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melbatron5000 · 2 days

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The Big Damn Kiss

Buckle up, my fellow Good Omens Ineffable Mystery Puzzlers, Crackpotters, and Assorted Brainrotters, because I learned something HUGE yesterday.

This will be a bit of a long post, because I want to show you exactly how I got where I am. I want you to understand. I want to put all the naysayers to bed (ha! But I'm still gonna try), and settle this once and for all.

I know (almost) exactly what Crowley gave to Aziraphale during the kiss.

DO NOT TAKE ANY OF MY THEORIES TO NEIL! PLEASE!

Okay? Okay. Thanks. Shall we begin?

Ahem.

Firstly, whether you believe me or not, I am 100% certain that Crowley did, indeed, give something to Aziraphale in his mouth during The Kiss. I've covered that in the link previous. Okay? Okay.

I did not know what it was. I've now heard theories that it was a bullet (nope), a ball bearing (nope), hellfire (nope), and no one, NO ONE has suggested what I see. (If you have, hello! Talk to me!)

Here's our first foreshadowing Clue:

And here's our next foreshadowing Clue:

And the next:

And our last Clue:

With me so far? Well, that first GIF is a bit off, I couldn't find one of Crowley actually spitting out the flies. But he does. When Beelzebub first drags him to Hell, he actually goes "Pleaugh!" and spits out four or five flies.

Moving right along, we come to Crowley in Heaven with Muriel, looking at the trial. We learn two important things here:

One, Gabriel doesn't have a desk.

Two, Muriel does. Where they keep the records. And it's a bit lonely. Every few hundred years, someone comes and asks for something. Muriel can't access the sensitive ones, you have to be pretty high up. A throne, dominion, or higher. Like, maybe Supreme Archangel?

So if Gabriel doesn't have a desk, whose desk is he at when he's getting ready to leave Heaven? Of course I can't find a damn picture of Gabriel at the desk, but it's Muriel's. Where they keep the RECORDS.

Gabriel puts his memory into the fly, then gets on the elevator to go to Earth.

Now, when Gabriel opens the fly with his memories inside, we find out that it's a container. Bigger on the inside. You can put thing(S) in it. The bit we see of him remembering is shot in two parts, one where he's flying down a red tunnel, one where he's flying down a blue. If you slow this scene down and watch, you can see that he is NOT looking at just his own memories. There is more going on here, more that he was not present for. @embracing-the-ineffable put up a great meta about that here. Go look!

Now I figured Gabriel must have taken something else. Something important. Something useful. Something he meant to give to Aziraphale, except he forgot.

I also figured he must have left whatever it was in the fly when he took his memories out. Crowley must have realized while watching the trial footage that Gabriel also grabbed something else. I don't know when Crowley grabs the fly, but he does. And that is what he gives to Aziraphale in the kiss. Why? Well.

I had no idea what Gabriel took until I started working on the chiastic structure of season 2. I'm not done with that analysis yet, but let me show you one thing that I have found so far:

(The numbers are just to try and help me navigate the story and its events without time stamps)

My note #357 of what happens isn't quite right, but when I saw the only two times Aziraphale says "I forgive you" are towards the beginning of Season 2 and towards the end, I realized I had something.

Rephrase line 357: Crowley's kiss is forgiven IN EXCHANGE FOR RECORDS.

(Not that I think Crowley's kiss needs to be forgiven. It's just what Aziraphale says, and had to say at that moment, because the Metatron was listening in.)

What does Heaven in Good Omens remind us of most of all?

A big corporate entity. And what do powerful people do when they get fired from a big corporate entity? They download all their emails while they're cleaning out their desks. Damning emails. Emails that can be used to black mail or even destroy big corporate entities. Or, ya know, maybe they swipe some sensitive RECORDS?

Oh yes.

Records that Gabriel meant to give to Aziraphale, but he forgot. Records that Crowley realized Gabriel had put in the fly. The fly that Crowley grabbed once Gabriel had his memory out. The fly that he gave to Aziraphale when he kissed him. The fly that no longer held Gabriel's memory, but did still contain those damning records.

Here's Aziraphale reading the records:

Here's Aziraphale being horrified and outraged by what he's reading:

And here's Aziraphale realizing he has got some GOOD DIRT on Heaven. Maybe enough to bring them down:

That's it folks. I have no idea what the records actually say, and maybe we're not meant to know until season 3, but whatever it is, it's GOOD.

That's my story, and by God Herself, I'm sticking to it.

#good omens #good omens 2 #crowley #good omens meta #aziraphale #ineffable husbands #aziracrow #good omens analysis #good omens fan theory #ineffable mystery #aziraphale elevator #corporate heaven #the big damn kiss #the kiss #good omens muriel #good omens gabriel #good omens beelzebub

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twelvemonkeyswere · 13 hours

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Brienne and Femininity (and Masculinity)

I’ve been musing how one of the most important topics in Brienne's storyline is femininity, and even though her story isn't finished, we can fairly see what some of her major themes are around this—particularly, how performing or failing at performing femininity affects her both internally and externally.

Often I see people pointing out that, in spite of all of Brienne’s traditionally masculine ways—her clothes, her skill set, her body shape, to name a few—she does not fully reject femininity. That she likes little cute animals and fairy tales and wears dresses, and is shy and blushes frequently. This is an important point because, very often, fantasy settings made the assumption that a woman can only be taken seriously if she goes beyond “her womanhood” and acts and thinks “like a man,” as opposed to other girls who are too busy mending or wanting romance. Brienne challenges those tendencies that GRRM saw in his contemporaries. Things have changed a lot since (hello The Locked Tomb, for example), but you can still see where he is working from, and how many of the aspects of Brienne's story still resonate with more modern audiences because, well, sexism hasn't stopped existing. It's also important because the larger asoiaf and got fandoms often refuse to see this side of her, reducing her to a walking sword or a cardboard cut out of a pushover.

Now, my main issue here is that I feel several interpretations of Brienne have now gone on the other direction, and focus so much on Brienne PERFORMING traditional femininity—wearing luxurious dresses, using make up, accepting lavishing gifts, or wondering if she can be desired, for example—that we've gone sometimes on the opposite direction. I feel like many times we’re afraid or do not know how to approach characterizing her as someone who rejects aspects of femininity without making her into another “not like other girls” stereotype.

My two cents on the matter is that if we focus too much in what Brienne can't but "wants" to perform, we forget that she is, in fact, gladly rejecting some common impositions of femininity in her society.

Beginning with swordplay at a young age, for example, she was very glad to ditch a more traditional education in order to learn how to fight the way we know men are taught in asoiaf/got. She is also explicitly more comfortable in men's clothes. We all like the scene where Jaime makes an effort to give her a dress and she appreciates it, but we don't even find out what happened to the dress, because, presumably, the dress itself is not THAT important, at least not as much as the fact Jaime gave her gifts as a form of appreciation. Dresses have been used in Brienne's past to mock her (the event with the bear being the most recent one), and the important part is that Jaime is the only one who has given her one without that ulterior motive. The point of the scene is that where everyone undermines and underestimates her, he is acting the opposite way. We’re seeing how the relationship between them has evolved and that he is doing his best to mend what has happened and what he has done. She is given a dress and a sword as symbols that someone else in the story is beginning to appreciate her for all she is.

