#at people and plots that feel more grounded and real because theyre just a bit messy (by design)

[mejomonster]

Sometimes reddit will hate on anything... I was looking up Three Body Problem themes to see if anyone had written any good articles on its political themes. Ran into a reddit sci fi thread tearing the books to shreds. Calling them badly written. I just?? Do some people not have proper critical reading skills? The answer is probably yes -.-

Valid critiques I saw (though on reddit they got intensified to super negative cause that's how reddit tends to go): 1. Characters exist primarily to move the plot, correct. The author definitely values using characters to tell his story over creating interesting characters for the sake of characters. So calling them cardboard is a fairly valid critique, especially given the characterization is given much less focus than the external plot. However I'd counter... you don't need character focused inner arcs to be good? Obviously? Ray Bradbury wrote characters like this, I loved his stuff. Twilight Zone did, I love that. Also I personally feel Liu writes close character perspective pov, and that adds an intimacy with these characters to make them feel grounded and unique even though they're more like you or me going through world events - human and realistic but not necessarily internally going through huge internal development specifically because of some world event (although his core characters do actually go through some decent internal arcs in my opinion). And I think he's aware of characterization as important, as in The Dark Forest his whole section about writing a novel and making a character who is alive in their own right? So fascinating and very interesting from the perspective of what it means to write. Both to interpret the author Liu and the character who made the written girl Within that arc. The writer man was going through some internal stuff all right... if a reader can't understand that without being explicitly told the guys emotions and fears and evolution then like... damn get better at reading? Please? They complained about poor writing in TBP but then also can't understand the elements of the story that aren't explicitly stated, such as emotional arcs and internal biases and feelings. A lot of the reddit reviewers could understand Ye Wenjie slightly, no doubt because the narrative has her EXPLICITLY say she hates humanity after hundreds of pages of obviously implying her fear and pain from page 1 (which I am guessing they needed that level of intense hammering to understand her?), and then the explicit sci fi ideas portion of the plot. I feel like... a lot of the humans grappling personally and as a species was not noticed by some readers. Also... as stated explicitly in Lius book notes: the books main characters are humanity and trisolaris! So of course humanity as individual characters feels lacking in the story! It's cause the sum of them depicts the main character of HUMANITY going through some shit. But something tells me the reddit reviewers who flamed TBP intensely just... definitely did not interpret the book as "main character humanity." -.-

Another fair critique they hammered to 11: that the sci fi mentioned in it is basic. That is true, a lot of the ideas in it aren't even science fiction theyre just basic science fact or one layer fiction into "What if." For me? That was enjoyable. A very Person of Interest qpproach where it feels like it could happen now in reality, which gave the story a grounded feeling in real political and social reality. Which the political UN elements and Space Force elements complimented. It also felt a bit like The 100 in that science mind blowing ideas isn't the point, the point is contemplating how humanity acts during problems. Which is relevant now to us due to global warming and always was and will be relevant to humanity and the world wide problems we face. So yeah, TBP is not the book to find uniquely mind blowing new ideas to contemplate in science future. But it does utilize some more common science fact and fiction ideas to explore humanity's nature and capacity for healing and hurting. Which is similar to Star Trek, The 100, and Person of Interests way of handling sci fi concepts. So it's a take it or leave it, because fair enough the topics aren't anything new. The only unique thing (maybe) I think this book does is really keep going with science instead of stopping at 1 single idea. But I think many novels do this, and TBP still only focuses on a few related science ideas so it stays relatively small scale in scope of exploration. It's ideas about human society and political response is more broad I think (again why it slightly reminds me of The 100).

Then of course, beyond cardboard characters and boring basic sci fi ideas... some people complained it was badly written. Goddamn... I must have a wildly different taste in writing. I wonder if these reviewers also hate Haruki Murakamis writing style? They'd definitely hate mine to bits! Mine is all biased close character pov and meaning/emptions implied and needing to be figured out oneself through interpreting the biased narrative and figuring out the truth not being directly said. I personally loved the writing style. I see critiques of his characters being somewhat basic, and overall plot structure being not ideal, as quite valid depending on the reader (if you interpret each character individually instead of as the whole "humanity" character the author intended then yeah the characters aren't much as they weren't intended to be, and the plot structure reminds me of webnovels which do wind and meander to degrees structurally lol). But actual style? What the fuck did some sci fi readers want??? Really thick paragraphs??? I have no idea. I have no idea how anyone read the chapter from the point of view of an ant and didn't think that was amazing and beautiful. I don't know how people read Lius use of nature imagery to depict people's emotions and felt the writing had no art to it and was too terse. I can only guess, again, somecpeople just cannot grasp a thing UNLESS it's EXPLICITLY said to them "he was heartbroken" rather than grasping from an imagery like "he looked at the sky turning red as the sun sank beneath the horizon" that oh I don't know maybe the character emotionally IS GOING DOWN TOO. BASIC SKILLS.... basic skills... I think the issue is partly that some reviewers have lacking critical reading and literary analysis skills tbh. I absolutely love Lius writing style. If it wasn't enjoyable and emotionally driven I wouldn't be able to read it lol.

I just. It's so funny to me how wildly different people can interpret stuff.

I fucking loved reading The Three Body problem, highly recommend if you have similar tastes to me. Friends, I'd love to know what yall thought of its artistic quality. Cause dang ToT

#rant #three body problem #lb #three body problem lb #spoiler: i loved reading it so im a bit wow on some of the critiques #its not perfect but like. its quality felt to me quite good #it deserved to be a best seller like it was. its eons better than Twilight in qriting quality #its similar (in my opinion) to reading Murakami #but wirh a more curt plot focus than feeling focus murakami goes for (but the emotionalism still exists in TBP just less focus on it) #andclike... well if u dont like Murakami as a good writer we just aint compatible lol

[gayspock]

ok ep 2. i looked into it more and im confused cuz again like... i swear ive seen no advertising for any of this? it looks like it dropped in aus in NOVEMBER. now its dropped in the uk all in one go.... this past week?? and it apparently drops in the us all in one next month. so im like confused as fuck as to why they would release something like that

one thing i will say is theyre insanely good with the casting still arent they

another thing what was i to say

oh im sorry im watching this and every time i think to myself hmmm i wonder where cosima or sarah or hel- i cut myself off and i think about tatiana maslany in godawful cgi

this kid (jules as the episode title would lead me to believe) is soooo fun i love the hair

WHY THE FUCK IS FELIX HERE

FELIX ARENT YOU MEANT TO BE DEADBY NOW

HOW OLD ARE YOU SIR

HOW OLD IS KIRA

GOOGLE SAYS SHES 47 NOW AND SO FELIX IS LIKE WHAT. GRANDPAAAA GO TO BEDDDDDD

HELP

HWELP

CRAIG CAN YOU JUST BE CHILL FOR FUCKING ONCE AND HELP US TORTURE THIS 16 YEAR OLD

FELIX WHAT IS THIS FUCKING VIBE YOU'RE PUTTING DOWN RIGHT NOW WHATS HAPPENED WHERES YOU GRITTINESS HELP I FEEL LIKE IM GOING INSANE

WHAT THE FUCK DO YOU MEAN SHES WORKING AT A SHELTER

I SORT OF DONT AGREE WITH THAT OUTCOME FOR SARAH NOT TO BE A DICKHEAD I feel like its like.... squints.how do i fucking describe this. it does not feel like her to me and it feels likeughghh the word escapes me you know what i mean

can this dialogue be any

felix drag her

YOU TOOK HER TO HOME DEPOT. CLASSIC.

i love how lucy is a cunt. i do like that about her i will admit.

We were made in a printer.

NOW who the fuck is He.

sorry also to backtrack a bit im bewilderedand unsure how i feel about them bringing in the old guard at all because hello like look i said what i said i dont want them to have a show called orphan black echoes with like no reason for it to actually be related to orphan black but also what the fuck

if harry potter is still culturally relevant in 2052 i swear to god

come on charlie girl. its gonna be ok. everyone shoots someone in the head once.

beck from victorious i need you to be all in on this ok

so who the fuck is thissssssssss

SO FUCKING WHAT? SO WHAT? LUCY IS NOT ALLOWED TO KIDNAP KIDS? WHY NOT? LOSERS.

JULESSSSS YOU SLAYEDDD THEREEEE YOU SLAYEDDD I WONT EVEN LIEEEEEEEE HELP TOILET SHANKKK

he is kind of so funny . i love you beck from victorious.

im also ok going back to like this relating to people from before like... this charcterisation os kira feels so odd

"lord this place is like neolution without the tails" wow did you get that guys ! a callback

AND YET SOMEHOW LIKE I THINK THE CLUBS FROM LAST TIME WERE SO MUCH MORE REAL THAN WHATEVER THAT IS

james youre tickling me

CHRIST WHATS GOING ON HERE

SORRY I THINK ITS SO FUCKING CORNY WHEN THEY TRY TO LIKE DO FUTURE THINGS DO YOU KNOW WHAT I MEAN THE FUCKING FULL SIZED MIRROR TIKTOK LIVE IS INSANE.

this fucking acting and general fucking reaction is also crazy to me wes im sorry youre adorable but please

JULES YOUREEEEE SO FUNNYYYYYY

FUCK LUCY CAN WE STAY WITH JULES

okay theres just something so off putting about felxi im like help me what is going on

also i feel like kira is like sending me so much i feel like this happens all the time when kids who initially .... no offence.... lacked a lot of character ... now have to be an adult version cuz what are you going off. i dont know who this woman is but she isnt kira to me because who the fuck was kira in the first place but a kid that said ominous stuff and was a plot device for most of the show

also i think theres again something so insanely off i cant tell what it is. i think its still in that space of being so stupid high budget fo rwhat it is and yet itr feels so weird looking. the whole futuristic thing is strange to look at. like this being orphan black which ootherwise like. sci fi but still very grounded. it feels weird to now go to this

and i feel like i'd have preferred a smaller timejump. if they prove me wrong with that then fine but thus far i dont see the benefit of it being in 2052. i'd have preferred them to go less crazy with the like aesthetics cuz theyre just kinda weird and take away from everything for me.

and again i dont like the general approach to all of this. i think they needed to start slower and build stuff up more over time . everything here with jack for example like... i would have preferred if we sat with lucy and lucy alone and we didnt keep cutting to kira . like let us build this up and have it be one long continuous thing and maybe hold out this reveal a little longer. this feels like its rushing. and again the strongest part of orphan black, to me, before was like the slow build of increasingly complex fucking dire situations and being able to layer that shit

hi lucas

kira being a shit mam is so funny to me

FELIX'S ENTIRE PERFORMANCE STILL FEELS SO FUCKINH INSANE TO ME. cuz i get what youre going for but the delivery is jsut so fucking choked by the actor trying to keep it up. i swear he was not that stilted before even when he WAS putting something on. like is it trying to mask his voice age as well or something?

jules is so much more compelling to me again i think it is cuz her storyline IS the slowburn one here . and also shes got all the things i mentioned kind of lack with Lucy

like sorry i hate it when theyre like "haha. she's so spunky." (the actual chatracters are telling us this to the camera) like ok i get it i literally could have GOTTEN that watching

AND AGAIN WHY IS EVERYONE ... i dont know it feels like the exposition in the dialogue is crazy. like theyre shoehorning stuff in. you dont have to have them say everything so literallly and explicitly . help

KIRA PUT THE CYOKEEE DOWNNNNNNNN

ok im pausing for tonight hang on

#egg.txt #orphan black liveblog

[batfamscreaming]

Wonder Woman 1984 spoilers.

I feel like WW1984 suffered from a lot of the same editing issues that WW 2017 did, but with only enough content for a 90 minute movie. It's only 10 mins longer than the first movie, but it feels like it goes on for much longer, and part of that is a lot of superfluous scenes that could've been cut or done differently to tighten it up, and made themes a lot more apparent and maybe have fewer confusing messages. (Again, not 'complex' messages, just confusing.)

For example: the opening scene is beautifully shot and whoever is doing the 'from below as Diana runs over rooftops/poles/etc' shots? Amazing, change nothing. But also the opening scene is pointless and doesn't really tie into anything. They try to shove in something about 'the truth' when they really should be like 'this is a competition, don't cheat.'

But also a competition is not what Max is trying to 'win.' He just wants it to be 'his turn' to 'win' at... Liiife? They make a couple attempts at "we people who have been beaten down deserve to have something for ourselves finally, and you've never had to want for anything diana so you don't get it." And like, they're right ish? Diana's left her homeland behind and lost a lot of people, but as far as we know she's only really ever been surrounded by kind people out to help her, and didn't really have to worry about money or survival as she either existed outside of society's rules or she kinda slid her way in over time.

That's not saying she hasn't struggled and that she doesn't care, but she doesn't have the same experience as Max or Barbara of being abused and physically powerless. They are right about that. They also are starting a nuclear war and I feel like Diana can say "correct but also literally you do need to stop" and still come out pretty spotless morally. "First of all yes you're right but also if you just replace the oppressor with yourself then you are the oppressor now; yes that man needed to go but also you beat him near death and left him in the road, that's not cool"

I think maybe her time without powers might’ve been more effective too if it was clearer that the tradeoff wasn't "my powers are what's most important to me" as much as "my powers are what give me the power to protect and being able to PROTECT people I love is what is most important to me." Like, she has Steve back, but he almost dies like 3 times immediately because she doesn't have powers.

(Also, Diana, goddess of truth and shit, please face the fact that if Steve stays alive you are committing a homicide on his body's previous inhabitant. At least MENTION that he's body snatching and that definitely is something they should try to fix somehow. Maybe have it weigh in during the conversation about renouncing her wish-- Steve is dead, and also his bodyhost is alive and they have no right to kill him like this. What if he had a family? They're lucky no one recognized him or called him in to ask why he wasn't at work. Unsolved mysteries: the disappearance of This Dude Who Doesn't Even Get A Name At The End To Remind Us Of His Personhood. Imbd lists him as "handsome man." Talk about a slab of meat my guys.)

So Diana, even though she still has a comfortable enough life, loses her powers for about a day and it woild be very funny for her to be like "ugh I hate not being able to DO THINGS SO EASILY and my shoulder hurts I was shot" and chris like "lol yeah sorry I also miss feeling that extra safety layer around you" and it's not exactly "humbling"(???) as mentioned in the opening scene, but it is a reminder of what it feels like to nit be the strongest person in the room. Maybe that's where a flashback to Themyscira would have worked well, where she's eager to prove herself and outclass everyone but she has to be reminded that even though she's special even among amazons there's still like.. I don't want to say great power comes great responsibility, but maybe ‘we would love you even if all you did all day was stare at the sand and even then you would be precious and protected,’ but also that is a gift the amazons are giving her, because when they were enslaved in the world of man, they saw no love or protection given to those who needed it most. Maybe just, sometimes you don’t lose because you ‘deserved’ to lose. Maybe you just slipped and lost it all.

Maybe the film ends with Diana being Othered again, like how in the first movie she is clearly a goddess and showing magical stuff for the first time but she has her posse. In this one she's alone at the end but a little more able to connect with the little things. It's already sort of there with that very saccharine ending, but again, more explicit might be better.

For scenes that would just tighten things up and get us moving along though:

cut Maxwell absorbing the crystal. Diana figures out what happens later and in the meantime is confused what's happening. We can join in on that mystery.

Cut every kissy thing by at least half

No unnecessary park scene. The homeless man is a nice hint into Barbara's like personal life I guess, but ultimately it doesn't really do anything, and the rapist dude just takes up space honestly. Like, she could kick the ass of any of the catcallers and just roundhouse kick them into a pole and go "huh." Creepy smile. End scene.

Mall scene useless. Vigilante diana confusing and useless. Open us up immediately with Barbara being bullied and Diana appears as a savior first thing in the movie. FBI raid still happened and they just have rocks and shit. Diana still hesitant about contact with people but Barbara is so obviously in need of a friend she kinda saviors herself in again. Gets a clingy friend but also someone who maybe is able to appreciate Diana's archeology feelings.

I don't remember anything that happened in the museums but agree Steve should see the air and space museum, but maybe it would've worked better if one scene he just shows up decked out head to tow in NASA merch

That is NOT how flying works but I'm gonna be honest I think they didn't need to go to Byalia/Egypt(??) much at all. At the very least the car could’ve swerved into the town as a crisis instead of having the kids in the road to be saved. Diana feeling bad after being hit by a humvee would indeed show more clearly than the bullet-- we don’t know if she is or isn’t bulletproof because she’s deflected all of them before. She doesn’t do any extra superstrength before. She doesn’t seem any less powerful than earlier in the movie. It ends up trying to ‘show’ but instead it ends up NEEDING to be told later on.

I can go either way on this I guess, but the plane section can be... At the very least shortened. Coffee cup joke was good tho.

Acceptable answers to "how do fly?"

"Flying is easy, it's landing you have to worry about."

"Aim for the ground and miss"

Ultimately WW 2017 was a war movie that happened to have a superhero in it, amd WW1984 was a superhero movie that had trouble finding where it's plot had to go I think. With World War One, like, there's stuff to say and talk about automatically, but in 1984 it feels a bit like they knew mutually assured destruction and how it was ultimately real bad as a strategy and if we all just agreed itd be... Fine? I guess? Again, unless you go to a specific incident there's not much to say about the cold war except 😬

Patty Jenkins and Geoff Johns both got into their teenage years in the 80s so it's totally possible they were going off personal memories instead, but it definitely had some trouble translating onto the screen I think.

There is some good stuff as well, it's just getting to them while buried under all the other stuff mostly. Pedro Pascal did extremely good at making me hate Max Lord Immediately. Steve Fashion Show was fun. "Topaz is such a lame rock lol". Kristen Wiig is holding this movie together more than anyone else and it's great. I like how her becoming an Alpha Bitch doesn't mean she immediately hates Diana but still wants to be her friend and be seen by her. The entire "You seem like you'd be out all the time and like never go on ever" sounds a LOT like a closetedness conversation.

