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#also they're both good examples of ships that you can feel their care and love for each other WITHOUT a smooch
agrebel18 · 1 year
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Seeing several people GENUINELY think that Raeda and Huntlow aren’t canon PURELY because neither of them kissed like Luz and Amity did is REALLY SHOWING that people’s media analysis skills are getting worse 😐
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onepiece-polls · 7 months
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One Piece Shipping War - Grand Finale!
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Propaganda under the cut.
Propaganda for Franky x Robin:
Do I really need to explain?
The old married couple who's healthy, Enies Lobby (and all their appearances) are their propaganda really.
It’s all about the maturity!
Their dynamic is perfect and their pasts are so similar. I love the chemistry between them as well as their introduction that helped build the connection and shared history they already have.
they are THE t4t bi4bi ship | franky telling robin "existing is not a crime" immediately puts this at number one for me | they are opposites (bright and loud + quiet and goth) but also they're both so eccentric and silly <3 | THEY WEAR MATCHING OUTFITS
Mom and dad Straw Hat
They are STILL the Mom and the Dad of the Straw Hats, this is the one thing I don't care what Oda says <3 Also their interactions in Enies Lobby and Thriller Bark are amazing.
In my eyes, they are married. Some of my favorite character interactions in the manga/anime and in official art.
Oda had Franky call Robin his wife at least once
Your honor they’re married
I'M GOING TO PUT LINKS IN MY EXAMPLES (Mod note: I linked to the whole post, the propaganda was going to get too long otherwise. But I will copy this line:...) They immediatly clicked in Enies Lobby, Franky saved Robin with both words and actions ("Your existence is not a sin!"), and then she grabbed his balls.
The duality of two kids who were just trying to chase their dream and having circumstances outside their control (the government) take everything they love away from them, but one choosing solitude and the other adopting every other person in a bad circumstance??? I love them. Plus they literally had couple moments from the first interaction.
The ultimate t4t couple idk what else you need theyre iconic
A wholesome ship of a woman who feels the need to be constantly on edge trying to relax and a man who is a 110% himself from the moment we see him. the joy of frobin is the causal domesticity, in many color spreads and especially post timeskip we can see them casually enjoying the others company.
Remember when Franky was in Chopper's body in Punk Hazard and every time he spoke Robin was like "Franky. Stop talking. Do not talk while you're in Chopper's body."
idk like. he's obsessed with her. she's his weird Goth gf and he's her himbo. they have matching outfits. I love them.
Look. It's Franky and Robin. Literally the only two characters that make sense to ship on the Sunny. Their arcs are inextricably intertwined (water7/enies lobby). Also LOOK AT THEM interacting, both during their arcs, but also thriller bark, or post time skip. I love them. Also robin crushed frankys balls.
funny big robot man & analytical smart research lady power couple... silly x smart... himbo x researcher... augh... so good
They are the ship for taxpaying adults your honor I LOVE them they’re literally freak4freak and they share such a fucking powerful arc together (Water 7).
that moment she let him sleep on her lap in punk hazard was sooo cute <3 -- The matching thigh highs and bottoms in film z can NOT be understated. -- Strawhat mom and dad -- Let's not forget the way robin convinced franky to join ( ͡° ͜ʖ ͡°) -- she also indirectly called his balls "treasure" so,,, -- the way their stories are so closely intertwined...they were both keys to destroy the world...the way they instantly connected over that...the soulmate-ism of it all...
they . them. girlboss and malewife. that's it.
She grabbed his balls. He totally liked it.
He's so silly and she loves it. She's so scary and he loves it. She grabbed his balls in public.
They will be endgame trust me. Franky doesn't treat any other girl like he treats Robin. There dynamic in Water 7 and Thriller Bark was and always will be one of the best in all of OP.
Propaganda for Nami x Vivi:
Yes, Nami has a new girlfriend on every island, but her heart belongs to Vivi. Vivi in turn refuses to marry, because her heart belongs with a pirate ❤
THEY’RE LESBIANS! IN LOVE! another point: my friends who are watching OP for the first time came to me and asked “so Nami and Vivi… they’re gay right?” So it’s pretty apparent to even newcomers
I just think they’re neat! And in love. Nami gave up money for Vivi that’s True Love
Anyone who saw them can just tell they’re gay. Like Nami gave up money for her
They're one of the rare lesbian ships in op, they care for each other so much !!
Lesbians
Lesbians
They were so gay that Luffy offered to share food to cheer Nami up when they were separated.
i dare you to read Baroque Works through Alabasta without shipping them. the way Vivi and Nami are so affectionate with each other, and Vivi putting saving her nation on hold to get Nami healthy again ???
Lesbians
Let’s go lesbians!!!!! Ok but actually, I think Nami saw a lot of herself in Vivi (ha) especially when Igaram “died” and then throughout their journey together Nami really encouraged her to open up to the crew. Nami showed Vivi it was ok to ask for help just like Luffy showed her.
Vivi was Nami's gay awakening and you cant change my mind. Nami was in love with Vivi and Vivi def had some kind of feeling for Nami. They were so close and they were more then just 'gal pals'
Lesbian Pirate Supremacy! they clearly care a lot about each other and considering when nami meets vivi she is probably one of the first close female friends she gets to have.
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forevermore05 · 28 days
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Okay, so I have seen some discourse about being a Zutara shipper and their feelings about Aang and Mai. And I'm not here to be a moral police officer. However, I want to provide a perspective that maybe other people have but cannot vocalize. I love Aang, when NATLA Aang asked Sokka where Appa was I think I was about to cry because it was cute. I could never hate Aang. You could never make me hate Aang. If you notice in past posts I do not flame(o) Aang. I DO CRITICIZE HIM. However, what the writers did to Aang is not cool. Using the device of an unconsented kiss is disgusting and sad. My argument is that Kataang could have been written so well but I don't ship them so I don't care to think about that aspect. If you do want some nuance in my perspective of that ship. However, it is my idea that we shouldn't write romances for 12-year-olds. They're just simply too young for that. However, I criticize Aang when it comes to time to do so. For example, the unconsented kiss with Katara and that problematic Charkra arc. Though my criticism is never hateful but filled with frustration with the writers.
This is how I view Aang.... I see him as the Avatar being the equivalent of a child prodigy, whether that be in music or sports. However, a child prodigy still needs their parents regardless of how skillful they are. And that's how I see Aang. No matter how wise or good he is at bending or being the avatar in general. He needs adults in his life to be his support system and be able to raise him.
I like Aang but for me, he is not above criticism and he is not a perfect character there are a lot of things that need to be addressed in terms of this specific character because I feel that there is not enough criticism for him and I feel that I'm not upset with the character himself. I'm upset with the writer's thought it was cool to do certain things. And I'm allowed to respectfully criticize some of his ideologies seeing that some of them came at the expense of demeaning a religion.
As for Mai, I think she's a treat to watch by herself, but with Zuko it's just draining and sad. They both harm each other and that's just depressing. But honestly, I have not looked too deeply into her character to speak about her.
My conclusion is you can still ship Zutara while liking Aang and Mai but it is also fair be critical of their characters.
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my-mt-heart · 3 months
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Why Explicit Caryl Canon Matters
Daryl and Carol (Caryl) fans make up a large portion of the spinoff's audience, and this audience wholeheartedly believes that Daryl and Carol are each other's only choice. It's in the writing. It's also reinforced by cast, crew, and EPs. For example, Norman has repeatedly said “If Daryl falls in love, it's forever."
