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#Non-structural measures
westvalleyfaultph · 3 months
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The Vital Role of Schools and Educational Institutions in Earthquake Safety
Earthquakes are natural disasters that can strike without warning, causing devastation and loss of life. In regions prone to seismic activity, such as the Pacific Ring of Fire, preparedness is essential for mitigating the impact of these tremors. Among the critical pillars of earthquake preparedness is the role of schools and educational institutions. These institutions play a pivotal role not…
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diejager · 10 months
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Yandere Pyramid what if he gets reader pregnant Just go crazy with this hahaha
(IS THAT EVEN POSSIBLE I DON'T KNOW BUT WITH HIS AMOUNT OF CUM I WOULDN'T DOUBT IT)
Paring : YANDERE Pyramid Head x fem!reader
Cw: smut, possible NON-CON/DUB-CON, tentacle tongue, possessive behaviour + sex, breeding, pregnancy, creampie, belly bulge, tell me if I missed any.
Wc: 674
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He'd go wild at the idea of knocking you up, watching your soft stomach bloat with a new life and your breasts swell, nipples leaking milk that he could suck until his kid came out. He'd fuck you until you get pregnant, stuffing you with his cum and his cock, keeping every little swimmers inside your bulging heat. He liked watching you strain around his girth, walls twitching and closing tightly around him, your cries echoing under his metal pyramid.
It's a ritual, every night, any spare moment, he'd have you sprawled under him, rutting his length into your red, swollen cunt until you grew limp, a little cumdump for him. His bulbous tip kissed your cervix, pushing against your womb's entrance and pumped generous load after generous load into your warm, fertile womb, a virgin to childbirth.
Whether he had you under him, pounding away the hours of the night - or day if he felt like it - over him, riding his thick and veiny cock until your slick covered his whole abdomen, or against a wall, rattling the structure with his punching thrusts when felt especially feral; he made sure to cover you in his musk, body smelling of him with reminders of last night, dark bruises marring your skin.
They were brandings of the finest he could give (other than his seed branding your spasming cunt as his little cockdrunk survivor.) to show others who you belonged to. He's had his possessive strikes, growling at killers and survivors who got too close to you for his liking, waving his broadsword and shaking the ground in strong ripples.
Pyramid Head was exceptionally possessive, being a creature of grief and regret created for a sole purpose, granting him nothing to his name or soul to own. Such a situation makes a person - any person - possessive of their things, like a child deprived of toys and love, they grow possessive and careful.
And to add a child, some would think he'd hate his child for taking most of your attention, your affection and your time, but this child was from yours and his blood, a creation of yours. It was the second thing he could call his own, a living being - beside you - he could care for and nurture, it played with a more domestic side of him. It would simply mean he'd take more drastic and scary measures.
Just a big, broad Pyramid Head growling at anyone with his equally big toy in hand, truly the scariest guard dog in The Entity's world (Guard dog privileges+).
Extra: during the pregnancy
Man is oblivious to the struggle of women, especially pregnant ones. Mood swings and odd cravings make him scratch his head in confusion. Was it safe to eat pickles, then peanut butter and tuna in a sitting? Would it be bad if you woke up in discomfort and your stomach was ready to empty itself?
He's as clueless about childbirth as a baby, every step had to have help from The Nurse and The Doctor, both having some experience with pregnancies in their previous lives. Reluctantly, he'd call for them once he sees you hunched over a bowl, puking yesterday's food. If there was a step-by-step book about pregnancies, perhaps a 101 tips about pregnancies for noobs, Pyramid Head would need it, he needs all the help he can get.
He knows not fuck you, naturally, for the safety of his child. That, however, doesn't stop him from pleasing you, using his thick fingers to pump and curl into your upper wall and flick your swollen clit when your hormones act up and you get horny; or he'd tonguefuck you into overstimulation, with his tentacle-like tongue that slithers from under his mask, long and wet. He's agile with it, twisting his tongue in every sense and curling it into a ball to fuck you.
He's talented with his cock, his fingers and his tongue, nothing can stop him from caring for your needs, he's skilled in many ways.
