Vox as an Abuse Victim
So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.
After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.
TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.
Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.
As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.
In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.
In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.
Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.
Now let's get into what I believe is the actual evidence that this dynamic could still be present.
Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").
So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.
There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.
What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.
It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.
Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).
Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.
So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.
Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.
Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.
There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.
Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.
As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".
TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.
(that's all for now, I have literally been working on this post for days and I'm exhausted)
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something i really like about the way these guys are written is that they respond pretty realistically to the situation given their ages and what's going on
like crystal is going through some shit and she has some ugly emotions/reactions to that but she's also a teenage girl with amnesia and an abusive ex and is also psychic so she's understandably very overwhelmed--idk i think that anger is a pretty normal reaction to what she's going through
charles has oodles of repressed rage and trauma from his frankly crappy life but he doesn't really have the words to describe what he feels and it manifests through rage and deflection. maybe it's just me being the youngest of five boys but that is very typical teenage boy behaviour
edwin is a repressed edwardian gay and while he's able to intellectually understand his emotions, he has a hard time actually letting himself feel them fully, and that's def him being a product of his time but also he's very autism-coded and has a hard time figuring out and understanding what others are feeling, so he comes off as bit of a prat sometimes and it's not all just jealousy imo
niko is emotionally kind of shut down in the beginning bc she's in mourning and she's isolated herself from others in order to process it. she's arguably the most emotionally intelligent one of them all bc she's able to recognise her own behaviour, largely without having it pointed out to her, but her response of self-isolating and immersing herself in fantasy is very very similar to my own maladaptive coping strategies that i developed after also being bereaved as a teenager
anyway i'm just saying that it's nice when writers actually write for their characters ages. i know other ya series (cough heartstopper cough) where the characters all sound like therapists despite only being about 15 or 16 years old. it's messy but it has to be bc it's real. like your brain does not fully know what it's doing emotionally until you're in your 20s and it becomes very apparent once you reach that age and can see how fast you develop at that point in your life
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Let's talk about Caelum.
I'm gonna preface this with saying that everyone is entitled to their opinions, and if once you're done reading this you decide you don't want to follow me or you want to block me, that's completely up to you. I'm not trying to change your opinion or attack anyone who has a different one than mine, I just wanted to put my two cents out there.
I also wanted to say that whatever your opinion on the matter is, it's yours and yours alone, and you should respect the opinions of other people even if they don't match up. I personally do not sexualize Caelum, but I do think he is an adult with childlike characteristics, and those two statements are not mutually exclusive. He can be an adult, but he also doesnt have to be put in adult situations.
It's okay to have strong feelings one way or the other about this topic, but it is not okay to harass people or go on a witch hunt for those with the opposite opinion to give them shit about what they think. If you disagree with someone and do not want to see their stuff on your timeline, just block them or scroll away. You alone are responsible for your own dash, you cannot make other people responsible for what you see on your timeline.
All that being said, I do not like how the fandom treats Caelum and Empathy Daemons in general.
My stance on the matter is that Empathy Daemons as a whole are adults, but because of how E'Laetum created them, they tend to have childlike characteristics. Those who say that Empathy Daemons are ALL children blatantly ignore the fact that Regulus is an Empathy Daemon as well, and that he has been shown to have adult tendancies (his BA, getting possessive over his charge, etc) while also maintaining his childlike characteristics (telling his charge a bedtime story to sleep, having a very one dimensional view of himself and his charge, etc). This is where I have a problem whenever I see people try to say that all Empathy Daemons are children. Regulus is clearly an adult. There is no "reading between the lines" about this.
Caelum is also an Empathy Daemon, but he is a very different character than Regulus. He is a lot more childlike compared to Regulus. He gets his words mixed up, he likes sweets, he likes hugs, etc. But in his most recent video (Your Bakadere Empathy Daemon Friend Visits You), even he says that he almost went down a path similar to Regulus' until Delphinus stepped in and assigned him to Freelancer, and that stopped him from falling (timestamps from 2:40 - 3:18, and 8:45 in that video). It may be uncomfortable for some people to think of Caelum as going down the same path that Regulus did, but this video clearly shows that he had the potential to. Caelum and Regulus are not as different as one may think.