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There's a misconception that Carylers are a bunch of hysterical saps – fans who only want their ship "fucking under the stars" and only care about Daryl because of Carol, but that’s not true. In reality, Caryl fans are the deepest, most intuitive thinkers in the TWD community. To them, story matters. While they recognize and adore all of the subtext, they understand that it's supposed to lead to something worth the 13-year wait. They're expecting that major sense of relief and joy from watching explicit, undeniable, canon.
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Explicit canon respects Carol's and Daryl's character development – individually and together. They started out way behind everybody else in life, convinced they weren't worthy of love. Daryl thought he was better off alone and Carol thought she was just a burden, but then they showed each other their true potential. Carol told Daryl he was a "man of honor" and Daryl taught Carol to have hope for a better future. They've struggled and suffered and strived to be good enough for each other. So, where's the payoff?
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I understand not all fans want the same things, and maybe there's pressure to “keep everyone happy." Maybe it feels like a lose-lose situation. But from a marketing perspective, Caryl fans are a very reliable source of revenue for the show, so keeping them happy secures a reliable audience for future seasons of the show. They'll show up with their wallets out and their enthusiasm turned all the way up for Norman's and Melissa's nuanced performances. They'll create more fanart and other content. They'll make the show trend on Twitter constantly. Fans already adore Norman and Melissa, but explicit canon will amplify it further whereas keeping things ambiguous will cause a significant decline in viewership.
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Ambiguity is the reason that the "I love you" scene in the flagship's finale got mixed reactions. For the fans who also struggle with their self-image, it was important to see Daryl and Carol overcome their own insecurities and finally "take whatever happiness they could get." But instead, many saw Carol's lighthearted "I love you too" and Daryl's departure as if they were both forfeiting what they always wanted. Daryl was submitting to his solitary nature again while Carol assumed she still owed a debt to her community and Daryl would be happier without her anyway. Both of them deserved a happy ending, or at least a piece of happiness to launch them into the next part of their journey. As far as many fans were concerned, neither of them got that.
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That's why a lot of fans had a hard time watching S1 of the spinoff or opted out of watching all together. There were so many moments that teased the "possibility" of Daryl getting together with a younger, blonder woman nun while hints of Caryl's relationship were buried under more subtext. Keeping Daryl's feelings ambiguous just for the "fun" of shipbaiting cheapens Caryl's one-of-a-kind relationship, falsely indicating that their iconic beats can be recycled with someone else and still evoke the same passionate response from fans.
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Ambiguity also perpetuates ageism and gives non-Caryl fans the excuse to say hurtful things to or about Melissa. Whether or not she's online to see it makes no difference because it still degrades her and it damages other women's perceptions of beauty and worth. Explicit canon on the other hand raises both Melissa and Norman up as two powerhouse actors utilizing their unparalleled chemistry to celebrate mature romances. It brings Daryl’s defining character traits to the forefront – the nurturing traits and the epic ones. It positions Daryl and Carol as equals, and it helps drown out the harmful comments against Melissa. 
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Hopes for season 2 of the spinoff are high. Confirmation of Carol's and Daryl's romantic relationship in a way that needs no interpretation and no explanation from anyone offscreen is a dealbreaker. I know in terms of explicit canon, post-production can make all the difference, so it's crucial someone in a position of power pushes for canon that fully and unapologetically lives up to the fans' expectations, does right by the characters, and respects what Melissa wants.
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There's a difference between shipping two characters and acknowledging the intense (usually gay) bond between characters. You guys get what I mean, right? Like I'm not just going insane?
Like a BSD example:
-I casually ship Louisa X Lucy because I feel like their dynamic could work in a romantic context and because I love it when girls are in love and they both deserve to be happy 🩷
-HOWEVER Chuuya and Dazai have an intense bond, they are one soul in two bodies, written and designed to compliment the other, Chuuya trusts Dazai with his life and vice versa, Dazai believed in Chuuya's humanity from the very beginning, their old and sorted dynamic, Chuuya being like the only one who understands Dazai's motives, and so, knowing all of this, I simply have no choice but to acknowledge their homosexuality because if I don't then I'm just being willfully ignorant
Or a MHA example:
-I somewhat ship Dabi x Hawks because it's hilarious whilst also having beautiful potential for angst
-BUT Bakugou and Midoriya quite simply just are gay as shit for each other and I have no choice but to accept it. Rivals constantly pushing the other, their complicated history and how they've both grown because of it, their understanding of the other, Bakugou basically trusting Midoriya with his fears and insecurities, Bakugou being the first to know about One for All, Kaachan Bakugou.
Or a MTP example:
-I guess you could say I ship Microsoft X Albert because I think it's sorta very funny and extremely plausible.
-MEANWHILE William and Sherlock are like the only person who understands each other and can keep up with them and Sherlock is diving off of buildings and cradling William's head as they fall (in love).
Or a JJK example:
-I kinda ship Maki X Nobara because I can and I want to and they could work
-ALTERNATIVELY Gojo and Geto where each others one and only best friend, best friend they ever had, knows his smell, his heart and soul know otherwise. They're just disgustingly in love and I hate it but there's nothing I can do about it except cry
Or a Haikyuu example:
-I do ship Hanamaki X Matsukawa because lord is it hilarious and the fanon presentation of a romantic relationship between them is always the funniest thing ever and the fics are so good
-YET Hinata and Kageyama are exactly what the other needed, Kageyama found his better half, their constant pushing of the other to do better, promises fulfilled and matches won, casual moments and casual touch. I did not choose to see them in a romantic light, they forced me to. I am a victim
Or a Merlin example:
-I dabble in shipping Percival X Gwaine purely because I can and no one is gonna stop me
-ALTHOUGH Merlin and Arthur are so gross and icky and care about each other so much and repeatedly risk their lives for the other and Arthur asked Merlin to hold him whilst he dies and Merlin spends forever waiting for Arthur's return. I just can't view them platonically or something after everything I've seen them do and I don't believe anyone who says that they truly don't seem them as romantic or at least something other than platonic or brotherly because how could you not??
Or a Doctor Who example:
-I could ship the Doctor X Jack because that's actually class
-UNFORTUNATELY that would be asking me to ignore the Doctor and Rose. He burned up a sun to say goodbye. He loved her. She loved him, was willing to never see her mother again if it meant she stayed with him. I'm sorry but cmonnnn
Nah but you get what I mean, right? Like I don't 'ship' these people, they're just IN LOVE and I hate them for it.
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bung3665 · 5 months
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Some Dynamics and Character Lore From GGZ
Given the title, this won't cover everything, especially the dynamics that are present for GGZ-only characters, but I thought I'd make a post for Hi3 characters that are present in GGZ for those of you who like to draw fanart/write fanfiction. As well as the fact that I like talking about GGZ.
Fair warning: this is going to be long, I have a bad habit of going into too much detail on things like this, so please bear with me.
For this post in particular, I was going to focus on multiple characters but this ended up being so long I relegated to it just being about Kiana and Mei, and more specifically two versions of them. I might make a follow up post for Bronya/Seele/Sin at another time.
Trigger warning for attempted suicide below. I feel like I should include this just in case.
Short introduction but that's all I have to say before diving into the material.
Kiana/Mei
It shouldn't really be a surprise that Kiana's greatest dynamic is with Mei and only Mei. The two are a lot more blatant with their feelings and relationship in GGZ. However, their relationship is also more tumultuous than in Hi3. They are a good example of doomed yuri, besides the ending to the Reborn storyline, which is bittersweet at the least and good at the most.
The writing of GGZ carries the same theme as Honkai 3rd, fighting against the fate of the world and for all that's beautiful. GGZ tends to explore the darker aspects to this setting, often times mixing in heavier themes while doubling down on the struggles of the characters. At times, it can be almost over the top, but I think its cohesive and still a finely crafted story.
