Might be headed to New York this fall. When do the bars/clubs stop serving alcohol?
Bars and clubs in NYC are allowed by law to stay open until 4AM. But in reality it will depend on the place, the staff, and how the night is going. In my experience, a neighborhood bar with one bartender will usually close around 1AM at the latest. On slow nights a lot of places will lock up earlier.
Major nightclubs will probably start "encouraging" the crowd to leave at around 3:30AM to ensure that everything goes smoothly. The most infamous clubs in NYC will have a few cop cars outside of them around this time to make sure nothing happens on the streets in front of the club.
On the flip side, dive bars in NYC will open in the early afternoon, around 2PM. Some of them open at noon. The most extreme Manhattan dive bar that I personally know of opens at 8AM, but I really would not recommend that place.
I'm sorry but saying "don't write dark or taboo fiction or at least keep it private because it might trigger someone or someone might get off to it." is exactly like saying "don't talk about the abuse you suffered because it might trigger someone or someone might get off to it."
It is the exact same thing. Telling someone they aren't allowed to talk about their own lived experience because some random stranger might be triggered, made uncomfortable, or even aroused by it is unbelievably fucking disgusting.
Whether someone is writing dark/taboo fiction to cope or not is 100% irrelevant because someone else's trauma is not your business, and you can't know.
You shouldn't tell a victim to never talk about their trauma, so you shouldn't tell people what they can and cannot write about, because at the end of the day, you don't know and it's not your business. Block and mute things/people you don't want to see, and move the fuck on with your life.
Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.
yknow what i think it's pretty fucked up that my instinctual reaction to hearing any mention of the holocaust is to brace myself for antisemitic talking points. in discussion about a jewish genocide.
holocaust inversion, universalization, minimalization, and denial are inexcusable in any context, and the fact that they've become this common is appalling on every level.
Image description: [Black text on lined paper. Text reads: Share your story with the Psych Survivor Archive. Hold the psychiatric system accountable for the violence and coercion we've survived. Make space for our anger. Grieve together. Celebrate our resistance. The Psych Survivor Archive is a forum for psych survivors to share about their experiences and be believed. You can share as much or as little as you want. Your story will be anonymously published on the website with writing from other psych survivors. The archive is open to anyone who identifies as a psych survivor, including people who survived inpatient hospitalization, rehab, troubled teen industry, partial hospitalization, outpatient programs, ABA, and any other form of coercion psych treatment. Check out the prompts, participant rights, and content guidelines. Share your story now: www.psychsurvivorarchive.com/submit-your-story]
Hey everyone. I wanted to share this here as well. The Psych Survivor Archive is looking for anyone who wants to share their story and have it anonymously published on the website, in order to create a collection of our experiences navigating the psych system. Your responses will be anonymous and can be as detailed or vague as you want. On the website, there are prompts, but you can feel free to share in whatever format makes sense to you.
This is a more informal way to participate in the Psych Survivor Archive if you are not interested in creating art for the zine, but still want your story to be heard and validated.
For me, it has felt very cathartic to write out my story, on my terms, in the way that I want to be known. I hope that the archive can offer that space to other psych survivors as well, and I can't wait to keep developing this project and offering even more. In the next couple weeks, submissions will open up for the second edition of the zine, so if you're interested in submitting creative art or writing keep an eye out!
actually I think that neil josten is very smart. he’s quick, clever, and a MATH nerd. he’s a polyglot! he keeps decently good grades despite having a VERY unstable schooling. he knows how to manipulate people to get information/people to do what he wants. he’s incredibly observant and is able to predict what the people around him are going to do. he’s so so smart
and he’ll throw all those braincells out the window when he’s with his bestie, matthew donavan boyd
when sean finnerty said "there's better people than me, and there's people that'll make sure you're happy." and when tula said "obligation and duty is what i said kept me here, it's what i thought." and when sean said "i don't know how to be around things that are soft and growing anymore. i'm not a gardener." and when tula said "it's not obligation, it's believing that you can put your head up and look for a day where you wont be so tired anymore." and when sean said "the world doesn't need me, and it's better for me to go away. i hope things stay green and growing for you." and when tula said "lukas deserves to find that day, he deserves to adventure for it and be curious about where it might be, and i deserve to find that day too." when spencer said "and you're gone." when brennan said "and i cast cure wounds."
in your most recent tyson post, you said something about leo being distinctly autistic-coded and I was wondering if you could elaborate on that? it sounds really interesting (sorry if you've already posted something on this, I couldn't find anything though)
Of course! I do have a specific tag for talking about Leo's autistic-coding/traits - [here], and [one for Nico as well].
