#and at that point she's still the one topping imo | Explore Tumblr Posts and Blogs

httpstes · 2 years

Text

✧˚ · . astro observation VI ✧˚ · .

Links to other astrovations: Astrology observations l, Astrology Observations ll, Astrology observations lll, Astrology observations IV, Astrology observations V

ꕥ Aries and Pisces moons are equally sensitive imo, Aries most of the time outwardly expresses this sensitivity, Pisces is 50/50

ꕥ On top of that, from what i’ve seen aries moons are more sensitive to what people say to them, they can get very defensive and guard their ego closely (honestly this can go for any fire moon) meanwhile pisces is sensitive to their environment and the people around them.

ꕥMoon in 3H can indicate having a love for writing/poetry. It may bring these individuals great comfort and they could’ve been the type to write a lot as a kid. English/Media studies is probably these peoples favourite subject.

ꕥ Pisces moons are careful with what they say to other people sometimes to a point where they can’t speak their minds and be authentic, they easily soak up the energies within a room.

ꕥ Scorpio mercuries are not only very interested in dissecting every bit and piece of their childhood, who they are and what makes them, them. But when they like someone, bro, they will want to understand this person to a fault. They want to find out what makes them tick, what makes them happy and so forth. Great listeners too :))

ꕥ Cancer moons no matter what other placements they have are always so sweet man. Idek how to describe it but anytime i meet a person with a cancer moon they just radiate this loving, carefree energy. Then when i get to know them they’re still loving and sweet, just they hold a lot of emotional baggage and trauma 😭 I hope y’all doing okay.

ꕥ People with libra Sun/Moon/Venus i feel would be attracted to sophisticated, elegant individuals. Someone with an attractive appeal, who has a nice home, pretty facial features, popular or has some status in their area.

ꕥ Ive looked at some of my friends ascendant persona chart, and oml it makes sm sense. One of my friends is a pisces rising but i feel as though only some aspects of a pisces rising was shown through her outward personality, it was only until I saw her asc persona chart that i saw she was an aries rising with venus in the first house. I showed her this and she definitely agreed that her outward personality could come off as an aries rising. So when you check your asc persona chart think of it as like a second rising sign with some influence to your natal rising sign :)

ꕥ Pisces mercuries can get a bad rep within their school/work place. These people can get their words easily twisted around, and eventually they’re blamed for things they didn’t even say/do :( This could be because of the neptunian, illusion like influence pisces will have on the natives communication.

ꕥ Venus transmitting your 5th house can indicate having a fling, or being in a short situation-ship.

ꕥ Moon in the 12th house grants an individual who is extremely empathic, and intuitive to the needs of others. This can lead to people naturally gravitating towards them because of how kind and understanding they seem.

ꕥ Mercury in aspect to MC can indicate someone who is seen as well spoken in the public eye. Typically this goes for mercury in the 10th house however i believe it is stronger when it’s conjunct the Midheaven. These people can easily climb their way up the social ladder by using and manipulating their words. They know how to appeal to the public.

ꕥ Aries moons may have been very rough or rebellious children when younger. They tend to be very action oriented and could be involved in a lot of sports.

ꕥ I feel like sag moons are the types of people who enjoy learning about their friends religions and backgrounds. They find it interesting and want to understand how other people view life.

ꕥ Where you have libra in your chart can show where you like to have peace and harmony, where you like to have things aesthetically pleasing and easy. For example, Libra in 10th house may like to come off as conventionally attractive and pretty. They may want to be seen as someone who is sweet and playful. Ofc this can lead to superficiality, but this can prove to benefit them and their wellbeing, as having a Libra 10th house/MC can make you seem like a push over, this could help the individual learn how to not settle for less and to develop their assertive communication skills. Libra in the 6th house might like to have organised routines that are aesthetically pleasing and that benefit their health/work ethic. But Libra in 6th housers need to learn to balance the outward appearance of their routines with the practicality of their routines. Libra in 6th house may prioritise having a rigid routine simply because it makes them feel nice or makes them look good when they also have to know if their routine is becoming obsessive and is no longer about benefitting their wellbeing. Libra in 8th house may like to have or do have lives with little to no traumatic experiences. They don’t want conflict or life altering events that can put them off balance, and change them psychologically. Because of this, Libra 8th housers may need to learn to accept that some stages in life are not always harmonious and balanced.

ꕥ Sun in 4th house may deep down whether it was a positive or negative experience, have a deep fondness/love for their home and childhood. Even if their childhood wasn’t the best, many with this placement I have noticed tend to reminisce and look back. Some of my friends who have this placement always look back on their childhood even if it was shitty as many of them like the comfortability it gave them. Some of my 4H sun friends told me they were scared to leave and grow as individuals while others told me the exact opposite wanting to get as far away from home as possible.

ꕥ Also i noticed that many 4H suns may still live in their childhood home as adults or one day buy it from their parents.

ꕥ Moon in 11th house may deeply rely on friendships and connections to get through rough times. These individuals are very people oriented and genuinely enjoy meeting new people, none of their connections are insincere.

ꕥ Transit Venus travelling through your 3rd house may indicate having a peaceful school environment or less disruptions in your neighbourhood. This could also indicate a time where you and your siblings get along easily with little to no arguments.

ꕥ Transit Mars travelling through your 3rd house could mean the opposite. Arguments and conflicts are more likely to arise with siblings and in your neighbourhood. There could be some type of restricting, competitive atmosphere at school that makes it seem like everyone wants to be better than the other. However during this time period you could get a lot done either out of anger, competitiveness or simply wanting to meet your end goals.

ꕥMercury-Mars (esp conj) can make a person a very passionate speaker. These people could make great motivational speakers and are seen as the ones who are easily persuasive.

ꕥSun-Mercury is the same except the way i see it is, Mercury-Mars: " YOU GOT THIS! KEEP GOING! I BELIEVE IN YOU😡🫶!" meanwhile Sun-Mercury: " yes!! you got this, you’re slaying so hard rn 🫶"

ꕥNot an observation but a personal opinion, men with lots of scorpio/cancer placements absolutely terrify me, I’m sorry but i had to say it.

ꕥ Well honestly lots of scorpio/cancer placements in a persons chart generally scare me but most of the women i’ve met with this placement are really sweet, clingy, but sweet. The 4 guys i’ve met, talked to and hung out with that had these placements, made me want to obliterate the earth. 😁 (however i will say they were probably very immature and their scorpio/cancer placements hadn’t evolved yet)

ꕥ Jupiter in 6th house may have had lots of pets in their lives or want to have many pets.

ꕥ Jupiter in 6th may also have really good health and could take advantage of that. In worst cases they could abuse substances/routines that are NOT good for them however they happen to be lucky in multiple aspects and could live very healthily. However I obviously don’t suggest this, everything might be fine one moment but sooner or later things could come crashing down any moment.

ꕥ Saturn in 11th might have had restrictive friends, friends who constantly controlled them and what they did, people who criticised them to fit in.

ꕥ If not this, Saturn in 11th may have had (or still have) friends who are older than them and are almost like mentors to them. These individuals could have friends wise beyond their years and give great advice to the Saturn in 11H individual. Saturn in 11H can also indicate having long term friendships.

ꕥ People with heavy plutonian influence are generally pretty popular (depending on the rest of the chart) however i’ve noticed these individuals get into a lot of drama. Even if they hadn’t started anything, these individuals names always get dragged into things for whatever reason. I believe this may stem from the power and beauty that exudes from these individuals, and so people either are jealous and involve them in drama, or people naturally assume they are up to some shady shit.

ꕥ I consider heavy plutonian influence to be if you have scorpio placements (esp a stellium in scorpio or the 8th house), placements in the 8th house, or if you have pluto conjunct/opposite 2+ personal planets.

Thank you for reading, likes and reblogs are always appreciated 🫶

2K notes · View notes

childofchaosnic74 · 1 year

Text

Sorry people this is gonna be a long post, but I needed to vent.

A lot of people in the HOTD fandom are so quick to say that everything Alicent does "against" Rhaenyra is because she's judging her for not following the "rules" of the patriarchy, but imo the anger and conflict between them is way more personal than that. After Alicent is chosen by Viserys as his new wife, Rhaenyra, showing all of her immaturity (understandable, she's so young) feels betrayed by Alicent and starts treating her poorly. Of course Alicent in turn feels betrayed by her closest friend cause Rhaenyra abandoned her when she needed her the most. She was too sheltered and comfortable in her privilege to realize that other women cannot simply say no, Alicent was considered her father's property and then her husband's to do with as they pleased. She is continuously raped by a man she did not choose to marry, forced to carry child after child and on top of that she is refused the only comfort she had, her only friend. She never had the luxury of choice, but Rhaenyra in her naivety, still punished her for it. Alicent tried to hang on, still caring about Rhaenyra and still trying to reconcile with her and being constantly denied and judged by her.

Then, the moment Rhaenyra did something that would surely put her in trouble, she lied to Alicent's face. Alicent believed her and defended her with the king, insisting that Daemon must have lied, that her father must have been misinformed. Viserys knew this to be false, he knew Rhaenyra had lied, but still she was not punished for it. Instead Alicent is indirectly punished again, losing her only ally (Otto is a vile person, but still for Alicent he was the only piece of home, of familiarity she had) because of Rhaenyra. Naturally when she learned that Rhaenyra had lied to her, it was another huge blow to Alicent's heart, because trusting Rhaenyra has literally cost her the only bit of protection she felt that she had left. It's only natural at this point, that Otto's claims about Rheanyra's character began to take root in Alicent's mind. Rhaenyra proved that she could not be trusted and Alicent wasn't about to put her children's lives in the hands of someone who had betrayed her so. She realized that no one would protect her, not Viserys, not Rhaenyra, so she must do it herself.

From then on things were bound to go downhill cause Alicent began resenting Rhaenyra as she still remained oblivious to her privilege and she benefited from it again and again, perhaps even using her father's affection for her to her advantage. And Rhaenyra (understandably) grew tired of Alicent's treatment of her.

In light of that, what happened with Aemond inevitably had a massive impact on their situation, especially on Alicent, whose faith in Rhaenyra was already broken. Her son lost an eye (taken by one of Rhaenyra's kids). Rhaenyra refused to even acknowledge the magnitude of this offence, so quick to defend her kids (and their birthright), who would never do anything wrong and were simply defending themselves (despite there being 4 of them against Aemond) And even in such a dramatic circumstance, all Viserys cares about is protecting Rhaenyra from what essentially is, the truth.

So in my opinion Alicent is not only saying "it's not fair" because Rhaenyra constantly did things that were not "proper" and was never punished for it, what she's saying is more along the lines of "Rhaenyra abandoned me, betrayed me, punished me, hurt me, my son and others to fulfil her selfish goals and nobody ever punished her for it or even had the decency to admit that she might have been wrong".

Alicent is not questioning Rhaenyra's claim to the throne because she's a woman, she's questioning her integrity and wether or not she's trustworthy, she's doing it to protect herself and her children, who she feels could never be truly safe as long as Rhaenyra rules with Daemon by her side.

And feelings like these cannot be simply dismissed, not even with an apology, one must really work on rebuilding trust in each other in order to fix years of betrayal and mutual hurt and resentment, and sadly they just didn't get enough time to do it.

#pro alicent hightower #hotd #alicent hightower #rhaenyra targaryen #alicent x rhaenyra #aemond targaryen #anti viserys i targaryen #anti otto hightower

621 notes · View notes

marimbles · 7 months

Text

ok since i’ve really only whined but not actually explained my reasoning lol, here is my take on the s5 finale. (this is long, sorry)

I think we’re all on the same page about the idea that gabriel being seen as a hero, by all of paris but especially adrien, is icky. and on top of that it does not feel good that marinette is supporting that lie, even if it’s out of love for adrien. most people are assuming this issue will be resolved somehow in 6, probably by lila exposing the truth. cool. that’s my hope as well. but even if that’s the case, i still dislike the framing of his wish and what the surrounding context seems to imply about it.

it is not my assumption that gabriel’s wish included green initiatives and a reformation of the parisian school system lol. I assume that his wish was to exchange his own life for nathalie’s. but as we know, wishes literally rewrite reality. the fact is that paris improved after his wish, so it is still related. he remade the world, and the new world ended up better. It all supports the idea that his wish was a good thing—a noble sacrifice that redeemed him in some sense. my impression is that even if (hopefully) he is exposed as hawkmoth, the actual wish he made will still be framed as admirable. obviously marinette found it noble enough to agree to lie to everyone about gabriel’s identity as hawkmoth.

which brings me to another pain point: the fact that gabriel essentially won the long battle against ladybug and chat noir. i’ve heard arguments that he didn’t win because he died and how is that winning? he got what he deserved in the end. but imo, he just put himself out of his own misery, because he was on the brink of death anyway because of his cataclysm wound, and he basically escaped having to face any emotional consequences from his literal terrorism and child abuse. and even if you don’t consider that a win, you also can’t consider marinette’s end of the deal a win either. her goal was to prevent hawkmoth from unifying the miraculous and making a reality-altering wish. which is exactly what happened. so she failed her mission. ladybug lost. and to me it’s sort of bizarre that the narrative seems to be framing that as a good thing? ladybug lost, but the new reality that resulted from it is so much better than the old one, and she is actively choosing to lie in order to protect the seeming goodness of that reality.

marinette is lying, of course, to protect adrien, which does not feel out of character. we’ve seen her do this before. but it is frustrating to me for precisely that reason. the final battle was meant to highlight how much marinette has grown over the past five seasons, but her choice here highlights the ways she has not grown. starting with syren in season 2, she has witnessed how much it hurts chat noir to be left in the dark and how it weakens their partnership. in that case, she convinced master fu to let him be in the know, and trust was restored. but then she continued a habit of keeping things from him, putting more and more distance between them, till it culminated with kuro neko in s4—a total breakdown of the ladynoir partnership, where chat noir renounced his miraculous. i would have thought that marinette would learn from that experience and realize that keeping people in the dark is harmful and that even if the truth hurts, adrien has a right to know it. but she once again made the decision for him, and when he finally finds out, it will be all the more painful to know that the person he loves and trusts most in the world lied to him. i actually really appreciate that marinette as a protagonist has such a good heart but is still such an imperfect character, so i want to respect this choice as a manifestation of her flawed but good intentions. i just can’t help but be really disappointed that after 5 seasons of making the same mistakes again and again, she has apparently not learned from them, which makes me feel she has not grown the way the writers say she has.

her facing hawkmoth alone for the final battle is supposed to be a sign of that growth—and yes, I can see how she has grown a lot in confidence and capability since her shaky debut as ladybug. but i also feel that her flying solo defies one of the central themes of miraculous: that in the fight against evil, good people need to stand together. just think of the difference between the s4 and the s5 finale. in strike back, ladybug is broken and sobbing because she has lost the miraculous and feels like a failure who is all alone. but then she is buoyed up by her faithful partner and all of paris, who express unbreakable faith in her and vow to stand by her side. that was so powerful! showing that she doesn’t have to be alone, and she’s not supposed to be alone, and that part of being a hero means accepting help and working with others to achieve good goals. this message was a major part of marinette’s character arc in s4 and it’s something that was introduced from the very beginning and has been supported over and over in the show. but then in “re-creation,” she has no team, and she doesn’t need one. which … good for her, I guess? But then why did we have 5 seasons of “you and me against the world” if in the end it was always going to culminate with “I'm sure we can figure out a solution if we work together. You … and me”—referring to Marinette and Gabriel, while Adrien is literally locked in a blank white prison hundreds of miles away?

it just really kills me that in kuro neko, adrien gave up his ring under the assumption that chat noir was not needed—that he was entirely useless to ladybug. and then the narrative proved him right. ladybug did not need chat noir to defeat monarch. she just needed his ring. the writers confirmed in their recent commentary that they had planned a bug noire fusion from the beginning, and they intentionally sidelined adrien so that could happen—they even had to figure out an excuse for why he wouldn’t be there. so they traumatized him with nightmares of destruction and fear of akumatization to ensure that he would once again give up his ring and conveniently remained locked away while bug noire faced down monarch alone.