Beyond that, we even get details on the old shield Brienne got at Harrenhal, but not a word about the dress. Brienne explicitly doesn't really like being in dresses, she prefers mail and breeches, and feels more at ease in them than anything else. This is not her hating dresses because she is above them. I can’t remember well but as far as we know it’s just her preference: I don’t recall her saying she hates dresses, just that she prefers trousers. She must have been wearing dresses her whole life! It’s not likely she is unused to them. But we do know the act of being given a dress is important in Brienne’s story. The problem is not that they can’t make dresses for her, the problem is that everyone who forces her to wear a dress wants to signal how lacking she is as a woman, trying to fit her in a box too small for her real shape and then mocking her because she doesn’t meet their standard. The problem is they want to make her uncomfortable and they want to humiliate her, because she dares to exist in a way that doesn’t conform to patriarchal ideals. And the problem is that she likes to wear trousers and mail. She likes to wear masculine clothes, and they want her to be very aware of how much they disapprove.

And we also hear a great deal about marrying and having children out of duty. There's a certain loss she feels there because she believes that, at that point, all those missed opportunities will never present themselves again. All her life, she grew up with a dichotomy that dictated that the chance of having a family or children was through duty or none at all, because she is her father’s heir and—they kept telling her—nobody would want an ugly, masculine, temperamental girl as a wife. They could only want her for the money she brought. The point of the story is that, once again, failing the standards of femininity has forced her into a mentality where she thinks she can’t be loved because nobody would like who and what she is. But even then, even with that thorn in her mind, she still feels relieved she didn't have to perform these particular duties. The only thing she’s sad about is that she thinks she's missed any chance at having a family at all and will never know what that might be like. She doesn’t actively want babies or even to be married. She is still young, and at least to me, she seems to view these things in hypothetical rather than explicit goals or wants. She thinks that, at 20, there is no opportunity for her to experience these things because of how her society works. It’s the lack of choice that she mourns, down the line. But she rejects that particularly role that femininity imposes on her now. She didn’t want it, and she is happy it didn’t go through. She literally fought an old man to prove how much she didn’t want those impositions.

All this is interesting to me because Brienne also sort of thinks of herself as her father's son as well as her father's daughter. It almost slips her mouth once or twice. She is aware, I think, that many times the differences between a son and a daughter boil down not really to gender but to the sort of duty they perform. And she wants to do the sorts of things sons do, too. Men regularly learned to fight and wore the clothes she liked best and used hard-earned skills in a way she wanted to use them. There are layers to this (we’ll get to that in a bit) but she is, I think, very aware of her masculinity, and, if left to her own devices, she seems comfortable in it. The problem is she is NOT left to her own devices.

Most of Brienne's self doubt comes from outside forces. As a woman, they underestimate her. As a woman, they think she is stupid. As a gender non-conforming woman, every jape uttered goes directly to her womanhood. As a woman, if she looks the way she does and dresses the way she does and fights the way she does, when she expresses any vulnerable emotion, any shred of “femininity,” she is mocked for it. She likes dancing and beautiful things and pretty boys but a woman as masculine as she is is not the sort of person who gets to express those preferences without judgment from those around her.

The point is Brienne’s world wants her miserable either way: being unable to be a woman the way they demand of her, because she is too much “like a man” for it, or being unable to be a man, because she is too much a woman for that. The point is she can’t win regardless of what she does. Because that’s how sexism works.

But Brienne’s story is, I think, one about choices. The thing is that the world makes it harder for her, but she shouldn't have to be one thing or the other. She shouldn’t have to be defined by one or the other. If she wants to fight in the mud and smell roses and wear chain-mail and talk to charming men, she should be able to choose all of those things. I think it’s easy to focus too much in what aspects of femininity Brienne likes or dislikes instead of looking at what the story is proposing, which is to look at what Brienne,as a person, likes or dislikes. What she wants. Her parallel story to Jaime is about how the world will always try to put folks in boxes, especially those who, for some reason or another, do not easily fit in those boxes. The question is not “what feminine/masculine parts of Brienne is she happy performing” but rather “what does Brienne want, and why does she feel like she cannot get it and doesn't dare ask.”

This is also what drives her to servitude. There’s a phrase out there that says that if you don’t think you can be liked, you try to become useful, so at least there’s a reason to keep you around. It’s heartbreaking to see how Brienne’s vision of herself has been so skewed by the emotional abuse, parental neglect, and bullying she’s experienced since a young age. She doesn’t think anyone will grow close to her, so at least she can be close to people by serving them. She wants to put her skills to use, she wants to find a place where she fits, where she can be more herself, but she isn’t sure what that looks like or how to find it. She’s still searching, and learning many things on the way.

And Brienne is still very young. We can see her confidence growing and her worldview challenged and she is beginning to see the realities of herself and of the world around her through various trials by fire. Misogyny makes her feel incomplete, but we know the things she trusts about herself while simultaneously seeing the way she constantly doubts others. How she can't never express all of herself without constant judgment or mockery.

I feel like yes, the fact Brienne doesn't reject all traditional femininity is really important to her themes, but by extension, it's as important that shedoes reject some of those traditional expressions of femininity. What she is truly rejecting is imposition, not femininity. What she truly needs to embrace is freedom, not masculinity. She's making her own vows, breaking her own promises, going through her own mistakes. She is learning the hard way. Agency in a world of limited choices is one of Brienne's main themes too. There are moral issues that go deep within her story as well as examinations of the effects of war and the struggle to find authenticity and connection in a community that refuses to acknowledge yours, a community drenched in pretense and lost in performance.

And I think it’s easy to get too caught up in her wanting to be a girlfriend or a mother or wearing a dress that we bypass the whole conversation around why that matters at all. I feel like Brienne's success isn't going to come from her fully embracing all her feminine traits or fully accepting all her masculine traits but from being able, down the line, to be exactly who she is.

#i was looking at my drafts and here are some scrambled ideas I had that I wanted to release so I've tried to make them more organized #brienne of tarth #asoiaf

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byerseason · 2 days

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why byler is the only logical way to end stranger things: a personal opinion

long post incoming. i've been thinking about what else can they do other than canon byler or is there any logical way which would please everyone. but i genuinely can't find any logical ending.

first of all, let's see the options i heard from people who doesn't think byler is gonna happen.

not adressing will's love for mike, mike never finding out about it and will's arc simply focusing on supernatural part : well, we all know that's impossible. not after spending a whole season to show us his deep love for mike. also it's confirmed that an emotional arc for him is what is gonna tie up the story.

"his love for mike was for him to explore his sexuality, he's gonna have another boyfriend." : they could easily show it to us without bringing mike into it. the byers moving to california was a perfect chance for it since it's a place better than hawkins when it comes to LGBT, they could easily give him a love interest, include him to their journey to find el just like they included argyle and give him a good character arc in s5, just like robin in s4. well, they didn't.

