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#also yes i have played this case specifically 5 times though i should say i have not played apollo justice itself in full 5 times (yet)
arielluva · 1 year
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i replayed turnabout trump again for like. the 5th time i think??? god its such a good case
#ace attorney spoilers#i literally cannot get over the foreshadowing that only really hits when you play the case again with full context of the game in mind#'is this your idea of revenge for what happened 7 years ago'#kristoph projecting 'settling an old score' onto phoenix when that was actually HIS motive#also just the fact that phoenix and kristoph here were basically divorcing in court in front of everyone very bitterly BDKHKAD#also how kristoph's sprites are slowly revealed over time#you go from only seeing his normal ones to suddenly the one where he has his hand on his glasses#then the one where he looks up kinda evily and then the twitchy ones the hair in front of his eyes yadda yadda#they did not have to start this game off with such a banger of a case but im so glad they did#also yes i have played this case specifically 5 times though i should say i have not played apollo justice itself in full 5 times (yet)#the first time i played it i was emulating the game on citra but did not get past the intro to turnabout corner on there#the second time i got the cartridge for christmas and played through the game in full#the third time i started to replay the game only a week after beating it the first time (i don't remember if i made it to the last case)#the fourth time was another replay attempt but i stopped at turnabout serenade#and the fifth time was just today where i intend to replay the rest of the game in its entirety again#i am very normal about Apollo Justice: Ace Attorney (lying)#anyways im gonna make sure i actually make it to turnabout succession this time lmao#i dont think ive gotten to that case since i played the first time and i wanna see kristoph's final case as well as see vera again....#turnabout serenade is always about where i stop when replaying the game#i didn't mind the case the first time i played the game but now its kind of a roadblock to me#turnabout trump is great and i love turnabout corner!!#and then there's serenade... but then there's succession!!!!#anyways NDKABDKJD#also don't get me wrong i like serenade just. not as much as the other cases
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xmimiteh · 9 months
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Things I like RP partners to know
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I like to be called: Mimi, if you want to use my character's name. But I know it might get weird to differentiate between the player and the character. And I am definitely neither my character nor a tsundere. ;) So you can call me by my other nickname as well I am mostly known for at other places - Jama or Jamapi. Yes, that's from "Wedding Peach". Don't judge me, my guilty pleasure is the magical girl genre and "Wedding Peach" was simply hilarious! Pronouns: they/them.
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One thing you should know about me (or several): 
The following is at the same time a condensed and expanded version of my carrd's ooc sections. If you want to know more, you can look at my >carrd<.
I am 21+ and I belong to the older demographic here, as I started roleplaying with D&D back in the days in the 80s and have been doing a lot of roleplaying since then - tabletop, collaborative storytelling, play-by-mail, LARP. You name it, I did it. Mimi has been a grumpy little menace on Balmung in FF14 since ARR. I have a fulltime and very stressful job as a professional writer in my native language. Thus, playing the game is my feel-good place to recharge my energy batteries, while relaxing with a nice cup of coffee. So I like my and your time there being as stressfree and most fun as possible. I am happily married and outside of RP I am not looking for anything more than friendship. My characters have their own agenda, of course. But I am just here to have fun playing the game, write some cool stuff together with you and laugh and watch our goofballs on the screen act the way they do. Our own little tv show of ensuing hilarity.
I like to describe my preferred RP with tv shows: Buffy: The Vampire Slayer, Firefly, Dawson’s Creek, Babylon 5, Fringe. Also, I have a soft spot for horror themes, especially when spiced up with cosmic horror. So if you are doing that? Count me in! But let me be clear: To me it is not about the tentacles, but the philosophical/intellectual stuff. World views being shattered, nihilism hitting characters hard, existentialism with moral dilemmas. That is the good stuff to me! Nothing wrong with cosmic/void entitites, of course, but please no anime weirdness here. I probably do not have to spell it out, what I mean by that, right? That is not, what I enjoy cosmic horror for. So even though I love cosmic horror, do not assume I am here for that. Because that is a big no-go for me.
Aside from that, let's talk about talking: I am not shy, I am an introvert (>example<). I do not enjoy small talk and this has nothing to do with you. If I play with you I like you! And there will be even other times, when I will not stop talking to you. My walls of texts are infamous - you see them regularly here on tumblr. But please try to avoid an OOC conversation starter with: “How are you doing?” I never know how to answer that and struggle with that. Honestly, I often sit 5-10 minutes on an answer to that question and my brain simply shows a big "cannot compute" message. If there is something you want to discuss, sure thing, shoot. I can talk for hours and hours about specific topics, meaningful stuff and so on. Once I get lose on something we both are interested in there is no stopping for me. But just talking on a superficial level simply to connect with people? I would love to be able to do that, but I fail at that so hard and am just a big goofball of awkwardness in those cases. So I appreciate getting straight to the point. By the way: IC small talk is a completely different thing for me. Yes, I am weird like that.
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One (or several) thing(s) you should know about my characters:
Mimi is not an easy character to get along with. I know that. Many people seem to prefer "feel good" rp - and Mimi is probably the opposite of that. And even though I won't say there will never be any "good vibes" rp with Mimi, it will take time and is very situational. The good times do not come easily with this woman. Personally, I prefer conflict and well paced character drama. As much as I adore slice-of-life rp I am not here to "play house" and find that utterly boring. I am here for interesting, gripping character dynamics, for tense situations, for unexpected twists and turns, for character development. I am here for the heart break, angst and the slow burn. Give me edges on other characters, let me to throw my characters against those edges and see what happens.
Even if at some point the "deredere" part of Mimi appears, don't expect this to be everytime. I need the conflict. I need IC problems in roleplay. That's the reason why I love to play tsundere. They make things complicated. They create conflicts by their very nature. As much as I love ooc harmony outside of rp, within any rp situation I crave for well-written conflicts. That does not always have to be a fight. This can also just be a discussion. Or simply different opinions or backgrounds. Sure, sometimes there is not a good angle to create a conflict or disagreement. Well, then it is as it is and this can happen - and that is fine! But I struggle with those situations and will probably try to spice up the situation and make it unpredictable. I want to be surprised. Conflicts are the best way to get there. At least in my experience. To some people this might seem forced and they get annoyed by that. I understand that. But that is just the way I am. I do not want to annoy you by that. I want us both to have fun and something to play with in rp. That is, why I incite problems and conflict. Because if there is nothing to say, then there is no dynamic to the scene.
I know this is not everybody's cup of tea and I don't judge the rp of others. But harmony based rp simply is not my thing and I avoid it, when rp is only "lovey-dovey", rainbows and sunshine. I won't keep people from doing that, but I don't have any interest in it and will stay away from it - for the sake of your fun and mine as well. I do not want to spoil anybody's fun. If you have fun with that? You do you! And please don't get me wrong: It is no problem if there are "nice moments". On the contrary, I love those moments as well! But they have more impact to me if they do not appear regularly, because I am looking for: meaningful moments. Something that will stick to my mind as funny or interesting or tragic or sad or tense. Something that intrigues me like a thrilling tv episode and a gripping cliffhanger in a book or movie. So I like to be really clear about, why I play a quarrelsome character like Mimi: She is not someone to be "solved" or "rescued". She is the way she is, because I need conflict rp to get my creativity going. That is my rp fuel.
To sum it up: My characters are going to do stupid things. They are going to be douchebags. And they are more often wrong than not. I am not my character so if they insult or provoke your character that is part of the RP - not me being mean to you as a player. If I do not feel comfortable with a player on an OOC level I rather avoid playing with them altogether. If my character picks a fight with your character, it means I trust you as a player, and I like you and your character. After all I am offering you my favorite RP, as I adore IC banter and conflict If character play leads to a plot, no problem with that. But do not expect me to play according to any script. My preferred RP develops out of character dynamics. For me plot is a stage for character interactions. Not vice versa.
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First language: German. As you might have noticed, I am a non native speaker. So, sorry for any language weirdness or if my answers take longer. I try my best and I think my English is not too bad, but I struggle from time to time. Roleplaying in something different to your first language is a different kind of beast and many things I am proud of in my use of German I fail at in English. And this paragraph is probably one of the best examples of that!
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HIGHLIGHT:
Alt blogs: none
xmimiteh.carrd.co is Mimiteh's carrd.
Age range: under 13  |  14–17 | 18–22 | 23–25 | 26–29 | 30+ |  70+
Am I okay with NSFW?: yes | no | some nsfw (when it feels organic)
My favorite/most common thing to rp is: angst | fluff | smut | crack | action | plots | AUs are fine | Violence | Darker themes
OC Canon character friendly?: yes | no | depends
RP blog: does contain ooc posts | doesn’t contain ooc posts | occasionally contains ooc | Aesthetic | Screenshots
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I was not tagged, but I stole it from @miqojak! I hope that was okay.
Tagging: I do not even know when this went around, so I'll simply tag the usual crowd. If you did it already, just ignore me! @fair-fae​ @avwalya​ @punchelf @lady-lissette @ysandrethedreamer, @kich-rp @candlelethe​ @ink-dreams-ffxiv @limitsbroke @captainkurosolaire​ @zhauric @arasnealashandr @antlers-and-omens @vulpes-ferus @starforger @miqoquest @gatheredfates @arbiterofthedead @reconditerune @airis-ray @ahlis-xiv @uldahstreetrat @blackbirdffxiv @riftdancing @little-birdseeker @azure-seadragon @thorstyr @angelinecarax @miqomonkly @shavri-ffxiv and everyone who wants to do it! Steal it from me and please tag me, so I will see it. Dashboard can become a bit crowded from time to time and sometimes I tend to miss some things if they do not show up in the activity tab.
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hua-fei-hua · 10 months
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tag game from @cadriona~~ 15 questions for 15 mutuals
1. are you named after anyone? uhhh my middle name comes from like, One of my white ancestors, though i don't remember the exact tracing of the bloodline rn
2. when was the last time you cried? honestly not sure, but i feel like it was not terribly long ago. less than a month ago, i think; i can be a crybaby sometimes
3. do you have kids? legally no; biologically also no; but emotionally? the number is fathomless.
4. do you use sarcasm a lot? i don't feel like i'm a terribly sarcastic person, but many other people disagree. just today one of the kids at work asked me why i use sarcasm a lot! i think at this point my habit of "saying ridiculous things with full sincerity and then expecting people to understand that its sheer absurdity means it's a joke (but still actually doing said ridiculous thing if people call it a bluff)" is just hard for people to parse in general, but since i just roll with whatever they think i'm being, it's not a big deal.