Erik has also said himself that D(a)emons step out of the Elision Well as adults and they do not age. Of course they don't know everything so they still have to learn, but that's not the same as being a child. On top of the most recent Redacted 101 video, take this screenshot from Wonderworld (previously Redacted Records, when Erik was still in the server) from 2020, where Erik talks about how D(a)emons coalesce.
He even mentions how in earlier Caelum videos he didn't know what he wanted the d(a)emon life cycle to be yet, and that's why he had Caelum state that he was a "kid daemon" at one point.
Not to mention the fact that in the official timeline, it shows that Caelum coalesced in 1999, and is even older than Damien.
At the end of the day, Caelum is a fictional character. Whatever someone ends up deciding to make of him is their choice, this is a fandom after all. If it really bothers you to see what certain people make, block them and move on. DO NOT berate them for their headcanons or fanart or whatever else. People are allowed to have their own headcanons, make their own fics, and draw their own fanart. This is a fandom space, and people are allowed their creative liberties.
Anyways, that has been my two cents. Feel free to voice your opinions in the comments if u want to, but please please be respectful and don't attack anyone.
TLDR; I don't sexualize Caelum but I do think he and all Empathy Daemons are adults (ex: Regulus), everyone should respect everyone else's opinions and just block what they don't want to see on their timelines, and the fandom needs to chill out lol
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oh yeah, i binged Buddy Daddies over the weekend! some thoughts (spoilers ahead)
If you haven't heard of it, Buddy Daddies is about two professional hitmen, Kazuki and Rei, who happen to be roommates (and they were roommates......). During one of their hits, they accidentally acquire a four year old girl named Miri and end up raising her. The set up for this is, and the escalation to them taking her in until they can find her mom to genuinely wanting to be her family, is zany but feels organic within the universe.
Now, the initial set up for this show is completely unhinged in a way that deeply entertained me. Kazuki, who is the "brains of the operation," is attempting to sneak himself and Rei (local pathetic wet man and "human weapon") into their mark's Christmas party by delivering a cake. Prior to this we see Kazuki cooking for Rei and feeling unappreciated for his efforts, with the implication that Rei never compliments his cooking, a hobby Kazuki greatly enjoys. Throughout this set up, we also see shots of a little girl walking around and asking strangers for directions.
The Christmas party is at a hotel. Kazuki pushes a cake cart into an elevator and Miri simply follows them in, a second before the doors close. She's amazed by the cake and Kazuki, who we are already having hints at having lost a previous family, and who is the more social of the two roommates, offers to let her try. Miri loves the cake, and Kazuki finally feels appreciated. Then they get off the elevator, and the entire assassination attempt goes to shit. There's a shoot out. The mark takes Miri hostage and aims a gun at her head. Shenanigans happen such that Kazuki ends up with Miri in his ams, and we don't feel bad at all when the mark is killed.
Not seeing anything else to do about her in the moment, especially since he can't go to the police, Kazuki takes Miri home with him. She doesn't know any information to help him get her home. She tells him she came to this city to find her papa, and she has a note from her mom explaining that.... her papa is actually the mark they killed, OOPS.
Oh, and Kazuki told her he's her papa as part of his rescue attempt.
The rest of the series is largely about Kazuki and Rei struggling with their personal demons and flaws, and learning to open up to each other and Miri and curb their negative qualities for both Miri's sake and their roommate's sake. Rei, for example, is a "shut in" who doesn't even try any household chores like cooking or cleaning. Kazuki has a gambling problem. They both have their own family dramas they have to face.
