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#Prophet Priest and King
theexodvs · 1 month
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Christ is King. Adam was also king, but he failed to exercise dominion over the serpent. Jesus has conquered the serpent, and all authority on Heaven and on Earth has been given to Him. He is enthroned at the right hand of the Father and will reign until His last enemy, death, is subdued.
Hosanna!
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God’s reversal of the expected in Hannah’s life and the life of her son, the prophet Samuel, look forward to the greater work of reversal in the life of Mary and her son, Jesus who is the prophet greater than Moses who leads his people out of the slavery of sinful disobedience to God’s good and perfect rules of life into the land of salvation and the new creation of the world to come where they shall see God forever, without end.
And Hannah prayed and said,
“My heart exults in the LORD;
my horn is exalted in the LORD.
My mouth derides my enemies,
because I rejoice in your salvation.
“There is none holy like the LORD:
for there is none besides you;
there is no rock like our God.
Talk no more so very proudly,
let not arrogance come from your mouth;
for the LORD is a God of knowledge,
and by him actions are weighed.
The bows of the mighty are broken,
but the feeble bind on strength.
Those who were full have hired themselves out for bread,
but those who were hungry have ceased to hunger.
The barren has borne seven,
but she who has many children is forlorn.
The LORD kills and brings to life;
he brings down to Sheol and raises up.
The LORD makes poor and makes rich;
he brings low and he exalts.
He raises up the poor from the dust;
he lifts the needy from the ash heap
to make them sit with princes
and inherit a seat of honor.
For the pillars of the earth are the LORD'S,
and on them he has set the world.
“He will guard the feet of his faithful ones,
but the wicked shall be cut off in darkness,
for not by might shall a man prevail.
The adversaries of the LORD shall be broken to pieces;
against them he will thunder in heaven.
The LORD will judge the ends of the earth;
he will give strength to his king
and exalt the horn of his anointed.”
1 Samuel 2:1-10
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womaninwinter · 6 months
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*walks up to a trio of characters* so which of you is the priest, which is the prophet and which is the king?
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by Justin McLendon | Chapter eight of the Second London Confession of Faith 1689 (2LC) is titled, “Of Christ the Mediator.” Tom Nettles notes the importance of this chapter and its precise description of Christ the mediator by observing its “carefully crafted language [which] protected the unity of Christ’s person” and the 2LC “claims this important teaching as fundamental to Baptist life...
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kainisticinstincts · 1 month
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I'm just gonna exposition dump about the magic system of the magic system of the original science-fantasy novel I am working on since I have written 17K words and I feel confident enough to have figured it out. A lot of this is still in the works and may change on before publishing so be warned. I want to get a feel of what my audience thinks.
• Aethermagic works through the Von Neumann-Wigner interpretation of Quantum Mechanics where consciousness causes Wavefunctions (mathematical abstracta that determine a particles position, momentum, spin and whether it's a wave or particle) to collapse thus basically creating reality. This idea is taken to the point that reality is subjective and determined by the perception of the wielder. Consciousness itself is a fundamental aspect of reality through panpsychism and it emanates from a realm of pure psyche and platonic Forms known as the Aether.
• The Yumanae (Space Elves) are masters of Metaphysical warfare. Each Yumanae warrior scans through trillions of worldlinesfor their desired victory then dreams up millions of Psychomatons, automata infused with the Aether and ranging from fairytale creatures, elemental, mythological heroes, clockwork machines, silver knights and more according to their need. This gives them a High-fantasy look next to the Blocky Sci-Fi of the Urzog (Space Orcs) and the fleshy body horror of the Rashnabi (Capitalist worm men based on Carthage)
• The three enlightenments are three powers granted to those who have attained an enlightened perspective of reality. Those who have attained this power are usually on the level of the Gods themselves. Curiously, this power is seemingly gained by Humans the majority of the time though certain Yumanae individuals have gained something similar to them.
Clarity, the power of the Barbarian Emperor Mustafa Kai-Haroun is individualized enlightenment. It is individuality, control and order. The power of a Tyrant who sees only his truth, his meaning, as the truth that all abide by. The Emperor despises Disorder and Entropy and desires to create a frozen empire that will last the end of time. His power manifests as perfect crystals of 0 entropy and maximum Negentropy. Matter around him is ordered perfectly with no room for chaos.
The truth however is that Clarity is the force that created the universe. The pre-Big Bang undifferentiated something-nothing of potential was broken when Clarity enforced order onto reality, creating a gradient between order and disorder, Is and Is not, allowing things to be what they are and not something else. This power is as much preservation as Tyranny.
Weaving is the domain of the Galaxies strongest swordsman, Ying Iskh-Shang. A Taoist who had attained enlightenment with the Revelation of "I am a voice in the choir. This choir creates all things. There is no wider plan or meaning. I am making it all up as I go along. Heaven please sing for me a song of life.". In String Theory reality is created by a choir of vibrating strings across ten spatial dimensions. Weaving allows one to add their voice to the choir and sing a song of life and transformation. Ying herself despises this revelation and desires to forge some meaning to it all.
