I think it would be really nice to be noticed and unnoticed. If I could coordinate what I'd like to be in front of which people. If I could navigate between the ifs and maybes and find out what the other person wants and see if I can safely reach those expectations without hurting myself. An analysis of what I can and can't making myself the priority. I wish I could do that while handling the people I voluntarily interact with and the people I'm forced to see. If I could maybe run a little test before knowing how and what part of myself I'm ready to show. If I could match up the amount of love I have to give with the people who want it, need it from me. If I could figure out how to make love not a responsibility but a thing that happens in passing. If I could match myself against the past me and see if I've grown or I've illusioned myself into believing this is better when it's really almost sinking. It would be so nice if I could know what people originally thought of me and what they did after they said hi because then I would know where I should invest time and where I don't need to because man someone decided they hated me because of the way I said hello.
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being a writer is just thinking that anything and everything is great writing material. people watching while you wait for your bus? writing material. experiencing something that's gonna scar you for life? writing material. getting chased by chickens and running for your life? writing material.
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In an interview regarding "what does Wilson satisfy in House," RSL responded that House needs vanity. Similar to the question If a tree falls in a forest and no one is around to hear it, does it make a sound?" RSL asked, "If a tree falls in a forest and Wilson doesn't hear it, does it make a noise?"
SO House needs Wilson the way performers need an audience. The show is not for the performers even though they spend hours rehearsing and practicing. With the thought that a show is for the audience, House exists to entertain Wilson and Wilson exists to watch House. Otherwise, one would be sitting in the wings of a stage and the other would be forever waiting for the show to start.
House exists because Wilson perceives him and Wilson exists because he is perceived by House.
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”you have to draw a bunch of things. A bunch of subjects to improve your art.”
no. Jonathan Sims portraits. (+the occasional other tma portrait or mechs portrait)
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Finally writing my “zoro gets lost because he uses the red thread of fate as a compas” story and I’m so giddy it’s like the first thing I posted on here
Edit: I posted it
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