you could argue that it’s better for adrien to have missed the final battle anyway, since facing his own father would just be even more traumatizing for him. i understand that. (that’s the reason i liked that in the owl house, it ended up being just luz vs belos, and hunter did not have to face him again.) but at the same time it feels so narratively unjust that chat noir—who has been fighting against hawkmoth by ladybug’s side since day 1—has zero part in seeing his mission through to the end. even though it’s all about him. because while marinette is the protagonist, adrien is the connecting piece of the whole story. it’s always been ladybug vs hawkmoth, and adrien is in the middle of them, because he’s both ladybug’s partner and gabriel’s son.

you’d think, logically, that as the connecting piece, Adrien’s decisions would be vital to the plot. That he’d have the power to tip it either way. but instead he is completely stripped of his autonomy—literally, because he’s a senti, and also symbolically in the narrative, because he’s simply removed from the equation. Like, he’s still central to the equation but he has no say in it. It’s all about him but he’s not even present. Everyone is fighting for him but he can’t fight for himself. Everyone is speaking for him but he doesn’t even have a voice.

the finale kind of sets up marinette and gabriel as narrative foils of each other, showing how they have the same motivation—to make adrien happy. and they make the same decision to protect that goal. which is interesting, sure, but also kind of effed up to me? i’m not sure what to take from the idea of the protagonist mirroring the antagonist in this way. that’s been done loads of times, but in this context, for a child audience, i don’t know what to make of it. what kind of message that is supposed to send to the children who are the primary audience of this show? ladybug is a good guy, and in the end, she’s just like the villain because they both love adrien and want to protect him. so that’s why she agrees to tell everyone the bad guy was a hero. ????

that gabriel/marinette parallel leaves adrien to parallel emilie, which makes sense and is fitting but also just sort of … depressing and again, lowkey effed up. that adrien ends up with the same narrative role as a corpse in a coffin. almost, like, macguffin-esque—a thing that motivates the agents of the story but has no agency itself. despite him being so central to both sides of the main conflict, his decisions don’t affect the outcome. because he doesn’t have the option to make any. because he’s not even present. both gabriel and marinette made a life-altering decision for adrien, thinking it was best for him, without considering that what’s best for him is to know his own story and make his own choices. him getting the rings was somewhat relieving, but it also felt like kind of a slap in the face. because it’s like, “look, adrien’s free! he has his amok and no one can control him anymore!” but, like, how free is a person who is living a lie? will he ever experience true autonomy, or will his life continue to be dictated by the decisions others make for him? will the narrative give him decision-making power or will his role continue to be symbolic?

one thing that makes this all extra dissatisfying is that Adrien literally does not have the option of getting closure with his father, because he’s dead. maybe a dramatic reveal in the middle of the final battle would not be the best way to go about it, but now he can’t have any sort of closure. in the owl house, it didn’t feel necessary for hunter to be present in the belos takedown because he already had his confrontation with belos in graveyard possession scene. belos tried to physically control him, and hunter broke free, and spoke his mind, and as traumatizing at is all was, it was good for him to be able to do that. it would’ve been so nice if adrien also had that opportunity. if he did break free from his father’s control, either by overcoming akumatization or the control of his amok somehow. or if not that, if he were just able to have one honest conversation with his father about emilie. like he did with his alt self in the paris special. it was so significant for the writers that bug noire detransformed and spoke to gabriel as marinette. why couldn’t adrien have done that? Marinette is the one to tell Gabriel that Adrien wouldn’t want him to make the wish and hurt someone else, that Adrien has made peace with his grief, that he has learned to cherish his mother’s memory without living in the past. wouldn’t that be even more powerful coming from adrien himself? if adrien was part of that final confrontation just as himself, we could even still have bug noire play a primary role.

i get that adrien being part of the battle is a risk, since we saw in chat blanc one option of how it could play out. but we also saw in the collector another potential way adrien might respond to learning that his father is hawkmoth—charging into battle by ladybug’s side. especially if he was given time to process the idea beforehand. it’s not impossible. you’d just have to compose the scene and its buildup a different way. so honestly it feels sort of lazy to just remove him for the sake of ease? and also sort of a waste of narrative potential? the villain being the father of one of the main characters is such an interesting plot element. imagine if luke skywalker did not ever face darth vader. if he never even learned that vader was his father. or if he learned that fact after vader’s death, which was the result of a confrontation he was not present for.

of course, i know adrien is not the protagonist. marinette is. and of course i want her to be empowered by the story. but i’m getting a little tired of what i see as kind of cheap feminism in ML. like, girl power for the sake of visibility so the writers can pat themselves on the back about it, if that makes sense? this show does have so much good feminist power with a strong female lead who has realistic flaws and a big heart, who overcomes self-doubt and other struggles, and who has proven time and again to be a smart, capable leader who has earned the trust of everyone on her team. but all of that sometimes feels undercut by the narrative treatment of adrien—like he has to be put down somehow to elevate marinette. ML has subverted gender roles in a lot of ways by having ladybug lead with her brain while chat noir follows with his heart. and adrien has a lot of other strong feminine associations—the focus on his physical appearance, the expectation of perfection and obedience, his soft and gentle nature, his romanticism, etc. And one of the biggest ones is all the ways he is trapped, all the ways he is pushed down and made to be submissive. they even depict him as a princess locked in a tower, with marinette as the knight in shining armor to save him from the evil dragon (his father). with adrien in that traditionally feminine role, it would have been empowering to see him to take a leading part in his own liberation. instead, he was locked away both literally and symbolically in favor of a solo bug noire confrontation, so marinette could look like a girlboss in her cool new outfit, taking on the bad guy all by herself, even when it would (imo) fit better with the themes of the show and her own character arc for her to fight alongside her partner. but as Thomas Astruc said, “She's Barbie, he's Ken. You don't like it. I get it. It won't change. Anything else?” (X) it just makes me feel that the writers cared more about the cinematic value and feminist brownie points of that battle than its narrative significance—which i feel could only be increased by adrien’s participation. “all that is necessary for the triumph of evil is that good people do nothing” … and that is all adrien was allowed to do.

i think a lot of fans at this point are just assuming that whatever feels dissatisfying/off will be fixed in s6. they’re trusting that the writers have a brilliant master plan that we just have to be patient and wait to see come together. idk, maybe i’m just tired. or a little jaded. i think there will be a lot to enjoy in s6, but i’m also prepared for disappointment. i honestly did not love many elements of s4 as well as s5, and i had expectations that weren’t fulfilled there either. i’ve felt let down by the writers many times now, so i expect that many of their future choices will not resonate with me. but i still love ML, and I am eager to see how everything will unfold. i’ve also read a lot of other analyses of the s5 finale, and there are great points being made on many sides. this is just my personal interpretation and opinion. i did not like the finale when i first watched it, and after sitting on it for months and trying to evaluate my feelings and look at it logically, i still do not like it lol. if you do, great! this isn’t intended as a personal attack on anyone—just me expressing my two cents, which ended up being more like $20. thanks for bearing with me if you read all this ✌️

#ml #mine #ml meta #ml re-creation #ml s5

246 notes · View notes

chaifootsteps · 6 months

Note

Hey I saw someone on Twitter saying you’re transphobic because it said in your Twitter bio “IDW Arcee is still a guy” even though the character is canonically trans. What’s your take on that? I’m not attacking you or anything I just genuinely want to know the context of all that.

Oh boy. Strap yourselves in kids; time for Chai's villain origin story.

So basically, IDW Arcee made his debut under the pen of Simon Furman, the dude who created Arcee in the first place. Simon Furman has a small massive chip on his shoulder over the notion of girl robots, but we're going to be talking in mostly Watsonian terms for now. IDW Arcee as he comes on the scene in Spotlight Arcee is the victim of a nonconsensual forced sex reassignment, we see right off the bat that this destroyed his life.

He's wracked with trauma and dysphoria over this, on a do-or-die quest to take out the mad scientist who did it (he succeeds and tortures said scientist for seven years straight), and is implied to suffer chronic pain.

This got a lot of criticism, but Simon Furman insisted it wasn't meant to be transphobic, just the opposite. When someone pointed out that this was a story about how traumatic it was to be assigned a gender you didn't feel was the one you should have, Furman agreed with this take.

Eventually Furman was shooed out and John Barber was brought in as writer, and nobody seemed to know how to deal with Arcee's backstory. So they just kind of...didn't. They wrote around it for eight whole years, never really acknowledging it, but frequently alluding to how traumatized he was from it. The only person to ever roll up their sleeves and tackle it head on was Mairghread Scott, the only person IMO to ever do justice to IDW Arcee.

By the way, this panel made me weep. This issue also includes a fleeting, but notable moment where someone refers to Arcee with they/them pronouns, and at the time, I was extremely excited for this.

Shortly after this however, the comic came to an end and John Barber decided -- in the very last issue -- to bring in an expert. And by this, I mean he found some trans lady on Twitter and let her write Arcee. The last issue has Arcee concluding that the whole sex change was consensual and the violent murder spree was the result of, I quote, "bad meds."

Yeah, basically Arcee killed all those people because the Spiro was a little off.

I got into a lot of internet fights with people over this back in the day, criticizing it for being worse than what we started with, but also frequently pointing out that it wasn't Twitter lady's fault, as she wasn't the editor-in-chief at IDW and that there's a very good reason professional writers aren't supposed to do this sort of thing. In return, I got accused of hating trans women and still get some real ugly things in the inbox about it to this day. It was the first taste, bitter as wormwood, of what I as a trans man could expect from my own community.

Regardless of all that, Arcee is probably the most important fictional character to ever enter my life. He helped me realize I was trans, got me through some dark days, got me through heartbreak and top surgery. He saved my life a few times, and every so often he continues to. I owe so much to him.

If writing a very gentle fix-it fic where Arcee has a long talk with Anode (one of the trans lesbian bots from the vastly superior sister series James Roberts wrote) makes me a transphobe in these peoples' eyes, so be it. I don't care what they think. They never reached out to baby trans Chai and held his hand and kept him breathing.

Arcee did.

#Anonymous #Arcee #Transformers #IDW Arcee #transandrophobia #actual blog post

161 notes · View notes

apollosgiftofprophecy · 3 months

Note

I live for all these ships with Apollo like Apollo and Thanatos, Cupid, and even the most dumpsterfire ship of all time Copollo (I go feral over these two)

But one ship that stood out to me was Boreas and Apollo, and apparently the Boreads describe Apollo as "Beloved of our sire" And the fact that Koios is basically Boreas' boss makes this so much more better

So basically I'm asking for Boreas and Apollo headcanons 👀

(And if you take fic reqs, I wouldn't mind a fic with these two)

Apollo is SOOOOOO Shippable lmao XD He has such a variety of lovers and that really allows us to be able to explore a variety of relationship!

Healthy or toxic, lmao XD Copollo is Top Tier imo

and on the topic of Boreas, I have one extra thing to add there because I personally headcanon that Lelantos, titan of air & moving unseen (and apollo's uncle), used to be the head of the wind gods but was stripped of his title by Zeus post-titan war because he sided with Kronos.

So therefore, both of Boreas's bosses are relatives of Apollo's lmao XD

HEADCANONS, EH?

ahem

Imo, Hyperborea was some sort of courting gift or something Boreas gave Apollo. Because here's the thing with Hyperborea:

It's the One Place Boreas does not blow his winds, hence its title of Eternal Spring.

Boreas's palace resides at the southern border of Hyperborea, with gryphons who live in BOTH places.

Three of Boreas's son are PRIESTS of Hyperborea, and serve Apollo when he's there.

Three of Boreas's daughters joined Artemis's hunt (Oupis features in my fic Shattered Minds, btw!)

Hyperborea is literally "over the north wind" in Greek.

I think we can all agree winter is the time Apollo and Boreas hook up lmao XD

Boreas ALSO, in some versions, is a suitor of Hyacinthus, but he clearly doesn't hold any ill-will about Hya & Apollo because let's be real, he would have picked Apollo too XD

So imagine this. Hyacinthus & Apollo making out. Then Apollo & Boreas making out. HECK HYACINTHUS & BOREAS MAKING OUT.

THIS MEME IS THEM

ALSO I RAISE YOU-

Zephyrus has a crush on Apollo :3 (It makes sense. also Apollo is widely associated with spring and Zephyrus is the SPRING wind, and likes pretty guys and Apollo is the prettiest so-)

I blabbered about that in the Discord with @xxzephyrbreezexx and our fellow Discord user whom I don't know if they have a blog here 😭 KNOW I AM POINTING VIOLENTLY IN YOUR DIRECTION

You are Zephyrus. You have a crush on Apollo. You also get a crush on his boyfriend.

AND THEN YOUR BROTHER FUCKS BOTH OF THEM

The Hyacinthus Debacle, as I have dubbed it, also created a bit of a rift between Boreas and Zephyrus, which is Sad because they are usually associated with each other in literature, art, ect :(

Family dinners are Awkward. Even more so when Boreas brings Apollo along to the dinners hosted at his place.

They became Especially Awkward when Helios and Selene were still around because then Boreas would have to deal with Helios's Dad Instincts kicking in and staring him down.

(Helios is Boreas's uncle btw!)

(I have a Boreas thing planned in my Helios fic eheheheh. It's funny, don't panic)

And whenever Apollo pops in the visit Eos about light-related things or Astraeus (Eos & Astraeus are the winds' parents) it Still Is Awkward because Zephyrus just. BOLTS out of the room.

He is simultaneously Gay For and Terrified of Apollo.

Also if Asteria tags along with Apollo (because she is shooting stars/night prophecy and Astraeus is dusk/stars) she gives Zephyrus The Death Stare.

He is equally terrified of her, minus the horny.

Cupid/Eros, eh?

...are you in the Discord by chance? Because the fellows I mentioned previously and I have also discussed this👀

We get Boreas in my next fic, btw! :D No ApolloXBoreas, sadly, but I do have plans on incorporating them into a fic!

Perhaps my revolution fic, because I am getting Ideas concerning Boreas, Apollo, and Koios... >:3

#the oracle speaks #my memes #ramblings of an oracle #apollo x boreas #toa headcanon #apollo #boreas #the trials of apollo #zephyrus #hyacinthus #hyapollo #pjo apollo #pjo zephyrus #pjo boreas #pjo hyacinthus

134 notes · View notes

imaginedisish · 2 years

Text

Graceland Too (Din Djarin x fem!Reader)

A/N: Hi everyone!!! Wowowow am I active this week LOL (fyi this is a re-upload. Decided to proofread one more time bc I uploaded at like 2AM last night). Here is a little sick fic I wrote for my friend who isn’t feeling too great (hope you’re feeling okay <3). The fic is heavily based around “Graceland Too” by Phoebe Bridgers but it is also inspired by “oh baby” by LCD Soundsystem. Highly suggest giving those a listen. Anyway, requests are open. Enjoy!

Summary: You’re terribly sick, but one night and one fever dream might just change everything for you and Din.

Warnings: SMUT! 18+, Praise kink (imo at least), oral (f!receiving), fingering, reader is sick, Jedi!Reader (it’s like I only know how to write Din x Jedi!readers I stg), idiots/friends to lovers, pining, mentions of death/major violence (canon typical I'd say), cursing, probably some grammar stuff....that’s it I think.

Word Count: 3,018

The wind is cold as it slices you in half, but you feel overwhelmingly hot, clammy even. Sweat dribbles down your forehead as you tread across the rocks beneath your feet. Blaster shots ring out in the distance.

You struggle to pick up your pace, your boots sticking to the ground as you try to put one foot in front of the other.

“Mando!” You call out, remembering not to use his real name. Fog covers the ground, filling the air at an excruciatingly quick rate. You’d never be able to find him in this. You call out to him again, but there’s no answer. You’d take a grunt or even a groan at this point.

Then there’s a disembodied, brittle voice coming from behind you.

“Looking for him?” It’s grating, nasally. You’d recognize it anywhere.

You turn around frantically, practically giving yourself whiplash.

“Bo Katan.” Your voice is low, hushed. Din’s body is limp on the ground, being held up on his knees by the woman in front of you. There’s a smirk on her face. She has the darksaber in her hand…

And it’s at Din’s throat.

“Let him go,” You plead. You go to grab your lightsaber, a blaster, something, anything at your utility belt, but there’s nothing there. You have no defense, just your words. “You got what you came for, you have the darksaber.”