Pneuma is Cosmic or Divine Enlightenment and it belongs to our protagonist Roland (soon to be Lethe). In Hinduism it is said that all things possess a spark of divinity. Plato believed that all things have a divine form somewhere in the heavens and things grt more divine the closer they get to their perfect form. These forms fit into a perfect system known as the form of the Good.
Pneuma asserts that there is a divine reality, a divine spark to all things and we can reach it. The users of Pneuma are those who act without desire or motivation other than fulfilling the plan. The user becomes an agent of the divine good and, seeing there to be a divine plan for all things, brings that perfect form into reality. This allows the user to enforce a divine plan onto the chaos of reality often to lethal effect. An example is ontologically rewriting an enemy so it's very atoms go "Wait. I'm not supposed to be this. I best serve the form of the good by collapsing into more Pneuma."
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dumas1969 · 8 months
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Through The Son
Hebrews 1.1-4 It’s been said before that here Paul presents Jesus as Prophet, Priest and King. And He is that. But also so much more. Jesus is greater than the OT revelation because He fulfills all that the OT anticipated. We will see this more next week, but He’s also greater than the angels both as the Son of God and the promised Messianic King, the Son of David. He is Creator and Sustainer,…
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kdmiller55 · 9 months
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Our Great High Priest
1 For every high priest chosen from among men is appointed to act on behalf of men in relation to God, to offer gifts and sacrifices for sins. 2 He can deal gently with the ignorant and wayward, since he himself is beset with weakness. 3 Because of this he is obligated to offer sacrifice for his own sins just as he does for those of the people. 4 And no one takes this honor for himself, but only…
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cryptotheism · 3 months
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Was Moses a wizard?
That's a good question!
I'll point to prof. Gideon Bohak and his book Ancient Jewish Magic, because his discussion about these ancient Jewish holy men (Christ included) was one of the most comprehensive I've seen.
So, Bohak argues no, Moses is not a wizard or a magician. He points to the duel with the Pharaoh's magicians as evidence. The scene acknowledges that the Pharaoh's magicians have some kind of power, but it is wholly lesser than or subservient to God. Moses is a Prophet.
"Well, then whats the difference?" The difference Bohak draws is between how you got your power. Nobody taught Moses how to turn his staff into a snake. His power was in his piety as a conduit for God. Moses can't teach you how to turn staffs into snakes on command, but he can teach you how to be pious.
King Solomon, though, can teach you how to make an incense that wards away sheydim. Solomon is a wizard, because his power lies in wisdom that anyone can theoretically learn.
The reason the bible intentionally draws this distinction between Miracles and Magic is that the ancient Mediterranean was full of magicians and wonder-workers and foreign priests who all had claims of supernatural power. These guys were rivals to Judaism and Christianity.
Its a dynamic you see mirrored in Roman society. Where a "Magician" is really just Their Foreign Barbarous Rituals as compared to our Righteous and Just Roman Religion.
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Six Months Since
By Shoshana bat-Yehonatan
A poem for the six (Hebrew) month anniversary of the Simchat Torah Massacre. With thanks to the JPS, Koren, Metsudah, and other translations on Sefaria.org. Footnotes link to sources of quotes. Footnotes connect to sources which will be in reblog, because otherwise it's too long to post.
TW: RAPE
Six months has it been
Since the fields turned red without flowers
Now calaniot bloom where once my darlings danced
But still, my precious ones are gone.
I have no prophets to comfort me
No visions from God [1]
My king remains in exile [2]
How can I sing a song of God on alien soil [3]
In an alien tongue?
Yet I have been too long a stranger in a land not mine[4]—
Two thousand years, to a paltry hundred and twenty—
And I forgotten even how to speak the Holy Tongue
Let alone write in it.
I have neither wit nor words to sing my grief.
And so I turn to those before me
As they turned to those before them
And say,
“God, open my lips, and let my mouth declare my grief.” [5]
Oholiva cries [6]
And Ohola wails [7]
This year was pregnant[8] with a second month of joy
Instead she wails in travails unending
“When will my children return?” [9]
Oh wall of Fair Zion [10]
Shed tears like a river [11]
Cry out in the night and pour your heart out like water [12]
Rachel’s eyes are red as her sister’s [13]
As she weeps over the fate of her children [14]
Six months it has been
Since they ravaged women in Zion [15]
Maidens in the towns of Judea [16]
Since their hands tore my princes apart
No deference shown to elders [17]
On this day six months ago
My infants were taken captive before the enemy [18]
The joy of our hearts was seized
And our dancing turned to mourning [19]
For the youths are gone from their music [20].
