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#and everything in between
rumble-bee-art · 6 months
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Taking the work part out of work husbands
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blackarmychoir · 6 months
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the reason why crona soul eater is such good enby representation is because they cover the entire non binary identity from cute androgynous person to cosmic being of madness
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magnetothemagnificent · 11 months
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Every breakup song is about a trans person's relationship with their pre-transition self, btw. I don't make the rules.
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elea-mar · 2 months
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learning about my body, I learn about my mind. learning about my mind, I learn about my body
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boliv-jenta · 14 days
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Reblog to show men of all shapes and sizes love.
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thehauntedmarionnette · 3 months
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Was recently reading a meta about bkdk antis (link here) and I have learned something from them. I was unaware of this before but Kohei Horikoshi is in fact a Middle Aged, Cisgender, Straight, Japanese Man. It is as sincerely as possible I must inform you fellow bkdks, but we are incapable of getting empathy from, or even being visible to him. Despite our best efforts of always wearing high-vis pride flags, we are in fact unable to be seen on the light spectrum his eyes can absorb. We simply do not co-exist in his universe. Naturally, due to now being enlightened in this way I look back on my reprehensible actions of appreciating a story and intepreting it in my own way with copious amounts of shame, and will be following the advice of the sane logical people and kms.
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eternityembodied · 4 months
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Welcome to Pen Ink, on today's agenda
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Preferably a not super nerdy one
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minecraftbookshelf · 22 days
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My Traffic Life Conspiracy Theory is that Bigbst4tz was here on tumblr way back in the day. (And if he wasn’t he should have been)
His sense of humor is the exact og “lol RANDOM!” but deadpan. (Combined with blatant falsehoods delivered with 100% sincerity)
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Hi hello hi, may I take a moment of your time to talk about Junhwan Cha’s Nessun Dorma? Because it is perfect.
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superbly-aged-water · 7 months
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we’re so back tumblr
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arggghhhsstuff · 4 months
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my time has finally come
(from this fic on ao3)
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steggymus · 13 days
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i did it. i finished the sunshine court and OH MY GOD.
i love them. i love them all.
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ricomola · 1 year
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🌙 x 🎏
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ctrb92 · 6 months
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[Special Clip] ATEEZ(에이티즈) 산 'Imagine Dragons - Warriors' Performance Video
youtube
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scavengerssuccotash · 3 months
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How did Clint (and Nat) approach/navigate Natasha’s past when they first brought sex into their relationship? I imagine it took some time before Clint was certain she wasn’t trying to repay a debt
Oh! Very good ask! Discussion of consent usage and discovery incoming!
Sex was difficult for both of them. Not necessarily in the action of it, but more in the process of learning boundaries and respecting them. With Natasha's background, Clint was very aware that she had some baggage to work through in the sex department.
What he didn't know however, was just how much.
My own personal headcanon for Natasha's past and her sexual journey with Clint is in part her learning to voice her concerns, acknowledging her boundaries and most importantly voicing them. Consent was a huge hurdle for them to overcome. Not that Clint forced himself upon her or anything like that, but more so Natasha realizing (with ample encouragements from Clint) that she can say no to anything that might trigger her or make her uncomfortable.
I actually wrote a really emotionally heavy scene a long while ago about Natasha realizing that she didn't quite realize what she liked and what she didn't like due to the Red Room's brainwashing and her lack of agency before she defected.
So, their first hurdle was Natasha relearning a very simple word.
No.
Mind you, while simple I really wanted to stray away from the idea of a safeword when it relates to the act of sex, because with the notion of a safeword there comes a belief that the basis of consent is already there. It is simply being built upon with the introduction of a safeword.
However, Natasha never really had this foundational understanding. She of course knew the word no, but she never had the agency in which to lend it power.
Their second hurdle was helping Natasha rediscover, or perhaps discover for the first time exactly what she liked in the bedroom.
Her sexual education was vast and varied in the Red Room, but due to her lack of agency she really had no frame of reference to point back to and say, "Yes, I liked that!" or "No, I did not like that." Of course this always comes with the complication that most of her sexual experiences were work related. Did she not like it because it was with a mark and for work? Because her mark was unattractive? Or because she genuinely didn't like it?
So, due to all of this it really took very long talks and constant check-in's during the sex act for them to both discover what Natasha might like or dislike. Clint, of course, was very patient with her and consistently understanding and gentle as Natasha checked in with herself. I think its a testament to both the strength of their love and a marker for their level of trust they have in each other that this process can take place.
As for the debt bit, I don't really think by the time they had started to introduce sex into the relationship that it was a question for either of them. I realize I am a lone wolf in this thought, but that's my headcanon and I'm sticking with it. I just don't think Clint would allow sex to muddle the relationship if he had any doubts in Natasha's faith in him or herself.