It should come as no shocker that Kiamei is the primary ship of GGZ, it's outright confirmed that they love each other at points throughout the story. Sometimes it is for lesbian bait, but on the whole I think their writing is good and the way they rely on each other for support is nice.
Kiana and Mei are more grounded in GGZ, if I had to word it. They're still incredibly resilient, but there are times where they crack mentally. It happens to Kiana more than it does to Mei (save for the last arc, where it's all about Mei suffering), but seeing them work through these things does deepen the bond they have.
Now with all that said, let's move on to the actual content of this post.
Retrospective
Retro is the story you play when you first start the game, this is the "first half" of GGZ's story in some regard. GGZ's story and setting is divided into separate eras, with the main two being Retrospective and Reborn. Era Zero, taking place before both of them, was never fully completed unfortunately.
In Retro, Kiana and Mei initially start off on the wrong foot. Mei is sort of hostile towards Kiana (a result of her becoming a Herrscher) and Kiana is a bit insensitive to Mei on introduction, but after learning about Mei's past, Kiana manages to get through to Mei after their battle and the two make up.
Will put it out there that much like Kiana in the Hi3 mangas and early Hi3 story, she's a perv here. Yet her crush on Mei is a genuine thing.
Things calm down for a while, but when Bronya enters the picture and Mei begins to dote on her like a big sister, Kiana gets a little...possessive, and jealous. She's quite immature when it comes to romance in Retro. And while Mei is more serene about things she does care for Kiana too.
The two have their own unresolved matters, however. For Kiana, it's finding her dad who went missing when she was young (note: Kiana in GGZ is not a clone like in Hi3, this is the real and original Kiana Kaslana). And for Mei, it's regarding Ryoma's sentencing and his ties to Anti-Entropy. The two bring it up at points and reassure each other that they will find their dads which is sweet.
Things take a turn for the worse when Cocolia attacks St. Freya with the Moonlight Throne battleship. When the ship crashes into the church where the furnace containing the core of the second Herrscher is (yeah they stored Sirin's core there), Kiana somewhat fuses with the core and has a complete mental breakdown when Cocolia reveals the truth about Siegfried and how Kiana murdered him when she accidentally became a Herrscher while young.
This causes Kiana to become a Herrscher due to the rising amounts of Honkai energy in her body. If you're wondering about Cocolia, she dies by heading into the Honkai furnace and gets swallowed up by all the Honkai.
Kiana kills everyone after becoming the Herrscher of Finality (or Herrscher of The End, Final Herrscher etc), and the last person she kills is Mei.
It's a sad scene through and through, and the CGs are great. Even more so because at the end, when Kiana and Mei are floating above the world, Kiana still cries while the world ends.
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See you in the next world originates from this scene. Very good piece of music.
So what happens after? The world ends, Mei and everyone die, but what happens to Kiana?
Kiana became a puppet for the Honkai, even after the initial catastrophe that occurred at St. Freya, small groups of people managed to survive the world-wide Honkai eruption. But they too would be wiped out by Kiana.
She didn't move, she didn't think anymore, and she had no emotion. Only when the Honkai needed her to kill whatever remnants of civilization rose up did she move.
This carried on for hundreds of years, or tens of thousands, but by the end Kiana had killed all of humanity.
And then she regained her consciousness and was faced with the reality of how many she had killed and how much blood she had spilled. To save herself from the suffering she tried to end her life, but because she was a Herrscher, she was immortal.
No one could kill Kiana, not even Kiana herself. When Kiana realized this fact she gave up all resistance. She deluded her mind with memories of the past and paralyzed herself on the spear she had impaled herself with, until the day Honkai disappeared from the world.
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Quite the terrible end. I won't be covering Reborn in this post, but I thought it would be cool to write about the Fire Moth DLC side story, since their relationship in that story builds off of Retro.
Fire Moth
To understand Kiana and Mei's relationship in Fire Moth, you first need an understanding of the setting. The events of Fire Moth happen during Reborn's story, during the story chapters as a matter of fact.
But Fire Moth itself technically takes place in a stigma space where the world has turned desolate five years after Kiana became a Herrscher and destroyed everything. It should be noted that this is the world contained in the stigma space, so the setting of the story is not taking place in the real world. The backstories and characters are acting upon how they were in Retro (and were materialized by Kyuushou's memories of them).
This is Kyuushou's stigmata space, and she has the stigmata of both Kiana and Mei from Retro. Hence why this world bears so much familiarity to Retro.
Most life on the surface is dead, and the survivors in Nagazora have banded together to form the organization "Fire Moth", or "Moth Who Chases The Flame", under the leadership of an older Bronya.
Houraiji Kyuushou is the protagonist of Fire Moth, and you play through the story as her amnesiac self. Kiana is still the Final Herrscher, and rather than a being who is carrying out the Honkai's will endlessly, or someone who still has enough emotion and humanity to cry, this Kiana has gone deep into nihilism and has become devoid of most emotion.
This is a Kiana who knows what happened thousands of years ago and guilt has eaten away at her and left her with nothing.
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CG of Kiana when Kyuushou first meets her in a dream.
To get a good idea of what Kiana and Mei are going through in Fire Moth, how about this short conversation I machine-translated. Might be inaccurate, I don't know Chinese that well! But hopefully it helps. Some of it has been taken from Guns Girl Z Cutscene Interpreter as well, I translated some of the text that was still in Chinese.
(Mei's text is purple, and Kiana's is blue).
Mei…what would you do if the world didn't fall apart?
If it hadn't collapsed...
I would probably have been like an ordinary girl, studying something I like, enrolling in a university I wished to go to, and then starting my own family, and walking through a happy and uneventful life with the person I love.
Kiana, what about you?
For me…as long as I'm with Mei, I'm already satisfied.
Really…don't say such embarrassing things...If it's Kiana then there must be something more worthy of pursuing.
If it's the old me…I do have hundreds of wishes I want to fulfill...
I wanted to attend the same school as Mei, eat our bento together under a cherry blossom tree, and spend our entire lunch break lazily.
I want to travel around the world with Mei, take pictures of us in beautiful landscapes, and keep our figures in a precious photo album forever.
I want to build a small cabin by the sea with Mei, watch the tide rise and fall together, collect seashells on the sand blown by the sea breeze together, and then fall asleep under the embrace of the moonlight.
There are so many more wishes…well there are so many more plans too..
But now…
I just want to stay by your side quietly like this forever.
Mei...please give me your hand.
Yes...
If it's possible, will you stay with me until the end of the world?
Kiana…thank you.
Thank you for loving me so much. For protecting me so much.
But both of us, no, we all, we all understand.
That this is a long-cherished wish that simply cannot be fulfilled.
Because...because all of it...has been destroyed by your hands.
Every promise has been turned into ash... and we can never go back.
I'm so sorry Kiana...I'm so sorry.
It's time for us to say our farewells...
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(Kiana alone with Mei's ribbon).
...
I understand.
In fact, I understand it better than anyone.
This is the mistake I made...I've destroyed our future with my own hands.
Such an ending is the best punishment for me.
Alone in a world without you. Even death is too kind for me.
(There's a little bit more to this scene, but it's not relevant to this post).
During the final battle between Kiana and Mei (they're both in the same nihilistic and existential boat here, so naturally they are the two overarching antagonists), when Mei falls in battle, Kiana bids her farewell and calls Mei her "only regret".