I've read a few complaints of queerbaiting in this show, but I don't think that's what's going on here. There's a couple jokes about Kazuki being a "mom," but they don't turn Kazuki and Rei into a "husband/wife, but they're both men!" style dynamic. They don't really tease the audience with forced semi-sexual or semi-romantic situations. It's made pretty clear by the end of the series that Kazuki and Rei love each other deeply, but they stay pretty non-romantic and non-sexual. The series just isn't concerned with this.
Miri is sort of a morality pet and doesn't really get her own character arc, but she still has her own personality. She also doesn't quite fall into "personalityless child is perfect cute prop"-- Miri gets obnoxious in fairly normal kid ways. The story is a little too afraid of letting her get hurt IMHO-- like, I get it's a zany fun comfort series, and certainly I don't want to see her in real peril and I definitely don't want her to be traumatized-- but she never has to overcome or deal with her own little four year old struggles. There's an episode where she has a hard time making friends, but this turns out to be because Kazuki insisted on dressing her in designer clothes, and the other kids don't want her to get them dirty. The problem is solved immediately by simply dressing her in cheaper clothes. Or, there's another episode where she "gets into a fight," but then it turns out it was an accident, and the other "mean" kid is won over simply by Miri liking the same video game as him.
I do appreciate that Miri witnesses two shoot-outs and also occasionally wakes up in strange new places and is not phased by any of these events. This series is a comedy, after all-- it's meant to be fun, and leaving the cute kid untraumatized is an important part of the tone staying fun. I'm not criticizing this choice with her. But I think she'd have been a stronger character and the family dynamic would have been deeper if, for example, she'd actually hit someone and her hitman co-dads had to deal with that.
My other big complaint is that the hitmen stuff is largely dropped after the first few episodes, but then comes up again in the climax, when Rei's mafia boss dad decides Miri and her mom need to die. Miri comes away unharmed in the resulting conflict, but her mom is killed. Kazuki then lies to Miri about where her mom is (although the last scene is post time-skip and it's implied Miri knows her mom is gone). Not showing Miri processing this loss at all takes away from her character. Also, the finale is that Kazuki and Rei quit being hitmen so they can raise Miri together.
My issue with this ending is one part I signed on for hitmen shenanigans, and one part that I think by leaning away from this premise, the ending feels..... kind of weird? Like it's heart warming that the papas want to change and be better for Miri, but also they are responsible for both her parents' deaths. How am I supposed to feel good about that? If they'd continued with the unhinged hitman premise, this stark contrast between "three unrelated people are a happy family" and "child living with her parents' killers" would have been easier to process thematically. Okay, that last characterization is a little harsh-- Miri's bio dad left her mom while she was pregnant and threatened to kill Miri, meanwhile her mom was killed by a different hitman, albeit explicitly for her involvement with Rei. But those technicalities are easy to embrace when I'm already leaning into a whacky show about morally loose hitmen, and harder to ignore when I'm supposed to take "no longer being a murderer for hire" as an important bit of character growth.
All that being said, I don't think the ending was a bad one. It was emotionally satisfying. The found family triumphed over Rei's shitty blood family. Rei and Miri finally made French toast. I was happy.
I found this show because it gets compared to Spy x Family a lot, probably largely because they aired concurrently. There are some similarities-- enough that I'd recommend Buddy Daddies to any Spy x Family fans without many qualifiers-- but Buddy Daddies is pretty firmly its own thing. While I think Anya is a better written kid character than Miri (see my paragraph about Miri not having to deal with her own conflict), I have been frustrated recently with Yor and Loid's lack of character development. Buddy Daddies largely delivers on its two "parent" characters' arcs. and yes, i realize part of this is that BD is a 12 episode complete series and SxF is an ongoing manga. Buddy Daddies is also entirely about family as a theme; Spy x Family goes into this a little, but I think it gets overshadowed by the dual-role and anti-war themes.
