. And by the time it reaches the 86th lap, the atmosphere in the motor point garage is buzzing. Nothing is for certain yet and anything can happen in a sport as unpredictable as Formula 1 you all know that but with Checo strongly keeping his lead for the past 22 laps and with Estaban being quite a bit behind, you're very confident in Checo's ability to keep his lead for the last lap.
You feel like electric with how much excitement you are feeling from those around you and also from your own excitement. You can't help but wonder how your children are reacting to the current predicament. Yes they are Young but that doenst mean they aren't their father's #1 supporters. They've only just become old enough to actualy form their own opinions about F1 and you can't even begin to explain your husbands excitement when they decided to support their father (even when you gave them a choice to support any driver they wanted). You turn to look at them (your son having gone to sit down next to his sister a few laps ago) only to see your son and daughter staying staying the screen in awe, with big smiles on their faces. You take a photo to show to your husband later.
And you don't even register Sergio Cross the finish line before you are being hugged by someone and then pulled to hug another person. The excitement is overwhelming and a huge grin splits open your mouth when you relapse what has just happened. Checo has won. For the first time ever, he's come out victorious. He ended lap 1 in last place, got crashed into earlier and still managed to win. Holy shit, this is unrealistic. The somehow rowdy garage manages to silence itself when your hisbands voice filters over the team radio but as you hear your husband speak his mither tongue and request that your son is watching. You can help but tear up at the sudden reality of the situation. He's really has done it.
You run out to the pit wall with the mechanics to congratulate the race winner and when he catches sight of you, he runs towards you and pulls you into his arms. The sheer happiness radiating from every direction causes him to well up and you just look at him and can't help yourself from crying. He just continues to hold you as the mechanics surround you and continue to hug and cheer for him. Your children run out, aided by a few crew members and Checo just scoops them into his arms and holds you all closely in a large family hug. You can near a few sniffles as he places his head on your shoulder but you don't have time time comment on it before he is being taken away to go to the podium.
You're at the front of the barriers with your son on your shoulders and your daughter in her little SP11 cap and pink ear defenders (which make her way too adorable) in your arms. The applause is almost overwhelming but when Checo come sout and stands on the top step, you let a few tears fall at the same time as your husband as he looks up to the sky. The Mexican national anthem fills your ears and you can help but grip your children slightly tighter to stabilise yourself and assure both them and you that this moment is real.
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Unsurprisingly, there are many post race celebrations especially for his maiden win. But when your husband returns to your hotel room and changes into his pajamas. You can't help but feel like this is one of your favourite moments of the day. Your husband sat on the bed with your two children sat next to them as he reads them a book before bed. Your daughter falls asleep with her head resting on her fathers bicep and you take a photo of the cute moment and csopp her up, putting her in the room adjacent to yours. Your son grabs his fathers hand and demands that the current champion pays him to bed which causes the both of you to smile. You gently shut the door when you turn to your husband. "Why did you do it?" "Hm?" He turns and looks at you curiously, surprised that you didn't follow him straight to the large ning sized bed. "Do what mi amor?" You settle next to him in bed and he wraps an arm around your shoulder and pulls you until your he'd is lying on his chest. "Retire after the crash." There's a brief moment of silence but clearly bot one of thought as he confidently replies "Because I ahd to for it for you all. I knew I could do it and I wanted to show to you, mis tres amores that you mean the world to me." You can't even begin to think of a response so yo just look u at him and softly bed your lips over his. He muemers in appreciation of your gesture but before he can deepen the kiss, you pull away. "As much as I would love to celebrate tonight, you deserve to rest Mr Champion" He grins at the title but pouts at the former words. "Not even a quick one?" You turn away from him. "No. Your rest is more important." You hear the rustling of sheets behind you and feel his arm wrap around your waist. "Are you sure I can't convince you sweetheart? Oh and who are you to deprive the champion of his reward?
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Thank you for reading! I hope you enjoyed.
As always, likes, reblogs and especially feedback is always welcome!
Taglist: @nikfigueiredo @mysoulispainted @leclercings @d3kstar @hiireadstuff @a-beaverhausen @nichmeddar @lozzamez3 @stinkyjax @marymustdie @littlesatanicassholebitch @mehrmonga @insanedeathwish @ems-alexandra @a-disturbing-self-reflection @cherry-piee @minkyungseokie
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wings-of-ink · 1 day
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Update!
Hey everyone, just wanted to check in with you. I hope you all doing well!
Right now, I am feeling good about getting chapter 3 out by 4/30. It's a crunch for sure, but barring any disasters in the work itself or my personal life, I feel like it is doable. My aim is to get it to a point where it is release-worthy but will still need fine tuning after the fact. I generally like to edit things a couple times at least and have it play-tested, but I won't have time for all that. But, this is a work in progress, and I can always make improvements as I go. There are also a couple segments that I did not have time to add, but they're not pivotal to the story. I will add them if I find the time before the 30th (sorry to those who wanted to make a tasty cake for someone).
So far, I have gone through chapters 1 and 2 again and made some corrections to typos and grammar. I added a white hair option with some flavor text, and some other flavor text for purple eyes. The option to have your MC's hair turn grey (streaked or fully grey) from stress/illness was added, but I did not do it in the way I needed to, so if I have time, I'm going to fix that before release. I also updated some of the variable values of certain choices. A name bank was added for anyone who might struggle to come up with a name for their MC. I made all but one of them correspond to the marks. There's a wild card in there for the adventurous, lol. The codex was also updated.
Today, I am editing chapter 3. My very gracious boss encouraged me to take the day off, and I'm feeling pretty good, so I'm using this as an opportunity to get some serious work done.
If you're curious and don't mind my rambling about my life, you can read about my ordeal below!
I am feeling much better. I had a couple rough days in the past week, but mostly brought on by medication my dentist wanted me to take to stave off possible infection in a broken tooth. I had a less-than-stellar reaction to it, and it gave me insomnia and anxiety. Simply fantastic.
But, I had the root canal yesterday (got lucky and they had a cancelation so I was able to go in 5 days early). I am happy to report it was not bad at all. In fact, it may have been the easiest dental procedure aside from cleanings that I've ever had, lol. I was in and out within half an hour, and the endodontist numbed the fuck out of my mouth. The biggest pain was the drive there and back since I live so far away.
I chilled the whole day and took a glorious 2 hour nap, and have been sore but totally good. I even watched one of my favorite comfort-animes, Natsume Yuujinchou. If you are ever feeling poorly and down in the dumps or just need to relax, it is cute, a bit funny, and lighthearted - so I highly recommend it. So, all in all, I feel recharged and more than ready to see chapter 3 with fresh eyes!
