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#and that would be nice to have as a polished piece... we'll see we'll see
gwinverarrouz · 9 months
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me: well, I’ve decided that I would draw whatever my heart desires for the last part of the challenge, so. what do I want to draw
me:
me: LITTOL CRITTERS
Aah, that was so nice. I love this actually. Just pay me to paint various amphibians, crustaceans, insects and other little beasties and I will be happy I think.
(Featuring my beloved little cat as well!)
And thus concludes my “photo studies without picking colours” August challenge! I redrew the picture I did at the beginning of the month and while the difference might not be the greatest (?) I do feel more confident so, yay! Good job me you did it
I really want to go back to drawing less realistic stuff tho XD
Part 1 Part 2 Part 3
(references from pexels.com, except the cat which is mine, putting some comparisons under the readmore if you want to see how well I did with the colour matching) 
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:>
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luveline · 8 months
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as a kid i was so scared of my parents splitting up, what if roan learns someone in her class’ parents are divorcing and it sends her spiralling thinking she’d never see reader again?
thank you jade 💛
thank you for requesting lovely ♡ eddie and roan (almost) stepmom!reader, 2k
"Yeah, I got the expensive kind," you're saying, phone sandwiched between your ear and your shoulder, a knife held loosely in your hand. "I don't wanna make it wrong." 
Roan can vaguely hear the rumble of her Uncle's voice on the other side giving reassurances. 
You scrape the blade of the knife against the cutting board. "I know. I know, Wayne, I swear, just… I hardly ever make him dinner and this is our last anniversary before we get married, and– I know. Sorry, that's– I know, you don't mind, it's just–" 
Roan attaches herself to your hip like an octopus, looking up at you as you look down. You smile at her, putting your knife flat to stroke her hair. 
"She's right here," you say, "she's helping me… okay. Thanks, Wayne, you're the best. See you tomorrow. Alright, I will. Bye." 
You put your hand behind Roan's shoulder and walk her with you to the phone. As soon as you've hung it back on the hook, you scoop her up to hold against your chest, even if she's getting longer and longer every day. "Hey, babe. Uncle Wayne says he loves you and he missed you today. He wants to make you dinner tomorrow, so we'll find your nice blue dress tonight and put it in the wash." 
Roan flops her face against your neck. "I love him too." 
"He knows." You press your cheek to hers briefly. "Okay, you wanna sit on the top with me and I'll finish making today's dinner?" 
Roan's happy to sit on the counter and swing her legs as you finish making the pot pie. It's one of Eddie's favourites because his mom used to make it a couple of times a month, and so it's one of Roan's favourites, her lips quirked with excitement as you chop onions, carrots and celery into small pieces for the frying pan. 
"I love the carrots," she says. 
"Yeah?" You uncap the cooking oil to pour a generous splash into the pan. "Want me to put extra in? I don't mind." 
Roan nods enthusiastically. "Yes!" 
She's happy watching you cook at first, but she gets quieter as you finish up. By the time the pie is in the oven she's picking at her little nails, shards of polish in her lap like powdered sugar. 
"You okay?" you ask, wiping your hands clean. She shrugs. You shrug back. "What's that mean?" 
"I'm thinking." 
"Yeah?" 
"Yeah." Roan pokes her toes into your thigh. 
"Well, daddy's home soon, but you know you can tell me." 
"Mm," she hums, holding out her hand. You don't take it, folding her into your arms for a hug instead. 
It would usually make her feel better, but Roan feels ten times worse as you soften your tone to a less cheerful murmur, "Got another tummy ache?" 
"Not that." 
"What is it?" you ask. 
She hides her face in your shoulder, pert nose to your soft shirt. 
"You don't have to tell me," you whisper. "Sorry. I'm not trying to pressure you, I promise, I just love you." You turn saccharine again, patting her back as you dote excitedly into the top of her head. "Love you love you love you!" You punctuate with a kiss, and Roan starts crying. 
Eddie's startled but not too worried to get home to the sound of Roan crying. She certainly cries less and less now that she's getting older, but children cry so often that he doesn't think it's worth panicking over. 
He can hear you already on the case as he peels out of his sweaty coat and boots. "That's not going to happen," you comfort, voice bouncing off of kitchen tile, the hum of the oven like a baseboard. "It's hard to believe me, but it won't. Me and daddy are super happy." 
His eyebrows rise of their own accord. "Hello?" he asks, moving down the hallway and into your bright kitchen. 
Roan sits in the shadow of a corner cabinet, hunched over her knees with her face held up by defeated hands, tears wetting her rosy cheeks. You stand in front of her with your hand on shoulder, bent to her eye-level, glancing sideways at him momentarily before you say, "Look, dad's home. He's gonna say the exact same thing as me, I swear. Should we ask him?" 
Eddie takes the mantle by your side, quick to rub the tears from Roan's cheek with his pinky. His hands aren't clean enough for anything more. "What's wrong?" he asks. 
"Nothing," Roan says, her voice strangled by a big sob. 
"Babe!" Eddie laughs, half-hearted. "I can see something's super wrong. I might be a dumb boy, but I know when my girl's upset, don't I?" 
"You're not a dumb boy," Roan says. 
"Oh. Thank you, Ro." 
"You're a dumb man." 
"Very funny." He combs unruly coils of dark hair behind her ear, finger following down the curve to her shoulder. "Quick, tell me what's wrong. Just tell me. Rip it off like a bandaid." 
"It's silly," Roan murmurs. 
"Says who?" 
"Says me." 
"Oh," Eddie says, giving you a look to make sure it's alright before he monopolises her attention. You raise your hands with a small smile, as if to say, Please. "Come here, me. I'm gonna have to squeeze this out of you, huh?"
He leans back, shifting her weight against his hip, arm stretched over the breadth of her back. He's not smug, but it does bring a satisfaction to see how swiftly she calms down once he's holding her. It's a familiar picture, Eddie with his lips to her forehead, a crease between his brow just like Uncle Wayne's as he rubs her back, and Roan, a mirror image of her father, palpable relief in her hands as they tangle in his hair. Less familiar but getting there is you at their side, your cheek on Eddie's shoulder and your hand on his elbow.
"What's it gonna take to let me in on the secret?" he asks. He's making a spoiled child accidentally, always bribing and bartering for good behaviour. 
"Nothing…" Her mumbling tickles his cheek as she shifts around. "I'm worry‐ing," —her voice skips over the word, like a hiccup— "about something because of Stacy." 
"Oh yeah? What did Stacy do?" 
"She said her mom, um, her mom said she's getting a divorce. That Stacy won't see her dad again, and it'll just be her and her mom." 
Eddie doesn't judge people much. He can't imagine caring about other people's divorces when Roan was born from a fling and pretty much left on his doorstep —circumstances don't determine your kid's happiness alone. He does worry for Stacy, and his poor empathetic little girl. 
"That's terrible, bubby," Eddie placates, patting her back. 
"It's– well, it's– I'm…" Roan huffs. 
"Whatever you tell me is fine, promise. No grounding, no telling off."
"I know, daddy, it's just hard to say." 
Eddie feels himself physically melt. 
He leans back against the kitchen counter and shifts her against his stomach. His arms burn with the effort of keeping her secured to him, and he's not loving her sad tone —the quicker he finds out what's wrong, the better. He peeks over her head at you for hints. 
You're uncomfortable, shifting from one foot to the other like your feet hurt. 
"What?" he asks you. 
You clear your throat. "I think she's worried about me. If something happened between us, she's worried she won't see me again." 
Eddie would like to think after two years of loving his daughter, watching her grow, and all together being a cherished and irreplaceable part of her life and her support system, that you'd find it impossible to leave her. Even if you left Eddie, you wouldn't leave Ro. He knows that. But only two years… he knows you'd love Roan even if he screws things up, but he can't promise her that things would be the same, because they wouldn't be. 
That's not what she's asking, though.
"What, you think you won't see Y/N anymore?' Eddie murmurs, rubbing her back. 
"She's not my full mom," Roan whispers. 
Eddie reaches past Roan to squeeze your elbow. "You know, that doesn't matter, honey. And after the wedding–" 
"You call me mom for a reason, right?" you cut him off. 
Roan lifts her head from Eddie's. "Yeah." 
"Okay, so, say me and dad get married, and then by some impossibility we realise we can't stay married, will you love me less?" 
"No," Roan says with a pout. 
"I wouldn't love you any less, either. I didn't know I could love someone this much 'til I met you," you say, voice scratchy like you're talking past gravel. "So things would change, but not how much I love you. I'd still see you." 
You sound tentative. Eddie's way less hesitant. "Of course you'd still see each other. Babe, if me and mom break up it'll be because I did something stupid, so you'd see her every time I tried to apologise." He grins at you. "How long do you think it would take you to forgive me?" 
"Depends on what you did." You smile fondly. "Probably not long, Munson." 
"I have a weird feeling we're gonna last." 
Roan sniffles. "I just don't want mom to move away," she says. 
You and Eddie have already spoken about this. Serious but not sombre, on your backs in bed. You're not just marrying me, Eddie'd said, terrified of how much he wanted you to say certain things, and how you might not say them at all. This isn't just a promise to me. I know how much I'm asking from you, it's not a small thing. I won't blame you if you can't say yes, but this is… she's my world. 
I already said yes. And I knew what I was saying yes to, you'd replied, holding your hand up above you, the two of you staring in wonder at the ring on your marriage finger. I promise, Eds. I won't let either of you down. 
"Where do you think I'm going, princess? Me and dad are so happy. I'm staying right here stuck to his hip for the rest of time, but only if you're gonna stick to mine." You duck your head to touch your noses together briefly. "I'm not going anywhere." 
"Promise?" 
"Promise you." He swears you're twisting your engagement ring, but he can't quite see. "Can I have her?" you ask. 
"Sure. My noodle arms are about to snap anyway." 
"Noodle arms," you repeat, stealing Ro from him smoothly. "Yeah, right." 
He flexes appreciatively at your comment. 
Roan snuggles up to your neck, little face in the curve of it, her arms curling around you. You hold her tight and bend back under her weight, an arm against her thighs and another behind the small of her back, hand twisted up to brush her curls. 
"Love you," you say softly. You're smiling like you've got everything you ever wanted. "Maybe if me and daddy break up I can just take you with me." 
"Yeah!" Roan says with a gasp. 
Eddie rolls his eyes. "Whatever, girls. Neither of you can cook, you know that? Maybe tonight you guys can practise your new life together by not eating the dinner I'm gonna cook." Time to lighten the mood, lest Roan spend a special night lethargic. 
You beam at him. "I already made dinner. Happy anniversary, handsome." 
You exchanged gifts and kisses already that morning before work, but Eddie's happy to accept another quick kiss over Ro's shoulder. He dots one on his daughter's cheek to keep things fair. 
"Lucky us, huh?" he says to Ro. 
He's not strictly talking about dinner, and it's cheesy, but you light up like a Christmas tree. "Lucky me." 
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fizzbot · 14 hours
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ok im not sure if anyones pointed this out yet, but this is a helluva boss sticker pack that just recently released. its very possible that it means absolutely nothing........but is it possible that these are hints to upcoming shorts???? (personal rambles and theories under the read more)
these all seem really random. which wouldnt be out of the norm for helluva merch, usually its just an assortment of random characters doing random things. but with the fact that we now know that we'll be getting shorts, and the fact that these all seem like very specific scenarios, i think its plausible that these are hints for things that might be upcoming.
the cherubs being here is especially interesting, because we havent seen anything about them AT ALL since early season 1. we know theyll be making a return (presumibly in mastermind) but then why is the merch featuring these cherubs, and not collin, keenie, and cletus? i think its possible that well be getting a short set in heaven, specifically about these characters/perhaps in preparation to the release of mastermind.
as we know from hells belles, verosika will be going on a tour in pride, which presumably sets up apology tour. but in this art shes not in pride, shes in sloth. this is where we know the rehab center is. is it possible shell end up back in rehab/well get a flashback short about her time in there? potentially even some backstory with her and barbie??
the next one features bee, tex, and loona. i THINK it was confirmed somewhere (although i dont have a source) that well be seeing bee again this year, although i just assumed that would be in the finale. its possible that she, tex, and loona will be hanging out again in a short, which would be nice! ive also seen some theories/speculation that this specefic piece of merch might allude to the ship ""honeybunch"" (or bee x tex x loona) potentially becoming canon.
stolas and octavia sort of has me stumped. based on her lines in the trailer, it seems like octavia is still harboring some resentment, and this picture seems like a really sweet glimpse into their domestic life. honestly this feels so out of character for me that it almost made me throw my whole idea about these being potential shorts out the window. im sure they still do have nice moments like this, but i struggle to picture them happening since the only interactions weve seen them have have been negative. maybe therell be a short trying to rectify this? or this could be a pre-blitz flashback.
im partially hoping these are shorts JUST for this next one. i want striker to have a short so so bad. i have literally NO idea what it would be, though. i just wanna see more of him and bombproof :( zooming in on the picture, i did notice that 1) theyre back in wrath. 2) striker is polishing a (not-blessed) knife. and 3), he doesnt seem to be too injured from the escape in oops. although, interestingly, we only get to see the left side of his face. im pointing this out, because in oops, when the explosion occurs, the shot of the fire zooming towards strikers face is a direct parallel to the shot of the fire zooming towards BLITZ face. i think it would be REALLY sick if they ended up with matching burn scars.
finally, moxxie and his mom. this is the piece that gave me this idea in the first place, just because it seems so incredibly random. i cannot even imagine a place where she would come back, if not a flashback short that delves deeper into his childhood. where else would she fit in this whole season? its possible that he has another flashback in the show, but the trailer seems REALLY focused on stolas and (especially) blitzs past, so it feels slightly unlikely. it makes sense that theyd get a whole short dedicated just for them.
idk, maybe im WAYYYY off. i just think it would be nice to get some time away from the main cast in their current states for a while and these seem like some of the best ways to do it
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DIY Sawdust brick kiln experiment : Take One
Okay so! As you may have noticed, I've fallen back into ceramics, and I am loving it! Last christmas, I made my dad a hand to hold one of his father's pipe out of clay, but I didn't have a kiln on hand, so it was raw clay, and I gave it to him with the promise one day, we'll try and make a kiln ourselves to cook it.
Well! Summer's back, and that day has finally come!!
After the smallest amount of proper research humanly possible, and armed with enthusiasm and total hubris, I settled on building a sawdust brick kiln, simply because it requires the least amount of skills and work, and is completely dismantlable. I stole all of my knowledge from this Potter Wheel tutorial (thank you so much!!), scouted the internet for reclaimed bricks unsuccessfully, grumpily settled on buying fancy new ones, and finally, we got to work.
The concept is really simple. Stack the bricks to assemble a chimney of sorts, stuff it with as much sawdust as you can, set the whole thing on fire. A pyromaniac's dream.