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doumadono · 6 months
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Warnings: DEAD DOVE DO NOT EAT! villain!Hawks, f!Reader, non-con, taken captive, elements of necrophilia, murder, blood, bondage, forced orgasm, unprotected and rough p in v, Hawks is an ass here, minors absolutely do not interact - a kitten dies if a minor reads this! Synopsis: Hawks has some "fun" with you after catching you spying for the Commission A/N: this story was written for @lewed and it's a contribution for the Secret Santa event hosted by a wonderful @ectologia
MY HERO ACADEMIA MASTERLIST
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Pain. As you slowly opened your eyes, it was the first sensation that greeted you — burning, irresistible pain spreading throughout your body.
The surroundings were dark, and you found yourself uncertain of whether you were still alive or perhaps already dead. Attempting to move, you realized the cold sensation around your wrists indicated the presence of some form of handcuffs.
"Marlene!" You whimpered quietly. "Marlene!"
There was no response, only a lingering, eerie silence.
You tried to move, but you couldn't — your legs felt numb, and you were tethered to some metallic structure. Your entire body ached; every attempt to shift, every shallow breath, was accompanied by pain.
Suddenly, a metallic lock clicked open with a key, and a stream of light flooded the room for a moment before disappearing as a tall, dark silhouette stepped in, closing the door. A few seconds later, a dim light illuminated part of the room as two old lamps hanging on either side of the door flickered to life.
You caught sight of him, and your blood turned icy cold. 
Thick combat boots, dark pants paired with a fitted black t-shirt adorned with golden patterns, and a pair of massive red wings. 
You shook your head, still reluctant to believe your own eyes. "Where's my friend?" you inquired anxiously.
"She's alive," came the calm response from the man with red wings.
A glimmer of hope sparked in your eyes. "Can I see her?"
There was a measured pause before the answer, "If you cooperate."
Your dry, blink-filled gaze met his. His emaciated face betrayed no hint of the intentions behind those words.
Hawks observed as you settled into the discomfort, bound wrists and ankles causing a persistent ache. The worry emanated from you, a palpable scent of pungent sweat, akin to a cornered prey navigating the uncertain terrain.
Hawks fixed his gaze on you for an extended moment, a silent observer in the dimly illuminated room cast by the faint light of aged lamps near the sturdy metal door. 
Slowly, he withdrew to the room's shadows, disappearing momentarily. Amongst a collection of cartoon boxes, a triumphant grin crossed his face as he discovered his sought-after item – a hefty hammer. Returning to your vicinity, he playfully toyed with the ominous tool in his grasp.
"Please, let me go. I won't breathe a word to anyone," you pleaded, attempting to maintain a semblance of composure.
His grin widened, feathers rustling slightly. "Oh, I wish I could, little one. But we've stumbled upon a problem. You and your best friend have gotten a bit too close to the truth about me and my colleagues from the League. Weren't you warned about the dangers of working for the Commission?”
“Please, I swear I won't tell anyone…”
Takami approached you with a frown, his golden eyes bearing a weight of seriousness and intrusion. With a rough hand, he tightly pulled back your hair. "I've made it clear before – cooperation is the only ticket out of the mess you've landed yourself in.” He set the hammer down.
"Please," you implored, devoid of weapons or the freedom of your limbs. Contemplating the distance, a fleeting thought of a potential headbutt crossed your mind. Standing could be an advantage. However, all these options dissipated as a tear traced down your cheek. His hand, not occupied with your hair, coiled around your neck, constricting your airflow. A soft sound escaped you, but as his grip weakened, you hastily gulped in air.
"Good girl. Breathe while you still can," he remarked, his hand tenderly patting back your hair, while your eyes held a bitter scorn.
"Please, take me to my friend. What have you done with her?" you pleaded.
"Oh, she's safe. For now," Hawks declared, rising to his full height. 
Your eyes scrutinized the young man, assessing every detail. There was a darkness in his aura, a stark contrast to the times when Hawks, the former Pro Hero Number Two, was known for helping people. Something had transpired between him and the Commission, and the Hawks people once adored had transformed into a ruthless villain, now one of the most perilous figures in Japan.
Hawks firmly gripped you under the armpits, drawing you in close. Thick ropes of chain encumbered your feet, challenging your balance. Your wrists and ass clung to the pole you were tethered to, seeking stability as the shackles jingled against the unforgiving metal pillar. 
His presence pressed down on you, and you cowered beneath its weight. A hand delicately traced your jaw, toying with your dry and rough lips under his thumb. “When I tell you what I want, you’ll do exactly as I say. You wouldn't want to witness the way darkness emanates from me when I command it, girl. Mind your tone and follow my instructions. Once I'm content with you, I'll allow you to see your friend," the former hero warned.