Overall, would recommend...... unless you hate kids. Then I think you will hate Miri's constant shrieks of joy LMAO
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certain sides of the PJSK fandom, see another character show a teensy bit of sadness and try not to compare them to Mafuyu challenge
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ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
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I think that Dr. Christina "I was an excellent soldier" Raynor needs to deal with some personal things before she's anyone's therapist, because she strong-armed more of Bucky's autonomy away from him than Zemo did within the series.
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i love s4, and im enjoying listening to it with the magaday, but i forgot it would also lead to the worst thing: seeing people interpret media differently than me on the internet OTL
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ridi im sorry i need to rant and i think youll get it 😭 like not to be a bitch but this fandom kinda going off the rails and annoying the shit out of me https://www.tiktok.com/t/ZTRbYASpf/ everybody in the comments unironically loving it,,, i mean wtvr ship who you want but its kinda getting delusional like ppl are just operating on thin air and pretty fancasts atp and i do Not understand or emotionally connect with any of it. at least w wolfstar theres so much material and foundation to explore but what is all the rest of this?? just hot celebrity fancasts and crack. to be fair part of me respects taking a terfs canon material and making everybody gay but the way it seems to be so oversaturating fics and the fandom that characters dont even feel like their original selves .. atp its all just surface level OCs
hello! yes! i'll be honest talking about things like this always make me a little nervous, and i feel obligated to preface anything i say with a disclaimer that none of it really matters, nothing i say matters, and you should do what you like, because--who cares. i am not an authority on--anything, frankly. my opinion holds no more weight than the next guy's, and all i'm doing here is giving it, so. essentially what im saying is--people are perfectly entitled to disagree with me, but people are not entitled to be mean to me about it xx
having said that. it is my personal opinion that s x barty is one of the worst fucking things i have ever heard lol. who even is barty who is that guy. why would s be interested in him at all. i do not understand it it does not make sense to me. from where are we sourcing the character traits and personality that we are giving barty that would ever endear sirius to him, because it objectively cannot be canon.
overall i do not get the new interest in barty + evan + pandora (+ regulus, but we won't go there)...at all, other than guessing that people were bored with the marauders and wanted a new version of them (and new celebrities to fancast) while simultaneously changing next to nothing about them other than superimposing them onto the first slytherin side characters they could rustle up. i expect ive become a bit of a broken record in regards to my dislike of the popular meow-meow-ification + complete absolution of regulus as a character in order to make him a loveable oc (just as i think erasing all the negative traits that r/s have in order to make them more likeable is just as boring), and all of that applies to those other guys as well (with the slight difference that they are, somehow, even less interesting and significant than regulus in canon), so i won't get into that too much. but i think what you say about having no emotional connection to any of it is exactly right lol--it is a sort of shift? i guess? in the fandom that is simply of no interest to me. they are characters that i just have no emotional investment in and admittedly struggle a little to understand why other people do. i am emotionally invested in, like, five characters overall (and even out of those--there's only two i'm really here for innit xx) and i personally cannot extend that investment to a creepy little side character who is mentioned maybe twice in the entire series.
and that is okay! i do not need to understand it. i don't want to say it annoys me because honestly--i don't go there, its nothing to do with me. if i dont like it i just wont interact with it, and the fact that it doesn't interest me has no bearing on what other people are into or want to do, and i couldn't give less of a shit what people do with the canon material, which is largely garbage anyway. take the bits you want from it, play around with those and ignore the rest. in that respect we are all doing exactly the same thing. but yeah i think s x barty is genuinely awful lol. hate it. very terrible. he's already got a loser werewolf boyfriend and he loves him so so much. leave him alone.
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who was that. that was not Janus who was that
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Kinda sick of the angst in HS when it comes to fan stuff. Not in the sense that things should be happy or that its not fun, no not at all. I'm just sick of how it becomes a competition of "I suffered the most" basically.
.