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We placed all of our stuff at the bottom, on a layer of sawdust, filled the rest, lit it up, covered it once we were fairly sure the fire wouldn't die on us, and waited.
A whole bunch of grandkids were there too (you can see some little feet on the pictures) so we turned this into a cookout opportunity, because why not, and it was delicious
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That being said, I am sorry to report the fire went out around 11:30PM, only about 8 hours after we started it, meaning we were 4 hours short on the amount of time we wanted it to last. We left the kiln to cool down over night as planned, but I was already fairly sure we did not achieve full cooking.
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Here's what it looked like upon opening the next day (and I feel like an idiot because I got exited and moved some of the things before taking a picture, so their placement is not quite right, which could've been relevant... --')
We have:
two rimmed vase shaped vessels (that a friend of mine threw, I'm not there yet)
two small bowls
the most famous hand
and two hand built pouring bowls (with the handles) I made waay back that were bisqued but not glazed
So 5 raw clay pieces and two cooked ones. The idea was to see how different things would react, and see what I could learn from it.
First and foremost, I'm happy to report we had no breakage! Now, does that mean we managed to avoid any kind of thermal shock, or that we did not get enough heat to cause said thermal shock, I'm not entirely sure.
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We definitively got some nice coloring on the bowls and vases, and the shine on the bottoms (that were trimmed and inadvertly polished in the process because the clay was a bit dry) makes me think we acheived at least /some/ cooking? They sound less dull when flicked, but we're still far from the bell like sound of thoroughly cooked clay.
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The bigger vase got some nice petroleum shine that is also encouraging, but as you can see on that same third picture, and on the rim, it cooked completely unevenly, and all the light clay is still raw and dissolves and smudges when I rub it with a damp cloth. This is were I'm pissed at myself for messing with the placements of the pieces when I opened the lid, because the obvious explanation would be that the uncooked bit faced the walls of the kiln, but I can't be sure.
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The hand, despite being in the middle of the kiln because I knew it would be the hardest to cook, is in fact, the least cooked one of the lot. I'm not at all surprised, modelling takes a lot more clay, and it is way thicker than the other raw pieces we put in. But the finger tips and edges give me hope that, with a little more time, we could cook it through!
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The most successful piece is the smaller vase. It's still not ringing clear as fully cooked clay should, but it definitively got the most out of this firing, thanks to my friend's consistent and thin throwing.
As for the two pouring bowls, I forgot to take pictures, but most of the blackening and coloring washed off, and I can't say I'm surprised. They too have pretty thick walls, because hand coiling, and I really don't think we reached enough heat to cause the already cooked clay to react. Still, it was interesting to try!!
So all and all? I think we did pretty well for a first attempt!
The next obvious thing to try is to make the kiln bigger to allow for more combustible. Not sure when we'll be able to try again, probably not before september, but we'll get there!
In the meanwhile, I'm thinking of sacrificing one of these pieces to get a better idea of how much it did or did not cooked by leaving it to sit in water and see what (if anything) survives. Can't choose which one though. Help?
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duskydrawz · 5 months
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It's a little late, but happy New Year Everyone! I hope you enjoyed the holidays, whatever you and your culture celebrates. It's the time of the year where we go over goals and make new ones! I had a few art goals for last year; > One full art piece a month (continued from last year) > Aim to draw more full-body pieces > 3 sketches a month I did manage to achieve the first two, though I never posted a finished December piece here and instead kept it for personal use. I'm fine with that, I'll forgive the difficult last few months I had and try and be kind to myself. As for the sketches, I have to confess, I didn't keep up with those past March. I think it's actually quite challenging to keep up when you don't have a dedicated theme or idea each month. I also got a bit conscious about posting them when I'm still not super happy with my understanding of human anatomy. I think I'll re-set the goal for this year, but not put the pressure of posting on myself until year's end. Some goals for this blog for the year ahead: > I'd like to do more new comics! (at least 4 this year would be nice, double last year's) > I want my months to have different arts, instead of only doing love live icons / birthday pieces. I want to move away from those to give myself chance to do more with the characters. > I want to post more sketches, or less-polished drawings in general. I think I can get more done if I don't have to worry about it all being perfect and finished, and I have some fun ideas I just never get around to being able to do otherwise. I also want to continue trying to branch out with poses, and more full-body (or at least not just face or bust-upwards art) this year. (It would also be really neat if we could get up to 100 followers! But that's a little out of my control.) We'll see what the tides bring, though hopefully this year will be better than the last. I so very much appreciate everyone who has supported and joined my blog this past year <3 As well as those of you who stuck with me when some months have been on the quieter side. I love drawing, and trying to be consistent with a full time job on the side is difficult. But I don't feel like this blog is hard work. It's always just been a place for my casual enjoyment to post and challenge myself when I can. I think that's important. Anyways, sappy things aside, may your 2024 be better than the last year. And may you achieve all the goals you want to in the continuous strive for improvement! - Dusky x
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fountainpenguin · 8 months
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Hi, Minor Blog & Fic Updates
If you don't want to read this today, consider checking out my pinned post when you can, and/or just read the ScarletPenguin section at bottom for transparency
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📌 Made a minor update to my pinned post; I removed the spreadsheet link since my buffer's running low and it'll be one less thing to worry about while I play catch-up. Also added a permanent ask game, mostly to give visitors / new followers a way to break the ice if they want to. I'll also add a link to this post to the pinned one.
🦷 I've moved my one Coco 'fic (That 4k contest entry I wrote September 2018) to the Anonymous collection. If you would still like the AO3 link, it's here (River Teeth). It's also currently available on my FFN.
🐶 Dog's Life Chapter 9 goes up on Tuesday, then Chapter 10 goes up on October 3rd. That's the last chapter of Session 1 and the 'fic will be on hiatus while I build the Session 2 buffer.
🎃 I expect to post a lot of short pieces in October; I'm giving myself a (tentative) monthly challenge so I can get rid of a bunch of WIPs without holding onto them for a year. Not committing to a full 31 days, but I've got a lot of little things that don't need to be masterpieces, so it should be a busy month. I'll probably do one announcement post each Friday instead of individual story announcements. Still very much playing this by ear and I might get busy IRL, but expect at least a few things.
I had a plan to post something Anti-Fairy related for Friday the 13th in October, but it's not playing nice with me so we'll see.
✍️ After October, I need to spend time rebuilding my 'fic buffers. I'd also like to update my table of contents tab and possibly the sideblog. In other words, expect a busy October for 'fic updates. November will probably be Traffic Season 5 drabbles and stuff (I'm guessing), and then we'll start winding down on 'fics during December and January. I'll probably post again in Feb or March; not sure yet.
🐾 A ton of Session 1 stuff I wrote for Dog's Life got bumped to Session 2 for pacing reasons, so I already have a lot done; I might start posting Session 2 as early as mid-November or early December, but stuff for Origin and Knots definitely needs polishing and will take longer. Not sure yet.
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❤️ 2 months ago, I made a post talking about my ScarletPenguin pseud. That's the pseud where I keep any M works, and I wanted to explain how this works to people who may be unfamiliar (as I have a piece I'm working on that I'll probably post as M).
The majority of my content is Gen or T, so I'm using the pseud to keep my M stuff in a separate place [i.e. not immediately visible to people browsing my main page, because I mostly do children's show fanfics that ARE Gen and T, and I just feel better doing it like this].
In other words, if you would like to scroll through my works but would prefer not to run across anything M, THIS is the link that only has Gen and T stuff [It's the FountainPenguin pseud link; you can also access it by clicking on my username on any of my AO3 works]. You will not see M 'fics if you use this link :)
I have not yet decided if I'm going to do announcement posts for M stories. If I do, the posts will be tagged #ScarletPenguin, so I recommend blocking that tag now if you would like to.
If you would like to find any M works after they're posted, you can access them by going to FountainPenguin's Profile -> Pseuds -> ScarletPenguin (left sidebar on desktop).
If you are subscribed to me on AO3, I'm pretty sure you'll get an email when any new stuff is posted. If you do not want to subscribe to me as a user, consider subscribing only to the 'fics you like or even to a series (ex: all the 130 Prompts are in the 130 Station series and you can get email notifs that way even though all those stories are posted individually).
I'm trying to post 130 Prompts in the 130 Station series before any others because I suspect that only the first series counts for the email alerts (Not sure). However, you can also subscribe to the individual trains if you like (Blue Train, for example, only contains Anti-Fairy content so maybe you're into that, etc.) I'm just not sure if you'll get an email since if you want to put a work in more than one series, you have to post the story and then edit it, and I'm not sure if that sends a notification.
I also don't know if you can have a series with two pseuds in it, or how that will affects the tag visibility on the series page. We'll see.
tl;dr - I feel good about having done my part to make this news accessible, create a blog tag for it just in case, and this info will be added to my pinned post when I wake up [This is in the queue]. Stay safe, safe comfy!
Thanks!
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anotherghoul666 · 2 years
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Confession: I'd love to see what kinda leather stuff you have, what you could use on me. Especially if it involves those pretty leather gloves of yours ♡ or even if you have any boots ♡♡ gods you have me so flustered with these responses and I haven't even sent an ask in yet. You have such a way with words ♡♡
-leather anon
My darling leather anon! I wondered if I'd see you in my confessional booth, you're so pleasant and well behaved usually, I figured if confession was open, you'd come and do your due dilligence. Well done. Let's see about our leather options then, shall we?
Well you already know my gloves. You're intimately acquainted with them in fact. You have seen them covered in all sorts of nice fluids. I can wear them for you, you know I'll never say no to an excuse to wear them some more. But there are other options.
I do have a pair of boots in mind. Calf height, stops just below the knee. Soft matte leather, the kind you oil treat, not polish. Laced in the front all the way up, some subtle brand hardware tied in the laces at the first loop at the base of the tongue. Zippers the full length of them on the side. A chunky heel, foot on the incline inside. I'd let you lace me up. Imagine the honor. To kneel at my feet. To place them on my foot, squeeze my calf in the leather. To feel how it stretches to accomodate. I'd zip the zipper. But you won't have it so easy. I'd completely unlace them, and let you start the process from scratch. Gotta put some effort in for me, if you want me to be comfortable in my boots, right? Lace me up just right and maybe you'll get to kiss them as a reward. But you know how particular I am about my boots and my leather. You have to do a perfect job for the priviledge to have your lips graze such an esteemed material. Think you're up to the challenge?
Or maybe some impact would be more up your alley tonight, dearest anon? I have a plethora of leather options I can take out just for you. A black suede flogger, custom made for me, falls the length of my arm, delicately braided handle. I can be soft with it, let it run on your skin, on your face, let you breathe your fill of the smell f leather we both love so much. But it can also be mean, if I pull the falls with my other hand and use the power and torque of my elbow to let it fly. It makes a delightful noise too. How much could you take, I wonder? How hard could I really go with it before you tap out?
Then there's my palm flogger. No handle. Just a D ring with looped leather falls around. Bright red. Studded. It's shorter, there's less falls, but it packs a bigger punch. And it's easier to control. I can be real mean with this one. Aim at more specific areas. This leather doesn't diffuse the pain so much as it concentrates it where I send it. I'd love to see the sounds I can bring out of you with it.
Or maybe we go the paddle route? I have a few leather paddles, but my favorite one by far is a flat, long rectangle of a paddle, corners cut square and mean. A thick piece of leather, easily three or four times thicker than the suede used for the floggers. Treated on one side to be smooth, the other has the rough raw grain of the material. I'm sure you'd prefer the raw side, as I do, because we both love leather as it is, don't we? It has a mean bite. And one heck of a stingly slap sound. It's not my most painful tool, but I can guarantee we'll turn heads if we play with it. The sound, it stuns people. You want eyes on you when we play darling? Want to catch everyone's attention? Want the sound to let everyone know how much you can take?
I have more options, but this confession is getting quite long isn't it. Pick your poison.
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mangonatural · 2 years
Text
Window Shopping (1.1k) (AO3) for @jimmynovakweek day 3 (lgbtq+ interpretations)
The salesman's hand lingers on Jimmy's wrist, having tilted his arm to show off the way the cufflink gleams in the light.
"Isn't it a bit fancy?" Jimmy asks.
"I think it suits you, but..." His skilled hands remove the cufflink. There's no skin-to-skin contact between them, but Jimmy can feel the warmth through his suit jacket. It isn't comforting so much as electrifying. "What did you say you did again?"
"I'll be selling ads for AM Radio. Nothing special."
The salesman sighs and returns the cufflink to its box and then goes digging for another. He produces a simple pair, polished to shine, but without any sort of design on them.
When he puts them on, they both agree that they'll suffice.
"Come back when you've been promoted," the salesman says as Jimmy leaves, his new purchases tucked safely into a paper bag. "We'll get you a better pair of cufflinks that'll suit both you and your new position."
Amelia is nice.
When she laughs, her blond hair falls in her face and she has to push it back behind her ears. Jimmy thinks it's what someone who could come to love her would fixate on. He always looks out for little things like that.
She's the daughter of one of his mom's friends. Jimmy has been told in no uncertain terms that she's looking for a good Christian husband. That she's looking to settle down.
He thinks he could come to love her if he puts in the work.
He thinks, also, that she should find someone who wouldn't have to work at love quite so much.
"I had a nice time today," she says when their date comes to an end.
"I did too," Jimmy replies. It's not a lie.
"I'd like to see you again."
Her smile is so hopeful that Jimmy doesn't have the heart to tell her no.
"Hey, Jimbo! How've you been?"
Jimmy looks up from his food court sandwich in time to see Brody, an old friend from college, waving at him as he approaches.
"Good, man, and you?" Jimmy sets his sandwich down just in time for Brody to pull him into one of his signature rousing hugs, complete with his two loud slaps on the back.
"Just wonderful!" Brody says and grins. "Found the girl of my dreams and everything!"
"Yeah? Good for you!"
"Here." Brody pulls a photo out of his breast pocket and shows it to Jimmy. "Look at her. Isn't she perfect?"
She is, indeed, beautiful, and Jimmy tells him as much. Brody preens at the positive attention.
Jimmy does feel good about it—he does! But even though he hasn't seen Brody in at least eight months, he also can't help but feel like he's losing something.
Brody puts the photo back. "What about you? You got a girl?"
And yeah, maybe that's it. Maybe that's the piece that Jimmy's missing.
The man takes a long drag of his cigarette and sits down beside Jimmy on the church steps. "You look hungry," he says.
"Just ate," Jimmy replies.
"And when was that? Two hours ago?"
Jimmy looks at his watch. "Thirty minutes."
"You weren't at the 5:30 service?"
Jimmy shakes his head.
The man huffs out a smoky laugh. "No wonder you're hungry, then."
Jimmy lifts his head to look up at the star-lit sky. Night always came so early in the winter. "I've had my fill. I went to the 11 AM service."
"And you came back for more?"
"I thought it might grant me some clarity."
The man lifts an eyebrow, staring at Jimmy scrutinizingly. "You ever think the answer isn't in there?"