Your whimper lingered as his thumb persisted, applying pressure to the edge of your lip. It delved in, moistening against your tongue as it pressed against the intrusion.
“Suck,” he commanded. 
You vehemently shook your head in defiance, resisting against him. The notion of biting his thumb crossed your mind, perhaps even snapping it off. You strained to lean your head back, attempting to evade his grasp.
“Don’t try anything. If you do, I hurt her,” Hawks warned with an amused grin glued to his lips.
Your eyelids descended, halting an approaching flood of tears. Sealing your mouth around his digit, you sucked as per his request. His thumb pressed in deeper, and you complied.
"Good girl, yes. That'll do quite well. Now, back on your knees," he directed.
You obeyed, using your bound hands to steady yourself as you half-fell.
Hawks nonchalantly undid his belt, followed by his button and zipper. Darkened briefs emerged where the trousers opened in a V, and his hand slid beneath the band. “Now, open your pretty mouth for me, babybird.”
You followed his command, extending your tongue forward, a queasy sensation building within you.
"Excellent," he remarked, his hand delving beneath the thin fabric of his briefs, gradually revealing his long, veiny dick, slightly curved upward.
"Please, don't… What more do you want? We can erase all the intel we gathered!” you begged pathetically.
"Shut up, whore," he commanded, stroking his growing member. "I don't want anything but this from you. It might be the only thing you're good for, I think. Lick," he instructed, rubbing the reddened, swollen tip of his dick against your tongue. "Wet your tongue again for me, babybird."
You swallowed and opened your mouth wide once more. 
He positioned himself against you, and your lips instinctively sucked. A salty bitterness lingered on your palate as your curious tongue explored the head of his cock.
Hawks hissed as the tip of your tongue flicked the sensitive part of his frenulum underneath. "That's right," he affirmed, pushing in deeper, causing your cheeks to bulge. Takami ran his slim fingers through your hair, keeping you steady on his cock. Pulling out just enough to watch saliva stretch from your lips to his shaft, he thrust back in, repeating the motion until you emitted a desperate noise, gagging yourself on his dick.
"Good girl. That's enough of that for now. You just saved your girlfriend from a beating. She'll appreciate that when she wakes up from her last one." Takami grinned as he rubbed the tip of his erection across your swollen lips, wiping away a fallen tear from your cheek before moving behind you. He worked at the shackles around your wrists.
You felt them loosen and drop, but his hand replaced them, gripping you firmly. He pulled you against the pole, the cold metal burning your neck. As he lifted the white shirt from your torso, you pleaded with the faceless hands to stop. The room vanished momentarily as the shirt passed over your head, landing on the floor beside you. Then, your hands were locked together once more, this time in front of you.
You shivered as the cold air filling the room grazed your exposed, bruised skin.
The restraints around your ankles were skillfully loosened with a series of subtle clicks. Your uniform pants were swiftly discarded, followed by your cotton panties, leaving you bare except for the metal-clad bindings around your wrists as you resumed your kneeling position.
A palpable shift in the room's atmosphere ensued.
Hawks, charged with desire, was visibly electrified. His engorged and reddened member pushed back into your mouth, eliciting a moan from him. "You look stunning with your mouth full of my cock," he murmured, reaching down to play with a nipple between his fingers. "And you're damn good at it." His fingers tenderly smoothed your tousled hair as he guided himself deeper into your throat. "Do you ever do this for your boyfriend, if you have one? No? But I bet you fantasize about it. Yes?" He chuckled, reveling in his revelation after your tongue flexed under the weight of his dick. "I knew it! Your boyfriend is a good boy, huh? Just the missionary routine, not letting you explore, even though deep down, you crave it. It's okay, you can imagine I'm him. I'm sure you already are, judging by how wet you're getting. Just picture me as him, but on a wild ride, eager to try something new.”
Slimy fluids trickled from your pussy, tracing a path down your thigh, the disloyal testament of desire slicking your inner folds.
His fingers continued their dance, skillfully teasing your erect nipples, each touch met with an eager response. A sharp squeeze on the left elicited a cry from you, and as he knelt before you, he drew the aching nub into his mouth. "What makes you climax, babybird? Tell me. I want it to be as pleasurable for you as possible!"
