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#and it loves him back....
plumbus-central · 1 year
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kitty time :)
inspired by @wrathofdante 's comic abt rick getting a pet cat as a gift
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Like the majority of society I’m obsessed with Nimona
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And I rewatched it a million times and one thing always sticks out to me 
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There are moments when Ambrosius is surrounded by light like a little protective bubble 
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That keeps him away from the man he loves more than anything 
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beybuniki · 3 months
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dabi day!!!
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pokeberry5 · 3 months
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boy hostage (spiritual successor to this)
big brother to the rescue:
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hansoeii · 8 months
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Do you think of me?
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triona-tribblescore · 19 days
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Sometimes I forget im allowed to draw him going a lil crazy 😌✨
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reineydraws · 29 days
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i dont have a caption for you lol i'll let shanks's heart eyes speak for themselves 🫶
(source)
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cisusnar · 1 month
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Lance used to braid Rachel's hair back on Earth so ofc he asks Allura if he can braid hers
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televised-eyes · 1 month
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the way crowley’s lil head bobble lines up perfectly with aziraphale touching his back, it’s as if the touch caused an involuntary shiver up crowley’s spine…
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pjs-everyday · 2 months
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uhhh *accidentally falls in love with wife* yea *does it again on purpose*🌹
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roydeezed · 4 months
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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kidovna · 28 days
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manifested mileven at the snowball in 2016, so now I’m manifesting byler at senior prom🪻🌻
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yuwuta · 4 months
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satoru physically withers and crumbles every time you return his belongings. he doesn’t know how to tell you that he can only accidentally on purpose leave his glasses on your nightstand, or his jacket on your couch, or his shirt in your laundry so many times before he loses his mind. every time you don’t take he bait, he folds into himself and wonders why you don’t love him anymore and it costs him $22.50 to hear ieiri tell him to suck it up and use his words because he literally has to buy her company (and drinks).
but when you do take the bait, when you do wear his things, satoru thinks it’s all worth it. he can’t explain why it does what it does to him. it’s a sinister kind of possession he wants to have over you, knowing you’re your own person, free to do as you please, but also knowing you’re caged in him. it’s a lovesick kind of gooeyness that melts his heart seeing you fumble with the sleeves of a sweater that’s too long for you. it’s the vision of you seeing you drowning in him—in his clothes, in his things, in him, in him, in him. he’s selfish, he wants to consume you in as many ways as possible, wants you to drown in him, would die happily knowing you were one tenth as enraptured by him as he is with you. he doesn’t know how or why or when you gained so much power over him, but he doesn’t care, he doesn’t want you to ever stop, so if he has to keep pretending to leave his clothes and bags and glasses around then so be it.
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catsharky · 4 months
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Yeah I was right and there was no way I was getting the rest of this done without making you all wait another month or two, so I just went to the next good break point. We're officially past the halfway point with Astarion though, so not too much longer before you actually get to see Rolan again!
Part 1 • Previous Part • Next Part
Full page format under the cut:
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azfellschild · 5 months
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Good and Evil wrestling, with Evil triumphing
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bit different from my latest work but something in me told me i needed to draw this
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haunted-xander · 6 days
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Well, I guess you didn't have much of a choice either
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