"You don't owe me shit, Tasha, but if you think there's a debt you have to pay, then write it off by living for yourself and nobody else. Not even me, okay?"
So TLDR: Consent, consent, consent! Lots of sexy discovery and Clint helping (extremely willingly) Natasha retake her agency.
Anyway, yeah, probably a meta response to an normal ask. Hope you don't mind! Thanks for asking.
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xombiriot · 4 months
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TOP 3 Metal Albums I Enjoyed from 2023
A lot of great metal came out this year and it was hard to narrow it down to my Top 3. There were some great EPs released this year— Spiritbox’s The Fear of Fear, Brand of Sacrifice’s Between Death and Dreams and Knosis’s The Eternal Doom among them. Singles I enjoyed include: "On the Verge" by thrown, “Masterpiece” by The Anchor, “Enemy” by The Gentle Men (ft. Andy Cizek), “Weight of the World” by Harper (ft. We Came as Romans and Brand of Sacrifice), “Viking” by Slaughter To Prevail, "III" by DEATHPHONK (Nik Nocturnal's weird project); and Knocked Loose had the double, “Deep In the Willow”/“Everything is Quiet Now”.
My Top 5 honourable mentions: 5. [m]other by Veil of Maya, their newest does everything I want it to do, good riffs, cool effects, great vocals; 4. Soul Elegy by Termina, Nik Nocturna, Andy Cizek and friends deliver an awesome metal album; 3. Chaos Horrific by Cannibal Corpse is a strong entry and shows why they're still so loved after so long; 2. The Fox and the Bird by Ok Goodnight mixes folk, rock, metal and whatever else they want to create this really entrancing album; and 1. Take Me Back to Eden by Sleep Token is one of the albums I listened to the most because it's easy to put on when you're tired of being relentlessly pummelled by deathcore, but though its highs are super high, it just misses out landing on my top 3 because there are a few spots it lags
3. ...And Everything In Between - Unprocessed
Manuel Gardner Fernandes has quickly become one of my favourite guitarists between this release and Unprocessed's previous album Gold. The combination of styles on this album exemplify modern metal: bludgeoning heaviness, thumpy prog riffing (à la Animals As Leaders or Polyphia) and a mix of harsh and clean vocals. Despite the polish of these 9 tracks, some express such raw emotion and a ferocity that they really get me hyped up. The variety of tones and vocals kept me engaged throughout, and they blend and balance heaviness and melody so well. The guitar sounds so angry sometimes–especially the part of "Thrash" where Manuel beats the shit outta his guitar after screaming, "But you're just a fucking lie!" I love that. Other songs like "Blackbone" and "Die on the Cross of the Martyr" continue the trend of excellent instrumentation, the latter featuring guest solos by Polyphia's Tim Henson and Scottie Lepage. It's so well done and so engaging. In the short time I've had this album, it's become one of my favourites of 2023.
2. Periphery V: Djent Is Not A Genre - Periphery
When Periphery released "Wildfire" as a single I immediately bought into what they were selling. The way they transition through the various parts is seamless, the mix of vocal techniques and the jazzy interlude are all fantastic. It really captures the spirit of the whole record. Songs like "Dying Star" and "Zagreus" are also so hard. Periphery continues to show off their musical dexterity, and the band members prove once again they're not only some of the best musicians djenting their way through the world but as a collective they add up to more than the sum of their parts. My hottest take when it comes to this album is that I love "Silhouette" — it's like if you ran 80s soft rock and 90s/00s boy bands through a progressive music filter. I think they wrote this song and put it on the album just to prove they can do anything. And if Periphery is Djent, and Djent isn't a genre then why shouldn't they go in every genre direction they want to explore?
1. War of Being - TesseracT
In other years this top 3 could have been entirely deathcore or melodeath or metalcore, but this year it was djenty prog metal through and through. It's the music I gravitated to the most this year and nobody did it better than TesseracT. Daniel Tompkins vocals are incredible throughout, his cleans sounding particularly great on "Echoes" – giving us one of the best choruses before following it up with another great one on "The Grey". The album offers engaging lyricism throughout and the instrumentation is at a pedigree one would expect for a band in the vanguard of this genre. The album gives us atmospheric moments, synths, meditative passages before blasting us with metal. In many ways the whole album does what the best tracks on Sleep Token's Take Me Back To Eden do. Each song and the album as a whole provide an expansive experience. And that's why it's my number one. More than any other album released this year, TesseracT's War of Being makes me want to sit down and listen to it from beginning to end.
Other great albums: SUPERBLOOM by Silent Planet; Fatalism by Polaris; Feral by Left To Suffer; Foregone by In Flames; Ashen by Humanity's Last Breath; The Sin of Human Frailty by END; Symptoms of Survival by Dying Wish; and The Death We Seek by Currents.
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