5. what sports do you play/have played? this question is so funny bc recently i've been joking that i'm the only non-jock at my workplace, but my coworker in aquatics tried to rope me into lifeguarding for the summer when he found out i could swim, and i did marching band in high school. oh, and i took a fencing course in uni before plague.
6. what's the first thing you notice about people? their jacket, then their hair. if you change both of these things at once i might have trouble recognizing you.
7. eye color? brown. you know how dominant genes are.
8. scary movies or happy endings? for the most part happy endings, but if you're too saccharine about the beginning and middle then i'm going to wish you gave me a scary movie instead.
9. any special talents? i can do calligraphy with italic / oblique pen tips (think gothic blackletter, even tho gothic is probably one of my shittiest hands); i can burp at will still; i can touch type at around 92 wpm (certified)
10. where were you born? in a hospital <3
11. what are your hobbies? good lord that's a doozy these days. regularly i read n write fic (obviously), play genshin (still), study fandom (specifically the weeb sphere and its history), and code my shrine of cringe neocities. (and also sometimes stream any one of these things to friends) irregularly i watch youtube, keep a diary, read manga n watch anime, press flowers, do calligraphy, scanlate manga, typeset n bookbind fic (physically restrained by everyone from buying $500 worth of fonts bc Literally no one understands my font disease except other typesetters) mostly, but i have god knows how many other dormant hobbies (arranging music, editing fonts, edit videos, etc.) hiding in the cracks that i should probably just put on a resume by this point. you know how it is with adhd.
12. do you have any pets? not anymore, unless you count [pet] projects, in which case yes, the spreadsheet project abt fandom migrations in particular
13. how tall are you? abt 5'6", more specifically 166.4 cm.
14. favorite subject in school? chemistry, though i english/literature was a close second, and math (aside from geometry and statistics) is still beloved.
15. dream job? someday i'm gonna teach chemistry to a bunch of high school idiots, and i'm gonna love them all so fucking much, and i'm gonna be so fucking happy that i'm still alive.
tagging (if you want!!) @stardust-make-a-wish @reach-4-thesky @cece-0708 @yongnep @kanonavi @krackerka @isnt-it-pretty @yume-fanfare @aranarumei @italiantea and now staring at my mutuals list i have started to lose my nerve so i'll leave it at ten LOL but if you wanna do it too you can just say i tagged you ( •̀ ω •́ )y
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mk-wizard · 1 year
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The 5 Specific Times “Bending” is Acceptable IMO
Hello, friends. I did mention that there is a 5% race/gender/size/orientation/etc. bending is perfectly harmless and you can go anywhere with it. I say so because I tend to “bend” myself, but only and only in these specific five cases.
Note that these cases only involved established characters with iconic established designs, details and more. Not characters who’s appearance has never been specified like Henry Clerval, Bob Cratchit and such. I’m talking about Clark Kent, Victor Frankenstein and other A-list as well as most B-list characters.
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1- It’s an adaptation inspired by the original story, but not a retelling. - There’s an old saying that goes “all stories are inspired by other stories” which is not totally false. There are a lot of stories that are inspired by other stories and usually classic ones, but not actual retellings and therefore, don’t follow the way the original goes. If you want to apply “bending” in these situations, you can because it’s not even the original tale. It’s a new story that acts as a love letter another favourite story. Yes, we can see which one inspired it, but we accept that it’s not the same one, so it doesn’t matter if the characters are different anyway. They should be.
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2- It’s AU reimagining that plays up the “what if”. - While you still have limitations here like the setting, the time period and geographical location, “bending” can work here because the moment it’s an alternate universe, you’ve “bent” the story already. So while it is not the definitive version, it’s ok to go your own way in so long as that the story itself is only being bent not broken. Plus, you have to set some ground rules in your own story and stick to them. It can be done though and when done right, you get a great story that becomes iconic in its own right.
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3- The setting, time period and/or place is different. - If you’re changing even one of those things, then you have to apply “bending” to make it work. I would argue that it is the one time where you should change characters for them to make sense. Like, if you are doing a take on Cinderella that takes place in the current times in Japan, obviously, you have to change “Cinderella” because making her into a Victorian age French girl is not going to work here. That version makes no sense here and won’t fit it.
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4- It’s a deconstruction or a spoof. - In this case, you’re breaking the story on purpose. While some limits still apply especially if you’re trying to be serious not make a comedy that is meant to politically incorrect and have strange casting as comic relief, you’re challenging the original message of the story by arguing that it is flawed while turning it on its head. In this case, some of amount of “bending” can work in the story’s favor in so long that it is in good taste. The last thing you want to do is insult the audience.
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5- It’s the blue moon case where the altered version of the character is, so impressively written, we can overlook the change. - Note that this case is a gamble where the best case scenario rarely happens and even then, you “bent” version may still not replace the original. It takes exceptionally good writing, designing, planning, researching and more to pull off “bending” a character and even then, it has to be just right and it comes down to how lucky you are when it comes to how the audience accepted them. Due to this, you should only try this once in a while. 99% of the time, it does not work which is why this route is not normalized. This doesn’t mean we shouldn’t try it at all. It just means you have to accept that diamonds are rare for a reason.
And also, keep in mind that I am not the queen of fiction. These are cases that I have come across in my own experience as a creator and fan of fiction. In my opinion, you should always opt for creating new characters or existing characters from the group you are thinking of “bending” another character into if you’re writing professionally.
Remember, it’s great to be proud of yourself for who you are the way you are, but also, remember that being an artist is a gift. Cherish that gift, but also respect it and take it seriously when you’re trying to get out there. You’re not writing fanfiction or directing a school play.
At least, that is how I see it. Thank you for reading and as always, stay safe.
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pseudofujo · 7 months
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FAKE (1998 OVA)
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(Yeah, that was really the best photo I could find.)
Summary;
Dee Laytner and Randy “Ryo” Maclane are two New York cops taking a needed vacation in England. Dee has very strong feelings for Ryo and wants to take this chance to advance their relationship (and if he’s lucky, maybe seduce Ryo). Ryo doesn’t understand his own feelings for Dee, and doesn’t know if he wants to (or should) acknowledge them. Their vacation and relationship is suddenly disturbed when murders and missing person reports keep surfacing around their hotel. The only common tie the cases have is that all of the victims were Japanese or Japanese descent. Dee and Ryo have to solve the case before Ryo, who is half Japanese, becomes the next victim. (sourced from myreadingmanga.info, beware of the porn ads, kiddies!)
You can watch this ova on myreadingmanga.info and animesuge.to(not sure of the reputability of this one)
Fake(, styled in all caps usually, but I won't be doing that due to computer limitations,) is a drama-comedy ova that, while certainly conventional in regards to it's art direction(I mean, cmon, I've seen way too many ova's of this era feature the same droopy-styled 'doe' eyes for their ukes,) manages to be charming and funny while also maintaining a dramatic tone.
If I had to describe this in three words, it'd be "funny, but confusing."
Sure, reading the manga definitely would've helped to give context to certain characters(who even IS J.J in this story?), but that doesn't excuse the story pacing being an absolute mess. They introduce J.J, an obsessive and obnoxious coworker of Ryo and Dee's, nearly twenty minutes before the end of the ova! He has no time to stew and mesh with the rest of the cast(Brikky supremacy, by the way,) and generally feels like he was shoehorned in to tie up a loose end.
While we're talking about the story, can I just say that the ghost subplot(?) was complete nonsense? What genre is this? I thought it was a drama-comedy, not a supernatural. The first scene where the ghost was discovered was hilarious, but that's all that the ghost provided to the story.
The characters in this ova(, with the exclusion of J.J,) were fantastic, I loved them all dearly and I will certainly be thinking about Ryo being a mom for at least two weeks. They were all witty, and had distinct personalities from one-another while still maintaining impeccable chemistry. I could see them being an actual family, though I'd bet good money that they aren't meant to be interpreted as such.
I think that the villain got off too easy in the end. The line where Cal(, the one female character in this ova that doesn't die, by the way,) says that she doesn't hate the villain, and Ryo justifying the race-based attempted murder he just faced with "Oh, but [they] realized [their] mistake," was really distasteful to me.
Overall, it definitely could've been better. Did I like it? Yes. Would I recommend it to others? Yes, but only under very specific conditions.
Do not watch this ova as your first dip into 90s BL, you will regret it. But if you're a seasoned veteran, such as I, then I say go for it!
The rep in this one was subpar, but what more can you expect from late-90s BL. There is also a scene that is kind of rape-y and is played off for comedy, so be wary of that.
Points docked because both of the main characters are NYPD.
Overall Score;
3/5
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ranaiki · 9 months
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This may be a controversial opinion, but...
if you don’t like to tip, you shouldn’t utilize services that expect, require, or even suggest tipping.
Yes, tipping expectations have gone way up recently, and sometimes get out of hand. Yes, the responsibility of giving the employees enough money to live off of shouldn’t be placed on the customer. But the unfortunate reality is that minimum wage, even those way above it, don’t cut it for the costs of living, and there is more importance placed on the wealth of a select few than on the well-being of the many. 
I personally do not love to tip all the time, and I will admit that. I don’t have a ton of money to spare, so the idea of giving a little extra off the top “just because” hurts my soul a little bit. But I still always tip.
Do you know how I get around it? By not utilizing the services that require me to tip. I want some food, but it’ll cost me a lot extra to get it delivered? I’ll pick it up myself, or I’ll just make it at home.
The services that require us to tip, are not services we are required to use.
I think thats where a lot of the confusion comes into play. There’s a sense of entitlement that comes with using these services that leads people to not want to tip.
“I already paid for my food, why should I have to pay extra?”
Because you’re using an extra service. You’re using someone’s time, energy, brain power, kindness - you name it. And that deserves proper payment.
In an ideal world, servers, delivery drivers, and caterers (those who most definitely should be tipped every single time) would be paid enough money to where a tip is negligible, and just a little bonus off the top, like it was intended. But that’s not the world we live in.
In the case of servers at restaurants, they are paid hourly, but that hourly rate is often reduced because of the expectation that they will also be earning tips (same with bartenders). Meaning, quite literally, that most of their wages are made up of tips, and they rely on the goodness of people’s hearts to bring home the same amount of money as someone paid the standard minimum wage.
