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#Selfish Lion
mask-of-prime · 3 months
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TLK: Bianka
Since I headcanon the Strange Lion's father is the Selfish Lion, I figured he had to have a mother, too.
Say hello to Bianka, the mother of the Strange Lion (Nyoka), and wife of the Selfish Lion (Choyo). She is a scorned rogue lioness from Mohatu's time as King, kickstarting a chain of infamous events throughout the history of the Pridelands and the Outlands.
She is a distant descendant of Mwanzo, leader of the Evil Lions of the Past. Like her forefathers, Bianka possesses Tsavo lion genes. Nyoka gets his Evil Lion heritage from his mother (yep, that means the Selfish Lion is actually married into this family rather than the heir, I came up with the idea of Bianka being the one with Evil Lion blood based on the vibes I got from the features I gave her).
Her restless desire to overthrow King Mohatu was brought on by the mystery of her ancestry, and the full story of her forefathers' legacy went unfinished, and even began to fade generations down the line. She recruited Almasi (a rogue from a far-away pride searching for her destiny), and Choyo (Mohatu's former business partner who was meant to help grow the pride after a massive loss to a devastating outbreak of rabies and drought-induced disease) to help eliminate the royal family that occupied Pride Rock by means of integration and deception. She would also groom her son into her plan to take over by integrating him into the pride to marry Princess Uru. This never carried through as Uru fell in love with the riff-raff pauper, Ahadi, and Nyoka had ultimately been banished for threatening the pride in a crazed state from receiving his Mark of Evil.
Her husband, Choyo, was not truly interested in her, and was even less interested in having a child. He only wanted the benefits that came with ruling a prosperous kingdom, such as all the food and water he could possibly mooch off of, and he can only achieve such things in an alliance with the conniving Tsavo lioness.
Bianka's disregard for animals other than her own kind had eventually been the cause of her downfall. Not long after her cohort Almasi had perished from dehydration and other complications from the drought (tragically just before Mohatu had found a luscious water source at the Oasis), Bianka had been trampled during the herds' race to said water source. She died while Nyoka was still very young, making him not so different from Princess Uru in that way, which he would often bring up in an attempt to court her. But his nightmare never ended there: His only living parent, Choyo, had been exiled for violating the delicate balance of the Pridelands' ecosystem for hogging limited supplies for himself, and for threatening other animals with violence. Mohatu, believing a child to not deserve to live with such a parent, combined with knowing about Choyo's reluctance to care for his only cub, had taken Nyoka in and raised him in his slowly growing, recovering pride.
Her untimely death at the hooves and paws of the Pridelanders followed by her husband's exile are what ultimately fired Nyoka's very own restless journey to finish what his ancestors started, and he would eventually go to carry out his plan to reclaim the kingdom as his own by continuing the cycle of taking over the royal pride through convoluted schemes of trust and persuasion (which ironically came to fruition posthumously after his protégée Scar killed him). Nyoka, unlike Bianka, made an effort to piece together his legacy through direct contact of his ancestors by performing a seance with the help of his cobra friend, Kuuma (will elaborate in future art).
(I know she and Almasi look like they could be sisters, but if they were, that would've made Scar and Zira, like, first-cousins-once-removed or something. I don't like using relations like that as a plot element sooo... I had them be a coalition of unrelated lionesses who just happen to have similar design elements lol. I based their friendship off of the fact that they've got similar designs, I thought juxtaposing their designs in the top sketch would help distinguish them.)
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''So, what are we doing up here, Ahadi?''
''Why, this is the perfect vantage point to view the antelope, of course!'', exclaimed the male cub in a deliberate, know-it-all tone of voice. ''You see, they always feed in the grasslands, so viewing them from a high place is a must if you want to study them without scaring them away. They use their horns to fight each other, though no one knows why they're curved like that. Which reminds me...''
As they waited for their parents to return, the sound of the morning breeze and the distant rustling of the leaves and grass was adorned by the extensive, information-filled speech of the cub, ocassionally interrupted by his playmate's further questioning, which prompted him to keep talking. It was clear to Uru that Ahadi was barely anything like his father; although they had a certain, serious air about them, Ahadi wasn't apprehensive to being talked to, and it was obvious to her that he was a very intelligent cub. Others would've dismissed his interest in the world around him as boring or arrogant, but Uru was excited and invested in the things he told her about.
''Wow... You know a lot for sure! I want to learn more! What else can you tell me?''
''Ah? Huh... I...''
Suddenly, he was at a loss... Let's just say he wasn't so used to anyone, much less someone the same age as him, be interested in what he had to say.
A drawing I've had to put away for a bit as I've been dealing with sickness and a lot of stress recently :') I've wanted to draw my version of Ahadi and Uru as cubs for the longest time, so here it is! In my version, Ahadi's father is the Selfish Lion seen in The Brightest Star, and Uru is Mohatu's daughter.
After the events that transpire in the book, the Selfish Lion's pride and Mohatu's come to an agreement to join their prides and leave their hostile past behind them, and with them comes the tradition of arranged marriages. However, before either Ahadi or Uru are made aware of what's in store for them, they become friends and develop a strong bond which evolves very naturally into love, so when the time comes, they're not opposed to the idea of becoming King and Queen of the Pridelands.
Ahadi comes across as a bit of a smartypants as a cub, but he's genuinely intelligent and invested in learning around the world around him, which comes from his mother's nurturing of this side of him. Meanwhile, Uru is a strong-willed cub that enjoys scouting with her father, and exploring just like him. I'm looking forward to drawing more of them in the future!
Commission info / Don’t repost / Reblogs are encouraged / No mean things in the comments/tags. 
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I actually drew this, and my next drawing, before any of the other ref sheets I just posted, quite soon after the announcements surrounding the upcoming Mufasa prequel movie. For reasons that will soon become clear, the announcements about the movie made me super motivated to draw some lions from the era of Mohatu and Ahadi's reigns. ^^
Background again belongs to Disney, and was edited for use over here. You can see them without the background here.
