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#and completely alone
green-mochi-blog · 1 year
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When we talk about Pride and Prejudice we always discuss the change and the work Darcy did on himself, which is fine, because it was a major change and for good, which helped him be a better person
But we never talk about the change Elizabeth had to make, and not just in herself, but in her whole fucking family!
That woman had to hear from the mouth of the person she hated the most that her family was ridiculous and the cause of her dearest sister's misfortunes and sadness, and she didn't want to believe it. All to return home and realize that Darcy was right, her family was a mess!
Lydia was a derailed, shameless child with no sense of responsibility, and Kitty, despite being older, was following in her footsteps
Mary, despite all the hours she put into her studies, had no sense of selfawareness and no common sense, which made her embarrassing at social events.
The mother was vain, gossipy, ignorant and impertinent, and more likely she used to be just like Lydia in her youth. Probably the reason why she encouraged such behavior.
And the father, the one person Lizzy adored so much, was not only aware of all these shortcomings, he allowed them and even entertained himself with the ridiculousness of his wife and daughters, without bothering to correct them or set limits, something that he found annoying and uncomfortable.
And Lizzy would have been well on her way to becoming just like him if it weren't for Darcy's criticism.
Lizzy understood that any chance of fortune and happiness in the future for her or her sisters would be undermined by her own family.
They had already done it with Jane, and would continue to do so if Lizzy did nothing about it, so not only did she have to correct her own behavior, she also had to make an attempt to correct that of her family, which was nearly impossible for her without the support of her father and Jane, and unable to reveal what she knew from Darcy
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chaiaurchaandni · 4 months
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have humans developed a language that can accurately describe the intensity of this grief?
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bigfatbreak · 18 days
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Birds of a Feather previous / next
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#my art#feralnette au#birds of a feather#long tags#sorry I went apeshit in the tags#LETS SAY IT ALL TOGETHER NOW#I - M - A - G - OOOOOOOOO#its fun drawing marinette's back to Alya and having her appear stout and unstoppable and totally logical#and then you see her face and she's like two seconds from completely snapping and is keeping it together by a thread#as a note just because mari feels very certainly abt smth doesnt mean she's right. feelings can be valid and also irrational#in the throes of grief she decided it was better to be alone than to lose someone again so she started pulling away#and lila made pulling away very very very easy to do#shes also vaguely aware she's being unfair in pinning this on alya which is why she started spinning the drain on cockmoth again#legitimately all the shit that's happened to her wouldn't have been so catastrophic if he was never in the picture and she knows it#but the bitterness of her bestie choosing a fantastic liar over her at the worst of times stiiiiiings#alya's personal timing was bad but lila really took advantage of the fact that marinette had been acting off and weird#she basically clocked marinette as being unstable from SOMETHING and made up a lie about her#knowing she wouldn't have the strength to defend herself#between her social life going tachy bc of lila and losing fu in a way that felt like personhood death marinette was really put on the spot#and alya doing her thing of busting in there and assuming her bias is correct was a terrible combo#essentially marinette is highly unstable and alya is just realizing that#busting in and giving her a lecture when she's slightly hysterical and definitely delirious from exhaustion is NOT the way#to show her she's self sabotaging#cuz thats just gonna make her double down on self sabotaging. bc marinette will not accept that she is also a CHIIIIILD
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hypewinter · 6 days
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Danny is currently in possession of a baby Damian. He is unaware that he is in possession of Damian Wayne let alone how he came to be in the possession of Damian Wayne. All he knows is that the bats are after him and won't leave him alone.
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sarasade · 5 months
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One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".
Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.
That's the TL;DR version of this post. 
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ANYWAY here is the long version
Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".
One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.
Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.
It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.
This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.
People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.
I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.
Anyway if you want to read more:
- about the false info around BL fandom fujoshi.info
-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos
-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.
-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa
- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.
-Great podcast about Danmei and censorship with Liang Ge
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zivazivc · 4 months
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this came to me in a dream
Floyd's emo ass and a techno troll could make scene kids...! Do you see my vision??? . . . Ravin is Happy Hardcore and Eddy M is Synth-Pop, that's how troll genetics work, right?
anyway...