"mike is gonna reject will" : okay, then what was the reason of making him fall in love with mike? did the writers want to write a horrible story for the only gay child in the group? especially after showing us how miserable he feels about mike and how much he loves him? no.

now let's look deeper at the character arcs. my biggest reason to think byler is the only logical way is: will byers

i don't think i have to mention how much will suffered throughout the show and how he needs the happiest ending. they left season 4 at a point where everything about that love triangle is unresolved and they're obviously going to do something with it.

we all know mike is the one who understands will the most. he always been, since the very beginning. we've been shown that their bond is different and special. in a scenario where mike rejects will, we all know this is gonna be ruined. will is not gonna magically bury his love and go back to being besties with mike. and for mike, it's not possible for him to ignore will's love for him and stay friends as nothing happened. it would ruin their friendship for absolutely nothing.they can't simply take the only one who understands away from him.

will said he wants to spend the rest of his life with mike for two times. even if he doesn't have any hope, he desires it. so why giving him a love that he will never have? in this scenario will's character arc is literally "the gay kid always thought he will never have love just because he is gay, he thinks it's wrong and he is a mistake, well yes, he was right! he will never find the love and just watch the other straight people have it. thanks for watching stranger things." will's arc should be an arc where he is proven wrong, where he understands it's okay to love, where he is loved the way he loves, purely. otherwise his character arc is gonna be useless. where did we leave will in s4? he was thinking there's no chance for mike to love him and he has zero hope-- he ripped off the band aid. if mike rejects him the character arc and all the build up in season 4 becomes useless. he was at zero, and he is still at zero.

like i said giving him an arc where he is loved the way he loves was easy to be done without mike but now it's too late. they made it super clear that will doesn't want to be loved, he wants to be loved by mike. mike hurts him yet he still thinks mike makes him feel like he's not a mistake at all. that's not a simple crush. that's pure love. as a writer of a show you don't spend too much time to sympathize the characters love to the audience -something you never did with your other characters, at least not as much as will- you don't show them pouring their heart to a gift, just to waste it, just to make the character feel the worst they can feel just to make the person they love happy. will loves mike such a way that he prioritizes his happiness over his. this is what is gonna pay off.

the second character whose character arc needs byler: mike wheeler

mike has always been the most complicated character of the show, but most of his actions have no explanation other than him dealing with his own feelings. the show introduced mike as the leader of the party and i think it's okay to say he was one of the main characters in season 1 & 2. what happened after s2? a crazy character downfall. the audience started to dislike him and think he is useless. he didn't have any character development in the past 2 seasons. why? why? why?

because we all just watched him struggling. dealing with something inside of his mind that we don't know.

let's talk about a scenario where byler doesn't happen. this makes all mike's arc about being a love interest since s3. no development, no explanation for his behavior in the past 2 seasons. of course mike is traumatized and never talks to anyone which effects his behavior a lot. but there's still an unanswered question. why is he distancing himself from will specificially? the writers showed us that they understand each other the best, they know each other the best and notice if somethings wrong, so why is he distancing himself from the person who he needs the most as a best friend?

this is where we start to think if the problem is will himself, for mike.

why did we make will fall in love with mike just for mike to distance himself from will for no reason and make will upset? did we want will to suffer for no reason or create an empty storyline?

if mike is not how we think he is, he is going to end the show with an empty character arc who is nothing but a love interest, a side character. if mike ends up how we think he is, he is going to be the best onscreen representation of internalized homophobia. people think he is useless or just an asshole but he will turn out to be a perfectly written character who has his own arc.

people love to say "gay people didn't exist in 80s, byler would be unrealistic." which is completely wrong. gay people DID exist in 80s and they DID find love. did they have peace? they didn't. this is why mike and will are gonna be a real representation. we watched all the real struggles they went through. even if we don't get to see them as a couple, they will know they love each other by the end and that's what matters. and there's nothing unrealistic about it.

#byler #mike wheeler #will byers #byler endgame #byler analysis #byler proof

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koolades-world · 2 days

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i saw the cat and corvid mc ones and i wanna see dog-like mc so bad, like one whos very loyal, loves cuddling with loved ones, if they had a tail and one of the gang came home itd be faster than a helicopter i think, if they see anyone with food theyd just come up to them with their puppy dog eyes, they just lounge around in random spots nearby the characters or even lays their head/body on them. sometimes theyll be playing with something and be possessive over it and a "Whats that in your mouth" situation comes in and they run away taking random stuff they found lying around the HoL, maybe theyre also rly playful and love playfighting and stuff like tug of war

thats just a few things that come off the top of my head lol how the mc is like is up to you, sorry if theres too much or doesnt make sense! xoxo

haha hi!!! yes of course!

this is such a fun idea. i may or may not have based this reader off my goofy goober of a dog. she's so sweet but sometimes i wonder if theres even a single thought in that head of hers haha

enjoy <3

Dog-like Mc

Lucifer

getting lock out of his bedroom always proceeds as such: being sad that you're locked out, sitting sadly in front of the door and scratching at it, lucifer feeling bad and eventually letting you in so you can sit on his bed and ruin the freshly made sheets lol

rinse and repeat the cycle nightly

the puppy dog eyes work very well on him

since he handles his brothers so often, he's good at getting you to listen when you're off in lala land or something along those lines

Mammon

he himself is kinda dog like, so the two of you get along pretty well

both of you would follow the other to the worlds end <33

you probably steal his sunglasses from time to time and he has to hunt you down to get them back, just because when he said “drop it” you accepted that as a challenge lol

the only difference in the two of you, however, is that you’re much more open with how you feel and will not hesitate to admit that you love him even if it flustered him haha

Levi

he's a little wary of having you in his room

he has lots of valuables that he treasures and while he's a little afraid you'll steal and or mess something up, he genuinely cares about you and is willing to get past that

however he did need a day away from you after you drooled on his Ruri pillow haha

after he got to know you better, he really appreciated always having an outgoing buddy to go out in public with someone that wasn't one of his brothers

Satan

sitting with him while he reads!! randomly laying your head in his lap <3

you always check out what's in his mug while he reads despite the fact that it never changes (it's always tea) but maybe one day it'll be something delicious, like chips haha

he's wary of taking you into a cat cafe, but surprisingly, all the cats love you!

now he's questioning if he's really a cat, or if he's a dog person lol

Asmo

you let him do any kind of skincare and treatments he wants on you

and he thinks it's great! until he sees you at the end of the day and it kinda looks like you swam in a mud puddle

he's not going to be the one to subject you to a bath so he always shoos you off and tells you to go clean up before you can get something else done (my dog hates water lol)

if he's ever missing one of his rather tasty smelling skincare products or a brush, or something like that, he just opens a bag of chips and summons you + beel (see below lol)

Beel

please the amount of food you're getting from him

those puppy dog eyes work so well and he can't help but give in every single time

both of you come running every time someone opens a chip bag even if it's on the other side of the house haha. if the others have issues finding you, that's how they do it quick and easy

every meal of yours is eaten together, of course

Belphie

the realest cat and dog dynamic ever!

please there's no way you're not jumping on his bed just for fun while he's sleeping in it. he's convinced it's to annoy him but it's just you being incredible oblivious and wanting to have fun

you guys are best friends. i don't make the rules haha

when you do want to nap with him, however, it's the best nap you've ever had and is probably a very cute pic

#sorry this is so late!!#been feeling kinda under the weather and swore i had something ready to post haha #obey me #obey me!#obey me satan #obey me asmo #obey me levi #obey me belphie #obey me mammon #obey me beel #obey me lucifer #obey me x reader

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reidfucker · 1 day

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mitski songs that make me think of reid + a specific lyric

spencer reid is very mitski. but these were the first to come to mind. i do not take criticism.

- working for the knife

honestly, the entire song reminds me of reid, but this in particular:

I always thought the choice was mine

And I was right, but I just chose wrong

I start the day lying and end with the truth

That I'm dying for the knife

- liquid smooth

I'm liquid smooth, come touch me, too

I'm at my highest peak, I'm ripe

About to fall

How I feel this river rushing through my veins

With nowhere else to go, it circles 'round

- class of 2013

Mom, would you wash my back?