The three lions we see here are the Selfish Lion from the TLK book "The Brightest Star", the Strange Lion from the TV show The Lion Guard, and an OC of my own creation who appeared in my old fanfiction Quiet Before the Storm. They are Prince Hifadhi, younger brother to King Mohatu, leader of the Lion Guard, and strict traditionalist to a fault; King Jadi, son of Hifadhi, raised to believe he is the true heir to the throne, succeeded in claiming part of the Pride Lands for his own, only to meet his end while trying to manipulate the young Prince Taka; and Nyonda, younger sister to Jadi, raised to lead his Lion Guard, but saw her father and brother for what they truly were and turned to Mohatu and Ahadi's side instead, eventually becoming leader of the true Lion Guard of the Pride Lands. That may all seem confusing, and bear in mind, my headcanons for the TLK verse have changed quite a bit from when I wrote my fanfic over a decade ago, so much of that has changed as well. For a proper explanation of who these characters all are, keep reading below. But first, a look at the art itself. Hifadhi draws all of his colors, and most of his build, from his appearance in The Brightest Star, but since his design there is just a recolored Scar, I took the liberty to make a few tweaks - mostly just exaggerating or underplaying features that were already there, rather than adding or removing anything entirely. I mostly made him more angular and overall more like his granddaughter Zira in appearance. The hair is also meant to look a bit military-ish to fit with his role and personality. Since we only saw his left side in TBS, I took the liberty of adding scars to his right side, since leading the Lion Guard is a tough job and bound to result in some scarring. For Jadi, I mostly just tweaked his TLG design a bit to make the proportions better and drew him in the art style of the first movie. He took forever to finish and to get looking right, but I'm very happy with the end result. I feel like you can see a fair bit of Nuka in him, especially in the nose and chin. For Nyonda, I kept many of the components of her original design (the shape of the head, eyes, and nose), while adding a few things to make her look more like her brother and father, and also more like her great-granddaughters Tiifu and Zuri. I gave her freckles, cheek tufts, a swept-back hair tuft, as well as tweaking the colors a bit to better match her future granddaughters, while overall still greatly resembling her old design. She's also now skinner like her dad, but she's a strong as ever. You can find her old design here. And now, for the story. ^^ Sorry, it's pretty long. There's a second half to this image which will show Mohatu, Ahadi, and Uru's side of the story, but I just typed over 3K words (the same length as the chapters I usually write in fanfics), and it's late and I'm tired, so the rest might have to come tomorrow (or Tuesday), sorry. ~-~-~ Prince Hifadhi, rather than just being a selfish and violent rogue as The Brightest Star implies, was instead a fiercely dedicated and dutiful leader of the Lion Guard during his brother's reign as king. There was no jealousy over his brother's role, no squabbling to be king - indeed, Hifadhi would have considered such a thing to be treason of the highest degree. His first and greatest loyalty was to the traditions and laws of the Pride Lands. He was the second son, and thus he was to lead the Lion Guard. That was how things were, how things should be, and he took to his task with a steadfast determination to serve and play his part in the Circle of Life. He was dedicated to laws and rule-following to an almost obsesive degree, leaving no room for nuance or consideration of things outside of his experience. His scuffle with the lions by the watering hole in The Brightest Star was not out of seflishness to keep the water for himself, but because he believed the animals were not strictly adhering to the water-sharing rules his brother had put in place, and he would not hear excuses on the matter, unlike his more merciful brother. He and Mohatu did not always see eye to eye, but no one could doubt Hifadhi's dedication to serving the Pride Lands. He had known from cubhood how every step of his life would be laid out before him. He would protect the Pride Lands as long as his brother was king, and he would teach his niece or nephew to take his place, and would only retire once his part in the Circle of Life had been completed and the next leader of the Lion Guard was ready to take up his mantle. He never expected anything to change the life that the Pride Lands required of him. And then, out of nowhere, his fool of a brother made an outrageous announcement that shattered Hifadhi's world. Not only had Mohatu announced his intention to never marry - to never take a queen and produce royal-blooded heirs, one of the most sacred and crucial duties expected of him as king - but that he had chosen for his heir the orphan rogue cub that he had recently taken in, a scruffy little thing called Ahadi. Hifadhi felt a rage unlike anything he had ever known before. To not only spit upon the laws and traditions that governed their kingdom and kept them all safe, kept them from falling to the vile depths of rogues and outsiders, by refusing to marry and father cubs - but to then choose a filthy rogue as the next king? Hifadhi couldn't believe his brother had done something so selfish, so absurd, so... so treasonous. He and Mohatu had a massive fight over the matter, greater than any of the petty arguments they'd had before, but by the end of it, Mohatu's mind was unmoved. He would not be swayed - Ahadi would be his heir. From then on, Hifadhi knew that his brother was not the sort of king to deserve his loyalty, and that it was his duty to protect the Pride Lands from his foolish decision, and make sure that scruffy little brat would never sit on the throne. He had an infant son with his mate, as yet unnamed, but upon returning home, Hifadhi made a choice that would change the fate of the kingdom. He named the boy Jadi, meaning tradition. He would raise this boy in the traditions of the kingdom, teaching him about his birthright by blood, and one day, somehow, he would make his son the true royal king of the Pride Lands. Jadi grew up constantly being told how much better he was than Ahadi because of his royal blood, how much wiser and stronger and more noble, and how much more he deserved the throne than such an undeserving rogue brat. Hifadhi sought to teach the boy the discipline and adherence to law that a king would need, but he failed to realize how much his own bigotry and constant praise of the cub were turning his son into a greedy, arrogant young lion. By the time Mohatu announced that he would be stepping down and handing his throne onto Ahadi and his mate Uru, Jadi had become a cruel, sly, self-serving bully of a lion. His younger sister Nyonda was raised from the start to be the leader of Jadi's Lion