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#absolutely losing my mind
ralvezfanatic · 1 month
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Kirsten being pretty :3
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Taglist: @starch1ldz, @the-gregster, @jaden-reid, @lover-of-books-and-tea, @gayaristocrat, @ruby-d1amond, @fuckingstrange, | Add yourself here !
(she is currently not on my tag list !)
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cryptidfagswag · 1 year
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boys with thick thighs boys with thick thighs boys with thick thighs boys with thick thighs boys with thick thighs boys with thick thighs boys with thick thighs boys with thick thighs bo
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dearemma · 9 days
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Jess Bush on IG
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righty-ho-then · 1 year
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“the choir has to sing something”
(TLOVM S1E6 19:50)
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ronon-dex · 6 months
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janeway about chakotay: "there is no-one on this ship I trust more."
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i think a certain kind of softness dies with raph in the apocalypse.
and it’s not that raph is the only one with hope, or kindness, or determination to fix things. it’s not that raph is the only one who stops and helps when he sees help is needed, it’s not that he’s the only one willing to step up and carry the people around him. it’s not that he’s only ever soft and quiet and gentle, that he never shouts or fights or mourns or missteps.
but i think that losing raph is losing a load-bearing pillar. i think it’s a loss of someone who could make people feel safe again even just for a moment, untouchable. i think it’s a loss of down to the bone caretaker energy. i think it’s the loss of a big bleeding beautiful heart, someone who carried responsibility for tough calls as long as possible, like atlas holding the sky above their heads, and wouldn’t know how to sand off the edges of how powerfully he cared even if he wanted to.
i think a certain kind of softness dies with raph.
i think some part of why his family fights so hard to the bitter end is because they don’t want it to be in vain.
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Time for the usual lego set announcement from german patents, these are the lego sets for s5:
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The nine-headed beast is this creature for reference:
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Soooo TEA 2.0, the Nine Headed Prince Consort, Ne Zha's universal ring/s5 confirmation, and another Celestial Realm set?
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cicada-circuitry · 7 months
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Asami Shimizu from All About Mercury (x)
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heretherebedork · 10 months
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Y'all, I am not okay about Tien. I cannot deny that.
This episode was so painful to watch because his usual goofy mask was truly ripped off and he was laid bare in front of Lomfon, terrified for his brother and blaming himself for not thinking of where he had gone. He fell apart, lost his smile entirely, lost his stubbornness and his rudeness, falling into tears and insulting himself. He was a mess and Lomfon gathered him up in his arms and held him until he managed to put himself back together, at least long enough to remember himself.
And then Lomfon heard Patts and Tai. Lomfon stopped hearing Tien's voice in the rain and started to hear theirs. Tien was yelling for him but his cries went unheard, faded into the background of two voices already in love.
Tien is now the only character that can hear in the rain. For all that Tai talks about the isolation of the hearing loss disease, who of them is truly isolated now? Tai, Patts and Lomfon can all hear each other in the rain (and, yes, that's going to be messy) but Tien is now the only one without that.
But who believes in soulmates the most? Who held tight to the faith that Tai would find love with his soulmate? Who has always stayed at and on his brother's side? Who was quick to shut Lomfon down when he was snarky? Tien is out here believing in soulmates, trusting in fate, jealous but happy for his brother who he always puts ahead of himself... and now he is, again, on the outside looking in.
Lomfon stopped hearing his voice in the rain right after Tien broke apart in front of him and now the silence that Tien can't hear is going to drown him.
(How can you drown in other people's silence? We're gonna find out.)
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forelsketparadise · 1 year
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Charles is my best mate
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stuckasmain · 1 year
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The way the musical portrays the relationships through musical numbers is great. Yes, yes we all know elephant love melody using love songs to flirt or backstage romance being the show stopping act two opening. However, today I want to talk about the other relationship that gets expressed in a similar fashion, that actually goes a bit under the radar. It did for me the first few times. Let’s talk about Satine, the Duke and Diamonds.
During the sparkling diamond number satine keeps accumulating more stage jewelry pieces, and the final look with an additional necklace looks awfully familiar…
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This is a nod to the film but it’s also a clear show that the Duke “staked his claim” in her long before they ever met in person. Her entire number in fact only goes to further play up the image of her he has in his mind(in the movie he even greets her with a kiss on the hand) it also goes to show some of her own motivation. Here’s the thing! I think Satine would have been satisfied with the Duke, she gets a comfortable retirement, jewelry and all she has to do is fake it every once and awhile. It’s not perfect of corse but she won’t have to worry about the streets… this was before she met Christian, before she discovered Love isn’t just a fairytale but something even she can have. Suddenly, security and being left alone just isn’t enough when she can have something real.