This once, and then we can forget

And I'll leave what I'm chasing

For the other girls to pursue

Mom, am I still young?

Can I dream for a few months more?

- i don't smoke

Just don't leave me alone

Wondering where you are

I am stronger than you give me

Credit for

If your hands need to break

More than trinkets in your room

You can lean on my arm

As you break my heart

- abbey

again, the entire song is very reid, but:

I am something

I have been something

I was born something

What could I be?

There is a light that I can see

But only, it seems, when there's darkness in me

There is a dream that I sometimes see

That only appears in the dark of sleep

- i bet on losing dogs

Will you let me, baby, lose

On losing dogs

I know they're losing and I'll pay for my place

By the ring

Where I'll be looking in their eyes when they're down

I wanna feel it

I bet on losing dogs

I always want you when I'm finally fine

- the deal

Then of course, nothing replied, nothing speaks to you in the night

And I walked my way home, there was no one in sight

Save a bird perched upon a streetlight, watchin' me

So, I stopped and let it watch 'til I found that it said

"Now I'm taken, the night has me

You won't hear me singin'

You're a cage without me

Your pain is eased, but you'll never be free for

Now I'm taken, the night has me"

- fireworks

this is perhaps one of the reid-est. here's the particular lyric:

One morning this sadness will fossilize

And I will forget how to cry

I'll keep going to work and you won't see a change

Save perhaps a slight gray in my eye

I will go jogging routinely

Calmly and rhythmically run

And when I find that a knife's sticking out of my side

I'll pull it out without questioning why

- i don't like my mind

again, the entire song is reid, but this is my pick:

I don't like my mind, I don't like being left alone in a room

With all its opinions about the things that I've done

So, yeah, I blast music loud, and I work myself to the bone

And on an inconvenient Christmas, I eat a cake

- first love / late spring

very cliché, but i HAD to include it! here:

And I was so young when I behaved 25

Yet now, I find I've grown into a tall child

And I don't wanna go home

Let me walk to the top of the big night sky

- there's nothing left for you

You could touch fire

You could fly

It was your right

It was your life

And then it passed

To someone new

It'll keep passin' on

Long after you

- nobody

And I don't want your pity

I just want somebody near me

Guess I'm a coward

I just want to feel alright

- because dreaming costs money, my dear

I once lived in the sea

Bring me to your ear, you can hear

The tide where I used to be

Though now I'm but a shell

- a pearl

Sorry, I don't want your touch

It's not that I don't want you

Sorry, I can't take your touch

It's just that I fell in love with a war

Nobody told me it ended

And it left a pearl in my head

And I roll it around every night

Just to watch it glow

Every night, baby, that's where I go

- real men

Real men keep cool in the face of a fire

Go down with the ship

And real men don't eat

'Cause they're above that, damn it

Oh, I'm gonna be a real man

- crack baby

It's been a long, hard 20 year summer vacation

Both these 20 years tryna fill the void

Crack baby, you don't know what you want

But you know that you had it once

And you know that you want it back

Crack baby, you don't know what you want

But you know that you're needing it

And you know that you need it bad

#spencer reid #criminal minds #spencer reid x reader #mitski #mitski lyrics #reidfucker

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data-is-my-favorite-android · 12 hours

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Thoughts on The Ghoul

So I think all the characters in the Fallout show are spectacular, but I had some thoughts on The Ghoul/Cooper Howard in particular that I just wanted to put down. Owing to his 200+ years of history, he's a downright fascinating, dynamic character, and I can't wait to see what they do with him next.

Anyway, here's my thoughts/character analysis of The Ghoul:

One of the things I found most interesting on my second watch-through of the show was how everything The Ghoul does is motivated by ruthless pragmatism, not cruelty. It can appear like cruelty--sometimes it tips over into cruelty--but cruelty is not the point. The point is always survival. He must survive to find his family. That is his goal and his one guiding tenet. Nothing else matters, everything else is fluid. Whatever it takes to survive.

Getting rid of the three bounty hunters who dug him up? Survival. Two of those guys were already one twitch away from killing him on the spot for being a ghoul, and the other threatened to harm him if he didn't show enough gratitude. Coupled with some of the other things he was saying, it seemed possible he would double-cross or kill The Ghoul the moment it suited him. No doubt The Ghoul has worked with the type before, and knew trouble when he saw it.

In Filly, he only shot people who were shooting at him. Cooper loves dogs, but he stabbed CX-404 because she was actively trying to kill him. On the surface, he healed her for equally pragmatic reasons: she could lead him to Wilzig. But he also seemed to respect, too, that she clung to life despite her debilitating wound. She's not his dog Roosevelt, so he tries to maintain a cold detachment from her (at first), but he has a soft spot for dogs.

He was willing to shoot Lucy in Filly, but he hesitated--which is more than he did for any of the other people threatening his life. Possibly he wouldn't have killed her (she was armed with a non-lethal weapon) until Maximus showed up on the scene and changed the calculus (dispatch the girl and deal with the newer, bigger threat without having to worry about her finding a lethal weapon and killing him with it). He didn't kill Maximus when he had the chance, either. He didn't need to. Maximus had already shown himself to be incompetent with the power armor. It was simple enough to damage the power armor and watch him tuck tail and run.

When he meets Lucy again, he uses her with the same casual, indifferent efficiency as he would any other tool. The point of dunking her in the water was to lure the gulper. It had the unfortunate side effect of also being torturous for Lucy, but the cruelty wasn't the point. Getting the head back was. The head=caps, caps=meds, meds=survival, survival=eventually find family.

We don't know what The Ghoul would have done if they had retrieved the head from the gulper and his medicine hadn't been destroyed. Probably it would have depended on what Lucy did. If she seemed likely to come after him and the head, he probably would have killed her or incapacitated her and left her for dead. If she had explained she needed to trade it with Moldaver for her dad, Hank MacLean, hoooo boy, he would have beelined for Moldaver's with Lucy in tow. Whether Lucy came along as his partner or his captive/extra bargaining chip would also probably depend on Lucy's behavior.

But they lose the head and The Ghoul's medicine is destroyed. The math changes. He can come back for the head, but he needs meds now, which means he needs caps now, and the only thing of value he has on hand is this pampered girl from a fucking vault who seems patently unwilling to do the things that need to be done to survive in the Wasteland anyway, so if she's gonna die, he might as well profit from it. He needs meds to survive. He needs caps for meds. It's simple, brutal math.

While he's hauling her to the Super Duper Mart, though, he does several interesting things that are degrading for Lucy, yes, but are simultaneously teaching her how to survive the Wasteland, testing to see if she'll adapt. First, he mercy kills Roger and butchers him. It's important to note that The Ghoul didn't have to take a detour from his all-important mission to obtain medicine--he could hear it was Roger, he could tell Roger was going feral and didn't have any meds-- but he went anyway to help ease an old friend's passing. And he made sure Roger's last thoughts were pleasant, too.

Then, because this is the Wasteland and the one law is survival, he wastes no time switching gears. There's no waste in the Wasteland, and a fresh dead body presents an opportunity for those willing to seize it. The Ghoul, mind you, has had 200 years to learn that he can't be picky. Ghouls are unwelcome in most "civilized" parts of the Wasteland, barred from the simple comforts and safeties and securities that other people can enjoy if they reach those scattered, precious oases. The Ghoul has had to eat people. It sucks, but it's that or die.