Guard. But unlike her brother, this shrewd young lioness never fell for her father's self-righteous claims of being on the right side of law and tradition. She could see her father for the narrow-minded fool that he was, and Jadi for the cruel bully that he was. In her cubhood, Nyonda went behind her father's back and began meeting with Ahadi and Uru, forming a firm friendship with the pair, along with the bird Zuzu and Uru's adoptive sister, the hyena Banagi. She worked hard to learn the skills her father had to teach as leader of the Lion Guard, but resolved only to learn physical skill and strategy from him, as the rest could not be trusted. Unlike her father, she knew that one day, Jadi would force the issue of his right to be king, and when that day came, Ahadi would need fighters on his side, so that is what she would be. On the day Ahadi was to be crowned king, Jadi and Hifadhi went to confront him. Hifadhi, ever a stickler for the rules, intended to contest the legality of Ahadi's ascension, threatening to turn to allied prides and the well-respected mjuzis of the Grass Walls, even the sacred pride tasked with guarding the Tree of Life, to pressure Mohatu to change his mind the right, legal way. But that would all take far too long, and Jadi knew better than his father than to trust in the right way of doing things to work. Instead, he used his father's droning on about laws and proper procedures as a distraction. When the moment was right, and all of his secret supporters among the pride another assembled animals were in position, he gave the signal to attack. Hifadhi was stunned by the sudden outburst of violence. He had never expected his son to commit such an act of mutiny, even after the many years of drilling Jadi's right to be king into his head. He tried to pull Jadi away from Ahadi, but was no longer the young leader of the Lion Guard he'd once been, and was easily pushed aside. Jadi was easily able to overpower the disabled Ahadi, but support from Mohatu, Uru, and Nyonda kept him from being able to kill him. Ahadi was enraged by this treasonous challenge. While his mate held Jadi down, Ahadi struck a very deliberate blow to Jadi's face, resulting in the scar around his eye. In my headcanon, the scar isn't a magical snake venom-induced Mark of Evil, but instead, a Mark of Exile. Lions and other animals exiled from the Pride Lands for particularly egregious crimes are marked with a clean scar above and below the eye, to signal to other kingdoms that these animals are outcasts and not to be trusted. By scarring Jadi in this way, Ahadi signaled to all the kingdom that he was as deplorable as any exile, and was not the true king. It was a big symbolic blow that would harm Jadi's image in the Pride Lands and result in much bitterness on Jadi's part, but in the end, his supporters were too fierce and too many, and Mohatu and his followers were forced to retreat. Jadi crowned himself King and laid claim to Pride Rock and the Pride Lands, while Mohatu and his pridemates who had remained loyal to him were driven off in disgrace. But King Jadi's victory was not as complete as he had hoped. Many animals were disgusted with the violent and treacherous way that Jadi had seized power, and refused to bow to his rule. Mohatu was able to keep hold over a good chunk of the Pride Lands and keep himself and his pridemates within the borders of the kingdom. He held a new, uninterrupted coronation where Ahadi was finally crowned king, and then he set to work traveling his kingdom, campaigning on Ahadi's behalf, doing everything in his power to weaken Jadi's influence over the Pride Lands and win more allies to his adopted son's side. Hifadhi, still dazed by his son's violent actions and his own role in encouraging them, joined Ahadi's side, helping train the new Lion Guard and keeping Jadi's supporters out of Ahadi's part of the Pride Lands - but no one really forgave or trusted him for the monster he had created and how much destruction had been wrought on their home because of his choices. With the new king came a new Lion Guard. Another lion called Nyeusi, a distant cousin of the king and a friend of Ahadi's growing up, had been trained to be the next leader of the Lion Guard, but to Nyonda's surprise, he offered the position to her instead. He was loyal to Ahadi and would always defend his friend, but he knew in his heart that he didn't have the initiative, cleverness, and determination to lead that Nyonda did. The lioness humbly accepted, taking to her new role with all of the determination of her father before her, but with a calmer, more introspective mind, willing to listen to those around her and accept that law and tradition could not account for all that was right and good. Her outwardly stoic and stern manner made some wary that she would turn out like her treacherous father, but she soon proved that she was a loyal, steadfast lioness and truly worthy of her place in Ahadi's kingdom. She eventually became mates with Banagi, and the pair raised a daughter called Daha that had been born with the help of a willing rogue male. Daha later had two daughters of her own - one daughter would later be Tiifu's mother, while the other was Zuri's mother. The conflict between Jadi and Ahadi continued for years. For a time, Jadi tried to take over Ahadi's part of the kingdom by force, but every time he was repelled, and soon, he stopped trying altogether. Instead, he decided to wait, and think, and find a more clever way to win his prize. Several years after the beginning of the conflict, he found what he was looking for. His spies within Ahadi's part of the kingdom told him of the frustrations of the young Prince Taka. How Ahadi and Uru didn't have as much time to spend time with their young son as they'd like because of their constant efforts to hold onto their part of the Pride Lands. How Taka loved his big brother Mufasa, but was becoming increasingly jealous of how Mufasa spent more time with their parents, and that his future role as king seemed much more important than Taka's scant lessons with the also-incredibly-busy Lion Guard. It was the perfect opportunity. One day while Taka was wandering the borders alone, frustrated after being blown off for training by the Lion Guard because of an urgent situation they'd had to take care of, King Jadi approached him. He told Taka a very different version of that mutinous day, one that cast him in a much more favorable light, and which made himself seem similar to the constantly-rebuffed young prince, constantly denied what was rightfully his. He told Taka that he saw true potential in him, far more than in Mufasa, and that he wanted Taka's help to restore peace and unity to the kingdom. He proposed a plan - lure Mufasa into a situation where he would come out looking foolish and unworthy of being king, and then Taka would be chosen as the new heir for sure. Once Taka was the heir, Jadi would betroth his daughter Zira to Taka, and through their