Now my eyes shed rivers of water [21]
Over the ruin of my people’s daughter [22]
Bitterly I weep in the night [23]
My cheeks wet with tears [24]
There is none to comfort me: my friends have betrayed me [25]
I cry:
Behold my agony! [26]
My priests and my elders have perished in the city [27]
The elders strewn like dust on the ground [28]
Those whom I dandled and reared my foe has consumed [29]
“This is the day we hoped for! We have found it, we have seen it!” [30]
My maidens and youths have gone into captivity! [31]
“It is your doing.” [32]
Blood on her legs, her nakedness seen, [33]
Zion reaches out for comfort [34]--
“Away! Unclean!” [35]
She can only shrink back and sigh [36]
“May it never befall you.” [37]
The nations have resolved “They shall stay here no longer” [38]
We wander and wander [39]
But where are we to go?
How can I bear to see the destruction of my kindred? [40]
“My life as my wish, my people as my request,” [41]
I begged my Husband [42]
“For we have been targeted, my people and I, to be destroyed, massacred, and exterminated.” [43]
But the King turned His face from me.
My dear ones were purer than snow [44]
Ruddier than rubies or coral [45]
Their bodies lovely as sapphire [46]
Now their faces are darkened with ash [47]
Unrecognizable amid the ruin of the streets [48]
See, God, and behold to whom You have done this! [49]
Look at me, answer me, Oh God! [50]
How long will You hide Your face from me? [51]
I have no prophets now to comfort me
And must take my comfort from those before:
You promised “God will restore your captives.” [52]
Return them, God, and let them come back [53]
Renew our days as of old. [54]
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literallyjusttoa · 10 months
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My top 7 Apollo exes from Ancient Greece
DISCLAIMER: Though I have done a lot of research of mythology for this, it is based off of the riordanverse version of Apollo. I won't be acknowledging any awful implications in versions of these myths, not because I don't think they're important, but because it simply isn't a part of riordanverse Apollo's characterization in the books. Also I'm not going to mention Copollo. I love Copollo like the rest of you, but sadly that is a Rick Riordan exclusive, and also technically Commodus is an ex from Ancient Rome, not Ancient Greece :3
Ok with that out of the way lets talk obscure and non-obscure Apollo relationships
7. Apollo & Thyia
This one clocks in at number 7 because I love the idea behind it, but it is the most bare bones relationship myth wise. All we really know is Thyia is a priestess of Dionysus and she and Apollo maybe had a kid once. But like, the idea of Apollo dating his brother's priest? Hilarious, A+ stuff. Also, Thyia isn't just one of Dionysus' priests, she is THE priest of Dionysus. She runs his temple in central greece, is thought to have offered the first sacrifice to him, and might have been the first Maenad? Either way this relationship must have been insane. Also she's a nymph so she's definitely still kicking out there, would love for these two to meet again.
6. Apollo & Hyacinthus
Ok ok I know what y'all are thinking. Number 6?? This is like Apollo's number 1 most tragic relationship of all time!!! And yes as an angst lover I do enjoy the pain this relationship brings our boy, but I just feel like there's not many places to go with this relationship besides what we already have. Like Apollo and Hyacinthus were kind of the perfect couple. Which, like, great for them, but it doesn't give me much space to add anything? I guess, great ship, no notes.
5. Apollo & Hypermnestra (& Oikles)
Ok, half the reason this is here is because her name is Hypermnestra. Slay. But also this is a great place to bring up my favorite little headcanon. In a lot of Apollo's relationships, there will be a child, and myths will have different versions with different fathers. Some say it's Apollo, while other's say it's whoever he dated's husband. In this case, myths disagree on whether Amphiaraus was Apollo's son or the son of Hypermnestra's husband, king Oikles (Oikles??? I love these names). The implication here is infidelity, but I disagree. No, I think every time there's confusion over who parentage it's because Apollo was dating both the woman he's said to be with and her husband, and therefore no one knows who ended up, y'know, fathering the child. Anyways Apollo dated both Hypermnestra and Oikles and you can't convince me otherwise.
4. Apollo & Branchus
I like this relationship because in my mind, I always thought it was Apollo's first. In one version of their myth, it is said that Apollo met Branchus after leaving Delos as a dolphin, which I always thought implied this was soon after he established Delphi, which was really early on. Idk something about a young Apollo accidentally revealing his godliness to this boy he really likes is just so sweet to me. And he makes Branchus into a prophet, which is so cool! These two are cutie-patooties is what I'm saying.
3. Apollo & Kyparissos
C'mon, the man died of grief because his deer died. Throughout ToA we learn that deep down Apollo is a mushy ball of emotions and compassion, and that convinced me that these two spent 75% of their relationship crying over baby animals and pretty people. I love the idea of Apollo dating someone who's honestly just as much of a loser as he is. And while it is sad that Kyparissos is another lover Apollo had to turn into a plant, I have to emphasize again that he died of heartbreak, because his pet deer died.