She scoffs, shaking her head, her smirk widening. “I haven’t finished the job yet. I still have to kill you and your Mandalorian.”

Your eyes widen with fear, blurring with tears. “No please, please don’t hurt him.” Your voice croaks as you choke back sobs.

“Too late.” She moves the darksaber from his throat, plunging it into his chest with one fatal swoop.

“DIN!” You scream, crashing down to your knees next to him.

“I’m here mesh’la…” He whispers, but it doesn’t sound like he’s next to you, he’s somewhere off in the distance. His husky voice calls out your name.

“I’m right here.” He repeats himself. Your eyes force themselves open as you shove your palms into the bed to push yourself up. You almost hit your head on the top of the bunk in the process, but Din stops you before you can, his cold, gloved hands coming up to your shoulders. “It was just a nightmare.” His voice is honeyed, gentle.

You look to your left to see him standing at your side, armor off, helmet on.

“M’sorry,” You mutter, rubbing your eyes. You feel like absolute shit, worse than yesterday. Your skin is so hot that it threatens to burn a hole in Din’s gloves. You choke down a cough, the sensation vibrating painfully against your already pounding head. “Didn’t mean to wake you.”

You had been sick for a few days now, and Din was doing everything by himself: the ship’s maintenance, the flying, the hunting, taking care of Grogu, and taking care of you. Now, to make matters worse, you had woken him up. You know he doesn’t get enough rest to begin with. You feel like a burden – and not just in this moment, always. You were a danger to yourself, to Din, to Grogu; a force wielding ex-Jedi, ex-Empire captive wanted by anyone and everyone. And yet, he had let you into his little clan of two with open arms. Now he was here, caring for you. You could’ve gone home, made a place for yourself in the New Republic, continued your Jedi training, but you didn’t.

You met Din. And you felt so, so guilty for the repercussions of your meeting.

You part your lips, ready to usher him back to bed, to apologize again. But Din doesn’t leave room for you to protest. “Don’t apologize, please.” He shushes you, taking off a glove and pressing the back of his hand against your forehead. You hum lightly under his touch. He feels like ice against your blazingly hot skin.

“Your hand…” You trail off, struggling to speak, “feels good.”

Your hoarse voice sounds like nothing more than a set of incoherent mumblings, but Din seems to understand every syllable. He chuckles shortly and softly, as if the laugh was only meant to be heard by you. “That’s ‘cause you’re warmer now than you were yesterday.” He flips his hand over so that his palm rests against your skin. His forefingers and thumb rub gently at your temples, working tirelessly at your raging headache.

With his free hand, he reaches down for something you can’t quite see. Seconds later he’s holding two pills in front of your face. You immediately take them from him, no questions asked. Whatever it was, you’d take it. This was absolutely unbearable, and the constant fever dreams certainly didn’t help. You swallow the pills with no hesitation, and Din brings a metal cup to your lips.

“Drink,” is all he says, and you do. You take the cup from his hands, the cold water rushing down your throat, temporarily easing the pain you feel there. Din apprehensively settles his arm on your waist. “This okay?” He asks, a slight shake in his voice. You nod in response, smiling appreciatively.

“Thank you,” You whisper, tilting your head to the side with affection. You swallow harshly, clearing your throat. “You can go back to sleep now if you want. I’ll be okay.”

But Din doesn’t flinch, he doesn’t move at all. He ignores your permission to leave completely. “What dream did you have this time?”

You shudder, remembering what you had seen just moments ago. Din instantly takes account of the look on your face, his grip on your waist tightening, stabilizing you, keeping you tethered to reality – to him.

You draw in a deep breath, practically coughing up your lungs in the process. “Bo Katan, s-she,” You stutter, your eyes shutting tightly in between words. You could still see it. It was ingrained in your brain, burnt into the grooves, sowed in between every empty space. You can still feel her. It was so real. “She had the darksaber and she…” But you can’t finish. Your vision is blurry, your surroundings morphing into an amalgamation of streaks of light and grey metallic colors. You blink and a few cool tears drip down your searing cheeks.

“Hey,” Din coos, his helmet inching closer towards your face, his hands still glued around your waist and atop your forehead. “I’ve got you now. It was just a nightmare. Nothing’s gonna hurt you, mesh’la, nothing.”

You cough out a laugh. “Nothing except a red-haired Mandalorian and whatever this fever is.”

But Din shakes his head. “Not if I can help it.” It isn’t until those words fall from his lips that you realize how close he is to you, how intimate this moment is. His armor is long gone, and you can see the outline of his muscles in his shoulders and arms, his deltoids, his triceps, underneath his flight suit.

“I would…” He trails off, a tremble obviously present in his voice. His confidence has completely disappeared. The vulnerability of the moment makes your head spin faster than it already is. You watch his chest rise and fall, his Adam’s apple bobbing in his throat. You hear him suck in a sharp breath through his vocoder. “I would do anything for you.”

Anything. He would do anything? For you?

Your heart beats rapidly, threatening to combust against your ribs as Din’s hand on your forehead slides down to your cheek. You’ve forgotten your fever at this point, forgotten your headache, your sore throat. All you feel now is Din, his thumb grazing against your cheek, his fingers ghosting along the exposed slit of skin between the hemline of your shirt and the waistline of your shorts.

You want to keep him here, to ask him to hang on to you all night long, but you don’t know if you have the courage to ask. You close your eyes, inhaling through your nose, gathering your words before they spill from your lips. “Would you…” Your voice fades out, evaporating into silence, unable to finish your sentence.

“Anything,” Din’s modulated voice echoes against the walls of the bunk. “Say the word and it’s yours. Whatever you want, cyare.”

Fuck. He really means anything. Whatever you want.

“Would you stay…with me?” It’s a garbled, incomprehensible mess of a question, but as always, Din knows what’s on your mind better than you do.

Din nods immediately. “Of course.” It’s short, but certainly not curt. Those two words say far more than what they mean. “I have to let go of you for just a second, but I’ll be right back, I promise.” Ever the caretaker, Din Djarin. Eternally putting others before himself. It makes your heart pang in your chest, your breath catching in your throat.

He hesitates a moment before finally letting go of you, his hands brushing over your skin for a few extra seconds, stealing time that had already been borrowed. He slips deeper into the hull. You hear him press a few buttons in the distance, and then with a sudden flick, the lights of the hull go out. Darkness fills the room, and you can hear Din shuffling back towards the bunk.

There’s a click and a hiss, and then the sound of metal falling onto metal. Din had taken his helmet off. It wasn’t the first time he had done this. You occasionally found yourself in his bunk, clinging to him for warmth when you were on a particularly cold planet or when the Crest’s heating system had broken down, but it was rare.

“Should you keep it on?” You ask as Din pushes the covers of the bed down. You feel the mattress dip as he slides into the bunk. “I’m still sick, you know.” The last thing you wanted was to make Din feel the way you feel right now. You didn’t want him to get hurt. You had to protect him, too.

You don’t realize how close he is to you until you feel his breath fan across your lips. “No.” It’s a whisper, barely audible. “Wanna make you feel safe.”

“But-,”

He cuts you off. “It’s worth the risk.”

You were worth the risk.

The darkness isn’t so scary when he’s next to you. You close your eyes, listening closely to his unmodulated breaths. His arm snakes up your body, coming to rest around your waist, in the exact spot he was in before.

“Din?” You call out in the darkness. You inch forward a bit, unexpectedly bumping your nose into his. The sudden touch, the proximity, it’s all becoming too much for you to bear.

“Yes, cyare?” His voice is husky, low, rough.

You can’t even remember what it was you were going to ask him. All you can think about is how close he is, how his fingers graze over your stomach, how his breath ghosts over your cheeks, how much you want him to kiss you.

Maker, you want him to kiss you. Would he if you asked him to? Was that under the category of, anything?

“Cyare?” He’s concerned. You can hear it in the way the pet name plays on his lips, hanging around in the air longer than normal.

“I-I,” You stutter. Was now really the time to do this, to confess your feelings to Din? “I don’t know what to say.” It was true, maybe a little too true. “I just, I like you Din.”

He chuckles. Maker, it sounds so much better without his helmet. “I like you too, cyar’ika.” He’s unserious, carefree.

“No,” You mumble. You feel like a child, a padawan once again, not knowing how to communicate or to feel. “Not like that. M-more than that.” You wish you could see the look on his face, to gauge what he was feeling.

Silence takes hold of the bunk. Shit. Too much. Too much too soon. I shouldn’t have-

And then, like always, Din reads your mind. His lips come crashing down onto yours. The kiss is reckless, frenzied, deep. He molds against you, as if he was always meant to fit here. You almost regret not doing something sooner. You think, maybe you’ve wasted valuable time that you could’ve already spent with this side of him. But you know you’ve lived through everything you’ve been through, just to get to this very moment, to feel his lips taking yours, his tongue sliding along your lower lip, seeking permission to explore more of you. You part your mouth, gladly accepting his invitation.

His hand at your waist travels lower, resting along the inside of your thigh. You moan against his lips at the touch. You can feel your wetness growing between your legs, the pulsing of your core. You instinctively try to press your thighs together, searching for some sort of friction, but Din stops you, using his hand to keep your legs spread wide for him.

His fingers tread achingly slow up your inner thigh, teasing you, his nails softly scratching against your exposed skin. Din’s hand finally lands on top of your clothed cunt, his thumb tracing circles into the overly sensitive spot. You’re trembling under his touch as he presses harder into where you need him most.

“S-shit,” You mutter. “Feels s-so good.”

Din swallows harshly. “Wanna taste you, mesh’la. Bet you taste so good.” Desire coats his voice. His hand slips away from your heat and you groan at the loss of contact. He finds the waistline of your shorts, tugging a bit, searching for permission.

“Please, wanna feel you,” You whimper. And that’s all he needs. Din drags your shorts and panties down your legs. You’re not sure where they end up, but you can’t be bothered to care.

Din presses light kisses against your inner thigh, his stubble scratching lightly against your skin, until he finally reaches your core. His tongue begins to explore your folds, pushing through before finally settling on your clit.

“D-Din!” You cry out as he takes the sensitive bud into his mouth, sucking roughly. “Fuck, feels s’good.” Your words slur and your eyes blur as he laps at you.

“Tastes so good, so fucking sweet.” The vibrations of Din’s voice against your clit pushes you closer to the edge. You were already practically there.

He brings a finger to your folds, spreading your slick before sinking deep inside of you. The sensation coaxes a moan from your lips, and Din takes this as a sign to add another finger. He gives you a moment to adjust to him before pulling out and crashing back into you. He’s pushing further inside you as he takes you on his tongue. Nothing else matters, and nothing else will ever be the same.

“Doing so good for me, sweet girl,” He soothes, his tongue swirling around your clit as his fingers thrust in and out of your entrance. “You sound so pretty when you say my name.”

“Din.” It’s a whisper, a plea. More, please, more. “Don’t stop. Fuck.” His free hand glides under your shirt, pushing your bra up and out of the way. He takes a nipple between his thumb and forefinger, pinching lightly, rolling the nub around before switching to the other. He squeezes softly, luring you closer to your breaking point.

“Taking me so good, being such a good girl,” Din groans. You throw your head back against the pillow. His words alone were enough to drive you mad. “Gonna make you come, gonna give you whatever you want, mesh’la.”

His name rolls off your tongue. You’re unsure of where it starts and where it ends, whispering it over and over again like you’re trying to commit this moment to some eternal memory.

His tongue presses harder into your clit, his fingers pumping faster, deeper inside of you. You couldn’t hold back anymore. You were right there, your walls tightening around Din’s fingers.

“Din I’m gonna-,” But it’s impossible to get the words out. You’re a bleating mess underneath him.

“That’s it, come for me, pretty girl. Wanted this for so long,” His praises, his confessions, send you over the edge, searing heat spreading across every inch of your body. “You’re so beautiful, so perfect for me.” You can feel yourself shattering under his touch, your walls fluttering around him.

“F-fuck Din,” You whimper, riding out your high. Din slowly laps at your swollen clit, his fingers gently pumping in and out of you a few more times before pulling out. You feel empty without them. “N-need more. Need to feel you.” You can’t help but beg. It wasn’t enough. You wanted all of him, needed all of him.

“Not tonight, cyar’ika,” Din breathes as he finds his way back next to you. “Don’t wanna push you too far. You’re sick, don’t forget. I promised I wouldn’t let anything happen to you, remember?” There’s a faint laugh in his voice, a certain genuine happiness that you can’t wait to hear more of.

“Tomorrow?” You ask, shifting so that your head rests against his chest.

“As long as you’re feeling better…” He trails off for a second, mulling his words over in his head before continuing, “I’ll do anything you want me to.” You know there’s a smile tugging at his lips, you can hear it. It makes your heart flutter in your chest. “Get some rest, okay?”

You nod your head, nestling even further into him. You wrap a leg around his waist, and he follows suit by wrapping his arms around you.

“Goodnight, Din.”

“Goodnight, mesh’la.”

No longer a danger to herself or others

She made up her mind and laced up her shoes…

Said she knows she lived through it to get to this moment

Ate a sleeve of saltines on my floor, and I knew then

I would do anything you want me to

I would do anything for you

I would do anything, I would do anything

Whatever you want me to do, I will do

I will do anything (whatever you want)

Whatever she wants (whatever you want)

2K notes · View notes

freetobeeyouandme · 2 years

Video

Mike’s Monologue (Actually Romantic Version)

Hey y'all! So, a lot of the analyses I've seen about the monologue and things I noticed about it myself as to why it sucks ass were kind of just easily fixable things related to the editing of the scene. And because I have an editing software and thought it would be a fun way to practice...I fixed it. So here's what Mike's Monologue could have looked like if they had wanted it to be actually romantic.

Notes and process under the cut.

- Everything I used (except flashbacks) is from the original ~4 min sequence from them pulling El out of the water to her sending Henry flying (I’ll reblog with a link in a second)

-My version is ~3 mins long, shaving off a whole minute from the og. I did that by cutting out everyone else who intrudes on the scene, which is Will and Max but also shots of Lucas, Hopper, Eddie and Dustin in distress after the bulk of Mike's speech

-The ending is super interesting because El looks at Max and then frees herself, but as she does so we leave the mindscape and Surferboy’s: We cut to Max irl, getting her bones broken, Lucas beating Jason to go stand and look at Max dying, a shot of Hopper with a snarling demodog on top of him, Eddie getting eaten and Dustin calling out for him, and then back to Max and Lucas. Only then do we cut back to Mike still yelling "fight!" and El falling off the wall sending Henry flying. Which imo emphazises that this isn’t the kind of romantic love saves the day scene that it should have been if it was meant genuinely. It’s El remembering Max is in danger that pushes her to fight, not Mike, which is why we see all of her friends in danger as she frees herself. It’s not just Will between them in this scene, it’s everyone.

-Cutting all that was relatively easy because at this point Mike just keeps repeating "fight, El" so no dialogue was lost and I didn't have to futz with the audio

-Similarly cutting Will's prompting Mike was also so easy to cut, which just shows how unnecessary it was. Which, in turn, just hammers home how suspicious it is

-I simply covered Will and Jonathan's reactions to "hurt more" with a reaction shot for El, eliminating further intrusions on the scene by others

-The montage includes 15 different clips of memories, which is more than El has when she restarts Max's heart (10) and about the same as Max during Running Up That Hill (16).

-Making the montage made me realize how jarring the constant back and forth between Mike and El becomes, especially towards the end of the monologue, after that first memory: During Running Up That Hill we focus solely on Max after the boys put on Kate Bush, only cutting to them once when Max starts to float and even then Max is still in the picture, because we're in her head and need to see how she feels and how she's escaping. I tried to imitate that with my montage, but it's interesting that in the real version we get dragged back to Surferboy's and see Mike talk, making the scene not just about El and her fight to escape but also about Mike performing (when he should become just a guiding voice like the song)

-El's reaction in the montage except for the laugh after the t-shirt mention are all from after the monologue

-The most immediate and drastic change imo was when I changed the background music. Even without the montage the cut already works so much better with "Unambigious True Love" playing instead of "You're The Heart"

-I didn't have to do anything fancy to make the new song work. I simply underlaid UTL so the track lined up with the fade to black and it fit basically on the first try. The length spans the entire monologue, slowly building up and then cresting during the montage and falling as Mike calls for her to fight and the vines fall away. It would literally have been the perfect track to use instead of making up a new one and then naming it after Will's feelings.