Jimmy shrugs. "Maybe."
"You ever think about going looking?"
"If I found an answer, what could I even do with it?"
The man laughs. "There's a wide world out there."
It really isn't much of an answer.
"Isn't Amelia nice?" Jimmy's mom asks.
"She's nice, Ma," Jimmy replies.
"Oh? How nice?"
Jimmy sighs and stops chopping carrots. "Ma, I didn't drive all the way out here to talk about Amelia. I just wanted to spend some quality time with you."
Jimmy's mom purses her lips. "If she's not good enough, I can find you someone else."
"Ma!" Jimmy protests, "That's not what I'm saying at all!"
"You could at least sound a little more enthusiastic about her," she says critically.
"I'm enthusiastic!" Jimmy says. "I promise! But the last time I saw you was two months ago, and I saw Amelia just last week!"
"Good." She sticks her wooden spoon into her pot and stirs it a bit before tapping it against the rim. "So I can expect a wedding before the year is out?"
Jimmy sighs.
Mark stops by Jimmy's desk at the end of the workday, rapping his knuckles on Jimmy's desk and grinning.
"You want to grab a bite?" he asks.
"I'd love to," Jimmy says, standing up and gathering his suit jacket up on his arm. "You paying?"
Mark laughs out loud. "You're a funny guy," he says and Jimmy beams. "You want to go to Alexander's?"
"They're a bit pricey, aren't they?" Jimmy asks.
"Yeah, a little bit," Mark says. "It's good food, though."
"Well if it's got your stamp of approval, how can I argue?"
"You get it," Mark replies and bumps his shoulder up against Jimmy's as they walk to the elevator.
Amelia sighs. "Oh, Jimmy, I can't read you."
Jimmy blinks. "What do you mean?"
"Can you be honest with me?" she asks.
Jimmy nods.
"Do you even like me?"
Jimmy's eyebrows raise, but before he can even answer, Amelia is quick to follow up.
"It's like, you show up, and we talk, and it's nice, but I can't really tell if you're invested."
"I like you," Jimmy says because it's true.
"And you're invested?" Amelia asks, a little desperately.
"Of course," Jimmy says.
A soft smile spreads across Amelia's face and she breathes out a sigh of relief. "Good, good."
Uncertainly, Jimmy smiles back.
Mark points his plastic fork at the waterfowl in the lake. "Check it out. Pied-billed Grebe."
"Yep," Jimmy agrees. "Haven't seen them around in a while."
"Perks of the warm weather," Mark says and digs his spoon back into his cup of ice cream.
"Among other things," Jimmy comments, looking pointedly at Mark as he eats.
Mark shrugs. "I'm celebrating. I love Spring."
"It's nice," Jimmy says. "Unless you have seasonal allergies."
"Which neither of us have," Mark points out. "Damn, this is good. You should've gotten some."
For a second, Jimmy considers just asking for a taste, but then reconsiders. "Next time," he says with a wave of his hand.
Mark smiles and it brings a smile to Jimmy's face before Jimmy can even think about it. "Sounds good," Mark says.
The man with the cigarette is there on the church steps when Jimmy arrives.
"Here again?" he asks.
Jimmy nods.
They don't talk this time, sitting there for an hour in silence until eventually Jimmy stands up and walks away, no closer to an answer than he was when he arrived.
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fineartsjournal · 1 month
Text
213341 Art Studio IIIA ⋆ Week 7 - Techno Pop
In about four weeks from here, we'll be revising our IPO based on our artistic developments so far.
My ideas have remained the same these past weeks, and it's worth mentioning an artist example that, despite being the love of my 10 year-old life, I will not be citing, rather comparing my own working philosophies to:
Kraftwerk - German pioneers of chirpy electronic pop, fully acclaimed and deeply influential to all things synthesizer. But beneath mechanical brand image and even colder sound, is a longstanding artist vision for the love of making.
It's a deeply innocent constant - novel technologies and transportation methods; and above all, songs about the music itself. Meaning doesn't need to be textural, the effort has already been put into making the song sound how it does, why distract the listener from all that hard work?
Instead, lyricism leaves the brain untethered by deconstructive ruminations and fully devoted to sound.
youtube
Of course, things have a tendency to loop back around, as a number of their songs, especially Nummen and Trans Europa Express have been sampled to oblivion throughout hip hop. (See Planet Rock and practically any song in the miami bass/hip-house genre)
Presentation week! Chasing down Mike at last, we got to talking as to the audio side of Em and I's dual presentation.
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A projector was already set up, but speakers still needed to be brought in. He let me borrow a pocket MP3 drive to load my track onto, which would then connect via Bluetooth to the speakers. Meeting two days later, and bringing in the speakers, we had a little tech test, and things were working well.
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On the day of critique, I came in 10 minutes before class, set up the tech, and all was good! It feels nice to have things go right.
CRITIQUE TIME, BABY.
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Aside from some hiccups with the projector, presentation went just as planned. The speakers were fantastic, and as the critique group walked in for viewing, neither our pieces were beginning or ending.
Following a full four-minute cycle of my song, they had this to say:
The audio achieved a calming atmosphere, at points nostalgic, and even descending into an eerie distortion; flowing in forward, circular motion that neither ended nor began. The ambience created by this soundscape would likely work well with most visuals, remaining ‘level’ in its tonality throughout.
While both pieces were made separate to one another, the two pieces sync to the degree that they appear inseparable, to which the experience would differ without one another.
In watching, the mind yearns for a narrative, as Em’s hopping, dancing motions appear to respond to the music. Fabric bellowed and swayed like butterfly wings, evoking the emotions towards the slow, comfortable sounds that came and went in forward progression; that moved in ‘one direction’ that reflected the forward motions of the video.
Although sonically enjoyable, it doesn’t come across as a work of plunderphonics. The sound palette and smooth transitions progressed with too little markings of its choppy creation process, looping not as the focus, but as the accompaniment to Em’s video.
Over-polishing seems to be the issue behind these issues of distinction– if I wanted to better convey the actions of sampling, there could always be a more jarring variety of sounds present; even drawing from non-music samples – and still striking that balance of audible creation and visual representation.
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Text
2023 goals!! ✨️
Now that things are finally settling down, it's goal time!
We'll see how well I can balance my ambition with what's practical lol. I can't control what my brain hyperfixates on so I'm leaving myself wiggle room in regards to my goals, but as far as writing goes:
by the end of 2023, have made progress towards getting Going Over Jordan fully edited + posted at least, if something happens and I can't get it done and posted this year
polish + post what I can from NaNo
write at least a couple drabbles for my new and improved DAI canon!
write some notes, a drabble or two if I can about my secondary DA canon
finish DAO. Please. I've never done it. First the Fade, then the forest absolutely walloping me, and I lost a lot of progress (somehow not all) when my laptop died. Please I just wanna finish the game T^T so that I can mayhaps write about Revarien and Tamlen, or Revarien and Alistair
Finish Eden's DAI playthrough. All these years I've had the game, on PC AND CONSOLE, and I've only managed to play the dlcs ONCE. That's a crying shame!! Especially since I rushed through Trespasser the first time!! I want to slow down and enjoy them this time. Jaws of Hakkon in particular is a gorgeous place/quest, but good lord, getting there is a slog....I'm so tired of the Hinterlands, Crestwood, and the Western Approach, boss.......I just wanna get to the fun stuff T^T
I want to write about Eden again. Returning to her is like reuniting with an old friend. I've revamped her a bit, since I was 13 or 14 when I created her and I'm 20 now, and I want to find her new voice. Sharper, clearer, stronger now
come up with a plot for the original story I've got rolling around my brain. I haven't done original works since 2016ish, so I'm looking forward to getting back into it, even just a little bit
Finish a set of OC Microfic prompts. I've had them sitting around in a doc for months and I'd like to finally get em done
Write 1 (one) Fallout 4 piece. I love that game so much and I'd like to actually sit down and scribble a story about it
Finish the ME1 section of Marian's autobiography, and ME2 if possible
Figure out how to pace myself with FFXIV so that I can finish A Realm Reborn without giving myself weeks-long migraines again 🥴🥴🥴
Similarly, find some nice new books to read - I'm thinking 2 or 3 - and pace myself so that I don't get migraines. I guess that's the theme this year: get back to doing the things I love but in a way I don't hurt myself in the process
The new thing I'd like to try this year is writing something that has zero OCs. None. Just canon characters. I'm thinking Legend of Vox Machina or Devil May Cry. Even if my attempt doesn't turn out the way I wanted it to, it would be a huge milestone
Every year has its curveballs, some good, some bad...I'm looking forward to seeing what this year has in store :3
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the-firebird69 · 2 years
Text
We're taking the company's over and you're going to get kicked out on your keister we're not your slaves we weren't we plan to do this you're an idiot
Thor Freya
We'll see it when it happens okay slave
Trump
Wow are you arrogant to sell so if we kick you out of the companies and you don't have access anywhere and you can't tell us where to send anything or what to make or who to sell to are you still running the companies
Thor Freya
Not really and that's what's happening so I guess you're not slaves
Trump
Well I do know your angle and your thought process and you're wrong again but that's fine let me tell you something about life Trump if you don't have a manufacturing base you don't have cover and you don't have things then you're not going to go anywhere pretty soon you're not going to have any of that and you're going to say we're doing your bidding and you're not going to have people either so how you going to run things with the computer someone else built and it's running their plan like Dave wanted
Zues Hera
I do sort of get this and I understand you what you're saying is you're going to cover all the bases to shut me up and shut me down and get you and get me out of your life and that's what you're doing cuz you have to cuz I'm like a disease and spread all over the place real thing and now it's going away I sort of get that too should have hired my own kids and I didn't and the factories are filled up with yours you took over by being there just as is normal so I understand all this I still get that as ships and you say they're being hunted by foreigners Max and us and yours that is so I get that I'm sitting here thinking of what you're saying and I sat here for quite a while the other day what you're saying is I need you to stop harassing me and bothering me for me to kick your ass now I have to harass and bother you more and he simply says it's just going to be the final push to push you into the grave and I kind of agree with that that's what I'm doing he says I'm supposedly pushing myself to drill into shells and you seen it before with real clans, and I'm not a real clan and I was Presidents and by this President and he has nobody practically so I sort of see something I fell for all sorts of s*** that Max are having to do and it ruined me just like you said it would now nobody's letting me up and I'm blaming you and you also going to polish me off that's what you're saying so I believe that some of you threatening you
Trump
Well don't prove I'm getting to you then
Zues Hera
I'm sorry to hear that and I'm constipated I understand that I'm in trouble and I keep doing things that upset you and I'm useless and other people will kill me for it I just don't care anymore I have to get at you
Trump
So you see the news you place it around your neck and now you're just telling me you're going to jump it's horrifying little f****
Zues Hera
Well gosh I guess that's what I'm doing so I guess I'm going to go off and hang my own son cuz you want me to it's right he says have a nice time to go do that and please and saddles cuz I'm an a******
Trump
You would you c********* I got some words for you I'm going to pull your f****** brains out you could have hired Us in my kids and we'd have those places and factories and machines you're a f****** lunatic you're going to ride them into max who cares they're going to defeat us you're an idiot we won't have the power we won't have any power to ride he's just a piece of s***he's kicking you out getting rid of whoever's left I'm going to try and take over he's going to get rid of us cuz you're a piece of s*** damn I wish you'd known he could have told us to try and get in there but instead you have to be the bad guy 24 hours a day so he could ride nobody you won't be able to ride anyone you a****** you're going to be gone and trying to drill and who gives a s*** to go after everybody who's doing that more than anything you need a lot of power you stupid s***
Dan
I'm not taking this from both of you I'm not giving it to you f****** queer I didn't understand something what do you say is different he's right too he says and I don't think so you don't think he's right cases what's wrong about it CAA says well he's explaining me for what happened and I didn't hire him so I am to blame this is terrible I screwed up pretty bad
Trump
So hang your head and think I forgive you or you got away with it cuz you're a monstrous loser
Dan it says you're riding a donkey even I get that you piece of s***
I should have known you turn on me so I didn't hire you it says the grandkids will keep you in check and it sort of do but I'm going to screw up and I like it I'm going to ride them
Trump
Listen carefully to what Trump is saying he's going to be on our kid no matter what he's going to stick to him no matter what and he's going to try and ride us using him no matter what what we're going to do is get rid of him no matter what and that's what we're going to do to anyone who acts like him and there are several and he's a practice run no it's the real thing but that's what it is it's a real run of people who are like him I want them eliminated and I'm putting up how and if anyone else has ideas please come forward and initialize them and make it full-time work for Christ's sake I don't want him coming back let's stamp this one out we've done it before
Thor Freya
We're going to do this and we're going to put it together and we're going to do it today
Olympus
We're going to stamp them out we have tons of weaponry tons of systems all we have to do is turn it all on and he's gone and I'm going to motion that we do that and stop talking about it and talking to the piece of s*** too Jesus he's a piece of crap
Nuada Arrianna
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etchingbrasss · 2 years
Text
How to Engrave Apparel with Precious Jewelry Rocks
When you intend to provide your item of apparel a special completing touch, you need to understand where to discover the ideal precious jewelry stone. Lots of people assume that just diamond-studded items will certainly function to get an exact match, however this is not the instance. You can use regular jewelry-making rocks to finish the job! It's easy, and also it will certainly change your finished post in such a way you'll be happy to see. All you need is some fundamental tools and a handful of jewelry-making rocks. Look into this tutorial for every little thing you require to know about using gems as etching product for fashion jewelry making , STEEL ENCLOSURES:
HOW TO USE JEWELRY STONES FOR COPPER POURING CERAMIC
If you're making copper-colored vessels, the whole idea of including a stone to obtain a details shade is likely a ridiculous concept. The turquoise in our earlier example would certainly look quite nice in a copper vessel, yet in fact including it to unglazed pottery would certainly be a severe mistake. When you have the best sort of stone, however, you can use it to its advantage. For instance, if you have an earthenware item that you wish to make use of for a partial shell, you can use a shell crystal. If you want to create a truly comprehensive item such as a drop, you can make use of a decline crystal. The last choice is to use a semi-precious stone like a topaz for an item that is completely finished with clear glass. When adding a rock to a piece of clear glass, use a semi-precious stone that is additionally really rare like tourmaline for an absolutely special item.
WHAT YOU REQUIRED FOR EARTHENWARE
If you're making earthenware, you'll require a couple of pieces of equipment to help make your piece of earthenware. You'll likely have an iron accessible, however if not, you'll require a few other sort of warm resource to finish the task. A propane lantern is perfect for this, as is an ironing board or towel. When including a stone to unglazed earthenware, you'll additionally need a grinder or various other kind of tool to help you produce the perfect texture. You could also make use of a food mill or coffee grinder to include structure to your piece. Another low-cost tool that you can utilize to develop the excellent structure is a hand grater. When it comes to picking your components for your earthenware item, you should go for as few materials as feasible. In this instance, we'll be utilizing fruits and vegetables as our main ingredients.