There is a lot of good stuff in it but it's just... Not what the first one was. I think probably the constant delays on release didn't help the hype at all. They went powerful sappy at the end (gooshy feelings? In my wonder woman movie?) which I understand theyre trying to make Diana a hero who doesn't murder the tiny earthlings over stuff... But I am also left just kind of wondering if everyone's memories were erased with the nukes or if the cold war ended VERY differently in the DCEU, and I am far too distracted by that to think about how people are good at their core and stuff. It just feels like it brings up lots of things, and decides that if they have enough emotions, it's fine to brush them aside.

#wonder woman #wonder woman 1984 #ww1984 spoilers #film review #long post #film major #beatext

[subtlereferencetomyinterests]

I Taste Honey but I Haven’t Seen the Hive - Chapter Five

Ao3,   MasterPost,   C.1   C.2   C.3   C.4

Relationships: eventual queer-platonic intruality

again, there are not italicized words in here, so it might be a little clunky-sounding. tumblr copy/paste function sucks :/

Warnings: mild body horror, deep-sea setting, deep-sea creatures, non-fatal drowning (its complicated but theyre all okay in the end), mild vomiting, hurt/comfort, cursing, e m o t i o n s- lots of them. 

Word Count: 3,981

Remus didn’t need anybody. Not anyone but him, anyway. He was the one that gave himself everything he wanted, took care of himself, loved himself (in just about every way a person could). Of course he didn’t need other people! That was for weak-willed, insecure, clingy little prisses!

Roman was the one needing all the validation, marveling those little affections, loving his soft and kissy-touchy friendships. Hell, he was happy with that kind of life, that was just how it went for him.

And Remus- Remus was everything that his brother wasn’t, by definition, and no exceptions. He didn’t need coddling, because he got by on his own. He didn’t need to be loved, because he loved himself. He would be happy that way, too, because it was clear enough that there wasn’t another way to be. For him, at least. 

The first thing he did after leaving Patton in the dust, his door still shaking from how hard he’d slammed it, was summon more speakers. No, more than that. No, more than that, too, and bigger! 

There. That was more like it!

With a snap, deafening noise filled Remus’ room. It drowned out everything; the hurried footsteps up the stairs, the desperate knocking at his door, and most importantly, his thoughts.

Remus flopped onto his bed, landing flat on his back. Limbs spread, head lax, he felt the bass running through him like pure energy. And distantly, as the minutes passed, the knocking finally stopped altogether. As did his conscious, his worrying, his weakness. 

Everything was back to usual, just how it’d have been if he’d never held that stupid little catholic in his arms in the first place. Just like before, so it couldn’t be any worse than if he’d never let him be his friend at all. 

And it really was best that way. He could get all his alone time back, finally spend some time to focus on himself again! It would be good for him. It was the natural way of things.

Remus laid on the bed, and in his room he had three days of nothing but alone time.

This project was going to be big; big things needed a lot, a lot of a lot of room. Infinite, maybe- and Remus’ decision, as an all-powerful conduit of Creativity (in his side of the imagination, at least), was that there was nothing more infinite than the ocean. 

The seemingly endless void of yellow-white, papery landscape stretched onwards in all directions. Remus stood dead center in The Imagination, ink already seeping into the world from his presence.

It was the third day, as Remus kept himself holed in his room, that the incessant knocking was too much to deal with anymore. At first, he knew it was only Patton, but as time went on he could feel the presences change. Maybe it was Roman, Janus- probably even Virgil and Logan, at least once. But that day was the crescendo, when all the knocking and the voices calling for him had gotten so frantic and mixed up that even he needed away from the noise.

Whatever. He would talk to them whenever he wanted (if he ever wanted), and they could live without him for the week at least. They’d have to, anyways, because Remus adhered to one policy and one policy alone: fuck everybody else, they don’t matter!

He just needed an energy boost. He was pissed, sure, maybe even upset, but it was nothing he hadn’t dealt with before.

Remus was going to make something fucking putrid that day. As bad as he could ever conjure in that horrible canvas of imagination he had. Violent, unforgivable, stress-relieving, him. The thought waves would fuck with Thomas’ head the whole day, sure, but Remus really couldn’t care less. He’d been taking it easy on the guy ever since the acceptance, and Remus had earned a little fun! 

The artist dropped to his knees, clawed hands scratching over the floor of paper. Everywhere he touched, darkness and muck soaked through the whiteness like ink, darkening the world until the scene was forming. When Remus lifted his hands, the ground rose up with him, adding texture to the surface.

Everything he made came out in his style when he used Thomas’ imagination like this. The creations moved realistically, and all in three-dimension. They were even touchable and destructible and certain other words ending in the same suffix, but all of it was still art. His art, made real.

The lines were thick, dark, sketchy. Each one looked forced into the world without a care, but to their creator they were perfect. The colors would be vile and sickly, each one looking like pools of multicolor vomit. That, or they were vibrant eye-sores, things too garish for even Warhol or Matisse’s works, clashing in the eyes enough that it hurt. 

It depended on Remus’ mood, really, which one it’d be. Today he chose the former, relishing the illness that spilled out of his fingertips. It looked ugly. It felt free. It was him.

Here, Remus got to be everything. Remus was powerful.

Remus dragged his claws upwards, and the scene began to unfold. 

Patton clasped his hands out in front of him, squeezing and releasing them again and again. He’d already been knocking for what had to be more than twenty minutes, while the music inside Remus’ room only got louder. There was a swell of hope when finally it was shut off altogether, but no one had come to the door. In fact, there was a perfect, unnerving silence- there had been for five minutes, at that point. 

The first Remus-less day in the mindscape, Roman and Logan had stood beside Patton as he hovered by the door. The day after, it was Virgil and Janus taking turns trying to coax their way in or him out. But that day, the third day, Patton had long-since explained everything. After some convincing, he was left to deal with the situation on his own, finally. 

It was his responsibility, after all. 

Nobody was too angry with Patton, though in his own opinion he would have earned it and then some. Janus had been harsh with him at first, and Roman had jumped to his brother’s defense with a surprising willingness, but once he explained… 

Patton couldn’t tell which was worse; the disgust he’d been expecting, or the understanding and pity that he’d actually gotten.

Because it wasn’t okay. They all knew that, of course they did, but they didn’t want to push him any more than he had been. Patton could feel it, that they were letting him off easy just because of his remorse. Because much as they cared for Remus- and he could feel and see that, too- they cared even more about not letting him break. But it didn’t matter, because what he’d done… Just because Remus was Remus, it didn’t mean he…

Patton slammed the door with the side of his fist, hard enough to hurt. He did it again,  again, a third time, knowing he wouldn’t get any more response than he had every other time. Still, he couldn’t stop trying.

Then something happened that Patton really should’ve seen coming, but shocked him all the same.

There was a creak, then a groan. Something cracked and something buckled. There was a splintering, metallic crunch, and with one last whine of protest Remus’ door swung open on its hinges. 

Apparently decaying and ocean-worn was more than just an aesthetic. That, or Patton had no concept of his own strength.

Well, regardless. The door was open.

Patton folded his hands against his chest, eyes wide and lips pressed, as he peered anxiously through the entryway. It was hard to see. He leaned further inside, hesitating every other breath, then stepped over the threshold. 

The room was empty. 

The room was empty, but there was another door on the opposite wall.

Or, no- not a door, but a doorway. No handle or knob, just pitch blackness. As Patton approached, it seemed more like a portal than anything, swirling around and making the faintest little whooshes, chirps, and gurgles.

Patton stood feather-light on the carpet before it. He reached a hand out and grazed the surface with his fingers, and instantly jolted back with a yelp.

It was cold and wet, but his fingers came away dry. He wrapped his hand in the sleeve of his hoodie, gazing into the deep darkness. It even smelled, something distinctly briney and animal-like. 

It was… definitely not the most appealing door Patton had seen.

So it must have been where Remus was.

That settled it. With a deep breath, some posturance, and just a bit of false-confidence, Patton dove forwards through the portal.

Remus sat at the bottom of the ocean, inhaling swells of saltwater into his lungs. Every movement of his kicked up the sand like little gray clouds in the blue; physics kept mostly to realism, but maybe a bit more structured, a balance that any good piece of art should have.

Remus threw his head back and stared into the endless, dark water. Shadows of leviathans passed by overhead, black as night and humming a low drone, but never diving down enough to really be seen. Just smudged shapes in the implication of a horror. Their sounds were like distant, garbled radios that spreaded their old songs throughout the sea.

Still, they weren’t anything other than a backdrop. A well-crafted and time-consuming background, but a background nonetheless. Remus stood up with a huff, sending bubbles streaming from his nose and mouth. There was so much left to be done.

And he got caught up in just the plotting at once, angling this way and that to figure where he should drop the sunken submarine. So caught up, in face, that he very nearly didn’t notice the stab of someone else entering his domain.

But only nearly. It was sharp enough to hurt, that feeling like a pebble dropping into his stomach, and even distracted it made him lurch. Remus’ hands stilled their creation, his head craning back, and he saw the pitch dark portal swirling around just meters away. 

Oh, great. Just who he wanted to see.

Remus was still as stone when Patton stumbled through the vortex, almost tripping over his own feet when it disappeared after him. Remus might have laughed, if he was in the mood, but as it was he kept quiet, and watched. Watched Patton right himself, watched the side look up, watched as his gaze filled with recognition when it met Remus’.

Remus folded his arms over his chest, smiling wickedly back.

How long would it take for him to make Patton run screaming, he wondered?

The side was stumbling across the sand already, unaffected by the suffocating water around him, but that was hardly all Remus had to offer. With a dismissive flick of the wrist, he brought into existence a favorite of his underwater pets: the Japanese Spider Crabs.

In his style, they were stretched out even further than the twelve feet they’d be in nature, their long and horrid limbs slimmer to boot. They moved in short, jerky steps, jumping this way and that like each stride was meant to be a jumpscare. They of course wasted no time in scrambling towards one Very Out-of-Place Patton.

When he saw them skidding at him, a stream of bubbles burst from his mouth in a silent wail, and he wrapped his arms around himself. Remus did laugh at that, the way he stopped in his tracks and tried desperately to avoid the monsters; oh, Remus cackled. 

Patton did run, in the end, but not away from the beasts. No, the stubborn little thing kept trekking towards Remus, as though the trait hadn’t just sicked a pack of wicked arthropods on him. 

Well, it didn’t matter- the horrors of the deep were endless! Remus stamped his foot in the sand, triumphant, as a goblin shark sprouted up from nothing. The beast sent its creator something like a smile, before turning on its target.

Patton’s expression went ghost-white. His steps staggered, but the crabs he’d left in the dust were still crawling behind him, and he…

He walked towards the shark?

Remus went still again, incredulous as he watched Patton be almost unphased by a fucking shark. His eyes burned in determination, even as an enormous, hideous creature bared down on him.

Patton wasn’t running, even when it rammed into his chest at full force. He hardly stumbled, and that was the moment Remus knew his bluff had been called.

He could make the creations hurt Morality. Not in any way that lasted, not in any way that would destroy him, but they could hurt him. Remus could hurt him, and he had every reason to, and.

He wasn’t going to. They both knew that.

In a whine or a snarl, a whimper, basically a scream, Remus wiped away his monsters and crumbled. He buried his face in his arms, curled up in a ball and growling like an animal- or maybe more like a kid; a useless, annoying little kid throwing a tantrum for no good reason. 

He couldn’t do anything. Not really. Not anything that mattered.

When Patton reached him, he didn’t move. Patton crouched, placed a hand on his shoulder, but he didn’t let up.

What even was the point to everything? There was no good ending for Remus, he should have known that from the very start. He could either live his life alone, any attention paid to him fleeting and begrudging, but still be the person- no matter what anyone thought otherwise- that he loved most in the world: himself.

Or he could be accepted, befriended, and let everyone quietly compartmentalize him as nothing worse that eccentric. It’d strip him of every integrity and sense of self, sure, but it’d be a version of him that was actually likeable.

It had been so easy to choose the first track all his life. Why did Patton have to go fucking everything up for him?

The grip on his shoulder tightened, like Patton knew what he was thinking. Well, that wasn’t out of the realm of possibilities- Patton must have known what he was feeling, with his stupid empathic power. Out of spite, Remus pushed himself to wallow even worse. Maybe he could get it to rub off on Morality, maybe then he’d see that pushing Remus’ buttons was a bad idea.

But he was so fucking stubborn. He was so fucking stubborn that he whined in sympathy, the sound garbled by the water, and pulled Remus up into a hug. 

Remus didn’t bite or scratch. He stayed tense until Patton was all wrapped up around him. He was crying, probably, but the water made it impossible to tell either way.

“I’m sorry,” barely intelligible, Patton’s whisper came in a spout of bubbles. “I’m really, really sorry. We need to talk.”

Remus clenched his fists, released them, tightened them again. His head was shoved to an angle, neck aching, from the way he was embraced. He pressed his hands- palms forward- on Patton’s shoulders, and let his jagged talons rest on the side’s skin. 

Then he splayed his fingers out, holding onto Patton with the least sharp parts of himself only, and the world began to sway.

The carpet was soaked-through as soon as they landed, splat, in a tangled heap on Remus’ floor. Patton pulled free as quickly as he could, scrambling away. Remus sat up, smirking despite the tears now visibly pouring down his face, and was tempted to tease the moral side: See, your stomach really is too weak to touch me! I tried to warn you!

And then Patton was vomiting.

Well, vomit  was a strong word- all he had in him was bile, water, and phlegm, but it still wasn’t… great. He was doubled over, knees planted on the ground with one hand braced on the floor, the other he used to hug himself tight. He gagged, retching loudly, and rocked forwards with a groan. Salt water poured from his mouth, streamed past his lips, dribbling in a sick-smelling puddle on the floor.

With a final few coughs, he was done. Shaking, still heaving, but done. 

“Uh, are you okay?”

Patton looked up with wide, watery eyes, like he’d forgotten Remus was even there.

“Sorry, again,” he croaked, “I’ve never been underwater that long.”

Fuck. Fuck.

“You- you can’t breath underwater?” Remus tried to ignore the stabs of worry he felt, but they stuck so sharply in his chest that it was infeasible. 

Patton sat back on his heels, weakly shrugging. 

“I think I could, if I had tried hard enough- we can kinda do anything,” his voice was hoarse and broken. “But either way, we can’t really die and I wasn’t sure where that portal would lead, so by the time I got to you I figured it’d just be easier to power through it.”

Remus pressed a hand to his own forehead, reeling.

“That whole time we were in there, you were drowning?”

Patton shrugged again, sheepish.

“More or less. I just wanted to talk to you, so I kinda forgot about it. Also those, uhm, creatures- they were pretty…” He flushed, pupils dilated in fear at just the thought, “Distracting.”

Remus started laughing, and he stopped just as quick. He squeezed his eyes shut, then opened them as wide as he could. He grinned, it felt wrong, he frowned, and that didn’t feel any better. He tasted copper in the back of his throat, but it wasn’t blood or salt or pennies. 

It was guilt.

“I threw fucked-up deep sea monsters at you while you were being asphyxiated, and you didn’t even blink?” Earlier, Remus had thought it was just a bruise to his ego, proving that he really couldn’t leave an impact. But it felt like the exact opposite now, as clearly he had affected Patton, worse than he ever should have. “You kept going?” His hands- and voice- were shaking. “To get to me?”

Patton met his eyes. He tipped his head to one side, and just smiled.

Remus’ breath hitched. Oh, he’d left an impact, one that unlike any other he’d ever tried to leave on Morality, and he didn’t know what to do with it. He’d made an impact on Patton, somehow, somewhere, to the point where Patton was so attached- attached, a positive one this time- that he would endure all that he just did for him. Patton would. For him.

“But why!?” 

The shout hit the room like a hammer smashing glass, and Remus realized just how softly he had to have been speaking before. Now, though, he leapt to his feet, his wrists twisting in involuntary jolts of frustration. He was pacing in stomps, his head thrown back while a stream of words poured out of his mouth.

“Why do you keep doing this? What do you want from me, Patton? Do you want me to be a misunderstood soft-hearted baby, all along just doing fucked-up stuff for attention? Because, yeah, I’d love a little attention- who doesn’t?- but this is more than that, this is who I am, I’m just like this! I can’t change that, I don’t want to change that, and we both know that you don’t like the kind of things that I am. You like- you like what I could maybe possibly be, if you fixed me, and you can’t just-!”

“You didn’t hurt me.”

Remus went quiet. Patton’s breaths were coming in short gasps, his hands shaking as he struggled to his feet. 

“You used to scare me so much,” he leaned on the bed frame to stay upright, and he looked green. Sickness or frogness, it was unclear which. “I didn’t understand then. Even the other night, when you gave me- gave me that gift, I didn’t get it. But when you ran, that’s what made me see, Remus.

“I always thought you were dangerous, that you didn’t have any compassion, maybe you just wanted to hurt us. The dead animal- taxidermy,” he corrected himself, “Kinda… fed into that. I was thinking so simple, though, I- I always do that-, and you just aren’t. Simple, I mean. But that’s good!” Patton’s eyes went wistful, a grin ghosting his lips. “You do these things because they’re you, because you like to do them and it’s just the way you know how to do things, not because you actually wanted to make me feel bad. You are just misunderstood- not because you don’t actually mean the stuff you do, but because I didn’t understand what or why it was you did it! That’s why, even when you were so mad, you didn’t make those-” he ticked, “Those spider-things, hurt me.

“That’s why I like you, Remus. You aren’t how you seem, but you are. You try for me. And I am so, so sorry I couldn’t see what that meant, until now.” 

Remus stared at him. He had half a mind to argue, tell Patton that yes, he did like to hurt things, but. But it was obvious what Patton meant. That Patton trusted him. That he trusted Remus not to hurt him. And, in that regard, he was absolutely right.

Remus slipped over the small distance between them, hesitating a second before grabbing the sickly side’s waist. Gently, carefully, he guided him to sit down on the bed, taking a place beside him. Much better to talk without the risk of Patton keeling over at any time, after everything he’d been through. 

The silence didn’t seem to bother Patton, his head falling back and his breathing labored. He didn’t seem to expect a response at all. 

“Don’t apologize to me,” Remus said.

Patton blinked at him, slow, looking confused. “I think I owe you more than one apology, after all that mess.”