In the case of delivery drivers, oftentimes they’re not even paid at an hourly rate, only by the deliveries they take and, brace for it, tips! For localized delivery drivers (like for specific chains - think a domino’s delivery driver) this is not the case as far as I know, though I don’t know the idiosyncrasies of how their job works. But for delivery through the major apps (GrubHub, DoorDash, etc), this is how many of them work. You can get an hourly rate, but only if you block out a specific time you want to work well in advance. The blocks open up at a certain time of week, and all drivers block out the times they want at that moment. There are limited slots, and the longer you’ve been driving for them, the more preferential treatment you get (early access, etc). It doesn’t truly matter if you get it, you can still work whenever you want, it’s more insurance than anything. In the case that you don’t get any deliveries while on the clock, blocking out your time helps you get paid for the time you were waiting around. Not blocking it out means that even if you spent an hour waiting, you don’t get paid. But there’s a catch - the hourly is only meant to make up for missed wages, it’s not a base pay. I can’t remember the exact amount it makes up for, but I believe it is based on the minimum wage in that area. So say you deliver for 1 hour, and the min. wage in your area is $15/hr. Say you get one delivery, and earn $7. The company helps get you up to $15, but nothing more, as in, you don’t get $22 for working the hour and making that $7 delivery. If you didn’t get to block out a slot? Tough luck, $7 it is (and for the record, that is a lot for one delivery. Typical deliveries earn you around $5 or less).
Now I hope it’s a little more clear why tips are especially crucial for delivery drivers. They hop all over the city picking up and dropping off food for barely any money, and rely on tips to make up for their time, gas, and effort. They aren’t even truly paid for the job they do.
Before anyone hops to my comments or messages saying some bs about getting different jobs...
Take a moment to consider that maybe this is the other job. Maybe they have an inflexible schedule (student, parent, or have another job that can’t make ends meet) and do deliveries when they have time. Maybe they’re young, or have no prior job experience that could land them a “better paying” job. Maybe they’re an ex-con trying to get their life back together, someone trying to get out of a tough situation, or just generally trying to make ends meet by doing literally whatever job they can (and there are a lot of people like that out there).
And take another moment to consider what it would be like if everyone up and dropped these jobs you consider beneath you, that are apparently so worthless you can’t even tip a couple of bucks. Would you be able to sit back and get food delivered to your doorstep? Would you be able to enjoy a nice evening at a restaurant, waited on hand and foot?
I think you know the answer.
So, to bring it all back around full circle - just tip when you go out. Or, if you really don’t want to, or can’t afford it, simply don’t go out. Pretty easy. Until the system is fixed, and decent, hardworking people don’t rely on other decent hardworking people to allow them to live, tipping is going to be expected.
If you don’t like it?
Get out there and fix it.
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jfbuckley · 10 months
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This is the most shocking thing in cricket that I have ever heard of. What the Australians did was within the rules, so cannot really be called “cheating” but it was so far outside the spirit of sportsmanship that I cannot see the point of playing them again. If they are so keen to win that they will stoop to tricks as low as this, then I say “let them keep the Ashes for ever. It isn’t worth bothering with scum like that”.
My cricket correspondent will doubtless disagree with my view, as he revels in being contrary. I will therefore demolish his arguments before he comes out with them.
1. “You wouldn’t object if England had done this”: utter nonsense. Of course I would. I would disagree very much with such conduct, but being English, I would have to carry on supporting them.
2. “It is done all the time in club cricket”. So what - it doesn’t make it right even if so.
3. “Barstow has done the same thing himself when playing as wicket keeper”. I don’t know whether he has or he hasn’t. It doesn’t matter. It’s immaterial - two wrongs don’t make a right.
4. “Barstow was careless. He should have known better. He got what he deserved”. Probably correct on all three - BUT, it still doesn’t make it right to give him out.
5. “It isn’t cheating. It’s in the rules”. Yes, I agree, but sometimes the law is an ass - see below. The particular rule we are concerned with is in place to stop a batsman stealing a run. If Barstow HAD been attempting to steal a run, it would have been fully justified to run him out/stump him. The problem is that it is obvious to anyone with half a brain that he WASN’T trying to steal a run.
6. “England lost because they batted disgracefully in the first innings. The defeat was nothing to do with the Barstow stumping”. Nothing to argue with there, I totally agree. It has nothing to do with the central argument though: what the Australians did was the worst gamesmanship since Trevor Chappell bowled underarm to stop the possibility of a six off the last ball of the match. They only did it because they knew that Barstow was a good batsman who was capable of hitting the runs. Does anyone in their right mind think they would have done it against number 11 batsman James Anderson with 100 still needed to win - NOT A CHANCE.
7. “The umpire hadn’t called over. The ball was therefore still in play”. This is the technicality that lets the Australians get away with it. It is also why I say, according to the rules, “out” is the only decision they can make. This is bunkum of course. The umpire is not required to signal “dead ball” after every single ball. Calling “over” simply means that the over is over. The stumping could just as easily have happened after any ball of the over. Barstow had clearly grounded his bat. The bowler’s end umpire was not watching and was taking a fielder’s hat out of his pocket. The square leg umpire was not watching and was walking towards the new bowling end. Although “over” had not been called, it was plainly obvious that both umpires were not watching and considered the ball dead. The not calling of “over” is simply a huge red herring. In future, to avoid confusion, the umpire MUST pronounce and signal when he considers EVERY ball dead.
8. The age old cry of “rules are rules” goes up. This is the easiest one to refute. I refer my cricket correspondent to the tribunal case “Padglade Ltd”. In his summing up, the chairman said that “the officer should have looked into the mind of the taxpayer”. Very true. The taxpayer was bang to rights according to the letter of the law, but he wasn’t intending the outcome as it happened, so he was let off. I believe that this ruling is not specific just to Padglade, but is a fundamental principle of English law. As in Padglade, the umpires should have looked into the mind of Barstow and asked themselves a question: “is he is trying to steal a run?” If the answer is NO, then it cannot ever be justified to give him out.
In my opinion, what was done today was worse than a Mankad dismissal. At least in a Mankad the batsman is acting unfairly by backing up too far and gaining an unfair advantage. With the Barstow dismissal he wasn’t acting unfairly at all, he gained no unfair advantage from doing what he did, and wasn’t trying to steal a run.
The Australians already have two proven cheats in their side from the sandpaper scandal. Many people think they got away extremely lightly with one year bans. Letting them back in so quickly certainly gave the impression that cheating isn’t taken seriously. This incident isn’t “cheating”, but is shocking gamesmanship. Every Australian should be thoroughly ashamed of their team tonight.
————————
My cricket correspondent may remind me of Stuart Broad and not “walking” when apparently cleanly caught.
My memory fades over time, but my opinion was this: “if he nicked it and knew it, he SHOULD have walked. I don’t remember condoning what he did. I would just add that no Australian in the history of cricket would have “walked” in similar circumstances.
—————————-
He may also remind me of Michael Atherton and the “dirt in the pocket”. My memory of this was that what Atherton did was fairly standard practice at the time and that he didn’t think for one minute that he was doing anything wrong. He was making absolutely no effort to hide what he was doing. Of course, he shouldn’t have been doing it, but neither should all the other thousands of cricketers from time immemorial.
—————————
Then there is the incident of Alec Stewart stumping Brian Lara in an ODI back in the 1990s. I have no memory of this at all, but it is essentially the same incident as yesterday. He held the ball over the stumps and waited until Lara’s foot had moved out of the crease. Again, within the laws, but totally against the spirit of the game. I don’t remember the incident, but I can’t imagine for my life that I would have ever supported it.
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ariapmdeol · 11 months
Note
Ah, Oops, that's on me! It's painfully obvious, in hindsight, but the "playable character" part threw me off. My bad! That makes a whole lot more sense. Ough.
Record 5 has sent me through the five stages of grief in the span of that simple hour and I just have to wonder why this game is a hidden gem?? When it's this ridiculously good and expansive and thought out???? At least for English-speaking fans, unsure of the proper Japanese community. It's probably because of it not being officially translated, which is always a shame.
CoE gives you mental illnesses you thought you couldn't have <3 and I am determined to drag as many friends down with me as I humanly possibly can. If they'll allow me. I don't think I'm going to be successful, but I will certainly try!!
I will contact you tomorrow!! Ish!!! Thank you once again!
O u g h those songs are good and they fit. At this point I could make entirely separate playlists for characters and dynamics. It's filling up my brain at alarming speeds and I'm having so much fun doing it.
The best type of brainrot is the one that haunts you every step of the way from the moment you started the descent. CoE is no exception <3
I have also had some time to try and process and!! There's a detail I noticed??? And surely this have been noticed by most others but I feel like talking about it in case I made wrong connections or there's more about it others noticed.
It's the vague feeling that Atou mimics Hajime's "keep eyes closed unless making a specific expression" habit? I haven't gone back and checked on how often it happens, but it struck me and it's not quite leaving because it feels like it could make sense as to why for obvious reasons. I don't think anyone else but them actually keep their eyes closed like that as their neutral expression like those two do.
And on the subject of Hajime's expressions: his "are you fucking kidding me?" confused/irritated look every time Seodore does anything in Record 5 is absolutely golden.
- 8:11 anon
YOURE FINE DW!!
COE is such a hidden gem fr!! I Think it's in part that the youtube TL is so new (they only started uploading about 2 years ago) and the fact that there's no playable eng TL definitely does not help... I have been doing my part in the COE propagandizing o7 (have gotten several people to play it)
there is a substantial Korean community (there is a playable KR version) and i've seen a lot of Chinese fans as well! I've seen some Japanese fans too, and our little english corner is very close knit! . It's very interconnected, which is nice. Everyone talks to each other <3
COE has given me so much mental illness <3 it spreads very much through word of mouth, so YES PROPAGANDIZE!! I'll be around tomorrow so no worries :D
They talk about it a bit in the QNA, but yeah Atou started closing his eyes like that at some point, and he says there wasn't a particular reason for it (though hajime does wonder if it's because of something else). you should read the full qna! it's so cute, i cant believe i forgot to link it earlier.
Hajime's expressions are SO GOOD!!! He and Seodore are fascinating honestly congrats to seodore for winning worst dad in the polls... he really earned it SDAKLJADSLKJADS
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Wikipedia, the Free Online Encyclopedia- | Chris | Trial 5.2 | Re: Akira, Rafe, Sorano, Willow mainly | ATTN: NPCs, All
Chris listens with his head tilted to the side at Akira’s answer in thought. There still had to be something they were missing there, some rule that hadn’t been made clear to them or BS that would be pulled, but it was a start at least.