The main aspects with Leo being autistic-coded actually have a lot to do with Nico being autistic-coded, because it's the comparisons between the two that most clearly indicate Leo is autistic-coded rather than it just being his ADHD or etc.
So with Nico being autistic-coded, it's very clear in the Titan's Curse that he's intended to be autistic. First, the first series has a repeating pattern of secondary characters being very distinctly neurodivergent-coded in different ways (Annabeth's adhd/dyslexia, Tyson's down syndrome-coding, Nico's autism-coding). With Nico's introduction, he's pretty stereotypically autistic and we're given a lot of descriptors about him that are notably not attributed to him being ADHD, like it would be for other demigod characters. He doesn't register social cues such as people getting annoyed at him, he's asking/making inappropriate or impolite questions/comments, he gets particularly upset about change (such as Bianca joining the Hunt) and generally gets emotional, and one of his most notable traits he's introduced with is the fact that he has a special interest (MythoMagic) - and we're shown that this special interest particularly colors how Nico navigates the world. While ADHD has hyperfixations, we don't really get much acknowledgement of hyperfixations with demigods usually - Annabeth gets a little, but most others don't and it's not nearly as focused-in on as Nico's is.
Then as the series continues we see these traits stick with him and him start to show or voice more traits that similarly indicate he's autistic: He regularly mentions how he doesn't understand living people and prefers the company of the dead (social issues). He has more notable stims than other demigods (twisting his ring, fiddling with bones, etc). He's indicated to have strong sensory preferences (usually wearing mostly black/aversion to bright colors, usually wearing layers/his coat, multiple times he's described as wearing loose/baggy clothing or clothes too big for him). He has specific comfort items (his ring, likely his jacket(s) as well). We later get even more information about his special interests (Mythomagic/mythology/history and an older interest in pirates - the latter he specifically notes likely heavily influenced his feelings towards Percy). He struggles with emotions and facial expressions and tone. He struggles particularly with ostracism and feeling like he doesn't fit in and has something distinctly different about him from the people around him (who notably, all have ADHD, which indicates it isn't the ADHD that's making him feel that way), and other characters regularly describe him as being off-putting because of his strange behaviors - again, different from specific ADHD traits they recognize. And that last point is kind of notable because we have Hazel and Bianca for comparison - we know people are off-put by both Nico and Hazel because of being children of Hades/Pluto and their powers/aura, but other characters get past that general feeling of discomfort way faster with Hazel. And even after characters get past the death stuff with Nico, there's a second thing that they aren't moving past that isn't a factor with Hazel (Nico's autism).
So that brings us to Leo - Leo is paralleled to Nico a lot. And there's some very specific traits about him that we know are autistic-coding because of how they're used with Nico: He similarly struggles with social cues/etc, and in a very similar parallel to Nico describes how he prefers the company of machines to people because machines make more sense to him. He has similar types of clothing/sensory preferences (again some stuff with layers but also - pockets! He likes having pockets and things to put stuff in! He's even introduced as having a jacket with lots of pockets), and he has a distinct special interest (machinery) that we specifically know heavily influences how he views and navigates the world (constantly comparing things to machinery, describing things with machinery metaphors/terminology, etc etc). He even describes his entire general worldview to Hazel and it's a machine metaphor. He also similarly struggles with ostracization like Nico does, the only difference being that Leo specifically puts on a persona to compensate for areas he knows he's lacking in and very explicitly describes it as a means to make people like him, because without it he normally struggles to fit in (He's masking!). We also see notes of characters describing that similar discomfort with Leo's behaviors that they do with Nico, except without the aura of death this time. And when we're in Leo's POVs we see a very stark difference between his masking and his actual personality/behaviors such as his internal dialogues or how he behaves when he's alone. Also, like Nico, he stims more than other demigods, though for Leo it's more attributed to his ADHD. Leo also, more often than most, similarly struggles with tone and reading the room, such as making misplaced jokes/comments or etc.
But yeah! It's really interesting. Also it's just a fun thing that ADHD/dyslexia and autism have comorbidity, so it makes sense that we see demigods who are also autistic. It's also really fun to look at how other characters are coded in the series, what coding looks like in the riordanverse specifically (usually it's tied into the mythological stuff - like Chiron being in a wheelchair but he's actually a centaur, Grover being introduced as having a muscular disease but he's actually a satyr, demigods having adhd/dyslexia, Tyson being coded as having down syndrome but he's a cyclops, etc etc - it's a lot of specific metaphor stuff that I've talked about a bit before), and to look at how characters are compared to one another.
do you think theyre still together? they spend so mcuh time apart :(
Yeah I do think they're still together. And yeah they do spend a lot of time apart. I think people need to understand that your idea of a relationship is not everyone's idea of a relationship, if that makes sense. Harry and Louis are in a very unique situation where they've gone from working together/being together every single day to having separate careers that demand them to be in a million different places all on top of the fact that they are not publicly together. I think it probably took them quite a while after 1d to figure out what works for them and I think it's completely possible that they did take some time apart after the band. They had a lot to figure out both personally and professionally.