Thank you to everyone who sent me encouraging messaging about the root canal. It really truly helped me show up for that appointment without feeling completely vulnerable. I was still anxious, because that is just what my brain do - I can't even see my GP without my hands shaking, lol. But, going into it knowing what your experiences have been helped so much.
Anyway, sorry for prattling! I'm going to get back to it now! ^_^
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elisaintime · 2 days
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Woah, I must have missed something, why are people jumping down your throat?
From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.
Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.
Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.
Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.
Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.
Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.
The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.
Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.
When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷
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geekgirles · 1 day
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Since all I ask for now is that Amalia gets to call the Osamodas out on their hypocrisy and betrayal, I think it's important to point out Armand never wanted Aurora to rule.
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I say this in light of her father claiming she is the rightful heir to the throne when we all know she's actually not.
And I don't just mean her claim on the throne isn't legitimate because a) she's not even a Sadida, or b) she was Armand's Osamodas wife, not even his daughter, which would give her claim some credibility, but because it's clear to see she was never meant to truly be the Sadidas' queen, not even their regent.
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I know this all sounds contradictory with the fact that, by virtue of marrying Armand, the Crown Prince, she eventually became his queen, but the thing is, it's plain to see not even Armand wanted her to rule the kingdom on her own, which is what her family is trying to accomplish—although there's also a very high chance they intend to rule through her, rather than let her make her own decisions.
As @vinillain and I have discussed through reblogs, it seems to be implied Aurora was never really meant to rule: not only wasn't she a candidate for becoming her own people's queen, but it is clear to see she was only meant to be given an important position in court but with none of the responsibilities expected from such duty.
This can be seen in her role in seasons 3 and 4; despite being Armand's wife and loving him, she never really acted like a true queen. In season 3 she acted conniving and pretended to have Amalia and the kingdom's best interests in mind when, deep down, all she cared about was strengthening her and her family's power over Sadida politics. And in season 4 she remained passive, aloof, and emotionless throughout. At no point was she shown to feel genuine concern for her husband's people even in the face of an imminent threat.
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The most active role she's taken ever since she debuted was playing matchmaker for an unwilling Amalia and trying to find more about the Eliaculus.
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From what we've seen so far it's easy to conclude she was always meant to be Armand's consort, but never his actual partner. She was essentially sent to the Sadidas to act as their king's arm candy. Whatever power gap was between them, she never made any efforts to breach it and show her worth.
For all she and her family look down on Amalia, Aurora herself never matured enough to become a suitable ruler, whereas Amalia eventually grew into her mother's mantle; even when his father was still alive, she had already become Queen of the Sadidas.
And I think despite his love for her, Armand knew this. He knew she could never rule the kingdom without him; knew she never should rule his kingdom without him.
Despite his many flaws and not-so-stellar moments, Armand was raised to be king. He was never stupid. He knew the inner workings of politics in and out and how to navigate them.
This is apparent in his interactions with the Osamodas King.
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While he maintained a cool head throughout, it was clear to see Armand saw right through his father-in-law's ill-veiled condescension towards his people and his desire to control his kingdom. Which is why I wouldn't be surprised if he had never truly trusted Aurora despite coming to love her.
Because of everything his people had gone through, Armand was perfectly aware his kingdom was practically of no importance to the other races, for they never sent their support when they needed it most. So it wouldn't be far-fetched to assume Armand knew all along the Osamodas' intentions behind marrying him to Aurora went beyond simply providing him with a queen.
Which is why I believe he never intended to let Aurora become regent if he was no longer around.
But my greatest evidence are his last words to Amalia as he was about to sacrifice himself and he put her to safety. I don't have the screenshots for it (so I'd appreciate if anyone could provide them), but he essentially told Amalia she would be their next queen.
That's it. That's all he said. He never said, "Please, help Aurora out", or "You two are co-rulers now", or even "You have my permission to fuck Yugo senseless". He told his sister it was up to her to rule their people, not his wife.
Meaning, between her being the last remaining Sheran Sharm, the second in line when her brother was still alive, and Armand's words, Amalia is the kingdom's rightful ruler, not Aurora. It was never Aurora.  
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class1akids · 1 day
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Honestly at this point it's our own fault for expecting to not be disappointed by theses chapters apperantly hori can only gives good moments to irrelevant characters therefor said moments are also irrelavent and don't have the impact they would have if given to someone that mattered
I've come to not expect anything else really anytime hori does something axtuly good it's followed by a million not (his characters and stories have so much potential and there all wasted like way are fanfics so much more impact full than the main story 😢
Although I'm a little confused as to what happened to the todorokis?
The leaks came in truly bad quality this week, but even so, it's evident that Hori is still trying to "hide" what happened fully.
All we know for sure is:
Endeavor and Shoto were awake enough to respond to the back-up call and come through the portals (this to me is not a surprise. Shoto especially is in relatively good condition. He only overstretched his quirk but had time for cooldown).
They come from two different portals, but at the same time to do a Flashfire Fist to drive back AFO away from Izuku. (It's a pretty basic move for both of them, and not very powerful, and it maybe because they are down to the last scraps or because of the crowd, they can't do AoE moves).
And then there is this cryptic flashback:
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It looks like the robots are putting Rei (?) on a stretcher, while Natsuo is still moving. Toya is hidden. Using pikahlua's TL because the scanlation look inaccurate:
"Quickly, to where Recovery Girl is...!" "The old lady is also at her limit with injured persons... Whether or not anything can be done..."
-> This could refer to either Rei or Toya (or likely both) - basically implying that they are in critical condition and the family is trying to get them to Recovery Girl...
Then Natsuo says - I think talking to specifically to Enji (because he uses "anta") and not to Shoto:
"Even with you here, mom and the others will only be hot."
This confirms pretty much that Toya is there too.
Enji hesitated whether to take the portal or go with his family.
Natsuo basically says that there is nothing Enji can do and his presence could be even harmful - implying that Enji is still overheated (which if you look at both Shoto's and Endeavor's pupilless eyes makes me wonder if they absorbed a lot of Toya's heat)
"So go. Even if it's [just] a little, if you can muster [any] strength..."
Even if it's just a litte is written over Enji's panel, which may imply that he's on his last fumes and his presence here is not necessarily to boost the fight, but for whatever narrative conclusion purpose
if you can muster [any] power - this part is on Shoto's panel. As the Japanese uses "chikara", as in the famous "kimi no chikara" moment between Deku and Shoto, I'm guessing it foreshadows a more powerful attack from Shoto at a later stage (which could include a quirk upgrade if he absorbed Toya's heat - it would make sense or it could include a combo with Toya if he'll show up, which I have a strong feeling he will).