“I was trying to freak you out, you know, when I gave you the rat,” Remus snapped, his hands balled up. The guilt was overwhelming now- if this was how Patton felt all the time, he couldn’t imagine surviving it. “Not like how I usually do, but- I wanted to see what would break you, so that you’d stop trying to be my friend. So you’d stop, you know…” He growled the next bit under his breath, “Getting me attached to you, and everything. I just- didn’t expect your reaction to actually, like, affect me.” 

Remus glared at the ceiling, hating more than anything the way that shame felt inside something like him. 

“Remus, it’s okay, I still shouldn’t have-”

“No, shut up, listen,” he could feel bad about being rude another time, maybe, but this was important. Patton listened. “It doesn’t matter that I didn’t let a shark disembowel you, or whatever, you still- you got hurt. I freaked you out, and sure, you overreacted- but then that’s exactly what I did. And so of course you felt bad, you’ve got the sympathy of a fucking saint, and you tried to fix things, and I got you more hurt. Scared you just like old times, right?” He squeezed his eyes shut, feeling rough at every edge. “I’m sick of it. You’re trying so hard to be good to me, and dammit if I’m not gonna do the same, okay? Obviously you can handle me at my worst, so, I owe you my best- whatever the hell that is.”

A hand settled over his own.

“I forgive you.”

“Patton, you don’t have to-”

“Remus,” he murmured, “I forgive you.” 

Remus huffed. He felt some of the tension melt from his shoulders, and decided, fuck, why not. “You’re sure?”

Patton didn’t even hesitate: “Yeah.”

“I forgive you, too.”

“Yeah?”

“Yeah,” Remus exhaled, slow and steady. “Fuck, of course I do.”

Chapter Six

Taglist: @shrimp-crockpot @glitter-skeleton-uwu @donnieluvsthings @intruxiety @thefivecalls @did-he-just-hiss-at-me @gayformlessblob 

#sanders sides #ts #intruality #platonic intruality #qpr intruality #sanders sides fanfiction #ts fanfic #my writing #ts remus #ts patton

[smolslothloaf]

Yo as the only Micheal Crew fan (prolly), can I just say I’m so fucking salty that he died how he did?

Homeboy’s been hinted at since the fourth episode in this entire goddamn series, he’s been repeatedly connected to the Leitner books (which I guess are less important now that we’ve met Jurgen Leitner and we’ve got Gerard but uggggghhhh), he’s got a cool lightning scar and backstory and everything!

And once we get to meet him? He’s so intriguing-he ‘s polite even as he forces Jon to just fall through the air, he has a great voice (both literally and writing wise), and once he explains his backstory it doesn’t dissapoint. You get the image of this scared child whose been searching for protection and meaning his whole life. This creature’s been following him ever since he’s gotten his lightning scar, you kinda get that it’s the personification of his past even if he connects it all back to the Vast. To an extent, he kinda describes his relationship with his scar and his journey in self discovery all as both finding meaning and acceptance in the Vast. The moment he figures out what’s been calling to him is also the moment he accepts his past and his trauma. It all makes sense and comes together.

What I also find particularly interesting the way he laments about never being able to remember the most important events of his life, as I feel it’s something we all can relate to. Traumatic or not, negative or positive, many of us have trouble recalling the most life-changing events of our lives. We feel frustrated over this, we beat ourselves up for it, it’s just apart of life. In Mike’s statement this is such a small detail but it’s one that resonates with me deeply.

They set up Micheal Crew in such an engaging light and make him feel so real. I will admit that I’m not sure how much more they could do with him as this episode tied up pretty much all loose ends in his story. That being said, I would’ve absolutely LOVED to see more of him! He has an intruging personality, a cool backstory, he could’ve been a neat reaccuring character or something.

But no! Daisy Fucking Tonner just needsa bust down the fucking door and be like “YO THIS BITCH HUMAN?” And Jon’s like “uhhh ig not” and Daisy’s like “WELL THAT MEANS HES GONNA CATCH THESE HANDS.” AND JUST FUCKING SHOOTS HIM???

FUCK THAT NOISE.

YOU BUILD UP A CHARACTER OVER THE COURSE OF THREE SEASONS, WE MEET HIM AND HE GIVES US HIS LIFE STORY, THERES STILL SOME ROOM FOR HIM TO GIVE US ANSWERS OR SOME SHIT, THEN YOU HAVE THE A U D A C I T Y TO JUST YEET DAISY IN AND HAVE HER SHOOT HIM OUTSIDE?

O K A Y

LIKE,,, IG THEY NEEDED TO SET UP DAISY’S STORY AND GET MICHEAL OUT OF THE STORY OR SOME SHIT BUT. NOT LIKE THIS PLEASE?? IM FULLY WILLING TO ACCEPT THAT IM JUST UNREASONABLY SALTY ABOUT THIS BUT SERIOUSLY?? SHE JUST. SHOWS UP. SHOOTS HIM. THREATENS JON. BITCHES FOR AWHILE AND WE’RE SUPPOSED TO BE OKAY WITH IT?

MICHEALS NOT EVEN BROUGHT UP AFTER THAT HE KINDA JUST GOT SHOVED TO THE SIDE FOR IMPORTANT PEOPLE PLOT(tm). HE GETS. PUSHED. TO. THE. SIDE. IN. HIS OWN. FUCKING, EPISODE. WASNT JON GONNA QUESTION HIM MORE? WASNT THAT WHY JON WAS THERE? I MEAN I GUESS HE COULDNT CUZ MICHEAL COULDDA DEFO KILLED HIM, BUT HE DIDNT EVEN DROP ANY BREAD CRUMBS FOR JON’S INVESTIGATION. JON LITERALLY GOT JACK SHIT FROM THAT INTERACTION ASIDES FOR MORE FUEL FOR HIS STATEMENT KINK. AS FAR AS THE PLOT’S CONCERNED, JON DIDN’T NEED THE CONTENTS OF MIKE’S STATMENT. THE KNOWELDGE WAS GOOD BUT HE GOT NO FURTHER ON HIS INVESTIGATION OF THE STRANGER. HE WAS DIRECTED TO MIKES DOOR FOR THE PLOT BUT THE PLOT AINT THERE, THE PLOTS AT DAISYS HOUSE

TO REVIEW:

THEY

DEADASS

JUST

THREW MICHEAL CREW IN THERE

HAD HIM EXPLAIN HIS BACKSTORY

THEN KILLED HIM OFF

AFTER HYPING HIM UP

FOR

THREE

FUCKING

SEASONS

ARE YOU FUCKING KIDDING ME???

ARE YOU ACTUALLY FUCKING KIDDING ME???

YA KNOW THATS PROLLY THE ONE BIG BONE IVE GOTTA PICK WITH THIS SHOW. THEY BUILD UP INTERESTING CHARACTERS OVER THE COURSE OF FULL SEASONS, THEN THEY’RE ONLY GIVEN THEIR TIME TO SHINE FOR ONE EPISODE BEFORE BEING ADRUPTLY KILLED OFF AND NEVER MENTIONED AGAIN. I HEARD IT GETS BETTER BUT ITS A PRETTY BIG PROBLEM FOR THE FIRST TWO SEASONS.

JANE PRENTISS COULDDA BEEN COOL! AND SHE WAS COOL! BUT SHE ONLY ACTUALLY DID SHIT FOR ONE EPISODE THEN WAS KILLED WITH LITTLE RESISTANCE. SHE DIDNT EVEN MAKE A COMEBACK OR ANYTHING, THEY REALLY JUST WENT “THAT BITCH DEAD AND DID JACK SHIT” AFTER HYPING HER UP THE WHOLE SEASON. LIKD OKAY SURE GO OFF. THEYRE BUILDING UP BREEKON AND HOPE A BIT MORE NOW, CANT WAIT FOR THEM TO BE KILLED OFF AS SOON AS WE MEET THEM.

LIKE I GET IT I GET IT. MICHEALS STORY WAS COMPLETE. NOT EVERY CHARACTER NEEDS TO BE PLOT RELEVANT. NOT EVERY CHARACTER THATS BUILT UP NEEDS AN ELABORATE PLOT. NOT EVERY CHARACTER NEEDS A SATISFYING SEND OFF.

BUT IM STILL FUCKING MAD ABOUT IT CUZ I FEEL NOTHING. I LOVED HIS STATEMENT AND IT WOULD’VE JUST BEEN FINE IF MICHEAL WAS JUST LEFT ALONE AFTER THAT OR SOMETHING. OR HELL HE EVEN COULD’VE BEEN KILLED IN A DIFFERENT WAY I JUST HATE HOW DAISY CAME IN THERE OUT OF BUTTFUCK NO WHERE, SHOT A GUY SHE BARELY KNEW CUZ “he spoopy” AND ITS JUST NEVER BROUGHT UP. MIKE DIDNT EVEN NEED TO BE THERE. JON WENT THERE FOR ANSWERS, MIKE GAVE HIM NOTHING CUZ INSTEAD OF HAVING AN INTERESTING LITTLE CONVERSATION, DAISY NEEDED HER CHARACTER ARC. IM REPEATING MYSELF AT THIS POINT BUT IM JUST SO FUCKING ANGY ABOUT THIS.

FUCK DAISY, ALL COPS ARE BASTARDS

I am fully aware that I’ll wake up tomorrow and deem all of this as invalid and unreadable, I just needed to get this all off my chest. In all honesty the main reason I’m upset is because the Vast is my personal favorite entity and Micheal’s statement is a good summation of why

People affected by the Vast are just that-people. Well, all statement givers are people, but the Vast’s statments I find are much more grounded and down to Earth. They aren’t as out there or over the top like the Corruption or the Stranger. They’re just little ‘tweaks’ in someone’s perspective that shakes their core. It takes mundane occurances and pushes them to their extreme. All the Vast did in “High Pressure” was make someone feel as though they were sinking forever and forced them underwater. It’s some you could probably picture happening to yourself more clearly then say, being attacked by War Ghosts. (NOT bashing on War Ghosts btw, they’re just a different brand of spooky.) The type of fear that the Vast victims have is also kinda different to me. I’m not sure how well I can explain it but best I can describe it is that it feels like geunine trauma that someone with that phobia would experience? I still don’t think that’s quite right but take “A Long Way Down” for instance, where the statement giver’s brother suffers from Acrophobia. That’s a real boy with Acrophobia! I feel who he is as an actual person as I follow his life, I know his worst nightmare, and once you see what happens to him, you completely feel both from him and his brother. Or in “Freefall” where you see a mother mourn for her son’s trauma and death. She saw something he loved suddenly turn him so, so afraid then saw the very thing he feared swallow him up.

It’s just any average person greiving their loved one’s trauma or being pushed to a limit you can see yourself being pushed to. It’s all very grounded in reality and makes it all feel that more real. And I feel like Micheal Crew’s statement just summed that up so well. He’s such a perfect face for what I love about the Vast. He’s just a person at his core, who was scared and needed guidance.

It’s just that the way it ended and how adruptly he was killed left a sour taste in my mouth.

#post #text #vent #micheal crew #magnus archives #tma #tma season three #the vast #daisy tonner #jonathan sims #listen man i just needed to vent #fuck daisy tonner all cops are bastards #really thought i could trust her smh #thats my fault tho #this post literally has no direction tho im just keeping it up cuz angy #and micheal crew honestly deserves SO much better #man steals a book and then just deadass jumps off a building talk about a legend #also the vast is so underrated please it deserves more love #also like. im willing to accept this gets better and more understandable later in the season #as im only on like. episode 17. #so idk what happens really #please no spoilers #tma spoilers #tma s3 spoilers #mag091 #long post

[thecringefailintherye]

Melody (S.W.A.L.K) 1971 Livewatch

I have seen this movie. but not the whole thing (i got interupped the first time i watched it)... so here goes! 

movie load please

20 seconds of logos???

guitar song™

this movie is so nostalgic for no reason

Mark Lester and Jack Wild: did you mean, Oliver Twist and The Artful Dodger?

and tracy hyde shes here too

i love this movie sm wtf

can these credits end????

ok yes they can

70s film marching band scene

ornshaw drinking whiskey before band bc why not

danny is bby

mY mOtHeR dId It SiR

dannys mum is so annoying wtf

i really love tom ornshaw

run bitch run

The BB™

SET FIRE TO THE NEWSPAPER???

look at his lil face ❤

MELODY MY DAUGHTER

a gowdfish please

aww look at her 

“ive done all those things i wanna try something new” LIKE DRAWING TIDDIES? DANIEL

“ah a boy gave it to me at school” was it ornshaw, i bet it was ornshaw

BITCH YOU RIPPED DANNYS TITS DRAWING

melody girl you cant play that fucking recorder

this film has great cinematography wtf

Melody Perkins Deserves The World !!

the gang go to school

Ornshaw Gets Bullied

“the jewish boys may now leave for private study” what about the jewish girls?? there’s clearly girls in the class?? why do they have to listen to the bible

ornshaw’s porn bible

DOES ANYBODY KNOW WHO JESUS WAS???

dont smoke at school kids

okay so shes peggy, why is she credited as maureen. who the fuck is maureen

hear me out, muriel is a lesbian. noone kisses for over five minutes unless youre proper horny and this bitch is like thirteen. she also says “i dont know, i never used to kiss boys”, because SHE DOESNT. shes lying because she doesnt kiss boys. shes closeted and thats whys she says she does. also, she got angry at peggy for saying she fancied a boy.

W I C

“saucy turtles make terrible bathmats, charley” okay okay jeez

ornshaws accent is everything

The Gang sneaking through the fence what will they do

uh oh danny

AWH YOURE BARMY

thats def gonna explode later

ornshaw gets kicked off the bus

but now hes on it

ornshaw and danny have such a wholesome friendship too bad melody ruins it oh wait

you’ve heared of ornshaw gets kicked off the bus now get ready for... ornshaw gets kicked out of the strip club!

you cant get a taxi!!! watch me hoe

where did ornshaw get the chewing gum from wtf

“shes always talking about people like you...” OH OKAY DANNYS MUM IS CLASSIST

“he could do with a heart attack!” WOAH OKAY

time skip to school

oh no danny’s seen melody

“we have three admirers of the dance!” ah shit

ah so maureen is the girl in green

why is ornshaw just standing there

FREE YOURSELVES

the girl gang is hilarious i love them

Muriel Kisses A Tombstone

uh oh dannys been found out

“HES A COWARD CMON”

ornshaw just yeeted his cat

i hate dannys mother sm

assembly time, an iconic part of british comprehensive school, since covid, i cant say i miss it

danny and melody !!

DANNY PLAYS CELLO THIS IS IMPORTANT INFO

melody and her friend are there because plot

melody sweetie baby i love you but you cant play the recorder

THEYRE PLAYING IN HARMONY DKDJSKDJSJKK 🥺🥺🥺🥺🥺

this is cute as fuck

melody is babey

oh explosives time??

i just dubbed these kids ornshaw and the pyrotechnics crew and it fits

dannys parents are annoying

i quite literally hate them

DANNY SPILT HIS COKE ITS SUCH A SIN

“neviw”

melody girl are you okay

melody are you lying about getting raped

oh time skip to school

we’ve hardly seen ornshaws home life so when will we properly meet him??

god i fucking love ornshaw its mad

oh this is an iconic scene if there ever was one

“go on tom dance with her” oh the ONE TIME ornshaw is called by his first name

youre mad !!

“girls are a load of snotty nose little so and sos” ornshaw aro king

is ornshaw.. scared of women

whatddya mean i dont dance very well!?

is it bad i lowkey crackship peggy and ornshaw now

YOU DANCE STUPID!

no one:

ornshaw: kicks peggy in the shin because he cant dance

“you big fat fool” yikes

danny u ok

ALL ORNSHAW AND HIS MATES DO IS CREATE EXPLOSIVES DJDKJSKt

oh it worked for once

i feel so fucking sorry for melody wtf

bb 🥺

im at the bit where melody is crying while putting on her mothers makeup 

SWEETIE ITS OKAY 

OH TIME SKIP TO SPORTS DAY! 

this film is so fast were already an hour in!

ornshaw giving actually solid life advice?? are you sure this is the same movie

“you youre gonna be bloody useless!”

i literally love ornshaw so much 

FUCK DANNYS MUM

GO ON DANNY 

YES MY BOY

time skip to school 3982903843290

wtf is a young latin scholars book

lahtimah

not ass latimer, arse

i hate the latin teacher

ornshaw every second: right uh erm um uh so yes sir oh uh mhm

*ornshaw and danny shoving pillows up their underwear*

“dont worry about it!!” dude hes getting spanked by the latin teacher ofc hes gonna worry about it

ornshaw and latimah

“vacate your mouth”

“because its a silly out of date language sir!!!” hes not wrong

uh oh 

what will slapping ornshaw’s ass with a dap even gonna do???

oh hi melody forgot about you

AWH DANNY SWEETHEART

“cmon danny dont let her see you cry!” i want a friend like ornshaw man

melody is just STANDING THERE LIKE GIRL LEAVE

“you can buzz off now love, tara, tooduhloo” have i said i love ornshaw? because i love ornshaw

danny dont abandon ornshaw !!

oh this is sad

danny? danny?? danny!!!??? DANNY!!?? 🥺🥺🥺

ORNSHAW RIGHTS MAN

ive felt sorry for literally all three of these kids now

ah fuck now ornshaws having a mental breakdown in the school halls

danny and melody’s relationship is so innocent and wholesome 

this is literally so bittersweet, like we’re seeing danny and melody being all cute and happy but we know that back in school ornshaw is literally having a breakdown over them

im tearing up over a movie about schoolchildren in puppy love

“will you love me that long?” “of course! ive loved you a whole week already!”