“Thanks for the answers, though it leads me to have some more questions too. First, will it be ONLY the six of us who are voting on this, or will the audience have some say as well?” Given uh, the gimmick of this season and all, that seemed pretty important to know if they’d have to deal with it or not.
“And next, what were the grand prizes of those who died, then? What was Yuuma’s grand prize in particular, too? Seems pretty important to know, since it probably SHOULD be going into effect but they’re actively trying to keep it from happening with Ayumi’s situation, or at least that’s how it’s being made out to be. Feels like something we should be told.”
And then, Chris gives a nod of agreement to essentially every other player but Rafe, and for reasons more than him just being Rafe. In particular, he looks at Sorano and surprisingly(?) Willow in agreement most recently for the details they’re bringing up. Good, seemed like the rest of them at least were on the same page here. 
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“Exactly. Finding the ‘mastermind’ among us isn't the issue here, and is frankly a waste of time given everything we know, so I recommend not bothering with it for now. I think the audience would be much more interested in us going over everything else behind the scenes with the board instead,” he clarifies, because yeah, he’s only going to double down on that opening recommendation.
“To finish off what knowledge I had from around the maps before this investigation though, the names of all five board members were among all of the names listed on the tiles of the Theme Park in chapter 3, and in chapter 4 there was a large tapestry depiction in the Museum about a king and his crown being divided among five people that then kept the power for themself, obviously alluding to the TE board members hanging onto their power and pushing their own agendas despite Tomo being an adult now.”
He takes out his personal notebook almost lazily before continuing, idly flipping through to cross reference between a few things.
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  "The names and occupations given in Chapter 5's Dressing Room puzzle were at times suspiciously similar to the Board member's themselves, so I'm pretty sure that was something too. In particular, Nobuo Ozaki is the COO of Kimi Health and Housing, which is actually a Yakuza front, where as 'Nagito' was a Yakuza Boss in the puzzle. Sadao Hashimoto is in control of the TE legal team and is obviously corrupt as fuck and lets them get away with all kinds of shit, while 'Sadou' is a Corrupt Lawyer in the puzzle.  
Yataro I would assume would be the Affair Partner 'Hatoru'. I don't want to make assumptions, but apparently he's close with Tomo's mom Yumi Tomomi given it seems as though she trusts him enough to let her into Tomo's home, and he's had public suspicions on his relationship with Tatsuo Tomomi himself too. Whatever the case and romantic or not, he’s playing people. 
Hideo Muramoto by the way was the asshole who told Akira to 'give her what she wants' in that one memory of his we saw, and was also involved heavily with the kaiju genre of film production, obviously being referenced by 'Orochi' the Kaiju in the puzzle. That would leave Hanako Tamashiro as the Brothel Owner 'Yuriko', which honestly doesn't surprise me.”
Dear GOD Chris has so much information on these fuckers, and it's finally the time to get it all out there.
He also gives a wave back to Sorano at that kidnapping from other countries comment, who is now sitting right beside him. Hello indeed. 
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“Given you all seem to have found the same information that we did, I’d like to clarify some of it. Specifically, in regard to what the TE Board and Tatsuo did to Hirohito Watanabe because he was gaining popularity as a socialist politician. It was 8 years ago, and Tomo was apparently brought to watch this at 14 years old as a ‘lesson’ that he didn’t handle well. The board members planned to kidnap Hirohito’s child, Touma Watanabe, and hold them for ransom to make him drop out of things with the public excuse that it was random gang members who were doing it. Obviously, it was actually orchestrated by them in reality.
But, apparently, something went either went wrong or there was possibly a change of plans, because when Hirohito went to meet with them, he was shot, and murdered. Touma was also shot, but survived, and is still out there. Pretty fucking much in the end, it was a politcal assassination after a political kidnapping of a child, all done by Tatsuo Tomomi and the five board members still in control. I put a lot of that shit and the previous stuff together with the power of Wikipedia, by the way.”
All hail Wikipedia…
0 notes
2-dsimp · 2 years
Note
Hiya! It's 🍀 anon again! I'm here to give my thoughts on the latest choice and respond to everyone's wonderful theories! So firstly I'm gonna address some of chill's (❄) theories. Like 🐐 anon I also don't think that specifically lowering yandere's affection levels is something that will be beneficial to us in the long run. As 🐐 anon said they are yanderes so I don't think that just lowering their affection level will make them give up on us, and we really can't predict how they'll react or what they'll do in such a circumstance, but I suspect it wouldn't be pretty. Thinking of how little most of them value human life other than senpai's I personally wouldn't want to chance becoming one of the people that they wouldn't think twice before killing. The fact that we are the target of their twisted affections is both a detriment and a benefit at the same time as it puts us in their focus, but also makes our existence have meaning to them, as opposed to most other people who many of them would, kill, manipulate, or otherwise ruin their lives with very little thought. That's not to say that we aren't at risk of these things happening to us, we very much are, but if we play our cards right we may be able to avoid that. Rather than purposefully trying to lower their affections to zero, I think that for most yanderes we may want to try to keep their affection level stable. Basically unless we want to learn a skill from a yandere, I think we should try and manage their affection to stay as close to the default (or each yan's individual default should they have different ones) as possible. And regarding skills, we only get to have three of them so we should probably carefully weigh the possible benefits of whatever skill we think they'll give us and how useful of an "ally" (read: tool) they'll be to us in their own right, against how dangerous they are/how much of a risk they'll pose to our safety. In relation to ❄ 's other ask, I also don't necessarily think that rushing home immediately is the best of ideas either. While yes getting a map is vital, I think it's even more important that we take each interaction individually and make the safest decision for it, rather than just doing what will get us home the fastest. After all, getting home safely and getting our map built up is nice but if we have to snub a bunch of yanderes and raise their insanity/envy meters to do it, then it won't be so useful in the long run. That said though, I do agree that if possible we should try to get home before nighttime starts or at least asap once nighttime begins. According to our lovely host, after school time begins at 4pm, nighttime begins at 8pm, and each choice we make takes 30 minutes. So counting the number of decisions (5) we've made since the start of after school time, it is currently 6:30 pm and after we decide whether to accept Xiao's offer or not it will be 7pm. Meaning we can still get home by 8 in theory, as we will have 2 more decisions to make before it hits 8pm, and if not before then hopefully shortly there after.
Briefly regarding the other phone Xiao gave us, some people seem to think that Xiao asked us to return it, based on what he said though, I don't think that's the case. The phrasing of that statement, specifically the "and- Wait, what...?" makes me think that, although we can't see what we said, senpai actually cut in and asked to return the phone themselves, rather than Xiao putting us up to it. Whether or not Xiao actually knew it wasn't our phone is another matter entirely, he may have, he may not have. Personally I agree with ❄ on this one, I think it was a ploy to get us to come back to the gaming club room with him and spend more time with us, rather than having much to do with the phone he gave us itself, but really that doesn't matter much. As for who the phone belongs to, there really isn't enough evidence so far to say, but I do agree with 🐐 anon that Aether is a good possibility. He seems like the type who would "lose" something on purpose to get us to return it to him. Though again, that's more a guess than a theory since it isn't actually based on any evidence but rather a gut feeling.
Regarding the choice this time, I think that we should accept the offer. I agree with 🎃anon. Considering that we just started the game, his meters should in theory be pretty low, so I think it should be safe to go with him to the gaming club room despite him having 5 stars. That said though I do think we should try to ditch him as soon as we can do so safely and ideally don't wanna be around him once night time hits. So hopefully we can get home by then or at least be on our way home.
Then I have a few more questions for our lovely host. Firstly, what is our end goal here? Are there 'successful' endings for the yans that we can get under certain conditions, are we trying to survive a certain amount of time (say, until graduation maybe) at which point we'll be free, or is there no real end and our goal's simply to survive as long as possible? And secondly, since we are supposed to have our responses in by certain times (which I may have accidently been late this time oops), what time zone are those due dates measured in? That's it from me this time, I hope everyone has a happy new year!
Welcome back 🍀! Happy late New Years And to answer some of your great questions I’ll start off with the time zones
1. Denver Colorado
2. Your goal is to survive as long as possible in order to open up one of the potential endings
-True ending
-Good ending
-Bad ending
-Secret ending
However just reaching one of these endings will all depend on what you’ve accomplished so far, and to obtain a different final outcome you must die… Remember you only have 3 lives.
Each ending may have more than one possibility as some may even be linked and cause a chain reaction, or it may lead to something unexpected.
Oh this would be a great time to warn you lovely players that admirers are not the only ones gunning after you. To spice things up a bit the so called rivals will soon make their entrance so do try your best to utilize all tactics to not die an early death.
Ps…It’s all about connections
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maxismatchccworld · 3 years
Text
Patch Notes
PC: 1.73.48.1030 / Mac: 1.73.48.1230 Console: Version 1.40 Heya Simmers! Today we bring you a small but neat update, we hope you all enjoy it! We also hope you are all well wherever you are in the World, and thanks again for all your continued support and feedback. Chaucitos - Dag Dag! -SimGuruRusskii What’s New? In Create A Sim, we have updated two hairstyles and have converted them to be used with Children and Toddler Sims as well.
First, we have the beautiful pfHair_EF30TightCurls, cfHair_EF30TightCurls, and yfHair_EF30TightCurls as pictured below, including how it would look like if worn on a Male Frame pictured as ymHair_EF30TightCurls.
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Then we have pictured below, including how it would look like if worn on a Female Frame pictured as yfHair_ShortTextured.
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This author would like to apologize for her terrible photoshop skills in putting these together side by side. Very sorry… much photoshop! Getting better!
Now onto the fixes...
Bug Fixes Sims 4
Fixed an issue in which in the Gallery Preview pop-ups, Build Mode objects will now appear properly under the “Show Used Items” panel. Accuracy is the best policy… in this case.
We made some edits to some Career and School-related tooltips so they are consistent and clearer for Simmers.
The book cradleObject_GENBook is no longer visible to Simmers, it wasn't meant to be... it wasn't a pretty book. We didn't like doing it!
Some DEBUG pie menu options including some from Discover University and Snowy Escape were translated. We didn’t translate these, well since ever… as they were DEBUG and only accessible with a specific cheat, but we are working on them as we go now. Thanks for your reports and patience!
We discovered that Sims were becoming uncomfortable when Gathering Water… we didn’t really understand why, so we decided to have them not be uncomfortable. Let them feel how they want to feel, I say.