So I think the important thing is that Toya's fate, just like Toga's is left in limbo, as well as there is a strong sense that the Todorokis are running here on fumes, just like everyone else.
My personal feeling is that Hori is setting up a quite hopeless fight with a moment where the star arrivals to the battlefield will be the LoV (possibly because Kurogiri decides that this is the boost Tomura needs), and it will be the tipping point to bring Tomura back who will be essential in stopping / defeating AFO together with Deku (and maybe the other Origins - Bakugou and Shoto).
Bringing in the LoV would achieve tying in the efforts to save Toga and Toya (and Spinner) into the final main conflict, tying together Deku reaching Tenko's/Tomura's fused desire to be the hero of the villains and also for the civilians to see the villains fight against the big bad. It could also foster final conclusion of the big character arcs, including for Enji, Toya and Shoto.
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m3r1m4r5u333 · 2 days
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Reasons why I keep rambling about Bi!Eddie...
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Why? Why would Eddie hide his sexual identity, bisexuality? Because... why not, he thinks.
Dating only women would mean less conflict with his family. His family is religious and Eddie loves them, is scared to lose them.
Eddie also fears triggering more conflict, maybe even fears his family might not consider him a good dad anymore if he came out.
He already almost had to fight for his son's custody with them. What if he comes out and they lash out? He has a dangerous job, works ridiculous hours, is a single parent. A queer man is not every courtroom's favorite person.
So women... That's where Eddie hides, it's what he knows. It's "a safe place to hide"... because in theory, it's fine, it's comfortable. Eddie is attracted to women. So he isn't really sacrificing anything, or at least much, he thinks... Just marry a woman you love, and it's all good. No need to come out and clash with your family, or make Christopher's childhood even more of a challenge. After all, the world is still prejudiced and not all children of queer parents have it easy.
But the truth is... Closeted life isn't a cake-walk even if you avoid detection, and are sort of adjusting. You are still hiding a part of yourself. Acting. Feeling like you need to pretend. Scared and unable to be fully yourself.
I've noticed that Buddie fans keep pointing to Eddie's panic attacks as this "haha gotcha, you're GAY!"-confirmation. It's ignorant.
Did you know that panic attacks are actually not at all unusual among closeted bisexuals, either?
Masks are always suffocating, no matter what you're hiding.
Not to mention, when Eddie starts having those panic attacks, he's under a world of pressure. Trying to recover and get back to dating... Quite soon really, after losing his wife.
He's also got a mountain of trauma and PTSD after surviving several near-death- experiences. To add to the trauma, the way he experienced the shooting? He thought Buck was wounded.
And then he is pressured into asking Ana out even though it hasn't been that long since he lost his wife.
Also I'm quite sure... His heart just isn't in it, dating. I think he has actually by that point fallen for Buck. And ignores it, tries to move on, forces himself to date someone else.
Get back on a horse, even if you don't really want to, feel the need to. Doesn't matter what you like, just do it anyway! "Horses" it is. Dating it is.
So Ana and Eddie? It's a tale of unrequited love, for Eddie, and for Ana. Falling for a concept because the person you truly want is simply not invested like you are, is emotionally unavailable to you.
The anxiety builds when people keep assuming Ana is Eddie's wife or Christopher's mom. It's too soon, it feels wrong. The relationship is just a mask because Eddie hasn't actually moved on. From Shannon, or from Buck. He panics when Ana says. "I'm not his mother... I'm... just a friend."
It's a reminder that she isn't Shannon - not Christopher's mom.
And she isn't Buck either. Buck who isn't really Christopher's father, who is... just a friend.
And like Buck... Ana is becoming Eddie's ready-made family anyway. Actually the third ready-made family, really. Shannon, Buck, Ana... All happened without much room to stop and re-consider.
Shannon... A rushed shotgun marriage triggered by an unplanned pregnancy and catholic guilt.
Buck, (a seemingly) straight friend quickly becoming family - clearly a dead end romance-wise.
Ana... A rushed, pressured romance built out of need to forcibly move on, and find a step-mom for Chris. Three ready-made families, all destroying Eddie in different ways. Anxiety, inner turmoil, panic.
....
So. Eddie's bisexuality!!!
That ice skating scene in "Malfunction"? The episode is very Eddie-centric, and the theme is "Me a tough macho man, me trust nobody, ugh!"
There's Eddie's fight club clusterfuck, his argument with Lena about Eddie being emotionally distant. Eddie, crying in front of Bobby about his grief, about Shannon leaving because Eddie "broke" her, because he wasn't enough...
Eddie = Trust issues galore, abandoment issues galore. Persistent shame and guilt making him unable to go for anything he really wants. Avoidance. Hidden pain. Constant urge to be in control, and never slip.
So let's look at that ice skating scene in "Malfunction"...
It's a blood bath on ice. Figure skaters toe-picking and getting injured, all because of one fallen sequin on ice triggering a domino effect. Bobby knows to look for a sequin because he's got some experience with this stuff.
Chimney: So how come you know so much about figure skating?
Eddie: Always thought you were a hockey player, cap.
...
Bobby: Who says you can't do both?!
(They team is shocked. Buck says "We'll google for photos later"
Chimney waves his hand around like he agrees... But in a way that ends up looking like he's pointing at Buck AND Eddie. And Hen then throws this shocked lingering stare at Buck and Eddie, like she just realised something!)
...Who says you can't do both? Indeed... Is there some secret quota, unknown to me, that dictates how many bi characters a tv show can have?
Is there a law that a queer male ship must always be the sum of one bi male, one male gay character? Why do we expect that? Because it would be more diverse, more varied representation?
Correct me if I've got this wrong... But writing Eddie as gay would in fact not score the show more diversity points, not in the realm of 9-1-1.
The show STARTS OFF with a storyline about a closeted, married gay man! If Eddie was gay... It would be the show's second storyline about a closeted, married gay man. That's not diverse representation. That would be in fact... quite repetitive, unimaginative queer representation!
Also, let's keep in mind that the show already has several gay male characters by the time Eddie joins the team.
Michael! David! Josh! That's already three gay men. If Eddie was gay, Eddie would be the fourth gay male character.
Oh wait. Tommy. So... FIFTH one! Also there are even more strictly gay monosexuals: Two lesbians. Hen and Karen.
However, there are just two confirmed bi character so far. Buck and Eva.
So really, Who says you can't "do both"?