“hes come to tea! his name is daniel!” melody hes not your pet

melodys dad seems so cool why was he arrested

donald????

i genuinely love melody’s dad 

melody dramatically eats toast

time skip to school AGAIN

OH GOD I’M ACTUALLY CRYING

melody and danny are out on a date having fun and its the same song playing as the scene earlier on when danny and ornshaw went off somewhere at the start of the movie, melody has quite literally replaced ornshaw

i have real tears rn 

they skipped school to go to weymouth

danny and melody are literally adorable man

“shall we get married?” arent yall like 12????

oh back to school they got in trouble for skipping

apparently the poor cast got spanked for real and like yikes

we want to get married :D

ITS NOT MENT TO BE FUNNY!!

leave danny alone!

leave melody alone!

ornshaw please stop

ornshaw stop taunting him this is gonna end shittily

OH SHIT 

THEYRE STRAIGHT UP FIGHTING 

ORNSHAW AND DANNY ARE MF WRESTLING EACHOTHER TO THE GROUND

okay now ornshaw is literally beating him up okay

danny this is your fault for ditching him for melody sorry

top ten best anime fight scenes

latin man is back because plot

DID ORNSHAW GIVE HIM A BLOODY NOSE

i’m sorry danny 😭😭

ORNSHAW. DESERVES. THE. FUCKING. WORLD. AND. MORE.

let melody and danny get married!

wait so if 20 is twice as old as her then shes.. ten?? i think

melody ily

“all i want to do is be happy” BABY

OH FUCK YOU MRS LATIMER

oooh

THEYRE GOING TO GET MARRIED BY THE RAILWAY 

ornshaws unnamed friend is the true hero of this movie

is this the movie climax???

run! ornshaws unnamed friend! run!

IM SORRY THE’RE LITERALLLY GETTING MARRIED I’M 😭

“we are gathered here today to join this man and woman in holy matrimony.. shaddup”

ITS NOT FUNNY ITS SERIOUS

IS ORNSHAW STRAIGHT UP MARRYING THESE TWO IS HE THEIR VICAR

HE IS AS WELL

“DICKS IS COMING!!!” as soon as they were getting the rings

RUN !!!!

ornshaw just threw the bible at his re teacher from the re scene at the start i love him

DANNYS MUM HAD IT COMING

name a more iconic trio than melody perkins, danny latimer, and tom ornshaw, i’ll wait

GO PEGGY!

ORNSHAWS UNNAMED FRIEND IS GONNA FINALLY GET HIS BOMB WORKING!

YES

GO ORNSHAWS UNNAMED FRIEND

“i’ll get you ornshaw!” dude how is this his fault its yours for unterupting the wedding latin man

again ouf is the true movie hero

wait latin man is dicks??? whos wannabe remus lupin then????

this just in: ouf is actually named stacey

oh god thats actually such a bittersweet ending

melody and danny trolleying off into the sunset

im actually crying like a baby rn

god that was such a good movie

#you're my melody #melody #melody swalk #swalk #s.w.a.l.k #melody 1971 #tracy hyde #mark lester #jack wild

[delbeugre]

Have you seen SADIE BEUGRE? DEL is in HER/THEIR SENIOR year. The MATHEMATICS MAJOR is 24 years old & is a CAPRICORN. People say SHE/THEY are GRITTY, BEWITCHING, RETICENT and WASPISH. Rumors say they’re a member of HASTINGS. I heard from the gossip blog that SHE BIT AN EX-BOYFRIEND’S PINKY FINGER OFF AFTER SHE FOUND OUT HE CHEATED, AND THEN HAPPILY SERVED TIME FOR IT.

im tommy im a freak and of course i am here to get freakalicious with u all... this is my newest frankenstein type creation named sadie i know .02% about her yet but i am more than confident she will b nothing but a fun time! like this if ur down to plot!

TW: VIOLENCE, MENTIONS OF JAIL/PROSECUTION, MENTIONS OF SUICIDE, DRUG USE

BACKSTORY

capricorn sun / virgo moon / scorpio rising

raised by her uncle Big (his name) who is a hermit shut in town local in the depths of the florida marshland like some goosebumps protagonist. hes gone far past socially acceptable in terms of his ability to connect with the modern person but is wise beyond belief... his whole vibe is a warped cross between a cryptid and a mountain man that forages and cooks neighborhood plants. married for 27 years before his wife passed from illness. its quite possibly the only thing hes ever been emotional about

but dels entry to his life throws a wrench in his sadness (despite abandonment being what they bond over). she takes the focus away from his loss with her presence; her dad, his brother, died in a tragic train-car collision around the same time (which is speculated to be a suicide bt nobody can ever really be sure). he was a single parent so her custody is thrown up in the air for a few months as cps decides what they r gna do with this freshly orphaned little scrapper

she just kinda turns up on his doorstep n from there they cohabit a space. shes arnd 6-7 at this time... big never seemed to b phased by the fact tht she was a child n tended to treat her more like an apprentice or guest. he was never close to her father because of their age difference, being the older out of the two, so to have his daughter become his responsibility is just..... weird

this doesnt mean that he wouldnt provide for her bt it was. not very parental whatsoever.... no conversation or interaction beyond what was necessary. she was a mute fr a while and still is? to a degree.... very short spoken

when she got to her preteens he offered her an allowance in exchange for little odds and ends of stuff to be taken care of around the house. errands n all tht.... sometimes he wld purposefully leave things for her to pick up n take care of without mentioning it for a bonus. taught her the importance of saving your money and the horrid corruptness of a society basing everythings worth off paper. big exposed her to a lot of knowledge and took advantage of her silent curiosity by fueling it with books, homeschooling, life skills (catching a fish, setting a trap, knowing your berries in the woods...... the works)

her teens carried out the same way bt with the introduction of a real job, a spot down at the local butcher shop checking people out at the register and helping around the back of house. del knows a great deal abt cow/pig/chicken/etc anatomy from her years here..... she committed to being 100% vegan into her early twenties because of her trauma frm this occupation

it paid very well tho n was the best gig she was going to get within a reasonable biking route from home. so she settled!

the plan wasnt to keep it up for long anyway. she worked rly hard for her spot at yates and didnt intend to ever screw herself over. her plan was to get her bachelors, masters, become a professor, pursue a personal hobby of agriculture and build an elaborate greenhouse to live in

bt things happen..... 

some 35yr old douche with a green thumb woos her at a gardening store n swoops in to teach her a little more abt romance; all of this, of course, under the guise that he had all these tips and tricks for living environmentally friendly. a lame hippie wannabe that shouldve never even approached her bt alas.... he did

love is a touchy subject n it hadnt been something she set her sights on, but she was interested in wht this dude could teach her n at 19 she ended up falling in love. she delayed her education to stay an extra year back home and work out another plan which included him

this was very disappointing to her uncle bt he didnt have anything to say abt it. it was never parental before n it was never going to be, so this was another lesson she wld just have to overcome on her own

it turns out that she doesnt care for infidelity. when the confession comes out its met with a lot of screaming, bawling, blistering white hot anger. the whole incident is blacked out of her mind to b honest....

matters of the heart are no longer something to concern herself with because of the repercussions of her rash behavior regarding heartbreak O________O she spent a year in jail n still has to attend therapy / anger management meetings

deep down she is still hurting. there was a lot of pain... bt the sadness is not over the loss of some noob. she is in a state of constant disappointment, detaching from herself out of shame. putting her own life on pause only for it to turn out like that? stupid stupid stupid... 

PERSONALITY

chugging along! tldr spectre-like swamp nymph aura with the slightest (not so slight) unhinged feral tendencies

delicate like a moth resting in the gleam of a flashlight.... her anger singes her wings when shes too comfortable staying in one place, so theres always constant stimulation, always shifting gears. shes prone to feeling threatened; that being said, sadie is wary of walking in crowds, a little bit skittish when approached without making eye contact beforehand. like a small grey kitten..... in a big wide world

has a hard time keeping a conversation bt is very interested in debate, and even more so in studying alongside someone in complete silence. it reminds her of home in the same sense tht her uncle wld nudge her to keep reading by always having his own book open

doesnt have many friends and is alright with that. rumors are tht she is still a virgin bt who really knows? not i...... bt i wldnt be surprised if this was true. shes not impressed by people nor material items so this whole yates crowd is a turn off

she is truly clueless when it comes to how to behave around anyone her age. i think she understands but it just doesnt compute. she could come off as impolite bt it is just standoffishness? some people cld try to crack her but i dont think even she knows what that would be, or what that would look like. even in her one (1) failed relationship it was never deep heart to hearts or sharing dinner..... solitude is her realm

del is very comfortable with herself, very open with her wardrobe! doesnt leave too much to the imagination? she appreciates the human experience n expresses that thru this whole “body is a temple” type thing.... not quite confidence, but proudness of being. has gotten multiple notices frm professors for her tops being too sheer, nylons too ratted up, etc. has dirt under her fingernails half the time, chipped polish, some chapstick. smudges her eyeshadow on with her fingers

doesnt smoke cigarettes all too often but is dependent on weed. it kinda perpetuates her paranoid demeanor bt at the same time it keeps her lax enough to be able to mentally handle city life

her room is a playground for huge monstera plants, christmas cacti, ivy creeping along the doorway. she sleeps on a tiny thin mattress on the floor with a linen sheet and has her books stacked up on the ground next to it to hold her ashtray. the whole thing is dumb empty

takes her studies seriously and pinches every penny she can..... she has never ordered herself a coffee frm somewhere before, ordered food frm a restaurant... nothing. i wld think the most she would branch out from harvesting everything on her own is buying a bag of sunflower seeds frm a gas station, but even then, she much prefers eating stuff she grows herself. has a tomato plant, some basil beginning to sprout, etc.... manageable crops for any college students tiny space

...

bt yea thats it thats all! connections cld be all over the place. im legit open to anything. theres only a few tht come to mind right off that bat: 

a few people that get along with her? same classes? they shared a bowl n now theyre getting into the nitty gritty of some personal conversation that is veering into no mans land....

some sort of clueless makeover moment? arent rly into sadie as a person bt see a lot of potential... perhaps need a plus one to a party on the fly and figure thats the best option theyve got

crushes? this wld be fun n potentially dangerous! like playing with a hot cast iron pan or something :)

again im vry new to rp so i wld like to leave a lot of stuff up to chemistry, brainstorming n stuff like that, but please consider everything on the table! what i hav mentioned is the tip of the iceberg im so burnt out n i wrote a lot more than i intended to i am so sorry but i promise i am friendly

#yatesintro #/tw implied violence #/tw death mention #/tw drug use #/tw jail mention

[smutav]

So i posted the pictures I had for my xray and comic in this post here and I said id wait a year but I’ve decided I need to lay this project to rest and move on to what comes next. Its under the cut because its mad king heavy

the old man part was fully scripted out so I’m going to throw the script in here first then it’ll be just notes for the general plotline

(M) Old Man   = O1 / (J) Old Man   = O2 / Xray          = X / Vav           = V

we come in on Xray and Vav coming onto the scene but we start lookin at the old men

O2: "Uh Oh, the calvaries here" O1: "issit the popo? tell them they cant make me go back... to that horrible home... fulla old people..." O2: "No.. its those spandex kids again" O1: "Oh, the blue one confused me... so blue jus like those dirty cops" O2: "YOU'LL NEVER TAKE US ALIVE" [O2 throws something that lands nowhere near xray and vav] V : "Look you have to stop causing a ruckus!" O1: "ah ah ah prettyboy we got da bomb" O2: "Thats right if you get in our way it'll be a real stinker!" O1: "Uh Ohhhh"

X : "you have got to be kidding me" O1: "I'm too old for kidding, im old-ding over here" V : "What are you doing with a bomb!?" O2: "We've got demands!" O1: "Oh yeah lots of demands!" O2: "We want.... Pudding!" O1: "Oh yeah and none of that rice shit in there" O2: "get that rice out of our pudding no chunks!" O1: "itsa chokin hazard, I almost died when they had that at the home" O2: "thats why we left they was tryna kill us" O1: "But you only show up to stop two guys havin fun" O2: "Ya punks!" [Vav has snuck over to the obviously hidden 'stink bomb' and gags when he sees whats under the cover]

O2: "Ey!" [he smacks Vav with a cane] "gettaway from there" O1: "These two have no manners" O2: "they jus go touchin stuff that doesnt belong to them!" O1: "Well two can play at that game" [he moves towards Xray pointing at his glasses] "I want those" X : "How about I give you this instead" [he shoots a lazer at the old guy but it bounces off his walker] O1: "uh oh you shouldn't have done that" X : "oh yeah what if i do it again" [it really has the same result smart guy]

[Vav at the same time is dealing with.. a really slow old guy. and he dodges a punch an the old guy just keeps goin down and hits the ground] O2: "Ah! I'm hit thats it for me! [he tries to get up but just knocks himself over again] it's over for me I'm deadd. You killed me ya bastard" V : "I really didn--" O2: "this blood is on your handssss ohhh im goinnnn" [Vav backs off while the old man keeps slowly 'dying' to help out with Xray who's wrestling for his glasses from O1]

X : "Youre smudging up my glasses!" O1: "oh i'll do more than that" [he moves to take a lick at them] X : "no you dont!" [He punches the old man square in the jaw] O1: [catches himself on the walker] "you want a boxing match, i used ta have the belt ya know" [he lands a punch on xray who doesnt even flinch]

V : [Vav comes up from behind and pulls the old man away] O1: "No he's got me!" [he flails a bit but ineffectively to get out] "this is just like the 40s you cant stop all this" V : "We're sending you both back to the old folks home just stay there this time!" O1: "You'll never keep us caged! We'll always be ba-- Oh no is this a heart attack? Ma is that you in the light I'm-- I'm comin... comin to kick your dead ass" [and he's dead]

[Xray and Vav dump the old guys on an elderly bus they're used to dealing with these guys 'dying' and approach the stink bomb which is the stink jug but theres wires and stuff attached to supposedly detonate it] X: "Well I guess we'll have to deal with this" [he kicks the 'stink bomb' and Vav goes green] V: "I guess it'd be best to get it to Hilda she'll know how to get rid of it" X: "right lets go" [he starts walking leaving Vav to carry the barrel, poor vav]

I hope the notes after this make sense plot wise a lot of it was going to be explored deeper as we get drawing XDD ((also you get all my note writing jokes that i make to myself))

V = xray and vav / K = mad king / R  = rimmy tim / M = mogar

(V) - I need,, some basic everyday hero biz to start the story with - tIME TO THROW THE OLD MEN IN THERE (K) - He decides to try out his powers a lil test run ((around Hilda's lab)) - Xray and Vav crash the party ofc - He gets by them EASY slow mo can't do much against teleporting - He didn't have much of a goal for it but, now he knows he has the upper hand on Xray and Vav - He leaves victorious (V) - He gets the business end of a run in with ender ryan - What was that?? he can teleport?? - Well we have to figure something out! (R) - Rimmy Tim runs into Mad King - Which is wild! thought he was dead! - but he does have some weird ass shit going on (K) - Wow running into Rimmy Tim isnt that neat? - He pays no mind to the Battle Buddy (R) - Rimmy Tim is crashing at Jake's place ((to be relevant)) - He also meets Xray and Vav but nobody knows what his full deal is ((and theyre distracted from having they ass kicked))

(V) - Vav is the plan guy - They get intel that he has a weird power source - it gave him the powers so if they can figure it out maybe they can take them away! - We'll need to be stealthy boys... - MOGAR! - ask mogar for help, he distract while they sneak in and nab the gem (M) - The plan involves Mogar fighting Mad King up front - Mogar runs into Rimmy Tim and is suspicious of him (K) - Ofc he knew Xray and Vav would make a plan - Mogar comes to fight him aw they just decided to send a fwiend - Mad King is busy beating Mogar and doesn't notice that they got the gem ((Uh Oh! Plothole!)) (M) - They dont see him at the meeting place (K) - He Notices when he decides to experiment with it and tries out a lesser power source - Resulting in Zombie Mogar

(V) - They HAVE to find Mogar - poking around the outside for a sign of him they find his sword in the dumpster - thats,,, not good - its really heavy but if vav straps it to his back he can handle it - they wind up splitting up for any sign of Mogar (K) - Well if you're going to be rude about it - [teleports in the streets] - Have it your way do what you want - [and he leaves Mogar there] - when he teleports back Rimmy Tim is there and he quips ab how convenient tping is (R) - MK has him get rid of the new power source obviously a failure (V) - It gets dark but vav hears a noise in the alley - He finds Mogar! But he's eating something - Mogar growls and starts running at him - *british screaming* - As he BOOKS IT around a corner Xray runs into him and Vav just grabs his arm - NO TIME TO EXPLAIN - so what the plans just fucking run - oh wait thats Jake's van - *climbs in* wEHAVE TO GO HIT THE GAS - bro its a red light - iTS THE MIDDLE OF THE NIGHT THERES NO TRAFFIC JUST - Mogar jumps on the vAAAAAAAA - Thats enough to convince Jake she slams on the gas - " you guys are paying for any tickets i get"

((for context, Jake is my oc she has an ask blog that I was planning to use to be like in between she and rimmy tim are hanging out and you might find out things from interacting w her. But for character knowledge she’s an appliance installer that works with The Monarchy’s Servants. Which that is the company that installs the stuff that comes out of Monarch Labs. there was also a whole bit where she and rimmy tim would be hanging out and he’d be joking like oh do you ever go in like “ah m’lord!! is this installation to your liking thank you m’lord!!” and she’d goof back if he ever had a house for her to install shit in she’d do it just for him.

and for how Jake and Rimmy tim met it was at 3am dennys a few years ago and they been buds ever since))

(R) - Jake's checking on her van later and Rimmy Tim comes out to give a hand - and he asks what happened and she's shaking a lil - she just leaves it as hero biz as usual she thinks (V) - bloody hell we have to help mogar! - yeah what did Mad King do to him! - they gotta bait and catch him (R) - Jake gets a call from xray and vav asking for help getting mogar to a lab - Rimmy Tim tags along and gets to see Mogar (M) - Xray and Vav catch mogar and have him leashed in the lab - But?? Is he dangerous?? Can he contaminate others??

