i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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So here I am, unable to sleep again, because of the horrifying attack on Israel.
The stories keep coming out and for every new detail I find out, another part of my soul shatters.
[***massive trigger warning for the rest***]
I feel like I'm living in a parallel world to everyone who is not affected by this situation. It's been surreal to go about my work day and regular life as if the images of blood-soaked cradles, burned corpses, raped and wounded women, captives of all ages being taken away on vehicles, video of a small child being taunted for crying for his mother, body bags lined up in rows on the ground, torched cars and homes, and the raw grief of the surviving family members aren't burned onto the backs of my eyelids.
One account I read from a family member of the deceased was that she was beaten, raped in multiple ways and sticks shoved into each place, and left for dead. Another I came across spoke of a small child being forced to watch his parents tortured, killed, and hacked apart. Still another I saw was a report of several children bludgeoned to death so as not to "waste the bullets."
How can I possibly begin to process this?
These people look just like the people in my communities and the friends I've made across the sea. They have my Hebrew teacher's hair, my rabbi's cheekbones, they sound like the shinshinim kids we have each year. They look like the baby nephews of my fellow congregants. I could have davened next to any of them and never known. It is only sheer dumb luck that I don't personally know someone who has died or lost close family.
There has been a pit of dread in my stomach since Shimini Atzeret that will not go away. I find myself on the verge of tears at all times, yet have not been able to actually cry (which is not a good sign; an inability to express sadness in tears is a known post-trauma response for me) and I cannot rest normally. Sometimes I can distract myself for a bit, but the pain and grief rush back in immediately when I remember.
I can feel, in real time, this Jewish cultural trauma sinking into my bones.
And you might think I might be able to separate myself from it since I'm not there and don't have family there. But I can't, because I don't want to. I can't, because some tether bound me forever to the land as soon as my feet hit the ground there, and some part of my soul stayed behind when I left. I don't want to, because these are my people and so they are my adoptive family, even if I do not know them. I am my brother's keeper.
And so here I stand, half a world away from the danger, nervous and scared and grieving, searching our perfectly blue sky for signs of missiles that are not falling here and being startled constantly by the normal and unbroken landscape. The lush beauty of Midwestern autumn woods is juxtaposed in my mind with Middle Eastern walls painted in the blood of my people and their broken bodies beneath them. I see it in the waking light of day as clear as anything in front of me, and walk around like a person divided, in both places at once yet not being fully present in either. I cannot unsee it.
How can I possibly explain this? To myself? To the people actually having to live this nightmare? To the other people removed from the immediate physical danger but who do have blood relatives and/or other family there that they're just praying stay safe and come home at the end of the day? That they are constantly checking their phones for updates or even minimal signs that they're still alive?
The words fail me, but I the closest thing I have to an answer is love. I love my people and I would rather absorb this pain with them and carry it in my soul forever than look away from Jewish suffering. That is a promise I made by joining this people, that my fate would forever be bound up in the collective fate of klal Yisrael. Wherever you go, I will go; wherever you stay, I will stay; your people shall be my people, and your G-d my G-d. Where you die, I will die, and there I will be buried. Thus and more may Hashem do to me if anything but death parts me from you.
אַל־תִּפְגְּעִי־בִ֔י לְעׇזְבֵ֖ךְ לָשׁ֣וּב מֵאַחֲרָ֑יִךְ כִּ֠י אֶל־אֲשֶׁ֨ר תֵּלְכִ֜י אֵלֵ֗ךְ וּבַאֲשֶׁ֤ר תָּלִ֙ינִי֙ אָלִ֔ין עַמֵּ֣ךְ עַמִּ֔י וֵאלֹהַ֖יִךְ אֱלֹהָֽי׃ בַּאֲשֶׁ֤ר תָּמ֙וּתִי֙ אָמ֔וּת וְשָׁ֖ם אֶקָּבֵ֑ר כֹּה֩ יַעֲשֶׂ֨ה יְהֹוָ֥ה לִי֙ וְכֹ֣ה יוֹסִ֔יף כִּ֣י הַמָּ֔וֶת יַפְרִ֖יד בֵּינִ֥י וּבֵינֵֽךְ׃
[רות א]
I do not take that lightly, and I feel it in my bones. Some core part of me shattered at the same time as the rest of my community.
I cannot, and I will not look away. I will not close my heart or shield myself from this tragedy. And I will not forget.