Satines relationship with the Duke in the musical is better, I love a man child as much as anyone but for the Duke to be sauve and a active threat? Not to mention that in this version she’s alone with him for long periods of time making the jealousy, on all ends, much more justified. It’s even more interesting because she seems to like him, on some level. Not love, not like, tolerate. She’s on a first name basis calling him Andre, she goes on regular walks, she gets bought pretty things. Toulouse calls her out on this “you won’t give up the Duke” she wants her safety net and her love— she thinks she can have her cake and eat it to basically. My favorite show of this is the “because she doesn’t love you!” Scene.
“How could you let him do this to you?” (She’s also trying to distance here to keep him safe, but I digress)
“What? Make me happy? Stay out of it”
“BECAUSE SHE DOESNT LOVE YOU!!!! … him…”
“….I think it’s far more complicated than that, lad”
Of corse this was all before the Duke revealed his true colors to her, until this point it’s sort of been a “honeymooners” stage. He’s been trying to buy her love. She’s been accepting the objects but her love is still with Christian. As he starts to realize he can’t have what he really wants her starts to get harsher, until he gets verbally and later physically abusive. It’s sort of fascinating as he puts on a nice soft face and talks about wanting her love but it’s also quite obvious he wants her for a status symbol more than anything else. In sympathy for the Duke he takes a while to even touch her, he skirts around the idea, but he wants her to love him fully but he does not want to do(or possibly is incapable) of doing so in return. There’s always hints at the possessiveness like “my little girl loves to sparkle. … all my things sparkle”. However only girl in the material world makes me loose my absolute mind at all it reveals.
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Like I’m the only one that you’ll ever love
Like I’m the only one that knows your heart
Like I’m the only one that’s in command
‘Cause your the only one who understands
How to make me feel like a man,whoa
It’s a bit on the nose. “I need a mistress because all my friends have one and I won’t be sufficiently manly enough if I don’t have all this stuff” . He thinks he’s being so generous when he wipes away every part of her , tells her how to act, stand, dress etc. However it’s Satines lyrics I love the most, she gets a bit of a reprise.
A kiss on the hand
May be quite continental (Material girl)
A kiss may be grand
But it won't pay the rental (Material world)
There may come a time
When they're no longer calling (Material girl)
And so I must climb just to
Keep me from falling
I absolutely adore this little part of the song as it echos through the theater and there’s this look in her eyes as she’s starting to realize what the Duke is actually doing (every beautiful thing in you compromised by his lust and money). But she doesn’t budge. She loves Christian but she’s getting old, he’s broke, her world is at  jeopardy. I also love how it’s expressly showing her self preservation- she’s not talking about the theater, about the others — but her own security. The kind of life she lives everyone would instantly understand a action to save herself. Except Christian, he is becoming apart and desperately wants to be but he’s still so much of a outsider that he can’t comprehend this as much as he tries. This also comes before satine realizes how far along her illness is, she still believes she can just power through at this point in time but it’s getting harder. The men in her life are starting to grow jealous, her chest is growing tighter. She can’t balance as much as she wants to — she’s not at her A-game but refuses to admit to herself that she’s compromised in more ways than one.
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todd-queen · 11 months
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no thoughts just them
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iguessricciardo · 2 years
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I love him. I want to be so mean to him. He looks like he's into classical music I want to intentionally confuse Mozart and Chopin and watch him crush a mug in his bare hand in anger. I want to intentionally mispronounce his name. I want to take his crown and do the worst possible impression of him and have him throwing his hands in the air and stomping out of the room. Like I just want to make him rue the day every single time he sees my face.
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your-circuits-dead · 3 months
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had a great time in film class yesterday (crochet during class) (tried to roll my yarn into a ball) (dropped my crochet hook) (leaned down to get it) (knocked partial yarn ball off my lap) (floor is slanted) (rolls away from me) (have to yank the yarn back to get it to come back to me) (knock my pen off my desk) (guy two rows in front of me hands my yarn ball back to me) (seats are connected) (yarn is looped around the seat connector) (get my hook and pen back) (go to pass the ball through the seats to untangle it) (drop it again)
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reitziluz · 1 year
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my expression when i realize there's a new halting, haunting stripped down piano version of a familiar ost playing
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