marriage, the two halves of the kingdom would be reunited once more. Taka would be the one who had finally ended the years-long conflict and brought peace. He would be adored and adulated as a hero. It was too much temptation to resist. Taka did just as Jadi had suggested. He lured Mufasa into a conflict with the water buffalo Boma, manipulating the situation so that it appeared Mufasa had acted brashly and foolishly, causing Boma and the other water buffalo to attack the young prince. But while Taka was leaving the scene behind to go and fetch his parents, so they could witness Mufasa's foolishness for themselves, Jadi appeared from nowhere and attacked the young prince. He sneered at the young lion for being so gullible and trusting. He had never intended to wed Taka to his daughter or make Taka king. It had all been a trap to lure both of the young princes into a dangerous situation and ensure both of their deaths. With both their beloved sons gone, Ahadi and Uru would be too heartbroken to go on, and would be easy to oust from power once and for all. Jadi would finally have the entire kingdom under his thrall. Victory was within his grasp. But he spoke too soon. As Taka listened with growing fear, and rage, to Jadi's crowing, he became desperate to escape. He kicked at Jadi's belly and threw the older lion off of him. They were at the edge of the ledge overlooking the watering hole - as they grabbled, Jadi fell, desperately clinging to the edge with his front paws. Taka went to try and pull him up, but Jadi grasped at him with his paws, fury and vengeance powering him. With a burst of rage, he thrust out with his paw, slicing Taka across the face, marking him with the Mark of Exile. Cruel glee filled him at the thought of Taka being forever marked as a traitor for the treacherous plotting he had done to dethrone his brother. But this petty action cost him - as Taka desperately shook him off, Jadi lost his grip, and fell back into the watering hole below, quickly becoming trampled by the furious water buffalo. With the death of the treacherous King Jadi, the Pride Lands were finally made whole again, united under the rule of King Ahadi and Queen Uru. Most of Jadi's kingdom returned willingly to the fold, having grown disillusioned with Jadi after years of poor leadership, but some chose exile over bowing to Ahadi. In particular, Jadi's mate and young daughter Zira, and some of the rest of the pride, chose to settle in the nearby Outlands and plot their revenge for the overthrow of their rightful king. Taka boiled with bitterness over the betrayal of Jadi, the trauma of his near-death, and the adulation Mufasa had received for helping calm the situation with the water buffalo and for his (admittedly small) part in ending the civil war. Something changed inside of him after that day. He knew now that he could trust no one but himself, and that lions were willing to do whatever it took to seize power, so why shouldn't he? With a new sense of purpose, he claimed the name Scar, ready to start down the path of doing whatever it took to become king. As well as allying with the hyenas, he reached out to Jadi's old followers. He told them of Jadi's wishes for Scar to wed his daughter Zira and unite the kingdom under their combined banner, conveniently leaving out the part where Jadi had been lying through his teeth. Jadi hadn't told the pride of his plans, and Scar was so clever and convincing, that they soon believed him. He made sure to bring Zira under his sway, earning himself a loyal follower and queen for his future rule. He would not risk open rebellion as Jadi had, not if it would mean losing half of his kingdom's support because of the open violence. No, he would be smarter about things. He would wait, and he would plan, and he would bring about Mufasa's fall in such a way that no one could lay the blame on him or deny him his rightful ascension to the throne. One day, no matter what it took, he would be king. ~-~-~ Soooo yeah, Selfish Lion is a loyal (but bigoted) guard leader, Jadi is a mutinous king rather than a scheming rogue, and Nyonda is now Zira's aunt rather than a former rogue and Uru's adopted sister. And yeah, I know TLG says that no females have been on the guard before, but shhh, Nyonda as I wrote her ages ago was always a fighter and guard-material, so I just decided to ignore that little factoid. I had a lot of fun mixing and matching elements from Lion Guard and the semi-canon books to create this story, particularly the bit about how Taka got his scar. I loved being able to combine the water buffalo incident with Jadi's trap for the prince. I also loved playing with the idea of of the scar marking being significant to the Pride Landers, without it being anything magic or supernatural as the show implied. Instead, it's more of a political/symbolic thing, used to mark traitors and criminals, so other kingdoms would know not to take them in after their exile.
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Macaque about Wukong: he’s selfish, he only cares about himself, he always wins, he always gets exactly what he wants, I let him use me, he knows exactly what he’s doing and every decision he makes is purposefully made to make the people closest to him miserable until he’s done using them to get what he wants, and what he wants is power- get out while you can
Azure, about Wukong: he’s selfless, he cares so much about his people and his friends and puts them before himself, that’s why I followed him, he’s powerful, he would make a glorious ruler of the heavens, but he doesn’t know what he’s doing and he fails and was tricked into making the wrong decision but that’s why he needs me-
(i’ve only watched up to ses 4 episode 8 please no spoilers in tags)
#love these unreliable narrators telling us all about monkey king#:'D#lmk s4 spoilers#Monkie Kid#LEGO Monkie Kid#Azure Lion (monkie kid)#Six Eared Macaque (Monkie Kid)#thinking about changing up how I tag things#ANYWAY THO#its crazy how just two different peoples takes on monkey king can contradict the other so much#this is why we can't trust what literally anybody in the show says about monkey king at this point because everybody seems so freaking#unreliable#NAYWAY GIVE ME AN UNBIASED NARRATION OF MONKEY KING I BEG O FYOU ITS DRIVING ME INSANELGNMLSMFWE#who is monkey king? we'll he's a selfish unselfish thoughtful thoughtless self aware oblivious unsaken by others easily manipulated monkey!!#:D#WOW ITS SO CLEAR#VALUES HIS FRIENDS SO MUCH#WORST FRIEND ALIVE#its just interesting how different they both see him#Macaque viewing him as the capable smart disloyal powerful terrible friend with only his own interests at heart even if it hurts others#and Azure viewing him as this selfish almost perfect figure who just needs to be corrected slightly because he was lead to the wrong truth#its like he's seen as a villian vs being seen as a toddler#W I L D#Monkey King: a villan. a toddler. an agent of chaos. a hero#WELL WE KNOW WHAT EVERYBODY ELSE HTINKS OF HIM CAN WE PLEASE GET A NARRATION THAT ACTUALLY TELLS US WHAT HE IS IN THE SHOW#W A I LS#okay i'm rambling now MOVING ON HAVE A NICE DAY#THE NARRATION OF EVERYONE TELLING HIM WHO HE IS AND DECIDING WHO HE IS. IS ONLY FUN FOR SO LONG ITS BEEN FOUR SEASONS P L E A S E#i was gonna wait till i watched ep ten to complain about this a bit but heck now i'm rambling in the tagshgklmsdfaow;ef WE'RE DOING GREAT