WHAT YOU NEED FOR COPPER PUTTING POTTERY
When you prepare to start, you'll require to pick the appropriate sort of clay for your job. If you desire your item to be entirely earthenware, you can utilize any type of kind of clay, however, for an extra practical appearance, you must make use of earthenware clay. If you have selected to go with an earthenware piece, that suggests you'll also need to pick an earthenware glaze. When it pertains to your clay, you'll wish to make sure it is heavy sufficient to glue together, but not so hefty that it becomes challenging to manage. Some people use a softer kind of clay, however we recommend keeping it earthenware-friendly as this will make it much easier to polish and also pour. The excellent clay for your project is possibly already uncompromising, but if you wish to be comprehensive, you can additionally pick your clay by the weight. A lighter clay for your job will be much easier to work with, and also Gloss Clay is the ideal example of this.
Etching is a strategy used to add layouts as well as patterns to things such as glass, porcelain, china, as well as metal. The methods made use of in earthenware are extremely comparable, so if you have actually ever before intended to attempt your hand at making earthenware, this write-up must supply the info you need to start. Simply remember, you'll require to select the ideal kind of rock and utilize it to create the gorgeous patterns you want , STEEL ENCLOSURES.
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itsadamcole · 4 years
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graduation day pt. 5
fem!reader x finn balor
it’s reader and Finn’s wedding day, and things don’t go exactly as planned ... “i do”
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word count: 6.2k+
warnings: fluff, smut, dirty talking, nsfw, angst, jealousy
— final part ... lots of drama. let’s get it —
masterlist || part 1 | part 2 | part 3 | part 4 || request an imagine here
~ 18+ content below - read at your own risk ~
"Y/N," your mother says to you. "Sweetie. Wake up. We have our spa appointments this morning and we have to get our hair and nails done."
You let out a quiet groan and say, "I wanna sleep."
Your mom says, "It's your wedding day, honey. You have to get up."
Your eyes open and see the wedding dress you picked out a few months ago hanging in a bag on the closet door in the bridal suite of the hotel you're staying in.
"It's my wedding day," you say, quickly sitting up.
Laughing, your mother says, "Yes, it's you're wedding day."
It's been just over a year and a half since Finn proposed to you. You would have gotten married sooner. You were supposed to marry at the beginning of the year, but you and Finn welcomed a little bean about six months ago so you both had decided to push off the wedding a few months.
On Valentine's Day, Alania Riley Balor was born. Your daughter. Yours and Finn's daughter. It's been six months and a half months or so since the birth of your daughter and it's now your wedding day. August 25th, 2022.
You roll out of bed, stretching and yawning. Your mom holds out a folded piece of paper and says, "Finn slid this under my room door and it said to give this to you when I saw you today.
After rubbing your eyes and yawning one more time, you take the piece of paper and read it to yourself.
My love, I can't wait to marry you and see you in the dress. I've been looking forward to it since we pushed off the wedding so we could get used to parenthood. I love you. I'll see you later. - Finn
You smile and your mom says, "Alright, let's get going. We're going to be late for our appointment."
You get changed into a white tank top and tight black short shorts. You put flip flops on your feet and you tie your hair up into a messy bun before you leave.
The spa feels nice. You get massages and face masks. Then you and your mom leave to get your hair and nails done for the wedding tonight.
You get your hair curled and half of it is put up. A flower crown is put in your hair. Little white flowers are put in your hair. You get a french manicure. A white tip with a band of silver separated the white tip and light pink polish.
It's about two in the afternoon so you head back to the bridal suite.
The ceremony is taking place by a beach on the hotel property. Palm trees are everywhere, grass under your feet. White rose petals will be the 'aisle' with white chairs on either side of the aisle.
The reception is taking place in the ballroom of the hotel, then you and Finn are going to Ireland. You've wanted to see Finn's home country and it didn't take very long to convince him to honeymoon in Ireland. He's homesick so it really took you about five minutes to get him to say yes.
As your mom does your makeup, your dad FaceTimes your phone. You answer and see that your dad is holding Alania. "Hey," you say. "What's up?"
"Alania is being fussy," your father says. "I think she misses her mom because when I tried to FaceTime Finn, his voice did nothing. I thought maybe if you talked to her then she might react differently to yours."
You think for a second before you say, "Here, let me sing her a lullaby over the phone. Can you put it closer to her?"
After moving the phone closer to your daughter, you sing a little lullaby to her. Her fussiness turns into coos and you smile when you're done.
"Thank you, Y/N," your dad says quietly.
You say, "You're welcome, Dad. Finish getting ready."
He hangs up the phone and your mom finishes up your makeup.
There's a knock on the door of your suite and you go to answer the door, tightening the tie around your waist. You open the door to see Veronica standing in your doorway. She's standing in front of you in a white dress. It's a short white dress with a poofy skirt and tight top with spaghetti strap sleeves. A glittery fabric covers the breast area to the waist.
"Hi, bestie," she says, sarcastically. "Do you like my dress? I wore it especially for you."
You raise your eyebrows and you say, "You look like you're wearing a homecoming dress and you're literally almost forty. Well, you might as well be in high school with the way you're acting."
She glares at you and says, "It's better than that dress you're planning on wearing tonight."
Sighing, you say, "Sure. Whatever you say."
Veronica laughs and says, "Look at the dress. I dare you." You blink at her and walk over to the dress in the bag that hangs by the closet.
You unzip the bag, revealing a stained and cut up wedding dress. Your eyes widen and you say, "Veronica, what the hell? You're really that low to cut up my wedding dress?"
Your mother says, "That's it. Get out." She's talking to Veronica. "Now."
She laughs and says, "Enjoy your day with no dress." She waves at you and smiles before she walks away. Your mother shuts the door.
Panic begins to set in. Your wedding dress was destroyed. You bought it yourself. It was simple and cute but cheap. You were so proud that you could afford it on your own.
It was a beautiful white gown. Form-fitting with a slight flare at the knees. The dress has sheer, off the shoulder sleeves. Plain and simple but cute. Now it's all cut up and stained with who knows what.
You begin to hyperventilate and cry.
There are about two hours before your wedding. You have no idea what you are going to do. You can't walk down the aisle in your robe.
Your mom says, "Hey, Y/N. Relax. We'll run to the dress shop and get you a dress."
"That was my dress," you cry. "I loved that dress. It was the one thing I could afford on my own. Finn paid for everything else so I wanted to pay for my dress. I was so proud of it."
She looks at you and says, "I know. I know you were honey. We can go get you a dress really quick that you'll love. There's a shop right down the street. You do need something to wear tonight down the aisle."
You look at your mother and nod. You know she's right. You do need something to wear tonight. "Okay," you say, sniffing. "Let's go."
***
You have about three hours, maybe less, to find a dress that you love enough to wear down the aisle.
After trying on four dresses at the bridal shop, you start to breakdown in the dressing room. Nothing seems to be going right today. Veronica showed up in a white dress and destroyed your wedding dress. She's playing the jealous girl who would do anything to get the groom.
You're about to give up when your phone starting ringing and you see Finn's contact pop up. He's crying to call you. You clear your throat and answer it. "Hi," you squeak.
"Baby, is everything okay?" Finn asks. You can hear the concern in his voice. "Ver came by my room and said ya were crying."
Anger rises inside you and you say, "She destroyed my dress, Finn. It's all cut up and stained. She was wearing a white dress when she came by my suite. She's ruining the day, Finn. I'm trying to find another dress but I don't know if I can find one in time. There are like two hours until the ceremony starts. My hair is a mess, my makeup is a mess, and my dress is ruined."
Finn says, "It's okay, princess. We can push the ceremony back a little bit until ya find a dress. Nothing has to be ruined, my love."
You pout and look at yourself in the mirror. Your eyes are red and your cheeks are puffy. Hearing Finn's voice has calmed you down enough that you sigh.
"You're right," you say. "I'm sorry to dump all this on you right now."
Finn says on the other line, "I'm supposed to be there for ya, Y/N. Ya don't have to be sorry. I'll leave ya to find your dress. Tell me if I need to push back the ceremony a little bit and I will. I've waited too long to marry ya but I want ya to make sure ya have a dress ya love, princess."
An idea pops into your head when he calls you 'princess'. You say, "You won't have to. I love you. I'll see you in two hours."
"I love ya too," Finn says before you hang up.
You pop your head out of the dressing room. Your mom and the consultant stand outside the small room.
Both of them look at you as you ask, "Do you have any like ball gowns? Like a poofy skirt? Something that makes me look like a princess?"
The consultant says, "I think we have something like that. One second." She disappears.
Your mother asks, "Why something that makes you look like a princess?"
You smile and say, "Finn just called me and he called me a princess. It gave me an idea and it's something I could do to surprise him."
She smiles as the consultant comes back with a dress. You take it and put the dress on.
It's a perfect fit and doesn't need any drastic alterations. The top of the dress is a plain white top with a sweetheart neckline. There are no straps on the dress. There is a sparkly silver belt around your waist and from the waist down is a poofy skirt with layers of tulle. You spin around a bit and look in the mirror.This is the dress. You love it and it makes you look like a princess.
You leave the room in the dress so your mother and consultant can see the dress on you.
When your mother sees you in the dress, she gasps. "You look beautiful, sweetie," she says. The consultant agrees.
"It fits almost perfectly," you say. "I love it."
The consultant says, "It's half off too. Only ninety-five dollars."
You smile and say, "I'll take it."
***
There are thirty minutes until the ceremony begins when you get back to the hotel. Your mother and one of your bridesmaids work together to fix your hair and makeup. It doesn't take too long.
They help you in the dress, zipping you up and fixing the skirt. You put on your heels. Your bridesmaid hands you your bouquet of white and light pink roses as your mother takes off the flower crown and replaces it with a tiara with a veil attached. The veil has a small train.
Ten minutes left. You rush out of the room to the area where the best men and bridesmaids are all lined up.
Finn's best friends, Kevin Owens and AJ Styles, both smile when they see you. Kevin says, "I thought you had another dress."
"I did," you say as you line up behind AJ. "A jealous bitch cut it up and stained it so I went out and bought this."
AJ says, "Well, you look good. Finn's lucky."
Your father walks in holding Alaina and you say, "No, I'm lucky." You smile.
Alania has Finn's beautiful blue eyes but has your Y/H/C colored hair. Her cheeks are a rosey red color and she's in a cute light pink dress, matching the color of your bridesmaids' dresses.
Your father says, "I thought I'd give you the option to hold Nia instead of the bouquet. Actually, Finn told me he'd love to see you walk down the aisle with Nia the other day when we were out drinking. She's fed and burped so she shouldn't be throwing up."
You had never even thought about that. You smile and nod, throwing your bouquet of flowers onto the small couch. Your father hands you your daughter as the music plays for the best men and bridesmaids as they walk down the aisle. You hold your daughter in your left arm as you hook your right arm with your father's.
Alania's head rests on your shoulder as she sleeps peacefully. You start to walk out of the room with your father.
All eyes are on you when you come into view. Finn stands under a white arch decorated with white flowers and branches. A smile lights up his face when he sees you with Alania.
Carefully, you walk down the aisle. Before you know it, you're standing in front of Finn. You hand Alania off to your father when you get to Finn. He sits next to your mother. The crowd sits down.
You meet Finn's eyes as the official says, "Ladies and gentlemen, we are gathered here to witness the matrimony of Finn Balor and Y/N L/N. If anyone should think that these two should not be wed, speak now or forever hold your peace."
Not surprisingly, Veronica stands up and objects. You and Finn both sigh.
She was never invited to the wedding. She came as a plus one, with Seth Rollins.
"This is ridiculous," she says. "She marries her former teacher and I get fired for saying how inappropriate the whole relationship is."
Something in you finally snaps. You look directly at Veronica as you say, "You got fired because you're literally obsessed with Finn. You've stalked him, literally to the point of scaring our child. We've both taken pity on you because you're so lonely that you've gotten to the point where you have to stalk my fiancée. Guess what, sweetheart. He's getting married. Right now. To me. You lost your chance. Grow up, leave us alone, and find someone else because Finn is mine. Forever. Literally."
The crowd cheers as you go off on Veronica. You wait a second before you say, "Oh, and by the way Veronica, Finn and I had sex on your desk in your classroom when you went to lunch one day. Remember when I told you that a student came in and destroyed it? Yeah, that wasn't a student. That was me and Finn when he destroyed my insides. Sorry to my parents and Finn's parents for having to hear that."
Everyone laughs and Finn smiles. "That's my girl," he says.
You look back up at Finn as Veronica stomps away. A few people cheer and clap when she walks off.
The official says, "Alright." He gives a nervous laugh. "Do we have any vows written that you two would like to say to each other?"
Finn nods and says, "Yeah, I do."
Everyone quiets down and he takes your hands.
"Y/N L/N, my princess," he begins. "Our relationship was far from normal. When we met, I was your teacher and ya were my student. We were never meant to end up together but here we are. We are here in front of friends and family, who accept our relationship, and our daughter, who is the only person I love just as much as I love ya. The day Alania came into our lives, I was so happy. I had never experienced such a level of happiness until she was born. I will love and protect both of ya as long as I shall live."
The crowd 'awes' at the same time. You smile and tear up a bit as Finn recites his vows.
It takes everything in you not to kiss him. Not yet.
"Y/N?" the official asks.
You sigh and say, "Mr. Balor." That gets a little laugh out of Finn. "When we met, I was just a college student in my final semester of school. I entered that semester not knowing that my entire life would change. You were my English professor. You were the 'hot' teacher that everyone had a little crush on. I had a crush on you from day one, I won't lie. When we finally were able to be together, I had no idea that we'd end up here. As soon as we were together, I knew that I would never be able to spend another day without you in my life. I'm excited for our future together. I'm excited to spend it with you and Alania. I'll love you forever, Finn. That's a promise I intend to keep."
The crowd sighs and Finn wipes away a makeup stained tear that managed to roll down your cheek. You let out a little giggle and lean into Finn's touch.
The official smiles and says, "The rings, please."
AJ hands the official the rings. He hands you Finn's ring and hands Finn your ring.
The official says, "Do you, Finn Balor, take thee Y/N L/N to be your lawfully wedded wife, for better or worse, in sickness and in health, til death do you part?"
Finn maintains eye contact with you as he says, "I do."
He slides the silver wedding band onto your left ring finger. You watch as he does.
You smile, looking back up at Finn, and the official asks, "Do you, Y/N L/N, take thee Finn Balor to be your lawfully wedded husband, for better or worse, in sickness and in health, til death do you part?"
"I do," you say, fighting back happy tears as you slide Finn's wedding band onto his finger.
The official smiles and says, "By the power invested in me by the state of Florida, I now declare you man and wife. Finn, you may kiss your bride."