2. Apollo & Cyrene
Listen, these two are boss bitches and you cannot convince me otherwise. In the same way I like Kyparissos bc I feel like he and Apollo are so similar, I like Cyrene bc I feel like, in a lot of ways, these two are very different. Like, don't get me wrong, Apollo can be strong and wild when he wants to be, but Cyrene wrestles lions. I like to think the time these two spent together really helped each of them grow in their own way, which makes for a really fun and interesting relationship. Also, just like Thyia, Cyrene is sometimes referred to as a nymph, so she could still be out there!
1. Apollo & Admetus
The more I think about these two, the more I love them. Admetus meeting Apollo at his lowest and helping him through it. Apollo falling head over heels as a result and doing everything in his power to repay the man. The two of them still holding such strong affection for each other even decades after the time they had together, to the point that Apollo would mess with fate to extend Admetus' life. Apollo's life is full of turmoil, and this period of it was probably the worst, but despite that, his relationship with Admetus seems so steady. The other gods are said to be embarrassed of Apollo's love of Admetus, and I think it's because Apollo loved him in a way that went directly against the values of the gods. Apollo and Admetus' relationship was defined by service and care, filled with selfless intent and genuine love. While many gods give their lovers gifts and special favors, the idea of actually going into servitude for someone you love is as ungodly as you can get. Apollo spent time with Admetus, and he wasn't possessive of him, helping him to find a wife after their time together was through. I think this relationship is a great example of how Apollo, even in his lowest moments, is a genuine and caring person, and how that often separates him from the rest of his family. Also these two are just cute and they both love cows and they're cows in love.
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theexodvs · 3 months
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Adam failed as a prophet by failing to tell his wife what she needed to pursue holiness (Genesis 3:17). Adam failed as a priest because he disqualified himself from tending the Garden of Eden (Genesis 3:24). The word עבד used in Genesis 2:5, 15 to describe Adam tending the Garden is used through the rest of the Old Testament to describe priestly duties. Adam failed as a king because by failing to subdue the serpent, over whom he had been given dominion (Genesis 1:28). This word for dominion רדה is used of kings in 1 Kings 4:24, and of other political leaders elsewhere.
Jesus is a prophet (Acts 3:22-23, 7:51-53). He satisfied the qualifications for this office during His earthly ministry (Matthew 10:40-41, 13:57, Mark 6:4, Luke 4:24, 13:33, John 4:19). He succeeded where Adam failed by telling His wife, who is the church, all she needs to pursue holiness (Ephesians 5:23, 2 Corinthians 11:1-2, Matthew 28:19-20). Jesus is a priest (Hebrews 5:5-6, 7:11-17, 21, 24, 10:19-21, 1 Peter 2:4-5). If one understands the Epistle to the Hebrews in conjunction with Psalm 110:1-4, Acts 2:34-35, and Matthew 26:64, one necessarily comes to the conclusion that He satisfied the qualifications for this office no later than Pentecost. He succeeded where Adam failed by tending to the church, which is His temple (2 Corinthians 6:16). Jesus is a king (Acts 5:31, 17:6-7, 1 Corinthians 15:25, Colossians 1:9-17, Titus 6:13-16, 2 Peter 1:11, Revelation 1:5, 2:10, 11:15, 19:15). He satisfied the qualifications for this office at His birth (Matthew 2:2, Luke 1:32-33), and He is stated to be a king elsewhere during His earthly ministry (Matthew 21:5, 28:18, Luke 1:33, John 1:49, 12:14-15, 18:33-37). He succeeded where Adam failed because the serpent is now powerless, weak, and left plotting in vain (Hebrews 2:14-15, Revelation 12:9, 17-16).
This is why Paul calls Jesus the "last Adam" (1 Corinthians 15:45-47).
Futurism detracts from the prophethood of Jesus. By denying the Olivet Discourse has been fulfilled, opponents of Christ can point to the His most important prophecy unrelated to His resurrection as false. Bertrand Russel did exactly that, focusing on Matthew 24:34. He was not mistaken. The use of "this generation" here doubtless corresponds with the same phrase used in Matthew 11:16, 23:13-39, Mark 8:12, Luke 7:31-32, 11:29, 50-51, 17:25. Premillennialism detracts from the priesthood of Jesus. He, being permanently in the Melchizedek priesthood, will be enthroned at the right hand of the Father until his enemies are vanquished (Psalm 110:1-4). His last enemy is death (1 Corinthians 5:25-26). If one insists that death will continue for 1000 years or more after Second Coming, one necessarily insists that Jesus' priesthood will be suspended without Biblical precedent. Premillennialism detracts from the kingship of Jesus. He is the subject of Psalm 2, according to Acts 4:25-28 and Revelation 19:15. Jesus as king has been given the nations, in accordance with Psalm 2:8 and Matthew 28:18, so Satan cannot rule while Jesus rules with a rod of iron in Psalm 2:9. The kingship of Christ is the prerequisite for the Great Commission. "All authority has been given to Me in heaven and on earth. Go therefore and make disciples of all the nations, baptizing them in the name of the Father and the Son and the Holy Spirit," so anyone who believes Satan rules this world and still evangelizes is disobeying the Great Commission.