At the end of Fire Moth, Kyuushou manages to reignite Kiana's wish from forty-two thousand years ago, which was to bring hope to the world. What Kiana was chasing all this time was a sliver of hope in a world that gave her none.
Kiana relinquishes her existence after their battle, so she along with Mei disappear from the world entirely. No one remembers them and nobody recognizes their names. Kyuushou remarks that Kiana's dream was to live in a world without Honkai, a sentiment echoed by both Kiana and Mei.
Fun fact: if you 100% all of Fire Moth, you get this wonderful CG of the two.
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Conclusion
If you made it this far, thanks. I'm a bit out of my element when writing things like this, so if you have any questions on anything I'd be happy to answer them. I appreciate GGZ a lot, so making this was fun and I hope I can do more of it for the others.
I have a nagging feeling this was a bit too long, so I apologize for that. I ended up explaining a lot of GGZ's lore when this was mainly supposed to be about relationship dynamics...oops.
But to summarize, Kiana and Mei's relationship isn't entirely different from what they have in Hi3, but just like in Hi3 they have their own struggles and nuances. Mostly in the formed of doomed yuri but that's beside the point. I like their relationship in GGZ, at times its as simple as a few exchanges before a battle, and at others its the crux of the story itself.
With all that being said, I hope you enjoyed the read!!
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foibles-fables · 1 year
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I have a question. How did you come to the wonderful conclusion that Aloy and Talanah would be a good couple? I can see the appeal in it, but I'd rather hear it from you
[CRACKS KNUCKLES] Watch me try to stay as concise as I can with this post, hahaha.
First thing I'll say is--I'm an absolute sucker for a strong-based friends to lovers ship. The loyalty, the devotion, the knowing each other before and after the world changes them and every stage between, the slow strengthening of feelings, the contending with blurred boundaries, the oh moment, the it was this all along, the I have always been here and so have you and so we will, the settling into even deeper contentment with the other, hoo boy I can go on and on. I especially like it when it comes in a sapphic flavor of the Burdened Chosen One and their Tender, Caring, Supportive Best Friend.
[looks directly at camera]
So you can already see where I'm coming from, here. But--truly, for me--it comes down to 1) the similarities AND innate differences in their life stories/situations and 2) their interactions in HZD. A combined one-two punch that crushed my windpipe and stole my lunch money.
I'm a sucker for a friends to lovers ship, and I'm also a sucker for a ship with compelling parallels. What interests me most about the Aloy/Talanah dynamic is that they're narrative mirrors, but foils in situation. Both are highly-skilled hunters; both driven by their fixation on a parental figure (either avenging or uncovering); both lost their father (figure) to a cruelty much too large for them, with their fathers' shared desire for them to survive; both inheriting new titles (Sunhawk, Alpha Prime) and shouldering the burdens of their deceased parental figure; both proving their place and worth in the world as based on, in Talanah's words, more than the nature of their birth alone; I could keep going. (Don't tempt me.) But here Aloy was an outcast, while Talanah is from one of the noblest houses of her tribe--the difference of change from without versus change from within, and all the ways in which both are complicated. So narrative mirrors coming from opposing situations--how does that make them alike, and how does it make them different? How does it change they way they navigated through the world, and how does it change the way they would navigate one another?
I also love to point out the fact that Talanah is the perfect example of what Rost was trying to demonstrate to Aloy in his final lesson. The strength to stand alone and to make a stand. Her dedication to a selfless cause--ambition not for her own sake, but to restore her family's legacy, and to change her culture. GOD. My fingers are going numb just thinking about it.
What I'm trying to say is that Talanah is in a unique position to see and empathize with the burden Aloy feels post-HZD, and I'm not sure I'll ever forgive the writers for not capitalizing on that during the pivotal time of HFW. Carrying on of your parent's legacy is not easy, and even if Talanah doesn't know it by weight, she knows it by shape. Importantly, to me--Talanah understands--she's lived analogous experiences to Aloy's--but she's also different enough to challenge her. In fact, it goes both ways. There's a mutuality to the way that they make up for what the other has maybe lacked--puzzle pieces instead of cognate shapes, or the same image repeated twice, amplifying itself. There's harmony where there could just be volume.
That got away from me, so I'll just keep on going with how their interactions in HZD fishhooked me. I made a post the other day about Aloy's joy in the Redmaw victory, and that's a major part of it. The rest is just--the sense of ease and understanding that comes out in all of their conversations? And how Talanah always and consistently from the beginning sees Aloy as Aloy, not a Seeker, not a savior, not an oddity, just based on her own merit alone? How she heard Aloy give herself a name--Aloy despite the Nora--says she'll remember it, and then does, TWICE? Every smile she brings out of Aloy, every moment of bare genuineness between them, that giggle from Aloy post-quest? And don't get me started on the "you made this possible, Aloy" parallel. Don't even let me think about "you'll always have a special home here, if you want it." It'll end badly for all of us, category 10 blorbo emergency.
But it's not only what Talanah can offer Aloy (a deep bond of loyalty and fondness, a sense of belongingness, the simple fact of being seen as exactly how you yourself want to be seen)--Aloy gives back to Talanah as well!! Much more deeply than just helping her earn the Sunhawk title and restoring her family's legacy. Think about their pre-Alight conversation: "I won't stand aside while one of mine fights alone. Not again." Aloy has become one of Talanah's--a person who has lost everyone dear to her. Something that must be absolutely terrifying (see my post-HZD Lanah characterization, lmao) but still worth fighting for.
I was lucky enough to read the entire Sunhawk comic directly after the credits rolled on HZD, and that again just blew me out of the water with how much sense they make. The fact that Talanah was the only one to see Aloy leave makes my brain wanna come gushing out of my ears. And how they just--keep running into one another (more on this in the next paragraph). But perhaps the most important comic moment is Talanah's affirmation of "you don't owe me anything" after Aloy apologizes for leaving. That right there is respect to Aloy's agency and personhood (versus instrumentality!!) and the burden Talanah can sense she's under. She trusts Aloy to have told her what was up, if she had wanted her to know. And trusts that whatever she is doing must be important. Even if it's been difficult to be without her, Talanah knows she can't ask Aloy for more than what she is or what she can give.
(that's not to say Talanah isn't hurt. I think she still is--and projects a lot of that hurt and attachment onto another woodsy hermit--but that's a topic for a different post. You can trust and accept something like this while still being hurt by it.)
You asked how I came to the conclusion of THEM, so I haven't really included HFW in this analysis (I was clearly a goner from HZD), but it's there too. The way Aloy just happens to find out Talanah is nearby after her entire worldview is cracked open at Latopolis, how seeking her out and finding her seems to just make things okay again despite everything? (again, the constant finding of each other.) The fondness of their reunion? "It feels good to hunt by your side again"? The easy way they settle into old comfortable patterns of conversation? The tone of You love him, don't you and Really??? and Come here.? It's just all there screaming at me. I can't.
I just. I love them so much. It's so clear to me how they already have helped and can continue to help each other grow. Especially now that the series has placed them in yet another paralleled situation post-HBS. From where I see it, they've been dancing around each other since the beginning. And the way they've both sought things with others (ALSO EACH HAVING PARALLELS TO THE OTHER) only to walk away makes me wanna go absolutely feral. I can very, very clearly see this playing out into an what was I looking for when there was you moment and it might actually be the thing that makes me perish
I'm so sorry if this was totally incoherent. I've got a lot of feelings about this ship and I'm gonna continue to make them your problem.