(R) - This is wrong - RYAN is wrong - Rimmy Tim,, Has to do something - discussion doesnt work, Ryan's just a wall discussion wise - theres no talking him out of anything he's too absorbed (V) - Mogar has good moments - reference the rotten flesh test w vav (K) - Rimmy Tim is getting increasingly worried ab him - Rimmy Tim mentions Mogar - Well it wasn't on PURPOSE - but yeah i did that - No, I don't particularly know how to reverse it (R) - Rimmy Tim tries talking hey what if we just did this partner like - Nothing can beat the battle buddies then this can all be done right? - Mad King brushes him off and tells him to stay out of his business - Ryan gets caught in the rain - He claws Rimmy's face oh no! his money maker! - Rimmy Tim decides enough is enough and leaves to help Xray and Vav fix this,,, fix him,,, (V) - They hear Mad King in the rain - hhhhh i dont want to deal with more monsterrrrssss - Rimmy Tim joins the team! - he explains his history with Mad King - and how he's worried - wORRIED LOOK WHAT HE'S DONE TO MOGAR - He digs out the lesser power source that was used on Mogar - THIS made THAT *points at Mogar* (K) - Mad King is bandaged and goes to sleep off the pain and *emotions* (gross) of the evening - as he drifts off instead of dreaming he finds himself seeing through Jeremy's damaged eye - He just sees xray and vav but he cant hear a word - needless to say he feel betrayed

(Finale leadup)

- they need a plan to catch MK - Xray and Vav decide to drill RT ab possible weaknesses - he doesnt have much to contribute though they havent worked together in years and he didnt have all this magic junk going on. - and all RT's seen of the magic junk is teleporting - Well have you seen his hideout? can you explain like layout or whats going on there - oh fuck yeah i guess that is intel lemme sketch it out

- Hilda is playing around with whats the difference between the gem they stole from MK and the one that RT says changed Mogar - Mayhaps after some experimentation gone wrong she figures they cant use the thing against him but need a device that'll remove that specific energy - so you know a SUCKING machine - While she's working so closely with this she starts having enderhilda dreams but like when she's awake shes like yeah thats neat but you aint caught my interest you dumb gem

- Wait RT if you and MK used to be in cahoots do you have any powers that can beat him? - I got guns we were guns for hire you know battle buddies - wot MK doesnt use guns he plays mind games - well yeah NOW he does he uh-- didnt have it all together after our last mission

(flashback)

- Battle buddies are cleaning up after a mission - they're both pretty angry like we wound up being the bad guys AGAIN how does this keep happening - RT agrees he's not a fan of dirty cash - MK comes to the conclusion if i controlled these sheeple nobody would be calling my shots and makin me do the wrong thing - come on ryan ya cant control people thats wrong - whats a little more blood on my hands if it means making things better on the whole - and MK winds up leaving the battle buddies :C

(Finale)

- Hilda comes in like hey i got your guys's sucking machine go suck off mad king or whatever - and vavs like Alright! lets make a plan lads! - then we go to MK - he can see them coming, he's gotten practice watching through RT's eyes - he gets the machine from them as theyre barely through the door - "well I was curious what this would do but what does it matter anyways" - and he's got like some full ender shadow clones to help with the fight and they all pair off ((not like an army literally just enough to pair off MK dont need an army to beat these guys)) - the real MK personally faces off RT though :) - RT "why do i get the real ryan why couldnt you face off with like vav or something" - MK "im curious if you could shoot me 'buddy'" - RT "well I doubt i'll do something but i do owe you one ;)" and he do shoot him but yeah the bullets are stopped and do nothing - MK "I do hope you brought something else if youre turning against the MAD KING you have best be prepared" - RT "what can i say" [drops gun] "I stick to my guns" [throw punch]

- but yeah after the fighting and witty dialogue clears it looks like MK do have the upper hand - RT was left bleeding out ((stabbed through with pointy fingers oooo MK got his blood literally on his hands)) - While MK is monologuing RT sneaks into the bathroom which MK pauses mid monologue when he sees a flash of RT's bloody hand reaching for the showerhead - cant believe that fuck - and RT comes out and hoses him down ((yes it reaches that far LOOK its got a long hose)) - then MK's on the ground fucking sizzling - vav's like oh right! and jumps up to get the sucking machine and they use it on MK

(epilogue)

- Jake drops RT off where they got MK locked up and shes like "do what u gotta do man" and RT's like "thanks for understanding bud" - and he gets in MK shifts to look at him - RT starts to apologize for ruining his plan but gets interrupted as MK says "you were right" - which is a SHOCKING thing to hear from that guy - and mad king is like "thank you" - and we end on "anytime buddy."

so that was my plot I havent been kidding when I said it was a long comic plan. Its been heartbreaking to have this whole thing ripped from me but I can’t tell a story about friendship w a manipulator. 

I’m not sure how long it’ll be until I actually get another thing started but I hope its soon because I was very excited to share a good long story with the xray and vav fandom and I thought this plot wouldve been like a good season worth of content

I had some draws tagged under “#its all connected” and they were all me working on this idea before I actually decided to write it out and try for a whole comic after being inspired by some close friends and the good at being bad animation collab

#xnv #xray and vav #tav script

[36incheshigh]

haunting of bly manor on netflix review -

i tried not to put big spoilers in it. its about like.. a lady from america who becomes a live in nanny to two young siblings, in a big old mysterious? house in england.

overall - 8 /10 , maybe im just biased cause it had some of my fav parts of scary movies in it/personal fav parts of genres

[cons] -personally - i dont like when supposedly scary movies are about ppl dying sadly/theres characters who are actually nice who you actually get attached to and thenn, they suffer! (although technically i guesss that is what causes “haunting”, in its title. its like, im looking for a Scary which is secretly supposed to be found to be scary[-fun], not scary-Sad!. sad deaths/characters make me sad. like when cute kids in it are also sad and upset and they surely dont deserve it :p. bums me out. i guess i dont mind so much, if, -if youre gonna have to harm someone, that id rather theyre someone im not so attached to in the first place lols. id rather not feel sentimental whilee watching a movie thats also scary lols. too many feelings at once for me lols . also, i appreciate a movie tryingg to explain things well or make it interesting, but sometimes it cann get too complicated . thats where ya lose me. [thats kinda not that personal that can also be a critique in genderal.] its like if you keep it clear enough even if its simple, it could be a better story.

pros objectively - good characters, and gd chemistry between characters - they were all pretty distinct and interesting enough, had their own styles and mannerisms and personality. gd dialogue - relateable enough and realistic enough - heh ilke when the gardener tries to cheer the nanny up, that was like kind of a well thought out specific unique and still funny joke lols. or when the nanny uses her teacher-voice to say relateable things to the kids or to discipline them well and properly and fairly/justly and calmly - those were awesome and accurate like real life, very familiar in a specific, recognizable way. nicely done visually/cinematically - made everything look good, didnt make anything too confusing, clear enough. like it let us explore all the interesting places and no scenes were too dark to see whats going on or anything lols. which is good because sometimes a show takes place in what lookss like wouldd be an interesting setting, but we never really get to use the space much or see its details [well], or look at any of the cool parts about it, very well! plot was good - got stuck a couple times in a few ways, but atleast it did have good closure. thats hard to nail in spooky/scary stories. its also good that there was diversity representation in the characters’ races and kinds of romances so thats always important to diversify in the media so people arent ignorant and plus its less predictable and ^realistic.

cons objectively- really lost me in the episodes w hopping and flashbacks a lot, even though i guess it explained a few things. idk i think we couldve done without the entire dream bit cause it went over my head and i dont see thatt well how it fits with the rest of things very much anyway. i think it couldvee stuck with just the first owner’s story which seems to explain most of the mysteries anyway, and still be a great plot overall. also its not much of a big deal but in the end, that was supposed to be whats her name, the gardener but she wasnt even consistant in her style it was so out of character. like whats that hair style?? its too modern and boring/basic-betch , shes a chill, grounded, rough person so i think she shouldve kinda had a softer wavier hair style at least like she usually had . doesnt have to be the same, but atleast better match her character. i guess there were a few kind of minor plot pieces that i didnt hear/understand their explaination . but maybe if i thought about it more, or figure that those were just idk symbolic details or something lols, then id get it. -atleast the most important plot points have been explained. or if they kept the confusing plotline to help explain things, i wish they couldve made it a bit simpler to be more understandable . aint nobody tryina think that hard about it to understand things in a show ha . idk i think the wind up leading to the end , through the middle of the last episode when we werent sure if the girl was doomed yet or not [is that what it was that dragged on for me?] , dragged on a bit too somehow. or i wouldve been happy too if it ended like 10 minutes into the last episode when everything was at peace, even though thats too peaceful of an ending for a spooky story lols. also the bride in the beginning and ending who hears the story is a kind of bad actress or has awkward lines so it makes things corny lols. which its hard to not cross that line in spooky stories, from believeable and relateable and genuine enoughh to spook ya cause its barely believeable/relateable, - into corny.

pros personally- love big old gothic houses, theyve got character. love love stories, and mixing genres in a show or movie! like love, sad, and spooky. love it being more spooky and a thinker kinda rather than gory which could always be too easy of a scare. and lots of botony heh [in the romance] which i always love. in real life heh. i also dont really like body horror lols even though it couldve been worse here i guess. i know its supposed to be like, symbolic though :p. i like how - there wass a specific message/themes they were trying to be about in this show, but - idk, before we realizedd that, it was kind of amusing how the random suspicious jumpscares/problems that happen aree kinda like, making you/trickingg you to thinkk, that the story could justt be any of the clichee scary stories - but thenn its a pleasant surprise that even though you thought it was gonna be a cliche predictable plot, its actually much more elaborate in a good way lols. i also like “”gothic”“ and kinda spooky but not likeee verY scarY ha. cause gothic is likee, a lookk/mood!!

so yeah, i liked this in general, and would recommend it in general and might watch most of it again in halloween season lols. i like it because its sophisticated and relateable enough, graceful, cute enough - balanced so its not tooo much of anythingg and just enoughh of different things that would make any show enjoyable enoughh, i thinkk . good in all the ways it matters, in all the important ways. generally doesnt get campy in the parts of the show where that would matter lols. i liked it better than the other series apparently also by this director or whatever, “haunting of hill house”. i think “bly manor” was better in nearly  every way lols .

#reviews #tv #haunting of bly manor #on netflix #spooky #halloween season shows to watch possibly!

[zombiequincy]

THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all had witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.

MUN NAME: Hela     AGE: 21       CONTACT: IM

CHARACTER(S): Giselle Gewelle, Yumichika Ayasegawa (inactive)

CURRENT FANDOM(S): Bleach

BLEACH FANDOM(S) YOU HAVE AN AU FOR:  I have gory Bloodborne au but that one just exists in my head on my lonesome.

MY LANGUAGE(S): English and one very specific Middle Eastern dialect.

THEMES I’M INTERESTED IN FOR RP: FANTASY / Science fiction / Horror / WESTERN / ROMANCE / Thriller / MYSTERY / DYSTOPIA / ADVENTURE / MODERN / Erotic / Crime / MYTHOLOGY / Classic / HISTORY / RENAISSANCE / MEDIEVAL / Ancient / WAR / FAMILY / POLITICS / RELIGION / SCHOOL / ADULTHOOD / CHILDHOOD / APOCALYPTIC / GODS / Sport / MUSIC / Science / FIGHTS / ANGST / Smut / DRAMA / etc. 

PREFERRED THREAD LENGTH: one-liner / 1 para / 2 PARA / 3+ / NOVELLA.

ASKS CAN BE SEND BY: MUTUALS / NON-MUTUALS / PERSONALS / ANONS.

CAN ASKS BE CONTINUED?:   YES / NO    only by Mutuals?:  YES / NO.

PREFERRED THREAD TYPE: CRACK / casual nothing too deep / SERIOUS / DEEP AS HECK. (i love it all sorry I am quite the mixed bag lmao)

IS REALISM / RESEARCH IMPORTANT FOR YOU IN CERTAIN THEMES?:   YES / NO. i gotta know what certain human body parts taste like u know

ARE YOU ATM OPEN FOR NEW PLOTS?:  YES / NO / DEPENDS.

DO YOU HANDLE YOUR DRAFT / ASK - COUNT WELL?:  YES / NO / SOMEWHAT. it’s SO BAD FOR ME RN ASGLDKJDJKA i’m very inconsistent i’m so sorry.

HOW LONG DO YOU USUALLY TAKE TO REPLY?: 24H / 1 WEEK / 2 WEEKS / 3+ / months / years. / a lot of it has more to do w my general writing mood and if the thread im writing catches my interest, and rn im writing a TON of really wonderful and fascinating threads so they’re all super captivating for me and i try to reply asap

I’M OKAY WITH INTERACTING: ORIGINAL CHARACTERS / a relative of my character (an oc) / duplicates / MY FANDOM / CROSSOVERS / MULTI-MUSES / self-inserts / people with no AU verse for my fandom / CANON-DIVERGENT PORTRAYALS / AU-VERSIONS.

DO YOU POST MORE IC OR OOC?: IC / OOC. (i have a lot of stupid shit sorry) 

ARE YOU SELECTIVE WITH FOLLOWING OTHERS?: YES / NO / DEPENDS.  

BEST WAYS TO APPROACH YOU FOR RP/PLOTTING: just send me a tumblr instant message, i know it sucks shit but im not comfy releasing my discord w everyone just yet cause i use it for personal use as well. i check tumblr on the daily so if you send me a message chances are i’ll see it and respond!

WHAT EXPECTATIONS DO YOU HOLD TOWARDS YOUR PLOTTING PARTNER:  i guess just be able to put up with my rambling and stopping and starting, a lot of characterisation choices i do go through various stages and its pretty messy so when i communicate that with others it usually ends up equally messy. just be patient with me please.

WHEN YOU NOTICE THE PLOTTING IS RATHER ONE-SIDED, WHAT DO YOU DO?:  i don’t mind! sometimes ppl have more ideas that they want to share first and i’m always super happy to listen to those ideas !! sometimes its nice to have someone with a clear guide or structure and be able to work around that rather than trying to fumble through a plot together.

HOW DO YOU USUALLY PLOT WITH OTHERS, DO YOU GIVE INPUT OR LEAVE MOST WORK TOWARDS YOUR PARTNER?:  i try to map out some basic info abt their characters that i otherwise don’t know from their bio or verses and try to pick out points of confrontation or similarities to expand on with giselle that can be used as points for like a starter to happen. its either that or sometimes i have really stupid ideas i just toss out there like ‘LMAO THEYRE BREAKING SHIT AT DISNEYLAND’ and go buck wild from there if the other person is down. i also always try to warn people or get a gauge for what subjects to avoid and steer clear of considering that giselle is a bit of a Freak(tm) and will say and do bad things.

WHEN A PARTNER DROPS THE THREAD, DO YOU WISH TO KNOW?:   YES / NO / DEPENDS. - And why?: if there’s something giselle did or said that upset you, i would love to know not to repeat it again (since i do still feel pretty new to the rp game, theres still plenty of time for me to make stupid mistakes). if its just a general lack of interest or uncertainty of where the plot should go, then you dont have to tell me i wont take it personally i promise ! 

WHAT COULD POSSIBLY LEAD YOU TO DROP A THREAD?: sometimes i can be made uncomfortable by certain things mentioned... it happens but its rare 

- WILL YOU TELL YOUR PARTNER?:   YES / NO / DEPENDS. i don’t want to upset anyone personally and sometimes explaining the ins and outs of my discomfort make things ten times worse so i just. would rather not.

IS COMMUNICATION IN THE RPC IMPORTANT TO YOU? YES / NO.

- AND WHY?: i am the most nervous person you can meet and my brain is always giving me misinfo abt paranoia and random shit so i having clear concrete communication between two parties abt if something is going wrong or is being received poorly means the world to me.

ARE YOU OKAY WITH ABSOLUTE HONESTY, EVEN IF IT MAY MEANS HEARING SOMETHING NEGA1TIVE ABOUT YOU AND/OR PORTRAYAL?: i need it !! i still feel relatively new to all this and i need to know whats going wrong to improve !! 

DO YOU THINK YOU CAN HANDLE SUCH SITUATION IN A MATURE WAY? YES / NO.

WHY DO YOU RP AGAIN, IS THERE A GOAL?: to help with my confidence in writing! i have v bad anxiety when it comes to sharing my works and i write a lot of other pieces alongside this blog on ao3 and i want to develop my writing skills just in general. when it comes to like the nuts and bolts of why i rp giselle specifically, its mainly to just have fun and have a laugh w my friends who are really awesome quincy writers

WISHLIST, BE IT PLOTS OR SCENARIOS:  OH SO MANY! ive managed to fulfil a lot of my wishlist threads with like, giselle talking to characters she’s already zombified and i love all that angst but i want to do more stupid shit. i want to make it my personal goal to bully every quincy man and woman on sight. although a REAL dream would be if i got to write a thread zombifying a character who managed to escape giselle’s clutches. and more fighting! i want to get better at describing action and fights and i love to write giselle getting beat up and beating people up! more more more!! 

THEMES I WON’T EVER RP / EXPLORE:   hohoho theres a LOT... uh r*pe/dubcon threads for one, even if yeah i know writing it doesnt condone it, it makes me intensely uncomfortable to put my muse in that scenario, i feel like i have an obligation to like, protect her from that shit you know? racism is one i don’t want to transgress, even though i’m a poc, its not really cathartic or groundbreaking to write abt racism in threads its just... really fucking upsetting. also i know the quincy’s have this very close parallel to the whole n*zi imagery and ideology thing going on and i am not about to start even daring to thread that into my writing or bring those allusions and references of real life tragedies into giselle’s threads. i’ve already talked at length abt exploring giselles trans identity in rp and why im not comfortable doing so, so.... yeah! all those i guess.

WHAT TYPE OF STARTERS DO YOU PREFER / DISLIKE, CAN’T WORK WITH?: i like starters where giselle can just immediately get right into being a piece of shit. mise en scene and all that! cut out the build up and just get to the intense horror !! i don’t like starters where its not immediately clear where the characters are standing and what they’re doing and what’s happening around them. those really disorientate me and leave me kinda floundering because i always need some allusion or mention of a setting to ground giselle in a time and place other wise i cant tell what her response should be

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE MOST?:  EVIL WOMEN EVIL WOMEN EVIL WOMEN. also just characters i can wholeheartedly clown on, or also characters who have hidden depths to them and have a single panel of screentime. honestly it’s just all over the place!

WHAT TYPE OF CHARACTERS CATCH YOUR INTEREST THE LEAST?:  angry old men GSADJDKSJA i could never rp yhwach for example or yamamoto because idk. theyre just so crummy and boring to me. i also couldnt rp characters who always have an upper hand in battle like aizen. i like my dumbasses and i like them stupid and adaptive not just, ‘yes i know this because i Know this.’