Who says both of these characters can't be interested in women and men, into more genders than one? Who says both Buck and Eddie can't be bi?
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"We're everywhere, man." That's Eddie's line in that scene, gif below. (And pink+yellow balloons, blue gloves? Pansexual-coded colors. Multisexuality!)
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Eddie, subtly illuminated in bi-coded colors. Blue, purple, pink... On a date with a woman.
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Talking with Buck. Bi-coded lighting.
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Oh look, what's behind Eddie? The famous bi-cycle. While he talks about "the menu" not being the issue...
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"The sex was never the issue", with Shannon. Canonically they actually went at it like bunnies, even to the detriment of their relationship because they failed to talk due to being too distracted by each other's bodies.
"The "menu" is not the issue." And it's not with Marisol, either. Not until Eddie learns of her hyper religious past.
Confronting Marisol, a former nun-student? That's the issue here, that's what Eddie's trying to avoid. Confronting his obviously at least at one point very religious, quite possibly bigoted girlfriend...?? Would certainly be an issue, if you're bi!!! Who wants to date a bigot?! Your very own domestic hate crime.
So... Eddie talks about the upcoming alone time with Marisol (when Chris was away) feeling exciting, naughty... Until he learns she was almost a NUN!
He talks about "eyes on the ground". And that's what dating a fundamentalist would be, if you're bi and closeted. Eyes on the ground, close to you.
Suddenly being judged for same-sex attraction is no longer just a distant fear, a vague idea to Eddie, it's a living, breathing person in his home, in his bed.
Really, imagine dating a bigot. Imagine your partner being disgusted, disturbed, judgemental... by your sexuality, your identity, your desires, dreams. Imagine them being repulsed by such an fundamental, persistent part of what makes you... you. Something you cannot change.
Imagine sometimes fantasizing about men as well as women, and then... trying to have sex with someone... who you suspect might consider your secret fantasy life disgusting, wrong. Imagine that negative reaction if they knew the whole truth, who you really are?!
An efficient boner killer, for sure!! No wonder Eddie is suddenly avoiding her company, anxious by the idea of sex with her. He doesn't trust Marisol anymore.
Also, let's talk about Eddie and moving on.
Why going home is an issue. Leaving Buck's place is an issue. Because trying to move on? Those words just need a melody, and ta-dah it's the Eddie Diaz theme song. The story of his life. The concept just keeps coming up.
Moving on. Being unable to move on.
Quite frankly, I think this is the main reason why Eddie cannot date without freaking out.
When Eddie joins the team he's still stuck on Shannon. "They weren't my type." Less awkward than to say "Sure they were hot, but I do have an estranged wife."
Shannon was his first crush, love, his first everything. The mother of his child. His friend. But they were young, not ready to get married and have a child, especially one with special needs. They were pushed to do that anyway when Shannon suddenly got pregnant, unplanned.
Btw, may I just point out that they're already under a lot of pressure and struggling when we first see them together on the show?
What we miss out on seeing... are the times when things were still great! That creates a limited, tinted view of their romance, and warps our entire view of their relationship. When we first see Eddie and Shannon, their relationship is already quite fractured, and falling apart.
Doesn't mean it always was bad.
Inability to work together. That eventually destroyed their relationship. Both failed to listen to each other, to be a team. Their love died because their mutual trust and respect died.
Eddie couldn't handle sudden parenthood, sudden marriage (and catholics truly expect forever), Christopher's cp diagnosis. He enlisted, escaped to the army. Shannon couldn't handle the guilt, thinking the cp was her fault. They fought all the time. Eddie let his parents meddle with Christopher's upbringing, walk over Shannon. He refused to listen to her when she wanted to move to another city. Eddie avoided bonding with Chris.
So when Eddie got home from the war-zone, she left. Eddie was suddenly alone with Chris. And Shannon was gone for a long time. Her leaving, it was a shock to the system. Eddie no longer trusted her, she'd abandoned him, and more importantly, abandoned Chris.
So Eddie is struggling. Alone. Hurt.
And then... Eddie meets Buck, who is ridiculously helpful. Buck is someone Eddie can count on. They're almost instantly a team.
So Eddie moves on from Shannon, and falls for Buck. From that point on? There is no real room for others. From then on it's just barely discreet heart-eyes at Buck, and Eddie not truly wanting to date anyone (else).
Eddie doesn't really want to get back together with Shannon when she returns. The sex is still great, that was never the issue, they both agree on that one thing...
But she was simply gone for too long, she even says this. It's obvious. Eddie has adjusted to life without her, found a new focus, moved on from her.
For example when we see Eddie, Buck and Chris visit Santa? Eddie talks about Shannon to Buck in this almost anxious way, like he feels the need to explain himself to Buck, like he's been cheating on Buck. Buck then calls Eddie "brother", and Eddie's face, just for a moment... Falls. He looks disturbed, disappointed, to be called "brother".
Eddie tries to mend the relationship with Shannon. It's obviously out of a sense of duty (catholic guilt, marriage should last, divorce is wrong), he keeps waiting for a "sign", keeps ducking her questions, pushing her away, keeps dragging his feet. His heart is no longer in it. Shannon realises this, wants to break up.
And then she dies. Eddie grieves. Feels guilt for failing to salvage the marriage. And then Eddie is just... stuck. Unable to move on, from grieving Shannon, from the guilt caused by their failed marriage, from Buck. Tries to force himself to move on. Fails. Keeps dying inside.
Heart's already taken.
.....
There are so many talks about moving on after that. Seemingly they are all about Shannon, and I do think they are about Shannon...
Just not... entirely. After all, Eddie didn't really want to get back together with her, did he now. We see them fighting, a lot. Their relationship wasn't dancing on roses, there were serious problems.
So the talks about moving on are also about Buck. Buck, who Eddie thinks is straight, yet parenting Chris with him. They become close, are seen doing all sorts of domestic family stuff.
What a painful existence would that be, to raise your child with someone whom you love and desire, but who you think cannot ever return your feelings? Who wants that? Of course Eddie would want to move on!!
Then shit happens... And Eddie clearly just... spirals without Buck. Partakes in illegal fights to let off steam. Yells at Buck at a grocery store about "not being around, Christopher missing him..". They end up looking like a couple in the middle of a messy divorce.
People, including Buck, pressure Eddie into dating. Buck keeps dating women. Eddie... keeps having talks about moving on.
Looks totally dead as he tells Buck that he needs to move on, Eddie has. It's an obvious lie, and it's such a bizarre thing to say to a friend, no matter the circumstances - very relationship-coded.