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infriga · 8 months
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Okay I'm sorry I'm going to be insufferable about the live action for a while but I ALSO wanted to say I loved that they let Kaya have little moments with Nami and Luffy, like talking to Nami in her room and Luffy giving his passionate speech to her about Merry and the stars in her eyes when he describes the ship as a home and how they'll take care of her.
And even though Usopp got less moments to shine overall in the fights, they did take the time to give him several moments with Kaya so that their relationship still felt solid and heartfelt and had weight to it, like when she slaps him and tries to drive him out it genuinely hurt to see. And I like the follow up to that moment when he says "no, I'm done running, I'm not leaving you until I know you'll be safe" even though he knows at that moment that his relationship with her might be ruined because she doesn't believe him, and as much as it sucks that she doesn't, it's understandable why because Usopp is an established liar and Kuro has acted as a surrogate parental figure to her since her parents died, and they put an appropriate amount of emphasis on how their deaths have affected her and how lonely she's been in that giant house all by herself, too sick to leave. And as a result it really makes it clear part of why her relationship with Usopp is so important, because he's the only person she regularly interacts with who doesn't have that servant dynamic with her, he's just her friend having fun with her and getting her to laugh, and he tells her stories of the world outside her window that she doesn't get to see herself. Also also I like how part of Usopp leaving gets tied to her wanting to learn how to take care of herself and be her own person. Up until now she was so dependent on other people and didn't get to be in control of her own life so it feels fitting for her story.
And in giving her that connection to Nami, and the theme about not letting other people control her, it really adds to her characterisation. I loved that moment where they're hiding from Kuro, and she grabs a knife from the table, and holds it with that determined look in her eye. And at First Nami shakes her head and whispers "don't", but then Kaya says "I'm done letting other people control me" (paraphrased) and Nami's expression changes and you can see the moment when she realises what this means for Kaya, and then they both charge from under the table at Kuro together even knowing that there's no way they'll win but wanting to go out fighting anyways. Man that was such a good moment for both of them. The more I think about it the more I actually really love what they did with the Syrup village arc. The way they played with the genre and used the mansion as a set piece was really creative and worked really well and was a lot of fun imo. Tbh I genuinely prefer Kuro as a villain in the live action. And making Kaya the heir to a shipyard makes so much sense not only for her character but also for Usopp's, like as far as I'm concerned that's canon to me now. They did so much justice to Kaya's character imo so I just wanted to gush about that.
I do feel bad for Merry, they actually killed him off in the live action! But I'm getting the feeling that Oda is more willing to kill characters and play with some of his usual formulas now that he's going outside of the shounen manga genre and playing in a new sandbox with a new audience so to speak. But this death does make sense. Merry doesn't have any importance in the series after that point so killing him off doesn't effect the story, and it adds more to the slasher horror vibe they introduced to the setting. It's possible they might do the same with other characters depending on how far the series gets, like Conis's dad for example (Pell I'm not sure about since he might be relevant later). Also ngl it adds a bit more sentiment to the Merry's name as a tribute to Merry. Rip live action Merry, too good for this world.
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epickiya722 · 6 months
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A lot of times the problem with these het ships is just, that there is an incredible lack of balance in it that almost feels toxic.
And i don't mean dark fiction or anything, i mean fiction that wants you to see them as a good couple.
Like in bnha, again. Iz///ocha has an inbalance over the fact that for it to go forward, it is completely reliant on Ochako, and whatever she decides to do with her feelings.
Which makes her the only one that ever puts the effort into her crush, even if it ends up not actually moving forward, she still the one who's ever confronted with them.
And Izuku never does anything to respond or even indicate that he feels the same. Frankly, if he was to suddendly show that he loves her, that would just make him look like an intruder. Or maybe even imply "now that everything's over, here's your prize, hero!"
I agree!!
While IzuOcha is a popular ship, it's also not compared to BakuDeku and even TogaOcha got some growth over it.
It's not because "het is ew" because I have crossed other shippers who are okay with IzuOcha and/or have other M/F ships they like (I myself like KiriMina).
It's because it is underdeveloped and one-sided.
Izuku reacts to Ochako the same way he has with every other girl. Any time there's crush talk, it's only from Ochako's side. Nothing from Izuku, at all. He compliments her, but it came off more like a bestie hyping you up after you say something self-deprecating than actual "Hey, I like you, let's go out".
To be honest, I don't even think Horikoshi intended for IzuOcha to be seen a ship for people to root for. I don't think he actually ever cares for it because if he really wanted to, he could have made it more balanced. I say this because look at M/F pairings like KiriMina and KamiJiro.
They're more minor than IzuOcha are and yet for both pairings there's a lot more balance between them. Even by design!
I talk more in depth about this here and here.
I totally agree with you on that last bit.
If Izuku suddenly goes "Hey, I love you" or even after winning there's suddenly them hooking up, it will come off as Ochako being some prize because, again, Izuku hadn't shown romantic interest in her like that.
It's funny to me that some people will "BakuDeku are like brothers" but then turn around and want to apply the same tropes and scenarios that BkDk have been through to their ship romantically.
Example, there were people who actually want AFO!Shigaraki to attack Ochako next just so Izuku could save her. This was during the time when everyone was brought in through those portals into the same area.
When I was so agitated about that because one, you really want someone to potentially get killed just for a "shippy" moment? I DIDN'T LIKE SHIGARAKI ATTACKING BAKUGOU LIKE THAT!! Two, so Ochako couldn't be dealing with her situation without any inference? Like she really need to be put in a damsel situation and not be a hero? Because that's how it came off to me.
Look, I myself have ships, but at the end of the day when it comes to the main goal of a lot of these characters?
The last thing any of them really want is romance. If no ship becomes canon I am so okay with that.
A lot of these characters, especially characters like Izuku, Ochako, and Katsuki want to be the best heroes they can be. They want to save people, make them smile, be the best. That was their goal when they chose (and got to) attend UA.
I don't recall Ochako saying "I'm attending UA to get a boyfriend!"
So why reduce her to that? She did not look at Izuku on their first meeting and decided "I'm going to UA to be his wife". I thought she wanted to be a hero so she can make people smile and provide for her parents. Am I wrong? Did I miss something? Did I watch and read a different version of BNHA?
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yanderes-galore · 7 months
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A romantic concept of Peter Quill aka Star-Lord (MCU) if you will?
Sure! I rewatched Guardians of The Galaxy to write this :) AU where he and Gamora aren't together. I forgot how much I actually like his character-
Yandere! Peter Quill/Star-Lord Concept
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Stalking, Dubious relationship, Jealousy, Violence/Brief mentions of murder, Isolation, Fear of loss.
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I think Peter has potential to be a caring yet devastating yandere.
He's half celestial and half human, which already makes him have a higher level of endurance than his darling (assuming they're human for this concept).
I also feel he'd be clingy since he hasn't seen many humans since living in space, plus he's paranoid of losing his family.
Peter for the most part would be a relatively caring yandere.
He wants you happy even if his action aren't necessarily the best.
Peter's worst qualities would be his clingy behavior, overprotective tendencies, and possessive behavior.
Yet he "balances things out" with how he treats you.
If Peter has romantic attraction to you he'll try to find ways to bond with you through things he likes.
For example I feel one of his love languages is listening to music with you and dancing.
Peter also seems like he'd flirt with you if he showed attraction towards you.
He's been isolated most of his life, and outlaw turned hero, so he's thankful to have comfort from you.
Just imagine, you and Peter listening to music while sitting down in his ship.
He'd definitely be one for physical contact, holding you to his body as you both listen to music or dance.
Music and dancing is certainly a way he shows affection to you.
He feels it's an intimate way to show he cares.
Other than kissing if you let him.
For the most part he's actually a great partner.