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i don't think floyd leads a proud life
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pikp0kcas3 · 2 months
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The Hazbin Hotel fandom’s issue with accepting aromanticism and asexuality
Now that it is officially Aromantic Spectrum Awareness Week, I want to talk about this!
I find that, as an aroace myself, I am constantly grasping at good representation and coming up empty— it usually ends up in one of two ways.
One: the character is portrayed as emotionless, cold, and robotic in nature. It’s the question aromantic and/or asexual people are often asked: “Are you heartless?” The answer is no, of course, but general media makes it out to be the opposite.
Or two: Their lack of attraction is seen as something to “fix” because they “haven’t found the right one yet”, and they end up with a partner as a “happy ending”.
It frustrates me greatly because of how little people actually see aromanticism or asexuality as a true part of the LGBTQIA+ community.
So when I watched Hazbin Hotel, and I found out about Alastor being aroace, I was over the moon. I was on cloud nine. I also saw how his voice actor has looked up the term as an attempt to learn about aroaces, which makes me OVERJOYED?? Amir is truly a blessing, and I love that he’s proud to embody a character that’s part of our community. It’s so beautiful to finally have a proper character, a fan favorite at that, who just so happens to be aroace— and that’s another thing I love about this.
It’s never explicitly stated in the show (though it is stated in interviews), but it’s rather clear when you’re watching, isn’t it? Alastor’s aversion to any sort of sexual advancement, coupled with Rosie’s blatant “I know you’re an ace in the hole” comment sort of spell out his asexuality pretty clearly, as well as what side of the spectrum he falls upon. In addition, his Valentine’s day card was strictly platonic, which caters to his aromantic side. It feels so validating to finally be represented, to finally have a character in media who shares the same lack of interest in romance and sex as I do.
When I entered the fandom to look for more content, I kind of expected to see the same respect for Alastor’s orientation there too. But that… wasn’t the case? I am fully aware that aromanticism and asexuality are both spectrums— of course, aromantic and/or asexual people can enter those kinds of relationships. I’m not denying that and they belong in the community as much as anyone else on the spectrum.
But, the more I see the same line again and again and again, the more it feels like an excuse to just ship what you want.
Usually I don’t mind shipping? I’m often a firm believer in people shipping what they like as long as it’s harmless and they don’t go crazy over it. I also know for a fact that Viv doesn’t have a problem with people shipping her characters. They are fictional, after all.
But in this case, people are ignoring the very thing that makes Alastor a part of the aroace community! People are ignoring his lack of romantic or sexual attraction!
Is this not the same as changing a gay character’s orientation to suit a straight ship? If not, how so? I’m told that we are a part of this community, so why aren’t we being treated like it? Why is it so hard to accept the people on the end of the spectrum who aren’t interested?
Something I’ve been noticing throughout my life is that society has not exactly progressed very much on the idea of accepting asexual or aromantic identities. Maybe we have, a little, since the old days— but hell, people in “the old days”, which in truth wasn’t very long ago, believed that asexuality was a medical condition to be “fixed” by taking the right medication or having sex. That’s a pretty low bar to clear. And on the romance side, you’re seen as a “late bloomer” or “boring” if you don’t express interest. These days, being friends with someone is treated like a gateway to them possibly becoming a lover. Not getting married, not going on dates, not wanting a partner— it’s all treated like a crime when it’s not.
Maybe I’m selfish, or sensitive, or I’m butthurt over nothing, or I’m making it all about me. Maybe I’m gatekeeping or whatever the term is. But please, please, please, I just want an aroace character like me who simply is not interested in sex or romance.
And I want fandom to respect that. I admire the creations that fans make— the art, the animatics, the writing and the character analysis. And I want people to keep creating because creation is indeed a beautiful thing.
But I really would like people to treat aroace identities like they’re important. Like it’s more than just a spectrum to get wiggle room to wrangle in another ship.
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emmyrosee · 4 months
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“I’m sorry we have to break up.”
“…pardon?”