Almost like Eddie was just desperate to voice those words out loud, wishing that saying them would turn them into reality. Move on, I have!! (Move on, stop approaching me, stop tormenting me like this.)
....
So move on, Eddie...
....
There's Buck, urging Eddie to ask Ana out.
......
Bobby, telling Eddie that he will always miss the family he once had, but he loves the new one he now has. So you should try moving on, Eddie!
.......
Eddie's doctor... suggesting he could be repressing things.
The talk with the doctor;
They're talking about the shooting... Until it sounds like Eddie isn't.
Eddie: I don't even think about him anymore.
Doc: That could be called repression.
Eddie: Or just... moving forward.
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Then some more subtext about pining. Remember Buck... being compared to a golden retriever?
Remember the man who cornered himself on a roof? Whining that he always wanted a dog but mom wouldn't let him because "Barry was allergic!"... (Or maybe, queerphobic?)
.....
Ana: There's a lot to be said for getting back on the horse. But there's also value in learning that you don't like "horses".
Eddie: I'm sorry?
....
Carla, telling Eddie to follow his heart, not Christopher's.... (Edit. Btw, look up the pictures of those hearts, I can't add more pictures to this post.There's Buck's silly, happy "misunderstood the assignment" love-type heart symbol... The one Chris drew, the one Carla warns against following?
Dead-looking, clinical, anatomical. And it's drawn with bisexual-flag colors!!!!
Love can't be about logic and rationality, reasoning with yourself and finding a good enough match. Even if on paper it makes sense. Love needs to be an emotion. It needs to make you happy.)
.....
The first day Buck and Eddie meet:
Buck is taking selfies.
Eddie: You're in the wrong lighting, man.
Buck: Some of us don't need lighting to look good!
And...
Years later... At the dark firestation, Eddie looking at Buck, getting lost on his memory lane, forgetting to introduce Ana.
Ana: Even in the dark this place is amazing! (The parallel to "Some of us don't need lighting to look good.")
And Eddie panics.
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(*panicking, looking between Ana and Buck*)
Eddie: I don't want these things to wilt!
.....
After that... Eddie, looking at Buck:
Somehow we became a ready-made family, and I... I don't know if I'm ready for that.
(and how could he be ready for that, he thought Buck was straight.)
.....
Eddie talking with his tía, learning that she's been married twice, not just once, like Eddie always thought.
Eddie, learning that she had been unable to move on from the first husband, and didn't feel ready to date... But her friends had dragged out anyway, and that's when she had met her second husband-to-be.
And it was this, meeting someone else, that made her move on. So Eddie forces himself to date, thinking that all he needs to do is meet the right person, and he'll finally move on.
.....
The scene with Marisol, setting her bag on Eddie's hallway table.
Checking that it's not falling off... because there is barely enough space for Marisol to set down her belongings.
The table is already full. There's a toy truck on it, which BUCK gave Chris, years ago,
and it takes so much room.
It's lit, under a lamp, in the center of a table, the first thing you see when you enter Eddie's home. A prized little thing, a treasure. It's clearly valued, spotlighted like art... Even though a toy like that? Would not be very expensive.
Still, it's clearly something Eddie cherishes. Chris is no longer a little kid, he doesn't play with toys like that. But the truck stays, it's something Eddie wants to keep looking at. And it's huge, centered, leaves little room for something else.
Eddie is pining!!!!
Whether he realises it or not... This man is in love, that's why his relationships feel so suffocating, why they keep failing. His heart is already taken. His romantic relationships are just glued on, they're pretense, acting, a desperate attempt to move on, from Buck.
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citrusbusiness · 3 days
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Hey it's time for me to rant about mildly annoying things about society and being aro/ace! (Long post warning)
Okay so when I was eating dinner with my parents today and we were talking about our grandparents for a bit. Specifically, my grandma getting sick, and how my uncle traveling around all the time but living with them did not help that. Anyway then I was thinking about him, because he's unmarried with no kids and so is my other uncle. So then I brought up the fact that I have no first cousins, making my one joke about the topic that I'm the onliest only child ever. And we laughed about it for a bit, but then my mom said something else.
“See that's why –and I feel a bit like Jane Austen saying this– that's why you have to get married”
And my aroace brain already did not like that, but obviously I wasn't going to tell her that because I'm not out?? And then my dad then butted in with a joke about the reason being that the family line would end if I didn't, which annoyed me, but interestingly, my mother brushed that aside.
Instead, she said “because when you get old you won't have any siblings or cousins to help you.”
I... Had not been expecting that. So I sat there, not liking where the conversation had gone but not doing anything about it. I just put it aside to rant about later (this is that) and moved on with my evening
But I've come back to it now.
I'm not mad at my mom for telling me that I have to get married. I'm annoyed at my situation and our society for existing in a way where she's right.
I don't have siblings or cousins I'm close with who could help me. The only people I have are my friends, and who knows if I'll still be friends with them? Also, I have maybe one actually aro friend, all the others are highly likely to get into romantic relationships and maybe have children. They'll have their own people to be taking care of. I'm just going to be lower priority, that's how our society works. Hell, with the internet the way that it is, there's no guarantee that I would even live in the same area as most of my friends.
And this isn't even just an old age thing. What happens if I need a serious surgery? What person, with their own job and family and life, has the time to spend taking care of their friend for an extended period of time? I mean, I might, but I don't have the whole romance thing getting in the way.
I realize that I'm being pessimistic and that I should probably have more faith in both my friends and the way the world works. I'm just frustrated that because we place so much more emphasis on romance than we do friendships, once people start pairing up the friendships get left behind a little bit. I'm frustrated that you could make an argument that I might have to get married, not because I truly want to, but for the sake of my own health and comfort in the future. I'm frustrated that someone can say something as uncomfortable to me as “you have to get married,” and still have a decent point.
Again, I'm being a pessimist and I'm not mad at my mom. Or my dad.
…I need more irl aro friends.
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daydreamalley · 1 day
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A Ramble about Phase 19 of the Fifteen Manga Ft. Storm Bringer spoilers
Just absolutely cannot get over the 15 manga. I love the light novel so much, but this manga adaptation is so ridiculously amazing. Dazai and Chuuya’s proximity/touching has been amazing of course. I adore the way Hoshikawa draws Dazai and Chuuya as well (my baby boys, especially Chuuya). But these last two chapters with Rimbaud and Verlaine. Like, fuck. The whole “At least, one of them felt that way,” part just hits so much harder in the manga for me, with the art and page placement. And this whole most recent chapter. Like firstly, you don’t have to end every chapter with like Chuuya getting stabbed okay, help me out here.