-There are still a couple of things about the monologue that I couldn't fix, such as lighting, shot composition (Will is still visible over Mike's shoulder for example) and the actual text, which is still a bit weird, but overall doing this was very interesting because it made me think about what we should have seen if they wanted this to be genuine and the difference between what I ended up creating and what we saw on screen is stark.

In conclusion: They’re bones

#Byler #anti mileven #stranger things #stranger things 4 #mike wheeler #eleven hopper #video edits

2K notes · View notes

canonicallyobserving911 · 3 months

Text

Buck & Eddie: 5 unresolved items from season 6

There were several things in season 6 that were left unresolved including some that happened between Buck and Eddie. These are items they never discussed and IMO, it’s possible they might resurface in season 7 and present the small amount of angst that’s been mentioned by OS and RG during their recent interviews.

Full Disclosure: When season 6 ended, I like many other viewers, absolutely LOATHED the way Buck’s and Eddie’s endings were handled since they were both shoehorned into relationships with one-dimensional love interests the same way they had been at the end of season 4. The constant delays of Buddie going CANON was just 🙄 and at the time, I took a step back because it felt like all the metaphors, callbacks, foreshadowing and hindsight that happened during the first 13 episodes were replaced with a forced narrative. Characters were retconned too so they could fit into some “metaphorical FOX procedural drama box” and it frustrated me. After 6x18 aired, I took a couple of weeks to formulate my overall thoughts on the season and I completed 15 Constructive Criticisms posts to move past my frustrations. Additionally, I started writing a massive multi-chapter fanfic to unravel the mess that was season 6 and I must admit, doing so helped because I was able to put some of the messy pieces to that unfinished puzzle of a season together.

Now... back to the regularly scheduled programming…

This post highlights the 5 things IMO that are still in play that didn’t get resolved last season and I’ve included details about them below. Since season 7 is shortened and only has 10 episodes, it’s possible none of the things listed will be revisited but it’s also possible they will.

Before I get started, here’s a quick reminder, Buck and Eddie didn’t discuss any of the things listed in CANON.

1. The Donation

Other than 6x7 when Eddie heard about Buck’s sperm donation for the first time at the firehouse, in 6x9 when they were on the four-way call when he responded to Chimney and said, “I don’t know… it kind of feels weird to congratulate him” and in 6x10 when he replied to Buck and said, “Sounds like your family had your back on the whole donation thing. That’s definitely progress” (notice he NEVER said he had Buck’s back on it and also his facial expressions in 6x9 after Buck’s announcement showed he wasn’t too thrilled about it) Buck and Eddie never discussed it. Therefore, it is possible there could be some angst coming from it when the Buckley family’s other “deep dark family secret” (related post linked here) is revealed during or after Madney’s wedding.

Furthermore, Maddie’s NEVER SAID ANYTHING ABOUT BUCK’S SPERM DONATION in CANON and every time it was mentioned in 6x10, it happened right after she left the room to check on Jee-Yun. It’s obvious she knows about it since Chimney spoke up and said something to rebut Sang’s comment regarding a man raising another man’s child. Another point to make about the whole “Meet the Parents” saga in 6x10 is the audience never saw Maddie converse with Sang and based on BTS information for season 7, it appears Sang, Albert nor Albert’s mom will be in attendance at the wedding. 👀

[FTR, I still don’t believe Connor and Kameron’s baby is biologically Buck's and I will stand on this hill, even if I have to stand alone, until there’s a blood test proving he is related to the baby (post linked here).]

2. The Onesie

At the end of 6x9, Buck was asleep and he left the LAFD onesie he purchased sitting on top of his nightstand and it was right after the “Santa Ana Winds” ended. However, there are two important things that should be remembered.

First, it has an LAFD logo on it which means it’s important to Buck because as he told Maddie in 2x18, "Being a firefighter is MY LIFE! It’s the only thing I’ve ever done that was important and that mattered, ok?"

Why is this important?

It’s important because BUCK IDENTIFIES HIMSELF AS A FIREFIGHTER and after all these years he still hasn’t figured out firefighting is what he does. Eddie knows Buck’s more than a firefighter especially since he knows and loves him to his CORE! Also, if Buck believed the biological relation wasn't important, then he could have just bought a regular onesie from Target or Wal-Mart, right? Yes!

Second, in 6x17, Kameron stayed with Buck for several days which means if he wanted to, he could have given it to her as a gift but he didn’t. Therefore, it’s possible it might come back into play after 7x5 when Connor and Kameron are supposed to show up again (OS mentioned Buck being a sperm donor for his friends won’t resurface until after the first five episodes). Additionally, after 6A, the narrative could have changed since the onesie wasn’t seen again and that could be due to all the audience backlash that happened after it was over.

Viewers didn’t like the jokes about Buck’s "swimmers" or the lack of his "alone time" and all the other ways the storyline was fumbled. By the start of 6B, the show tried to make the audience believe Buck understood he was the "donor not the dad" 👀.

If the actual onesie doesn’t make a reappearance, then I believe the ramifications associated with the way Buck identifies himself will and it could be a point of contention between him and Eddie since Eddie was the one who told him in 4x14, “You act like you’re expendable... but you’re wrong”.

3. Buck’s Death

At the end of 6x18, it appeared as if Buck still hadn’t dealt with the fact that he DIED and it’s possible nobody else has either, especially Eddie, Maddie, Bobby and their found family. Reminder, Maddie and Bobby both said, “Buck, you died!” and when they said it, Buck became frustrated.

However, when Eddie said, “You died Buck!”, he stopped and listened but the way Eddie said it was different for A LOT OF REASONS (post linked here). After Eddie asked if he was allowed to ask how he was, Buck replied, “Honestly Eddie… I don’t know” but they have yet to have a full CANON conversation about the effects of it the same way they haven’t discussed any of their other shared traumas.

Additionally, during that conversation, they briefly discussed the shooting but they didn't fully talk about it other than Buck asking Eddie what he remembered. It’s another important and shared traumatic event that’s happened between them but like the well, the hostage situation and Eddie's breakdown, they still have yet to discuss it. Buck seemed to be a little upset by the fact that Eddie “said” he didn’t remember anything other than the searing pain he felt in his shoulder (I believe he remembers more than he said he does).

Buck's response was, “Is that it?” as if to say, “You don’t remember me crawling underneath a firetruck, pulling you out, picking you up and putting you inside of the truck? You don't remember me holding a gauze to your wound and asking you to stay with me? You don't remember asking me if I was hurt? Because I WAS!” Also, it was kind of like Buck’s heart broke because Eddie “said” he doesn’t "really" remember it while Buck can’t forget the way his heart fell out of his chest that day when he saw the love of his life bleeding out in the middle of the street.

Also, Eddie’s still waiting for Buck to talk about the fact that he died. Reminder, Eddie's heart fell out of his chest too and he yelled at the hospital staff and told them to "Do More!" Even though they briefly discussed it while they were in the cemetery in 6x15, BUCK STILL HASN’T DEALT WITH IT YET! If he would have gone to therapy instead of whatever he was doing with the DeAtH dOuLa, then maybe he would have dealt with it by now.

4. Buck’s Couch

Full Disclosure: Like so many viewers, I was pissed at the end of the season when Buck asked N to help him pick out a new couch because it didn’t make any sense and the truth is IT STILL DOESN’T but hindsight is 20/20 and I do believe the couch was still there for a reason. IMO, it has everything to do with what could happen between Buck and Eddie in season 7.

Please note, these are my observations and interpretations about what I believe the destruction of Buck’s couch represented.

After Margaret bought Buck a new couch at the end of 6x11, beginning in 6x12, the show spent a lot of time showing how uncomfortable it was for Buck whenever he tried to rest on it. Also, they AVOIDED showing it in a lot of other scenes even though Buck’s previous couch (the black leather one), when he still had it, could always be seen in the frame (post linked here). However, the orange couch wasn’t fully seen until 6x18 before Kameron gave birth on it.

IMO, her giving birth on the couch Buck's mother purchased represented a lot of things including Buck’s idea of the life he always believed he was supposed to have. Reminder, he gave his sperm (I don’t think the baby is his but let’s roll with this idea for a moment) to Connor (a former roommate) so him and his wife could have a baby even though Connor and Buck hadn’t seen each other in years.

He met him while they were in Peru and the only reason Buck ended up in L.A. was because Connor suggested he move with him and his friends because they were “kind of like a family”. Also, he said Buck has a good heart and that was the reason why he wanted him to be their donor but reminder, the reasons why he said he chose him aren’t hereditary.

It appears the way Connor presented himself in 6x4, with a wife and in search of that "missing" piece (a baby) is exactly what Buck’s always wanted and that’s what his couch represented. Let's be real, Connor manipulated Buck and they aren’t friends because if they were, wouldn’t he have invited Buck to the wedding or kept in contact with him over those three years? It kind of seemed like he wanted to rub his nose in the fact that he finally settled down while Buck was still living the bachelor life (not really because he already has his own family with Eddie and Chris, he just hasn't realized it yet).

The issue with Buck’s couches was he’s wanted his own family for years but the way his life has been presented, it appears he believes no one wants to build a life or a family with him and that's why he gave away a piece of himself. In doing so, he was trying to fix the issues he may have seen in Connor's and Kameron's marriage since it was barely hanging on by a thread. Reminder, Connor let his pregnant wife leave and he didn’t try to reconcile with her. Also, Buck never said why he didn’t want to turn them down when he was talking to Hen even though he should have.

I believe the destruction of Buck’s couch with the birth of the baby on it was about more than the couch itself. It was destroyed and unsalvageable because THE DREAM OR IDEA Buck’s always believed he was supposed to have got destroyed when he gave his sperm away. Also, the couch was his MOTHER’S idea of the life she wants him to have instead of the life he wants to have for himself, hence the reason why he told her he would get a couch when he was ready but she ignored him and bought him one anyway.

His "destroyed couch" illustrated the image Buck’s had in his mind of the life and the family he thought he was supposed to want for years, (i.e., a wife and a child) is no longer applicable because his family will include a husband, EDDIE and their son, CHRIS.

Reminder, there was a lot of talk about the types of family in 6B and they all related to Buck's idea of a family. In 6x10, Buck told Bobby and Eddie, “It kind of felt like we were an actual family” but then Eddie replied, “You are an actual family”. Also, in 6x13 when they went to play poker, Eddie responded to Buck while they were walking through the kitchen and said, “It’s a different kind of family” and later in the same episode, Chimney said to Maddie, Athena and Bobby, “Every family is different” but they were talking about Buck because Maddie said she would be furious with Buck if he did what Rhonda Fitzsimmons did when she used her nephew to gain access to Maddie's and Chimney's home.

5. Eddie’s Couch

Eddie’s blue couch has always been Buck’s couch too and if it wasn’t going to be Buck's anymore, then something would have happened to it or Eddie would have bought a new one like he did at the end of season 2. But Eddie didn’t and only Buck’s couch got DESTROYED at the end of season 6👀.

Reminder, in 6x9 Eddie was shown sleeping on it, in 6x12 Buck was shown sleeping on it and Chris was shown sleeping on it in 6x15.

Eddie didn’t get the blue couch until season 3 and the couch he had in season 2 was gray (post linked here). It’s evident Buck still hasn’t figured out Eddie’s couch is also his even though he does know he’s not a guest there.

Therefore, Eddie’s couch and everything it represents for Buck, i.e., a romantic relationship, family and fatherhood will be in play until Buck realizes it or until Eddie explains it to him.

Will the small amount of angst Buck and Eddie experience in season 7 revolve around these 5 unresolved items or others? Only the showrunner, writers and producers know the answer to that question.

#buddie #eddie diaz #evan buckley #christopher diaz #the buckley diaz family #buckley diaz family #911 abc #911 meta #911 on abc #911 season 7 #911 season 7 speculation #911 speculation #ryan guzman #oliver stark #anti connor and kameron #anti marisol #anti natalia dollenmeyer #anti eddiemarisol #anti bucktalia

108 notes · View notes

weebsinstash · 3 months

Note

Is Lucifer capable of topping?

Let’s discuss- 🤔💭

I feel like he's EXTREMELY capable of topping and he's also a switch imo. You can have ur angel OR ur devil. You can scoop him up and he'll be all giddy if you like, be the big spoon or manhandle him or dom him a little, he's all weak in the knees BUT he can also totally do all the same to you, seduce you, hold and cuddle YOU, and like... he IS a grown man, a husband, and a dad 👀 he has all that experience in caregiving and other... husbandly activities

As a side note I've never mentioned this before but Vivzie has mentioned in the past that Lilith and Lucifer have a great marriage and love each other so like, imagine she's up in Heaven as a deal and actually she hates that bullshit and would come back the second she could and she comes down and before she can get 5 words in,, YOU march up, "you've got a lot of explaining to do!! Do you have any idea how many times I've had to watch Charlie leave messages for an answering service and how DEPRESSED Lucifer has been?!?! Look at him, you didn't even CALL?!" And you're super indignant and outraged and ,acting like you might even fight her even though you would lose HORRENDOUSLY, and Lilith just :3 looks to Lucifer "oh my gosh they're so CUTE, who IS this" and just. Turns to you. "Thank you for helping look after my daughter and my silly husband" and leaves a big black lipstick kiss on your cheek, like... honey i'd be gone 😳🥴 catch me later that night helping make Charlie a sibling--

Also. I thought of this once but. Consider: you can't get pregnant as a Sinner but you're trapped in the LiliLuci Hell polycule threesome and they're just like "wait what if... you were like a surrogate using Lilliths eggs or something" and that works so like IT'S KINDA LIKE THEY B O T H GOT YOU PREGNANT RIGHT?

But. I was thinking, oblivious Reader keeps swerving Lucifer every time he tries to come onto you, and eventually he overhears you talking to Angel, something to the effect of "what? Pff, guys don't look at me that way, I'm like, icky! Don't be dumb" And suddenly Lucifer is all but racing across the room, "oh, so THAT'S it? You just don't see yourself as a woman?" and like yes, he's partially correct, but in his head, this is 300% the entire reason you're swerving him at all. he basically just goes into "well in that case :3c" mode and just

Could you imagine he just. Does a little, shall we say, devilry where he just snaps his fingers and suddenly you're in his bedroom just sitting on his bed and you're still like "oh hey dude um what this is weird haha" and he just starts. Disrobing. Just making eye contact with you and taking off his clothing one article at a time and it takes him taking off his shirt and being bare chested before starting on his pants before you're finally like OH UM OH GOSH UM 😳😳😳😳 SIR??? I didnt mean to, to like, lead you on, if, if that's what I did, and--" but like... at this point... he basically just sees you as a blushing bride on her wedding night who's only reluctant because she's scared. He goes from flirting with you to "oh, you're inexperienced and didn't realize my intentions all this time? OK I'll just take full control and just demonstrate for you :)"

People who aren't cowards realize the shape-shifting abilities mean this man could knot you, use tentacles, do just about whatever, and that's the facts. is there a limit on the shape-shifting like a time duration because otherwise why wouldn't he just shape-shift taller.