Wakatoshi’s olive eyes peer over his book at you, brow cocked in confusion as you stand above him, your hands on your hips. You don’t look any sort of remorseful or upset; just mildly bored with the fact you’ve just walked up to him and said you’d have to break up.
Like telling him it was raining outside.
You sigh, “we’re just not compatible.”
“Do… you feel that way? Have I done something?” Worry crosses his features, trying to map out what he’s done to upset you, if anything.
“Oh! No, not at all,” you say, and when you provide no other context, he raises his brow and you must notice his growing annoyance because you shrug at him, “my horoscope says we’re not compatible. And I just don’t want to waste my time if we’re not going to make it.”
This, has wakatoshi chuckling. He closes his book and gently shifts to make himself comfortable in the dip of the cushions. “Make it?”
“Look; our signs just aren’t compatible right now.” You smile at him softly, “maybe one day we’ll be there.”
“Im sorry, you must tell me more.” When you flash him a look, he scoffs, “I was reading my book perfectly fine, now you’re telling me we’re not going to be together anymore. I need help understanding.”
You unlock and pass him your phone, his big hand taking it from you before looking at your astrology chart, furrowing his brows as his eyes glaze the contents.
“Non-compatible with leo’s, it says.”
“Yeah,” you confirm.
“And… I’m assuming I’m a leo?”
“Sure are.”
“You’re not seriously about to leave me because the stars said so, correct?”
You cock your brow. He rolls his eyes.
“That should not surprise you,” you say, and he sighs and flicks his eyes up to you.
“It shouldn’t, but it does.”
You scoff, “how august-leo of you.”
“I swear to all of the gods, benevolent and not, do not start using this against me.”
“It’s not me, it’s you, toshi.”
tagging 🩷 @reverie-starlight @wolffmaiden @thoreeo @aliensknowmyillusions @tutuwusworld @lavishcherie @sassycheesecake @cheolattes @rrairey @dira333 @unknownspecies @fluffytriceratops
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poorly-drawn-mdzs · 6 months
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If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills
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littlepurplenerds · 2 years
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when lorde said “i’ve never felt more alone it feels so scary getting old” she meant me rn
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tamagoneko · 7 days
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do you ever just think about how long he was gray for or are you normal?
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the matron of ravens and sarenrae, observing their blorbos: Baby. Bestest child. I want you to have everything.
sarenrae: actually pike should get another blazing pillar of light
raven queen: vax'ildan will appreciate these visions
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mayasaura · 20 days
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one problem with a theatrical adaption of tlt is htn, where the reveal that Gideon lives on works because of the change of second person to first.
the only way i can think of it working is that the actor playing gideon works backstage, like the lights system (but is hidden from the audience aside from subtle hints)
the biggest hint is when when wake breaches pal's river bubble she 'breaks' the lighting system and the stage goes dark. harrow is ushered into the wings by pal so she doesn't see anything, but the lights flick back on just before the curtains drop for a scene change, and pal looks directly up at the light box in surprise and smiles. if the audience is quick to turn around they can see a flash of a black robe.
Oh boy my friend, have you come to the right place!!
So, fun fact about ninja. Bear with me, I am going somewhere with this. The image of a ninja covered head to toe in black, with a hood and mask, comes from Kabuki theatre. It was originally a stagehand uniform. Like stagehands in modern theatre, stagehands in Kabuki would wear all black to signify that they were not really there, and whatever effect they were causing (carrying a prop, creating a breeze, ect.) was to be taken as happening on its own. Basic stagehand stuff, a lot of productions in many styles around the world do it, especially if they don't have fancy rigging systems.
Someone (I don't remember who now, or in what play) had the idea to dress the ninja in a production up as a stagehand. In the convention of the theatre, this made them invisible. The audience was already so used to ignoring stagehands, they didn't know any more than the characters that the ninja was present, despite the actor being clearly visible on stage. Which meant when the ninja struck, it was as if out of nowhere. I can only imagine the uproar in the theatre the first time it happened. It worked so well as to become commonplace, and the rest is history. The popular image of a ninja is still a kabuki stagehand.