Comparing the last page of phase 18 with Verlaine and the first page of phase 19 with Chuuya makes it so obvious that Rimbaud is seeing the similarities between them with just that parallel, which is confirmed later with Rimbaud quite literally seeing Verlaine standing behind Chuuya. 
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Not to mention in phase 18 the “That’s right Paul, I remember you,” in conjunction with him seeing Verlaine in Chuuya.
Then that flashback with Verlaine carrying Chuuya and Chuuya’s just so small I could cry.
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Like, I knew he was small, but he's just so young, I can't. People were experimenting on him. Like, how??
The way Rimbaud wants to ask Chuuya something and Chuuya crouches down to him. Which leads to Rimbaud putting a hand around Chuuya as he tells him to live. How close and personal they are when Rimbaud says all of this just make it feel so much more impactful for Chuuya. Kinda love too that Chuuya isn't just standing over Rimbaud. He's making it obvious he's open to listening.
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Rimbaud says a lot of shitty things to Chuuya up to this point, even complaining that he has to kill a kid while only referring to Dazai, completely not acknowledging Chuuya as anything more than Arahabaki. But once he fully remembers what happened with Verlaine, I feel like that’s when Rimbaud remembers what he truly believed about Verlaine and his humanity and how that extends to Chuuya’s humanity. Because Rimbaud’s whole final speech is most definitely things he’d also thought of or told Verlaine before (as I think is confirmed in SB). I think those are Rimbaud’s true thoughts and beliefs on the matter, it just took that long for him to remember the full story and how he felt about it all. Rimbaud saw Verlaine’s struggles with humanity, and now he also remembers why Verlaine betrayed him. And so he tells Chuuya to live, just as Verlaine wanted him to back then, live without the burden of worrying about your humanity or where you came from, because “you are you.” It doesn’t matter if Chuuya (and Verlaine) “are but a pattern etched on the surface of raw power.” In Rimbaud’s mind, and honestly where we eventually end up at the end of SB, is that it really doesn’t matter what your origins are, whether someone is an artificial personality (aka pattern) etched onto raw power, because really everything is some version of a pattern upon the world. And in a word with abilities, a lot of people are a pattern connected to a power. Just as in SB Chuuya decides that even though Adam isn’t human and he knows it, it doesn’t take away from Adam’s actions, his sacrifices, or his dreams. Same goes for Chuuya and Verlaine. Their origins don't affect how human they truly are. Their humanity is significant no matter what. It just took a bit more convincing for Chuuya to get there, a little more than what Rimbaud could offer on his (almost) deathbed.
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Anyway, Chuuya holding Rimbaud’s hand as he dies just does things to me. Like, the book described that “Both Chuuya and Dazai quietly listened as if there was something in what Randou (Rimbaud) was saying that they couldn’t allow themselves to miss… Some things, however, would not return to normal: the body of a man who no longer felt the cold, and the hearts of two boys who stood rooted to the spot, staring at him. A gust of wind peered through their souls as it passed them by.”
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This page just so well depicts that last line. It truly feels these boys have heard something so monumental, that they won’t ever forget. Standing in the aftermath of their first fight together, hearing these words about humanity that both mean so much to both of them. Dazai’s expressions really convey this to me in the manga, and convey it just so beautifully. And Chuuya being so close to Rimbaud when he speak those words just makes it feel like those words truly are so monumental for him. And also this means that Chuuya fought to kill a man, that to be entirely fair and clear was trying to kill him first, and then held to his hand as he dies, and there’s just something about this added detail that’s so significant to me in portraying the weight of it on Chuuya. Chuuya's connection to Rimbaud is a complicated but important one. But really these words are important for both boys, because let’s not forget that Dazai also struggles with his humanity. Even if he doesn’t have a physical reason to doubt his humanity, like Chuuya, there are many other reasons that he does doubt it. So hearing that all people and all of humanity are really just patterns within the physical world, human or not that’s true of everyone and everything, and that’s important for Dazai to hear too. I think both boys think back to Rimbaud’s final speech quite a bit, if I’m being honest or did for a while.
I am NOT getting over the detail that someone (Chuuya??) put Rimbaud’s scarf on his grave. I just… it does something to me and I love that detail so much. And cutting back to that “You are you” line while Chuuya’s talking to the grave is just so perfect in my opinion, and again just shows the significance of it so, so well. It’s like, he's talking to Rimbaud, complaining about his actions really, and then it cuts to that “you are you” and it just shows almost the contrast I guess between Chuuya feeling unrest at not finding stuff about his past that Rimbaud could’ve given him, but maybe wouldn’t have anyway, and Rimbaud’s statement that those things don’t matter because Chuuya is who he is beyond all that. Also the little dandelion blowing into the wind, to me also signifying a wish being spread.
Anyway, entirely unnecessary to end the chapter with a big knife in Chuuya’s back, thanks. Especially after Chuuya mentions how he’s still exhausted from everything. Like let’s just, stop, please.
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He's just a boy, leave him alone for the sake of all things good.
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bthump · 2 days
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this has probably been asked here before but how likely do you think it is that the author actually truly intended for Griffith and guts relationship to be romantic? How likely do you think it is we’ll get a blatant confirmation (eg a confession of love beyond being friends or even a tragic kiss) and if it does happen do you think it’s likely we’ll get an explicit confirmation on both of their ends so we know the feeling is reciprocated (because I know guts feelings can be underestimated sometimes compared to griffiths). Likelihood as a percentage or on a scale from one to ten lol. I think it’s already pretty obvious enough for me to be satisfied whatever happens but it would be nice if there was an undeniable proof of mutual romantic love. because I think no matter what happens if it’s anything less than spelling it out word for word people would still make attempts to deny their feelings which is kind of sad to me. But I could be wrong of course and romance wasn’t intended by the author. Either way I want them to reveal their feelings for each other whether platonic or romantic.
I'm cynical, so I feel like the odds of something textually romantic happening are like, 2/10 at best. Might've gone up to 3/10 if Miura was stlil alive since it's getting more and more common to confirm gay subtext and that might've influenced him, but since it's being written now by someone determined to adhere to the plans Miura told him, whatever happens is frozen in amber circa Miura and Mori's last conversation, with no room to evolve.
That's all pretty much a moot point anyway because again, I think the odds were always gonna be pretty miniscule anyway.
That said, I think the odds that Miura intended the gay subtext are like 9.5/10 lol. I think the romantic undertones are almost certainly deliberate.