WHAT ARE YOUR STRONG ASPECTS AS RP PARTNER?: i think im nice...? FKSJDKDJSA idk i hate trying to toot my own horn. sometimes i also think i make funny jokes and im pretty chill and laid back

WHAT ARE YOUR WEAK ASPECTS AS RP PARTNER?: my writing style is inconsistent and adapts to whatever i’m reading so sometimes it’ll be really good and i love it and other times it reads like really bad fanfic and i get carried away far too easily and write novella lengths for threads which should be much shorter. i also get shy a lot and dont think i communicate very effectively but HEYO we’re working on it!

DO YOU RP SMUT?:  YES / NO/ DEPENDS. haven’t had anybody brave enough to try yet lol

DO YOU PREFER TO GO INTO DETAIL?: YES / NO / DEPENDS.

ARE YOU OKAY WITH BLACK CURTAIN?: YES / NO.

- WHEN DO YOU RP SMUT? MORE OUT OF FUN OR CHARACTER DEVELOPMENT?: more for fun i’d imagine because that’s just giselles own attitude to sex and relationships where she doesnt want anything deep. it might show character development in one way of just showing how she regards others in a romantic sense to be used rather than actually appreciated as their own person and show how selfish she is but yeah, more out of fun

- ANYTHING YOU WOULD NOT WANT TO RP THERE?:  theres a few kinks and such but i dont think they’d ever really come up. again, just mainly no r*pe/dubcon.

ARE SHIPS IMPORTANT TO YOU?:   YES / NO lets hope this doesn’t make me sound like an asshole, but its more like a fun little side thing than anything important to giselle’s actual development and characterisation. 

WOULD YOU SAY YOUR BLOG IS SHIP-FOCUSED?: YES / NO. again, hardly anyone is brave enough to try to romance this evil cannibal.

DO YOU USE READ MORE?:  YES / NO / SOMETIMES WHEN I WRITE LONG STUFF.

ARE YOU:  MULTI-SHIP / Single-Ship / Dual-Ship  —  MULTIVERSE / Singleverse.

- WHAT DO YOU LOVE TO EXPLORE THE MOST IN YOUR SHIPS?: more how giselle likes to give over her power or dominate in different circumstances depending on who she’s with and what’s being done. BUT AGAIN, not a whole lot to explore yet.

ARE YOU OKAY WITH PRE-ESTABLISHED RELATIONSHIPS?: YES / NO. - i mean im down for p much anything if it vibes w giselle.

► SECTION ABOUT YOUR MUSE.

- WHAT COULD POSSIBLY MAKE YOUR MUSE INTERESTING TOWARDS OTHERS, WHY SHOULD THEY RP WITH THIS PARTICULAR CHARACTER OF YOURS NOW, WHAT POSSIBLE PLOTS DO THEY OFFER?: if you want an evil woman to taunt and mock and hurt your muse, she’s your gal. you want her to zombify and ruin your muse, shes also your gal. you want her to insult and maim and injure, she’s also YOUR GAL. basically, if you want to do anything fucked up or sad or scary, she can help with that.

- WITH WHAT TYPE OF MUSES DO YOU USUALLY STRUGGLE TO RP WITH?:  uh muses who get really angry quickly or don’t rise or respond to her jabs and are just kinda like a flatline. theres only so much pestering and annoying she can do until realises its not working and just wanders off

- WHAT DO THEY DESIRE, IS THEIR GOAL?:  to find a goal worth living for.

- WHAT CATCHES THEIR INTEREST FIRST WHEN MEETING SOMEONE NEW?:  appearance she always takes an interest in girls almost right away. age as well because she judges old people. 

- WHAT DO THEY VALUE IN A PERSON?:  a good set of guts to ruin and strong muscles.

- WHAT THEMES DO THEY LIKE TALKING ABOUT?:  women, gore, murder, herself, music, stupid memes, gossip.

- WHICH THEMES BORE THEM?:  politics, history, quincy ideology, soul reaper ideology, hollow physiology.

- DID THEY EVER WENT THROUGH SOMETHING TRAUMATIC?:  her family tried to force the burden of upholding the quincy lineage onto her shoulders, she was thrown into the wrong prison and held in isolation, then pressured to become an undying monster in service of a god and then was nearly killed by that same man and left wandering without guidance or purpose. so, yeah?

- WHAT COULD LEAD TO AN INSTANT KILL?:  transphobia. even a whiff of it in her direction and she’ll gut you like a fish.

- IS THERE SOMEONE /-THING THEY HATE?:  the twink soul reaper who outted her.

IS YOUR MUSE EASY TO APPROACH?: YES / NO. - Best ways to approach them?:  if you’re smart, you’ll bring a big bone for her to chew on and distract her while you ask whatever you want.

SOMETHING YOU MAY STILL WANT TO POINT OUT ABOUT YOUR MUSE?: i love my evil queen!

CONGRATS!!! You managed it, now tag your mutuals! ♥

Tagged by:  @bazzardburner​ cheers chicken boy !!

Tagging: @hyouketsu​ @blooming5th​ @viciousvizard​ @glacies-tempestatem​ and whoever else wishes to do this!!

#dash games #// this took ages....

[sirikyu]

Sun and Moon and character dynamics - a.k.a Ash’s unbelievably many varied types of friendships in this series like holy s

sit down friend, i am about to ramble on about sun & moon’s brilliance in its character writing. i center this mostly around ash because he’s my fave. i love all of them but i have biases from my childhood and i tend to gravitate towards main charact- i mean anyway here we go. (warning: gettin a bit personal but not in a negative way)

one of my many fave things about sun and moon are the characters. the entire main crew of classmates are all different and fun in the own individual ways and they all manage to hold an episode very well, even though they rarely have to do that (and that’s good, because it’s a story about friends and support and family!! never put them alone to deal with a new, scary situation tbh, that’s too dark for me). everyone in the main cast have all managed as the emotional core of the episode, not necessarily because they are all very likeable, which definitely isn’t necessary for good storytelling, but i’d argue that it’s valuable especially in children’s tv, showing good people making mistakes and showing how far a supportive environment goes to help them over that. every individual dynamic between ash and another member of the sumo team is so unique to each other. ash isn’t at the forefront of everything, he’s not “the” main protagonist, and he isn’t what makes this series compelling, but he IS an excellent tether between this group of friends to me, personally, and i think this show has a lot of new ash content i haven’t gotten in many, many series run (ash is great, alright? you guys are just mean.)

im especially glad of sophocles’ and ash’s friendship because their complementary differences are in such a good balance, and i have such a soft spot for sophocles. sophocles is smart and not-sporty, but he isn’t a know-it-all stereotype. i was afraid there would inevitably be a fat joke or nerdy joke, but i don’t remember seeing anything too demeaning or harmful in the light tone they handle sophocles’ nerdiness and roundness. i still remember watching the very early episode where ash and sophocles are still getting to know each other and they get stuck in the mall. even before all the fun character beats as they scramble in the dark (and get short with each other) in that episode, i remember with GREAT fondness when sophocles was very hesitant to admit he’s in the mall to indulge in ice cream. he’s shy about his sweet tooth! i found the excecution very delicate and sweet (pardon the pun), because i don’t think i’ve related in that specific way to a character before in a show? because being fat means that there is an awkwardness and hyperawareness whenever you so much as think about stepping into the candy aisle, and sophocles not wanting to admit to his new classmate-soon-to-be-friend that he’s indulging was, deliberately written that way or not, very real. (not to be a sophocles stan, but he’s a good kid and deserves everything good since episode 1).

but i digress. sophocles steps in to teach his classmates sometimes because he loves learning. he rarely acts condescending to his friends. be the everyman in some crazy situations ash and others get into sometimes (that shrinking episode?? it’s still one of my favourites mostly because of the group of characters they chose for the main conflict. the daredevil pokemon loving duo that is lillie and ash vs. sophocles’ anxiety about the hectic and kinda perilous situation!! it was hilarious). sophocles, to me, seems to value ash’s friendship for similiar reasons clemont used to, in XY. it seems more warm and mutual in this series, thanks to ash’s characterisation. sophocles saves ash in several occasions, which, just! hello!! is the best thing and i love that all these kids are heroes and worthy of admiration. they also remain good. theyre all good. all rangers are equally important. they’re all amazing. okay? alright.

its heartwarming and supportive. they also are like, bonded through their main pokemon being electric mice. isn’t that the cutest?

ash and kiawe on the other hand, they’re a powerhouse couple that egg each other on. they push each other forward and have similiar sense of drive towards pokemon and battles. ever since kiawe gave hint that he battles he found common ground with ash. also he’s such a goofball who gets SUPER emotional about so many things (his sister!! mountains!! determined people!! so many things! he cries openly!) even though he comes across as serious at first, which kind of gives us a character with some similiar traits to ash but who couldn’t ever be mistaken for ash’s personality. they both get fired up in tandem about competing, but they also come from very different lives and backgrounds. I don’t ever think to compare their dynamic to anything else, they’re really unique! they are also mutually supportive, but it has a distinct flavor compared to sophocles and ash. maybe kiawe is a little bit more relatable to ash because of their similiar interest in battling and competing?

ash and lillie are super lovely and i like that lillie has her own story that ash is driven to help her with. and they are similiar in their excitement about pokemon (and yet, in a wholly different way than ash and kiawe are?? lillie has great drive in wanting to help pokemon with knowledge and books, because a hands-on approah wasn’t possible to her in so long, but i think when sophocles learns about stuff, it’s his studious nature and interest in tiny details.) and self-sacrificing hero-type stuff. we got to see lillie fulfill her potential after she figured out her way through her trauma, and we could see that out of her shell, lillie and ash are super similiar, AGAIN in a different way from the others, but never in a less important way. lillie is just a ray of sunshine. she also knows he limitations and works toward overcoming them. her and ash’s frienship comes from going through some very important and life-changing things together. i think ash really wanted lillie to be able to touch pokemon because it’s important to him and it clearly used to be to lillie, which he realises when he sees her old photos.

ash and mallow have this very sweet and family-oriented sibling relationship. they’re not often paired up but i think the times they are, they remind me of my sister and me, which is such a big part of my love for mallow, even if she doesn’t get imo enough spotlight in the big plots. on the other hand, her personal journeys within her own family are so good i cannot be mad at anything. she guides, she’s patient, she’s enhusiastic in a similiar way to ash, but has a more level head. but she also eggs her friends on with her boundless energy. the more i think about her, the more i love her. mallow is awesome!! not least of all, she has such good relationships toward her female classmates. she’s nosy and protective, but not in a smothering way. she’s very supportive and very good at it. (the episode with the mom? killed me.) the way she takes care of her peers in the school is amazing.

ash and lana are both adventurous, i think they really like to get in trouble together lol. lana is also strong and they both ooze main character material with the way they have with pokemon in the wild. it’s awesome. i kind of feel like these two could use a more emotional episode together, but i think i’ll have plenty to be emotional about when this crew parts ways :(((

i made myself sad, but i can confidently say that this show has the most unique and varied and developed set of characters and character dynamics of all pokemon, in a cast this size. the fact that they’re good friends and have none of that bordering-on-mean banter from any of the previous seasons is in fact, a big bonus for me. i love this class, i wish i could hang out in alola indefinitely.

#i ramble about sophocles for two paragraphs just a warning #here i go talking and not proofreading #if i write bad (and i do) please try to decipher the meaning #i also put this in my drafts like at least half a year ago and decided to edit and finish writing it #sorry if i missed some points that i thought of before new exciting episodes happened

[mejomonster]

In Your Heart is a cdrama bl, actual bl with kissing and not censored, that was made this year. It's about two high school best friends who fall in love. Me and @killerandhealerqueen have seen the first couple eps, I'm not sure if anyone's finished watching it.

YoYo English Channel on youtube is adding it! I'm not sure if they'll be cutting scenes or it will be the full original show, but I wanted to mention this because I am not sure if I've seen this show on any other major streaming platforms yet. It's cute and I'd recommend the watch

#rant #in your heart #warning: the very beginning has a forced kiss that is mid arguement that is then rewinded from. implying thats a future event #if u have seen oldschool cdrama bl this is not gonna surprise you but its worth noting #i found In Your Heart really fascinating? on one level its cdrama actors and people involved so a xoncious choice #to try and make an uncensored gay show in 2022 which is admirable and im already very happy for #then its also a refreshing mix of oldschool cdrama bl feel and more modern stuff like whats coming out of Thailand and Korea #its got that sort of grounded reality bite to it i feel cdramas do better. cdramas are good #at people and plots that feel more grounded and real because theyre just a bit messy (by design) #in a way polished kdramas dont tend to be. #but then irs also a much lighter plot than Till Death Tear Us Apart or Addicted or Advance Bravely #its just 2 best friends in love. its not some huge enemies to lovers with spies like tdtua or advance bravely #whats real and heavy is the life moments like Go Ahead #is their realistic family situations and school situations and way of handling bullies #whats realistic is their classmates. their social lives #then the thai like fluff comes in. in that this show ultimately leans optimistic. its opening music #video suggests fluff and happy endings to come. #its i think a really cool example #of how if cdramas could get into doing more uncensored bl #they would be doing high school pulps too! and college pulps! fluffy ones with a bit of a bite of reality #which theyre good at! if they could #and how they are evolving still. this is much fresher idea wise than advance bravely and older stuff #at the same time? it is q bit sad. because In Your Heart does GOOD #and it really emphazises to me how if Guardian or Word of Honor #had been Allowed to just be explicitly gay. how well that couldve been done #how cdramas Could make epic fnatasy productions with queer main characters Explicitly if they had the ability

[thefloatingstone]

In 2012 I did not think I’d be able to make this list as I was convinced anime was on a permanent decline towards nothing but trash, but I am so happy that has changed! And so I give you a quick list of;

Favourite Anime made in the last 4 years!

Mob Psycho 100 (2016)

A no brainer, really. With a 2nd Season having JUST premiered earlier this week, MP100 is easily one of not only best LOOKING animes in a very very long time, but also one with an extremely strong empathetic message that’s completely opposite to most shounen anime. The theme of “having outrageous powers doesn’t make you any more or less special and important than any other human being” and how all the villains in the show are people, either super powered or not, who believe themselves “more important” than others is at the heart of its story. And our protagonist who is a person with horrifically strong powers, but who is trying to develop as a human being, and finds himself to be a rather emotionally brittle person who relies very heavily on others for emotional support. As well as focusing on the people willing to grant him that. It’s got some strong influential roots in the Earthbound and Mother 3 games and despite never saying anything along those lines, I can bet you anything the original Mangaka, ONE, drew heavy inspiration from their tone and presentation, as well as emotional core despite the oftentimes wacky setting.

The anime should also not be overlooked for its incredible Sakuga sequences, as well as using mixed media in its animation from pencil drawings, to paint of glass, to charcoal to sand, cementing it as easily one of the most visually interesting and ambitious shows in the last decade or so

Made in Abyss (2017)

An anime that understands concepts of Scope and Scale and manages to bring what is normally reserved for feature films to an episodic storyline. Made in Abyss’ entire theme and story is that of exploration of the unknown and everything in this anime’s power is honed to bring across that feeling. Its art direction headed by Osamu Masuyama whose previous work include working on the background art for both Spirited Away and Howl’s Moving Castle, is painstakingly rendered to bring as much gravitas to the setting as possible, aided by the soundtrack written by Kevin Penkin which is just as much atmospheric as it is musical in nature. Every ounce of talent is focused on making Made in Abyss’ world, culture and characters feel solid and real. And unlike other anime with cutesy art styles but dark subject matter, Made in Abyss’ darker tone is established right in the first episode and gradually builds to its first season’s climax, rather than blindside its audience out of nowhere.

I sincerely cannot sing this show’s praises enough.

It also doesn’t hurt that the animation itself is fluid and lively.

Re:Creators (2017)

When I gave this to an animator friend of mine, one who is NOT as big a weeb as I am, he referred to it as “if Ready Player One actually knew what it was doing.” Re:Creators is one of a trend of some anime where the narrative is extremely meta in nature, but rather than use this as a form of parody, Re:Creators instead focuses itself on using its meta storytelling to shine a light on Japanese popular media as a whole, both from the side of the creators who MAKE such things, as well as the side of the fans and not only their response to media, but their interpretation and addition to popular media. And unlike the more critical approach several horror anime have taken in the past, Re:Creators also shows the positive effect stories in the form of anime, video games, manga etc both on those who read it as well as those who create it. And show how fan creations and their responses and reaction to media are just as important and enriching to works like this as the very people who create them.

It’s also one of the first shows from any country that correctly portrays what online fan culture is like. Both good AND bad.

Erased (2016)

HOO BOY. The Big Guns. Most mainstream anime set in a modern setting inevitably seem to involve high school or at least characters who are high school aged. Erased, however, deals with a protagonist who is 28 years old. Due to time travel shenanigans, he is transported back to 1989 when he was 11 years old growing up in Hokaido. So already, this anime is complete skewing the generic setting for stories of its type, further hammered in by the fact that the show has no romantic subplot in it. There might be a smidge of something like “preteen romantic feelings” among the children but as far as “female hero the protag is going to fall in love with at the end” goes? Yeah there’s none of that.

Erased is an extremely dark anime, but not in the way Made in Abyss is dark. Whereas Abyss’ dark tone comes from things like getting eaten by monsters and body horror caused by the Abyss’ curse, the dark theme of Erased on the other hand is much more horrifying as it comes from “reality”. And it’s because of this I WILL have to warn people about its plot points because it WILL and DOES get uncomfortable.