Lately I've really been on the concept of "what if you wind up sleeping in the same bed with a yandere/they crawl into yours and it turns out they sleep partially or fully naked and are just Doing That Shit, Potentially Even While Cuddling You". Like. You wake up and you're actually suepr warm and cozy which is weird because you usually fall asleep kinda chilly and, you just. Take a second to process that more blankets were thrown over you during sleep, Lucifer is asleep beside you potentially even cuddling into your tummy or aomething, and, oh yeah, you're both down to your underwear. You, understandably, get startled and confused and he's just casually like "well I uh,,,, came in to check on you since you said you sleep kinda poorly and, it was so cold in here ya know, and, you were tossing and turning a lot so I thought, hey, maybe give some company and this is how ->I<- sleep, so". Like he just thinks nothing of it. You could be waking up to see a sea of blonde hair nestled between your titties and he's just like blinking awake and grinning up at you all "good morning ^^" as if he totally wasn't just.... lulled to sleep on your chest listening to the sound of your heartbeat (and was potentially woken up by your pulse changing as you woke up and started freaking out)

I just. I can see him being so goofy and cuddly and then when he needs to put his foot down, it gets put DOWN. He'll get rid of any non-Hotel friends or potential rivals he doesn't approve you spending time with, he'll have word spread that you're under his protection, Hell he may even completely go over your head and do some shit like... remember in the finale where it was showing like the Vees little pinboard of all their enemies and it showed a magazine of Lucifer. Imagine he just slips on an interview having a new fiance or spouse or something and just pulls a photo of you up off his phone or even OUT OF HIS WALLET and you see this shit on TV like WHAT IS HAPPENING

I think... one of the juiciest parts is... the concept and mental battle of never knowing if he's doing certain things to you intentionally or accidentally. Like he may be saying to your face "oh my gosh sweetie I, I had no idea that would upset you 🥺🥺🥺" but then the second he walks away and he's alone he's like having his evil supervillain moment, sitting in a recliner with a wineglass of Beel Juice staring at, basically an ALTAR to you, "yes.... it's all going to plan.... now there's nowhere in the city they can run off to without me knowing... Isnt that right sweetie???" *looks directly at his duck replica of you he made to talk to when you're not around and he gets lonely*

#yandere hellaverse #yandere hazbin hotel #yandere x reader #hh #sinprompts

114 notes · View notes

lemonjestercoffee · 3 months

Text

horses! horses! horses! horses!

i redesigned them! with my own hcs and species design quirks. also woe, height chart be upon ye

some notes for everypony:

Twilight Sparkle- i like gold on her design but not the absurd amounts everyone else gives her for some reason, so i made it an accent color. yes her magic is gold now too because of her eyes. her hair was also inspired by Mikan Tsumiki's cause i thought a more orderly version of her choppy mess would look good on Twilight, i was right. also glasses go brr, i think she looks cute in 'em

Apple Jack- while i love the long fetlocks people give her, i can't see her actually doing that because they'd be a pain to keep clean, so i did the opposite and had her shave her feathering off. i also put her hair up to keep it off her neck so she doesn't overheat while working. her cutiemark is my favorite part cause it's that family symbol where two adults and a kid make a heart, but i made it an apple instead, does a better job at showing her emphasis on family ties. no hat cause i like the idea of her hat being from her dad, and she doesn't want to mess it up wearing it daily so she wears it exclusively to special events

Rainbow Dash- i decided to make her less of a living lightening bolt and leaned more into her lazy side, going for the type of butch lesbian look that makes her feel like she wears tank tops and hangs out in the basement getting drunk and listening to rock. i wanted her to look like the only part of her she actually puts effort into maintaining is her wings

Fluttershy- i take great enjoyment in making Flutters a fucking lumbering giant compared to his friends (yes my Flutters is a guy), taking fluttertree and running with it. no notes aside from tall and green patterns and long hair and ooo pretty bronze jewelry. ig also his cutie mark is like- it was suppose to just be a paw and a butterfly but i accidentally made a parasprite with it, and instead of fixing it i just rolled with it and made it look more intentional

Pinkie Pie- THIS HORSE GAVE ME SO MUCH TROUBLE!! every part of my body was like "give her patterns! add things to her hair! it makes sense for her!!" but everything i did looked wrong and i couldn't get it to work. so i bit the bullet and made her really plain... and it worked. i don't know why but she just.... looks so much better with a really simple design, the hair texture does all the heavy lifting really

Rarity- of everyone, she's the one who'd have the long pretty fetlocks, and i decided to double down on that by not only making them so long you can't see her hooves, but also by making her have the longest and softest coat in general. she has the time and dedication to take care of such a high maintenance coat and she's gonna do it. it's even more impressive when you realize ponyville uses exclusively dirt roads. aside from that i think she deserves nice jewelry, and they use leather straps cause i think leather would be a ponyville fashion staple, she shows her hometown pride in her fashion

Spike- i thought it was weird he was so small the whole run, he should have had a growth spurt at some point imo, so i made him a bit bigger and more proportional to the older teen dragons, this is less of a redesign and more of a "make him actually grow up" thing, he's still small but not toddler small. this is the point where Twilight starts complaining about him sitting on her back cause he's getting too heavy. i also don't like how adult Spike ended up looking, but i haven't made a redesign of him yet

i have made an older alicorn Twilight design that i've been referring to as Ethereal Twilight, but i might hold off on sharing that for a while cause i have some funky hc lore ideas for the alicorns that i wanna refine a little before posting her. maybe i'll have older Spike drawn by then too, who knows

#my little pony #mlp fim #mane 6 #mlp redesign #mlp headcanons #hc lore #kai doodles

65 notes · View notes

milgram-tournament · 6 months

Text

MILGRAM Best Song Tournament, Round 1, Match 3 THROW DOWN vs. THIS IS HOW TO BE IN LOVE WITH YOU

Propaganda for both options under the cut!

Propaganda for THROW DOWN:

silly point is that throw down was my top song for this past year and i havent even been into milgram that long so. good song. also i sang it on stage once so. anyway

Flower imagery!!!! god i love flower imagery

the vocals are good

it has a banger es cover too

"ethics are a delusion" is singlehandedly the funniest line to come out of the t1 songs

the mv is SO pretty like. holy shit

the first note constantly jumpscares me

also i like the clock sounds in the background of the verses

the instrumental,,,,

throwdown is just a really nice. calmish song that still has the whole desperation thing conveyed through his voice props to va for that cuz its relatively subtle but really adds to it imo

im reiterating that ethics is a delusion is the funniest thing to me

also i really like the bridge (the whisper part)

irrelevant to the song itself but i like his fit in throw down i'd wear that irl

gardening/pruning as imagery is so fun for a surgeon character

also vocally i just really like throw down its calm sounding yet theres a hint of like. desperation? despair? in his voice and thats really cool to me

---

Jackalope's note: Only one propaganda piece... hmmhehe. Well, I'm glad our resident pretty girl got tons of asks! But I feel a little bad about Shidou, so let's let him argue his case at least! Oi! Shidou! Get over here! Oi! Sheesh, it's like he can't even hear me! This is why I need to send the reminders early...

(mod's propaganda: While I love both songs very much, Throw Down has a special place for me in that I can actually sing it. You sing way too fast, Mappi!! I also just think using flower imagery both made the MV one of the prettiest ones we have yet and helped distance both the viewer and shidou himself to the reality of his sin... I also really like the ethics is a delusion bit lol)

Propaganda for TIHTBILWY:

okay so like the thing im most in love with: the VOCALS!!!! this song has an absolutely AMAZING singer and AMAZING vocals!!!! the way the conversational talk-singing lines still feel so musical!!!! the cute cute cuteeeee mahiru voice!!!! it brings you so much energy!!!! its a song sung with so much love!!!! mahirus va brings such an amazing feel to the song with such amazing talk-singing!!!! its very skillfully done and it happens in i love you too!! mahiru songs r the QUEENS of musical talk singing

the silly phone call bit. kurururu~!

the little vocal flourish and the way her voice raises up like an excited exclamation in the final prechorus!! daijoubu nante kirai DA!

its such a fast song but everything flows so well!!!! it makes it feel so bright and cheery and peppy!!

the instrumental is so underrated just LISTEN to that catchy bass line thats so pretty in the verses!!!! no for real even if u dont vote this is how to be in love with you go listen to the bass line in the verses it works to move both the song and the listener forward at mahirus sweeping breakneck pace. and the cute keyboard sounding and synth instruments!!!! its SUCH a danceable song!!!! i cant listen to it without bopping along in my seat

the way the ominous bits are subtly hidden? it all sounds so cute but there are just these Things that she sings that are really kind of concerning and unhealthy when she sings them!! and the veiled desperation to be in her relationship- listening to that and the cheery tone and breakneck, quick song pace, it really does represent mahiru SO well. she throws in all these little bits that just go noooo teehee the relationships just fine!! when it REALLY isnt

i would listen to mahiru talk for hours

the MV!!!!!! HER FASHION SENSE THE MAGAZINE STYLE!!!! the magazine style especially works so well with her character!!!! its so cute and stunning and just looking at it you have a blast. also her birdcage!!!! her birdcage and the bright orange and the pink bars!!!! the way everything desaturates and becomes more sickly looking when she wakes up at the end!!!! its such a happy carefully curated and designed dream and then it drains away!!!! also god all her outfits are stunning. mahiru call me

the way she sings "overheat de~!" cutest thing in the WORLD.

the little faces she makes!!!! godddd shes so expressive

actually the whole songs so expressive!!!! shes putting her all into it!!!! her words have so much expression in them!!!! once more praising mahirus va the way her voice can soften and become bright or subtly desperate so quickly is MASTERFUL control of expression when singing and its so underrated. join me in being insane over miho okasaki delivers her lines. shes such a perfect mahiru.

funniest es cover. hands down. funniest es cover.

this is how to be in love with you is FREE serotonin!!!! free energy right there!!!! this is how to be in love with you sweep!!!!!

---

-The song is so cheerful!! I always feel like dancing and singing when this one comes up in my playlists!! Absolute banger, mood definer, kicking sadness in the shin with those high-heels and then hitting its face with a cute purse -THE HIGH-HEELS STEPPING TO THE BEAT OF THE MUSIC IN THAT ONE SCENE (0:50). SIMPLY ICONIC. NO ONE DID IT LIKE HER. -👠💅👝👗 -She is slaying. Look at her outfits. She put so much effort there. She gave it her all. Absolutely serving. -SUKITTE KIMOCHI WAKATTA TSUMORI? NARA KONO MAMA FUTARI O-VA-HI-TO- DE -The storyline of the mv MAKES SENSE and you can form a COHESIVE TIMELINE OF EVENTS (unlike other unspecified contestants' mvs you know 🙄) -look at herr 🥺 she beby 🥺 all she did was love too much 🥺 we all love mappi don't we 🥺 she deserved more let her win this pleease 🥺 -No medical malpractice happened in the making of this mv 👍

---

I care so much about This is How To Be In Love With You- it's visuals are brilliant in the ways it conveys its themes and narrative. I'm never normal Ever about the "Love as marketing" symbolism that is brought in by the use of magazines. It's a lovely upbeat song but the Horrors are Always Lurking under it, the breakup Ritual line is my Favorite Line cause its so horrifying but its said so casually and its so good oh its so good-

#milgram #milgramtournament #shidou kirisaki #mahiru shiina #(sorry for posting an hour late! I was waiting for some more propaganda asks haha)

100 notes · View notes

genericpuff · 7 months

Note

I was reading your essay on "fat" rep in LO and as woman who is overweight, maybe not but definitely chubby/pudgy and often getting shit for it by my family... Do we ever see Persephone with a not-flat stomach? Even just a little protruding, not necessarily round. Or a double chin? I know fat looks different on different people, but... To me that seems like a pretty obvious way for an artist to show their character is meant as fat rep. If Rachel actually wanted that, I mean.

There are definitely times Rachel tries to draw her "fat" but it feels so tone deaf because it's still just like... as I've mentioned in my essay about it, it's "Hollywood fat", i.e. the kind of belly pouch fat that many women have that's often painted as ugly even though it's very commonplace to have (because no person is entirely flat! we're humans, not planks of wood!) The problem is if you try to quantify as little amount of fat as possible as "fat representation", you can't really call it fat representation because it only represents people on the lower end of the spectrum of fat. Here's an example of what I mean when I tried to find that one specific image example I was thinking of that I had seen ages ago lmao (this isn't the one I was thinking of but it gets the same point across):

Yes, cartoon stylization is a thing, but watch out for the folks who say they can't draw fat people because "it wouldn't suit my style", it falls into the same type of excuse camp as Tim Burton saying black people wouldn't suit the "aesthetic" of his films. They actually could draw fat characters in their style, it's more likely they just don't want to (but don't want to admit to that).

And honestly, if someone just wants to stick to drawing characters of a specific race, body type, etc. that they're familiar with, that's not a crime in and of itself IMO, but don't claim that your work is representation for a group when it's really only carrying the bare minimum or if you're just forcing it for the sake of seeming progressive. That's pretty much where LO falls, its "fat representation" only represents the bare minimum of fat that doesn't apply to the people who are looking for legitimate fat rep in media. Sure, there will be people who will still connect with that body type, especially for people who have stretch marks or belly pouches, but can it really be called 'fat rep' on the whole when it's not going to connect with the people who are genuinely fat? I'm someone who's gone through weight gain and struggled with body image, while I can totally relate to the type of body Persephone has where she (sometimes) has a muffin top and cellulite on her legs, that doesn't make her "fat representation" as a whole because she doesn't represent the women who are genuinely fat beyond chubbiness or being "not flat".

All that aside, the only indications of Persephone being 'fat' are the odd panel where Rachel gives her a belly or "stretch marks" (tbh they look less like stretch marks and more like scars from a bear attack lol):

But then she'll also draw Persephone with a straight up bodybuilder torso and have her say outloud that she's "small-medium":

It all feels very tone deaf because it's Rachel trying to have her cake and eat it too - she wants to draw Persephone as her usual small cinnamon roll self who can be infantilized and fetishized by the men around her (which Rachel loves to write and draw btw) BUT she also wants to try and take credit for Persephone being "fat rep" so whenever she remembers to do so, she'll throw in her laziest attempts at making Persephone seem "fat" but really she's just the Hollywood version of "fat" by having a belly pouch and stretch marks that many women of varying sizes have regardless of weight changes. We can't even assume that she may have been fat at one point and lost the weight (leading to the stretch marks) because we've seen Persephone in basically all stages of her life from childhood to adulthood. She's always been itty bitty and her entire personality and relationship with Hades is written around that.

#ama #ask me anything #anon ama #anon ask me anything #lore olympus critical #lo critical #anti lore olympus

140 notes · View notes

shadamyheadcanons · 4 months

Note

Do you have any ideas for how Shadow and Amy’s relationship would change if Sonic had managed to get Shadow back on the ark in SA2? I’m working on my own little self-indulgent fic myself, but I’d be curious to hear your thoughts.

Interesting thought! See, this is a tricky one for me because they canonically act like his brush with death never happened, which is super weird.

There should have been a scene on the ARK where Amy was really upset and possibly even cried after it happened, maybe blaming herself for encouraging him.

There should have been a scene in Sonic Heroes where she latched onto him and gushed about how relieved she was to see him alive while he just stared at her like “???” because he still had amnesia.

She should have been the one to reach out and befriend him, and he should have accepted; not only does she remind him of his late best friend, but she’s seen him at his most murderous and still supported him unconditionally.

She should be even clingier with him than she is with her other friends after what happened. She should have been right with him all throughout Shadow the Hedgehog (2005), guiding him and keeping an eye on him the way one would expect given her personality.

And...maybe this is controversial, buuuuut...it’s always felt a little arbitrary to me that he wound up spending a ton of time with Rouge and Omega and basically none with Amy.

I’m not saying I have a problem with Team Dark. I adore their dynamic and I’m glad he has them, but it kind of feels like they just happened to be there. Sure, he got along with Rouge alright for much of SA2, but she seriously hurt him by spying on him--something she’s never apologized for, as far as I know--and she left him behind to help the others get to the Cannon’s Core.

And that, I think, is where the biggest difference would be.

Shadow isn’t the forgiving type. By the time he’d regained his memories in canon and remembered how she’d betrayed his trust, she’d proven in the interim that she’s ultimately a good and loyal friend. If she hadn’t had that chance, I don’t think she could’ve gotten her foot in the door so easily. And if Shadow hadn’t fallen, he wouldn’t have been picked up by Eggman, so he wouldn’t have met Omega. In fact, I’d go even further than that. Team Dark’s opening cutscene in Sonic Heroes implies that Omega’s there strictly to guard Shadow. Not only that, but I’ve always gotten the impression that that’s why Omega was created in the first place. Mephiles all but confirms this in Sonic 06 by pointing out Omega is perfectly built to defeat and capture Shadow.

“This only proves you were created to stop Shadow, the ultimate life form. Don’t tell you didn’t know.”

So Omega would probably never have been built, at least not in his current form :(

With our favorite murder robot out of the picture and Shadow not trusting Rouge, Team Dark would be kaput, and Shadow really needs someone who’ll reach out to him.

And we all know it would be Amy, right?