Ghost Sims will now appear as Ghosts in CAS. There were moments that they made us take a second look there, but nope, they are Ghosts and Ghosts they shall display as. I think I saw this as a plot for a movie… Ghosts… a machine, a dance… ANYWAY.
As always this editor and the Localization team made some adjustments and perfected some of the text in-game across all packs and previous updates. #getit
Get Together
Social Panel will no longer default to the incorrect tab. What tab was I on? Now I will always know.
City Living
Vegetarian Sims will no longer mistakenly eat non-vegetarian leftovers from the refrigerator. Not funny guys!
Fixed an issue that didn’t let the DigiRAD Keyboard make a sound when choosing Keyboard Auto Play.
Cats and Dogs
Listen, I think every species - well everyone, has the right to find love. But we did have to fix an issue with Female Cats going into Heat despite being Spayed. Even so, I hope my lovely Spayed Female Felines will still find love out there.
Seasons
Oh the rain, such a poetic moment from nature. Sitting cozied up with a blanket and a cup of coffee watching the world go by with the melodious sound of the raindrops falling lightly on the ground… wait… is that a Sim showering outside? Yes indeed! Showering in the Rain is possible in Light Rain conditions.
Fish Dinner will now be counted for completing Grand Meal Holiday Events.
Similarly, Shower in the Rain has been fixed for Simmers who have installed Eco Lifestyle, making the most of every resource available!
All soaps used are biodegradable - we promise!
Snowy Escape
Create A Sim asset yfBody_EP10CoatDenim will no longer create an issue with all knee-high boots. Though those boots were made for walking, the dress needs to look fabulous too. My opinion, allegedly.
Child Sims will no longer get the Unblessed sentiment after getting Blessed at the Youth Festival. Children should only get the Unblessed sentiment if they ask Yamachan about a Voidcritter Hunt and also avoid getting the Blessing of Youth from an Adult Sim as well. #Blessed
Extreme Sports enthusiasts will now be able to complete High-Intensity Skiing or Snowboarding on Intermediate or Expert Slopes. Good luck!
Recipes from this pack will now appear when unlocking Gourmet Cooking Skill Levels. Particularly Levels 3 and 5. Yum.
Sims will no longer freeze when performing interactions from a computer in Mt. Komorebi, specifically 2-4-2 Wakabamori. I think I saw this in a movie once… but… had a less “happy ending.
Discover University
Fixed an issue in which the icon for the trait Mental Magister appeared to be a Placeholder icon. Or was it?
Progressing in the Law Career will now unlock Promotions appropriately. Keep up the good work!
Eco Lifestyle
Fixed an issue in which the icon for the Making with a Mentor Moodlet was not showing the correct icon.
Eco Lifestyle-specific Traits are now added to the Clubs choices if Simmers have Get Together installed.
Collecting Beetle Nuggets will now be possible when Beetles are ready. Bon Appetit.
Outdoor Retreat
Veggie Dogs and Hot Dogs will be able to be roasted in Campfires once again. Iconic.
Vampires
Is your Vampire Sim tired of drinking the same old regular Plasma? Are they drinking it to the point that they can no longer tell if it is Plasma anymore? Ugh, such a hard diet, right? I can relate…ahem... Vampire Sims will now enjoy a more varied diet of Fish, Frog, and yes… Regular Plasma when left to their own devices.
Tiny Living
Tiny Homes will no longer magically get clean and have Dust Bunnies disappear (if Simmers own Bust the Dust) when Sims travel or Simmers reload the game. Man, I wish my apartment would magically get clean like that though.
Nifty Knitting
Fixed an issue in which the expiration timer for items listed on Plopsy was not appearing.
Paranormal
Haunted House Residential Lots will now enjoy the presence of Dust Bunnies and Fiends if Simmers also have Bust the Dust. Dust Bunny goes Boooooo.
Bust the Dust
Your Sims had a lot of things to do today, but you know what they did instead? They Vacuumed the Lot. It was a really good clean. Cooking? Vacuumed the Lot. That Gig? Vacuumed the Lot. What about those push ups? Vacuumed the Lot. Reading? Vacuumed the Lot. Looking at this bug? We made time for that. The end of this bug? Released with this Patch. Sims will no longer randomly drop their queued tasks for Vacuuming.
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dimonds456 · 3 years
Note
*sees your tags about being salty about suf spinel*
YOU CAN'T JUST SAY THAT AND NOT SHARE YOUR SALT /LH
Okay, but I'm warning you, you asked for it.
LONG POST WARNING.
LIKE A REALLY, REALLY LONG POST WARNING.
Dimonds456 Presents: How They Did My Baby Dirty: An SUTM and SUF Analysis on Steven and Spinel (Told by a Progressively More and More Angry Narrator)
THE CONTEXT: There was a post talking about how you think a character will fix everything, but then they wind up making it works. My tags were "#*looks at suf spinel* #I am still salty about that like the bitch I am fghdjskgfa"
Grab some water, guys.
Let's start by talking about Steven for a moment. In the original show, when we were following him as a 12-14-year-old, we watched as he built up trauma and then learned how to hide it expertly well, to the point that most of the audience didn't even realize he was struggling.
You can actually pinpoint the seconds he makes those decisions, too. The best example is in "The Test," when he's storming up to the gems. He's pissed. His fists are clenched, he's got that anime eye shadow overlay on his face, he's frowning, all that. the Crystal Gems are clapping for him and lying to his face, and he KNOWS they are because he overheard them talking about how it was "impossible for him to fail" that test (- Garnet).
And yet... he also overheard them saying that they're just trying their best. They don't know what he needs. They never really have. No one is sure. So, Steven realizes that by picking a fight, he would just be making it worse for them because they would know they messed up, and nothing gets solved, and everyone gets more depressed and Amethyst and Pearl go back to fighting each other and- well, you get the picture. He doesn't have a full understanding of what's going on, so his kid brain went "so I can either be angry at them and cause problems, or I can tell them I did a good job to make them happy."
"I can lie to make them happy."
He storms down there angry, still mulling this decision over. He drops to the floor, frowning and pissed, and says "I can't believe you guys." He is so close to yelling at them, and yet, when he looks up at them...
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"That was so... INSANE!"
You never would have been able to tell. It was right there. That moment. And then he never stops. For the ENTIRE REST of the series, he NEVER STOPS. He puts the Crystal Gems above himself every time. Think Rose's Scabbard, The Message, The Return/Jailbreak. The Cluster. Peridot. Dealing with Jasper. The zoo arc (ESPECIALLY the zoo arc). Aquamarine. Then pretty much the entirety of Season 5.
(NOTE: I went back and rewatched that scene for the screenshot. There is a blink-and-you'll-miss-it lip tremble in there too! D,: )
He lives for the people around him, and not for himself. Almost never for himself.
Put a pin in that.
Now, let's look at his maturity. People thought that was just him being mature, right? That he grew up. No. That was not it at all. He was learning from his own behaviors as well as the people around him, and building up this idea that he had to "fight to be everything that everyone wants [him] to be when [he's] grown" (- Steven, the extended intro).
Yes, he matured, but not because of that. He started making various decisions to benefit the group that oftentimes he wasn't fully comfortable with, but something he believed would be better for everyone.
Put a pin in that.
Then, later in Future, we see it all manifest. He is selfless to a fault, to the point that he can't think of himself in a positive light in the sense that he's good. We see it a couple of times, but especially in "Prickly Pair," when he vents to Cactus Steven about everything that happened. He feels useless, which is taking a toll on his mental health.
"Why do I need to be needed?" He needs to be needed because that's everything he was as a kid. His entire IDENTITY rests on his ability to help other people, no matter what happens to him. He literally sacrificed himself for them countless times (the big one of course being the Aquamarine incident), and now as a teenager, his whole sense of self is wrapped up in this need to get up and do something to make the world better.
And when he can't make the world better, his world falls apart.
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Put a pin in that.
Now, let's talk about Spinel, the moment we've all been waiting for.
Spinel, as a gem, was made specifically to be a friend. That is her niche, and her purpose. Her reason for existing. At first, she and Pink Diamond got along very well, as shown in the flashbacks right before Drift Away plays (I headcanon she has illusion powers and was literally projecting her trauma, but that's a completely different post).
She and Pink vibed together for who knows how long, until one day, Pink started to not like being around Spinel anymore, finding her annoying and childish. We don't know what really caused the switch, just that it did happen (but of course, I have headcanons for that, too). Spinel never realized until it was FAR too late.
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Steven actually describes his younger self as annoying at one point during the Diamond Days arc, when he decides to throw the ball, so I'm legally allowed to make this comparison.
Steven and Spinel were the SAME. They were both young and dumb, and something that at least a few people found annoying. People put up with their BS though, since they cared about them. But, while Steven realized this and matured because of it (or bottled up his emotions, to each their own), Spinel never did. She never matured. She was never given a chance.
In the movie, we saw her as a child, and watched as she played with Pink and never tried to be or do anything else, to the point that Pink Diamond thought to realize she might be struggling (and maybe Spinel didn't, either!).
She lives for the people around him, and not for herself. Almost never for herself.
And when she can't be friends with this one person, her world falls apart.
Sound familiar? It should. I literally pulled from things I said earlier lol.
Spinel and Steven are mirror reflections of each other. Reset!Spinel is 14-year-old Steven, completely devoting her entire self to one idea. Steven's was helping others no matter what, Spinel's was serving Pink no matter what. Spinel is like a combination of 14 and 12-year-old Steven in this sense, honestly. Goofy, without a care in the world, except one thing: the people around her. She would do anything for Pink, just as Steven would do anything for his family.
Now, Pink Diamond left Spinel. We all know this story. She left Spins there in the garden for 6,000 years because she grew more mature and started a rebellion, effectively forgetting about this one gem she kinda stopped caring about standing there.
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Personally, I don't think Pink had any malicious or even intentional intent in that, but this ain't about her. This is about how Spinel continued to sacrifice herself for Pink, even when Pink didn't need her to anymore. She wanted to please Pink 24/7, all day every day, to the point she self-sacrificed and stood perfectly still for her for millenia.
Now, back to Steven. The gems don't need him anymore in Future, right? They've all grown up and matured and headed off towards their own futures, effectively stranding him alone in terms of self-identity and self-worth. But he stays there, ready to assist at the drop of a hat, or- in Future's case- the call of a phone.