He's easy to talk to and even a bit goofy.
He greets you with a smile and loves it when you pay attention to him.
He wants nothing more than to hold you close while childhood tunes echo in the background.
Peter would be a yandere you could be in a relationship in before you really see anything bad.
Admittedly he does some stalking yet he calls it research and it's out of the way.
He makes sure you don't find out about that.
Far as you know, Peter is just upbeat and a natural born leader who can make most smile around him.
The clingy behavior you may notice first with how much he wants to have his hands on your.
Hugs, cuddles, dancing... he feels most content when he feels your warmth.
Touch starved... he's touch starved.
He murmurs praises and how much he loves you.
He won't let you go for hours.
Plus feeling your warmth feeds into his protective/possessive behavior.
Yes... I know... many yanderes share such a trait.
Especially heroes as their need to protect you ends up becoming something darker.
Peter is naturally protective towards those he considers family.
He doesn't always decide on lethal force yet he's willing to fight with whatever he has to protect his loved ones.
When it comes to you it's no different.
Yet he may also be possessive since (in this AU) he hasn't felt attraction of this strength towards anyone but you.
Hell, to him it may feel normal to feel jealous when others are around you.
He may even feel upset if you bond with someone else over things you do with him.
Is he... not good enough anymore?
Peter has moments where he gets outbursts yet unless you were going to die he wouldn't be impulsive.
Imagine this, though...
Some sort of tragedy makes Peter fear losing you, to the point he feels it's right to drag you into isolation.
If anyone nearly stole you from him, be it from death or their own selfish desires, he may indeed snap and kill them.
It's quick... shocking... yet it feels like it was instinct to him.
Sometimes... you have to use your guns.
Peter can't get enough of you once you come into his life.
Sure, kidnapping you and isolating you alone with him isn't right... but it's safe.
He'll find a planet that's isolated enough to live on and you'll reside there... with him.
Then he'll make a playlist of songs you both like and leave it on loop for you and him.
He knows the coldness of space... which is why your warmth drives him closer.
Peter loves you and for the most part would be normal with a relationship...
Until something makes him snap... driving him to lock you away and keep your warm love to himself.
"Look... I know you don't like my decision, but I need you to trust me. This is for us! Don't you believe me, baby?"
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chaifootsteps · 3 months
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To the anon who said Lucifer cheated on Lilith in the message batch...
I don't think that's necessarily true. Yes, he said "Your first wife didn't seem to mind what I had to offer" (clearly sexual indicated by his hand gesture), but imo adding "or the second" was actually a reference to the apple/fruit of knowledge of good and evil that he wanted to rub in Adam's face (evil of him? Yes. Cheating? No). I understand that the tone can be confusing because they're one after the other, but I think that's the point.
The following story uses key characteristics of Lilith and Lucifer from the show (Lucifer not being evil, Lilith being all about free will):
Now...entertaining the thought that both Eve and Lilith were with Lucifer, I think this is actually not a cheating situation either. Imagine Lilith and Lucifer meeting in the garden and falling in love. Lucifer tells Lilith about his wild dreams of free will for humanity and that hits Lilith right in the feels, as someone who would desperately crave freedom. Freedom from Adam and his shitty behaviours, from God, from the picture perfect place that is Eden, where even if you throw a stone at someone, it probably turns to fluffy clouds or something.
Now, imagine the two witnessing the creation of Eve. They saw this woman that was made to live in subservience to someone so horrible (going off of the fact that Adam is show!Adam levels of douchebag, who thinks everything is his for the taking on the basis of being the first man), but unlike Lilith, Eve has no choice BUT to serve Adam. It's in her very fiber, she has no reason to deny divine ordainment because she doesn't know what free will even IS. So Lucifer and Lilith offered the fruit to Eve, both as a reason to offer free will to the whole of humanity, but also as a way to at least make Eve *aware* of her situation.
Now, I know that tehnically the two fell immediately after, but Vivzie doesn't care for Bible lore, so I'll allow me this innacuracy for the sake of this story. Eve learns about the difference between good and evil, free will and obedience and chooses to...not give Adam the fruit. She chooses to discover what she is capable of, what is this new thing that her body craves ("sins of the flesh") far away from him. She joins Lilith and Lucifer and the three have a romance together.
The first is overjoyed that she used her free will into putting herself first and also, for Lilith an absolute expression of free will would be sharing her love with more people, why should she be connected to only one person if she can offer so much more? Who decided that? Eve is, for the first time, treated as an equal, something to be cherished and adored and she's blossoming from that. Sure, grappling with her new awarness is so daunting, but she's having this amazing woman and an ANGEL by her side to support her. And Lucifer? He's just adoring these two women and the choices they're making, the things they're creating. For example, Lilith creates, for the first time, music! This was his dream for humanity and for a while, in the garden of Eden, the three are very happy.
Then one day Adam finds them and the rest is history. The two are separated from their beautiful Eve and sent to Hell. And now Eve has to live with an aggravated Adam...
Eve × Lilith × Lucifer has very interesting implications that Viv better stay FAR AWAY FROM, she'll have to pry this ship from my cold dead hands.
Yeah, that was my impression too. I don't know exactly what the mechanics of it were, just that everyone was on board and that Lucifer and Lilith probably went to town on Eve at the same time.
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onepiece-polls · 9 months
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One Piece Shipping War - Round 2 Side A
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Propaganda under the cut.
Propaganda for Franky x Robin:
Do I really need to explain?
The old married couple who's healthy, Enies Lobby (and all their appearances) are their propaganda really.
It’s all about the maturity!
Their dynamic is perfect and their pasts are so similar. I love the chemistry between them as well as their introduction that helped build the connection and shared history they already have.
they are THE t4t bi4bi ship | franky telling robin "existing is not a crime" immediately puts this at number one for me | they are opposites (bright and loud + quiet and goth) but also they're both so eccentric and silly <3 | THEY WEAR MATCHING OUTFITS
Mom and dad Straw Hat
They are STILL the Mom and the Dad of the Straw Hats, this is the one thing I don't care what Oda says <3 Also their interactions in Enies Lobby and Thriller Bark are amazing.
In my eyes, they are married. Some of my favorite character interactions in the manga/anime and in official art.
Oda had Franky call Robin his wife at least once
Your honor they’re married
I'M GOING TO PUT LINKS IN MY EXAMPLES (Mod note: I linked to the whole post, the propaganda was going to get too long otherwise. But I will copy this line:...) They immediatly clicked in Enies Lobby, Franky saved Robin with both words and actions ("Your existence is not a sin!"), and then she grabbed his balls.
The duality of two kids who were just trying to chase their dream and having circumstances outside their control (the government) take everything they love away from them, but one choosing solitude and the other adopting every other person in a bad circumstance??? I love them. Plus they literally had couple moments from the first interaction.
The ultimate t4t couple idk what else you need theyre iconic
A wholesome ship of a woman who feels the need to be constantly on edge trying to relax and a man who is a 110% himself from the moment we see him. the joy of frobin is the causal domesticity, in many color spreads and especially post timeskip we can see them casually enjoying the others company.
Remember when Franky was in Chopper's body in Punk Hazard and every time he spoke Robin was like "Franky. Stop talking. Do not talk while you're in Chopper's body."
idk like. he's obsessed with her. she's his weird Goth gf and he's her himbo. they have matching outfits. I love them.