It’s not even conjecture. In Sonic Battle, she eagerly seeks him out, even getting irritated when Rouge keeps her away:

On top of that, Amy latches onto Shadow because he’s a hero. I’ve pointed this out before, but the second Shadow becomes the protagonist in ShTH, she’s smitten with him...

...and the same happens in IDW issue 59:

And we can’t leave out The Murder of Sonic the Hedgehog:

The social media team gets it.

She’s got a subtle little crush on him already imo even with the few interactions they have. If Amy spent lots of time with Shadow, that little crush could grow to rival another crush of hers ;)

As for Shadow, if she’d reached out to him right away without the time gap from his amnesia, I think his feelings for her--romantic or otherwise--would have been fostered and allowed to grow, fueled by his gratitude. She changed his entire life and would have introduced positivity and companionship into his world. You can’t not feel strongly about someone who does that for you.

Fandom-wise, Shadamy is already extremely popular considering how little time they’ve spent together in canon. It’s the third most popular game ship on AO3, only beaten by Sonamy and Sonadow.

There are more fics for Shadamy than Knuxouge. That’s kind of ridiculous, right?! Shadow and Amy have maybe ten minutes of screentime together! I also think Shadow might have gotten along better with Sonic if he’d gone right from saving the world with him to becoming one of Amy’s favorite people, so I’m willing to bet Sonamyshad would’ve skyrocketed in popularity, too. Not my cup of tea, but I know a lot of other fans like it.

Or...more interestingly...Shadow could’ve been really pissed once he saw up close and personal just how often Sonic ran away from Amy. The Dark Era right after SA2 was when it was worst, too. I imagine Shadow would be furious if he knew the full extent of how badly his favorite hedgehog was being treated. He could have been a godsend for her. You think he’d have put up with this if he’d seen it?

(Tangentially, I think it’s weird that Knuckles was fine with this stuff. I think of him and Amy as sibling-adjacent at times, but sometimes I feel like I have to fudge some details to make it work.)

And how many times did Sonic hurt her or make her cry back in the day?

Shadow’s punched Sonic for less than that. He’s way too loyal to sit there and watch while someone hurts his sweet, kindhearted best friend.

People think of Amy as the clingiest Sonic character, but I 100% believe Shadow rivals her in that respect. I really do. He nearly destroyed the Earth for a friend he knew for less than a year. He latched onto Team Dark like a security blanket the second he was dropped on their doorstep. He would have done the same for Amy, and she really could have benefited from that loyalty. Amy lashed out in that era because of frustration and insecurity from being repeatedly snubbed by her favorite person. I honestly think someone stable and steadfast like Shadow was exactly who she needed. He really could have turned her life around and gotten her the respect she deserved, either by standing up for her or proving to her that she deserved better.

And I definitely think he could have dealt with the Black Arms’ invasion much better if he’d had Amy to help guide him through it. She’s reminded him of who he is before. The Miracle of Love ending proves without a doubt that she could do it again.

It would have been great for both of them. I’m sad Sega never let them have that.

Also, Shadow standing up for Amy and later dating her would make this weird scene from Archie #149 absolutely hilarious:

Granted, that applies to shadamy in general.

Ken Penders & Friends: “Ha, wouldn’t it be hilarious if we had Sonic make a skeevy, totally age-appropriate comment in our kids’ comic about Shadow ‘finding a girl?’”

Shadow: “I found Amy Rose”

Sega: “THAT’S NOT FUNNY”

Sonic: “Idk, I think it’s kinda funny :) ”

Penders: “I have never played a Sonic game”

#shadow the hedgehog #sonic the hedgehog #not a headcanon #ask #amy rose #onesingularchocolatechip #shadamy

96 notes · View notes

kordyceps · 4 months

Note

OK I mean obviously I'm reading your steter stuff on AO3 but I'd love to know if you have an all time favourite? Either your fave of your own work, or fave of another author's that you rec/reread/still think about a million years later (or both lol)

Oh man, okay, sorry for taking so long to reply to this ask! But it's such a good one and I unfortunately have the memory of a gold fish, so I needed to do Research™ (aka reread all my favs again lmao) so I could answer it properly. 😂

I only have one Steter fic of my own atm, so I guess that's my de facto personal fav for now…

But as for other folks' work, god, there are sooooo many great Steter fics out there!! So these are just a handful of my top favs, and definitely not a comprehensive list!

Five Times Peter and Stiles Troll the Pack by taylorpotato Rating: M | 2.5k | requires an AO3 account to read Stiles and Peter yell at each other in Polish, misleading the pack into think they're fighting, when in reality it's all just like completely fuckin' filthy dirty talk lmao. Short, but very funny, and such a perfect capture of their mischievous dynamic. 10/10, would recommend!

The Devil You Know by Twisted_Mind Rating: E | 11.6k Peter is there for Stiles when no one else is, and uses that to slowly manipulate his way into earning Stiles' explicit trust. And ooooh boy, is it so delicious and spicy. God damn! Cards on the table: this fic definitely won't be for everyone since it wades into some darker waters. But oh my god do I love love LOVE Peter's characterization in it. God, I feel like I could write a whole damn essay about this fic, but then I'd just end up spoiling the whole thing LOL. Just--if you like darker, manipulative Peter and enjoy your sweetness just a wee bit twisted, then 10/10 would recommend!

The Prince and the Pease by luulapants Rating: E | 47k | requires an AO3 account to read Medieval/Royalty AU where Peter is forced to cede his claim to the throne and become a "guest" of King Deucalion's as part of a peace treaty between the two kingdoms. Stiles, who is suspiciously far too mouthy for your average servant, is gifted to Peter as a bedwarmer. This one does such an incredible, masterful job at translating the characters into its setting and time period. The sass, the wit, the wordplay! You can definitely tell the author knows their shit, and my god is it fantastic. The plot itself is also so satisfying -- lots of great ups and downs, and, ugh, just so good! (Be sure to read p2 for the full ending btw!) Needless to say, 10/10, would recommend!

Keeping him (It's all about intent) by sittinginmytincan Rating: M (& E for oneshot sequel) | 121k Stiles winds up slingshotted into his own future, where it turns out he's married to Peter Hale of all people. His only way back is with Lydia's help, but she's gone mysteriously missing somewhere on the east coast while investigating some strange disappearances. Man, this fic….. I feel like the writer for this one must have received a checklist of things I'm into and decided to mark nearly every single one of them lol. Time travel, woke up married, magical theory, an enthralling af plotline -- and it's so thorough. Like, everything is so incredibly well thought out, the characterization is on point, and the development of Stiles and Peter's relationship is just chef kiss. Definitely 10/10, would recommend!

The Striking Complication by aurevell Rating: T | 118k I don't even want to write a summary up for this one because the mystery of it all and peeling back what's happening piece by piece is, imo, the best way to experience it. This story is intense as fuck, near relentlessly oppressive, and impossible to put down. It keeps you constantly at the edge of your seat as you try to figure out what is going on and how Peter and Stiles will survive it, with these heart-wrenchingly sweet breather moments sprinkled throughout. If you enjoy time loop stories, this one is an absolute must read! 10/10, would recommend!

build-a-beau by veterization Rating: E | 41.5k Tired of his dad always worrying about him being single, Stiles decides to pay for a fake boyfriend service so he can finally get his pops off his back about it. It goes about as well as one can expect a fake texting boyfriend you accidentally catch real feelings for can go lmao. This fic is wonderfully witty, with really fantastic banter between the two of them, and it's just so very fun getting to watch the pretend part of their exchanges slip more and more into something genuine. 10/10, would recommend!

Under the Songbird's Wing by mia6363 Raing: E | 87k Stiles is captured and held in captivity alongside Peter, Deucalion, and Satomi Ito. To survive, Stiles runs through lacrosse drills and tells stories, eventually persuading his fellow cellmates out of their shells and establishing a profound, unbreakable bond between them. This one is HEAVY, folks. Like, heavy heavy. But, god, it's also such a beautiful exploration of the characters and the bonds they develop through shared captivity. I don't even know what more to say, really, it's just haunting and lovely and awful and wonderful all at once. In the mood for something that hurts? Then 10/10, would recommend!

#yes ALL of these are 10/10 would recommend!!! 👏😤#steter #fic recs #I may have gone overboard with this lmao #but I just!!!! love steter and these fics so much and I had to gush about every single one!!!!#and there is definitely no way I could have picked just one #teen wolf #asks #dre606

66 notes · View notes

aroaceleovaldez · 1 year

Text

Tumblr kept breaking when I tried to reply to the ask about this since the post is too long, so answering this here finally:

A non-comprehensive list of misc things I’d change in HoO, since apparently people wanted me to elaborate further (Re: [This post]). Semi-off the top of my head since I don’t feel like re-reading all of HoO with notations right now. Also this will be followed up by a Things I Would Change About TOA post as well at some point, since that was also requested and kept breaking, but my brain is exhausted from getting this post set up so that will wait. I will link it [here] when I complete it.

Going under a read-more cause it’s very long. Literally Tumblr crashed like three times while I was trying to answer the original ask:

As said before (and what is a given):

1. Goes without saying - fix all the distasteful offensive character descriptions/traits. Similarly, fix the whole "these characters inexplicably look down upon their cultures" cause that's stupid and it's really annoying every time one of the Argo 2 crew brings up something about their cultures only to immediately go "but THAT'S SILLY and WEIRD."

2. Remove Calypso from the active plot, rather than the current canon retconning that doesn’t work saying that she was never actually released from Ogygia like she was supposed to be. There's no excuse for why she wasn't, unless it's supposed to be the gods sent Leo to release her to fulfill that promise, but that's not really implied to be the case at all. There's no excuse for the Olympians to just go back on their promise, since Hephaestus is established to visit Calypso regularly and basically is her only friend. It isn’t the type of thing he’d let be overlooked given all the characterization we know about Hephaestus, and given they are explicitly friends it can’t be that Olympus just “forgot” either. Also Calypso doesn't actually add anything to the plot of HoO or TOA besides serving as a love interest for Leo (not even a motive, just a love interest that "fixes him,” because he already has motive in saving Jason from being the hero of the prophecy and helping save the Argo 2 crew/camp/etc from Gaea etc etc. Leo's romance arc completely derails the established depressive spiral/destructive character arc that's been set up for him and it basically ruins Leo's entire character. He's a tragic character! Let him be tragic until he's done being tragic and then the end of BoO and TOA can be him starting his recovery arc! (I have some thoughts for how Calypso could work removed from HoO but an active character in TOA but that’ll be for the TOA post.)

If Leo still ends up on Ogygia, then have it be clear that Calypso's already left and the island is abandoned (which imo is WAY more narratively compelling for readers of the first series, because you already know the context of the island, but for readers who don't have that context it leads to this being an interesting mystery - who was Calypso? What was this island and why do all the signs/notes left by her imply she wasn't always alone but usually was and was desperate to leave?) and Leo has to collect the scraps left behind to build an escape for himself while he goes through a fun identity crisis. At some point maybe Hephaestus shows up and Leo gets an interaction with his dad that probably does not help his identity crisis and then he goes back to the Argo 2 to have a further identity crisis about how the rest of the crew got along in his absence (a good identity crisis or a bad identity crisis? depends on how they did without him! you decide! I personally like "they managed okay" and Leo feels Really Horrible About That Cause It Feels To Him Like They Don't Need Him. I like Leo's tragic arc, okay? It's compelling.) Iirc Leo’s also the only member of the Seven who doesn’t get to have some kind of direct conversation with their godly parent, at least in-person, so yknow. It’d be nice to have. Also if you want Aro/ace Leo Valdez this is the perfect spot to put it while he's having his identity crisis on Kiss Kiss Fall In Love Island, or when he gets back.

3. Jason's stab wound in BoO is not healed by the Power Of Friendship, and instead they use the Physician's Cure for that so it doesn't feel like they're literally deus ex machina-ing their way to cheating death like 3 times in the same book. It makes more sense to use Potion Of Don't Die on Wound Of Excruciatingly Painfully Slowly Killing You instead of Whoops You're Already Dead, Just Get Better. Ctrl+Z That Real Quick.

Given they already used the Physician’s Cure on Jason, Leo doesn’t die/get revived at the end of BoO. Instead he just almost dies, probably lands in CHB’s woods somewhere, and is found and patched up with the series ending on him being on the mend and starting on the path to healing and getting help for his Numerous Issues that he was putting off for The Entire Series. Which parallels nicely to Nico basically having the same thing (overexerting his powers to near death, ends series getting medical treatment/being on the mend and the indication that he’s moving on to a happier period of his life). Again, grand happy ending rather than aggravating fake-out.

Further notes:

- Heavily tweak Ella's character cause I get what Rick was going for, but the execution is… not awesome! Please, there's already so much ableism in HoO just. hmm. We can do better.

- Jason and Piper break up in HoO, probably around MoA when they start seeing Percy and Annabeth interacting and after they’ve had time to hang out with each other and realize their arranged relationship is Kind Of Fucked Up, Actually. (Probably something something them having gotten to spend time actually getting to know each other between TLH and MOA while they’re both at camp.) They have no problems with each other specifically and do genuinely like each other, but it just gets really awkward given all the memory manipulation and being set up as a "picture perfect couple" - emphasizing stuff like them both being children of really famous movie stars in their universe, or Jason as a son of Jupiter/Jove (an "all-father" type god) [and Juno - mother figure goddess and goddess of marriage]/"son of Rome" and Piper as a daughter of Aphrodite (goddess of love, also Aphrodite/Venus indirectly is associated as a sort of "mother of Rome" due to Aeneas). They just feel like they have too many expectations being put on their relationship and even though they do both like each other it feels too forced for them, but they’re comfortable staying just friends. This just gives way more opportunity for low-stakes character conflict among the Argo II crew outside of Monster Of The Week Chapter so things don’t feel unreasonably busy and chaotic and we actually get some consistent development. Just a nice mini-arc to follow in the downtime. Also while we’re here, more directly establish Piper’s bisexuality earlier on. If she’s already having an arc where she’s contemplating her romantic life, throw in a couple of nods to like “Piper thinking about her old childhood crush on Shel, the kid of a family friend she’d see when her and her dad visited Oklahoma” or something. Literally anything just to establish some kind of set-up to her getting a girlfriend later. Just for consistency’s sake.

- Bunkernine has a very good post about wishing the Argo II didn't have the magic plates from CHB, which I agree with in concept. Like I was just saying, MoA through BoO lacks a lot of little moments where we get to really focus in on the characters, probably in part because Rick was struggling to juggle so many parties given this was his first foray into writing a major cast that size. We can definitely cut out a lot of the random unnecessary fights and dramatic moments that don't really do anything for the plot and instead replace them with little moments of casual life on the Argo II - the scenes like those that do exist in HoO are some of HoO's most memorable moments to me! And they'd help a lot with how the characters never felt fully and properly fleshed-out. Let them exist as a cohesive group without two-to-three of them being absent at any given time! I don't think we necessarily have to remove the magic plates entirely because they do solve a fundamental problem ("where are these kids getting food?") but like, there is nothing stopping them from still cooking and just using the plates to get ingredients! Let these kids bake or something! Even just for fun! Though also I have personal headcanons about the Argo II crew's cooking skills and I really like the concept of like, during HoH or something at like 3am everybody hears something and they all suspiciously shuffle into the mess hall. And it’s just half-dead Nico standing there in his PJs making food for himself because Dammit They're IN VENICE and he’s FROM VENICE and they DON’T HAVE TIME TO STOP AT HIS OLD FAVORITE RESTAURANTS THAT MAY OR MAY NOT STILL EXIST and he Hasn't Had A Proper Meal In Weeks so By The Gods He Will Make His Mom's Old Recipes At 3am before he keels over from this quest. He just stares at everybody and goes "What are you all looking at. go away." and the rest of the crew just shuffles away awkwardly and leaves him to it. (Is Nico’s 3am meal actually good? Who knows. It is left a mystery.)