The plot of Erased is our 28 year old protagonist gets hurled back in time to when he was 11 years old in Hokaido, as I said. In the winter of 1989 there were a string of child abductions and murders, and it’s up to our main character, again in his 11 year old body, to solve these crimes to prevent a tragedy in modern day. Not only does the show deal with the very uncomfortable topic of child abduction and murder, but a MASSIVE part of the plot revolves around the would be murder victim, Hinazaki Kayo, who is living with her physically abusive mother. And unlike shows like “Magical Girl SITE”, the abuse is not shown as “suffer porn” and blown up to be so over the top in how bad it is, ut is instead extremely grounded and feels waaaay to real to the point of being very upsetting. However, the abuse is not there to make the audience sad. The abuse is in the plot to further press upon the audience the borderline helpless state our main character is in. As a child, he has to rely on his experience and ability to think like an adult to try and prevent the serial murders, as WELL as try and get Hanazaki out of her abusive situation. It also serves as a learning experience for our main character, and him figuring out how he hasn’t changed at all since he really was a child, and how his own stagnation in life itself needs to change and be redirected. The show is bursting with tension and every episode exists to turn the stakes up just a little bit higher.

I’ve heard some people are extreme disappointed by the show’s ending which I will not spoil, but personally going into it completely blind, I didn’t find any of it to be a let down and its very quickly become one of my favourite anime of all time.

The Ancient Magus Bride (2017)

(I actually don’t like the intro to Ancient Magus Bride so it only gets a link since I can only embed 5 videos)

https://youtu.be/KuZbmLLv1vM

Based on a manga by Kore Yamazaki, who has stated that her reason for writing the story was out of frustration that in “Beauty and the Beast” type stories, the beast always turns back into a human at the end. However this anime is far more than just a monsterfucker’s romance novel (although it... DOES follow a LOT of those tropes but hear me out.)

Set in the English countryside (although our female MC, Rise, is herself Japanese) the show makes heavy use of english folklore. Faeries are a constant presence throughout the show, and these are not the “nice” kind of faeries you’d see in Disney. Despite theyr good nature and honest want to help, these are the kinds of faeries that will kidnap you to their realm if you so much as let your guard down. We also have excellent portrayals of Titania, the queen of the faeries, and her heated relationship with her husband Oberon. Several other creatures from folklore make an appearance too, as well as old traditions such as faerie rings, seeing stones and the magical properties of herbs and flowers.

But beyond all of that, and even beyond the romance tropes or monster protector who is also a threat and powerful lead female who also needs protecting, the core theme of the show is on life. Or more specifically, death. Rise is a girl who is suicidal. And despite her not making any kind of suicide attempt in the show, this is a fact. The majority of the show is focused on Rise learning to “be alive” again, as well as process what life is, as well as what death is in its many forms. The show is a slow build of Rise reclaiming her will to live, not because of a romantic partner, but for herself. Reclaiming her own importance as a person removed from who she could be useful towards, and a slow coming to terms with a truly terrible event in her past and letting go of a traumatic past.

The show has some pacing issues here and there, but I still qualify it as one of the better modern anime shows to have come out in years, and can only praise its life-affirming message it’s trying to tell.

Osomatsu-San (2015)

I am.... not entirely sure how to explain Osomatsu-San.

Based on a manga published in the 1960s by Doraemon Creator Fujio Fujiko about 6 identical sextuplet brothers and their friends... the current and newest anime adaptation has borderline nothing to do with its original incarnation which was more your typical Showa era “hi-jinx” type gag manga. I think the very first episode of Osomatsu-San (which is not available for official purchase last I checked due to copyright issues) sets up the entire show perfectly, as the 6 boys and their friends learn they have a new anime adaptation coming up and realise that nobody in the modern age will want or even understand Showa era manga. So, instead, in an effort to be like “a real anime” they go about parodying literally every popular trope and show that’s out at the time. From yaoi-incest baiting to Jpop boy band to Attack on Titan to Sailor Moon, they keep cranking up the “modern anime” aesthetic until it literally explodes and collapses in on itself. And after realising they don’t have what it takes to compete in a modern anime word, the characters resign themselves to being losers who will never achieve anything in life.... and that’s where the show starts.

I can only refer to the show as “Millennial humour: the anime.”. 90% of it is just comedy with our 6 main characters who are, at their core, pretty terrible people. However, their issues and struggles of trying to be adults make them some of the most relateable anime characters out there. The show bounces from parodying popular culture both in anime as well as in movies to outlining the problems of trying to be a late 20-something year old in modern society to actual hard hitting drama that actually makes you angry because how DARE this stupid show actually make you FEEL things???

It’s borderline impossible to try and explain this show because, just like its 6 protagonists, it doesn’t seem to have any direction in its life. Which is exactly the point.

#anime #Long post #image heavy #video #recc #modern anime

[mountain-of-divine-fire]

Crystal skulls. Whats the appeal? & Their ancient, phony history. 💀☠️💀☠️

Disclaimer: Most of my posts about magic are my personal craft, and my opinions. I hope they inspire you in your craft, but as always, they are just opinions. my word is not the authority , and neither is any other blog post.

The history

If you want some well sourced and better written information on how these skulls came about, I suggest the wikipedia article for crystal skulls.

In the early 1900′s, there was a trend of the occult, adventuring, archaeology, and treasure. This resulted in a lot of fake artifacts that people produced solely for fame and fortune, and a lot of frauds.  (similar things come to mind, like the Ica stones, Ectoplasm photography,The trade of shrunken heads, and pretty much anything to do with Ed and Lorraine warren, in my opinion at least.) 

Tldr, think about stuff like the plot of the disney tarzan movie. White dudes, trying to make money off of some culture theyre actively harming.

Theres a lot of “history” about them being Mesoamerican artifacts, important in aztec, inca, and whoever else they've decided to pass it to’s religious practices and magical rituals, but this is simply not true. There probably have been skull shaped idols/icons in the past, but these perfect, “ancient aliens” style , magical, all knowing , perfectly carved crystal skulls were made up purely to sensationalize them. Anything about getting “all 13″ or however many together for some ritual,, i call BS. 

Most modern carved skulls might have had these older ones in mind when they were made, but truly, have nothing to do with them.

(a modern skull that was originally passed off as an artifact, who resides in the British museum)

So whats the appeal of modern skulls? 

First of all, from a lapidary standpoint, skulls are challenging and fun to carve! having a style, giving it an expression, the markings that end up on it from the inclusions in the stone, all very fun for someone who cuts stones. Its simply art, even if you dont use them for anything else. alot of the time, due to the quality of the materials, and the effort that went into their creation, they end up higher end of the price range. Its worth it if youre willing. 

In magic, the skull shape is symbolic of many things. of the self, mankind, of consciousness, maybe a memento mori, or a figure to represent death or the cycles, for retaining knowledge, or maybe just for ancestor worship. (And probably more im overlooking.) They have so many uses and are very versatile just for their symbolic meaning. Skull candles are also very good for magic no matter what kind of magic it is.

This next part is something ive learned/realized in my work~

The skull shape also gives the crystal spirit a stronger personality. by giving the crystal a Human-ish shape, or one that represents us at least, it can easier express itself in terms a human can understand. Crystal skulls a lot of the time are more talkative and opinionated than regular crystal spirits, simply because now they have a link, and a way to relate to humans a bit better. Another part of this is because a human put work and effort into making it, and the love that comes with the craft contributes to its personality and strength. 

These skulls are known to be knowledgeable. If you have questions, try asking a crystal skull. 

A lot of skulls have their own likes and dislikes, and relationships. One skull might name itself the protector ,mother, or leader of a group of skulls. They might have likes and dislikes concerning the way you cleans them, what music to listen to, who should be put where, And the fairness of house spirit rules.

(my sisters skull, the dumortierite with the mask on the left there, wasnt fond of my rules when i put them into place. just try and work it out with them if they have any scruples.) 

Crystal skulls are good to have as companions for those who want to start spirit work, but start somewhere kinda small. Theyre a step up from plant spirits, but are probably easier than more complex spirits. They help in divination and meditation because of their opinions, and in general, theyre just really fun. Even if you start out off put by the imagery of a skull, try adding one to your family. You might just find that youve fallen in love. I didnt buy my first skull, it was given to me as a gift,i never considered getting one. But ever since then my family has steadily grown.