So, back to the stage play of Harrow the Ninth. I think you've hit almost exactly on how to incorporate the Gideon twist into a theatrical production. But not as a lighting tech. Gideon is a stage hand. Maybe there would be more than one stagehand, maybe she would be the only one, but she would operate in full view of the audience, literally setting the scenes. I think it works best if she's the only one, but if the production needs more, she should subtly stand out in some way. As the play went on, we would notice that this one stage hand... increasingly interacts with Harrow, though Harrow never acknowledges it. At first it might look like she's playing Harrow's necromancy, because that would be the main special effect she would need to help with. When Harrow is unconscious at the end of a scene, it's always the same stagehand carrying her out. But we all know she's not really there. Until Palamedes acknowledges her. Turns to look right at her, and speaks to her. I can see the scene clearly. He would look at her, stunned, until Gideon finally took off her mask. The line "Kill us twice, shame on God," would be addressed to Gideon, and then he would turn back to Harrow, kiss her on the forehead, and tell her to go. Gideon, always out of Harrow's line of sight, would guide Harrow away while Harrow looked back at Palamedes.
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s0fter-sin · 1 month
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something happening on a mission, something personal that has soap spiralling; panic and rage making him reckless, thoughtless, and ghost has to draw the line
“you’re compromised johnny; you know what that means?”
“you’re not pulling me out,” soap immediately snarls. he turns on him and ghost barely recognises him; venomous fear turning his eyes to unyielding ice. "you're not sidelining me; i need to be in this-!"
but ghost has never been afraid of venom; spat or dripped straight from bared fangs.
he snakes out a hand grip the back of his neck, jerking him in a rough shake. "if you can't think, you can't be a soldier," he growls and he flinches like he's been struck.
his lips quiver as they twist in a sneer and he wrenches, trying to free himself of his hold.
ghost doesn't let him.
"it means you give your body to me because your head ain't fucking attached to it anymore."
soap stills, body trembling beneath his hand as he sucks in shaking breaths.
he tightens his grip, pulling him closer and digs his forehead hard into his. “it means you give yourself to me so i can have the weapon that you are and use you the way you're meant to be used."
the ice in soap's eyes fractures.
ghost’s voice drops to a whisper, spoken only to johnny, not this facade of vengeance and pain, and wills it to reach him through the glaciers.
“so i can keep you safe ‘til it’s done and i can bring you back.”
#in my head its bc graves abducts his sister and is using her as hostage to draw him out knowing ghost will always follow him#but the intensity and intimacy of saying ‘you cant trust your mind not to betray you so let me be in charge of your body until you can’#after what happened to tommy he could never deny johnny his right to save his sister#but its bc of what happened to tommy that he knows he cant let him do it alone with only his rage to guide him#hes more likely to get himself killed and ghost wont live through that#so he has to balance it#and the only way he knows how is to completely shut down soap’s mind until hes no more than instinct and muscle memory#if he cant think practically then dont let him think at all#reduce him to a place where he can only follow orders#and when its finally over and his sister is safe and graves is dead#only then will he drag johnny back up to the surface#he’ll do it even if it means dragging him kicking and screaming back to humanity#instead of letting him sink in the depths where nothing hurts. theres no fear down there. no pain. only order#and thats the risk ghost took sending johnny to that place but he only did it bc he would stop at nothing to bring him back#and help him through the after#the breakdown. the rush of panic and rage and relief and anguish johnnys been supressing on his order#it was his word that turned johnny into a ghost#and its his touch that brings him back to the man#coming out of my cage and ive been doing just fine.txt#we’re a team. ghost team#cod#soapghost#ghostsoap#ghost x soap#ghoap#simon ghost riley#ghost cod#john soap mactavish#soap cod
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meep-meep-richie · 12 days
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i will never stop talking about how perfect Tommy is T_T
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soracities · 2 years
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e.e. cummings, from ‘to stand(alone) in some’ (in 95 Poems), Complete Poems: 1904-1962
[Text ID: “ to stand(alone)in some autumnal afternoon: breathing a fatal stillness;”]
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