To believe that Christ is the last Adam, to believe that He has succeeded in every office where Adam failed, to believe an inextricable link between the offices, and to tell others about Him requires that He made accurate predictions of the future which have come to past, that He will serve as priest until death is no more, and that He rules this world we live in right now. I affirm this with every fiber of my being. Do you?
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luminecent-sky · 3 months
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The Aeon of fate — Explained [as much as they can explain at least.]
A/n: I've been cookin up some lore during the Christmas season and boom. Lore drop time! Don't ask why it took so long/j
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[Opening research logs....]
[Aeon records:]
[The Aeon of Fate — All recalled information and records available.]
The Aeon of Fate, colloquially known as 'Moirai'.
-- Other titles include:
The Weaver
Destinyseeker
Parcae
Holder of a thousand strings
-- Has no known date of existence, currently theorized to have formed thousands of Amber eras ago, back when the first forms of sentient life began to wander the universe. Many believe that there are/were three different beings sharing the mantle of 'Fate'. None have found proof of this.
-- Though any known past emanators no longer exist, their records show the extensive reach and power of the Aeon. Said to be able to erase any traces of existence, to turn the tide of battle on a whim, to remove and add entire dynasties with a simple thread.
-- The emanators were usually prophets, seers, and divine priests, describing the Aeon as a veiled figure spinning thousands of strings or a being made of strings, constantly weaving together and fraying apart.
-- Those who tread the path of Fate are those who seek to guide others and interpret the world, diligent people who feel a deeper connection to the universe.
-- Previous emanators of the path were highly sought after, commonly abducted and forced to serve kings and act as advisors due to their knowledge.
-- However they began to die out, most simply dropping dead while others managed to write down the last few prophecies and sights they had. The last known emanators of Moirai, were the three sisters, Clotho, Lachesis, and Atropos, Whose only surviving prophecy spoke of how the Aeon has found the final thread of the cosmic tapestry, before all three promptly killed themselves.
Factions:
The Thread Weavers - People who believe that the Aeon left one last unfinished tapestry depicting the fate of the last amber era, they search for any thread that can lead them to the tapestry.
Spools of Fate - The inner circle of the thread weavers and members of this circle were known emanators, the ones who led the pursuit on finding the threads of fate. Was led by the three sisters before their deaths. [All new vassals of the Aeon are considered spools due to their direct contact with them.]
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cowboymater · 1 year
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controversial opinion maybe:
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I KNOW. i know. hear me out
i saw a couple edits on tiktok of mcspirk to soldier poet king and like. i’m not putting anyone on blast but good lord some of those choices made my head hurt. it’s taken me a couple days to synthesize my reasoning for the superior choice (as pictured above), but here goes:
the problem with assigning characters to soldier poet king comes when you take it at face value, flattening the paradigm to angry-sad-tired or violent-artsy-authoritative. if we want to get down to the root of it, the song is based on the threefold office of christ as priest (soldier), prophet (poet), and king. like i’m not christian, but on a textual level it gives us context: the concept that as prophet jesus gave us counsel and words of wisdom, as priest he sacrificed himself to redeem us, and as king he provides for, defends, and forgives us
maybe the most famous priest/prophet/king (& thus soldier/poet/king) allegory in all of literature is frodo, gandalf, and aragorn. frodo bears the burden, though he wishes he did not need to; gandalf offers words of wisdom and mercy; aragorn is a born leader, on the front lines with sword in hand, ready to die with his men if he must
KING: capt. james t. kirk is the easiest one to place. it is a burden and a privilege, an honor and a horror to have the lives of so many depend upon you to make the right call under fire. he makes the call. he leads the landing parties, he puts himself at the head of the charge because by god he is not about to send his men into a battle he wouldn’t fight himself. he leads—with heart when he can, steel when he must—and people follow him. bones and spock are always right behind because they believe in what he believes in, and more than that they believe in him
POET: bones serves as kirk’s emotional sounding board, his moral peer review. he lends an ear, and the word of an old country doctor who’s seen much and understands more. man has ascended to the heavens, to hurtling through the void in a glorified tin can, and it would be no great hardship to forget that our place in the universe is not that of higher life—we are not as quasi-gods, moving pieces on the great three-dimensional chessboard, but flesh and blood, and we must attend to each other. bones tempers the pure logos and rationality offered by spock; he offers grounding in this age of technology that wrinkles the fabric of reality, offers the kind of emotional intellect that cannot be taught, and has always been sorely needed