But Lucy doesn't understand that. She arguably doesn't understand what a ghoul even is because nobody's taken the time to tell her. She doesn't know what the last 200 years have been like. She's appalled--and then she has the audacity to voice her disgust. The Ghoul hands her the knife to keep butchering Roger in part to humble her, to drag her down into the dirt with the rest of them, but he's also teaching her a stark reality of the Wasteland. It was a lesson and a skill that he had to learn the hard way. (Interestingly, while nearly everyone in the Wasteland is disgusted by cannibalism, it's also a known thing that happens all the time. The Ghoul and Lucy are in the interesting position of being some of the only people in the Wasteland who were raised in societies where cannibalism truly was unthinkable).

On the walk to the Super Duper Mart, he refuses to give her water. On a pragmatic level, there's no reason to waste water on the equivalent of a dead woman walking--he's leading her to get her organs harvested, after all. (He is pretty petty when he pours out the last drops instead of giving them to her, though). But also, whether he is actively intending to or not, he is teaching her to adapt to Wasteland conditions. The water in his canteen, in fact, was just as irradiated and gross as the standing water from which Lucy ultimately drinks; he refills his canteen from the same rusted-out vessel Lucy drinks from, and likely drew the previous canteen's worth of water from a similarly unpalatable source. This is water in the Wasteland. Drink it or die.

When she runs away shortly after, he lassos her (and, sidenote: can I just add how fucking cool it is that they actually carry through his lasso skills? Like, that is actually an extremely useful skill and the writers utilized it!), which leads to that pivotal scene where she bites his finger off and he takes hers.

This is interesting for multiple reasons. The Ghoul calls her a "little killer" and seems satisfied to see her finally fighting with the same savagery as a Wastelander. This could be either because a) he believes all people have a killer lurking beneath the facade of civility ("I'm you, sweetie. Just give it a little time...") and she's finally found that steely will to survive no matter what it takes, and/or b) he believes she's been faking her doe-eyed, good girl persona. He's the one who first finds Wilzig's body, after all. To him, it looks like Lucy lured the doctor off and ruthlessly chopped off his head before running off with it. Maybe she's just a really good actress, and in biting his finger off, she's let that mask slip.

Either way, he introduces her to another law of the Wasteland: don't dish it if you can't take it. She takes his finger, he takes hers. He doesn't kill her for it, in part because that would be disproportionate, in part because that would be a waste (he probably needs he alive to exchange her for caps). But also, from a practical standpoint, she just bit off his shooting finger. Unbeknownst to her, ghouls can reattach body parts, even ones that are not their own. He's harvesting his replacement from her. If he wanted to be cruel, he had ample opportunity to be cruel here. He could have taken more fingers. He could have hurt her in ways that wouldn't have affected her value to organ harvesters. He could have degraded her and called her all kinds of nasty names. But he doesn't. He's efficient. If anything, he seems almost proud of her for abandoning her hoity-toity principles and fighting back.

He still needs caps. He's feeling the effects of not having his medication. He's still committed to delivering her to the organ harvesters. In his mind, he has no choice. This is about survival. He has to survive to find his family. This is the option he has available to him. This is how he lives to see another day. He brings her to the Super Duper Mart and, drawing deep from that actor's well, he maintains the tough-guy routine long enough to intimidate her inside, then he succumbs.

He's still down when Lucy re-emerges, victorious, and he knows, he knows that he's dead. He tried to kill her, now she'll kill him. It's the smart thing to do, the practical thing to do. Another law of the Wasteland...

But she doesn't do it. She has all the power here, she knows he's a dangerous element, that she would probably be safer if she left him for dead or killed him herself. But she breaks all the rules. She gives him, freely, generously, with supreme dignity and a selfless kindness he had long forgot, an abundance of the thing he needs to survive, the thing he was willing to sell another human being for no questions asked. Just like that.

There's also something to be said here about how resource scarcity (and the removal of that scarcity) affects people. As soon as The Ghoul gains a cache of at least 2 months worth of medicine, it frees him from the basic math of mere survival. He has room to breathe and think long-term (at least by Wasteland standards). He can reflect on the momentous thing that just happened to him, too. As he watches himself on the TV in the Super Duper Mart, watches the man he once was unwillingly (and unwittingly) take the first step onto the path to what he has become, he remembers what it was like being Cooper Howard. Why he, Cooper Howard, hated the "feo, fuerte, y formal" scene so deeply.

Cooper Howard was a kind, moral, and dignified man who seldom said an unkind word. He was a loving husband who deeply respected his wife and absolutely adored his daughter. Though his naivety, privilege, and ignorance blinded him to the ugly realities of the pre-apocalypse world around him, he valued justice, freedom, and equality. He wanted the characters he played in the movies to reflect that belief in the power of the law and respect the innate humanity of all people, even the villains. And, when he began to see the cracks in the perfect picture of his charmed life, he is driven to know the truth behind the facade. His deep, defining belief in justice and truth would not let him leave it alone.

Cooper Howard learned the truth that Vault-Tec (and by extension, his wife) were willing to drive the world off a cliff, and it destroyed his marriage and deeply affected him. Even then, demoralized and hurt as he was, he found it in himself to be thoughtful and kind to his daughter and the people, both adults and children, at the birthday party he worked the day the bombs dropped. Fundamentally, he was still a kind, moral man. And that kind, moral man found himself in the middle of the most horrific nightmare anyone could ever imagine experiencing: the death of the planet under a rain of atomic bombs. Then he lived through it and had to contend with the harsh realities of surviving on the annihilated landscape left behind. Fortunately for him, he already had several handy skills to carry him through: having formerly been a real cowboy, he knew a thing or two about surviving in tough conditions; having formerly been a soldier, he knew what it took to kill a man and had the experience and fortitude to do it; and finally, having formerly been an actor, he had a built-in psychological coping mechanism to insulate him from the horrors of the things he needed to do to survive.

Cooper Howard used to put on and take off personas for a living. Sure, he played white hats, but he had an intuitive understanding of character and narrative tropes. He played opposite some of the best bad guys in 21st century Hollywood! It wouldn't be hard for him to pull the cloak of acting around himself to do what he initially needed to do to survive. But somewhere along the way, the tough, ruthless persona he adopted stopped being an act and he became his character. He embodied the answer to the question posed by The Man from Deadhorse: what happens when a good man is driven too far?

Cooper Howard adapted to survive. His actions reflect the realities of being a ghoul (again, a people generally reviled by everyone and cast out of safe havens because they are deemed threats). Pragmatic and efficient violence are necessities if a ghoul wants to live long, stay sane, and stay out from under the thumb of would-be enslavers. Still, beneath it all, Cooper Howard is still there, buried deep down beneath the character-persona of The Ghoul.

The Ghoul is drawn to Lucy (platonically, romantically, or some secret third thing), to her goodness and old-world manners just as much as he is disgusted/irritated by them. She's an echo of himself, of Cooper Howard, of who he used to be, and he knows EXACTLY where that gets a person. She's going to get herself killed if she doesn't wise up. With those high-and-mighty, anachronistic principles, that black-and-white worldview, her totally naive misunderstanding of the realities of the Wasteland, she won't last long. And initially he sees her as a pawn, like he was, only good for moving him one step closer to his goal. But then she shows him she can adapt and survive. Not only that, she can be true to her core principles in the process. She can conduct herself with dignity. Lucy reminds him what it was like being the white hat, and shows him that yes, even in this hellscape, there can be heroes. Over 200 yeas, his pragmatism and need to survive sanded away the nuance between Good and Bad. But Lucy makes him reconsider whether maybe there is right and wrong after all, and maybe it actually does matter.