- Tweak the god characterizations. Remove the "gods splitting" thing and maybe play more with different aspects of gods/verisons of gods across history/city-states/etc presenting themselves instead. The Roman gods are not wholly equivilent to the Greek gods and it's actually really interesting from a historical perspective, and I think there's a lot you could do with that but instead it gets flatted in HoO which is sad to me. Just generally though, with the god characterizations, like. [uncomfortable pagan noises]. Which is almost impressive because it is difficult to write the Greco-Roman pantheons poorly since a good portion of them are basically just very complicated metaphors turned into personifications and characters. So they work fine for narrative purposes when applied accordingly, and yet! and yet!! Rick managed it! He managed to really bungle it in HoO and TOA. Because instead of leaning into the aspects of metaphors and dynamic characters he just fell into 2D tropes, gimmicks, and stereotypes. Off the top of my head the only deities written Okay in HoO is like. Hades/Pluto and Thanatos. (even Chiron in TOA is extremely lackluster, it's sad.) In the first series it ranges from “okay” to “actually really interesting” so it’s sad to see that drop-off and I would like it to be fixed.

Some potential examples for this: Play with the historical ties combo of like, Athena, Minerva, Enyo, Bellona, and etc! Annabeth and Reyna parallels! if the first 2 books are about the trios, let MoA be about Annabeth and Reyna and both their connections to Athena(/Bellona). Let Reyna be a second half in the Athena prophecy! It'd be cool and fit with her thematically and would set-up the whole Getting-Blessed-By-Athena thing later in BoO and make that scene feel so much cooler!

- Also retcon the whole "Hestia appears as an 8 year old for no reason" thing. And maybe also Artemis only appearing as a teen, because while Artemis has a mythological excuse, Hestia doesn't, so it just feels weird and at worst comes off as a little aphobic (depicting a character who explicitly is uninterested in relationships/romantic love as a child despite them being an immortal god with no basis for appearing as a child or even being comparatively young to other gods) with how it relates to aphobic tropes about disinterest in romance being "childish".

- Remove the "no children of Minerva" thing. Also maybe emphasize the aro/ace vibes there cause Athena being implied to be the only ace character in the entire series who a.) isn't literally a child/teen nor appears as one, and/or b.) hasn't had an unfortunate relationship that makes them disinterested in romance, but also at the same time being the only one out of herself/Hestia/Artemis to have relationships of some sort (having kids, implied to possibly be romantic but unclear) issss bad! actually! Bad tropes, don't like that. (Again aphobic tropes of disinterest in romance being “childish” and something that can be grown out of, or a result of trauma. Also it feels weird that the only a-spec characters in the series are all women. Can we have a male a-spec character please.) Just let Athena be aro/ace and vibing and occasionally having brain children cause she can do what she wants and everyone is aware of this and chill with it (And being a-spec doesn’t mean she’d be disinterested in having kids). Also maybe make her feel less cold cause "a-spec character is cold and loveless" is also an aphobic trope that PJO!Athena falls into, actually.

- Speaking of aphobic tropes, fix the Hunters! Please. Please just redo the Hunters of Artemis entirely. Holy cow. I wrote up an entire alternate oath/rules set for the Hunt because it's just so weird and poorly done. There were male Hunters of Artemis in Greek Mythology! Multiple! And most of them were chill! The "swearing off all romance" thing is also questionable, because depending on what versions of myths you’re looking at it’s potentially implied the Hunters had romantic relationships among themselves. And in Greek Mythology all the Hunters were definitely not all pre-teens. And it feels especially bad that the only adult Hunters we ever see are explicitly ex-Hunters who are heavily implied to be not ace and definitely aren't aro and are also implied to have "grown out of" being disinterested in romance. (That gagging noise you hear is me being sick of how many aphobic tropes the Hunters are juggling).

The version of the Hunters i have written up is, and I quote (from my notes): "Hunters can be any age, species, and gender identity (so long as they are comfortable enough being occasionally referred to as “Huntresses,” “Sisters,” “Maidens,” and etc). Relationships between Hunters are allowed so long as it will not endanger/distract from the Hunt or endanger any other Huntresses. Having a child is not allowed within the Hunt and any Huntresses who wish to do so must leave (purely because having a pregnant person/young child on the Hunt is dangerous, and safety is the number one priority - especially as Artemis is a protector of youth and goddess of childbirth. Once they turn like, 12 they can join, that’s fine. Everyone knows middle schoolers are the optimal combination of bloodthirstiness and ability to wield a weapon)." Also, just as like, a side-thing, I wanna see a clear-sighted mortal Huntress, because we're told thats a thing but we never see them. Closest we get is like ancient semi-immortals and Technical Nymphs, or other Huntresses who are of unspecified mortal/demigod status.

- Similar deal - fix the Amazons. they're… better but still a little wonky.

- Some slight tweaks to the Cupid Scene - Nico still has a confrontation with Cupid cause that is a very compelling scene that works well for Nico's character and informs a lot about him (and serves a purpose in a very meta way - not so much for the plot but reflecting something the first series did occasionally which was a kind of showing an example of a situation, usually a negative situation that either mirrors or directly references a type of situation a kid may find themself in, and explains and shows sympathy for the character being hurt in that situation. Which is notable because the demographic for the series is young middle schoolers and particularly neurodivergent kids, who are probably approaching a lot of new social situations or may struggle with empathy. It acts as an introduction to “unfortunately this is a bad thing that happens sometimes, and it hurts people, which is why you should be nice to this kid. Look at beloved character. Here’s an elaboration on why they’re hurt so you can understand.” So for the purposes of that, the scene of Nico getting outed would likely remain, but it would still keep the very overt “WOW THIS SUCKS, THIS IS A BAD SITUATION.” stuff) Most of the tweaks are just slight adjustments to minor prelude dialogue and/or setting, like. Jason does not forget that being gay is a thing for a second. And etc. But Nico having a very literal metaphorical conflict about grappling with how he views the concept of love by LITERALLY GETTING KICKED AROUND BY THE GOD OF LOVE is actually kinda badass from a narrative analysis perspective. This is exactly what i meant in the previous bullet points about the gods in a lot of myths and classical stories playing the roles of personifications of metaphors and that being used well. Admittedly I'm 50/50 on tweaking Cupid's general attitude in the scene itself, because a more hostile Cupid lends itself better to the meta use of the scene as described before but a more sympathetic-to-Nico Cupid who is nonetheless still kicking the shit out of him is interesting from a metaphor standpoint (something something Nico overcoming internalized homophobia but in the very literal form of it’s the god that literally presides over protecting gay love [yes that is an actual thing Eros/Cupid is the god of] beating him up).

- Remove Reyna's “prophecy” entirely. It's stupid and pointless and doesn’t make sense with her character at all. Just say she's ace. There is not a single scene in any of the series that ever indicates that Reyna believes that she can only be happy if she’s in a relationship and that’s some kind of internal struggle she needs to overcome. The closest we ever get is Reyna being upset that her best friend disappeared and when he returns she finds out he had forgotten about her completely. Which does not apply to the “prophecy” at all. We just don’t need it.

- Absence of "a character" can work! Jason's lack of personality and backstory can work but it works best if it's absence is felt and properly explored. This works best if we get more information about Camp Jupiter from SoN and from the other Roman characters, especially Reyna (and maybe even Nico referencing his trips there!) because that inherently informs us about what Jason's life was like there. Have other characters note things about Jason and highlight the fact that this is absent from Jason's own POV! He's lost that part of his life! It was taken from him! That's such an interesting dynamic to have and explore! But we don't get any of that!

Side-note: Part of the problem with Jason's amnesia is that it feels so awkward especially compared to Percy's amnesia because we already know what Percy can't remember. We have the context that informs his character, even though he can't remember it, so that absence is felt and it feels really compelling! Also, Percy is unfamiliar with Camp Jupiter, and we're unfamiliar with Camp Jupiter, so it feels new and interesting (even though we don't actually get much about it so we never actually form any real attachment to it and that's a problem later on in every subsequent scene when we're supposed to care about what happens to Camp Jupiter but we. don't). The reason it doesn't work for Jason is because we don't know what's absent and we already know CHB. Jason also already knows about demigods and stuff, so if you're a new reader starting at HoO it just doesn't work. Because Jason already knows everything and we're being led from his POV primarily for that portion of TLH, and even Piper and Leo's backstories both heavily include being pushed around by Gaea/and or Hera/Juno, so if you aren't familiar with the universe you're just being hurried along and it ends up feeling weak. At least with Percy even if you don't know the contexts of his backstory, we can feel the implications of other characters referencing things about him extremely often, so you feel the weight of his memories being gone, and he doesn't know about the roman gods and you, the reader, aren't expected to know much if anything about it either. We don’t get the full demigod debriefing (but that's also the second book) but we at least get a Camp Jupiter debriefing. The first two books are a bit messy in those specific regards with setting up the camps for the series, and we don’t really see the camps much for the rest of HoO (except for CHB, of course).

This is personally why I stand by that if we ever get a roman series it should be a three-part series from Reyna's POV, because leading with Jason is basically like trying to lead PJatO with Annabeth - a demigod raised in camp and surrounded by the knowledge of this stuff their entire life. It doesn't work as a character who's acting as an introduction to this world for the reader. There's no real clean way to work that out for HoO unfortunately, since literally all our protagonists are given established pasts involving knowledge of Greco-Roman mythology being real and half of them are either already at camp or have been to a different camp. I'd say best solution would probably actually be leading from Piper for TLH and tweak her character set-up slightly in that she Does Not Know What's Going On At All re: Gaea and the Giants. She just knows Something Happened To Her Dad and she's the POV we follow into TLH, because that mirrors Percy in beginning of TLT well (with Sally being kidnapped)! It's a fun call-back for the old readers and a good lead-in for the new readers.

- Fix Nico backstory inconsistencies caused by Rick almost making his birthday in March and confusing himself over it. He's 12 in TLO, 13 in HoO. He was born January 28th, 1929, and got put in the Lotus Hotel and Casino in 1939 (If you wanna be cute, we can specifically say May 1st, 1939, to reference the musical). Hazel is one month older than him chronologically and one year older than him post-revival. Something something also smooth out the inconsistencies about Nico being raised in Italy and how Maria met Hades and stuff. Fill in the rest as you will.

- I do stand by that the entire PJO timeline is not one-to-one with the real world. That's always been a thing with the series. We're basically condensing everything from ~1998 to ~2020 into an 18 year timeline. We don't need to be exact with things. Don't get too bogged down with it.

- Make the whole "injuries caused by celestial bronze/imperial gold for demigods makes their souls self-destruct" thing specifically relating to cursed weapons/materials or feature some more volatile abomination combo weapons like Backbiter (with Backbiter being described as unstable due to being both celestial bronze and mortal steel). (Ex.: the spear used to stab Jason in BoO is just cursed, and maybe Octavian's catapult plan is a "well i put a bunch of mortal steel and imperial gold in a pot and melted them together a bit and now it really wants to explode so im gonna just chuck the entire thing and hope it kills everyone lots and lots <3" which is tbh significantly more dastardly and fucked-up, which makes Octavian a bit more compelling). Having it just be a plain trait of celestial bronze/imperial gold doesn’t make any sense and is only referenced like twice in HoO and never again in basically the entire three series. Again: consistency.

- Make a more prominent reference to the whole "btw there are retired adult Romans just living wherever but they're legally required to help any campers who request aid" thing, cause you could totally do something really fun and cool with that but idk what.

- PICK A THEME! First series theme was family! Second series theme is….. we don’t know! It felt like maybe a theme was intended at some point but we lost it. Forging a new life for one’s self/choosing your own path/etc could be a good theme, or something similar. or found family. or both. We’ve got a bunch of characters absolutely ripe for “I didn’t think i’d get this far and now I have to like, actually consider what i want to do in life. huh” arcs! (Frank! Leo! Hazel! Jason! Percy! Nico!) Do something with that!

- Lean more into the characters having aspects inspired by myths, or legends being mirrored in plot points: 7 against Thebes, the Argonauts, etc etc etc. The first series leaning into it heavily worked really well! More of that! HoO and TOA suffer a lot from lack of mythological basis to lean their plots on, despite there being plenty to work from. It instead just kind of messily mashes random misc myths (haha, alliteration) together into a very incoherent plot. Annabeth is known to be explicitly based off Atalanta, Percy is mostly based off Perseus and Theseus, Leo has loose connections based off of Demophon of Eleusis and possibly also his brother Triptolemus, etc etc. There’s stuff to work with! Poke around at the mythological figures of the original Argo and maybe match them up a bit (though most of the Argonaut myths were used in Sea of Monsters, so focus more on the figures/archetypes rather than just exact myths of what they did. For more plot-things, maybe consider Seven Against Thebes, though admittedly the plot of that is just Kinda Depressing.)

- Slightly related to that - lean into Piper presumably mirroring Orpheus! Or even if she isn’t supposed to, let her do that, because it fits with her thematically SUPER well. Her charmspeak is OP and that needs to be appreciated. In canon she brings Jason back from the brink of death in TLH and just straight up gives Festus a soul/free will/sentience. Let her go Orpheus-mode on everybody. You can even tie that in with the half-hearted snake theme that Rick tried to throw in there that didn’t work at all. We can make this work, just lean into it. It’ll be fun.

- Remove scene of Nico confessing to Percy at end of BoO. it’s just. random and feels sudden and OOC. Give Nico time. You could maybe replace it by having him come out to Reyna on his own terms while they’re on their quest discussing their adventures thus far and them having a very sweet little emotional moment rather than it being a weird out-of-place afterthought comical scene.

- Remove Bob and Damacus. They’re just half-literal dues ex machinas for Percabeth in Tartarus that don’t make sense. It feels extremely cheap and doesn’t fit with the established mythos of either figure (and Bob feels extra awkward without the context of knowing Sword of Hades). If they do run into a figure who helps them out in Tartarus, Arke could possibly be a good option - especially since in SoN Percy meets Iris. There’s a lot potentially you could do there with Percy mistaking her for her twin and stuff like that. If we want a figure to more-so take the role that Bob fills (Nico encouraging an immortal to be sympathetic to Percy and thus indirectly helping him later) that role could be filled by Nyx instead of making her a minor antagonist - imply Nico encountered Nyx in Tartarus or something and she took pity on him as someone who also understands the dark, and he told her about Percy and so Nyx is willing to help Percabeth escape. Plus imagine how COOL a Nyx & her children vs Tartarus/Titans/Giants fight would be. That’d be a significantly more memorable scene than the Tartarus fight scenes we did get. (“Why would Nyx help though?” One of Nyx’s kids is LITERALLY a goddess of friendship [Philotes], we have excuses.)

- On a similar note, this is more of a TSATS thing, but for goodness’ sake STOP THROWING CHARACTERS INTO TARTARUS. You’re overusing it! It only works when we use it sparingly! In fact, just in general Tartarus works better the less we see of it! Nico going through Tartarus once in SoN-MoA, yes, that works! Especially since we have almost no idea what happened to him down there, just that it was Terrifying and Horrible and he Barely Survived. Not going into much detail means we get more out of it. The only exception to that really was when Percy realized that Nico saw Tartarus as it truly was the entire time, because that’s one hell (ha) of a punch to the gut in terms of added information! Percabeth falling into Tartarus in MoA? Eh, fine, sure, because we’ve established that Nico (who is implied to be more resilient to that environment on virtue of being a child of Hades) talked about his experiences down there so they know what to expect and how to survive. Though it does kind of just feel like Rick went “Oh wait hey I can use this to make angst!” and then overused the hell out of it. It feels way weaker in general in HoH because of how much detail we get, because Tartarus has been built up so much until that point that literally anything we get will feel lackluster in comparison, especially with how it kind of feels like Percabeth just. breezed through it with little more difficulty than they’d usually face on their quests. Solangelo jumping into Tartarus in TSATS is honestly just a blatant “Oh boy we can make Solangelo into Percabeth 2!” and it doesn’t work at all because NICO HAS ALREADY BEEN TO TARTARUS.

The only way you could make Nico going into Tartarus two times work is if he fell into Tartarus a second time to replace Percabeth falling down there. Because we’ve established he knows what it’s like down there, he survived it once, and he is actively sparing someone else he cares about from suffering his same fate. And then he can return once again even closer to death and A Little Fucked Up and it turns into a rule of threes where we know “Oh, Nico can’t go back to Tartarus again because if he does he’ll Lose Himself Completely” which is way more interesting than romance angst for the sake of romance angst. Especially since again, we don’t see it, it’s all only implied. Also it then also turns Tartarus into even more of a “Nico is probably the only demigod who could ever even hope to survive Tartarus” which keeps Tartarus as an ominous thing. Percabeth falling into Tartarus lessens that by a lot because it implies that it doesn’t matter that Nico is a child of Hades; that had absolutely no bearing on his ability to survive down there. TL;DR: Stop throwing characters into Tartarus. Either throw Nico in twice in a row and no Percabeth or Nico and Percabeth once only and never touch it again.