It takes less than one second for Finn's lips to attach to yours after that last statement. You throw your arms around Finn's neck as you share your first kiss as husband and wife.
The crowd cheers as Finn pulls back. He smiles and you say, "I love you, Finn Balor."
"And I love ya, Y/B Balor," he says. You smile and lean up, kissing him again.
After a second, you pull back. Finn's parents and your parents walk up with Alania, who's now wide away. You smile as Finn offers her his finger and she takes it.
You hug your parents and Finn's parents. Finn's mom says, "Welcome to the family, Y/N."
You smile and say, "I'm happy to be here."
Finn's holding Alania now and you take in the sight of your new husband holding your daughter. She's playing with the flower in Finn's suit.
All of you walk back to the ballroom to get the reception started.
***
After dinner, it's all dancing. You dance with your father and Finn dances with his mother as other couples dance around you.
When dessert is served, and after you eat it, it's time for yours and Finn's first dance as a married couple.
"I'd like to invite the newlyweds to the dance floor for their first dance as husband and wife," the DJ says.
Finn takes your hand and the two of you walk to the dance floor. Thinking Out Loud by Ed Sheeran starts to play.
As you approach the center of the dance floor by yourself, Finn spins you around. You laugh and smile up at him as he takes you into his arms. His arms wrap around your waist and yours wrap around his neck. You close your eyes and rest your head on his chest.
The suit jacket has come off but he's still wearing his tie and his shirt is tucked into his dress pants.
He says, "Ya look beautiful tonight, baby. Absolutely stunning."
Your face turns red and you smile, looking up at him. "You're obligated to say that because we're married," you say, teasing him."
Finn says, "Oh shoot. Ya are right, because ya never looked beautiful when we were dating or engaged." He smiles. You giggle.
His eyes meet yours as the song and the dance continues.
You suddenly ask, "Would you want more kids one day? When Alania is a little older and doesn't always need our attention?"
Finn nods and says, "Of course. Maybe when Alania starts school then we can try for another baby. That'll give us about three or four years."
You smile and continue swaying with Finn to the music.
You're both quiet for a second before Finn says, "I can't wait to spend forever with ya, Y/N. I've been looking for ya for years and now ya are in my arms."
"You're stuck with me, Finn," you giggle. "You get me for every Thanksgiving, every Christmas, every birthday, and every day in between for the rest of our lives."
He smiles and says, "That sounds so good."
You smile up at him before you lean up, kissing Finn. He continues to smile into the kiss as he kisses you back.
Your fingers slide into his hair as he holds you close to him.
After a minute, the song ends and other people come onto the dance floor. A Thousand Years by Christina Perri comes on next.
"Did ya really have to announce to everyone that we had sex on Ver's desk though?" Finn asks, pulling away from the kiss.
You laugh and say, "Those words came out of my mouth before I could stop them. It's my desk now anyway."
Finn laughs and says, "That's true."
***
After the throwing of the bouquet, which one of your bridesmaids catch, you head off to get changed into something more comfortable for your flight over to Ireland.
You keep with the white theme and put on a short white dress with a plunging v-neck that exposes a lot of your cleavage and an open back. The skirt falls just passed your butt and is very flowy. You wear tan wedge sandals and tie your hair up in a ponytail.
You meet Finn in the lobby of the hotel. Everyone is outside waiting to throw their rice and say goodbye.
Finn's eyes land on you and says, "That dress is gonna look so good when it hits the floor tonight."
Laughing, you say, "It's tomorrow in Ireland."
"Oh, shush," he says, smiling. "Let's go so we can say goodbye to everyone before our flight. Our passports and bags are in the car."
You nod, lacing your fingers with Finn's.
As soon as you walk through the doors, rice is thrown. You and Finn are both laughing as the crowd cheers and claps.
At the end of the crowd are both yours and Finn's parents, and Alania. You take your daughter and your mom says, "She'll be in good hands with us. You go have have lots of fun."
"She'll have lots of fun," Finn says. "I promise." He gently taps your butt and you gasp.
Your parents laugh and you look at Alania.
She coos, "Momma." You smile and fix her dress.
"Momma and dadda will be back soon, Nia," you say softly to her. "Grandmom and grandpop will take care of you."
Part of you has always hoped that Alania will have a broken Irish accent. You still have some hope that she'll have a broken Irish accent because Finn has an Irish accent. Finn's parents will be taking care of her with your parents while you and Finn are honeymooning in Ireland for the next two weeks so she'll still be exposed to the accent. You've even found yourself with a bit of an accent sometimes.
Finn says, "Y/N, we have a flight to catch." He kisses the top of Nia's head and you look up at him, nodding.
Your mom takes Alania back and you say goodbye to your parents before saying goodbye to Finn's.
He helps you into the passenger's seat of the car. You wave out the window at everyone as Finn gets into the car. He waves for a second before driving off.
Things settle down for you as Finn drives to the airport.
"Ya will love Ireland," Finn says. "They have such beautiful weather this time of year. I'm excited to show ya around the country. It's not a very big country and we're staying in the middle of it."
You smile and say, "You better take me to your hometown."
He pulls up to the airport and says, "My parents still live there and I have full permission to stay the night one night in my old room while we're in Ireland."
"Yay," you say, smiling as Finn parks the car.
***
You left Orlando International at eleven at night, making at stop at JFK airport in New York before flying to Dublin. It's about four in the morning when you land in Ireland, and you've been on flights for close to 12 hours. Timezones are weird.
Finn drives from Dublin airport to the Wineport Lodge, which takes about ninety minutes. So it's about six in the morning when you get to the hotel. You're extremely jet lagged and tired.
You and Finn check into the honeymoon suite before making you're way up to the second floor.
The suite is a large room with a large bed facing the wall of windows and a balcony. There's a desk attached to the wall and a cushioned chair against the little wall separating the doors leaving to the balcony and a set of windows. There's a little table and two chairs on the other side of the bed.
The room is in the shape of a large triangle and the walls are a tan color. The rest of the room fits the tan aesthetic of the walls.
The bathroom has a stand up shower with a glass door, a large bathtub, a counter with two sinks, and a toilet.
As soon as you reach the bed, you collapse onto it. Finn laughs. "Ya seem tired," he says.
"I am," you sigh. "Timezones suck and I'm exhausted."
He smiles and says, "Get some sleep, princess. Ya will need it. I'll wake ya in a few hours after I unpack."
You say, "I'll unpack my things first." You take your suitcase and begin to fold clothes and hang them up in the small closet. Finn does the same.
It's seven in the morning when you're finally able to sleep. Finn falls asleep soon after you do.
It seems like you only slept for two minutes when Finn wakes you. It's about four in the afternoon now. He wakes you up with kisses so you're not too mad.
"Wake up, baby," he mumbles against your cheek. "It's dinnertime. I ordered us some room service and it should be here soon. I figured ya would want to stay in tonight."
Your eyes flutter open and you smile when you see Finn. "Staying in sounds nice," you mumble, still half asleep. You yawn and sit up in bed.
Finn smiles and says, "I hope ya slept well. Ya seemed to sleep well."
Yawning, you say, "Like a baby. I haven't slept like that since before Alania."
He laughs and says, "I'm glad ya slept well."
A few moments later, someone knocks on the door. Finn answers it in his loose black and white sport shorts and a white t-shirt. A cart with food is wheeled into the room and the door closes.
"So we have some Irish stew with Irish potatoes and cabbage," Finn says. "This is colcannon and this is soda bread. I promise it tastes better than most of it looks."
You smile as Finn puts some food in a plate for you. You've made your way to the table while he explained the meal. You eat a bit of it and hum. "This is really good," you say. "Especially the potatoes but I'm not surprised there."
Finn laughs and eats at the table with you. "I'm glad ya like it," he says, eating some of the Irish stew. "I've missed Irish style dishes, especially from Ireland. It's some of the best food I've ever eaten."
You nod in agreement. "It's definitely some of the best food I've had," you says finishing up what's on the plate.
Finn smiles and finishes up what's on his plate.
By this time, it's about five. The sun has begun to set and you look out at the view over the lake of the setting sun.
Your new husband walks up behind you and wraps his arms around your shoulders.
The two of you stand at the window and watch the sun set. "Ireland is beautiful," you sigh. "And I've only seen a little bit of it."
Finn kisses your jaw and says, "You're more beautiful than Ireland."
You giggle and look back at Finn. He's looking down at you. "And you're so cliche," you say.
"But ya love me," he says, a smile on his lips.
You peck his lips and say, "I do love you. I wouldn't be here if I didn't."
Finn laughs and says, "That's very true."
He leans in and kisses you softly. You kiss him back, turning in his arms. You grab a fistful of his shirt and pull him closer to you.
You pull back after a second and say, "I have a surprise for you. You have to give me a second to get it ready though. And you have to close your eyes."
Finn smiles and says, "I like surprises."
"You'll definitely like this one," you giggle, slipping away. His back is turned to you so you grab the lingerie and walk into the bathroom.
After stripping out of your dress, you put on the red two piece lingerie. The top is completely see through except for the cups, which push your breasts up. The top ends right past your butt and you wear a pair of red lace panties underneath.
Sighing, you leave the bathroom and walk back into the main room. Finn's still looking out the window so you clear your throats to get his attention.
Your new husband turns around and his eyes widen when he sees you. "Damn, baby," he says.
Slowly and almost seductively, you walk over to him. You run your fingers up his chest and ask, "Like what you see?"
Finn nods and says, "One hundred percent."
"I thought I'd surprise you a little bit," you say. "Give you the wedding night you deserve even though it's not technically our wedding night because timezones are weird."
He licks his bottom lip and he says, "It can be whatever night ya want it to be, baby."
You look up at Finn and say, "Then let's make it a good night.”
Finn's lips crash to yours. The kiss is intense and passionate from the start. Your tongues are already in each other's mouths as you both stumble toward the bed. You pull off Finn's t-shirt and throw it to the floor. He takes off your top and it joins his shirt on the ground.
You're pushed back onto the bed and Finn crawls onto you, hovering over you. He lays between your legs and starts to kiss your neck, leaving a mark or two.
Soft sighs leave your lips as he marks up your neck. Your fingers are in his hair, running through his hair occasionally.
His lips trail down to your breasts, where he pays extra attention to them. More than he has before. He kisses them and sucks on the nipple. A moan escapes your lips, letting Finn know you like what he's doing.
You feel Finn spread your legs out a bit as he kisses down your stomach.
After you gave birth to Alania, you told Finn how self-conscious you felt because of the added baby weight. It's kept you from having sex a few times, but tonight, you almost embrace it.
Finn's told you how much he loves you and your body, no matter how it looked. He said that the baby weight made you look hotter. Those words ring in your head as Finn kisses down your stomach to the waistband of your panties.
It's been a while since you and Finn have been intimate. You both have been taking care of a newborn who likes to cry a lot at night and needs attention during the day.
Finn runs a finger over your clothed core, making you gasp and sigh. You bite your lip as you feel Finn push aside the fabric and start to rub your clit. Soft sighs escape your lips as his fingers are replaced with his tongue. Your eyes flutter closed and your sense of touch takes over.
He sucks on your clit and occasionally swirls his tongue around the sensitive bud.
After a moment of this, Finn literally rips off the panties. Your eyes open and you look down at your husband. "Finn!" you gasp. "Those were expensive!"
"Don't worry, princess," he coos. "I'll buy ya new ones." Then he pushes two fingers inside of you, making you moan softly.
You grasp onto the bedsheets as Finn moves his fingers. Soft moans continue escaping your lips and you bite on your bottom lip. Finn's mouth is back on your clit as he adds a third finger. A knot forms in your stomach and you feel your walls begin to clench around Finn's fingers.
"Finn," you whine. "Baby, I'm about to come."
He smirks before he says, "Come, princess. It won't be the last time I make ya come tonight."
His words are enough to push you over the edge. You release all over his digits. Finn continues moving his fingers, helping you ride out your high. You lay on your back, gasping for air as you come down off your climax.
Finn licks your comes and juices off his fingers before he stands up at the foot of the bed. You watch as he pulls off his shorts and boxers. His hard member slaps his stomach before he crawls back onto you. You cup Finn's face in your hands and kiss him softly. He kisses you back just as soft.
You slide your fingers into his hair and you smile into the kiss. "I love you," you mumble against his lips. "You always know how to make me feel good."
He smiles into the kiss and says, "It's my job as your husband to make ya feel good, baby." He leans down and starts to kiss your neck again. You sigh softly.
"Finn," you sigh. "I need you. Please." You're almost whining.
Your husband smiles against your neck as he begins to run his tip through your soaked folds. You moan softly, leaning your head back against the bed.
Finn slides his erect member into you slowly. You moan a little louder, your mouth forming a little 'o'. He thrusts slowly and shallowly into you.
He buries his face into your neck and you're moaning in his ear. "Faster, Finn," you gasp. "Please."
"As ya wish, princess," he gasps as he begins to move faster and deeper into you. Your moans get louder and you drag your nails down his back, definitely leaving scratch marks.
Finn groans in your ear as he moves even deeper and harder into you. You gasp as his tip grazes your g-spot. "Finn!" you cry out, digging your nails into his back.
Your husband says, "Baby, keep scratching up my back and people will start to get concerned if they see it."
You stop scratching up his back and grip his upper arms instead as he moves harder. You wrap your legs around Finn's waist as he moves, almost digging your heels into his lower back.
Finn kisses you passionately as you both are pulled closer to your orgasms.
Neither of you says anything as the room is filled with your moans and the sound of skin slapping together.
He reaches his climax first, releasing inside of you. You soon follow him, releasing around Finn. You lay on your back and Finn collapses on top of you.
Your mind begins to race, thinking about how you got to this moment.
When you told Finn how you felt on graduation day, you never thought that you would end up here. You never thought that you were going to end up married to Finn with a baby, all within two years. It's been a crazy two years.
Imagine what wouldn't have happened if you never told Finn how you felt before you graduated.
"Finn," you say, looking at your husband.
He looks up at you and says, "Hm?"
You smile and run your fingers through his hair, saying, "I am so in love with you."
Finn smiles up at you, saying, "I am so in love with you too."
The two of you share a kiss and the kiss turns into a night of sex and little makeout sessions. The night of sex and little makeout sessions turns into a lifetime of loving each other and making each other happy.
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Text
New Suits
Peter Parker x reader (but it's not a Peter x reader themed fic), Avengers x teen reader.
Word count: 3.4k
Summary: Y/n Stark and Peter Parker have planned the ultimate movie night together, but something gets in their way.
Warnings: body insecurities, angst I guess, mentions of weight and stretch marks, stuff like that. Both the reader and Peter are 18 years old.