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ultimateumbreon33 · 2 years
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think abt this in relation to the new chapter
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splendontcore · 1 year
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oh, look what I found! I forgot these were the first storyboard scraps I made for Franky Jones pilot chapter
I hope this counts as artwork
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sethgraysupremacy · 5 months
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i’m currently letting my beta read it !! it’s about 1,5k words now so not a lot buuut i hope it’ll still be something :D i love these stupid kids so much omg
and thank you !! i read your fics and they’re so cool omg,, i especially loved the soulmate marks one <3 seth going ‘yeah i’ve known for a while now’ while nick has a crisis is just. yes
i hope to post it this week ! - 🦁
this ask has been sitting in my inbox for over a year but lion anon i love you<3 unsure if you ever posted the fic u were talking abt but if you did please send me the link!! im sooooooooooo glad you liked my soulmates fic thats one of the ones i've done that i've really enjoyed myself :')
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sailforvalinor · 1 year
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🦁
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frog-whisperer · 2 years
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“I’ve connected the dots” “You haven’t connected shit” “I’ve connected them”
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ambrosiagourmet · 2 months
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I've seen pieces from this extra comic before, but never read the full thing until today. And holy shit does it hammer home just how much the story is about class.
Multiple times, when food comes up in this comic, it’s also in context of money:
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I've seen this last panel on the right brought up before in context of like, dungeon meshi's relationship with fat and eating, but in the full context of the comic it really hits how much adventuring directly consumes bodies for money.
As much as this has been part of the story the whole time, showcased as early chapters 19 and 20...
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It never fully hit me before how often adventuring comes down to having no other way to make money but to throw yourself into death repeatedly. To be used, whether it’s by individual selfish people (like the resurrection group that is happy to try and get Kabru's group to kill each other to get extra gold from them in chapter 32), or by the greater cog of the Dungeon Economy in general.
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Which, to be clear, is all too often how things work in the real world, too. So many jobs burn through the health and lives of workers. Dungeon Meshi just makes it literal in a new way: by making the healing and resurrection, a core part to the adventuring loop, directly use fat, muscle, and energy from the body being healed.
Imagine Amazon, but if you got injured at work, they could literally burn up some of your body to get you back to working sooner. And that was seen as an advantage of the job.
And then you have Laios, thinking about eating monsters:
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Not just because he likes monsters a lot. But because it would help. He says something similar in the actual manga too, during the chapter discussing his dream with the Winged Lion
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Laios wants to be able to make a home for Falin. He wants to give her a place where she never has to eat alone. And when he gets a party, he wants to give them a way to eat well. And when he runs a country, well…
He wants to ensure that everyone has enough to eat.
Food is political. Food ties into class, and money. What is deemed "proper" to eat, what is a luxury, what is crass… so much of it comes down to money.
Being judged for eating what's available, when what is “proper” isn't affordable, is already a thing that happens. People forced into work that consumes their energy is already a thing that happens.
Dungeon Meshi has a lot of fantastical elements, but boy is its examination of food and class very real.
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rithmeres · 9 months
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i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.
aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.
and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.
despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.
and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.
the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.
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dokitm-arch · 1 year
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REVAMPED TAGS ... misc animanga & cartoons!
🦇 ' ⟪ ch. kisshu. ⟫ / obsessive alien. 🦇 ' ⟪ ch. tart. ⟫ / immature alien. 🦇 ' ⟪ ch. ryou shirogane. ⟫ / stubborn iriomote cat. 🦇 ' ⟪ ch. minto aizawa. ⟫ / blue lorikeet. 🦇 ' ⟪ ch. retasu midorikawa. ⟫ / finless porpoise. 🦇 ' ⟪ ch. bu-ling huang. ⟫ / golden lion tamarin. 🦇 ' ⟪ ch. david martinez. ⟫ / sandevistan from santo. 🦇 ' ⟪ ch. rebecca. ⟫ / maniacal gunwoman. 🦇 ' ⟪ ch. lucyna kushinada. ⟫ / introverted netrunner. 🦇 ' ⟪ ch. denji. ⟫ / lonesome chainsaw. 🦇 ' ⟪ ch. power. ⟫ / selfish blood fiend. 🦇 ' ⟪ ch. reki kyan. ⟫ / savvy skatefixer. 🦇 ' ⟪ ch. langa hasegawa. ⟫ / brittle as snow. 🦇 ' ⟪ ch. kojiro nanjo. ⟫ / charming womanizer. 🦇 ' ⟪ ch. miya chinen. ⟫ / child prodigy of skateboards. 🦇 ' ⟪ ch. shoto todoroki. ⟫ / igniting avalanche. 🦇 ' ⟪ ch. katsuki bakugou. ⟫ / ground zero. 🦇 ' ⟪ ch. denki kaminari. ⟫ / bolt charger.  🦇 ' ⟪ ch. koji koda. ⟫ / animal whisperer. 🦇 ' ⟪ ch. tsuyu asui. ⟫ / queen of frogs. 🦇 ' ⟪ ch. inosuke hashibira. ⟫ / beast of boars. 🦇 ' ⟪ ch. giyuu tomioka. ⟫ / water hashira. 🦇 ' ⟪ ch. iguro obanai. ⟫ / snake hashira. 🦇 ' ⟪ ch. leonardo hamato. ⟫ / blue turtle. 🦇 ' ⟪ ch. raphael hamato. ⟫ / red turtle. 🦇 ' ⟪ ch. donatello hamato. ⟫ / purple turtle. 🦇 ' ⟪ ch. michaelangelo hamato. ⟫ / orange turtle. 🦇 ' ⟪ ch. zuko. ⟫ / abandoned by honor. 🦇 ' ⟪ ch. azula. ⟫ / prodigy of madness. 🦇 ' ⟪ ch. toph beifong. ⟫ / blinded by earth. 🦇 ' ⟪ ch. phillip. ⟫ / the sword of truth. 🦇 ' ⟪ ch. simba. ⟫ / destined king. 🦇 ' ⟪ ch. kovu. ⟫ / he is not one of us. 🦇 ' ⟪ ch. kiara. ⟫ / we are all one.