Look. It's Franky and Robin. Literally the only two characters that make sense to ship on the Sunny. Their arcs are inextricably intertwined (water7/enies lobby). Also LOOK AT THEM interacting, both during their arcs, but also thriller bark, or post time skip. I love them. Also robin crushed frankys balls.
funny big robot man & analytical smart research lady power couple... silly x smart... himbo x researcher... augh... so good
They are the ship for taxpaying adults your honor I LOVE them they’re literally freak4freak and they share such a fucking powerful arc together (Water 7).
that moment she let him sleep on her lap in punk hazard was sooo cute <3 -- The matching thigh highs and bottoms in film z can NOT be understated. -- Strawhat mom and dad -- Let's not forget the way robin convinced franky to join ( ͡° ͜ʖ ͡°) -- she also indirectly called his balls "treasure" so,,, -- the way their stories are so closely intertwined...they were both keys to destroy the world...the way they instantly connected over that...the soulmate-ism of it all...
they . them. girlboss and malewife. that's it.
She grabbed his balls. He totally liked it.
He's so silly and she loves it. She's so scary and he loves it. She grabbed his balls in public.
They will be endgame trust me. Franky doesn't treat any other girl like he treats Robin. There dynamic in Water 7 and Thriller Bark was and always will be one of the best in all of OP.
Propaganda for Rayleigh x Shakky:
They’re canon and very hot. These are facts.
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cryptidclaw · 4 months
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Sorry if this is weird to ask you but with the talk of queens (abt them being treated lesser and weirdly in general, which I totally agree with) I was hoping to get some input on an idea for my own rewrite.
Reading the books, I just kept asking myself "Why should they have to be shipped into a den for six months to care for them all on their own when theres tons of cats, especially their mates, who can and should be helping so that they didn't have to drop everything else abt their lives and hobbies for so long just because they had kids? Why is it that she loses so much about herself but her mate can stay a warrior and have nothing to do with parenting and that's okay? How come being a mother is treated like a statement of inability to be in power? (Bluestar and Leafstar, for example). Why does she lose her "warriorhood" like that?"
It's not just that they're treated like their stupid and only thinking about their kids for me, it's also the fact the erins treat parenting like queens (women) are the only ones who can/will/should be involved in parenting. It's unfair to both them and toms, and honestly, to me, it makes more sense for parenting to be communal, much like hunting and patrolling responsibilities are shared. With of course parents still playing a big part.
Essentially, my idea is to just abolish it being a whole job thing like that in my rewrite and have it be a shares responsibilty between everyone (but their parents most importantly). Queens ofc would still get "leave" from other duties while recovering and for nursing, but they don't have that expectation to be the kittens' only caretaker for so long, and their mate(s) would have just as much expectation to be involved as compared to the lack of any expectations of paternal and other-cat-given care in canon.
Oh, and much like the other shared duties that the Clan has, not everyone has to be involved if they don't want to or they just arent good at it. Some cats do more patrolling, some do more hunting, some do more healing (In my thing its not exclusive to a seer), etc, and some do more childcare. It's that simple. But if you choose to have kids then your gonna be involved unless you just aren't a good parent (ex: Rainflower). I think it makes more sense being communal when a big part of the Clans, to me at least, is community, loyalty, and the bonds that keep it together, and that needs to be formed and what better way then to let the kittens learn they can rely on their Clanmates young, and know that they are just as worthy of trust, love, and loyalty as their parents/queen?
And it's not that I see anything wrong with the role of a queen and parenting, promise, I just think it's unfair the expectations always fall on them, and that the erins write fathers like they have no place being fathers in the first place. Also outside of my irritation I just rlly like the idea of the whole clan taking part in raising, playing with, and educating the kittens idk it's just always been cute to me. And like I mentioned before, there are cats who play roles like a perma-queen, and there's nothing wrong with that.
But yeah I just kinda wanted to know if this rlly makes any sense at all/if it's fair 😭 sorry if it's uncomfortable or anything like that
THIS IS EXACTLY HOW I FEEL!!!
this is a BIG reason as to why I added the Caretaker role to RoC as well! Caretakers take on that communal helper role in taking care of kits (as well as the rest of the clan). Queens and their mates should both equally share in the parenting role, and should also get help from others in the clan. also cats literally do this. they communally help in caring for kittens!
so ya! I love your idea of the whole clan helping with caring for the kits! it is just SO much better than the way canon does it.
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david-talks-sw · 1 year
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So in the ROTS novelization by Matthew Stover, there's a line where Obi Wan says to Padmé, "you made him happy, when nothing else every truly could". If the narrative is telling us that Anakin and Padmé's relationship is wrong, what is this line trying to say about their relationship ? Because Obi Wan also says that he tries to be oblivious to their feelings for one another, which makes it seem like he's ok with this relationship?? Even though in the previous he says to Anakin to "not let his feelings get in the way of his duties". Hopefully this isn't too confusing because this has been something that's confused me for a while lol.
Okay, so I'd say this is one of those cases where Stover took some liberties. After all, bear in mind what his brief was:
"I had a certain amount of free range. His explicit instructions to me were to not do anything that violated the story as presented in the film. Beyond that, he said, just 'do whatever you want just make it good'." - Matthew Stover, Rule of Two, 2021
The goal of the novel was to embellish/improve/expand on the material he was given, like the RotS screenplay. So there's bound to be some differences. For example:
In the screenplay, Anakin calls the Jedi his family.
In the novelization, Obi-Wan suggests that notion and Anakin says "no, they're your family".
In this case, the moment you're referring to corresponds to Scene 94 in the screenplay. Here it is:
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The "you made him happy, when nothing else every truly could" line isn't in there anywhere. Instead, there's the line:
"Your relationship has confused him."
You could argue that it's just Obi-Wan stating his opinion, but it remains a line that supports the intended narrative: their relationship is what causes everything to fall apart.
If I had to hazard a guess as to why Obi-Wan decides to look the other way, it's because:
He cares about both of them and sees they love each other.
In the previous film, Anakin shows that he is able to prioritize putting his duty before his feelings and personal needs, when push comes to shove (decides to go after Dooku instead of landing the ship)... so that concern has sort of been alleviated.
For me, the nice thing about this scene is that it also addresses the complaint that "Obi-Wan failed Anakin by being oblivious to the fact that he's in pain", and you can see that this is not the case. He does care for Anakin and he does see he's in pain, but Anakin isn't opening up to him. Or to Padmé, for that matter.
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His fear of losing Padmé is consuming him and the only person he is opening up to is Palpatine.
Hope this helps!
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kalolasfantasyworld · 1 month
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Okay, ask game for you ☘️ Nozel x Vanessa, because I love them 💜 Nozel x Helena, because your OC ship is amazing ❤️ Nozel x Fuegoleon, because Nozel ship 😅 Yes, a bunch of Nozel ships 🥰🦅
Hi Vilandel!
Hah obviously I have some more specific thoughts for Nozel ships. I really hope I won't make anyone upset with these. They're just my opinions.
Nozel x Vanessa -> doesn’t make sense, compels me
Let’s start with saying this is my favourite canon x canon ship for Nozel. I’ve drawn them and read them, but let me explain why it doesn’t canonically make sense to me. 
Before I set up tumblr I didn’t even think to ship them together, because they never really interacted (correct me if I’m wrong). I only got to like them once I saw them here and read a bit about them. However it’s hard for me to picture the start of their interaction without some outside force to literally make them. Also long term relationship… but let me get to that later.
Firstly their types based on the assorted questions brigade:
Nozel: “Someone with dignified strength who can give their all for the prosperity of the House of Silva” 
I don’t think he’s saying this “just to be proper”. Nozel really cares about his house and I think that a quality of being able to take care of and represent it can make a person attractive in his eyes. 