Good ole grainy pic of my little family. Left to right, Doomy, Princip, Seft, Jasper (whom isnt a jasper), And Tibbs! theres still room for more on my shelf, too~

~~~~~~

Like the ideas in my Crystal spirits post ,Which you should totally check out if you dont know how to work with crystals, btw,  These skulls work the same way as regular crystals. once you get to know them for a while, ive found most of the time they WILL give you their name, if they have one. If you have problems trying to work with crystals, get you a skull. they seem to be much stronger. 

Certain crystals might have preferred roles. Some like to work in healing magic, some like to help in divination, some may help in grounding/warding/protecting, and some may just like to hang around with you just for fun.

There are also other shaped skulls, some looking like aliens,some being bird skulls,  some having decorative carvings on them, or druzy body horror aspects  (my seftonite up there, the big guy, has a snake on his head~)

Im sure other folk use these crystals in different ways, but personally, thats how i work with them. 

 What if I think skulls are spooky and gross, and i dont want them in my craft!

Dont be scared when i tell you this, sit down for a sec. Grab your own hand. Poke at it a bit, Feel that? The hard stuff? That means youve got a skeleton in you, Right now! Dont be scared of them, we all have one. Theyre pretty neat.

Im mostly jokeing, but being grossed out by something that helps you live is kind of funny~ 

I know skulls are given a bad rep. some known as “deaths head”,and in the instance of one crystal skulls in specific, “the skull of doom” . Because they can be used to do hexes/curses, and predict/cause deaths. But most of this is because of the aforementioned sensationalism. Skulls bring up ideas like death and decay, evil, and general bad omens. some people just dont like looking at things that are considered “gorey” or “macabre”. but let me sway you to think about it on both of the sides. Anything symbolizing death also comes with the ideas of rebirth and regrowth. Anything negative must be analyzed to find the positives. Even if you “CAN” theoretically use them in negative magic, you dont HAVE to.

💀☠️💀☠️ 💀☠️💀☠️ 💀☠️💀☠️ 💀☠️💀☠️ 💀☠️💀☠️ 💀☠️💀☠️

If youve found this post as a magic user who was unsure but curious about skulls, i hope youve come away with some more knowledge on how to work with them/their history. 

If youve stumbled upon this post somehow because you are a parent, and are concerned for your kids obsession with “morbid” things, or possibly that they are a practicing magic user, just be aware they are probably just exploring their creativity and bringing positivity to the world.

A lot of things you can use crystal skulls for, is the same or similar as candle skulls, and real bones. (the discussion of bone magic and the ethical problems with owning actual remains, whether human or animal, is for another time, and definitely not for this post. I only work with crystals and candles and therefore dont have a dog in that fight.) 

And after all, if you dont WANT a skull. you dont absolutely need one. But i would definitely recommend trying them at least once. most of the time they are friendly, and willing to help. I hope this post made at least a little bit of coherent sense. 

Admin Fifa~

#crystals #witchblr #magic #witchcraft #witch tip #aesthetic #spirit work #crystal skulls #skulls #skull #skeleton #magician #witchy #spell #macabre #animism #crystal healing #divination #long post #reference #halloween #crystal witch #spell work #fifa speaks #scrying #wicca #spoopy #spooky #skeleton war #indiana jones

[abundantchewtoys]

HS Epi Meat, p5 reaction

Meat Page 5.

We might be due another perspective switch - unless the plot stays with John until he's assembled all his friends.

When John goes to pick up Rose, it’ll probably be on LOLAR. Terezi might still be there, if she hasn’t gone clownhunting just yet.

If so, perhaps we’ll get to see whether Rose ‘n Terezi’s migraine was really due to the substance abuse + caleidoscopic colours of LOLAR + glitches… Or whether it was due to the GO timeline “supposed to” have gone differently, with John’s current retcon being the thing missing to happen. It takes a bit of effort, remembering what everyone was exactly up to on this part of the GO timeline and what would be a fortunate time for John to take it off the rails. For Kanaya, that might very well be the moment Jane set up her literal shop on LOFAF, selling her all those blood potions, for instance.

For Dirk, it might be before his conversation with Arquiusprite.

I'm getting the feeling that John might be jumping to exactly those moments in the scenes where the characters were at their lowest, self-esteem wise. Giving them a literal second breath. ;)

Not sure what we can expect from the ghost side of things though. I think they might not be duplicated, leading us to meet up with (Vriska) as we knew her, punk cut and all. Even though GO Terezi's ghost will be there with her too.

I'm half convinced Calliope will get copied somehow, but not entirely sure. The only 'real' duplicate Calliope had already, besides Alt Calliope, was her dreamself. He could snatch the body, but I was under the impression Caliborn consumed it in a literal sense to establish his dominance over the body.

Meanwhile, it occurred to me to that Andrew Hussie (the author avator) will make a comeback, probably a background cameo. I've only now realized that he's a literal ghost writer of his own story right now, in-canon. While outside of canon, he’s more becoming like Stan Lee, executive producing stories using characters he designed.

Anyway, let's start this up.

---

"The stands of the Cantown Memorial Arena" Okay, my first thought was this takes place on the meteor, but yeah, it's a building named presumably after the literal Cantown WV build in his station, back on Earth. Or the Exile Town that Bec Noir massacred. Though, does this indicate a perspective switch back to Roxy... Or is the CMA where Rumble in the Pumpkin Patch is recorded? Probably the latter, meaning the perspective is switching back to Dave! Uh, the alpha version, I guess I should call him? Post-canon, adult Dave?

"His shit eating was so brutal that no one, except maybe Jake, cares that he’s taking a phone call in the middle of a live broadcast." So, was it staged, or did Jake really get a power boost, coming into his role as the Page?

Also, I feel like if Karkat's run for president gets announced by Dave on live television, "and the crowd goes wild" will apply here.

"Dave takes a seat on the couch, right in Karkat’s butt groove." Okay, so he's not going just yet. ... Karkat's butt groove is available because the latter absconded the fuck out last we saw him, hahah.

"a piece of absolute garbage." Callback secured.

"DAVE: while the beatdown you just received was as thorough as it was humiliating im afraid as usual the solution to this problem should probably not involve your decapitation" While Dirk might be the one to keep this beaten dead horse of an in-joke going, Dave isn't going to be the one to cut its head off and end its misery. :P

"DAVE: jake just kicked your ass DAVE: thats really all there is to say on the matter" AWWWWW yessss, hahahahah. Dirk's laid down, on the ground, on his smartphone, just like Dave was after his beatdown by Bro. Awesome callback.

"DAVE: its really amazing how this meme we have going here continues to be exactly as funny as the day it was established DIRK: Isn’t it always though? DAVE: yeah" That's Strider Irony at its finest for you. You never can be entirely sure non-sincerity is what's taking place here.

" DAVE: how DID you get your ass kicked so bad DAVE: jake sucks and his raps are fucking awful" Oh, scratch that thing about his power level, then. ... The rapbots didn't join in to beat Dirk down, did they? ... Though I would like to see either them or their zilly versions again. :P

"

On the TV, Dirk makes an elegant hand sign that once might have represented solidarity with some ancient coastal rap group but now has been utterly divorced from its cultural context here on Earth C." Is it a sign associated with... the ICP? Yes, I guess whatever 'references' the kids make get picked up as divine decree...

"The camera pans away from him and over the crowd. It zooms in on a young crocodile wearing an oversized T-shirt with Jake’s highly marketable ass plastered over it and the phrase “Tally ho” written in big bubble letters." ... including stuff that was already dated when the gods were still actual kids. (By which I mean the phrase, not Jake's marketable ass.)

"DIRK: Holding back a little to achieve certain results doesn’t necessarily mean you’re participating in a farce or rigging the event. DIRK: We do this all the time. We hold back our thoughts, our true feelings, our full potential. We disguise how much we know about what and when, for many purposes. To ease relations, to let others behave naturally and make up their minds without undue intervention. To wait for the right moments to show our hands, to pick our battles. " Dirk is still overthinking things. :P He's also still a schemer, even though he's grown more mature. I think in this case, he might be trying to keep up Jake's taste for adventure and hone his skills? That might be related to the fact that he's one of the few in the know of what John is up to (also a thing he's withholding right now), and he might be trying to get Jake battle-ready in case he needs to be. ... In case he doesn't believe they'll stay irrelevant to the plot.

"DAVE: my dog you are full of some SHIT today arent you DIRK: Absolutely." It's a good thing Dave can see Dirk typing, otherwise I might have asked whether Dirk may have reinstated an autoresponder to answer when he's busy. :P

"DIRK: And when it comes to theater, there are just as many reasons for restraint. To build tension. To set the stage. To give the people someone to root against." Okay, that's actually kind of meta. Also, in-story, it might mean Dirk is deliberately trying to come off as weaker, to get people to boo at Jake so he can play hero?

"DAVE: i can see you on tv DAVE: theyre booing you dude" Okay, never mind.

"The excitable salamander manning the camera switches to a fish-eye lens for some unfathomable reason, giving the whole exchange an air of demented absurdity. Dirk’s sunglasses distort and stretch to dominate the entire screen." I'm all here for NPC races doing menial labor half-way competently. :P Also, I feel like there should be some sort of visual callback to that image of Dirk's sunglasses. Something to do with the black hole from Problem Sleuth expanding to suck the entire universe up, which was reflected in the Stiller shades, and the event in itself is being called back to now, in the Black Hole sucking up the Furthest Ring!

"JAKE: What about the agitated rabble? Theyre starting to throw things. DIRK: I don’t know. Do a dance or something. Sing a song. DIRK: They love anything you do. JAKE: Ummm. JAKE: Ok sounds stupid but ill try." Using Jake's charisma as crowd control? Dirk, you beautiful mastermind.

"Jake tips an imaginary hat toward center stage and begins doing the Charleston." Hah, right, this might be a callback to that other Page dancing old-time dances, hahah, Tavros after he assembled the ghost army.

"Just as Dirk predicted, the crowd immediately loses its shit, except for a single carapacian in the front row, who continues to glower at Dirk with an expression of absolute and total contempt." If Jack hadn't remained in the session, I would've designated this guy as his great-whatever-grandchild.

"DAVE: why do you want people to hate you so much DAVE: its fucked up DIRK: You’re reading way too much into it." I don't necessarily believe that.

"DIRK: If I wanted another round of embarrassingly indulgent and mutually masturbatory psychoanalysis, I would have called my daughter instead. DAVE: hm DAVE: do i need to point out how fucking weird what you just said was or can that start going without saying at this point" This. This is Homestuck. This entire exchange.

" DIRK: The point is, playing myself up as a villain figure in this hacky rap pageant has nothing to do with getting people to dislike me. Besides, everyone loves a good villain. When they boo, they don’t really mean it." That has me thinking of Thog, a villain from Order of the Stick, actually. But yeah, Caliborn, Condy and others were really good villains. Doesn't mean we didn't mean it when we cursed them, though.

"DIRK: I think you’d be surprised by how popular I actually am. DAVE: i dunno man" At some point, playing the villain stops being a role, if you're too thorough in antagonizing the crowd. Dirk may have gone overboard here - in his role in the pageant I mean, I don't think anyone loves their god any less. Just one more way to show that, victory state or not, their original issues still come into play and challenge them to grow.

"DIRK: The point is, this is much less about me, and more about providing a foil for Jake’s heroism and charisma. DIRK: It’s very important that his popularity continues to be cultivated, to maximize his political capital. DAVE: political capital" ... Oooooh! Thinking three steps ahead of everyone again, nice going Dirk! I think Dirk might even have foreseen Dave rallying Karkat to stand against Jane, but I wonder which side he'll be choosing!

" DAVE: what the fuck are... DAVE: ok how long have you known about the jane thing DAVE: i mean is this something you have been planning for like DAVE: a long time or DIRK: Planning is such an intense word." Oh, he's trying to pull the strings again, is he? What game is he playing then, what policies does he want to instate, if any? ... Is Dirk a supposed xenophone too, or just playing to the tune of the largest group of swing voters?

" DAVE: jane is a shitty candidate dude DAVE: shes going to be so shitty DIRK: I thought you’d feel that way." ... Pfff I just realized Dirk wasn't typing, since this was a phone call. He's saying this all out loud! Typing's the old way of conversation, we discarded it for the most part, everyone has their Gift of Gab now. Well, hopefully at least Dave's part isn't being recorded and broadcast.

"DIRK: I respectfully disagree. DAVE: i get shes a good friend of yours and all but even you have to admit how far up her own ass she is DIRK: Of course. I consider it to be among her best qualifications for the job." Dirk might just be thinking: a self-absorbed candidate won't notice being pulled around. Even though she's, you know, his dear friend and all, he's still planning on manipulating her. :/ Old habits and such.

"DAVE: christ DAVE: ok if nothing else have you at least taken into account the DEVASTATION to the economy this will cause???" Strider Irony(tm).

"DIRK: Dave, I think if you search your soul, you’ll come to the same conclusion I have. Jane is just what this planet needs. DIRK: We’ve all had our fun here, but it’s easy to overlook the fact that civilization on Earth C is hardly a sustainable proposition. DIRK: Just beneath the surface, it’s quite a dangerous and unstable place." Oh, cool, so Dirk was acting on the same things Dave noticed, just having drawn different conclusions. Guess there's more to playing god as a winner of Sburb than sitting on your butt all day long, huh?

"DAVE: i know that DAVE: which is why actually i think it would be cool to have a president that is good instead of bad DIRK: He’s not as great as you think. DAVE: what" See, I know Dirk'll say Karkat, but I kind of wish he'd say Obama. :P

"DAVE: who DAVE: obama?? DAVE: how dare you" XD PFFFFFffffhah, okay, should've seen that coming.

"DIRK: I’m happy for both of you, really. It’s nice that you encourage and support each other in this way. But you’re sending him on a fool’s errand which can only end badly." Like, I understand where Dirk's coming from, we know how unbalanced Karkat is at his worst. But Dirk's seems to be the conservatist route, while the current status quo is so unbalanced someone with at least a little liberal thinking should try changing policy, little by little. ... Okay now Homestuck has me doing political discourse. Hussieeeeeeee! ... Why am I now picturing a Homestuck AU about the climate change truant student marches of Europe?

"DAVE: wait DAVE: how do you even know hes entering the race DAVE: we like just decided this DIRK: A competent political operative has his ways. DIRK: Besides, it was always pretty obvious to me you’d react this way the moment the announcement was made." Okay, not ruling out entirely Dirk has something spying on Dave, but that would verge too much on what Bro would've done in his place. He probably just cold-mindedly assessed his potential response.

"DAVE: cause if youve already got jake on your side then i guess we might as well just fucking quit DIRK: I wouldn’t worry about that. DIRK: He and I don’t quite have the rapport we once did. DIRK: He’s “over me” and doesn’t spare opportunities to make ostentatious demonstration of this claim. DAVE: um DIRK: Basically he doesn’t like being told what to do. Especially not by me." Cool, okay, so... Jake is needy in his own way, in showing he can fend for himself, at least that's how Dirk sees it. Guess they still hang out a lot though, just no longer "like that". That must be a letdown for the shippers, but a boon for the people that felt betrayed at seeing Dirk & Jake back together in the Credits. I like that middle road, actually! And hey, the versions of Jake & Dirk in the New Game Plus timeline, or whatever we should call it, are still fair game!

"DIRK: So it’s fair to say as of now, he’s still fully in play. DIRK: Not that I should be encouraging you, really. DAVE: you are one doubletalking son of a bitch you know that DAVE: i cant tell if you dont want us to run or are reverse psychology mindfucking us into running" Very true, that. Why would he share the truth about Jake if he wants to win, unless he wants fair competition? Best not to dwell on it too long on this neverending stairway of hidden intentions, lest we fall down it.

" DAVE: not like i can just stand around and wait for president crocker to like DAVE: write fucking grammar laws into the constitution" Pfffff, yes, I had forgotten about Jane's grammar practices, hahah. Guess she has a good running mate in Dirk for that, at least, capitalization and everything in order when he's not rapping.

"DIRK: Sorry to cut this short, but diapers are starting to come down pretty hard right now, and some of them haven’t even had their babies removed. DAVE: what" what. I hope it's at least consort babies, they're arguably the most resilient, as semi-sapient animals.

"DIRK: That was a joke." Ah.

"Jake can’t help but watch the motion, raking his eyes over the muscles shifting beneath the skin of Dirk’s neck and arms.

There is something implacably magnificent about Dirk Strider, Jake thinks, untamed like a wild game beast of incredible size and strength." ... Well then! I didn't think the narration would offer us this view from the perspective of Jake, thought it would be reseverd for John! Not entirely sure how I feel about the privilege of seeing Jake pine for Dirk, though. :P At least it clarifies where the allure is in it, for him. It's an extension of his taste for adventure and his upbringing on an island full of terribly powerful beasts.

"Of course, their history together is never far from Jake’s mind, however many years it’s been since their last tussle of an amorous nature. The old dramas and triumphs in the days of Sburb. Dirk’s companionship has been taxing to the heart, to say the least, and yet he’s taught Jake so much—about combat, philosophy, life, love." Okay, that is just such a Jake thing to phrase it like this. I'm glad we get to see he's not so oblivious or un-elloquent in his mind as he presents himself to the outside world, consciously or not.

"But sometimes, despite their checkered and problematic past, Jakes wishes that he could seize Dirk by the proverbial horns and wrest him bodily into becoming a much more agreeable fellow." Heheh, so Jake actually would like to impose on Dirk some manners. At least with him it stays with desires, while Dirk really did try to impose on Jake when they were together.

"DIRK: How about you kick off the next round? DIRK: I bet this crowd will settle its shit right down the moment you drop the latest rhymes you’ve been tinkering with." This is going to be painful to read, isn't it? ... If we're going to read them at all. ... I swear, this might just lead into them having "the xest rapoff in the history of Earth C".

"Jake’s face lights up. He composes himself, adjusting a bow tie, although he is not wearing one, and making a vague gesture like he’s twirling one end of that mustache Dirk has not yet let him grow. Dirk lets him go with a gentle smile, like the sort you’d give to a dog for performing a trick adequately. Jake responds to the signal like an Olympic athlete hearing the starter pistol. He was born for this." All the best and worst aspects of Dirk & Jake as a couple are basically summarized here. I mean, Dirk is not even WITH Jake and vetoes some of his choices. Then again, Jake really does have TERRIBLE (but hilarious) taste in mannerisms.

"JAKE: Tally ho its me, jake mcgee! JAKE: Popping my pistols off, two shots and a kiss JAKE: My aim is tops, i never miss" ... I'm not disappointed, this really IS almost physically painful to read, as expected.

... Okay that was actually a very amazing rap. Well thought out, good use of the vocabulary, dated though it is. I liked "jake-eng's" and "jape-slings" in particular, especially since that was what Vriska dismissed him as, a joke, a jape.

"The crowd, as Dirk rightly predicted, has settled its shit right down. This is not due to any accidental brilliance on the part of Jake English, but rather due to an abashed but loyal brand of pity, the kind a devoted fan cannot help but feel when they see a beloved celebrity make an ass out of themselves during a live broadcast they have waited two and a half years in line to buy a ticket for." I think this might be Dirk's POV. Not everyone's tastes in rap are as dignified as his, after all. :P Consorts in particular might love this. Then again, we saw John embarass carapacians not too long ago, they're not immune to pitying people. But hey, on the brightside, maybe some of the audience <>'s Jake now. :P

"Dirk’s phone begins going off again." Unless it's something more ominous, this is probably Dave having the last quip.

"With a casual flick of his wrist, Dirk snaps out a bright red tranquilizer handgun and shoots Jake in the neck. Jake’s glasses crack when he hits the mat. A chorus of boos rises up from the crowd like groundwater. Dirk artfully dodges a bucket of obscene troll fluid to field yet another very important personal call." ... Did Dirk actually use a Crockertech tranquilizer on his co-god? What the hell, Dirk? Guess all is fair in the ring.

And I suppose it's not Dave then that is calling him this time, if he takes such drastic measures.

"DIRK: Yo Rose, what's up?" Oooh, if we get to see this, that would be early we get to see Rose again! Dirk and Rose'll probably be planning their next move now that John has left. (Which I take Rose to already know about, through her Seer powers, or a call with Roxy.) ... Maybe some of their plans only could have worked IF John left, if they wanted to regain some measure of relevance through them.

#homestuck #upd8 #reaction #spoiler alert #dirk strider #dave strider #jake english

[tumblunni]

Wow i had such a weird dream?? The story itself wasnt too unusual, just an emotional moment of an anime that doesnt exist, but the way the dream delivered it was really confusing!

The plot of this apparant anime was that there was some sort of ragtag group of monster people wandering the earth looking for a place they could belong without being hated. And i got the feeling here that they'd just found a place where things were going good, but the show's recurring villains appeared and revealed their secret to the town and now they had to flee again as everyone they thought was a friend took up pitchforks against them.

And the main focus character was really interesting? I dont think he was actually the protagonist but he got the focal role in this episode. Cos the monsters had to disguise themselves as humans to live in this town, and this was the youngest monster who didnt know how to do that yet. He had a really emotional struggle of pushing himself so hard to try and master this skill, because he was actually unique amoung the group for being a monster that was actually once human. So it was a combination of frustration at being a burden to his new friends, with desperation to finally see his own face in the mirror again.

And I feel like maybe before he became a monster he was bigoted against them and scared of them? Within the dream i recalled watching that other episode some other day, and apparantly it was super emotional. It started off just seeming like another 'we find the town of the day along our journey and meet some friends and/or solve a conflict' type thing. And this kid was mostly antagonistic through the episode, a dumb naive kid who believed everything negative about monsters and now struggled with the situation of being the only one who knew the truth that these guys are monsters but also now theyre doubting whether they should reveal it because these people seem so..normal?? And scared?? Starts to doubt whether all the other monsters executed by the corrupt church in their town were fully sentient too, and every time the 'nice' priest was teaching them how to spot liars he was really teaching them how to kill innocent monster people who were just as scared as the humans are of them. But the roots of gaslighting and abuse from this priest ran deep, so the kid struggled with the choice and ultimately made the wrong decision. Also i think maybe theres a reveal that the priest was actually their biological dad too, just for even more levels of why theyd make that wrong decision. And more reasons why its horrifying that the priest dad just treats his kid like shit once they outlived their usefulness. Im thinking something like the kid tries to make up for their mistake and save the protagonists but they get captured by their dad and like.. Ok holy fuck this dude is outright willing to murder his son and he's eminantly aware that these monster people are 100% sentiebt because he's using the threat of killing his son as a way to get them to lay down their weapons and agree to be recaptured. And then i think there was something super messed up when it was revealed all the monster attacks that happened to the town to get them so scared and paranoid were actually orchestrated by the priest as a form of control over his citizens. He had some sort of Ominous Doom Science to both turn people into monsters and control them to do his bidding. And like the predictable asshole he is, even after the protagonists gave up in order to save the kid he still killed him anyway. And after snapping his neck he threw him down into the prison cell with the protagonists and was like 'lets torment them by making them fight the kid they wanted to save'. Because it turned out he'd been doping the kid with a special dose of the monster formula ever since birth, and he was his 'secret weapon' all along without knowing it. Ultra super mega concentrated doom form of the artifical monsters he uses in his army, activated upon the moment of the kid's death. But then it turns out the ultimate experiment was too much for him to control and the kid was able to keep their mind in their new form, and turn against him to save their new friends. But when they realized what had happened to them, they broke down in fear. And everything was super depressing cos the protagonists knew this poor kid was now doomed to share their fate as monsters, and theyd have to take them away fron everythung theyd ever known in order to keep them safe. But also heartwarming at the same time because the kid had never known a truly loving family before, and as they passed out in the arms of main protagonist mom friend werewolf they felt like maybe this is what having a real family is like...

So anyway that led to a bit of an angsty team dynamic with this new recruit? The kid was obviously all new to monsterness and terrified of everything. But also even now they were struggling with that 'what if my abusive dad is right' instinct drilled into them from all those years. They still struggled with really believing that monsters arent evil, and like 'no i must have only disobeyed him because i was infected and i didnt know it, monsters are evil and i became one because i'm evil too'. Unwilling to believe that their dad did that to them and trying to find excuses where it would be their own fault. Maybe the kid was even tricked by another villain at some point who lied about having a cure? Like even whenthey became more able to trust their new monster friends they were still like 'theyd be happier if they became normal right?' Lots of angst and messing up and this poor kid feeling not only weak and useless to the team but also outright toxic to them.

So all of this led to this situation where disguising yourself as a human is a skill all the other team members already mastered and this kid is struggling real hard to accomplish it in order to save the day. Ans its extra depressing cos they havent seen their original human face in months, and theyre trying to cling onto the memories but scared they migjt forget what it was like to be human. And then i cant really recall all the details but i feel like the writing and cinematography were just super amazing emotional on this scene of the kid struggling to Do The Thing in time to save their friends, and like.. Atone for all their mistakes.

Also i think like the kid had this big super kaiju ultimate chimera form which was what their dad designed them to be, but also most of the time they were poofed into a tiny mascot sized version of that. And theycd never actually managed to control their powers enough to turn into their battle form willingly until now. Just this super depressing and also uplifting scene of this fuckin tiny monster kid being pinned to the ground underneath the villain's heel, trying desperately to turn human again to save their friends. And i think it was an awesome moment where they did manage to regain their old face for just a few seconds, but instead of actually learning to master the human transformation they learned to master their battle form instead. Like, accepting that that old face isnt who they are anymore, and it wont help like they thought it would. What they really need now is their REAL face! Some sort of dramatic badass speech about this that cuts the villain's philosophy right in half, and then a badass scene of tiny kid finally being able to control (and not be scared of!) their beast form, and fight the whole damn army singlehandedly to save their friends!

Also i think there was an extra emotional moment somewhere along the way where one of yhe villain generals was like 'no, stop, i want to see if they can do this', and actually started motivating the kid. Like i think they were a brainwashed soldier of the old priest bastatd who was sent to kill these monsters supposedly to avenge the priest's dead kid but they were actually starting to have doubts when this terrifying monster that 'killed them' seemed to act so much like a child. So this was the big moment of them finall believing the kid, and getting to see proof it really was them and the priest really was a manipulative evil bastard all along. So i think they switched sides and joined super powered up kiddo in fighting their fellow knights, giving them the keys to go free their friends. And possibly this knight person also joined the team after this and was the first proper human ally theyd ever had? And probably had loads of emotional plots of atoning

ANYWAY that was the cool really engaging story of my dream that i wish i could watch a real anime about!

But the weird part was that this was all delivered really fragmented cos of how little sleep ive had lately. I was seeing it in the form of (for some reason) laying down on the stairs at my abusive father's old house, listening to it playing on the tiny tv he had in his room. And you may have noticed i kept mixing up the kid's pronouns, thats because everyone in the dream was represented visually by a character from some other franchise and it was REALLY confusing! The kid was like an amalgamation of all the dudes from Wolf's Rain which i guess is where the concept of wandering monsters in human illusion came from. (Tho they werent all reverse werewolves like in that show) It was weird cos i knew this character was meant to be a child but they looked like five ripped teenagers smooshed together? Cos i havent seen that show in ages and couldnt even remember the protagonist's name. (Was someone called Hide or is that a guy from tokyo ghoul? I think they had the outfit of the tokyo ghoul guy.) And then predictably the evil priest dad was cornello from full metal alchemist mixed with my old doctor who had the same name. But less predictably the redeemed villain holy paladin knight guy was replica riku from kingdom hearts?? Ans specifically his medal from the app game, like he came with a floating medal attatched to his waist like a mermaid who was also a coffee table.

Also it just ended with a floating box of hair dye that turned to face the camera and it was actually coffee in a hair dye package. Like an exact replica of the blonding bleach i usually use, right down to every detail, but all the text was replaced with coffee info. I..i dont know what that has to do with anything else that just happened...

Oh also i think maybe one of the other teammates was a big cuddly 50-something circus ringleader type guy? He was the friendly comic relief but actually deep downn the most tormented of all of them. He'd been imprisoned as a circus attraction for most of his entire life and dressing up like a ringleader now he was free was kinda a way of coping? But yeh i think he bonded well with the kid cos they both didnt have much experience with being free and everything seemed new and scary. This guy also didnt have much experience of monster society either cos he'd been enslaved since he was a child. Man this anime sounds so fuckin intense and dark and emotional but also full of powerful friendship!! Why cant i watch any more episodes!! give me a sequel dream!!

#weird dream tag