A whimper escaped your lips as his calloused finger glided through your folds, everything feeling unsettlingly taboo. A part of you yearned to resist, to break free and escape. Yet, a more primal instinct responded to his calculated touches, a primal need for closeness with a male that seemed to overpower your rational mind, corrupting it.
A creeping finger eased into your pussy. "You're so wet and tight, just look at that. Didn't want to give me a blowjob, but it's obvious it got you excited," he remarked. A second finger joined the first, curving against the walls of your vagina. The pressure felt both pleasurable and unsettling.
"Do you enjoy that, babybird?" he inquired.
You squirmed away, finding yourself seated on the floor.
He pressed your arms over your head, taking in the sight of your breasts. The supple flesh swayed like ripples on water. With one hand gripping his throbbing length and the other on your hips, he guided the two to meet. "You're making the right choice, obeying me, Y/N. I'll bring you to your friend soon. Just one more thing I need you to do for me." The head of his penis entered you gradually, a delectable stretch spreading through you.
The mingling sensations of pleasure and pain raced through you like wildfire. The boundary between anger and passion blurred, akin to smoke and cloud intertwining. "N-no," you cried, attempting to push him away by pressing your feet against his thighs.
He huffed as he thrust fully inside you, easily bottoming out. His wings fluttered as arousal overcame him. "Fuck, you're so tight, holy shit. Almost feels like you're a virgin."
An involuntary moan escaped your lips, and you cursed yourself for that.
"I just need you to do one more thing for me, babybird. I want you to cum for me. I know you can do it, little bitch."
Your eyes squeezed shut, tears threatening to spill. His heated and girthy member glided in and out of your drenched pussy. The unforgiving concrete pressed against your back, each forceful thrust leaving bruises as he relentlessly drove you into the ground.
Hawks restrained your arms by holding your wrists above your head, his dominant hand skillfully working your clit. “Fuck, fuck, yes, little dove, I love how your pussy is clenching around me. You're such a good babybird.”
You futilely cursed at him, weakened by the onslaught of physical pleasure. His erection completely filled your pussy, allowing him to penetrate deeply from this angle. Despite the way he mercilessly circled your clit with his thumb, you resisted the urge to wrap your bloodied feet around him and ride his dick back. The struggle not to climax intensified as he sensed your unraveling, cruel laughter escaping him.
"Will your boyfriend ever fuck you like this? No, he'd probably be too gentle," Takami panted between words, thrusting into you with an unrelenting pace. "A girl like you craves it rough, needs it like this. A girl as scarred and desperate as you wants to feel something. A good girl always wants to be damaged. If you want to see your friends and family again, you'll cum on my cock.”
Frustration escaped your lips in a scream. Your ass throbbed, and your core pulsated with proximity to climax. The images of your friend and boyfriend flashed in your mind, intensifying your inner turmoil. In the dimly lit room, through tear-filled eyes, Hawks' face remained elusive. Your juices squelched, trickling down your sensitive skin to your asshole.
"You're holding back. Cum, and I'll take you to your girlfriend. Cum for me." Takami kissed your breasts, fingers maintaining a tantalizing rhythm on your clit, a friction you secretly enjoyed.
Your hips surged upward uncontrollably, and you were cursing the duplicity of your own desires and pussy.
"I told you to cum for me." He struck your face, the impact strong enough to briefly black out your senses.
Impatient, Hawks groaned, his throbbing cock signaling an impending climax. He dispatched a few feathers from his wings, their sharp edges slicing your skin on the shoulders and calves in an attempt to rouse you.
A loud hiss escaped your lips as the sharp cuts decorated your skin, tears streaming down your cheeks. "N-no, I don't... want to! Please! Please, don't cum in! I'm begging you! Please!’ you tried to move away but he slapped your face again.
A warmth surged through you, an irreversible tide that swept away any chance of retreat. Suppressing your moans, you felt your core tighten around him, forcing him through a final series of thrusts before he climaxed within your rhythmically clenching pussy. Your orgasm, though unexpected and unwelcome, was all-encompassing. Legs shaking, abdomen twitching, you writhed beneath his touch, attempting to muffle the sounds of pleasure, aware that he observed the explosion of pleasure within you. The sneer of his release transformed into a cruel smile.
"I knew you wouldn't be entirely worthless to me," he remarked, tucking his member away once again.
