It’s been a day or two since i’ve really been on any social media other than the news and tiktok and it feels like were living in a dystopia and i’m driving myself crazy trying to figure out how we’re going to get out of this.
the government thinks that books are a greater danger to the LITERAL LIVES OF CHILDREN than guns are. trans kids are being exiled and targeted and they are more vulnerable than ever and i hate the feeling of even falling asleep when i feel like i could be doing more.
we should be storming the streets. making out voices heard. time after time after time we have seen that the voices of children and teenagers and young adults and god forbid, the adults that advocate for the younger generations have been blatantly ignored. they have been disregarded and tossed to the side even though the only people who know anything about what it’s like to experience a shooting or live in fear of going to school because they don’t know if they will walk out alive are the people that have experienced it. is that not enough? we are begging and it’s not enough?
the current system doesn’t care about us. not enough to value human life over a gun. not enough to CRITICALLY THINK about how our current way of dealing with guns is perpetuating a culture based on individual powerlessness, so the only remedy seemingly available is to buy a gun under the guise of being able to protect oneself, as if the presence of a gun itself doesn’t hold risks already.
how are we supposed to work towards change within a broken and corrupt system built on harmful ideologies? if restrictions and safety measures are not going to be passed, what do we do? how do we get people to care?
gun violence against women, accidental household gun violence, and even gun assisted suicide can ALL be mitigated by removing automatic weapons from the hands of civilians. NOT TO MENTION THE CHILDREN. i’d that isn’t worth it, what will be?
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Horrible fact of the day: Chevron just released a new boat fuel that WILL give you cancer.
Not "might", not "could", WILL. It has a cancer ratio of 1.3:1, as in, in a group of 10 people, 10 would contract CANCER.
(Edit: apparently some articles are now saying 1.4:1, and some are saying a little under that. Either way, the consensus seems to be anywhere between a 95-100+% of contracting cancer, with some expectations of this fuel not even needing a full lifetime of exposure for you to get Cancer.)
The EPA's safety limit is 1:1,000,000 as in 1 in a million people get cancer.
The EPA approved it anyways. I am not joking. The EPA approved a boat fuel that has a near 100% chance of giving someone cancer. It has such a good chance of giving someone cancer that if you DIDN'T get cancer YOU WOULD BE AN OUTLIER.
Fuck the oil industries.
Edit: If you find this (rightfully) horrifying, have you considered industrial sabotage? /hj
This isn't something we can vote away. This isn't something the rich are gonna apologize and make a 10 minute apology video for this. They don't care if you starve or wither in hospitals or get blown up in their wars.
If you don't know where to get started:
If you already know what to do, then it's time to do it. Participate in mutual aid, raise awareness in real life as well as online, participate in or train in self defense and emergency medical training classes.
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More on pre-electricity lighting.
Interesting to see this one pop up again after nearly two years - courtesy of @dduane, too! :->
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After experiencing a couple more storm-related power cuts since my original post, as well as a couple of after-dark garden BBQs, I've come to the conclusion that C.J. Cherryh puts far too much emphasis on "how dark things were pre-electric light".
For one thing eyes adjust, dilating in dim light to gather whatever illumination is available. Okay, if there's none, there's none - but if there's some, human eyes can make use of it, some better or just faster than others. They're the ones with "good night vision".
Think, for instance, of how little you can see of your unlit bedroom just after you've turned off the lights, and how much more of it you can see if you wake up a couple of hours later.
There's also that business of feeling your way around, risking breaking your neck etc. People get used to their surroundings and, after a while, can feel their way around a familiar location even in total darkness with a fair amount of confidence.
Problems arise when Things Aren't Where They Should Be (or when New Things Arrive) and is when most trips, stumbles, hacked shins and stubbed toes happen, but usually - Lego bricks and upturned UK plugs aside - non-light domestic navigation is incident-free.
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Here are a couple of pics from one of those BBQs: one candle and a firepit early on, then the candle, firepit and an oil lamp much later, all much more obvious than DD's iPad screen.
Though I remain surprised at how well my phonecam was handling this low light, my own unassisted eyes were doing far better. For instance, that area between the table and the firepit wasn't such an impenetrable pool of darkness as it appears in the photo.
I see (hah!) no reason why those same Accustomed Eyes would have any more difficulty with candles or oil lamps as interior lighting, even without the mirrors or reflectors in my previous post.
With those, and with white interior walls, things would be even brighter. There's a reason why so many reconstructed period buildings in Folk Museums etc. are (authentically) whitewashed not just outside but inside as well. It was cheap, had disinfectant qualities, and was a reflective surface. Win, win and win.
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All right, there were no switches to turn on a light. But there was no need for what C.J. describes as stumbling about to reach the fire, because there were tinderboxes and, for many centuries before them, flint and steel. Since "firesteels" have been heraldic charges since the 1100s, the actual tool must have been in use for even longer.