SOLDIER: this is the one where you really get tripped up by surface-level analysis. yes, spock is reserved and collected. yes, vulcans are pacifists (as you may recall, so are hobbits, and yet frodo remains the soldier in allegory)
the thing about vulcans, though, is that despite the vegan pacifism, they are warriors. it’s tangled up in their history and their DNA. the koon-ut-kal-if-fee survived through centuries of analytical dogma for a reason; even now, they cannot wholly escape their inheritance of violence. their forefathers ran the sands of vulcan green with blood. they venerate logic and condemn emotionality so that they will not
your average high-achieving vulcan, probably on the path to kolinahr, commits their lifetime to the pursuit of knowledge at the vulcan science academy. it’s a measured, rational decision. a controlled environment, where there will never be any logical reason to resort to violence
spock joins starfleet
he joins starfleet, and pursues knowledge in the vast unknowable universe. there is reason for violence, frequently. and sure, the purpose of their mission is peaceful. it’s true that spock would rather resolution be reached without force. but a soldier needs not want to be a soldier. he only needs go to war
when it comes down to blows, he will match them. he makes the sacrifice play, jumps on the grenade, goes into the radiation-soaked engineering room alone. it’s only logical, after all
spock is there to pick apart the universe, unravel the threads of logic until it all makes sense. bones is there to stitch it up. kirk is the hand that holds it all steady, the gravitational field that binds the people of the enterprise to their purpose. soldier-poet-king, commander-doctor-captain. it’s a story old as dirt, and we’ll keep telling it, i think
edit: my bad vulcans have. green blood
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appraisedtiktoks · 1 year
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Closed Captions:
This caption ended up being really long, so I apologize for the divider.
Taking place in a classroom, this video is from a show called Midnight Mass. Numerous parents are seated in small desks for children and the topic is about how some kids came home with bibles that were handed out. A conversation is cut off as this clip begins.
(What is missing from the clip: the Teacher begins, “I understand given your religious affiliation, you might find the fact that your son is interested in the Bible offensive-“)
“Not at all” the parent, played by Rahul Kohli, cuts off.
The teacher continues, “I suppose, but I would say that if he’s interested in Jesus, why not allow him to learn a little about it?”
He cuts her off once more, “That’s so not the issue and thank you for this opportunity to clarify, uh he knows all about Jesus.”
She cuts him off this time, “Imagine not quite all.”
He ignores her and continues, “Muslims believe that Jesus is a prophet of God and that the Angel, the Bible, was revealed to him as the Torah was revealed to Moses before that. See, we- we love Jesus and we love the message that was revealed to him.”
“Well, I suppose we learn something new everyday, don’t we?” the teacher announces, trying to stop the conversation there.
“But we also believe after the time of Jesus. Thanks to the interference of men, there are deviations of Christianity. People altered the message, Priests, Popes, Kings. That’s why there’s so so many versions of the Bible.”
“People got in there, made their changes-“ “I don’t think this is relevant.” The teacher cuts in again.
“We do though believe that the Bible contains some of the original word of God.”
“That’s very generous, isn’t it?” The teacher begins again to try and shut down the conversation.
He begins again, “But we also believe that God revealed the Quran as the final message. Never to be altered, to reasset the original revelations of the previous prophets.”
She curtly stops him, “I don’t think that this is the place to discuss where our beliefs about scripture might divert.”
Remaining calm, he reiterates, “Exactly.”
Pausing to look around for a moment before continuing, “There it is. That’s the issue. And that’s why I think some of the people in this room including myself are a little concerned. See Muslims encourage everyone to seek knowledge. So I am more than comfortable with my son studying a Bible. Thrilled actually. I’ve done it myself.”
After pausing to look around the room once more he continues, “But where I think there’s an issue is that this is a public school. That’s the thing. And I think what’s concerning some of us is not the Bible itself. But that it was handed out. Distributed to the kids here. I just ask you to consider how you’d feel if you sent your child to a public school-“
“Sure” the teacher sighs, shaking her head.
“And they came home with a copy of the Quran. Asking about the (Prophet Mohammad). You’d feel it was an issue. If I went around handing out copies of the Quran to the children on this island purely in the interest of the pursuit of knowledge. Well, I’d expect you to chase me out of town Miss King.”
And the video is cut off and ends there.