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i feel bad for any pmmm fan following me just now bc like i love literally everything ive read and watched so far except for magireco and thats what im watching rn
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OH NO i thought too hard abt auvanne and her sister. oh god. oh fuck
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well that's certainly a reading but like. this was canonically a character kidnapping a lucid, independent adult who at the time barely knew him and deeply distrusted him. and it's really weird to see wwx compared to a child or a literal animal for his (very reasonable!) resistance to being fucking abducted by people he does not trust after a lifetime of alienation and hatred
he doesn't need anyone to feed him or bathe him, he was a very-self-sufficient traveler and a literal genius who can survive perfectly well on his own! and he wasn't even angry at 'the indignity of being loved' he was pissed about having his movements restricted and being forced to stay in a place he disliked with people who clearly thought poorly of him and disregarded his wishes. and it doesn't even matter what lwj's true motives were, it's not like his whims supercedes wwx's wishes for himself. like how paternalistic. but trust an mxtx fan to reframe kidnapping and imprisonment as ~love~
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I think it would be fun to do a "character swaps with older version of themselves" fic with Moshang. A post-canon Mobei-Jun who has been happily married for a while (probably at least 50 years old) accidentally touches some plot device artifact and time travels, swapping places with his 20ish-year-old self. Older MBJ wakes up in head disciple Shang Qinghua's bed where his younger self had been napping.
Younger MBJ lands in his own palace, where he is quickly found and fawned over by Older SQH, who can't help but think this MBJ is so cute. The System quickly confirms for Shang Qinghua that this situation has been sorted into a "multiple timelines" thing, so SQH doesn't have to worry about "protecting the timeline" by doing anything like hiding the fact that he's MBJ's husband. (So, there's an alternate timeline younger version of Airplane Bro now? He's just going to... ignore having an existential crisis about it. Yeah.)
Which is great because Older MBJ would not have thought about this at all as a potential issue. Older MBJ also thinks Younger SQH (Younger Airplane Bro) is incredibly cute and has no problem informing him that they're married in the future. Younger Airplane Bro is trying to figure what the fuck is happening, but he's having trouble thinking over the sound of how MBJ only became hotter: MBJ didn't get much taller, but he did get wider, heavier, more muscular, and hairier. Holy shit. Older MBJ doesn't even have any problems passionately kissing Younger SQH just to prove that they're married. And he smiles! He's so gentle and communicative! Comparatively!
("Luo Binghe is the Demon Emperor in my time," Older MBJ says. "Ah? Who's Luo Binghe?" Younger Airplane Bro lies very badly. "Hmmm, so you did know," Older MBJ says, and then makes some comment about LBH's husband that makes Younger SQH go, "HIS WHAT NOW?!")
Younger MBJ is trying to be cool, not really confused or scared, and Older SQH spoils him rotten by showing off the home that they're made together and how well the palace works to serve and defend MBJ. Linguang-Jun can't show up here because SQH will light him on fire if he shows his face. Younger MBJ doesn't even really like his SQH yet and is also struggling with how good Older SQH looks: a little taller, broader, relaxed and easygoing, answering all of his questions and explaining important things to him, dressed like a beloved demon lord's spouse, efficiently ordering everyone around. "Call me Gege," Older Shang Qinghua said with a wink, and it went straight to Younger MBJ's defenseless heart; he is developing new kinks immediately. Help him.
In the end, after a few days at most, they manage to switch Older and Younger MBJ back without too much issue. Older SQH is a little annoyed that his husband kissed an alternate timeline version of himself, but mostly because he sure would have liked that experience when he was only a disciple! Okay, SQH may have pet Younger MBJ's head and pinched his cheeks and hugged him and brushed his hair a little and shamelessly lavished him with good examples of human affection, but it's not the same!!!
Younger MBJ and Younger SQH in the alternate timeline are left in SQH's tiny head disciple house, completely flustered, sitting next to each other and barely able to look at each other. What. The. Fuck. Eventually, Shang Qinghua manages to say, "Uh, do you want to make out?" at the same time that Mobei-Jun says, "We should get married as soon as possible. Tomorrow."