"That's so sad."
"W-what's sad?" you asked, still catching your breath. "You promised I'd be able to see my friend. Where is she?"
Hawks, unbothered by your voice and a wet stain on his pants from your combined releases after he retracted his cock, sent one of his feathers to illuminate the room while switching the lights on. 
It was then that you saw her — your friend, lifeless, naked and hanging upside down on the opposite wall, her ankles bound to the ceiling, her torso gruesomely cut from throat to vagina.
The echoes of your own screams reverberated in your ears, but the voice seemed alien, almost primal — like that of a wild animal.
Hawks approached the suspended lifeless body and callously slapped the vagina of your deceased friend. "She wasn't as cooperative as you. Unfortunately, we had to eliminate her."
Tears streamed down your face as you choked on your own sobs, struggling against the metal restraints binding your wrists. "Why! Oh God! Oh God! Marlene!"
Hawks explained, "She didn't want to listen," just as the metal door swung open. “Such a waste. I wasn't aware that preserving one's virginity was still a concern in today's girls' world. But I must say she was fucking delicious. Not as much as you, of course.”
Entering the room was none other than Dabi, casually leaning against the wall, observing the macabre scene. "Came to check what's taking you so long, birdbrain.”
"I was reuniting our lovely Y/N with her friend. She was a good, obedient girl to me, so I decided to reward her."
Dabi furrowed his brow, rolling his eyes a little. "Memory cards, birdbrain," he reminded.
Hawks casually retraced his steps to your discarded clothes, rummaging through the pockets of your uniform pants. He retrieved two SD cards and handed them to Dabi.
The scarred villain ventured further into the room, reaching for a Nikon camera on one of the shelves. "Can't wait to get off to this little tape tonight," he chuckled, shooting you a cold glance.
A lump formed in your throat. They had recorded everything — every violation inflicted by Hawks, every involuntary response of your body. Dread enveloped you.
“Please…” you whispered.
Hawks gave Dabi a look, and the other villain nodded.
"Shush, shush, shush," Dabi cooed, crouching next to you, sizing your face with his hand, turning it more to inspect it. "Don't cry. This little tape will be sent to your dad in Kyoto, a small keepsake of you. He'll be able to see your last moments. How his precious, little daughter, working so proudly in the Hero Public Safety Commission was taking villain's cock like a cheap whore. I'm sure he'll be proud."
"What... Please, please!" Your voice rose in desperation. "Please! I won't tell anyone. I can spy for you, I can do whatever you want. Please!"
Dabi observed you with amusement. "Isn't she the sweetest?" He cast a sidelong glance at Hawks before leaning forward to lick the tears off your reddened cheeks.
You winced, trying to crawl away.
Dabi grinned and rose, exiting the room. "Just don't leave a mess here. I'm not keen on cleaning up after you, birdie."
As the metal door closed, you whined like a wounded animal. Instinctively, you knew you weren't going to make it out of this situation alive.
Hawks approached you, ruffling your hair. "You were a good girl. I want you to know that."
"Please," you tried once again. "Please, free me."
He smiled at you. "I'm freeing you."
A swooshing sound filled the air, and the next moment, you were suffocating with your own blood, unable to draw a breath. The blood quickly poured down your chest through the cut throat, and soon your head hung lifelessly to the side.
Hawks lingered for a moment, watching your lifeless body. He couldn't resist slipping his hands down and between your legs, rubbing your still warm and slick folds, pushing his finger in one last time. "Such a waste," he murmured, licking his fingers clean before getting up. He used the hammer he had earlier picked up to crush the phone he retrieved from the pocket of your uniform trousers. Following that, he doused your body, as well as your friend's, and the floor in gasoline before igniting it with his lighter.
Whistling happily under his breath, he left the room and ascended the metal stairs, leaving everything that had transpired behind, not bothering to turn around even once.
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max1461 · 1 month
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Would you say that the distinction between high-context and low-context languages is real? I was skeptical at first, but japanese seems to leave a lot more information implicit in a typical utterance than english.
No such distinction is used (or at least commonplace enough that I have heard of it) in linguistics. If one were to introduce such a distinction, they would have to put forth some way to measure or operationalize "low/high-contextuality"; in the absence of that there's very little I can say about it scientifically.