A/n: Hello :) this is way more of an avengers x reader fic rather than a Peter x reader fic, but I needed the reader to be connected to Peter in a certain way so why not! Enjoy, my peeps - Honey
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The clock ticked menacingly as you twirled the pencil you were holding between your fingers; last period on a Friday was always history with Mr Smith, and you hated it. Peter sat on the desk next to you and you could tell he was just as bored as you were, tapping his fingers against the polished wood table, staring into space. There were only three minutes left of class, and you were going to stay at Peter and May's apartment overnight to have a movie marathon, you couldn't be any more excited. As soon as the analogue clock on the wall turned to 2:58, you felt a vibration in your pocket and heard Peter's phone 'ding' in his pocket next to you, causing your teacher to turn around with a stern expression.
"I shouldn't have to remind you all of the one classroom rule," Mr Smith barked towards the class, "phones off." Once he turned back to face the whiteboard behind him, Peter turned to you with a confused look. Sneakily taking your phone out of your pocket, you saw a message from Jarvis:
"Happy Hogan is waiting outside for Y/N Stark and Peter Parker."
You silently showed Peter your phone before putting it into your backpack. What could Tony, or the Avengers, possibly want that'd ruin your weekend with Peter?
The bell rang piercingly through the classroom, and you packed up your bag.
"I can't believe we leave school in four months, it's crazy!" Peter started, shoving his textbook into his beige backpack. "One thing I certainly will not miss is this dreadful class." Peter kept his voice quiet, making sure your professor hadn't heard his snarky comment. Laughing, you and Peter walked out of class and down the corridor, towards to main exit.
"Why do you think Tones sent a car for us?" You asked, walking through the large double doors and into the sunlight. Both of you spotted Happy stood next to his car and headed towards the car park. "I haven't got a clue. But I'm sure Mr Stark," Peter emphasized, slightly disapproving of the nickname you gave your dad, "has a perfectly good reason. Besides, we'll probably only be at the tower for a couple of hours, right?" Nodding, you both walked up to the grey Audi.
"Hey Happy." You exclaimed with a smile. Once you all got in and buckled up, you took Peter's hand, and Happy began to drive out of the school grounds. "D'you know why Mr Stark wants us, Happy?" Peter asked, looking out of the window. Sighing, Happy looked into the rearview mirror to see you both. "I don't know." He said, looking back at the busy New York traffic, "Something about a suit update? I've been instructed to drive you both back to May's house at 9pm, so it can't be anything too important." You clenched up at the mention of a suit update, dreading what you were in for tonight.
You thought back to last year, remembering what exactly happened last time you got a new suit. You were quite insecure about your body, always wearing baggy clothes to hide it, but you couldn't always escape the sight of your own figure. To get a new suit, you need to have measurements taken, and the measurements have to be done in your underwear. You weren't fussy about having your measurements taken, as it was usually your dad that did it, but you'd recently been quite stressed about your appearance and weren't in the mood to do anything of the sorts today. Just this once, it didn't help that it was your father taking the measurements, either: you worried that if you became too fat or ugly, he would hate you. Considering you all were one big family, you wouldn't mind Bruce or Natasha doing it instead, so you were ought to ask them if they'd do it this time, to save any unwanted embarrassment in front of your father.
Soon enough, you got to the Avengers tower and headed straight for the common area. There, everybody was sat, waiting for Tony to arrive; Nat, Clint, Bruce, Steve, Sam, Bucky, and Rhodey. Peter sat down on one of the sofas, greeting everyone as he did so, but you stood in the door frame placing your backpack on the floor. "Nat, do you mind if I talk to you for a second?" Everybody turned to you, and Nat nodded with a smile. "Sure." She replied, hopping out of her seat and walking towards you. Nobody else was really phased by you and Natasha always spending time with each other, as you both were the main female avengers, and you saw her as a badass aunt. You began to walk down the hall, Nat to your right, taking slow steps.
"What's the matter, Y/n?" She asked, tucking a stray strand of crimson hair behind her ear. Stopping in the middle of the hall, you turned to face Natasha, a slight blush making its way to your cheeks - there was no easy way to say what was on your mind.
"I know this sounds really odd, but I was wondering if you'd take my measurements later on?" She looked slightly puzzled, but nodded anyway. You knew she'd want to know why, so you explained before she could ask.
"I'm just a little...insecure, that's all. I don't really want Tony judging me or my body, that's all." Her expression turned from puzzled to sympathetic, a slight hint of disappointment in her eyes. Uncomfortable, you looked down and stared at your worn out red converse.
"Y/n, you know your dad would never judge you, for any reason." You looked up at her as she rested a hand on your shoulder. "I'd really like to help you out, but I'm not qualified to take any measurements or information for Tony's work. Bruce helps to make the suits as well, y'know, and I could ask him if he'd do yours?" She spoke gently, stroking the side of your bare shoulder. You nodded, giving Nat a small smile. "That would be really nice. Thank you." Both of turned around and walked back to the common area. Just before you walked through the door, Nat turned to you and spoke. "You'll have to talk to Tony about this, okay? He's the best person to help you on this, and it might be good for you to get it off your chest." Nodding, you walked back into the common area.
You were sat on the grey sofa talking to Bucky when Tony walked in. Natasha quickly told Bruce what was going on when you went back into the common area, and he was happy to help, but you still felt a sense of nervousness like you had betrayed your father. Tony carried a piece of paper and a cup of coffee with him when he walked into the common area, sitting down on a chair.
"As you all know, we're doing new suit measurements and prototypes this afternoon, so you all need to be in the tower until 9." He spoke, talking a long swig of his coffee. "We should get measurements done by 6, and from then I'll need you to stay and give me information about anything new you want in your suits and stuff like that." He waved the sheet of paper he held and looked down to read from it, "This is a schedule that I beg you all to stick by otherwise I will lose my sanity even more than I already have. Clint, you're first to get measurements done in the lab, then you'll be followed by Steve, Sam, Bucky, Rhodey, Pete, Natasha and Y/n last." You swallowed hard when you heard him say your name, and tried not to think about the conversation you'd be having with him later on.
"Bruce and I are gonna go down to the labs now and set up. Clint, we'll need you down in about 10, capiche?" Bruce gave you a small smile before they both headed down to the labs, and with that, they were gone.
You watched as your colleagues left and came back, all indifferent to everything that had happened to them. You sat next to Peter, playing rock paper scissors until he had to go and get his fittings, when you talked to Natasha for a bit. When she was sent down to get her measurements, a wave of anxiety washed over you. You were next, and although you knew your dad wasn't going to see you, you still felt butterflies. Suddenly, Jarvis made an announcement on the speakers. "Miss Stark, Tony and Bruce require your presence in the laboratory."
Sheepishly, you rose from the sofa and said goodbye to whoever had returned from the lab and sat next to you - you hadn't paid attention. Once you got to the lab and opened the door, the only person you saw was Bruce.
"Hey Bruce." He looked up from his computer and smiled at you, rising from his stool.
"Hi y/n. Everything is set up in the next room, go in there and follow what Jarvis says, call me in when you're ready." You didn't reply, but walked to the door on the other side of the lab.
You knew this room all too well; it was the 'personal study' lab. It was more of an empty office than a lab, as it was only double the size of an elevator, but it had a small desk with some stray sheets of paper and pencils on top of it. It was rarely used, but when it was, it was for measurements, fittings, trying on new suits, practically anything that would require privacy. In the centre of the room was a small stool about a foot high. Before you could think anything of it Jarvis piped up;
"Good evening, Miss Stark. Please remove all unnecessary clothing. Do not remove your underwear. Then step onto the stool and await instructions."
Hesitantly, you kicked off your shoes and socks. You pulled your red crop over your head and threw it into the corner of the room, and began unbuttoning your high waisted jeans. You slipped your feat out of the wide leg trousers, leaving yourself in a black t-shirt bra and pants. Sighing, you walked over and stood on the small grey stool, relaxing your shoulders. "Jarvis, tell Dr Banner that I'm ready." You could hear Jarvis speak to Bruce in the lab, and within 10 seconds you hear a knock on the door. You answered, and Bruce walked in, carrying a tape measure and a small piece of paper.
"Are you ready to get started?" He asked, looking up at you. Taking a deep breath, you tried to relax all of your muscles. "Ready as I'll ever be." Bruce set down the piece of paper on the desk and began by measuring your waist, hips, and bust. When he got to your arms, you began to wonder where Tony was.
"How did you convince Tony to let you do my measurements?" You asked, trying to stay as still as possible. Without looking up, Bruce answered.
"I knew he wouldn't buy it if I asked to do only yours, so I did everyone's." He moved the tape measure over to your other arm, briefly jotting down a note on the sheet of paper. "What? You've actually done everyone else's?" He nodded, walking behind you to measure your legs. "It would seem suspicious if I only wanted to take your measurements, and nobody else minded me doing it. I told Tony that he should stay in the lab and start preparing ideas for the suits. He's just gone to make more coffee, that's why he isn't here at the moment. He'll probably be back any minute, though." Nodding, you were plunged back into silence. You didn't mind the awkward silence between you both, as he was family, but you wish you could try and start a conversation to distract you from your worries. Unfortunately, your mind went blank.
Ten minutes later, you were finished, and Bruce told you that you could step down from the stool. Before he left to let you change back into your clothes, he turned around to look at you.
"I know things are tricky, and it's not easy to appreciate yourself, but I just want you to know...we're proud of you. All of us, we love you so much."
You smiled slightly and nodded, and Bruce left.
Once you had out all of your clothes back on, you slowly opened the door back to the lab. There, you saw Bruce typing away at his computer and Tony, sat down at one of the desks, sketching out a suit on a large piece of paper. Tony only noticed you when you were halfway through the lab, and he put down his pencil. "Hey honey, you alright?" He asked, turning his swivel chair to face you. Already uncomfortable by the sight of him, you gave him a quick hug and slowly walked to the exit. "I'm fine, thanks, but I've gotta go for a shower. Talk to you in a bit!" You quickly backed into the corridor and speed walked to the elevator, making your way to the penultimate floor.
The elevator music today was a mix between jazz and swing - a mix that you despised. You took after your father, favouring classic rock over nimby-pimby music like this. When you got to your floor, the doors opened, and you were greeted with your room. Fairy lights and polaroids were strung around your double bed, an array of CD's and books littered across your desks. You were thankful that your room had an en suite, walking into the large bathroom. You ran the water until it was scalding hot, changed out of your clothes, and got in.
You were in the shower for no longer than twenty minutes before you heard, yet again, Jarvis reciting a message to you.
"Miss Stark, Tony is waiting for you in your room."
Groaning, you stopped the water and dried yourself off with a light pink towel. You put on a pair of pyjamas that you had thrown into the bathroom with you, brushed your hair in the mirror, and went back into your room. There, you saw your dad sat on your bed, admiring a CD.
"I'm definitely borrowing this." Tony stated, chucking the Nirvana album he was holding onto the bed.
"What're you doing here?" You asked, plopping yourself on your bed next to him, admiring your father as he scratched at his chin. "Gingey told me you wanted to have a talk, right?" Laughing nervously at the nickname you had coined for Nat when you were only a few years old, you picked at the skin around your fingernails.
"Right. Well, I had a problem, but now it's solved so I'm all good! You should probably go back to the lab now and do some more work." You rushed your words, desperate to get rid of Tony as quick as you could. However, he merely sighed, and sat up straight. He looked at you with an expression that almost literally read "I'm so fucking done with your woke-ass bullshit", which made you feel inferior.
"If you think I'm buying that, then you're definitely not a Stark. Try again, Y/n."
Before he could say another word, you rose from where you were sat. "Y'know, I think I might go and talk to mom about this. It's kind of a girl problem, Pepper will get it. See ya!" You quickly walked to the elevator door, and just as the doors closed behind you, you heard Tony mutter something about Pepper being on a business trip.
Shit.
From the elevator, you jogged down to the common area in hopes to find either Peter or Nat. However, when you arrived, the only person there was Sam, lounging on one of the sofas, scrolling through his phone. Groaning, you went to sit next to him, and rubbed your forehead.
"Hey honey, what's up?" He asked, sitting up straighter. Without looking at him, you shook your head, and replied. "I've had a pretty wild fucking day." Sam quietly laughed but tried to convince you that he was serious, pulling a stern expression.
"Ay, there's no need for that kind of language. Talk to me." He didn't turn his phone off, but placed it behind him on the arm of the sofa. You didn't bother to look and see what was on the screen.
Huffing, you turned around and sat criss-cross applesauce to face him.
"I don't like getting a new suit."
"...that's it?" He asked, frowning slightly. "Yes, that's it. I haven't been feeling like myself lately, and having to get a new suit fitted is just another reminder that my body will never be like every other girls. I'm ugly, I have a bit of stomach, stretch marks, there isn't a-"
"Ugly?" He interrupted, pulling a sour face. You nodded slightly, not knowing what else to say. "Y/n, you aren't ugly. And so what if you have stretch marks, or aren't a size zero? You aren't expected to look like a Victoria's secret model 24/7. Besides, you are beautiful in your own way. You were raised by a group of superheroes who save the world every week, you have the smarts of Tony Stark, the fierceness of Natasha and the morals of Captain America himself. Your body doesn't define your self worth, and it doesn't define who you are."
You were slightly taken aback by how good Sam was with words, but you gave him a small smile anyway.
"You should write poetry." You said, giggling slightly.
"Get your ass out of here before I push you out of the window, just for that comment." Laughing even more, you stood up and walked over to the door.
"And y/n," Sam added as you turned around, "go talk to Tony about this. He'll be pleased to hear it."
Pleased? Your dad would be pleased to hear that you're cripplingly self conscious of your body? Not focusing too much on the thought, you walked over to the elevator.
"Jarvis, where's Tony?" You asked, walking into the lift. Jarvis's voice was soon to reply.
"Tony is in Miss Stark's bedroom." Sighing, you pushed a button on the lift, and leaned back against the cool metal.
"Of course he is."
The elevator doors opened to reveal Tony on one side of your room, his back to you, admiring your shelf packed with books. He didn't have to turn around to know that it was you in the elevator.
"I find it slightly offensive that you can talk about it with Sam but not with me." You stalked over to your large white bed and threw yourself on it, staring at the plain ceiling above you.
"Talk about what?" You asked, looking over at your father. He walked over to the beanbag beside your bed and gently sat down on it. "Your feelings, opinions, thoughts, normal teenager stuff." He had a look on his face, as if he knew everything that was going on inside your head.
"How do you know what I talked to Sam about?" You questioned, sitting up on your shoulders.
"Jarvis picked the entire thing up, I was listening through my phone."
"Oh..." you couldn't be angry at Tony, he was your dad after all. You didn't mind him listening to what you had to say, but you wish you had the bravery to do it face-to-face.
"Listen, I know how it feels to be a teenager, and to have your parents expect too much from you. But your looks don't matter at all to Pep and I. They don't matter to anybody else, either. You have a great personality, and an even better mind, so don't feel like your looks are everything." Nodding, you stood up and walked to where Tony was sat on the beanbag. Offering a hand, you helped him up and stood directly in front of him.
