y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!
like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.
and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye
you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .
when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?
if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self
and that's that on that
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idk if this is still the case but when i was really In It in animorphs feelings a couple years ago because i was unemployed for the first time in my adult life / temporarily living alone in the last house my family lived in / freaking out about climate change / generally Going Through It, and like poking around the animorphs scene on tumblr, there was this notion commonly expressed that rachel and tobias were "toxic," the major piece of evidence for which was the scene in 33 where she "tries to trap him in human morph." which like first of all i'm SOOOOOO SORRRY that the fucking fifteen-year-olds secretly fighting a guerrilla war in which their greatest threat is the mind-controlling slugs they're trying to save humanity from but their second greatest threat is the diminishing hourglass of their collective sanity as they all have to work steadily harder and more desperately to not just completely lose their shit entirely from all the violence and literal 24/7 constant threat and murder that is happening, like i'm sorry two literal children who have managed in this ongoing horror show to forge a bond of loyalty and affection and care and attraction and understanding that can act as a kind of solace neither of them have any other way to access, sorry those actual murder babies sometimes have some communication problems. lmao. but also it's insane to me that people read that scene (in which they're dancing to, i'm not making this up, iris by the goo goo dolls - i mean they don't tell us the song but it's a slow goo goo dolls number that even tobias knows, so - they're dancing to iris by the goo goo dolls at a school dance that is not going well because they are both awkward about the newfound public Officialness of their relationship and rachel who is the only one of them who has ever been capable of socializing like a normal person is in a particularly bad mood because of the emotional hangover of her starfish adventure [great concept executed terribly in the previous book], and then like after two entire minutes of letting himself feel some nice emotions tobias spots the clock and starts leaving to go demorph and then rachel runs after to him to awkwardly attempt to share that she is very fucked up about how insane she has become and she wants to hold on to things like school dances and also this is all happening in a hallway by a student poster on red tailed hawks that states their lifespan of a handful of years in the wild, it's so good) as rachel trying to trap tobias in morph, when like, first of all, "good thing happening -> time to punish myself for feeling nice for 5 whole seconds " is like THEE tobias thought pattern because he's the number one kidlit trauma baby of all time, like truly the first time i dove back into the series i was struck by how well his narrative voice captures Child Of Insane Family Dysfunctionality, he is NOT a reliable narrator on this, but also second, and more saliently, like, believing this scene is rachel attempting to trap tobias in morph requires that you believe rachel, all by herself, made a plan in advance and then attempted to execute it, which is a skill we literally never see her demonstrate even one fucking time outside of the comfortingly familiar hunting ground of the mall
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Joker's motivations in Joker War
Now idk if I was the only one initially confused by wtf Joker's actual intentions were in Joker War. Maybe I'm just a bit schewpid and everyone else got it but regardless here's my attempt to piece together what's going on in his weird little mind.
Imho, the first lines we get about Joker's underlying intentions are here:
It's extremely important that he was aware of Bruce's intentions to redesign the city. That was definitely the catalyst for the whole thing.
Speaking of Bruce's plans to redesign the city:
He mentions multiple times that his goal is to build a city that doesn't need a Batman.
Regardless of whether he actually mentioned something like this at a press conference or something, I'm sure Joker would be able to pick up on it anyway.
And it's very well-established that Joker needs Batman. The Best Man arc has this whole beautiful monologue about it:
Joker NEEDS Batman. A city without Batman is a city with no place for Joker.
The whole Best Man arc takes during the same year (year 17) as Joker War (prior to it, obviously).
The Batcat engagement took place in year 16. (In which Batman also had Joker locked up in his basement. And he deliberately tracked down amnesiac!Joker and made him Normal Joker again so he could get information. Yowza! Not cool, Bats.)
Additionally, the events of Endgame took place on year 15 and Death of the Family in year 14.
Joker reveals more of his motivations in the final fight scene between him and Batman:
Very interesting that Joker initially chooses to stab Batman in the back. Hmm I wonder if that has any deeper meaning or reveals anything about Joker's own feelings in this situation /sar.
Also very, very, very significant that Joker chooses to battle Batman in that particular suit, after he essentially desecrates it:
So, by now, it's apparent that Joker's direct intention with Joker War was to essentially destroy the possibility of Bruce's vision of Gotham:
He even directly says that all of this was about them.
Hm... I don't think he's just talking about the city, here...
And then we have this:
There's been a recurring theme since Death of the Family, that Bruce isn't being the Batman that Joker wants him to be.
To me, this line feels like "okay, Batman is ruined irreparably, let's just destroy him and start over from scratch."
Then we have this panel. Whew. I think this might be one of the most revealing panels in the entirety of Joker War, largely because of how Joker is depicted in it.
He doesn't look angry, he looks genuinely distraught.
And I didn't notice this until someone else pointed it out but if you zoom in, it definitely looks like he's crying.
I don't think this is just an artistic thing, largely because of this panel from a few issues back:
So those are definitely tears of laughter. But it looks roughly the same. Except based on the context and his expression, I don't think those are tears of laughter in Joker War. At the very least, he's hysterical.
Somewhat of a tangent but it's important to tie everything together: Joker War reminds me very much of DOTF and Endgame in that Joker is depicted (or tries to portray himself) as this terrifying, ruthless, inhuman thing, but if you actually look into his motivations, he's being driven by his emotions, particularly his feelings about Batman, which are almost inarguably the most human part of him.
In DOTF he talks about how Batman isn't being the Batman he wants him to be and yadda yadda, but then in the tie-ins, we have this section, which I think does a beautiful job of explaining his real motivations:
It's jealousy. Jealousy and fear. He's terrified of losing Batman.
And then there's a similar thing in Endgame.
Initially, he says this:
"Haha yeah I'm just bored of you lol."
But then in the final scene we get this:
He's not bored, he's heartbroken. He's genuinely hurt by Batman (in his perception) rejecting him, and he's lashing out in a major way.
I think it's definitely similar in Joker War, except he's not as afraid of losing Batman to the Batfam, more so he's afraid that Bruce's new design for the city will eliminate the need for a Batman, although the Batcat almost-wedding and Bruce's growing family definitely play a role in his motivations.
I think that might be where his whole idea of making Batman start over with nothing came from. Because when Bruce started, he didn't really have anyone except for Alfred, and later Dick.
I think that Joker could tolerate him having a few allies but he can't handle the idea of Batman having an actual family. Both because he doesn't want to share Batman's attention, and because he doesn't have a family, so why does Batman get to have one? Why does Batman get to connect with people when the only person he's truly connected to is Batman? He wants Bats to be as dependent on him as he is on Bats.
So, that's just my Hot Take (read: mediocre interpretation) of Joker War. I wasn't too fond of the storyline until I kinda pieced everything together and it's still not my favorite arc but I definitely like it better than I did initially.
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