What I can say is that laymen's subjective impressions about "what different languages are like" are very often more grounded in bias than in fact. There was a good post that went around here a few months ago to the effect of
People everywhere: "[Language I learned in childhood] is so subtle and emotive, whereas [language I learned in adulthood] is so cold and logical".
Often, these subjective impressions then get filtered through the cultural-theorizing-industry and elaborated more and more, becoming more entrenched as "established wisdom" about X or Y language among non-linguists, and in the process getting farther and farther from any real or verifiable truth.
Well anyway, I think the claim that "Japanese is more contextual than English" is probably one of those. Until someone comes up with a real metric for "contexuality", at least, I will probably continue to judge that to be the most reasonable hypothesis. Here are two ways such an impression could have come about:
For English speakers who learn Japanese as adults, things which are left to context in English but not in Japanese will not appear to be "absent" and they won't notice any gaps, whereas things that are left to context in Japanese but not English will strike them as "absent" and they will be more aware of them.
English speakers who speak some Japanese but are not proficient will not in fact be fully familiar with the rules governing the interpretation of utterances, and so things which are actually grammatically determined may appear to rely on nebulous "context".
Here is a salient difference between English and Japanese: in Japanese, any noun phrase may be dropped "when its meaning can be contextually determined". For example, you might say
(1) kinou inu ga nikki tabe-chat-ta! yesterday dog SUBJ diary eat-COMP-PST "yesterday my dog ate my diary!"
(2) wanpaku da yo naa naughty COP ASS TAG "he's sure naughty"
In (1), we see that where English has possessive pronouns ("my"), Japanese doesn't use them. In (2), the noun phrase referring to the dog is dropped entirely. In fact, in both of these sentences, not dropping these things would be considered unnatural and stilted. Overuse of pronouns and NPs is a common marker of non-fluent Japanese as spoken by Westerners. Saying
(3) kinou watashi no inu ga / yesterday me GEN dog SUBJ / watashi no nikki tabe-chat-ta! me GEN diary eat-COMP-PST "yesterday my dog ate my diary!"
instead of (1) would technically not be ungrammatical, but would be markedly foreign sounding and corrected immediately in any intro Japanese class.
However, this already tells you something: the fact that (3) is unambiguously unfelicitous tells you that there are some underlying rules here, it isn't just "drop when you feel it". These rules are called information structure rules, and every language has them. In fact, Japanese explicitly marks information structure in a number of ways that English does not.
Some of the basic rules in Japanese of relevance here (this is a fairly crude analysis and does not account for various things, but it's probably good enough for our purposes) are:
Every discourse has a topic
If no topic is specified, the speaker is by default assumed to be the topic
A non-topic subject may be introduced into the discourse with ga
A noun already in the discourse may be made into the topic with wa
A salient subject already introduced, but not explicitly topicalized with wa, may be implicitly topicalized
Empty NP positions and unmarked possessors should be taken to refer to the topic
Items that are (semantically speaking) likely to be possessed should be interpreted as possessed before they are interpreted as indefinites
These rules are not inviolable, and in particular (5) requires some contextual definition of "salience" and (6) is certainly not this simple in reality (there are often multiple empty NP positions and the full ruleset for interpreting them seems complex; for instance subject positions are favored for topics over object positions and so on), so there is still some amount of combinatorics with referents and syntactic positions that presumably is going on somewhere in speakers' brains or whatever. But the point is that these rules narrow down pretty starkly what interpretations are "reasonable", and the actual role of context in disambiguating between reasonable interpretations is not so vast.
Anyway, using the above rules, it is not so hard to go through (1) and (2) again, and see that only a single reasonable interpretation actually presents itself.
As mentioned, Japanese very often makes information structure explicit using the particles wa, ga, and wo (not mentioned above, but the object equivalent of ga), which is somewhat uncommon among the languages of the world. English, on the other hand, does not do this. English speakers do not drop noun phrases, but they still replace noun phrases with pronouns very readily, and disambiguating pronoun referents uses pragmatic and information structure rules of exactly the same type! Consider, for instance
(4) My boyfriend went on a "boys trip" with Will and Tod last weekend... I told him not to let them pressure him into skinny dipping again. What was up with that anyway?