"We love you, y/n. Peter loves you, I love you, Pepper loves you, all of the avengers love you. You just need to try and learn to love yourself." You saw a glint in his eye, recognizing the sincerity behind his words. He pulled you in for a hug and rubbed your back, letting you know that you were safe in his arms.
Maybe today wasn't as bad as you expected it to be.
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kiatheinsomniac · 4 years
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Chapter II: New Faces
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She gazed out of the window of the moving car while it passed the green scenery. Green was everywhere, seemingly every shade of it. The closest town had been passed well over forty minutes ago as they continued down the private road that led to the school.
Her parents weren't with her, of course. She'd been accompanied by the family driver as her parents were busy working. As per usual.
Trees drowned out everything else, the road twisted around them and roots began reclaiming the edges of the concrete, taking back their land where their brothers and sisters had been torn down to allow room for the human passage.
Occasionally, her (e/c) eyes would catch a glimpse of a rabbit or a deer — birds were common too but far from being as interesting. A sigh left her lips as she twisted the cap of her water bottle, throwing her head back to finish off the last of the refreshing liquid, leaving behind only a few stubborn drops that never seemed to leave the bottle.
The road began to open up and there was a definite clearing up ahead. (Y/n) swerved her head to get a better look at the grand gates which fenced off the school's grounds. The road became a wide gravel path and there were well-kept trees, hedges and flower beds decorating the field at the front of the building.
The building itself was magnificent. A grand château with such intricate detail that (Y/n) was unsure whether she'd be able to memorise it all despite how long she would be staying inside for.
When she stepped inside, the foyer put the outer decor to shame. An exquisite chandelier hung high before the split staircase which wound upwards towards the upper floor that was separated by a series of balconies, giving the foyer a tremendously high ceiling of four floors.
The deep green wallpaper was decorated with intricate designs as was the dark brown wood that was polished to perfection.
(Y/n) marvelled, suitcase in hand, spinning slowly on the spot as she looked upwards, watching the chandelier sparkle, flaunting its own worth. It looked old but kept too; yet another factor to add to the value of it.
The few boxes of her belongings were wheeled in on a trolley by the driver who placed them beside the staircase, giving his employers' daughter a quick nod of the head before leaving.
"Miss (L/n)!" A vaguely familiar voice greeted. (Y/n) lowered her gaze to see Miss Attaway descending the left staircase that curved inwards gradually to meet the base of the right staircase in a singular platform, two steps high. Between these two cases was a tall and very large marble pillar. "We're delighted to have you here!" Her smile faltered a little as she reached the final step, looking around. "Where are your parents?"
"Oh, they didn't come." She replied simply. She caught onto the pity in the vice principal's eyes but was bothered very little by it. She was used to her parents not being around after all.
"Not to see you off?" The teacher questioned, looking somewhat upset.
"Nope," (Y/n) replied simply. There was nothing else to say regarding the subject.
"Well alright then. . ." She composed herself quickly, smoothing down her skirt and straightening her back. "Welcome to Vermere Lake Grammar School. We're delighted to have you studying here alongside other hand-picked students." Her hand swept around the room. "I hope you find yourself comfortable enough here, I've been told by a few students here that they may take time to adjust to such luxuries but I believe a young lady like yourself shouldn't find that too difficult. It's simple to be at ease among such finery."
"I've been looking for a change in routine for a while. It's not a problem at all, the unfamiliarity is quite the comfort really." The (e/c)-eyed female assured her.
"Good, good." Pearl clapped her hands together, "Now, before I give you your room number and key (for privacy from other students) I have to tell you that you'll be sharing with some other students. We advise not unpacking for a while just to make sure you get along with everyone — if not, then we'll rearrange the room plans." She paused for a moment. "The girls' wing is to the left, the boys' is to the right. You're allowed to visit each other's rooms but not after curfew. Your uniform is already in your room. However, there's one rule that I'm sure you won't be particularly happy with: we don't allow phones here. You can use the school's phone to make calls home but mobiles are only allowed at the end of each term."
(Y/n)'s face had noticeably dropped at this. She depended on her phone for many aspects of her studies and was not about to hand it over.
"That's alright, I didn't bring it anyway." She lied.
"You didn't?" Miss Attaway looked shocked.
"No, I don't really have any friends to message and I figured that I would just use the school's phone to call my parents anyway." She prayed that she wouldn't get a notification or call of any kind during the conversation.
"Fair enough." Pearl seemed to believe the lie, after all, the logic made sense to (Y/n)'s character. "Well, you're in room one with three other girls." She held out her hand, "Here's your key."
(Y/n) took the small piece of metal that was attached to a blue plastic tag. Pearl left and she looked down at her bag and boxes of belongings before glancing up to the flight of stairs, sighing. But, it had to be done so she hefted her large suitcase up with great effort and set it by the banister at the top before jogging down to grab one of her boxes. A pair of heavier footsteps matched hers from the other side of the pillar. When she reached the base of the stairs, she was met by an incredibly tall, bronze-skinned boy who looked to be only slightly older than herself.
"Hi." He greeted in an American accent. It was heavy and yet there was something different to it, something about the tone in his voice that implied English wasn't his first language and yet he had mastered it to the point that the accent of his mother tongue was utterly hidden, "I'm Connor." He flashed a quick yet soft smile before glancing down at (Y/n)'s belongings. "Would you like a hand?"
"If you don't mind?" She replied, somewhat guiltily yet not wanting to deny a helping hand. They both reached for a box each. "I'm (Y/n) by the way."
"Nice to meet you." He spoke as they carefully made their way upwards, being sure to not trip seeing as the boxes blocked their view. (Y/n) found herself struggling a little but judging by the look of ease on Connor's face and the size of his arms, this was a simple task to him.
"So, have you managed to have a look around yet?" (Y/n) prompted a conversation as they descended to stairs to fetch the last two boxes.
"Just my room." The American answered, "Two of my roommates are here already: a British guy called Jacob and an Italian called Ezio — it seems like a really diverse school." He pointed out.
"Indeed." (Y/n) agreed as she hefted up the box in her hands, almost dropping it as her fingers slipped and she lost her grip. However, Connor quickly reached forward and caught it. Panic over.
"Careful." He warned gently, allowing (Y/n) to reclaim the box in her arms while uttering out a 'thank you'. She thanked him properly at the top of the stairs before the two of them parted. (Y/n) was on her own in carrying her belongings to her room now.
She hefted one of the heavier cardboard boxes in her arms, supporting the bottom out of fear it may rip, before proceeding to room one.
She pushed the door open with her foot and was greeted by an unfamiliar face. The girl was brown-haired, green-eyed and pale-skinned. She styled her tresses into two Dutch braids and a low bun with a few pieces falling in front of her face (which was splashed with freckles) she was slim with a few soft curves here and there. She wore some messy (yet sophisticated) eye makeup.
"Hey, I'm Evie Frye." She greeted with a beaming smile. (Y/n) returned the friendly gesture and dropped her box carefully at the side of a bed which was tucked into the far-right corner side-on against a window.
There were three windows in the room, two small ones that stretched up tall on the left and right-hand sides of the room and a large one that ran along the middle of the room, leaving a metre gap between the smaller windows — this large one also stretched high up.
There was another bed in the left corner in front of the door with the foot of the bed facing whoever walked in. A third bed was lined up against the large window in the middle of the room, hugging the wall side-on while the fourth bed was hugging the wall that held the door with the foot of the bed facing whoever walked in. The beds themselves were twin-sized, not too big nor too small.
An armoire was built into the close right corner of the room, forming an 'L' shape. Each bed had an old-styled container chest at the foot of it for the belongings of whoever slept there.
(Y/n) took in the old-fashioned blood red rug that ran along the length of the room down the middle, standing out against the polished wooden floorboards.
Evie had chosen the bed on the south wall to the right of the door when one walked in judging by the box that rested on the mattress. A bookshelf ran along the wall beside Evie's bed but was mostly empty bar a small collection on the middle shelf. (Y/n) assumed they belonged to her roommate.
There were two chaise lounges in the room: one in front of the bookcase and the other between (Y/n)'s bed and the one that rested against the wider window.
"(Y/n) (L/n)." She introduced.
"So, do you know anyone here?" The Brit prompted a conversation as she began unpacking her clothes, walking behind the changing screen in front of the armoire to begin filling it with her clothing.
"No. No one else from my school was requested to attend here. What about you?" She spoke as she began making her way back across the spacious room to collect the rest of her things from the top of the stairs.
"I'm here with my little twin brother Jacob and my boyfriend Henry." The freckled female replied.
"Oh, the guy that helped me to get my things upstairs (Connor) mentioned he was sharing a room with Jacob. Wait, you're a twin?" (Y/n) highlighted.
Evie turned around with a cheeky grin. "The older twin of us and I'm never going to let him forget it." She giggled, (Y/n) joined in the little moment of laughter.
"Alright, I'll be back in a minute, I'm going to get another box of my things." (Y/n) did as such and, trip after trip, brought all of her belongings into her room. She jumped onto the silver sheets of her bed, exhausted from lifting all those heavy boxes. By this time, Evie was almost completely unpacked and had begun to place her last few belongings into the chest at the end of her bed when someone else walked in.
She had straightened blonde hair and striking red lips along with an irritated and bitchy look on her expression. Most of her outfit was designer and the clothing seemed a little off for the overcast weather in the countryside, like she was more accustomed to hotter weather. She had a suitcase in one hand and a male with dark hair and a little stubble to match held a large crate of belongings in his arms.
(Y/n) sat up to inspect them.
"And you two are?" She asked in a rude tone with a Latin-rooted accent accompanying her voice. Was that Italian or Spanish?
"Evie Frye." The Brit spoke up, giving the blonde a weary look before gesturing over to (Y/n), "(Y/n) (L/n)."
"I'm Lucrezia Borgia but I'm sure you've already heard that I'm attending." She smirked as she stepped into the room, inspecting her red acrylic nails while the olive-skinned male behind her dropped her other belongings on the floor beside her.
"Actually, we don't exactly have reputations here yet." (Y/n) contributed, sitting up cross-legged on the bed. The blonde narrowed her eyes at this.
"Well here's mine: I'm at the top here. No-one undermines me, understood?"
"Look, I don't know who you are and frankly I couldn't care less about all this big talk and trying to flex by wearing every designer item you have on your first day." (Y/n) spoke bluntly. She came from a wealthy family too and easily could have done the same to flaunt such but had chosen not to; it simply wasn't in her nature, "I'm here to learn, not to play High School Musical fantasies, alright?" Neither of the two newcomers seemed to like this.
"You'll learn how it works one way or another." The man spoke up.
"And you are?" (Y/n) asked.
"Cesare Borgia." He spoke with a flirtatious smile, something about his presentation was unsettling. He radiated arrogance and self-destructive ambition.
"I'm not staying here. I'm going to switch." Lucrezia huffed as she wheeled her suitcase out the door, her brother following with the crate of her other belongings.
Evie watched them leave with an exhausted look. "What a handful." She muttered, "I'm glad o see that you don't take rubbish from anyone."
"I'll never understand people like that," (Y/n) added, sliding off her bed, "I don't really know any other way to react, really. I've never seen the point in all these social expectations, not to get too philosophical, I'm just used to my own company." It was clear now that this was her room and if there were any disagreements, the other party would be leaving, therefore, she began to unpack her things, beginning with dumping all her books out onto the bed to get them out of the way.
" 'A sensible man ought to find sufficient company in himself'." Evie quoted, eyeing her copy of Wuthering Heights.
"You know, I've always been keen on that line." (Y/n) smiled, glad to know they were very like-minded.
LOADING ANIMUS DATA...
██████████████]99%
While (Y/n) was filling the bookshelf with her own selection of fiction, historical biographies and Victorian literature, two other girls entered the room.
One was a dark-skinned woman with equally dark and alluring hazel eyes framed by thick lashes and paired with full lips. She had medium-length hair in beautiful thick box braids. She seemed to have a friendly and approachable manner. She wore a loose yellow jumper with ripped denim jeans and a thick black belt.
The other was a short olive-toned female with shimmering grey-brown eyes and curly dark brown hair with rose-tinted lips and an air of confidence around her. Her fashion was rebellious — striking red plaid trousers with a black leather belt and a black band hoodie with red detailing.
"Hi, Lucrezia and Anne were supposed to be in here but we spoke it over with the two of them so we're going to be staying here instead." The darker female spoke up in a western French accent. "I'm Aveline de Grandpre and this is-" She let her friend finish.
"-Claudia Auditore." She spoke with a confident smile, she tossed her red rucksack onto the bed opposite the door, leaving Aveline with the bed by the widest window. "Do you two know each other already?" She gestured between (Y/n) and Evie.
"Oh, no, we just met." Evie answered, "What about you two?"
"Again, we only just met but I think we're all going to get along well." The Italian replied, "I know a few people here already: Ezio (he's my older brother) and Cesare and Lucrezia (believe me, they make snakes seem like better friends)."
"Oh, we briefly spoke to them." (Y/n) contributed, dropping onto the chaise between hers and Aveline's bed, "We caught onto that much soon enough."
"I know Connor, we were friends when we were little," Aveline added.
"Oh, I met Connor earlier." (Y/n) smiled, "He seems really sweet, he helped me to carry my things upstairs." Aveline smiled at this, recalling his soft and kind behaviour.
"My twin brother goes here too." Evie joined in, "His name's Jacob."
"Oh, I think Ezio was talking to him earlier." Claudia piped up, "Scar on his eyebrow, short hair?"
"Yep, that's him," Evie confirmed.
"The boys have had an argument already," Aveline spoke up. "Three of them kicked Cesare out of their room so now he has a spare room all to himself." She chuckled.
"Not surprised at all," Claudia spoke up, flopping onto the bed before groaning. "I want my phone back!"
(Y/n) considered telling them that she still had hers but decided against it. She would wait to see if she could trust them first. Until then, it would remain hidden in her bag on do not disturb.
"Yeah, I met a few people in Claudia's brother's room." Aveline continued, "Ezio, Jacob and Arno (he says he's from France but you wouldn't think it at hearing his voice) — Connor's in there with them in room one. They all seem to get along well."
"Perhaps the number's a blessing." (Y/n) joked, "If you're in room one, you all get on."
There was shouting down the hall, the girls all look to one another before poking their heads out of the door rather comically with one head above another.
"Maláka! That girl is insufferable!" A girl with an odd accent exclaimed while Lucrezia huffed and returned to her room at the end of the corridor. She'd most likely just given her 'queen bee' speech again.
The one who yelled had tanned skin, decorated with scars, that stretched over defined muscles. Her hair was pulled into a fishtail over her shoulder and decorated with a cord wrapped around it.
"She's a bitch, don't give her any attention." Claudia piped up, snagging her attention. The woman smiled.
"I'll keep that in mind." She grinned, glad that the blonde didn't have an army of pestering followers seeing as she acted as such. "I'm Kassandra."