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Omg hi! I'm a new follower and I just read your piece of the hazbin cast w/ reader having a panic attack and it was so sweet 🥺If possible could you maybe do the same cast of characters but with what they would do if the reader was on their period/period comfort?
Awww, thank you! yes!! Of course!! ☺️💘✨
taking care of you on your period || hazbin x reader
With Alastor, Lucifer, Charlie, Vaggie, Husk, Angel Dust, and Vox
tags: fluff, comfort, afab gn!reader, I decided to go with ftm for angel in this to try it out (lmk what you think!!) :3, periods in Hell are worse than on Earth I feel like that fits, suggestiveness in luci's || Minors don't interact!
Alastor
"Oh, dear, why are you curled up on the floor in the fetal position? Are you hurt? I smell blood." Alastor coos in crackling static. He nods his head, listening to you explain despite you being facedown in said carpet. He'll procure a hot water bottle for your tummy, some aspirin, and some bitter, dark chocolate. He'll even go get one of those sugary iced coffees you love so much. Given the circumstances, Alastor may even allow you to touch his ears, but his mindful of his antlers if you know what's good for you.
Lucifer
Oh no, his poor sweetheart! The King of Hell goes full Mama Goose mode (you can see where Charlie gets it from) and hunts down whatever he thinks you may need. He'll create a little nest fort for you, spooning you from behind and nuzzling his face in the crook of your neck. He's also not opposed of other ways of relief. In Lucifer's own wise words, "Bow-chick-a-wow-wow." (As long as you're up for it, he's not opposed to giving Charlie a sibling.)
Charlie
She's on it instantaneously! Running around scavaging all sorts of items from tampons to pads to candies-- she's not sure of your preferences, so she gets all of them! Only the best for her sweetie pie!! Huddles extraaaa close to you in your shared blanket cocoon, feeding you chocolates and giving you sweet nuzzles.
Vaggie
Immediately sends you off for a hot bath while she changes and washes the sheets so that they're nice, warm, and fresh. She also will prepare your favorite pajamas and snacks, digging through some films for one to watch. Vaggie will do what she can to make sure you're well-rested, hydrated, and most importantly; comfortable.
Husk
Immediately goes to the women of the hotel and asks about what sort of toiletries the hotel has to offer. He's discreet about your situation and grateful for their help. He wants you to feel better as soon as possible even if that means your symptoms haven't fully gone away yet! The scent of blood is strong on you and if he can notice you from a mile away, he's certain others have too. So, he creates a little nest for you two, the bar is closed down for the day, and cuddles you close to his chest.
Angel Dust
He'll spoon you from behind, resting his warm hand on your tummy. From what Cherri has told him, this shit's worse than when you guys were alive. Hell really does have a hard-on for torturing people. Angel will be as vigilant as he can, getting you whatever you may need, reassuring you gently that just because you have your period doesn't change who you are as a person nor how you idenitify. You're you, no matter what your body does or doesn't do.
Vox
|| I DON'T GIVE PERMISSION FOR MY WORKS TO BE REPOSTED, RESHARED, OR EDITED. TUMBLR IS MY ONLY ACCOUNT AND THE ONLY PLACE WHERE I POST MY WRITING. ALL CHARACTERS BELONG TO THEIR RIGHTFUL OWNERS, THE STORY BELONGS TO ME. || CHERUBFAE © 2024
What's that? Oh, shit, that's when you-- yeah? Oh, okay got it. That sounds like that sucks. Yeah, he doesn't mind grabbing some things for you but he's a bit stiff when it comes to comfort. He knows what it is for sure and he'll do his best. Velvette might tear him a new asshole. He does genuinely want you to feel better, he doesn't like seeing you in pain. He's just a little lost.
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