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rhyaxxyn · 2 months
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𝐀𝐋𝐓𝐀𝐑𝐒 𝐈𝐍 𝐓𝐇𝐄 𝐒𝐊𝐘
𝑺𝒉𝒆 𝒉𝒖𝒇𝒇𝒆𝒅 𝒂𝒏𝒅 𝒂𝒔𝒌𝒆𝒅, “𝑾𝒉𝒂𝒕 𝒈𝒐𝒐𝒅 𝒊𝒔 𝒂𝒏 𝒂𝒍𝒕𝒂𝒓 𝒊𝒏 𝒕𝒉𝒆 𝒅𝒂𝒓𝒌 𝒕𝒉𝒐𝒖𝒈𝒉?” “𝑨 𝒔𝒕𝒂𝒓,” 𝒉𝒆 𝒔𝒂𝒊𝒅 𝒅𝒆𝒇𝒊𝒏𝒊𝒕𝒊𝒗𝒆𝒍𝒚. “𝑨 𝒈𝒖𝒊𝒅𝒆.” “𝑵𝒐𝒏𝒆 𝒐𝒇 𝒚𝒐𝒖 𝒔𝒆𝒆𝒎 𝒕𝒐 𝒌𝒏𝒐𝒘 𝒉𝒐𝒘 𝒕𝒐 𝒓𝒆𝒂𝒅 𝒕𝒉𝒆 𝒔𝒕𝒂𝒓𝒔,” 𝒔𝒉𝒆 𝒓𝒆𝒑𝒍𝒊𝒆𝒅. “𝒀𝒐𝒖 𝒘𝒐𝒖𝒍𝒅𝒏’𝒕 𝒌𝒏𝒐𝒘 𝒘𝒉𝒂𝒕 𝒕𝒐 𝒅𝒐 𝒘𝒊𝒕𝒉 𝒎𝒆. 𝑰’𝒅 𝒐𝒏𝒍𝒚 𝒃𝒆 𝒂 𝒕𝒓𝒐𝒑𝒉𝒚.”
𝐀𝐁𝐎𝐔𝐓
GENRE: New Adult (16-25) / High Fantasy SUB-GENRE: Romance / SciFi / Action POV: Third Person (Multi) / Past Tense THEMES/TROPES: Freedom and Sacrifice, Power and Corruption, Prejudice, Colonization, Faith, Dark VS. Light, Soulmates, The Divine and The Demonic STATUS: First Draft
𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒
Ruled by Her Divine Majesty Heather since its creation, the planet of Kaleis and the Phantom Empire are in the peak of their power, beacons to their allies and the creatures of the light. Alongside her Soul Guardian, Quinn, Heather is untouchable, unkillable, and she has been for billions of years. One fateful mission puts a key in her hands though; and it is the key to her mind, her soul, and her freedom. And after one fateful mission, fables of the night and the demons who guard it come alive. Divinity alone won't be enough to save Heather as the Evernight Kingdom sends its beasts after her--creatures able to take any form, any face. In the dark, Heather must be willing to test the limits of her immortality to ensure the unending night and its red sun don't eclipse her universe, but the safety of the universe may cost everything she has... And everything she's hoped for.
𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒-𝐩𝐫𝐨𝐭𝐚𝐠𝐬
HEATHER: The Queen Divine of the Phantom Empire and Queen of Kaleis. The Creator. Chronic sufferer of prophecies and fates. Universe's first ever bleeding heart, murderous for what matters most to her. A songbird in a bloody, gold cage.
QUINN: The God of Light, the First Sun, the Commander of Kaleis and the Phantom Suns. Heather's most trusted advisor and protector, and arguably the most horrifying thing in the universe. No good with affection or apologies. Would do anything for Heather.
VAIRALYN: The Dark Queen of the Phantom Empire and Queen of Mu, has died and resurrected so much she stopped counting, all beside her wife, and once beside her brother; Kraigyn. Haunted by memories she cannot recall. Haunted by a dark she doesn't know.
𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑𝐒-𝐚𝐧𝐭𝐚𝐠𝐬
CLAIRWYN: The Pride Saint, the eldest Evernight brother, and High King of Evernight Empire. Once fabled by the Phantom Empire, he has had billions of years to grow his strength alongside his six brothers. Hard to distinguish who he loves from what he controls.
KRAIGYN: The Muan Tyrant King and prophet of the Evernight brothers. Once betrothed to Heather, he betrayed her and his sister Vairalyn to secure his spot at his Saints' sides. Maddened by power he doesn't understand, and a goddess who can never love him.
BAHRO: The eldest brother of the infamous Vestre beast siblings. Has done and will do anything to protect his little sister and sibling. Betrayed Sidereus for the sake of its survival, and is ready to betray the divine to protect what he loves.
𝐒𝐄𝐓𝐓𝐈𝐍𝐆
KALEIS: Home of the Original Six gods and her Divine Majesty Heather. Has held and led the Phantom Empire for billions of years after the surrender of Mu. A leader in military, trade, agriculture, textiles, and diplomacy. A diverse, massive planet, though it possesses a shared language and religion thanks to its divine leaders.
PYNACINIUM: Kaleis's capital to all its nations and governances. Home of the Original Six and Heather, as well as the Palace of Pynacnium.
SIDEREUS: The home planet of the demon race of shifters, or veles. Long ago colonized by the Evernight brothers, much of its distinctive culture and language was wiped out among the masses, though its old-faith priests still try to preach of the divine and their Path to the Niedostepny. Sidereus's survival is left in the hands of the Vestre family, one of the first shifter families, who have slaughtered thousands if not millions to ensure the Evernight brothers don't do worse to their home.