"Claudia." The social butterfly of an Italian replied, "This is: Aveline, Evie and (Y/n)." She pointed to each girl in turn who all waved.
"Nice to meet you all." She smiled. Another girl walked out of her room. She was dark-skinned with honey brown eyes and box braids that were tied over her shoulder.
"Hey, I'm Aya." She spoke in a lilted tone. She still had her coat on.
"Cold?" Evie prompted, pointing to the clothing.
"I'm from Egypt, it's colder than winter here." She sighed.
"Tell me about it, I'm from Italy," Claudia spoke, walking out into the corridor.
"Greece." Kassandra contributed.
"England. I'm used to it." Evie shrugged.
"(Y/o)," (Y/n) added.
"America." Aveline finished. That was a lot of diversity.
"It's nice that we're getting along." Aya said, "I was expecting more bitchy girls like her." She gestured to the room that Lucrezia was in.
"I can hear you!" The blonde yelled from inside her room.
"That's the point!" Kassandra called back. The girls all laughed at this.
"To the year ahead of us." Kassandra smiled as she walked back into her room, all the others doing the same.
(Y/n) felt her lips tug up in a smile at all the friendly new faces around her and the obvious shift in her life. It unnerved yet excited her all at once and, for the first time ever, she was eager to meet all these new people and get to know them.
This really was the change that she had been needing.
Stay safe and social distance to protect your loved ones, everyone <3 -Kia C.
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xxkellsvixen19xx · 5 years
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Forget Me Not Jim Mason x Reader 50 First Dates AU Pt 3
Jim laid a hand on her thigh out sight and casual-like. Just a light pressure to let Y/N know he was there for her.
Her entire body tightened, and she darted a glance around the table to see if anyone was watching. Everyone else was far too interested in their conversation and the joint floating around. He leaned over slightly to whisper by her ear. "You know they love you to pieces. It's going to be just fine, angel eyes."
His use of her nickname made her lips twitch. But even more importantly, to his delight she snuck her hand over his, linking their fingers together and squeezing tightly in response.
"You two got something on your mind over there?" Chad's question buzzed angrily in Jim's ears.
It was rather amazing how much disapproval could be put into such simple words.
Y/N took a deep breath, but before she could speak Jim decided what the hell. He'd sooner be skinned for the whole disaster, no matter what she'd said before.
"Not a secret," Jim announced. "We're dating."
Other than her quick gasp of shock, there was no response to his comment. Not for a full five seconds. Then an uproar of noise hit from all sides.
"The hell?"
"Since when?"
"Are you serious?"
Over all the questions and cussing lay a deep, heavy rumble, starting low then increasing in volume until Mr. Y/D/L/N's laugh broke through. He waved his sons off. "Calm yourself, boys. You really surprised by this?" He clicked his tongue. "Never thought I’d raised a pack of dullards. I saw this coming from a mile away."
Y/N gave Jim  a dirty look before facing her father.
"What's that mean?"
The older man shrugged. "Means I'd seen you two making calf eyes at each other when you thought no one was looking. About time you came to your senses."
Chad stumbled to vertical, glaring daggers at Jim. "Bullshit. You can't be dating Y/N."
Jim stood to meet him eye to eye across the table. "Not your decision."
"She's still recovering from the accident. She doesn't need to get involved with anyone."
A stream of very creative swearing burst free from a most unexpected source. Jim waited cautiously until Chad looked away before also turning toward Y/N.
She'd stood as well, her much shorter status very clear as everyone loomed over her from where they’d all risen to their feet around the table. The vile language spewing from her mouth stuttered to a stop as she whipped out her finger and stuck it in her oldest brother’s face.
"The accident happened two months ago. I. Bumped. My. Head. That's it. I didn't have a lobotomy or revert to childhood. I've had enough of you wrapping me in cotton and refusing to let me do anything on my own. Yes, I have gaps in my memory, and yes, dealing with that is a pain in the ass. But you, Chad"-she glared around the table to take in all her brothers-"all of you, are even bigger pains. I did not break my brain, or my body. My sex drive did not vanish out the broken window, and I will not allow you, or anyone else, decide what will or won't happen in my life."
Jim wasn't sure the mention of sex was the wisest idea as eyes narrowed further, and fists were clenched. Only he couldn't worry about that because she'd spun her fury toward him.
"And you! You're the biggest pain of them all. I told you I wanted to do this myself. You agreed, and now you just leap in and do exactly the opposite of what I asked for? Damn you." Y/N stepped back from the table, her eyes full of fire as she planted her feet wide and crossed her arms. "Jim and I are not going out," she stated clearly.
Oh, shit. She was more upset by his taking control than he’d expected. He reached for her, but she twisted from his grasp.
"Forget it, Jim. We might be seeing more of each other in the future if you get your head out of your ass, but the only reason will be because you might be the father of my baby."
The question exploded from five male throats at the same moment.
Y/N lifted her chin, cheeks red, her chest heaving. "Yes. I'm pregnant. Jim insists he could be. That's all I'm going to say about this tonight because I'm sick of all of you. Good night."
She twirled on her heel and stomped from the room, the door slamming shut after her. Jim wavered between running after her and staying to explain to the guys.
He never saw it coming. The fist that connected with his jaw made stars burst before his eyes, and he stumbled backward before landing on the floor, five very angry faces staring down at him.
"Shall we bury him alive in the back forty?" Danny asked, wiggling his fingers to shake out the blow he’d delivered. "Hang him in the garage. We can use the welder’s torch and skin him first."
Jim shoved aside the anger inside that wanted to flare like a torch. "Let me explain, dammit."
Chad dragged a hand over his head then gestured his brothers aside. He extended his hand to Jim.
Jim eyed it with distrust.
His friend snorted. "Look, you surprised us all, but I’m not going to beat you any further, and neither will the others."
"Speak for yourself," Alex drawled. "What the hell is going on, Jim?"
"Boys, let him up." Y/D/F/N Y/D/L/N pushed through his sons to cast an unreadable stare upon Jim.
Alex looked disappointed. "Does this mean we're not killing him and hiding the body?"
Y/D/F/N rested a hand on his shoulder. "Not today, but there's still hope for tomorrow."
And with that, Jim sighed in relief. He was going to be forgiven, at least by the guys. ,Y/N on the other hand, was another issue. He'd have to watch his balls around her for the next while.
They all settled around the table, a little uneasy. More awkward than he'd ever felt with the family. "So, now what?" Alex asked.
"That one is easy," Y/D/F/N answered. "Now Jim finds a way to convince Y/N they’re a couple. If she's going to have a baby, she needs all the support she can get."
"So you’d better find a way to convince Y/N she wants you in her life, or else," Chad snapped. Chad's ultimatum pissed Jim off all over.
"There’s nothing I want more." The secret seed of fear inside was shoved down and ignored as Jim went nose to nose with his stubborn best friend. “Did you not listen to what I said about sending you an email, you stupid ass? Did you not hear the part about how I'm the one who came to her before she even told me about the baby?"
"Easy words to say when none of it can be proved."
"Still say we take him outside and work him over,"  Alex muttered.
"Shut up, all of you." Mr. Y/D/L/N didn’t shout. Didn't storm, but his intensely spoken comment quelled all four of his sons. "Stop poking at Jim. He knows what he did was wrong, and if my baby girl is going to have a man in her life, I like Jim."
Warmth rushed him at the man’s words of acceptance. "Thank you, sir."
Y/D/F/N turned toward him with ice in the depths of his purple eyes. "You hurt her again, though, and I'll shoot you myself."
Ahh, family. Jim straightened up and wondered if he was going to survive.
Remembering the expression of fury in Y/N's eyes, he just might be better off dealing with the guys.
*********************************************
Y/N pulled herself alert. She was only a moment away from sliding into a puddle of relaxation in the overstuffed easy chair, tired from her week and everything that had been going on.
Medina had plopped herself on the floor to apply a new layer of polish to Y/N's toes. Instead of Friday night at the pub, Medina had suggested a girls’ home spa. The laid-back evening was so much better than fighting the noise and the crowds. Y/N was in heaven.
"Skipping away from the baby talk for a minute." Heather leaned forward on her elbows. "Tell me to butt out if you're not sharing, but what's this I hear about Jim.Mason basically camping out in your front yard?"
Y/N wasn't sure if she was pissed off or pleased with his relentless attention. "I laid down the law about two weeks ago, and ever since he's been trying to get back in my good books."
"Is it working?" Medina snorted. "Jim has not yet perfected the art of the grovel, we'll just put it that way."
"Hmm." Cami and Annisa, two more of Y/N's friends, exchanged glances. "A good grovel is always nice,”  Cami admitted.
"Followed by make-up sex, right?" Annisa grinned. "So, what’s he not doing right? Not being determined enough?"
Y/N stopped to think for a minute. Jim had been persistent-that much was in his favor. "I don’t think he understands what he did wrong in the first place."
"Of course he doesn’t." Heather grabbed a pitcher and topped up her drink. "He’s a guy. The words 'I was wrong' kind of stick in their throats and end up coming out as 'Get over it, little woman, I know best.'
A snort escaped before Y/N could stop it. "Yeah, that’s about the entire story."
"So, all he needs to do is say he was wrong?" Medina tilted her head to the side. "I would have thought this situation required more than that."
"Oh, 'I was wrong' would be the first step," Y/N agreed. "But until he figures out that this is my life, I'm not letting him back in. It's bad enough with my brothers wanting to make decisions for me."
"And you don’t need another big brother, right?" Ava winked at her. "I know you probably hate getting asked, but how are you feeling?"
"Much better,” Y/N admitted happily. "Morning sickness is done. Lots of energy. I haven’t got back my memory, but I have progressed in my math beyond two plus two is four."
"Hmm, too bad you have no memory of sexing it up with Jim." Cami waggled her brows. "I bet he’s got some moves."
"I can’t believe sex with Jim wasn’t memorable enough to stay in your brain no matter what. I mean, do you think he's got a teeny penis or something, and your mind is trying to wipe that out?"
"Not the size of the equipment, it’s how well they use it," Annisa quipped innocently, batting her lashes at the laughter that rose from the other women. "Well, that’s what they say, right?"
"No, I doubt Jim is lacking penis power. Unless he's shoving socks into his jock strap, the guy's got the goods."
Like a barometer, Y/N’s cheeks had responded to the chatter. She didn't really want to speculate on Jim's... equipment. "Sorry. Memory loss doesn’t pick and choose to save the juicier tidbits for repeat consumption. We'll have to stick with 'I don't remember’ on this one."
Laughter exploded, and Y/N relaxed back into her happy haze of food and friends. It wasn't the size of Jim's equipment that interested her -well, okay, not completely. But if she remembered the act, she'd know for sure who was involved in making the baby in her belly. She slipped her hands over the slight bulge beginning to show and wished again for a miracle, like total recall. It didn't come, but the friendship and warmth around her helped. Helped a lot.
The next morning Jim shifted uneasily on his feet and waited for Y/N to answer his knock. It was just past ten. Late enough she would have had time to sleep in a little and dress, because he didn't need any temptation to mess this up.
It sort of worked. She was awake. The woman who pulled the door open had bright eyes and a rested face; only she was still wrapped in a mass of soft terry cloth. Her robe ended at mid-thigh, and Jim snapped his gaze back up to safer territory.
He swallowed hard. "Hi."
She lifted one brow in a perfect Vulcan imitation. "Hi." Jim paused. "How you doing?"
Y/N nodded. "Good."
Ah, fuck it. "I'm so sorry, Y/N. I was an ass, and I had no right to butt in and go around your wishes."
She opened the door all the way and they headed towards the kitchen. She watched with a bemused attitude from where she’d pushed herself up to sit on the counter. "What are you doing, Jim?"
"Apologizing." He lifted his glass to her. "Trying to find a way to truly be there for you and make up for my stupid move at dinner a while back."
Y/N lifted her hand to touch his jaw where the final tinge of a bruise was slowly fading. "You got worked over by my brothers that night. I'm sorry for leaving you to them."
Jim stood stock-still as her soft fingers caressed his cheek. "I blew it more ways than one that night."
"You did." She patted his cheek gently then leaned forward to whisper, “But I'm ready to forgive you. Only for heaven's sake, stop acting like some ball-less dweeb."
Jim couldn't help but to laugh. "That's blunt."
Y/N shrugged. "It’s the new Y/N-I tend to speak my mind a little sooner. So here’s the deal. You will not fuck up and go against my express wishes, and I'll stop my brothers from beating on you."
Jim nodded. "And you'll let me get involved in your life; however it will help you the most. Whether that’s getting things ready for the baby's arrival, or being there to rub your feet or ..." He'd spotted the circle on the calendar on the wall. "Or going to prenatal visits with you."
She hesitated. "I don't know how I feel about that."
"That’s not true." Jim laid a hand over hers where it rested on the counter. "Come on, new Y/N, tell me what's racing through your mind."
She stared down at their fingers. "I'm afraid to let you in, I'm afraid to have you around and then have you taken off down the road." Her head lifted and those beautiful eyes stared into his soul. "I want you to be there for more than just the baby."
Jim stroked her fingers lightly. "I’m here. In spite of your fears." In spite of his own. "I wanted you before the baby was in the picture, and I'll want you no matter what." That much he could say with full and complete honesty.
The moment hung between them. Anticipation and longing right there. All his concerns and worries were overwhelmed by the need to have Y/N make the decision for him. To be with him, and give him a chance. Even though her accepting him would open up a world of nightmares-facing those would be worth it. Had to be worth it. He'd chosen to be a better man than his father, and this was the place that he made his stand.
Y/N moved so slowly, but finally she did move. Leaned toward him and rested her head on his shoulder. He slipped up a hand to brush the inch-long hair over her scalp, the softness against his palm like satin.
She leaned away. "Okay."
His heart raced like an out-of-control train. "Okay?"
She nodded. "You can come to the prenatal with me. And you can do some stuff around here, to help get things ready for the baby."
Jim waited, then got tired of waiting. "And us?" He demanded.
Her tongue snuck out quickly as she moistened her lips. "Well, I suppose we could start seeing each other."
He wanted to toss his fist into the air and shout, but that might freak her out. So instead he picked her up and twirled her. Hugging her close as she laughed. "Put me down, silly."
Jim lowered her carefully, reluctant to allow her warm, soft body to leave contact with his. "Does that mean we can go on a date?"
"Yes." She got an evil look in her eyes. He lowered himself onto the open space next to her, leaving room between them. There would be time to make a move on the physical side of things soon enough, now that she was letting him in. Letting him have a chance to do the right thing, and more.
She leaned back, the sunshine in the window making her soft and edible, and incredibly beautiful. "You have any plans for the day?"
"You are my plans."
Her smile bloomed, and Jim's heart swelled a little. It wasn’t what he’d expected to be doing, but in the big scheme of things-it was right.
@michael-langdon-appreciation
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Credit to @carolthors
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