Hello! I’m not Jewish and I just learned about Pikuach Nefesh. Being Jewish yourself, I’m guessing you have a lot of thoughts on this and how it relates to Bruce’s no-kill policy. I’d be really interested in hearing them if you want to make a post!
Hey friend!
I absolutely have thoughts, but I must begin with a disclaimer:
My perspective does not cover all Jews, nor is it the authority on what is or isn't Jewish. I grew up Reform/Reconstructionist, in an ethnically Ashkenazi Jewish family, and these are just my thoughts as a Batman blog.
Another important note: different types of Jews hold the halacha (rules/principles) of Judaism to be far more important in their lives. An Orthodox Jew will observe halacha much more strictly than a Reform Jew. Despite what some people will tell you, this doesn't make either of them better. Just different.
Whew, okay. Now that that's out of the way, let's get down to business.
What is Pikuach Nefesh?
In very general terms, Pikuach Nefesh (hard ch sound in the back of your throat) allows Jews to override other religious "rules" or values in the pursuit of preserving or saving a life.
A good example of this is a an Orthodox Jewish person, who, following halacha, will not drive or operate items with electricity during the Sabbath (Shabbat). But what happens if someone has a heart attack and they need to call 911? Pikuach Nefesh would permit them to use electricity, despite it being Shabbat.
If a Jewish person who keeps total kosher is in a situation where they will starve if they do not eat non-kosher food, they are permitted to eat non-kosher food.
Exceptions
There are some notable exceptions to Pikuach Nefesh, which I suspect is what your question is getting at. The threat to an individual's life generally has to be known, urgent, and not abstract.
Murder is another large exception, with some conditions. Generally, the intentional act of killing another person, or injuring them to the point where they might die from their injuries, is not an act that can be permitted by the principle of Pikuach Nefesh.
The slim exceptions to this include highly specific cases of self defense of oneself or another against an aggressor. One may kill to preserve a life in very strict situations, but they cannot murder. There are even times where killing is obligated, such as war.
So how does this relate to Batman/Bruce's no-killing rule?
Okay. So. I've had a lot of discussions with folks about this, and the answer I've learned is: it doesn't. Not really.
Pikuach Nefesh refers to the principle that a Jewish person should preserve life over almost any other rule or halacha. It does, actually, permit Bruce to kill under very specific situations. It does actually forbid him from gravely injuring people and doing so in the name of fighting against abstract threats, which are both things he does in canon.
The last time I wrote about this, I was definitely off about the details of Pikuach Nefesh in regard to Batman. I was corrected and I stand by that correction. I didn't grow up in the Orthodox faith and I don't observe much of their halacha, which is where a lot of religious theory questions arise from. I'm not an expert, and my explanation is only as deep as my own experience.
I think a good way of looking at Pikuach Nefesh is not as a way to define what, if any, killing is acceptable, but rather, what are we obligated to do to save a life?
The more important Jewish principle shaping Batman's ideology (in my opinion)
"Whoever saves one life, saves the world entire."
This is much more of an important focal point for Bruce's Jewish-influenced ideology. The flipside of this quote, from the Talmud, is equally important: "Whoever kills one life, kills the world entire."
Bruce's no-killing rule is famously tied to his parents' deaths during his childhood. In a way, his entire world ended with their murder. He sees his mission to clean up Gotham as a way to prevent that loss from occurring for anyone else.
Saving one person, like he tells Barry in Justice League, is enough. That is a viciously Jewish thought. It is frequently quoted in reference to those who acted in support of Jews during the Holocaust, doing what little they could against a fountain of evil.
Conclusion
In that regard, yes -- Pikuach Nefesh tells us that preserving a life is the most important thing above all else. But Bruce's no-killing rule would swiftly be broken if he followed the principle of Pikuach Nefesh closely, in that he would a) likely have to kill someone in self-defense at some point in his duties and b) it would not allow him to injure or hurt people to the extent that he currently does in canon.
More importantly, Bruce's no-killing rule is a better reflection of the Talmudic quote that "he who saves/kills a life, has saved/killed a world entire."
It is not much of a stretch, in my opinion, to connect Bruce's trauma from losing his parents at young age to his outright refusal to kill later in life. The more interesting question, in my mind, is if the creation of this no-killing rule truly was shaped by Batman's Jewish creators and their view on life and death, especially post Holocaust.
Comics became more widely available during and after WWII and the Holocaust, during which time many -- many -- Jews entered the field as writers and artists. Their influences on the characters we see today are obvious, often intentionally Jewish, but just as often un-intentional.
Was Batman's no-killing rule a product of the post-WWII Jewish comic writers who shaped his character? Was it a coincidence that lined up well with the Talmud, but not necessarily all the conditions of Pikuach Nefesh?
How else does Batman represent, or not represent, the goal of Pikuach Nefesh (the necessity that a person act in the preservation of human life, above almost all else)?
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surprise!! remaking this post with corrected, updated links!!
Introducing…
‘DINO’-tello
BIG THANK U to Anixolt on twitter for accepting this commission request!!! I'm so excited to share this 'Future' Donatello with you all!
Set in an alternate reality, Donnie & his brothers go back in time to the cretaceous period to stop a cataclysmic event. However, in doing so, the four brothers get stuck in the past and live among the dinosaurs.
[link to twitter thread]
(Note! Permission to post my commission on tumblr was given by artist via Twitter!)
More lore below!
Because the Ooze was designed to make super soldier mutants, it helps its host adapt to the conditions around them. After a few years, it started to double-mutate him to adapt to his new harsh environment, making him very raptor-like.
Because of his double mutation and trauma of past events, Donnie is at risk of going into a feral “Savage” mode like Raph
Has two modes— ‘Hunter’ and ‘Scientist/Alchemist’
While hunting Donatello relies on his instincts. Becomes very aggressive and territorial.
He uses an ankylosaurus skull and other dinosaur parts as his battle shell and protective gear while hunting
When he isn’t hunting, Donnie is trying to reinvent necessities to make living in a prehistoric era a bit easier with what materials are available to him
Whatever he doesn’t have, he’ll make. From scratch.
Dino-Tello’s concept was inspired by a similar 2003 TMNT episode where they go to the past, 2003 Leatherhead, Tarzan, and the anime series ‘Dr. Stone’
His concept is meant to emphasize Donnie’s other strengths beyond technology— such as his Super-intelligence, his close-combat fighting skills, and ability to communicate with other creatures (as shown in the Todd Scouts episode)
He and his brothers tame a triceratops and name him Zog, who was both a pet and steed
For one reason or another… Donatello is the last turtle standing
However, due to classic Hamato shenanigans— ‘Dino’tello might not be all alone for too long 👀👀👀
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just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
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