עַ֥ל נַהֲר֨וֹת ׀ בָּבֶ֗ל שָׁ֣ם יָ֭שַׁבְנוּ גַּם־בָּכִ֑ינוּ בְּ֝זׇכְרֵ֗נוּ אֶת־צִיּֽוֹן׃ עַֽל־עֲרָבִ֥ים בְּתוֹכָ֑הּ תָּ֝לִ֗ינוּ כִּנֹּרוֹתֵֽינוּ׃ כִּ֤י שָׁ֨ם שְֽׁאֵל֪וּנוּ שׁוֹבֵ֡ינוּ דִּבְרֵי־שִׁ֭יר וְתוֹלָלֵ֣ינוּ שִׂמְחָ֑ה שִׁ֥ירוּ לָ֝֗נוּ מִשִּׁ֥יר צִיּֽוֹן׃ אֵ֗יךְ נָשִׁ֥יר אֶת־שִׁיר־יְהֹוָ֑ה עַ֝֗ל אַדְמַ֥ת נֵכָֽר׃ אִֽם־אֶשְׁכָּחֵ֥ךְ יְֽרוּשָׁלָ֗͏ִם תִּשְׁכַּ֥ח יְמִינִֽי׃ תִּדְבַּֽק־לְשׁוֹנִ֨י ׀ לְחִכִּי֮ אִם־לֹ֢א אֶ֫זְכְּרֵ֥כִי אִם־לֹ֣א אַ֭עֲלֶה אֶת־יְרוּשָׁלַ֑͏ִם עַ֝֗ל רֹ֣אשׁ שִׂמְחָתִֽי׃
[תהלים קלז]
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I'm generally very fond of Kat Rosenfield and the way she puts her views on her podcast Feminine Chaos, but in one of the most recent episodes, she muses on the question of "is it better to desire or to be desired?" (apparently younger women tended more to prefer the latter, to the slight consternation of both Kat and her podcast partner Phoebe Maltz-Bovy), one of Kat's musings is a little hard for me to know how to digest.
I was thinking about this, maybe too philosophically, and... I think that, to desire things -- I mean, not just people, but to, I don't know, to desire anything, to, like, be able to inculcate that, that feeling inside of you, is to be kind of alive to possibility in a way that is exciting and that makes a person feel like kind of, I don't know, that feels like the fullest expression of your humanity. Whereas, to be desired, I mean, like, that can be nice, you know, in the sense of like, "yeah, I still got it", which is sometimes nice to feel, especially as I am, you know, advancing in middle age. But, I don't know, you're not gonna pay your rent with it, and it's not gonna enrich your life, particularly. All it does is, I mean, I think, in like the worst cases, foment a certain amount of anxiety, because like, you know, what happens when people stop desiring you, if like, if that's the better thing, it's got an expiration date on it. Whereas, desire, you can want stuff your entire life.
This is a blend of two sharply distinct elements for me. Firstly, her attitude about being desired not having much effect on one's life strikes me as reaching over-the-top levels of insensitivity to what un-partnered not-super-conventionally-attractive people have to think about -- it feels to me like an expression of (somewhat gender-tinted) "attractiveness privilege" if you will (Kat Rosenfield is, um, quite gorgeous by my lights and probably to many others as well). Seriously, being desired "doesn't pay the rent"?! (Arguably it reflects a more general sort of privilege -- Rosenfield long before 40 has established a great, fulfilling career, is happily married, and owns a decently nice home for instance -- that makes it hard to remember that desiring relatively basic things one doesn't have or feel particularly hopeful about getting can be a quite painful form of "wanting stuff".)
But it's so over-the-top that I feel fairly sure there's a much more charitable way to understand what she was getting at, that she was considering the question in a very contextual frame of mind and would probably immediately understand my (surely much more common-sense) point of view if it were put in front of her (which Phoebe did not do) and she were forced to be a little less, as she acknowledged, philosophical. At least, I'd like to think?
The other salient aspect of the above quote for me is that it includes a really beautiful take on what it means to desire, whose general terms have more and more reflected my thoughts as I get older. I honestly think the capacity to desire and the capacity to be desired are equally important in their own ways, and a lot of the importance of the former was encapsulated eloquently in Kat's explanation. And I feel somewhat of a bitterness about the value of being able to desire, a smaller version of the bitterness I feel about the value of being desired: I am becoming very concerned as of late that I no longer have the capacity to be strongly attracted to anyone romantically (or maybe even sexually), and I find that kind of terrifying actually.
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another little lore tidbit: the central kingdoms military is called the "capitol guard," and the m-34th is just one of the probably hundreds of military regiments within it. they all have the same general look/structure to their uniforms (including the color), but only the emblem on the hats and badge thing changes
the m-34th is supposed to be, for the most part, out of the public knowledge, or at least blended into to other capitol guard officers. so youd see a lot of soldiers walking around the capitol but unless youre close enough to see the emblem you dont actually know what regiment theyre from (and 99% of the public doesnt know what any of the emblems even mean, so unless youre a witch you wouldnt be able to pick out an m-34th person until theyre close enough)
the idea is that since there's a lot of magic-erasure in society and witches just blend in, these guys are supposed to as well. so youd see an officer in a white uniform visiting some local business somewhere, and youd think "Oh they're getting lunch." and they MIGHT be, but also it could be one of those witch check-ups kind of thing.
also good for doing missions since theres capitol guard outposts in a lot of cities and towns, so if they needed to dispatch an m-34th officer specially to somewhere outside the central kingdom it wouldnt necessarily raise a lot of eyebrows from the locals or hint at some kind of magic-going-on's in any way
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