Thus begins his transformation, but the change is not immediate, and this is still the Wasteland. He escapes from The Govermint and goes after Lucy. To do that, he needs to find Moldaver. He tracks down someone who might know where to find her, kills him and accidentally blows a hole through the letter with the key bit of information he needs to find Moldaver. So, he goes to that guy's family to find the man's younger brother, Tommy. When he gets the information he needs, he kills Tommy. He gives Tommy the opportunity to back down, but The Ghoul has a lot of experience and reads Tommy like a book. Tommy is not the kind of kid to let something like this go, and The Ghoul has clearly been burned by leaving vengeful people alive before. Tommy reaches for a gun to shoot The Ghoul, and The Ghoul doesn't hesitate. He blows a hole in the kid. It sucks, but again, this is a decision born from sheer practicality, not love of carnage.

Later, he comes across CX-404 trapped in a Nuka-Cola machine (left there by Thaddeus). The head is lost to both of them now; the dog cannot help The Ghoul with finding it. But he saves her anyway and dubs her Dogmeat. He lets sentimentality get to him for the first time in who knows how long and allows himself to bond with another living being. When he does reach The Observatory (where Moldaver, Lucy, and her dad are), he clearly stashes Dogmeat somewhere to keep her out of harm's way and goes in after Lucy.

After fighting his way through the Brotherhood of Steel, we come to that pivotal scene where Lucy finds out about her father's history. Cooper hangs back to observe and learns that his niggling, hare-brained hunch about Lucy and her last name was correct: she was the daughter of Henry MacLean, a man-out-of-time who presents the first real step in 200 years toward Cooper's ultimate goal: finding his family. (I think it's important to note, however, that he isn't 100% sure of her connection to Hank when follows her to Moldaver's--his reasons for going to the Observatory are either to get information from Moldaver or simply to back Lucy up, should she need help). He lets Hank get away so that he can follow him, and he's willing to follow him alone. But now there's Lucy, who is as wrapped up in this shit as Cooper is (even if she doesn't understand it yet), and he figures they both deserve answers. She's shown that she can adapt to survive, she just needs a teacher. In their first exchange since she left him at the Super Duper Mart, he treats her with new respect and offers her the opportunity to come with him, learn from him, and find out about who she really is and the legacy that has produced her. But perhaps he also knows deep down that he needs to learn from her too. He needs to remember what it was like to be good, to be human. He needs it so he can be it for his daughter when he finds her.

So, yeah, I don't know, it's just interesting how Cooper Howard became essentially lost in method acting a villain to survive the fucking awful conditions he found himself in, but even then he isn't cruel. Like, there are a lot worse things he could have done to Lucy. A LOT WORSE. As far as I can tell, he never looks at or touches her in a creepy, predatory way. Yeah, he drags her around on a leash and cuts her finger off when she bites his off, but that's pretty damn tame for the Wasteland. He secures her with rope, but otherwise is pretty hands off with her. If he objectifies her, it's in an extremely non-sexual way. More of a taking-the-cow-to-market kinda way. Which still sucks, but again, it's not needlessly cruel or wantonly violent, which is pretty impressive given general Wasteland behavior.

He's a damn interesting character, and I'm super stoked to see how he develops--and how he interacts with Lucy going forward.

#fallout show #cooper howard #the ghoul #lucy maclean #long post #character analysis #also #have you guys noticed #Cooper is wearing the same hat shirt and trousers he wore when the bomb dropped??#how has he NOT worn out those clothes after 200 years??#how does he take care of them??#Why does he wear them still?#...do you think it's so that when he does find his daughter #she'll be able to recognize *them* even if she doesn't recognize *him*?

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transmasc-rose · 2 days

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I like Rose, and I think they should have done more with the Bad Wolf event. So here's a small list of related AUs that have been rattling around in my head.

Feel free to use them for whatever, I'd love to see if you write something tho!

Becoming Bad Wolf, absorbing the Time Vortex and using its powers effects Rose beyond that one moment. Merely absorbing it long enough to expel the power was enough to cause Nine to regenerate, and Rose used its power for an extended period. Time travelling on its own is enough to change the body, the cells, the aging process. Being around enough Time Lords effects the aging process. So when you absorb the vortex into yourself, become it for an extended moment, make someone else immortal in a way no one else is, who's to say it doesn't effect you too? And when you leave with Tentoo, the human Doctor, the mortal Doctor, and you think--we're going to live together, we're going to die together. And the original Doctor thinks--this is for the best. I won't get more attached, I will lose her on my terms, they'll live what I can't have. But the Doctor ages. And Rose doesn't, whether she can regenerate, or lives in a single timeless body. Not like Jack, she can die, but her Doctor dies first. The Doctor lives the life of the Companion, and Rose lives the tragedy of the Doctor. There's no evidence of Time Lords in Pete's World. Rose and Tentoo have a child in the comics. Does her child die before her too, or does she inherit her "gift"? Does she find her way back home? Is she angry? Is she scared? Is she alone?

Or maybe she's still immortal, but she doesn't leave--either she makes it out of Doomsday in her home dimension, or she refuses to make a choice in Journey's End and insists the original Doctor keep her and Tentoo. What matters is, she's there when Ten regenerates into Eleven. She's there when the TARDIS malfunctions, and decides to crash. And through some happenstance, whether separation while the TARDIS was crashing, splitting up for one reason or another, Prisoner Zero plot devices, or simply breaking the age old rule of "don't wander off", they get separated. And the Doctor leaves for "five minutes". Rose returns to the TARDIS, or thinks she's found the TARDIS, and its not there. At best she sees it leave, or it leaves some signature behind she can track with a device from Pete's World. She knows it was there. So she waits, as Amy waits, because if a universe apart wasn't enough to break her spirit then time travel isn't either. Learns the year, gets a job, maybe goes and does her A levels like she said she wanted to do that one time. Years pass. Does she keep in touch with Amelia, the only lead she has to the Doctor? Rose says she doesn't really like children in Fear Her, but she's tolerated them before. Another strange figure in Amy's life. A connection to her "Raggedy Doctor". And almost as strange, too. Because as the years pass, the five between Doomsday and The Eleventh Hour, and the 12-14 years Amy waits, she doesn't age a day over 19/20. Did she ever get an explanation from the Doctor about Jack, in this vague extra time she's been with him? About how he left him without warning or explanation? Does Jack tell her? Does she worry he left her too? As the days pass, does she worry that he could sense what she was becoming, and abandoned her like he abandoned him? Or did she never know, not even have that context, left hoping that the doctor would one day come back until she has to accept that this time, this might be it. Left to deal with this curse on her own. She was worried Ten would leave her when he got that face. Maybe Eleven did. ...and of course, Eleven returns, none the wiser, and Rose's face only "confirms" he'd barely been gone at all! Nothing to worry about! Right?

#rose tyler #eleventh doctor #tenth doctor #11th doctor #10th doctor #doctor who #tentoo #metacrisis doctor #time petals #tenrose #elevenrose #Yippee!#I will probably reblog this later with more #with varying levels of canon compliance and angst #maybe one day I'll actually write about Rose in Torchwood

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m0rninglatte · 1 day

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Monster from Epic and Icarus analysis because the thoughts do be real

“How did suffering become so endless?”

- Icarus thinking it should have been done by now, but it's not. It's still going

“Do I need to change?”