#🦇 ' ⟪ ch. kisshu. ⟫ / obsessive alien.#🦇 ' ⟪ ch. tart. ⟫ / immature alien.#🦇 ' ⟪ ch. ryou shirogane. ⟫ / stubborn iriomote cat.#🦇 ' ⟪ ch. minto aizawa. ⟫ / blue lorikeet.#🦇 ' ⟪ ch. retasu midorikawa. ⟫ / finless porpoise.#🦇 ' ⟪ ch. bu-ling huang. ⟫ / golden lion tamarin.#🦇 ' ⟪ ch. david martinez. ⟫ / sandevistan from santo.#🦇 ' ⟪ ch. rebecca. ⟫ / maniacal gunwoman.#🦇 ' ⟪ ch. lucyna kushinada. ⟫ / introverted netrunner.#🦇 ' ⟪ ch. denji. ⟫ / lonesome chainsaw.#🦇 ' ⟪ ch. power. ⟫ / selfish blood fiend.#🦇 ' ⟪ ch. reki kyan. ⟫ / savvy skatefixer.#🦇 ' ⟪ ch. langa hasegawa. ⟫ / brittle as snow.#🦇 ' ⟪ ch. kojiro nanjo. ⟫ / charming womanizer.#🦇 ' ⟪ ch. miya chinen. ⟫ / child prodigy of skateboards.#🦇 ' ⟪ ch. shoto todoroki. ⟫ / igniting avalanche.#🦇 ' ⟪ ch. katsuki bakugou. ⟫ / ground zero.#🦇 ' ⟪ ch. denki kaminari. ⟫ / bolt charger.#🦇 ' ⟪ ch. koji koda. ⟫ / animal whisperer.#🦇 ' ⟪ ch. tsuyu asui. ⟫ / queen of frogs.#🦇 ' ⟪ ch. inosuke hashibira. ⟫ / beast of boars.#🦇 ' ⟪ ch. giyuu tomioka. ⟫ / water hashira.#🦇 ' ⟪ ch. iguro obanai. ⟫ / snake hashira.#🦇 ' ⟪ ch. leonardo hamato. ⟫ / blue turtle.#🦇 ' ⟪ ch. raphael hamato. ⟫ / red turtle.#🦇 ' ⟪ ch. donatello hamato. ⟫ / purple turtle.#🦇 ' ⟪ ch. michaelangelo hamato. ⟫ / orange turtle.#🦇 ' ⟪ ch. zuko. ⟫ / abandoned by honor.#🦇 ' ⟪ ch. azula. ⟫ / prodigy of madness.#🦇 ' ⟪ ch. toph beifong. ⟫ / blinded by earth.
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weliveintryingtimes · 2 years
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Hey yes so i will have NO DAMN SYMPATHY for Jeffrey Dahmer on this blog.
None.
You see I HAVE done previous research on serial killers and similar types of abusers/killers, and you know what I've learned? These guys are a special brand of evil and projection.
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bunnieswithknives · 25 days
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AU where the Winged Lion was just a littleeeee bit more 'selfish'.
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sixosix · 1 year
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just say it | nagi seishiro
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angst to fluff, confessions!!, friends to lovers, time skip, 2k words
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you’re not sure, exactly, but seeing nagi seishiro sprawled like a cat on your couch, looking all too much like your home is his, leaves almost a strange feeling in your stomach. it festers, ugly and clinging.
and stupid nagi continues to lay there, oblivious to how your fingers clench to block out the beat of your heart.
“oi,” you throw a towel on his head, grimacing at the sight of sweat clinging to the back of his neck and sticking onto your headrest. “what are you doing in my house?” and did he travel by foot all the way here? under the scorching sun?
nagi cranes his neck, all slow and lazy, eyes wide. “oh,” he says. “you left your notebook,” he points at the table, without looking at it, “on my desk.”
“well, thanks, i guess.” you push his long legs away from the side of the couch and fall back onto it, sighing deeply. “you could’ve just given it to me tomorrow.”
he seems to pause for a second, thumbs hovering awkwardly on his phone screen. when you face him with a questioning look, he returns as if nothing happened. “reo said i could visit you.”
you hate it. you always hate when nagi does this.
when for a split second, he hesitates, shuffles a bit too close, his fingers tremble to reach for you, or his eyes flicker to your lips, but he never does anything about it.
he pulls away at the last second, and time seems to flow back normally in a snap. as if he wasn’t just about to ruin the friendship you’ve been picking scabs on just to get him to peel it off and make a move already.
and knowing nagi, he never does. he never does. (and he never will.)
“reo, huh,” you murmur, giving him a doubtful look. nagi doesn’t react visibly, but you can tell he’s starting to get uncomfortable under your scrutiny, burying his chin into the towel.
when you stretch your legs over his lap, he lets you. he doesn’t question it, doesn’t react, just keeps playing on his phone, and it’s almost infuriating how little you have an effect on him.
and knowing you, you’ll keep letting him drag this out. because underneath that frustration is fear, vulnerable and thin, ready to crumble faster than butterfly wings with the wrong move.
if you confess, and he pulls away, it can still be back to normal. that’s what everyone says, and those people don’t talk to their forgotten ones anymore. they wouldn’t understand.
but it will never be the same with nagi, because you know that you love him and will keep loving him. it will not be okay if he doesn’t feel the same, no matter how hard you try to fool yourself. it will hurt and claw out your heart, chew, and spit it out like it wasn’t someone’s soul.
it will hurt to know that you would peel yourself open and offer your heart to him, and he wouldn’t even accept it because he’ll say he doesn’t love you back. he shouldn’t deserve your dedication. it will hurt even more to know that nagi will bleed out for someone else someday, despite the longing glances and lingering touches he keeps giving your way.