I think over the years they've probably worked to realize what's important to them personally as individuals, as artists, and as partners and they have probably come to terms with the fact that there may be times where the don't see each other for weeks or months at a time. And that's okay. That might not be what many view as a "normal" relationship which is why I think people tend to get worked up. But every relationship is unique and like I said their situation is also unique.
Harry's mentioned reading books such as the Course of Love by Alain de Botton which is essentially about learning and exploring how love can be maintained in long term relationships. I think making their relationship work in whatever capacity they can is extremely important to them and something they've consistently put a lot of thought and effort into.
During a show last year when Harry asked a fan "Are you kind to each other? Do you love each other? Do you look after each other? Do you protect each others solitude? Are you friends to each other? Through thick and thin?" To me, those things all seem like things Harry (and Louis) highly value in their relationship. And the thing that stuck out to me, of course, was "do you protect each other's solitude?" which I assume he gets from the Rilke quote "the highest form of love is to be the protector of another person's solitude." I think this really goes hand in hand with the fact that they do require time apart, time alone etc. for themselves career wise and personally. I also believe they are both incredibly supportive of each other's careers which means understanding and respecting everything (time, travel, publicity etc.) that they have to put into their careers.
So all of this is to say yes, I do think they're still together. And yes, you're correct, they do spend a lot of time apart and that's okay. Their relationship isn't going to look like your "average" relationship.
wondering about Frank and insects but specifically about how it looks like the WH insects are highly stylized, so does Frank even know anything about real butteflies/insects?
& if he saw a real one, would he recognize it? are all of the species names he applies to the WH bugs real, or are they all made up like "Vibrant Eyespot" or "Fluttering Heartwing"?
and then there's the question - does the neighborhood have some of the more 'undesirable' bugs like moths, worms, roaches, spiders? does it have bugs outside of the generic groups of beetles and butterflies? like are there mantids? leafbugs? dragonflies? weevils? or are those too specific/complex/not-cute for the Playfellow Workshop to have included?
and then there's the question of what are the bugs? props? puppets? are they alive or do the neighbors just perceive them as such? Do they even exist outside of art, storybooks, and animated segments? I highly doubt they're alive like the neighbors are, since in the gif of Frank's head spinning, the framed butterflies' wings are moving. which is kind of horrifying if you think about it for more than a second.
just... the critters Frank loves so so so much being a complete fabrication... every piece of knowledge he prides himself on / delights in knowing being utterly Untrue... oof
computer science was a hoax from the universe to get me to study math in the pretense of ”hehe coding’s cool look at all these things u can do” *some mf vectors looming just around the corner* ”noNO dont look there; look here!! It’s ’hello world’ but in green heheh wOoOoo now it’s blue !! u are a god of this website” *matrices sharpening their knives somewhere*
not to like wax poetic about the literary nuances of Black Fucking Butler but i feel i need to point out how insanely campy it is. oh okay cool the butler is throwing butter knives at people with guns and winning. we're battling undertaker's zombie army by starting a boy band (we actually got the idea from the ZOMBIES' boy band). theres a curry making competition and its so important it needs an entire volume and a continuing motif dedicated to it. the Grim Reaper Death Gods are all cornballs with gardening sheers. the contradiction. the unintended irony.
i think the manga is like. toeing the line of camp. like its silly yet takes itself so seriously but its not too silly. my immersion is not broken by the silliness. but the anime is uncharted levels of camp. what the Hell was going on with pluto. you're gonna look me in the eye and tell me the phantomhives own a fifty foot dog thing and no one has noticed. simply one hell of a deer. ice skating. theres opium in funtom candy. the queen of england is maybe a little girl. speaking of which, the city of london just burned down. yeah the whole thing. the fifty foot dog was there too.
it's so ridiculously out of left field and the fact that none of the characters seem to notice or care feels like being gaslit. camp so visceral it's causing psychic damage. i am constantly begging the narrative to break character just once and acknowledge its silliness but doing so would negate the lack of awareness that makes it camp. its dated and timeless. an absolute milestone in camp history.