…

Moving on.

“I'm surrounded by the souls of those of lost”

- Icarus talking about Aurelius, Enderian, *Centross*, Momboo, etc.

- The idea of everyone who has died is a sacrifice, and they will be brought back, but also Icarus ability to not grieve properly because of it

"What if the greatest threat we'll find across the sea, is me?

- Icarus wondering if they are failing and they are going to slip up to the point everything crashes because they made one wrong move.

“What if I'm the monster? What if i'm in the wrong”

- I like to think this line as Icarus beginning to think of each reset and all the "antagonistic" acts they've done and thinking if they are and have always been a monster because they in their own eyes can't seem to do anything to help people as they just end up hurting someone.

“What if i'm the problem that’s been hiding all along”

- Icarus in “Lady of the world” talking about how corruption has always been there, how whatever they did then was always there they just pushed it back of their mind until corruption made it the forefront of their mind.

“What if i'm the one who killed you”

- Icarus debating if it was Quixis that killed Momboo or themselves.

“What if I’ve been far too kind to foes but a monster to ourselves”

- Foes = Fable, ourselves = everyone else minus the co-workers

- Although Icarus currently wants to fix everything and stay with Fable, i like to see this as Icarus debating if they are on the right side.

The Polyphemus section is Centross, mainly the Violet Reaper

“Or does he end my men, to avenge his friend”

- S1 funeral.

-“Avenge his friend” is a line you could annotate “friend” to be Enderian

- If you wanted to, you could almost switch into "...,to serve his goddess"

The Circe section is Enderian

"When the witch turns men to pigs, to protect her nymphs"

- Corruption of Ominus Bane

- You could see this line in my opinion as either to protect her realm or to prove her point about Overworlders and how they are the same, for example, resorting to violent outcomes

The Poseidon section is Fable

- This section is a mix of things, I can see mixes of Fable during the war and Fable currently, and Icarus is like thinking of the similarities and differences between Fable and himself.

The Odysseus section about him during the Trojan War is Icarus and the Wack

“Does a soldier use a wooden horse to kill sleeping Trojans cause he is vile”

- Icarus using the wack to kill Momboo

"Or does he throw away his remorse and save more lives with guile"

- Icarus querying if he should just throw away his regret for any actions he has done and attempt to help people through sly and cunning intelligence (literally the definition of guile)

The section after the Odysseus section is Icarus wondering if they should just become the monster to everyone else but not the co-workers and yk Fable

“I lost my best friend, I lost my mentor, my mom, 500 men gone…”

- Best Friend is Centross.

- Mentor is a funky one because i could see it be switched into my brother, but at the same time, you could keep it as mentor and annotate it to be Quixis

- Mom is Isla -> "Like King like Prince" : Icarus finding her portrait and realising Fable hasn't told them where she is and that he can't remember her aswell as Rae

- 500 men gone = the people and gods who have died and or been husked

“I must get to see Penelope and Telemachus”

A) remove the context of the names, no wife, no son, none of that

B) This could be annotated into two different ways but i can mainly see it as Momboo and Centross and Icarus’ hope with all this they can come back

“I’ll go where Poseidon wont reach us”

- Poseidon could be annotated into Enderian, but one that I think works well is the faction, mainly Ocie.

“And if got to drop another infant from a wall in an instant so we all don't die”

- Icarus being like if i have to kill another person, fuck it, whatever it is I need to do to prove myself or help in anyway.

The end section with Odysseus choosing to become the monster I could see as Icarus state of mind of their not meant to be helping people as all they have done is hurt people, so that's what their meant to do, it's what they were ment to do from the beginning, so they will.

Thoughts and feelings go bonkers and bit of aaah and bit of RA

#I'm never done an analysis type post so this was a ride-#is this just the ground structure and my thought process of the animatic?#maybe whose to say #fsmp #fsmpblr #fable smp #fable smp icarus #icarus morningstar #i could sit here and code more of monster to other character aswell as the other songs in the saga but nah maybe one day i will maybe not

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daemon-in-my-head · 12 hours

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Definitely not canon, tragic angsty durgetash shit below as I struggle with the block™️. I don't know how many words, kinda description of injuries, ig? Anyway, not for kids. But it's tame compared to my usual stuff. Maybe I'll upload it on Ao3 one day.

Perfect archduke

Nothing could've prepared him for what he'd witness at the docks.

He had considered a plethora of scenarios on his way here. Distractions from the searing pain shooting up his leg whenever he took another step, daydreams about all the 'what if's' that could've been, explanations for the elf's actions down in the ruins. Just any kind of thought so that he may be able to ignore the hell unfolding around him, but not a single one of them led him to ever consider the horrors displayed before him.

The temperamental little girl who spat her words at him mere hours ago, the brave soldier who had survived all he'd done to her and still retained her fiery passion, was finally donning a look of utter defeat as she held onto the bundle in her arms. The snarky elves who had refused to leave his dear companion's side, who refused to control their ever-waggling tongues for just a second, couldn't even look at the man they'd been constantly circling before.

"What happened?" A calm, firm voice, finally asking his first question in what must've been decades. Still ever carefully masking the bile that continued to rise in his throat as his eyes focused on little red droplets hitting the soiled ground.

"The brain, we- the fall- I-" the Tiefling had become a stuttering mess, a mess that soon crumbled onto the pavement.

He didn't try to ask another question, seeing how the woman before him had stopped being capable of answering him or anyone else for that matter. So, instead, he resorted to the one method he knew would never fail him: studying the situation himself. It had been quite obvious what, or rather who, the person within her grasp had been. The eccentric suit of armour, the carelessly tied greyish hair. There had been but one person who'd ever grace people with such a look, but still. It couldn't be him. Someone who had rejected the god of death and lived couldn't possibly end up like this. It was impossible. You can't kill death. You may outfox it, escape its view, or grasp for a while, but you could never defeat death nor its child. This must've been another tomfoolery of his. A tasteless joke, childish revenge for something he remembered.

The man kneeled in front of the red lady before a calloused, gold-clad hand reached for strands dyed in uncannily warm colours, pushing them away to reveal the cruel truth hidden beneath. He didn't quite know what he expected to find, if he was honest with himself, but certainly not this. The ruby red orbs that had always carefully taken in their surroundings remained hidden. The old scar he himself had traced countless times had begun bleeding again, once more tinting the ashen cheeks he had witnessed flushing in days long past. The cruel hands he had used to crush so many of his foes began shaking as it traced the familiar ridges and curves of a face he'd known for ages, and the pain in his leg began to flare up yet again.

"Heal him." A firm command. Just another of his usual orders directed at the white-haired woman beside them. A tyrant's decree that would be all but ignored.

"You're a cleric, aren't you? Then, fulfil your duty and heal him." His voice grew louder. He would've loved to clench his fists, yet he couldn't bear to lift his hand from the man it had been so desperately grasping onto.

"I'm sorry I can't." The woman refused to look at them. Her eyes darting just about anywhere except the voice's direction.

"Will somebody finally do something?!" His voice grew into a rage-filled scream at her refusal. All these skilled people, and yet none of them did anything. "You know magic, don't you? You've brought people back before. I saw the records. I saw what the bunch of you has done, so fix him, or do you need a personal invite?!"

"I'm sorry, but this- this is beyond what I can do. What anyone could-" the woman finally turned to face them—translucent streams clearing away a path in the marks of battle placed upon her.