Episode 6 anyone? The one everyone says shouldn't be in Future? That it should have been cut to allow more focus on Steven himself? The fusion episode? YEAH. THAT. He is running himself RAGGED to try and help others, to give himself a purpose. He is self-sacrificing. (He's a professional, don't worry. /j)
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Steven metaphorically planted his feet down and decided that he was going to devote himself to the people around him.
Spinel's feet were literally tied down soon after she made that very same decision.
Okay, enough with the backstory. Time for the salt.
In Future, Steven is at his lowest low. He is running to the Diamonds for help, to see if there is SOMETHING they can do to help him. And we first see Spinel.
Spinel has been through the ringer on a lot of the same mental problems Steven himself is facing. She self-isolated, watched as everyone grew up and left her, and then began to lash out because of it. She understands what he's going through. We even see her concerned as Steven starts to tell her why he's there.
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Spinel takes him from Diamond to Diamond, until he's running out of White's room in a blind panic. Spinel is able to catch up with him, and Steven realizes the same. SHE GETS IT. He turns around and says "Hey, you used to have vengeful thoughts!"
Spinel replies "Ohhhhh yeah, but I don't have 'em anymore."
"How did you make them stop?"
She then goes on to sing Change to him, effectively cutting that conversation short.
On paper, that sounds very in-character for her. She's goofy! And that is what worked for her! But the problem is that they had to dumb her down in order to make that character decision work. In the movie, she was shown to be observant and able to put two and two together, even if she often jumps to conclusions (see her being the one to figure out that the gems needed to remember their "pieces," as she remembers the Garden, her re-realizing what Pink did, and her meltdown later when she reactivates the injector).
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Spinel is smart. It should have been in character for her to realize that Steven was panicking just as she had been, and needed to be talked to gently. But no. Instead, she starts belting out Change, which given Steven's situation, would not work for him.
At the very least, she would have started doing little tricks or started trying to get him to join a game, which would have taken his mind off of it (to her anyways, that wouldn't have worked either), which then could have prompted further discussion.
Then, once they finally start talking, Spinel could have been able to share some legitimate advise. She was hurt and lashed out. What worked for her was opening up to others and letting them in, learning to trust again (which Steven also has problems with- he can't trust that the Gems won't break down the second he turns his back. Trust does NOT equal love, there is no doubt he loves them to no end), and allowing other people in.
That is what Steven needed, too. He needed to let his guard down and just talk to someone. Sure, Spinel was not going to be a fix-all, but she could have at least offered some insight on what to do.
She UNDERSTANDS him. They are a reflection of each other.
But instead of offering help, Spinel made it worse. She was dumbed down to allow the rest of Future to happen, to make Steven feel even worse. Because- and here's the kicker- because the one person who MIGHT understand him doesn't, that means there's no hope for him.
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At least, that's how he sees it. And so, the denial- and "Everything's Fine"- begins.
Here's the thing, though; they DIDN'T NEED to make that decision. If the Crew wanted to have Spinel not understand Steven, then draw the line of her being a Gem from Era 1, used to the Diamonds shattering people.
Steven has killed Jasper and revived her at this point, so maybe Spinel offers that at least he's trying to get better, just like the other Diamonds! See, they're doing so great now! And then that makes him feel worse since he IS trying to do better, but is only failing, while the Diamonds- who were MADE to be nasty dictators- are doing better than him.
The Diamonds shattered a lot of people, and they're doing better than Steven, who has only shattered one person, and not even on purpose. How horrible is that?
Then boom. THERE'S your angst, with a much smarter, more helpful Spinel.
Look, I knew going in that Spinel wasn't going to be able to help. The finale had to happen somehow, and we hadn't seen Wormy Boi yet. I have always been a storng believer of the corrupted Steven theory, so I knew it was bound to happen. But I was hoping that Spinel would at least try. But she really didn't. She just brushed him off, offering really loose advise that didn't even fit his situation and thinking that would be enough.
No. It's not.
I can see where the Crew was coming from. I still love that episode, and I love seeing Spins in it (until that exact moment). This is probably the only thing in SU that genuinely gets me mad. Or, well, maybe not mad, but definitely annoyed and- you guessed it- salty.
I have an unfinished fic where I kinda delve into Spinel's head for that episode called "A New Start". If you really want my thoughts on where Spinel's head was at, there's a bit in there that really explains it. In the fic, Steven decides to rejuvenate himself and brings Spinel along with him, and that's all the context you need for this.
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I cannot explain that moment in the climax of the episode, though. Maybe she thought it would make him feel better, or that maybe he really did just need to open his eyes and see the error of his ways (which doesn't make sense, he KNOWS what he did). Maybe she thought that being silly would help somehow.
But you'd think she'd learn from her time with Pink as she grew more annoyed with her, but apparently not. Or maybe she would realize for a second that being loud and annoying was bad. Or maybe she doesn't learn.
Either way, it- and she- was dumb. And they did my baby dirty.
*drops mic and walks away*
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The Faery Etiquette
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1)Not giving fae your name. Even if you think that this fae can be trusted or it's not a fae that's known to want to hurt people, it's never a good idea to give a faerie your full name. They could give your name to someone else, there could be someone else listening, they could not be as nice as you thing, or they could be perfectly nice and do something they think is good for you but you view as harmful. As for why names are important, names- especially full names- are actually a pretty intimate detail. Think about it, when humans want to dedicate themselves to something, they sign their name on it. Not only can fae think you're agreeing to something by giving them your name or do something with your name, but they can also feel they're indebted to you in some cases. You don't want a fae owing you or trying to make good on a debt. You're better off giving them a nickname or an alias, preferably one you actually use, but don't use that often, and/or saying "Call me BLANK" instead of "my name's" or "I'm". That way you aren't lying, but it doesn't have the same sense of identity that your actual name has and there are less tricks to be played by any fae who know that name. For example let's say your name is Alexander, but you usually go by Alex. You run into a faerie in the woods and they ask you your name. Not telling them would be rude and we know what happens when you're rude to fae. Instead you should say they can call you "Al" or "Xander" or a computer handle or nickname that people don't call you out loud but is technically your name or that you do go by just not out loud.
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2)The "thank you" one is not on it's own a good rule and is kind of dangerous on it's own, but it has a point. "Thank you" in a way is a suggestion of debt, and there is almost never a good time to say it to a faerie. That not to say you shouldn't give thanks to or show appreciation to a fae, but the specific words "Thank you" can be dangerous and even offensive when said to fae, and it's hard to explain. There's a certain intimacy and gravity to it. The only situation I've come across where it was comfortably excusable is when it's a protective fae usually living on the person's land. "Thanks", "Thanks so much", "you have my thanks", "That was very nice/generous/sweet of you" are safer alternatives, but still should not be said to excess. Faeries don't do things to be thanked, they do things because they want to or they feel it's right; and they tend to be very annoyed with how easily humans throw around their thanks. Honestly, if you feel indebted to a faerie folk, the best thing you can do is leave a gift where you met them.
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3)You usually shouldn't ask for a faerie's name. Like I said names are quite valuable, and asking for their name can imply a debt or even be offensive. Usually they'll give you their name once they know yours, it often won't be their real name but it works all the same much like the first rule, which is another reason you shouldn't give them your full real name. If certain boundaries have already been breached by the faerie, (as in they're in your house, they've lead you off into the middle of nowhere, they have you more or less cornered, etc) it's acceptable to ask them their name along with other more useful questions in trying to gather their intent. Usually though, you'll get a more honest less violent answer by asking a broader question like "Who are you?".
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4)  Don't trust faeries is kind of right and wrong too. Plenty of faerie are perfectly harmless and completely trustworthy and many like to be nice and helpful to humans. But that being said, they are a different being all together and live in a very different context than humans and often don't understand humans at all. They can think they're being nice, or they can think it's okay to not tell the whole truth because they think it's not a big deal, even if it has a severe impact on the person that they hardly even comprehend. The best way to explain it is a conversation my mother and I once had "Hey mom, do you think that the lady of the lake would help someone get back to their realm since she can use lakes as portals?" "Well, she could..." "Could she get them there alive, without them drowning?" "I don't think she'd really care if she got them there alive. She wouldn't understand the problem with not getting there alive. She'd figure them and their souls got back home, so it's fine. Yeah, 'but their dead', but she wouldn't understand what the issue was with them being dead.
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5)This one is tough. While you should be very careful going anywhere with anyone, especially a faerie, I'd be hard pressed to say Never go anywhere with one. But you should be very very cautious about following fae. First, of course, do not follow them without permission. Secondly, slow it down, ask "Before we go anywhere, I want to ask you a few questions. Will you answer them?" If they say no, say you won't go then, and walk away if you're able. If they say yes, question them. Where do you want to take me? Will you promise my safety? Will I be hurt? Will I die? Will I be allowed to come back? I need to return here by [specific time/event later]. I can only go if you promise to bring me back by then if I so wish. Do you give your word you'll bring me back if I ask you to? If they give favorable answers, and you chose to go with them, if they made promises to you, YOU MUST TRUST THEM COMPLETELY. If you don't put your trust in them but accept those promises and go with them, they do not have to keep those promises and don't have to keep true to anything they told you. If you have any doubt you shouldn't go with them. If you choose not to go with them you should tell them very firmly "I'm sorry but I’ll not follow “
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iamanartichoke · 3 years
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... All right, let’s do this. 
Under the cut bc there’s SO MANY images, and I’m sorry, and I know the cut is worthless to mobile users but, well, here we are. Please don’t unfollow me for this post specifically. 
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^^ I can’t decide if this woman holding the Tesseract is impressive or not bc, I mean, she’s wearing a glove - but, Red Skull probably was, too? Also the TVA are obviously not humans, so “impressive” may be generous. On the other hand, “only beings of enormous power” can wield the Tesseract/infinity stones, so. 
Loki looks pissed. 
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“I know what this place is.” I like this, bc it provides us with some narrative evidence that Loki has always known much more about the universe and How Things Work than anyone cared to realize. Loki’s always known what’s going on; that he isn’t ignorant to the existence or inner functions of the TVA feels in-character. 
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Inception! 
Lokiception! 
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Why does every shot of the TVA’s headquarters look like the inside of a poorly-lit DMV? Though I guess it fits with the “timelessness” of it all as, after all, time ceases to exist or have meaning once you enter the DMV. 
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But I digress. 
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I’ve already remarked on the “I’m smart” comment, but I do like this shot. 
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I really love what Loki’s hair is doing here, I don’t even care. For better or for worse, his hair’s doing it’s own all-natural thing and I dig it. Let it move, let it dance, let it fall into his face and obscure his features as fanfic has allowed so many times. 