NOTE: Hello! I'm so excited to be posting about this novel! It is, in my opinion, my magnum opus, granted every new book I write feels that way. After a very grating start to this book, it is already at 120K words, so she's gonna be a big one, but I'm excited to share more about Altars In the Sky, particularly my baby girl anti-hero, Bahro Vestre.
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undeniablespice · 8 months
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drowned god the weak little beast you put on this earth to write fanfiction and like greyjoys has been neglecting homework in order to reread the affc ironborn chapters and have way too many opinions about the soggiest man in the world. i have Had Some Thoughts on aeron, theon, and names
it really is striking to me just how little people refer to aeron by his name. not just in conversation, but in the narrative itself, with the most notable example of this being aeron himself in his pov chapters constantly thinking of himself not as aeron but as damphair or just The Priest. he refers to himself as damphair or The Priest instead of aeron like twenty times throughout the prophet, to the point where it's used almost as frequently as his actual name. in the drowned man it's only like eight times (which i think is mostly because the vast majority of this chapter is given over to the kingsmoot, where aeron is mostly a spectator and the narrative focus is on the events taking place rather than his reaction to them). in the forsaken, it's ten times, though while aeron is actively imprisoned he mostly thinks of himself as aeron, with damphair being used four times in flashbacks to events that took place in the past, once during a conversation with euron while aeron is defying him, and then three times after he is freed and he can see the sea again
the consistency and frequency of aeron in his own mind thinking of himself as something other than his name reads to me almost like a foil to theon and reek. the identity of the damphair allows aeron to dissociate himself from the burden of his past weaknesses and sins: his pre-drowning frivolity and alcoholism and euron's sexual abuse. for aeron, being damphair is as empowering as being reek is degrading for theon. he is constantly affirming to himself that he is a loyal servant of the drowned god and that this makes him strong. it gives him status and purpose he never had as aeron the boy, who was the youngest and weakest of his brothers. aeron-the-priest cannot be frightened by any mortal man any more than he can be frightened by the dark or by memories. kill the boy to become the man -> drown the boy to become the damphair
(although, of course, when aeron tells himself all this about how god chose him and it makes him strong and special and immune to fear, he is deluding himself. the damphair is haunted incessantly by his brothers. aeron has the tendency to reconcile his lasting fear of euron with his special god-given immunity to such mortal flaws as feeling fear by believing that euron is ungodly/an avatar of the storm god/literally the devil, and therefore not really a mortal man in the same way that balon and victarion are
which is a really interesting parallel to how euron must see himself, what with the whole apotheosis god-king thing he's got going on by twow. in a way, euron is aeron's real god. it is euron's abuse that first connected aeron with faith, and it is faith that aeron uses to cope with and overcome the lasting psychological scars of that abuse and urri's death. aeron doesn't think of euron as a mere flesh and blood human being anymore. he's mythologized the crow's eye in his own mind: euron is not just his abuser, he's a boogeyman, a devil, quite literally the thing that goes bump in the night. and euron knows this, and delights in knowing it and in taking every chance he can to tear down aeron's faith and replace the drowned god with himself as the backbone of aeron's life. which he does not actually succeed in doing, as of the forsaken! aeron keeps his faith like theon keeps his name. it cannot be taken from them)
reek, meanwhile, is not an identity that theon chooses to assume to cope with his trauma. it is forced upon him in the middle of the trauma and he has no choice but to accept it for his own self-preservation. ramsay devastates theon physically: flaying him, starving him, beating him, removing his fingers and toes and teeth and genitals. imprisonment and violence are the tools he uses to take away theon's physical strength to resist him, but reek is how he gets to all the parts of theon that can't be bruised or cut. it's the psychological equivalent of a flaying knife. reek is the weapon he uses to attack theon's identity and sense of self and personhood. though it's important to me to note that those were things theon was already struggling with well before ramsay came on the scene, and that he has an absolutely unbelievably strong will that allows him to retain a degree of his original personality under ramsay and regain his own name later in adwd even after enduring all the torture and abuse. he is a greyjoy of pyke. his name is theon, and if he dies, he will die as theon, not as reek. when he leans into being reek, it is as a means of self-preservation and protection from harm. he basically says as much to jeyne when he tells her to be arya: he believes that serving ramsay and capitulating to his whim is the best way to stay safe. you have to know your name.
ultimately, theon is as relieved to be rid of the name reek as aeron is relieved to see the ocean again at the end of the forsaken. theon's name is a source of pride to him, something that he clings to after he has lost everything else, something that will always be his even after all that has been taken away from him. aeron's name is a source of shame, something that he is reduced to when he feels weak, something that he reverts to when he is powerless at the mercy of his abuser
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