"Then get someone who can!" He continued to criticize her, ignoring what she had tried to tell him. The truth everyone but him had already acknowledged. "Why are you still standing there? Go, get-"

"Stop it!" The other pointy-eared man finally raised his voice, silencing the ramblings of the madman in front of him. Refusing to listen to his denial any longer. "It truly is a miracle how someone as dense as you has managed to rise to the position of Archduke, so let me spell it out clearly for you." The vampire's voice dripped with sarcasm, "he is dead. Gone. Ceased to breathe. And there's nothing you, she, or any of us can do about it. Your glorious grand design has killed him." He met the tyrant's rage-filled eyes. A look one could almost mistake as pity veiling the seething anger hidden within his own as he did.

"Congratulations, Archduke," he hissed.

"At last, you've freed the city of all its Bhaalspawn with your own stained hands."

#idk #i didnt reread or smth #i just wrote it on tumblr lol #bg3 #bg3 spoilers #enver gortash #bg3 gortash #bg3 durge #durgetash #lord gortash #durge #gortash x durge #dark urge #bg3 fanfic #bg3 fic #daemons writing #i really just wrote #inspired by smth that ripped my heart to shreds

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crownmemes · 2 days

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The Traitor in Our Midst Sentences

(Sentences for traitors, moles, and other double agents - as well as those trying to find them. Adjust phrasing where needed)

"I'm proud of what I am. I believe in what I do. Can you say that?"

"Well, aren't you just full of surprises?"

"I warned you; don't get involved."

"You can never be absolutely sure of people, can you?"

"I didn't lie. I just neglected to say anything."

"You know I'll find out what you're up to, don't you?"

"Did he offer you money to spy on me?"

"He wasn't the mole, was he? You are."

"So I'm the bad guy because I'm trying to do what's right?"

"The art of being a traitor is being one with the crowd."

"Who the hell are you? Because you're obviously not the person I thought you were before."

"There's something else I haven't told you about myself..."

"I hear you've been interfering with my work."

"I came here to put a bullet in you."

"Everything I do, I do for my country."

"No one can know about me!"

"I can't spy on a colleague!"

"I'm not the only liar here."

"You need to believe that I've got a problem so that your betrayal has the illusion of nobility."

"Who's the mole? Where is he?"

"It's okay to want out. It's not betrayal; it's self-preservation."

"The reason, by the way, I don't like the word 'traitor' is because I'm not a fucking traitor!"

"I can't believe you thought I was dirty. I may be a prick, but I'm a patriot!"

"Someone has betrayed the whole investigation and compromised everything."

"Who is it? Who's betraying me?"

"I know you're hiding something."

"There's a word for people like you, and it's not 'patriot' - it's 'traitor'."

"I'm not the person you think I am."

"My superiors insisted we not be seen together."

"What the hell has my country done for me?"

"Late for a secret meeting?"

"I knew it would be you."

#rp meme #rp memes #roleplay meme #roleplay memes #rp prompts #roleplay prompts #sentence starters #assorted;#secrets;#spy;

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thegeminisage · 2 days

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whoops, i almost forgot about the star trek update. tuesday we watched tng's "firstborn" and "bloodlines" and last night we watched ds9's "the wire" (honorific)

firstborn (tng):

i was actually bracing for this one to suck ass bc everyone says worf is a bad dad. and i dont think he is!!! like, it doesn't come as easily to him as it does to sisko, and he sometimes forgets to be gentle or kind with alexander because he's so laser focused on how things SHOULD be he forgets to the importance of taking others' feelings into account, but that's how he is ALL THE TIME with EVERYONE not just his kid. considering the circumstances i'd say he's doing well

before we get started, GREAT cameo from the duras sisters. i was initially really annoyed with their tit windows but im becoming rather fond

i really liked "the family protector guy "k'mter" at first because he said all the right things to alexander...like, it's scary not being able to defend yourself, etc. then he also was a dick to alexander and i was really exasperated...but then he IS alexander so that totally fixes it. he's angry with himself and conflicted and just wants a HUG FROM HIS DAD and that FIXED it!!! like when he said "nobody will look at you and see a human you are alone on this ship" initially it felt like racism but it being like, not quite self-loathing but just bitter experience...that's actually so clever

this is the only episode where they brought up alexander's mom kind of hating ""klingon stuff"" and how that could possibly have negatively impacted him and it only got two lines of dialogue but still. i think it's really damning that she hated her own heritage and also brought her kid up to hate it and now he's sort of out here...pretending to be human, almost, to the point where he doesn't want to participate in hsi own culture or even bond with his own father (a klingon). like it sucks so bad for him

i was afraid that the plot twist would be "k'mter talks alexander into wanting to be a warrior after all just when worf realizes he doesn't have to be" which would have been sad but a real "oh shit" of an ending. mixed feelings about them not doing that but i understand why they wanted to properly wrap things up for s7

i almost forgot but rare w for picard for bending the rules a little bit to give worf time to go to the klingon festival with his kid. credit where it is due

bloodlines (tng):

i have never been so BITTERLY DISAPPOINTED.......................

they gave. picard. an affair baby.

THEY GAVE HIM AN AFFAIR BABY!

what have i been saying since farpoint! he has an affair baby! AND THEY GAVE HIM ONE

AND THEN TOOK IT AWAY

what was the POINT OF THE EPISODE

if that's not his fucking affair child

pussy ass little FUCKS couldnt commit to changes...

i can't even remember what else happened in this episode i was so disappointed about this plot twist

oh yeah actually i do remember picard made a bald joke which i THINK was the only time he's done that in seven seasons? i think the only time ANYONE'S done it? please correct me if i am wrong but i was so shocked it got a big laugh out of me. also a rare w for picard. if he made bald jokes more often i'd hate him less maybe

the wire (ds9)

ooohhhhhhhhhhhh my god. oh my GOD. let's fucking...get into it

i rly thot garak was just a guy but not only is he a former assassin he's a current junkie. A JUNKIE! he's just like me fr

also, he can act? like that scene where he was withdrawing and saying horrible shit to julian......i was on the edge of my seat.

i love that he gave us 3 different stories about how he got kicked out. i'm gonna be honest, i looked it up, and apparently we never find out the truth? that is a bold fucking move. a daring choice. we, like julian, will never have any certainty. like, sure, i WANT to believe he released some kids from being tortured, but it's also equally as likely that he killed civilians or did a number of other horrible things

like, the fact that he can lie about it even while under significant distress.........king. like you could say oh that's the true one because that's the one where he was physically unwell but he also referred to "elim" in that one which gives it the ring of a potential falsehood

julian forgiving him anyway, even after all the horrible stuff he said, even after being physically ATTACKED (WHICH WAS SCARY!!! i was scared of him!!!!!) for "whatever he did," just because garak said "i need to know someone forgives me"..........AUGHGHGH JESUS CHRIST

THE FACT THAT HE WON'T TALK ABOUT IT. he won't tell even US what he did. eliot spencer core actually. i am beside myself about it all

maybe he's right and it is all true. maybe he destroyed a ship and framed a friend AND let some kids go. it's literally none of business though like he's not gonna tell us

anyway, i heard the term "brain implant" and nearly died on the spot, so 10/10 episode

honestly, they should have just upgraded this guy to a regular. he is so good

NEXT TIME: tng's "emergence" and ds9's "crossover" AND YES I KNOW THAT'S MIRRORVERSE!!!!!!!!!!!!!!

#personal #star trek blogging #tng lb #ds9 lb

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