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I’m not a fan of the exaggerated jump or “wtf” expression along with “this is absurd” but THIS moment? Classic Loki. He looks 500% done and we’re only 51 seconds in. Also, I refuse to believe that stack of papers is everything Loki’s ever said. I know we all complained about the “you love to talk” line but, I mean, certainly he’s said more than approximately the total sum of Ulysses in his 1000 years of existence. 
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Here’s what I want to know: 
1. How does Loki taking the Tesseract result in so many new timeline branches? Surely he’s only responsible for one new timeline? I really, really hope they address that this is all the Avengers’ fault. 
2. What timeline is WandaVision and TFatWS taking place in? The main one, I presume? How do we know it’s not one of these alternate ones? 
3. Which timeline is Agents of SHIELD in and will they be addressed? Bc they got up to all kinds of Time Shenanigans in seasons 5, 6, and 7 to the point where I’m pretty sure they split off into their own universe (which is why they weren’t affected by the Snap or that whole thing, or so I’ve heard). If Loki crosses paths with Coulson & crew, I may pee my pants.
4. So where does Jessica Jo - ah, forget it, I’m not even going to ask. 
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I wonder what it is about this “unique Loki perspective” that Mobius is interested in recruiting. (Incidentally, I don’t think I’ve ever seen Owen Wilson in, like, a real role - wherein he’s not playing some version of Owen Wilson, that is. He’s got a costume and everything here. Fun to see!) 
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This is a bamf shot, okay. The way it’s framed is pretty intimidating. 
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“You listen well, brother -” 
“I’m listening.” 
^^ I figured out what kind of energy this moment has, lmao. 
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“It’s adorable that you think you can manipulate me.” I mean, do I even have to comment? I am here for narratively validating the “Loki is ten steps ahead” (heh, and I quote) canon. Here’s another place where I feel like Tom was involved, since I’m pretty sure that somewhere, he’s literally said “Loki’s always ten steps ahead of everyone else.” 
That said, I’m not crazy about the delivery of this line; the over-confident tone of it smacks of “here’s someone about to get knocked the fuck off their pedestal” and I’m not here for that. 
That said, these next scenes - 
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- not only show Loki with the upper hand but, also, it’s clear that Loki goes rogue at some point, possibly early on, and I do like that. Drag me if you will, but I want to see Loki scheming and being manipulative, in his own interests. 
I think that Loki being the protagonist will allow them to portray his manipulation in a way that the audience is on his side. I don’t think that the TVA is being framed as the “reliable narrator” through which the audience should view Loki, or “good guys” at all; I think that maybe they’re not evil, but there’s probably a lot of morally-grey shenanigans and goings-on. 
I also think Loki is capable of outwitting them; Loki, being ten steps ahead, has probably figured out something that the TVA has not even thought of yet, so he’s going to fix things his own way, according to his own plan. And I want to see that, because I think that this will give the narrative room to really explore both how Loki thinks and what he does when his plans go awry (as I’m sure they’re bound to do); like, how will he fix it and still remain on top in the end?
So, I mean, I’m pretty intrigued (and still cautiously optimistic). 
Lots of action shots happening, I won’t add even more images to this post, but this magic is still giving me life. 
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What is this, a food court? (Speaking of which , what’s up with all the action in the mall earlier?) 
“I’ve studied almost every moment of your life” 
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(^^ Missed opportunity)
“and you’ve literally stabbed people in the back like 50 times.” 
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Receipts or it didn’t happen, and that’s all I’m gonna say about that line right now. 
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Thanks, I hate it. This is all wrong, this whole thing - just awful, scrap it, toss it out. Tom, I love you, but this was the wrong delivery and an all-around bad acting decision. It’s too over-the-top, too earnestly “well I never!”, too comical (as in, feels like it belongs in a comic with a speech bubble as opposed to funny). 
Once more, with feeling. From the top! 
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I like that we get to see Loki doing a wardrobe change, as I don’t think we’ve gotten to see that before. He always just shows up in a new outfit or illusions one on. 
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That’s one ugly ass outfit, but you make it look passable, Loki. You’re beautiful, in case no one’s told you that today. 
The remaining shots are very visually pleasing and action-y and I dig them, except the volcano one (stop posing with your arms outstretched every five seconds, Loki, it’s kinda cringe. In the above still, it works; in front of a volcano, it’s just tonally off. I say this with love, don’t @ me). 
Overall, I think I maintain my 7/10 rating. I think that the trailer hints at a lot of potential in the story that I will enjoy seeing, and I think that the nature of it being a trailer means that it’s a little tonally hyperbolic (this is kinda the format for Disney shit; show the flashy bits, the funny (”funny”) bits, to draw in the casual viewer. Save the story bits for the show. (Case in point: there’s a lot of great material in TFatWS that happened just before or after the one-liners shown in the trailer.) 
So, yes. Sorry this is such a mammoth post, I just needed to explode my feels. If you think the trailer’s awesome, kudos and I love you. If you’re disappointed and upset, I’m sorry and I love you. If you’re hovering in the middle, still in cautiously optimistic territory, pull up a seat and have some popcorn with me. 
That is all. 
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thoughts-on-bangtan · 3 years
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Let’s Talk: Jimin’s & Tae’s confessions (RUN Episode 141)
by Admin 1
Originally, I planned on writing a summary or vmin cut of the RUN episode but then I transcribed Jimin’s and Tae’s confessions and it got me thinking, and now here we are. Instead of a summary here are some of my musings and thoughts about their confessions and how they are right in line with things they’ve said in the past, and even quite recently, as well as how it fits with something Namjoon said in 2020 about them as well. I hope this will at least be somewhat interesting.
So, first, let’s look at Jimin’s confession, since this is longer and was first in the episode:
Jimin’s Confession
Jimin: Sometimes I am blunt. I’m like that at times. 
Na PD: Taehyung, has Jimin ever said anything bluntly to you?
Tae: Nowadays, he's really putting in effort to fix that to the point where it rarely happens anymore. Jimin tends to be very hard on himself, which also broke our hearts to see. 
Na PD: So, he gets stressed from himself, then gets mad at himself...
Tae: Then gets mad at himself.
Na PD: ...and then he blurts remarks.
(here it was a bit unclear (for me at least) which of the two said which line so I’m sorry if I mixed them up)
Jimin: It’s something I want to be forgiven for.
Tae: But Jiminie being blunt and me being blunt is completely different. Jimin has a kind hearted nature on the regular.
Na PD: Right.
Jimin: Are you usually not like that?
Tae: I’m, well...
The other members stop Tae, since it’s not time for his confession, and instead the question is posed by JK if they forgive Jimin to which everyone says yes.
Tae: You’re innately kind at heart. stretches out hand for handshake.
Jimin: Thank you. Jimin thinks (?) Tae might be going for a fist bump since he gives him his fist instead, which Tae still takes and shakes.
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The first thing about this that caught my attention, as well as one of our anons, was the fact that instead of choosing literally any of the other members, Na PD turned to Tae and asked him to verify if something like that (as in Jimin being blunt) ever happened toward him. You could say we’re thinking too much here, interpreting too much into it, and yet it doesn’t change the fact that he chose to ask Tae. Of course it could be because he said at the start of the program that he feels closest to Tae since he heard about him from two of his Wooga squad friends, but it might’ve just as well been because he watched the members for a while already at that point (since they’d already been filming a few hours) and perhaps he did notice how Tae and Jimin naturally gravitate toward each other, have this special bond? Other people who worked with them in the past noticed it, so why wouldn’t he?
There’s actually moment where Jimin turns and says Taehyungie like he wants to ask him something or say something to him which isn’t in the subs and the members don’t notice it either so Jimin never got to actually say whatever he wanted to say. Also, we’ve all seen how Tae and Jimin behaved during the game in the previous episode, how happy, smiley and giggly they were while being silly together.
Then the actual confession itself, Jimin saying that he can be blunt at times, toward others but also especially toward himself. We’ve heard many times from Jimin about how much of a perfectionist he is, how he can get mad at himself for mistakes, how he sometimes speaks without thinking which can end up a bit mean/blunt, and now he’d like to be forgiven for it.
This actually reminded me of something he said to Tae before:
FESTA 2020 from 42:56 min onward (context - the question was: have you felt disappointed in or sorry to the member to your right?):
Jimin: For Taehyung I should say if I compare those two feelings to him I was more hurt than sorry. Over time, it was reversed. Now I don’t feel slighted. I’m more sorry about things. Back then we were buddies so we had a lot of disagreements or didn’t admit that we were wrong. So I felt disappointed about little things. Now he listens to me well so I feel sorry that I talked to him harshly and every little thing.
The last line especially sticks out to me. I know there’s some language nuance here that got lost in translation which wisha mentioned when the FESTA 2020 video was posted (but is now gone since her twt was suspended), and yet it doesn’t change that fact that it fits with Jimin’s confession, how he was harsh to Tae in the past but now feels sorry for it, and with what Tae said, that Jimin is now making an effort to fix that behavior, to not be so blunt/harsh anymore.
It’s so interesting to me to see these mentions of what could be seen as character flaws over the years, things that make them inherently human. Also it fits with what we know about the evolution of vmin, how they used to have disagreements, have issues with proper communication but over time worked on it, got better at it to the point where they can now understand each other by just looking into each other’s eyes, and Tae’s words about Jimin, how he’s an angel, the warmest person he ever met, and now how he has a kind hearted nature, therefore the bluntness is not taking away from it in any way.
There was also something about this in Jimin’s solo RollingStone interview which caught my attention:
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(btw, if you haven’t yet, I highly recommend reading the main and solo RollingStone interviews because they are really, really good!)
Taehyung’s confession
Tae: Compared to the other members, I’m very lazy. Once I’ve set my mind on something, to get that into action, it takes me up to 2 months. I’m start working out, then quit. I’ve quit projects midway too. I’m the type where if I’m not feeling it, I don’t do it. There are times when I feel sorry to the members. 
Someone (I can’t pinpoint the voice): How would be summarize this?
Jimin: You’d usually call this as “irresponsible”. He lacks responsibility,
Tae: I’m still an amateur. 
Na PD: “I lack responsibility and am lazy”. Is that how we can understand it?
Tae: Yes.
Jimin: To be honest, we don’t think it’s to that extent, but if that’s what he feels... we forgive him.