Think about what you're doing when you assign referents to these pronouns. It's automatic so you don't notice it, but is it unambiguous? Not at all! You know, for instance, that "him" refers to the boyfriend and "them" to Will and Tod, and you know in the second sentence that "that" refers to peer pressure skinny dipping. Some of this (in particular the referent of "that") I think has to be chalked up to pure context; it's the semantics from which we derive the correct assignment. But some of it is mediated by syntactic or information structure rules as well; for instance consider
(5) Jacob went on a "boys trip" with Will and Tod last weekend... I told him not to let them pressure him into skinny dipping again.
We are still able to produce the correct pronoun assignments in this sentence, even though the semantic context which informs us about which one of these people the speaker is most likely the closest to has been removed. This is, again, a product of information structure rules: Jacob is the topic here, and so (by whatever rules operate in English; not identical but not dissimilar to those in Japanese) we infer that "him" refers to Jacob.
Anyway, the point is that all languages make reference to context very freely in matters of interpretation (which is a big part of why language models had to develop implicit world knowledge before they could speak convincingly), and also languages make reference to context in a structured way which can often be described fairly precisely, and which leaves less open to chance and misinterpretation than might initially be assumed. The gulf between English and Japanese is not so large here. It might be the cases that the [pronouns + unmarked topicalization]-English system is more explicit than the [empty NP positions + marked topicalization]-Japanese system, but I don't know. And of course it might be the case that in some other domain of grammar Japanese is more explicit than English. So one must be careful with any broad assertions.
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befemininenow · 1 year
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Are you a trans girl or non-conforming and would like to try out feminine clothing? You may want to check this out.
Say you found this dress online and you really love the overall style of it. Great! If you’re like me, you would say “F it! I’ll buy the dress and I’ll wear it how I like!” and move on with your life. That should the end of this guide, right? Except, there is one little problem: not everybody thinks this way. Those who look for the best matching outfits aren’t just searching to fit their style, color, or personality. It also has to do with their body type. If you’re in that situation, this guide may help you out.
Body shape
Believe it or not, there are many different types of body shape (up to 10). However, the most common tend to be the following (in no order):
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Rectangle- Even distribution on shoulders, hips, and waistline
Pear/Triangle- Wide hips, well-defined waist, small shoulders
Hourglass- Near-exact hip and shoulder measurements, thinner waistline
Inverted Triangle- Broader shoulders, narrower hips, little waist definition
Apple/Round- Broad shoulders and big bust, thin legs and hips
Many transgender women have the inverted triangle body shape due to several factors such as genetics, bone structure, and age. However, your body shape may also change over time due to a rebalancing of hormones, body fat, and even lifestyle. While you can’t change your bone structure, you can change your body definition through exercises.
Body proportion
Here is something you may find useful if you’re looking to customize your look. Body proportions are unique to every individual and play a factor on clothing and to some extent, accessories such as jewelry. For instance, you may find the skirt you bought looks either too long or short. There are a few areas where to measure your body proportions such as wrist length or neck size. But the best way to improve your dress type is by following the “golden ratio rule” of dividing your body into three:
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The way this is read is you’re either one-third top, two-thirds bottom, or you’re two-thirds top, one-third bottom. Once you get more knowledge, you can go upwards even eighths! But for now, the focus is on these two outcomes.
The two-thirds top, one-third bottom words well with long dresses:
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while the one-third top, two-thirds bottom works well with more casual clothing:
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Body measurements
Now that we got a few problems out of our way, it’s time to figure out what measurements you have. The best way to find out is by using a mirror and a soft measuring tape for body. Measure all the crucial parts of your body, which are the waist, hips, shoulders, and bust. This will determine the type of body you have and have a better idea on what length you will need to try out your clothing of choice.
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Shoe size
One thing very important about an outfit is choosing footwear. Although you can use your old Converses with your flared jeans, you’re certainly not going to use them with a ruffled dress. You’re definitely going to want heels or flats! Unfortunately, women’s shoe size are not exactly the same as men. But don’t give up! Fortunately, there are women’s size conversion charts that help you choose what shoe size you need.
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To find out your measurements on your own, grab at least two blank pieces of paper, a pencil or pen, and a measuring tape. Place your foot firmly forward and carefully trace around the outer area of your foot. Repeat this with your other foot. Once finished, grab your measuring tape and measure from your highest point to your lowest on both sheets. Measure the width as well. If both feet measure close to 10.5, your women’s size is a 12. However, due to a difference in manufacturing based on shoe brand, as well as shoe type like pumps, the average recommended size is at least 2 inches above your actual size. For those living in other countries that don’t use the US measuring size, I left a chart that shows all the possible measurements you may use to convert your shoe size into women’s size.