“you know, you should be asking me permission, not literally anyone else who doesn’t live here.”
nagi hums, and the round finishes with a final slash of his weapon. the boss crumbles, and you kind of feel for it. he spares you a glance. “you don’t mind.”
you don’t.
even if you don’t say it out loud, the ghost of a smile on nagi’s lips says he knows.
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it should be enough that you could be under the same sky as him. someone like nagi. but you are selfish and obsessed, keening like a tamed lion when his attention is focused your way.
with an almost personal jab on the number button of the vending machine, you watch the juice box tumble out.
you bend down to pluck it out but almost drop it back down again when you feel a warm body press against your back as you stand straight.
with a chin propped up on your shoulder, arms wrapped around your waist, and a phone right in front of you, you nearly choke on your spit realizing who it is.
“fuck’s sake, nagi,” you breathe, pressing a hand on your chest as if that would somehow strangle it to quiet down.
when nagi huffs an amused laugh, your traitorous heart goes wilder.
“let me free so i can also buy you your lemon tea,” you grumble, wriggling in his grasp.
nagi continues fiddling with his phone, skillfully defeating virtual enemies. “no,” he says after a while. “you’re warm.”
“i’ll strangle you.”
nagi hums in acknowledgment.
with a defeated sigh, you press the number of nagi’s favorite drink, packed in a bright yellow box. hoping to piss him off, you abruptly squat down to grab the lemon tea, but nagi follows, unbothered.
he follows after you, and again when you rise back up. and he’s still unbothered.
“you are so annoying,” you grumble, tucking your juice box under your arm to unwrap nagi’s. you poke the straw in, scowling.
you twist in his grasp to face him, holding the straw up to his mouth. “here. you haven’t drunk anything recently.”
but nagi’s face is too surprised, his eyes flicking down to where your hand is on his chest, then to where his arms are still snug around you. if you still had any hope left in you, you’d say there’s a flush in his cheeks.
it makes you realize how this position must look to other people, pressed against each other like this.
“thanks,” nagi murmurs, sipping happily on the straw. the moment shatters once again, and he doesn’t fucking do anything about it. even later and tomorrow, and the day after that, you two won’t talk about it.
from behind you, his character makes a grunt of pain, and you notice nagi isn’t looking at his phone, but somewhere on your face.
down, his phone says.
down, indeed.
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when nagi and reo have to leave for this thing called blue lock, you say to yourself that you’re relieved.
you’ll miss reo a lot. he is one of your best friends, and you’re proud to watch him grow and become the person he wants to be. at least he doesn’t drive you fucking crazy.
nagi is an entirely different story.
the goodbye wasn’t anything remotely close to heartfelt. it felt like they weren’t even leaving, just taking a trip to the bathroom, but they had to make everything dramatic for no reason. and you’re fine with that. it will soften the blow.
but stupid nagi doesn’t allow just a gentle wound when he leaves.
[reo 6:43] don’t miss us too much y/n or else i might have to come running out :(
[y/n 6:50] don’t baby me and go play soccer, loser
[y/n 6:50] you better text me as soon as you can and tell me everything
[reo 6:52] i will i will
[reo 6:52] (sends an attachment of him and nagi on bus seats. reo has an arm thrown over nagi’s shoulder with his tongue stuck out, while nagi is frowning at the window.
[y/n 6:53] dumbasses. i love you.
[reo 6:53] we love you too
[nagi 7:35] i miss you.
you bury your phone face-first on your bed, as if that’ll spit out nagi’s message and let you cut it in pieces and throw it out of existence. you hate it. you hate it.
what was it about distance making the heart grow fonder?
fuck.
you bite your pillow and steer your mind clear of anything else.
nagi will probably forget about you after this whole blue lock thing anyway. it’s better to get used to being on your own now.
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“a match?”
“yes,” reo’s voice says over the phone. there’s a cheer of teen boys echoing, and reo apologizes, saying he’ll leave the locker room. “you’ve seen the news, right?”
no, you haven’t. “that’s… cool!” you don’t know what the hell he’s talking about. “with who?”
“come watch us play, idiot,” reo chuckles; he knows you’ll say yes sooner or later, and you hate that you know he’s right. “didn’t you miss us?”
it’s only today that you and reo started talking again. he says he’s been busy, and you tell him it’s fine because so were you. but meeting him again tomorrow when it’s been so long since you’ve even spoken? you’re not sure if that’s fine.
“i… don’t know.” you glance at the date displayed on your screen, considering. “tomorrow, was it?”
you really have been busy. you’re not sure if you can take it if the stress of life adds up to the stress upon seeing nagi’s stupidly handsome face.
“yup. you should see nagi, man; he’s been really awesome lately.”
just the mention is enough to seize your heart and sway you. you scowl, and judging by the smile you can hear from reo, he did it on purpose.
“i’ll see if i’m free, i suppose,” you sigh, falling on your mattress to frown at the ceiling. “how have you been, reo?”
when reo launches into a ramble about all the events that went down, you let him. you smile and freely admit that you did miss them more than you can bring yourself to admit. it’s a bandage for a bullet wound.
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“fuck.”
you weave through the crowd and halls with as much speed as possible. your ankles ache and protest with each step, but you ignore it. your heart beats and echoes in your ears, berating you for this stupid decision, but you ignore it.
the crowd erupts into deafening cheers, and you wince, scrambling to pick up your pace. the speakers from the corners of the wall announce the winners, and they scream and howl again.