Something I love about what Jimin said (in far fewer words than I will use because you know me, I can’t keep myself short) is that he essentially did two things at once, being: he assured Tae (and the viewers) that him and the members think differently, don’t see it as severely as Tae does himself, and then he also acknowledged the validity of Tae’s words, that even if Jimin doesn’t agree with him, Jimin knows that those feelings are still valid, that that’s what Tae feels and that, at the end of the day, even if the members don’t agree, they can’t change Tae’s mind, can’t force him into seeing things differently. The only person who can do that is Tae himself, and that’s okay. Jimin and the other members will still quietly support and reassure him when needed until he’ll “fix” this weakness, if that is something he wants to do.
This really shows how in tune with Tae Jimin is, but also how emotionally intelligent he is. Beautiful. Also, notice how Jimin said that without being asked to do so, which will come into play again a little later in this post and why I point it out specifically again.
Listening (or rather reading along) as Tae said that, it reminded me of something he said a few months ago:
Taehyung BE-hind Story Interview from 5:49 min onward:
Q: How do you cope when it’s hard to work/with these situations?
Tae: I’m very true to my emotions so uh...if I can’t write the songs or can’t come up with a title I just don’t. Like now! 
Yoongi: That’s actually the best way. 
Tae: I just don’t write it like how I’m doing it now, and I don’t want to be pressured to create something against my will. 
Yoongi: It’s not like you have to finish a song within a day or two? 
Tae: Right! So I’ve been taking some rest for about four months now. Now that I’m resting for four months... 
Yoongi: Wasn’t your mixtape supposed to be out last year? 
Tae: The mixtape that was supposed to happen last year was postponed. I should be in a state full of emotions right now, but I haven’t reached it yet. It’s like...my first mixtape so I want to feel that satisfaction when I release it whenever that time will be. 
Yoongi: That’s why you have to finish the whole thing while you’re at it... 
Tae: Yes. 
Yoongi: ...or else it takes too long to finish it. So, you have to finish it within that period. 
 Tae: Right. 
Yoongi: I’m guessing you might’ve missed the time.
The thing though is that what Tae said, that if he doesn’t feel it, he won’t do it/finish it, that just shows how much of an artist he is, how much his art truly matters to him, and how important it is to him that his art, in this case his music, turns out just the way he wants it to or else he won’t finish it or release it. And while Tae might call this “irresponsible”, I don’t think it’s that in this case, or that it’s a sign of laziness either, though just like Jimin, I don’t want to invalidate his feelings either. All I want to bring across is how in the context of his music, this isn’t a weakness or flaw, even if it might seem like it, especially in their line of work with deadlines, schedules and plans made weeks and months in advance where, usually, you can’t just take a four month break.
So, in that regard, I can understand how it can feel like a flaw to him, make him feel guilty about it and sorry to the members who in this case might rely on him to get something done on time and he might not do it, or not without forcing himself to do it or being dissatisfied, you know what I mean?
Earlier today Tae was on weverse and answered a few questions about his mixtape (though I have a feeling it really is time for ARMY to stop asking him about it and just let him breath) where he said that even though he got a song from someone and made ten himself, even with that break he took according to his BE interview, the songs just aren’t what he wanted them to be and thus he decided to start again.
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Some could say it’s again a case of him being irresponsible the way he characterized it during the RUN episode, that even though he said last year he was almost done and would release it soon it ended up being postponed and now he started over again, but once again I think it just shows how very important his music is to him, and therefore I’d actually call it a strength. It shows how valuable his artistic expression is to him, to create music the way he wants to, at his own pace, and only release it once he feels it’s right.
One more thing, just like I said in the intro of this post, Jimin and Tae jumping in to assure the other, reminded me of something Namjoon said during his Map of the Soul : 7 vlive last year:
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The context is a little different, but I think it’s still valid here as well, how Tae and Jimin made excuses for each other, how Tae immediately softened how harsh Jimin’s own words about himself might come across, assured both us and Jimin that really he has a kind heart despite this weakness, and then also Jimin by saying that things aren’t as bad as Tae makes them seem either. It’s interesting to really see something play out in a manner similar to what another member said about them based on having been with Jimin and Tae for the last nearly ten years.
Whoever claims that BTS just play out concepts or “plots” and characters given to them by the company really should just take a seat and stop. I mean, sure they all have a sort of persona they embody in front of the camera, at least to a certain degree, they’ve spoken about that numerous times, but they are still humans with flaws and their own dynamics between each other away from the cameras which, logically, also come across on camera as well, not always but enough for us to pick up on it. And in this case, with these confessions during RUN, we saw something that we previously only really heard about happen right in front of us proving (not that they have to prove anything to us, of course, we should simply trust them and what they tell us) that it really is that way.
Here’s the anon I mentioned earlier:
From anon: It might just be me lol but I think rather than Jimin forgetting he's being filmed for a show (with all those members of staff as onlookers as well) and blowing a kiss at Tae / blowing on Tae's chest, he probably just noticed a tiny bit of lint or fluff on Tae's cardigan or mic and decided to blow it off... Of course, if that was the case, that still reveals their high level of intimacy and the fact that even when interacting infront of strangers they seem to be unable to stop showing exactly how tuned into each other they are... I don't think it's a coincidence that Na PD chose to ask Tae, of all the members, to verify Jimin's statement about his flaw. He was probably observing them all day and noticed how particularly close they were, even amongst all the extremely close members.
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would you like to share some songs you associate with your favourite characters and why?
part one (you are here!) | part two
okay, anon, anon, my dear my lovely anon, you've gotta know that giving my most loved their own little soundtrack is one of my favourite things to do - so, buckle up! that said, since at the moment i have a huge transformers themed brainrot, this will be mostly in reference to my crack au in perpetual progress, but hold up for some unrelated special mentions! (i wanted to do them, but then it got too long, sorry ;w;)
let's start with an odd one: i first started plotting the au up with viva la vida on loop - not my usual kind of music and it doesn't have much to do anymore with the au per se, but it's a fun throwback
TARN, he's a fun one to pick music for, because in my mind he has a specific vibe that is a mix of an actually tragic character and the most stupidly comedic villain so his picks are all scattered over the place. anyway, he gets: 1. votre toast je peux vous le rendre (sang by a proper baritone this time!); obvious stand in for the empyrean suite is obvious, i love to imagine he'd listen to it and think he's cool like escamillo (bestie, you are josè at best <3), it plays right in into all of his delusions imho, 2. stars; people who pick the phantom of the opera as thee tarn theatre musical song i will personally fistfight you. THE lawful evil song - also tarn does parallel nice to javert, if you ask me, 3. tu grillo parlante; you're such a learned man / but that kind of violence / you so often speak of / we're feeling it deep inside / its sold in all the shops in the city / you should buy some, too / you'll see that you'll need it - local man preaches shit he's got all wrong, what will he do next? 4. video killed the radio star; man is so anchored to a vision of the world is blind to see how shit's changed, refuses to admits his own faults, 5. grace kelly/bathtube mermaid (i love both, i can't honestly choose); he’s worn himself so thin, a persona after the other, they’re all bleeding into each other - who are you, tarn, beside your desire to please? bonus track: Tarn & Kaon as il gatto e la volpe; second obligatory pinocchio reference but cmon: you won't regret it / we discover new talents and we're never wrong / we'll be able to make the most of your talents [...] you were so lucky to meet us / he's the cat and i'm the fox, we're a company (?) / you can trust us!, if nothing because imagining tarn and kaon as a couple of talent scouts of serial killers amuses me to no end. also it's nickel's nickname for them! except she's forgot it's the cat who's blind and the fox who’s got the limp, so she's got them switched out.
(i delight in thinking that, minus carmen's aria, tarn would absolutely loathe every song i picked for him btw)
meanwhile, DEATHSAURUS, he's a bit harder to choose for, he has less "screen"time in the comics, less fics and meta written about him, so i'm quite going more with my gut feelings and uh, mostly shit i’ve made up myself for his au version, that's it, i’m sorry. one thing i'll say, though, i think i read this fic (by warlordenfilade i think? i don't want to tag in case i'm wrong ;w;) where the author stated that deathsaurus' taste in music would probably be something like space nickleback and YES perfect headcanon, though i've cranked it up to space soad (who are actual soad, tbh, since. human au). this said, deathsaurus would probably like the picks i've got for him much more than tarn does since, musically speaking, i guess we're floating more or less on the same boat (by which i mean, it's absolutely nonsensical): 1. question!; this is more of an early life lingering feeling vibe that he's carrying on from being fresh off the MTO operating lab, seeing the war from the first time face on, raising the ladder to warwold commander and some of the insensitiveness (mental and physical both) he's developed through it. just. deathsaurus weird feelings time, 2. coming undone/right between the eyes; if i ever get to write the human au version of deathsaurus defecting this is going to be the soundtrack, full stop: the fed-upness, the rage, the blowup, it just fits in like a puzzle coming together (heh!), 3. falling away from me/lost in hollywood; if the songs from point two are the defection soundtrack these are the buildup: you’re trapped in a cicle of violence and the people who depend on you are all dying useless deaths, you have to break it but it is also the reality that you’ve known for all your life and shaped you as the person you are now, 4. i would for you; deathsaurus’ terminal “i can fix them” disease <3  bonus track(s): Deathsaurus/Esmeral as enter sandman; they became something horrible together, deathsaurus even has a couple of lines of the song tattoed on his ribcage - it used to be a favourite, you could even call it their own song. what has become of their relationship: should i stay or should i go? (and the obvious no children) Esmeral’s early pov on deathsaurus and tarn’s relationship would instead be something like somebody told me - because the army likes to gossip and i like some silliness in my drama. meanwhile, Deathsaurus’ early pov on tarn as a whole would probably be something like blame it on the girls and he would be right <3 ...and adding to the series of Nickel’s Nicknames, she calls deathsaurus capitan harlock mostly in reference to the italian version of the og opening, but the english one works as well, i suppose.
some misc: if you want to know what both NICKEL and KAON like to listen, put on some Raffaella Carrà; though nickel’s song is donatella or even lamette, tbh they’re both good for her. babylon gives me deathsaurus’ warworld vibes. i can’t point exactly out why; it’s not really in the lyrics. ride the lightning is how deathsaurus’ Thunder Arrow got its name. beside the note i made in the beginning, what actually kickstarted me to think of the whole djd as humans was this reinterpretation of un’emozione da poco (shrugs) and that’s why my version of human tarn looks a bit like Luca Marinelli ig.
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