I guess I just don't think it necessarily follows that the point of the subtext was ever to eventually become text. I think it was probably there for a lot of potential other reasons: to add a sense of depth and complexity to their relationship; to add more chemistry; potentially to appeal to women; to suggest that their relationship had the potential for romance that will never be realized therefore making their relationship even more all-encompassing and adding to the tragedy; serving the theme of childhood trauma fucking up your relationships; etc.
Of course I'd be overjoyed if it was acknowledged eventually, and I think the story would ultimately be better for it, like I'm not gonna say it's ~deeper~ if it stays subtext lol. But I think that considering the main target audience for Berserk is horny straight dudes, and while it's getting more common it's still very rare to have textual gay romances between two leads, and almost unheard of in legacy media properties, I just don't think the odds are in griffguts' favour.
Oh, though I do want to add that I'd say the odds of getting an acknowledgement of intense feelings between them post-eclipse is very high. I don't think it'd likely be a romantic confession, but yeah I think it seems very likely that Griffith and Guts are going to acknowledge the intense emotional hold they still have over each other. And if that happens I'll be happy even if it's not textually romantic. I'm sure it'll at least be homoerotic enough for me lol.
Thanks for the ask!
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inuhalfdemon · 3 days
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I just stumbled across Dirty dealings, it was so good I read it all in one go. 🤩
Do you think Alastor and Adeline will ever meet again? Also, who is Alastor jr. dad?
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YOU DID!? 😲😁🥲 I feel incredibly honored!!!
Do I think Alastor and Adeline will ever meet again?: I very purposefully ended it the way I did so readers have the chance to form their own ideas as to what the ending should be, in a way. However; my personal take with it would be: no, I don't think so.
There just never was the possibility for them, really. Alastor's time on earth is very limited; even with my utilization of the reaping as a means for him to be there at all. Nor would Alastor truly wish to remain on earth; his potential...his passions are too akin to the life he leads in Hell. Perhaps Adeline; now knowing his name - could find some dark means of summoning him...but she doesn't seem like the kind of character to travel down that type of a path. I did add Hinder's "Lips of Angel"...(hear that? Yes, it's my wife screaming at me in the purest form of rage...) as a bonus track to the Playlist because I liked the idea of Adeline somehow being able to contact Alastor whilst in Hell and him just being thrilled to get to actually hear her say his name as they spoke.
Really though; Alastor's departure is ultimately part of the gift he is essentially giving her in the end. He's giving her the full freedom of getting to pursue the life she always deserved; however she wishes.
Who is Alastor jr.'s dad?: [My wife also loves to point out that this topic is a huge plot hole to the entire story...who's going to interest Adeline enough after deer man? Hm?] Honestly. I have no clue. I can say for certain that it is not Alastor. But, this comes down again to what the reader may wish to believe. Personally, I don't think Henry was ever a potential but others might like the idea. For Adeline's sake; I hope it's someone she actually and truly loves and who will be there for her the rest of her days. However; she's lived a long time by this point; she's learned a lot, she's incredibly resourceful and equipped to handle just about anything. I can see her finding a new purpose on wanting to just be a mother and if that means going it alone, she'll fucking do it.
I appreciate you reading and I very much appreciate you stopping by to let me know that you've enjoyed the story. I hope my answers are fulfilling. 💕
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moonlightazriel · 3 hours
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Chapter 14: Into the lion's den /// Azriel X F!Reader
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Summary: Y/N enters Koschei's lair and finally confirms some suspicions
Word Count: 2K
Warnings: Again mentions of trauma and grief.
Notes: I'm so glad that I have almost all the chapters written cuz my fingers are fucking useless now and I can't write 🙄
Main Masterlist
Worlds Apart Masterlist
The dark living room was immediately illuminated by faelights, papers scattered around the table, potions and a liquid simmering in a cauldron near the fire. She scrunched her nose at the rotten smell. A screeching, like a trapped creature sounded somewhere behind the closed doors that led to the basement, she shivered thinking what could be suffering in his hands. 
Drawings adorned the walls, receipts and terrifying creatures. Her breath hitched as she recognized the circle with wyrd marks used to summon the ridderak. This was even more scary than Baba Yellowleg’s tent, the Matron would send her there regularly to check on the older witch and her home always made her bones cold. 
“So..” He cleared his throat, those golden eyes turned to her direction, pinning her in place. “Tell me what. What troubles your heart?” He once again extended his hand and she quietly placed it onto his.
Mantyx almost gasped with the swirling of emotions that hit him when he touched her skin. Anger, hatred, pain, grief, pain was what burned brighter in that array of feelings that clouded her mind. He tried to take a look but he was met with a wall made of pure steel, unbreakable, unbendable and impenetrable. 
But another thing caught his attention, singing beautifully to no one hear, a mating bond stood, he had learned everything about it in the years he was trapped there. A bond shared by two people that was stronger than everything, once the bond was accepted nothing could break it. He tugged at the string lightly, watching closely as she startled, her free hand flying to her heart. She didn’t understand what this was. 
Near that cabin, a worried shadowsinger yelped in surprise as he felt a tug in his chest, like someone was pulling a string tied to his soul. Lucien looked at him with a raised eyebrow, asking him if he was alright. Azriel just shook his head, hand rubbing circles in his chest, in a soothing manner. His eyes focused back on the cabin door, he wanted to go there and kick it down, rescuing her but he knew he couldn’t.
“I see that you lost someone very important to you.” He pointed it out, going for the easiest approach, usually wasn’t hard to know what troubled people, they were too simple to read, always thinking they were good at hiding their emotions and thinking of him as a god for being able to read them like a cooking book. 
“I lost everything.” She quietly replied, Y/N never really opened up to anyone after the war, just brushing their concerns off and focusing on her work to suffocate those drowning feelings. “I lost my sister, the only person that truly loved me, I couldn't even say goodbye. I lost my way, I lost myself after she was gone, and I don't think I'll ever be able to go back to what I was.” 
Mantyx looked at her, the despair pungent on the tip of his tongue. The shadows in her eyes darkened as she frowned, tears glistening in the corners of her eyes. He took a deep breath, feeling all of her negative emotions fill the void in his chest, he had to suppress a smirk at it, he fed from negative emotions, draining them and leaving the person numb. 
“You can’t ever go back, all you can do is keep  going and adapt to the change.” He offered and she scoffed. 
“I would give anything, do anything to get her back.” Mantyx approached her. It was like the light couldn’t reach it, being sucked into a black hole, not reflecting. If it wasn’t for his proximity she wouldn't even have noticed. 