I’m not saying that Vanessa couldn’t just that it would not really be her style. She got out of her cage and pushing her onto Royal customs would be cruel in my opinion. She could definitely not walk around in her underwear, or casually get drunk. She likes this part of herself and is happy being a Black Bull.
Vanessa: “Wild men with muscles <3” 
Yeah… That’s not Nozel (I admit I have drawn him with way more muscles than he has… It’s a hot art I’m not going to change it and yes a future Paper Hearts illustration, normally I draw him skinnier)
Why does it compel me? (Because it does a lot)
They are both one of my favourites BC characters.
Nozel is not a good boy (closeted perv let’s face it) and Vanessa is definitely up for some heated adventure. Both are very hot. She’s flirty, she’ll pull him out of his shell. They could support one another and emotionally I think they would work well. I enjoy them in fics and the stories are amazing. I love how she would flirt with him and he would get more and more bold as they grew closer. Also there is that spicy forbidden romance part.
There are actually quite a few similarities between Vanessa and Helena as they’re best friends and I enjoy how those qualities shine through her interactions with Nozel. 
I see Nozessa so much in a heated, passionate romance. It’s just long term that doesn’t sit right with me… I feel like they would need to sacrifice a part of themselves to be with the other and I wouldn’t want that. She needs to be free and Nozel is a Royal who takes pride in it, it’s not just his burden. 
Nozel x Helena -> makes sense, compels me (you said it yourself, how could own OC ship not)
Overall I talked a bit about them in my fic explanation post.
I created Helena to explore Nozel more. This is actually my first ever OC x canon ship that I've invested in, because I'm more of a canon x canon shipper. Just that I only knew of Dorothy x Nozel and Fuego x Nozel back then and they didn't really appeal to me as something to write for and have a fun story for.
Why do they make sense? 
Despite them being so different there are actually quite a few parallels between them. For example both had a situation in their youth, which somehow set them on a path. They’re both the eldest siblings. And there are few more.
Similar backgrounds for sure. Both of them are Royals and take pride in their houses. Helena will be a great lady of the house. She was prepared for this and knows how to perfectly manoeuvre in high society. She can be a great support and simply a partner to him in his duties. 
She’s his type from the assorted questions brigade. (yeah the pervy part as well xd)
Helena brings in the warmth and will provide a family atmosphere. Being the eldest of seven siblings taught her that. She “fits” in the Silva family with Noelle, Nebra and Solid. Over time she develops relationships with all of them, so it’s not just Nozel she makes sense with.
Why does it compel me?
Enemies to friends to lovers, Sunshine x grumpy, Blue x red relationship
They have so many imperfections and they mess up, but they get up and try to fix them. There's also quite a lot of plot ahead of us and I don't want to spoil anything, but what happens later is actually more determining in my opinion to how they are fit for and grow with one another.
There are also some parallels with how Nozel treated Noelle and how he treats Helena, so that’s interesting. 
Helena is a virgin, but very much not opposed to sexuality, so they have some spicy, heated moments.
I feel like they can really connect on a deeper level and I like how their story begins right with the beginning of BC. We see the whole development of Nozel and how they interact through it. For example how their relationship changed after Fuego fell in a coma. So it's not just Nozel after he went through a change and apologised to Noelle.
They compliment each other. Helena “makes Nozel have fun” and he can tone her down (this is needed at times).
The birdies… I love my next gen trio so much. I like how they have traits inherited after both Nozel and Helena. I love picturing them as parents.
I feel like there’s more, but I’ve talked about them enough here. 
Nozel x Fuegoleon -> makes sense, doesn’t greatly compel me
As you probably noticed I focus a lot on the “Royal aspects” in the makes sense part and Fuego fits this part. They are close, clearly trust each other and they have amazing dynamics. They’re childhood friends. I’ve seen some cute arts for them and I know they’re pretty popular.
However why it doesn’t greatly compel me? (Besides the fact that I ship both of them with some OCs)
I just think of them as good friends, more than lovers. And somehow I’m not the biggest fan of how Nozel is portrayed in this relationship. He somehow seems “weak” and “needs to be taken care off”. Maybe that’s just me, but it was the vibe I got from few works (not all of them, some were cute and amazing). Maybe I somehow don’t see him have “bottom” energy, but Fuego doesn’t have it either. 
However they would support and care for one another. I also love the hot and cold dynamics and childhood friends romance.
So I like some aspects of this ship and some don’t. 
I would still put it as my second canon x canon Nozel ship.
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What are your thoughts on the potential Julie and Frank 'relationship'?
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(serious answer under the cut. also, again, disclaimer that this is all speculation and i'm not saying that any of this is 100% For Sure going to happen, i am just speaking within the context of this one particular theory.)
(edit: nvm i might actually be right. yeehaw [said unimaginably haggardly])
i've talked about that before on this blog, in this post specifically (with extra links for context so maybe check it out) and it's still something that i think about A Lot. in that post, i describe it as a source of Mutual horror, i.e. "you were created to both bring out the best in someone and to keep each other shackled to someone else’s incomprehensible idea of normalcy." and when i say incomprehensible, i really do mean incomprehensible; going by a few posts clown's made in the past, the idea of gender being tied to presentation and vice versa seems to be a foreign one to the playfellow puppets - and yet, this does not seem to prevent them from the consequences of being Perceived a certain way. it's also probably worth mentioning that if the 2022 pride art is to be believed, then neither frank or julie are cis, either (for whatever the playfellows puppets' definition/equivalent of "cis" is, anyway.)
i would be lying if i said i haven't thought about Several ways this could all play out; how it could affect both of them as individuals, their other relationships, their pre-existing friendship. i won't go over all of those here bc this post would be way too fucking long otherwise, but i will say that i think that they would have been friends regardless of whether or not the show decided they were (and regardless of whether or not the show wanted friends or "friends."*) i don't think either of them start out Aware that they're "supposed" to be together. i think they are likely made aware of it later on - of how they are seen. in this way, it's a good example of what i meant when i previously described welcome home feeling like a setup for some cosmic horror-as-coming of age shit (or coming of age as cosmic horror??) for example, in this particular context, i saw A Lot of these two scenarios when it came to growing up queer and/or closeted, especially in an unsafe environment: 1. "i'm told that because i spend so much time with this person, and they are (X) and i am (Y), that i am in love with them. i don't think this is true, but i have no idea how to refute this, so i'm just gonna Go Along With It until i am emotionally, mentally, and/or physically no longer able to do so bc i'm scared of what'll happen to me and/or the people i care about if i don't - OH FUCK THAT HAPPENED A LOT SOONER THAN I THOUGHT IT WOULD FUCK FUCK FUCK FUCK FUCK"
2. "i'm told that because i spend so much time with this person, and they are (X) and i am (Y), that i am in love with them. i think that's the dumbest fucking thing i've ever heard and it does not apply to me at all" [is punished for this] "Ah." it's just that here, the scale would be magnified to the point of cosmic horror, in order to drive home the turmoil these situations bring, both internal and external. do i think frank and julie would be the only examples of this, or that it is mutually exclusive from any of WH's other potential themes? absolutely not. but if all we have to go off of are crumbs, then We Will Work With Crumbs. * side note, i was gonna talk about how it was interesting that despite knowing next to nothing about frank/eddie in canon except for the fact that It Happens, all of the frank/eddie art we have so far is a lot more unambiguously romantic than any supposed in-universe ship teasing between frank and julie, buuut then i realized that was probably bc we're still in the prologue and all the frank/eddie stuff we have is like, side sketches and concept art. of course it's gonna be more indulgent.
tl;dr: I Care Them and i hope you can tell
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