Tinderboxes were fire-starter sets with flint, steel and "tinder" all packed into (surprise!) a box. The tinder was easily lit ignition material, often "charcloth", fabric baked in an airtight jar or tin which would now start to glow just from a spark.
They're mentioned in both "The Hobbit" and "The Lord of the Rings". Oddly enough, "Hobbit" mentions matches in a couple of places, but I suspect that's a carry-over from when it was just a children's story, not part of the main Legendarium.
Tinderboxes could be simple, just a basic flint-and-steel kit with some tinder for the sparks to fall on...
...or elaborate like this one, with a fancy striker, charcloth, kindling material and even wooden "spills" (long splinters) to transfer flame to a candle or the kindling...
This tinderbox even doubles as a candlestick, complete with a snuffer which would have been inside along with everything else.
Here's a close-up of the striker box with its inner and outer lids open:
What looks like a short pencil with an eraser is actually the striker. A bit of tinder or charcloth would have been pulled through that small hole in the outer lid, which was then closed.
There was a rough steel surface on the lid, and the striker was scraped along it, like so:
This was done for a TV show or film, so the tinder was probably made more flammable with, possibly, lighter fuel. That would be thoroughly appropriate, since a Zippo or similar lighter works on exactly the same principle.
A real-life version of any tinderbox would usually just produce glowing embers needing blown on to make a flame, which is shown sometimes in movies - especially as a will-it-light-or-won't-it? tension build - but is usually a bit slow and non-visual for screen work.
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There were even flintlock tinderboxes which worked with the same mechanism as those on firearms. Here's a pocket version:
Here are a couple of bedside versions, once again complete with a candlestick:
And here are three (for home defence?) with a spotlight candle lantern on one side and a double-trigger pistol on the other.
Pull one trigger to light the candle, pull the other trigger to fire the gun.
What could possibly go wrong? :-P
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Those pistol lanterns, magnified by lenses, weren't just to let their owner see what they were shooting at: they would also have dazzled whatever miscreant was sneaking around in the dark, irises dilated to make best use of available glimmer.
Swordsmen both good and bad knew this trick too, and various fight manuals taught how to manage a thumb-shuttered lamp encountered suddenly in a dark alley.
There's a sword-and-lantern combat in the 1973 "Three Musketeers" between Michael York (D'Artagnan) and Christopher Lee (Rochefort), which was a great idea.
Unfortunately it failed in execution because the "Hollywood Darkness" which let viewers see the action, wasn't dark enough to emphasise the hazards / advantages of snapping the lamps open and shut.
This TV screencap (can't get a better one, the DVD won't run in a computer drive) shows what I mean.
In fact, like the photos of the BBQ, this image - and entire fight - looks even brighter through "real eyes" than with the phonecam. Just as there can be too much dark in a night scene, there can also be too much light.
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One last thing I found when assembling pics for the post were Folding Candle-lanterns.
They were used from about the mid-1700s to the later 20th century (Swiss Army ca. 1978) as travel accessories and emergency equipment, and IMO - I've Made A Note - they'd fit right into a fantasy world whose tech level was able to make them.
The first and last are reproductions: this one is real, from about 1830.
The clear part was mica - a transparent mineral which can be split into thin flexible sheets - while others use horn / parchment, though both of these are translucent rather than transparent. Regardless, all were far less likely to break than glass.
One or two inner surfaces were usually tin, giving the lantern its own built-in reflector, and tech-level-wise, tin as a shiny or decorative finish has been used since Roman times.
I'm pretty sure that top-of-the-line models could also have been finished with their own matching, maybe even built-in, tinderboxes.
And if real ones didn't, fictional ones certainly could. :->
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Yet more period lighting stuff here, including flintlock alarm clocks (!)
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Danny: What's this? *Holding red envelope*
Jazz: I don't know. It came in the mail today. No name or anything, so I assumed it was for you from your night job.
Danny opening envelope: Jazz. This a love letter. A letter addressed to the Elder Daughter of the house
Jazz: For me? Who's it from?
Danny: Jason Todd. This is obviously a fake-
Jazz: I'm writing back.
Danny: What!? Why!?
Jazz: This is romantic as hell. He quoted Pride and Prejudice. I can not possibly pass up a chance with a boy who looks like that and reads classics.
Three days later
Tim: Oh shit
Dick: What?
Tim: Remember that prank we pulled on Jason by pretending to send love letters to random addresses posing as him?
Dick: Yeah, that was funny. He looked so embarrassed
Tim: One of them answered. *Holds up teal envelope*
Damian: Incredible. Contact her as quickly as possible
Tim: Why?
Damian: She's obviously has the courage and curiosity that fits well with Todd. Out of the lot of potential candidates, she shows the most promise to join this family
Dick: Dami.....those were real addresses?
Damian blinking slowly: You told me to help you find suitable lovers for Todd. It was a task. I complete tasks. I found real addresses for girls that fit Todd preference in women.
Tim: Omg
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