But there it was, resting with an unsettling melody, the wyrd key that opened the gate atop Ramiel, what she needed to get home. She couldn't risk getting it just now, or else he would kill her and all of their efforts would be useless. 
“What if I told you that I can bring her back?” He offered and her eyes lifted from the key to his gold orbs. She never knew about the extent of the other Kings powers, if Erawan was that powerful she imagined how powerful Mantyx and Orcus would be.
“You can do it?” She inquired, doubt  started to coat her thoughts, she missed Asterin, what if she could see her one last time, or even better, get her back fully? 
“You just need to do me a simple favor in return.” She closed her eyes, that was the only way. She shook her head in agreement. 
“What do you need?” She opened her eyes, determination burning in that gaze. “I’ll do anything.” 
“Bring me Nesta Archeron.” He said and she nodded, Mantyx smiled. His hand extended towards the door that slowly opened to reveal the green island he lived in. “I’ll be waiting for your return.”
Y/N bowed to him, her eyes tracing the key that moved up and down with each breath he gave. She turned around, slowly walking outside, she could still feel his eyes on her when she crossed the bridge, so she didn’t dare to look to where she knew they would be, she kept walking forward until her frame disappeared from his line of sight. Just then she let out the breath she was holding. 
⋆˙⟡☾𖤓☽ ⟡˙⋆
Azriel and the others reached her halfway back to the Manor, she hadn't even noticed she had walked so much, her tensed muscles and shivering body were the only indications of the fear she had felt alone in that cabin. Azriel touched her arm, making her spin in her heels, collapsing against his chest. Shuddering breaths left her lips as she tried to calm herself. 
“Did he hurt you?” She shook her head and Azriel breathed with relief, his shadows moved around her in a protecting way, ready to strike at anyone who dared get too close to her. 
“We should go back, we don’t know what is lurking around in those woods.” Lucien advised, also worried about the fragile form that clung to Azriel for dear life. 
They all started to head back, being surprised by the giant wyvern baring his teeth at them, poison dripping from his fangs, he looked anxious, like he felt all of her distress through the connection he shared with his rider, and by the way she pushed Azriel out of the way, stumbling until her chest and forehead were pressed against his nose, he probably felt. 
Meraxes instantly relaxed with her touch, sniffing her scent and declaring she was alright. Y/N sobbed against him, her hands rubbing his leathery skin up and down, until she calmed herself down. 
“I’m okay, I promise.” She breathed and the wyvern nodded, giving one last look to the males before stepping aside and allowing their access to the house. She let go of him, following the rest of them inside, plopping herself on the couch. 
“Why did you go inside? You could be dead now.” Lucien slowly started, worry filled his voice, Y/N had become someone important to him and he couldn’t fathom the idea of her being killed by that damned monster. 
“We needed answers.” She simply replied, shrugging. 
“And did you get them?” Jurian asked, leaning against the wall that led to the kitchen. 
“His name is Mantyx, the middle brother of Erawan and Orcus, a Valg King.” She started, all of the males looked at her. “He was the one who summoned the ridderak that attacked me, he was after Nesta and her powers.”
“Does he have a key?” Azriel asked, his eyebrows furrowed as the engines in his brain worked.
“He carries it around his neck.” Lucien cursed loudly, how would they get it? 
“How did you get out?” Jurian once again asked all the right questions.
“I promised him that I would get Nesta.” Azriel's eyes widened. “I just needed to get out to tell you all this, chill.” She said to him, her blue eyes piercing him back in place and he didn’t dare to argue. 
“What do we do now?” Lucien inquired, rubbing his temples.
“I don’t know about you, but i’ll have a bath, i’m feeling disgusting.” She said getting up, leaving the males behind her. 
⋆˙⟡☾𖤓☽ ⟡˙⋆
Her chest ached as she sat in the scalding water, trying to rub all those feelings away from her, but it was useless. She then reached for the book Morrigan had found in the Hewn City, not having time to read it in the trip until now. She opened the book and focused on the fancy handwriting, allowing her brain to shut down from the real world and just pay attention to the words in those pages. 
“It was during the night that he came, talking with a sweet voice, promises of a better world and absolution to those who bowed to him and allowed his angels a home. The god of conquest was how they called him. 
He brought her, with dark hair and dark eyes, she feeded from life and used the remains to build weapons made of human bones. They called her The Weaver, and her twin, The Bone Carver, one more terrifying than the other. They weren’t angels, they were the gods of death, draining life from the earth and eating our souls. 
They talked about how lucky we were, claiming to be princes and princesses from their homeworld. No one knew how they came or where they came from, but all we knew was that it was all related to that necklace, made of a dark stone and with an unknown shape. They had come from the north, many guessed they were a plague sent by the Night Court to terrorise us, but even the High Lord feared them, he couldn't control them, no one could, so they took what they pleased. 
It was Celeste Vanserra, the Fireborn that brought us hope, the most powerful fire carrier the world has ever seen. She locked The Bone Carver with the help of the cauldron in the prison first. This made the fae wars easier, but their army was too big to be brought down, so they had to change their strategy. 
Divide and conquest is what they called it. They managed to separate The Weaver, and once again, with the help of the cauldron, Celeste and her fire locked Stryga in the woods, in a cabin no one dared to get close to. Whenever a general fell, their army fell with them. 
The High Lords followed Celeste to the battlefield, following her command and doing what she said. The final battle was in the lake, where Celeste used her powers to create a fire circle around Koschei and his monsters, trapping him inside, not knowing this was his biggest weakness, her fire was the only thing that could kill him. But before Celeste could, he killed her, piercing her heart with a sword.
The High Lords seeing their strongest fall, decided that they weren’t enough to kill Koschei, so they used the cauldron imbued by their powers to trap his soul to the island. As long as this world still exists, Koschei cannot be killed, his soul is bound to the Earth itself. Only the power of the cauldron or the fire of Celeste can free him from his prison and finally kill him.
With their failure to end the biggest threat our world has ever seen, they erased Celeste’s name from history. If no one remembered her, no one would remember how weak they were compared to Koschei. But her fire was still alive in the blood of her offspring, and the family Vanserra is the closest we have to a chance of killing him, unfortunately those who don’t learn their history tend to repeat it.”
Y/N gasped, the water already cold as she discarded the book and jumped out of the tub, opening the door to her and Azriel’s room. He sat on the bed, eyeing her up and down, following the droplets of water that ran down her curves, but her sombre expression brought his eyes back to her face, ignoring the temptation of looking down.
“What happened?” He asked and she took a deep breath.
“I know how to kill him.”
⋆˙⟡☾𖤓☽ ⟡˙⋆
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