- More heavily set up Percy’s emotions/mood/etc being influenced by water around him. If we keep most of Percabeth in Tartaurs, then this would really make the Achlys scene pack a bigger punch. Up until HoH everything is “oh how quirky” but the minute Percy’s surrounded by the rivers of the underworld and the acid/poision you get hit with the “oh shit” realization that Percy Is About To Get SCARY.

- Maybe have Annabeth keep her blindness from Tartarus, or trade Jason having glasses to her having glasses as a result of that, since vision is actually an aspect of Athena so it kind of fits her more, thematically-speaking.

- Change the judo flip percabeth scene in MoA to Annabeth picking Percy up and spinning him around in a hug/swinging him into a dip cause that’s cuter, makes more sense given Percy’s PTSD, and still highlights Annabeth being very strong and showing off in front of the Romans while they’re still being lovey-dovey.

But also, related to that, you could potentially make a sub-arc for Percabeth throughout HoO (so that they actually have like. some type of character development that fits them rather than them feeling stagnant the entire time) about Annabeth learning she doesn’t know as much about Percy as she thought (learning about Gabe [since as far as we know she actually doesn't know much if anything about that!], seeing his behavior change with different types of water, etc) kicked off by the judo flip scene, and possibly vice versa (Percy learning more about Annabeth’s time spent traveling with Thalia and Luke, growing up at CHB, her relationship with Athena and other campers at CHB, etc) so they gain a deeper understanding of one another. If Percy keeps his curse of Achilles, that could also factor in (contrasting Percy’s “perfect” image [relationship, near-immortality] against Annabeth realizing she doesn’t know as much about Percy as she thought [could also parallel that dynamic to Jaspiper, which opens opportunities for Annabeth/Piper and Jason/Percy bonding] [Or Annabeth/Jason and Piper/Percy bonding! I want more Annabeth/Jason and Piper/Percy parallels so bad. They’re almost there but we never get them. Please.]/ the Argo II crew learning about Percy’s past) with Percy being more prone to seek out conflict or solve problems with violence due to the Curse of Achilles and eventually recognizing that [possibly after Tartarus] and it scaring him just as much as it frightens Annabeth. Maybe at that point Percy tries to make some sort of deal to rid himself of the curse.)

- Maybe also explicitly parallel Percy getting the curse of Achilles with Nico’s help to Poseidon giving his lover Caeneus iron skin. There’s no really smooth way to do it, but maybe even just a during Nico’s pov him going “I heard about this myth once and got an idea. It didn’t work.” Just for that added through-line of connecting the series and further establishing “yeah, no, Nico’s been gay this whole time. this isn’t a new thing. we aren’t pulling this from thin air.”

- Give Piper a different weapon than the knife from the beginning cause she stops using it eventually anyways. Also just... no cornucopia. That part is just stupid and there’s no point for it. If we have to keep it as a plot object, give it to someone else - Nico could work because then there’s actually at least a valid relation there regarding his godly parent (yes, Pluto sometimes has cornucopia associations). Also Nico having a cornucopia would be kinda funny in a subversion of expectations thing. Maybe even have Nico go on a little exposition-y rant complaining about Hades/Pluto versus Plutus (the Greek god of plenty/wealth, later merged with Pluto).

- Similarly, either remove Diocletian’s scepter (if we have multiple characters who can boss around skeletons, why do we need an entire separate extra object whose sole purpose is to let them boss around skeletons?) or let Nico keep it but it loses its abilities, so it’s literally just “well now he has a cool bashing stick for bashing things.” Or let him use it as a cane to highlight him being disabled!

- As I slightly touched upon in a previous bullet point, give Piper more connections to her dad’s community in Oklahoma - where’s all her family friends? Tristan is a major pop culture figure in the Riordanverse, so it’d make sense that people from the community he grew up in would like. know him? But all we ever hear about is Piper’s Grandpa Tom. Even though apparently Piper is already good enough friends with Shel presumably before Piper moves to Oklahoma that the two start dating soon afterwards. Heck, again, have Piper reference Shel specifically. Just at any point. For any reason. Just to establish that she knows people her own age that exist outside of CHB.

Similarly, flesh out the background Romans in Camp Jupiter more in SoN and possibly also BoO, particularly the ones Jason references by name but we never see anything of, besides at most maybe more background references. Highlight them either through the SoN trio interacting with more characters while at camp (and we’re left to glean specific details of Jason’s past through others, which would make Jason more compelling and how these details are absent from himself but present to those around him, playing into his memory loss more) and possibly also through Reyna (and maybe Nico)’s POV(s) in BoO. (And maybe if we get a Reyna POV in MoA, then there as well).

- Let Reyna use magic! We establish that she studied under Circe and then never see anything come of that other than referencing her Tragic Backstory™. It could be a fun point for Reyna and Hazel to bond over, even!

- Remove the random “Hunters of Artemis death fodder” scene with Orion in BoO. There’s no reason for that. It’s just kinda dumb and feels bad given it’s basically just “We’re gonna kill a bunch of nondescript allegedly a-spec coded characters now for no reason. <3” like ???. That served no purpose. It just felt weird.

- Also just as a like, logistics thing - change the route Team Statue takes in BoO from the huge jump over the Atlantic into Peurto Rico into them traveling up into like the UK, then over to Iceland and Greenland and then Canada and down the east coast rather than the huge jump and up the east coast. The smaller jumps make more sense given the entire POINT of their quest taking as long as it does is that Nico can’t make extremely large shadow-travel jumps at that time. Plus if they’re traveling south then they could pass through Maine and we could maybe cameo Nico’s old school and that’d be fun. The pit-stop in Puerto Rico doesn’t really give us much that we couldn’t have just gotten from Reyna explaining it anyways. If they pause in Maine that can be where Nico and Reyna have a heart-to-heart about their tragic backstories and past experiences with horrible ghosts that they had to exorcise.

- If Team Statue travels a northern route we can make jokes about Nico learning specifically 1930s British English before he moved to America. The gang goes to London and Coach proceeds to incessantly make fun of Nico for not only using British slang, but using OUTDATED British slang (which is made weirder given he doesn’t have a British accent).

- Also extremely tiny detail but a specific acknowledgement that Piper was helping out Nico once they got back to the ship when Nico’s getting rescued from the jar. Since Piper just kind of drags him off-screen. Just any kind of follow-up to that. Like Nico doing his classic “You were vaguely nice to me. I would now Die For You.” Just them having basically any kind of interaction or acknowledgement of that scene, mostly cause I think it’s funny.

- Let Annabeth keep her laptop, and get rid of the sphere of Archimedes cause it just feels kinds pointless and random? We don’t really have any emotional connection to Annabeth’s laptop (and her hat gets replaced in Demigods & Magicians anyways) so her losing it doesn’t really feel impactful at all. Maybe have Leo use Annabeth’s laptop while she’s in Tartarus and that acts as the point of guilt for him rather than weird random curse stuff with a random new introduced object. Instead of “oh no fortune cookie thing or whatever” it’s him feeling guilty he saved Annabeth’s laptop but couldn’t help Annabeth herself. Especially since Leo would also have his Ogygia identity crisis in the same book so he can feel extra bad about himself for a bit, to lead up to his role in BoO nicely (sometimes a character negatively spiraling is more narratively compelling than them having positive development for the majority of the series and that’s okay! Let him be tragic but again he gets a happy ending and an implication post-BoO that he’ll begin a road of healing/recovery surrounded by loved ones. It works out.) AND there could be a very sweet moment once Annabeth gets back from Tartarus and Leo gives her the laptop back and it’s a huge relief to her that one of her prized possessions was in safe hands while she was gone and that she has it back when she thought she might have lost it.

- Further highlight Jason’s whole Greek/Roman/etc identity crisis. Bonus points if we go further into acknowledging Jupiter/Zeus’s epithets and roles and Jason having some epiphany that the Romans look to him with the expectations of Jupiter/Juno as king and queen of the gods making him some kind of perfect leader, but he’s not that at all. He’s the son of Jove and Juno, father and mother of the gods. He doesn’t want to be a general or praetor or anything like that, he wants to spend time with his friends and family at a summer camp where they’re safe. He wants to regain the childhood he lost being raised as a perfect soldier and get the chance to go to school and learn about his long-lost family and do cheesy summer camp activities. He is a wolf but he is not a creature built for the hunt - he is part of a pack.

- Touched upon it briefly in a previous bullet point but Curse of Achilles can stay/go, does not particularly matter to me either way. I do think it’d be funny though if Percy does keep the Curse of Achilles that he also randomly gets the Nemean Lion’s pelt back. Initially maybe as like a gift from Hera/Juno to help him cover his Achilles’ Heel while he’s running around with no memory just as insurance so he doesn’t die (with bonus points of the Romans being introduced to Percy either wearing the stupidest looking coat ever or wearing just a straight up bullet-proof lion’s pelt, which would even further solidify his “Are We Sure This Guy Isn’t A God In Disguise” vibes). But then later on into the series it’s just kind of part of his outfit or maybe even a running gag. The praetors have their magic bullet-proof cloaks, Percy has a very silly looking bullet-proof fur coat that is sometimes a whole lion.

- Keep Hazel’s blackouts. There’s not really a reason for them to disappear altogether for her? They’re somewhat tied to her powers and are a consequence of her coming back from the dead, which also helps keep the concept running in the series that death is a consequence that can’t just be easily evaded, even while we’re operating with the Doors of Death being open. That way future deaths in the series don’t feel like they could be as easily negated/avoided. Also, Hazel is disabled! This is a disability of hers! Why are we somehow magically getting rid of it without even an explanation as to why? Heck, if we’re getting rid of Piper’s knife, Hazel’s dreams when she has her blackouts could be used to supplement the dagger’s insight into the future, since we’ve already established that Hazel gets prophetic dreams sometimes anyways. Also fun thematic matching for the Death Sibs with them both having disabilities and random ways to glean the future (Hazel’s blackouts, Nico talking to ghosts). Her blackouts would probably improve slightly over the course of the series but never fully disappear, and it ends up mostly a thing of she can tell when they’re about to occur and prepare quickly for that or let someone know before she passes out.

- Get rid of Frank’s curse in SoN instead of waiting until The Tyrant’s Tomb. If we’re going to get rid of it eventually anyways, do it during the big scene of him freeing Thanatos. Let him have his cool big moment of embracing his destiny and that breaking the curse the first time he does it rather than him doing it twice but it only breaking the curse the second time? Also if the curse is broken earlier on then Frank’s entire arc gets to be about him realizing he has a life to live, since in SoN a major part of his character is that he’s not afraid of death because he’s used to the idea that his curse could kill him at any point. He’s actually pretty reckless for the beginning of HoO because of that. If he realizes that he no longer is at risk of dying at any given moment because he thought about candles too hard, then that opens the opportunity of him having a whole existential crisis about what he actually wants to do with his life and him looking to the future for once.

Bonus opportunity for this - maybe Frank actually gets fire powers as a result of his curse breaking. Ares/Mars has an association with fire so it would fit for him as a son of Mars. Plus, then we could also have an even more overt dynamic of Frank and Leo acting as each other’s parallels and foils and the two of them slowly growing more used to one another and actually becoming close friends. Lots of bonding over getting used to their fire powers and overcoming their mutual fears of fire and probably also solidarity in having lost their moms. Just - the boys are bonding! The boys are bonding. Fire boys hours.

- Related to Frank’s curse, give Hazel and Frank parallel narratives of them realizing they have a future ahead of them (Hazel re: getting a second chance at life and Frank re: realizing he’s no longer at risk of spontaneously combusting) and them grappling with trying to figure out what they want to do with their lives and how they want to live them after everything is said and done. And also being motivated for once to make it out the other side in one piece because they’re determined to not waste the opportunity they’ve been given. The two of them coming to terms with realizing they have a future if they can make it through this (which is also a fun contrast to Leo and Nico actively almost sacrificing their own lives for others and having essentially an opposite character arc for the majority of the series).

- Especially while Frank (and Hazel) are having these arcs, going back to the idea of Leo getting stuck on Ogygia alone for a bit - very strongly contrasting the arcs of Frank’s mental health improving over the series while Leo’s is very steadily decreasing (until BoO at which point again the series ends with Leo getting help and beginning to improve/heal).

- Also further emphasizing Leo and Nico’s parallels throughout HoO. They’re both autistic on top of the usual adhd/dyslexia and have issues with social interactions and care a lot about Hazel and are having a majorly bad time throughout the entire quest and are pretty depressed, etc etc etc. Again, parallel narratives at the end of BoO with them healing and things looking up for them - I think I’ve mentioned that like four times now you get the idea.

- Make Frank ADHD/dyslexic. There is literally no reason for him not to be and him being the outlier for being neurotypical feels weird and doesn’t fit with the literal entire worldbuilding we have for demigods. If it’s part of “demigod instincts” or whatever then Frank should be ADHD/dyslexic! And it’s not even a “the Romans aren’t ADHD/dyslexic” because we’re explicitly told they are! They are specifically also ADHD and dyslexic! So why isn’t Frank? There’s no reason. It annoys me.

- The Frank/Hazel/Leo “love triangle” can stay but it’s significantly more one-sided. Frank is mostly just intimidated by Leo for multiple reasons (mostly fire-related reasons) and Leo is mutually intimidated by Frank (because Frank is bigger than him and Leo is scared of everyone, really, but especially people who are bigger than him, because they could beat him up. Which is basically everyone). Hazel is not romantically interested in Leo and Leo is not romantically interested in her, though they are very close and do have a very confusing time trying to figure out the whole Sammy situation. Frank still misinterprets this as Hazel and Leo being romantic. Leo does not realize Frank is misinterpreting that as them being romantic and think Frank just hates him for the general reasons that Leo has found people usually hate him for no reason over. Leo wants nothing to do with that situation though. Eventually they all sort it out and become a very strong trio.

- Again as I briefly touched upon before, maybe give Reyna a protagonist role in MOA if not an outright POV. Probably an outright POV, with the main POVs of the book being her and Annabeth. Again, themes of historical associations between Athena and Bellona and playing with that, alongside making Reyna more of a prominent player earlier on in the series and letting us see more of the Romans. Use this opportunity to heavily parallel her with Annabeth (and also highlight her parallels with Percy, and Annabeth’s parallels with Jason).

- Really I just want more Annabeth/Jason and Percy/Reyna parallels. There’s so much you can do there. The blond(e) gifted kid/smart aleck raised at camp and their best friend, the former newbie raised with a difficult home life. Percy and Reyna both have dogs (Mrs. O’Leary / Aurum and Argentium) and pegasi (Blackjack and Skippy). And a sibling they don’t see often (Tyson / Hylla). You could have notes about Jason and Thalia and Annabeth and the dynamics within that and how those internally parallel each other. Or more about when Reyna encountered Percy and Annabeth while on Circe’s Island. Really anything more about Reyna’s time on Circe’s Island. Heck maybe you could parallel that to Percy’s difficult time in school, since Circe’s whole thing was that she was training the sorceresses living there, so that’s kind of like a school environment. Paralleling first quests between Reyna and Jason with the events of the first series with Percy and Annabeth. Etc. etc. etc.

- We are taking BoO and just. Throwing it out the window, really. We don’t have time to unpack all of that. Just start mostly from scratch, same extremely rough overarching elements are there.

- Also actually just. Rework the whole main prophecy too while we’re at it. It kinda sucks. It’s just kind of a weak prophecy. “To storm or fire the world will fall” or whatever; we can do better. I don’t have the brain power to write a better prophecy right now but just [see my recent post] for notes about what I think makes for a good prophecy in the series and why the main HoO one is kinda lame.

Footnotes:

Again, I will be following this up with part 2 electric boogaloo: Things I Would Change About TOA* (*That I can say without spoiling Deadangelos too much) at some point and I will link that when I make it. If you made it this far, gold star.

287 notes · View notes