“fuck, fuck.”
you’re late.
the worst part is, you can’t make them treat you to dinner for the stress this is giving you because they’re the ones who won.
when you finally reach the door, there’s already a string of people leaving, talking among themselves animatedly. you hear names, straining your ear when someone mentions reo, nagi, nagi, nagi.
the stadium is slowly filling out, and guilt eats you right up for missing even the winning shot. but you were too busy being indecisive not to be late when ( eventually ) leaving the house.
it’s fine. if nagi won’t care about you, then at least reo is there. he invited you, and you won’t lie that you also came to watch your best friend. ( you ignore the bitterness in your chest. )
“y/n!”
you perk up at the sound of reo’s voice, unable to fight the smile off your face when he comes running straight your way.
“come down here!” he calls out, grinning wide. there’s something different about it, though you’re not sure what it is exactly. was it the confidence he’s exuding? the sureness of himself?
you make your way to where he can reach you and gasp when his sweaty ass comes to hug you.
“gross, gross,” you hiss, trying to slap his arms away. “don’t slobber all over me.”
reo laughs, “you’re also all sweaty. did you just arrive?”
you grimace. “sorry. i was being an idiot overthinking again.” you smile at him, and hope you can convey that you really are happy seeing him again. “congrats on winning, reo. i’m proud.”
he sighs, shaking his head fondly. “well, whatever. at least you still visited. we missed you.”
we, huh? 
reo smirks, noticing immediately when you try to search for a certain white-haired boy discreetly.
panic fills you when reo cups his hands around his mouth. “wait, don’t call him—”
“oi, nagi!” reo turns to his left, and your eyes immediately find a home in nagi’s.
your breath catches in your throat when nagi’s eyes widen ever-so-slightly. strands of hair are sticking out from his head, and his nose is all burnt from the heat. his lips part to speak, but he shakes his head instead.
then, he’s jogging towards you.
nagi seishiro is jogging towards you. christ, that’s kind of terrifying.
“hey.” you hold your hands up protectively over your body. “hey, hey, don’t—”
nagi hugs you, trapping you in his embrace, and the words die on your tongue. you don’t know what’s worse: registering the cackle reo is letting out or the fact that nagi doesn’t actually smell, and you find comfort in his warmth.
“you came,” he breathes.
you blink up at him, wilting under his stare. “well. reo said i could.”
nagi’s brows knit together subtly, and you almost grin in victory. 
“i missed you,” nagi says, squeezing you in his grasp, “a lot.”
you look at him, and realize that it’s not just reo who’s changed. nagi is staring straight at you, in your eyes, and he isn’t wavering or shying away when you stare back. his eyes are alight with conviction.
suddenly, your mouth goes dry. “i—i missed you, too, nagi.”
something in nagi’s eyes shift.
this is what you wanted: for nagi to be forward, to take what he wants, say what is on his mind, but you weren’t expecting it to melt you in a puddle like this.
“hey,” you tug his arm, face in flames, “i think your teammates are calling you—”
“you came for reo,” nagi murmurs, inching closer, “you’ll stay for me.”
and, wow, okay. you need a bit to process that.
before you can respond, though, his lips meet yours and keep you there.
your heart lurches in your throat. for a second, you could only stare wide-eyed, frozen, but upon seeing the flush on nagi’s ears and the hesitant press of his lips; you let yourself melt into him. his arms tighten around you when you sling your arms over his neck.
when you start to feel a little lightheaded, you pull away, and he chases after you, pouting slightly.
“why did—” you heave, catching your breath. “why did you just kiss me like that?”
“you don’t mind,” nagi says, kissing the side of your mouth as if to coax you back into kissing him again.
“i don’t,” you agree. and frown. “why do you think so?”
this kiss will mean nothing until you can hear him say it.
“because you like me,” nagi says; there’s a dangerous glint in his eye.
“you don’t mind?”
“i don’t.” nagi smiles against your mouth. “because i like you, too.”
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sorry if this is a mess!!!!!! this was supposed to be like 500 words (and was supposed to end on a bad note) but it kept flowing out of me so i just let it be 😭😭🙏
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privateolives · 5 months
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This is probably because I grew up watching 24/7 animal planet, but what finally made the allo/aplatonic thing click for me were the nature's of big cats.
Lions are powerful, regal creatures who are uniquely adapted to pack life. They need these connections to live a healthy life; A lonely lion is a miserable creature indeed.
Jaguars are solitary, beautiful creatures who live happily solitary. They prowl their lush world with self-sufficient majesty. A jaguar is not lonely without a pack. In fact, forcing jaguars to share space with others they do not enjoy is just as damaging as forcing a lion to live alone.
A lion may choose to head out on it's own for the most part, but in the end must return to the pack to thrive. A jaguar can choose to trust and enjoy the company of others, but they never feel the need to form a pack.
Is a jaguar selfish for this? A psychopath, a narcissist or any other such horrid assumptions? Is it a less moral creature than a lion, who seeks others like it to thrive?
Is a lion pathetic, or needy, or selfish for wanting community? For requiring contact with others like they require water? For their inherent need to string complicated webs of relationships that may seem silly or dramatic to others?
Of course not. These are ridiculous questions to even ask.
They are simply lions and jaguars.
In fact, is a jaguar that chooses to spend time with you not as magical as a lion's love? For a creature that needs no bond to thrive to still enjoy your presence enough to share it a time? Is a lion who can prowl the night alone not impressive in its strength and resilience? Is it not awe-inspiring in its ability to conquer a life it was never wired for and reign still?
Are they not both beautiful and awe-inspiring in their own ways, without being wrong?
Alloplatonics. Aplatonics. Are we not both special and beautiful in both our bonds and self-confident happiness equal, in each our ways? Is there not unique beauty in lifelong bonded packs and magical encounters that need no perpetuity to carry life forward?
Are we not but lions and jaguars? Neither wrong, neither selfish, but just different and beautiful creatures in each our ways?
That's how I've come to see it, anyway.
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