What to wear based on body type
Since not all clothing is made for everyone, it’s time to list what is considered the “ideal” clothing choices based on body type. Note that these are opinions from my source’s authors. IMO, the pictures below each suggestion are a better opinion. Your are free to choose your type of clothing.
Rounded or apple shapes fit best with monochrome colors and make the person look more “fit”.
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Pear or triangle shapes look more balanced with decorative accessories on top while keeping the bottom more plain.
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Rectangle shapes tend to have more volume with a waist belt while pleated pants give more volume on hips.
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Hourglass shapes look best when wearing bodycon dresses and cardigans to emphasize volume in their waistline.
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Inverted triangle shapes pull off the wide leg pants and fitted top combo the best.
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For a much more comprehensive guide for each body type, I highly recommend reading The Concept Wardrobe’s guides. It gives more details on what to wear and how to choose the best combinations. Link is provided here: https://theconceptwardrobe.com/search?query=body+frame
Tips on what to wear
Now that you reached this point, I’m pretty sure you’re excited to try out what your heart desires. However, before you go out and buy that two-piece dress, I recommend researching and observing the type of clothing women wear today. Believe it or not, people will judge based on your way of dressing, from background to social status to age. A simple look like bodysuit and jeans may look perfect on you and blend you in with the girls, but something like a hot pink bodycon will make you stand out, and most likely not in a good way. So how would you choose something that blends you in with society, but also be comfortable at the same time? Here are some tips and pics:
Find clothing that “feels” feminine. In other words, buy clothing that “feminizes” your body, such as tops that make your shoulders look shorter, wrap dresses that make your waistline shorter, and skirts that make your hips look wider.
Find the best colors based on skin tone and hair color. For instance, try out warm colors such as orange if your skin tone is warm.
Dress sexy, but never go too revealing. Seriously, have some respect to yourself. But if you really want to go out wearing, for example, a two-piece outfit, wear one that looks stylish and flatters your body in a great way.
Use accessories that fit and blend well with your body. Large jewelry goes well with larger frame, small jewelry fits with smaller wrist, and so forth. Don’t forget the purse! It is absolutely necessary now that you’re wearing pocketless clothing. Choose one that fits your taste and needs.
Bras and undergarments are necessary to wear now. As you further into your transition, your breasts will start growing and it will become more difficult and uncomfortable going out braless. Start out with a brassiere, then move on to a fitted bra as they become bigger over time. As for down there, I would use boy briefs as they’re similar to boxers. Although HRT will cause it to shrink, it does not make it disappear. If you must hide it, use a gaff or a tuck, but do not use chastity belts (Seriously, stay away from that unless you’re really into that thing). 
Optional: use waist shapers or corsets to slim down waist. Hip enlargement pads will also give your narrow hips and butt much needed volume. Breast forms can also give you an idea how big you want them in the future.
Fashion sense
But the most important part of choosing clothing as a trans girl is to wear whatever suits your taste.
For instance, are you more into the traditional and simple feminine aesthetic? Cottagecore may be for you:
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But what if you’re the rebellious type that prefers to defy tradition? Well, maybe the alt-girl fashion is for you:
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Maybe you’re the type that changes clothing based on season. So if you’re a summer-season type of girl, you’re definitely going for an outfit like this:
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How about if you’re into the gym? Clearly your goal is to be like this:
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Are you into business casual? There’s also a pic for that:
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(The girl in the pic is also transgender! Her name is Suzi Hunter, better known as The Sphere Hunter.)
But we also can’t forget cosplay, either!:
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(Cosplayer is Eden the Doll, a trans woman cosplayer! Picture belongs to Geo Leon.)
You’re probably the party type who loves some action:
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Casual wear can also be tasteful and attractive too:
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There’s so much to pic, but each style says a lot about what type of woman you are.
Where to buy clothing
If you’re interested in finding the right clothes for you, check out places that are especially gender-inclusive. As I’m based in the US, clothing stores such as Target are a good start while higher-end chains such as Nordstrom and Macy’s may have a better variety to choose from. If you’re a thrifty shopper, your local outlets, discount stores, and thrift shops have a surprising amount of great clothing for affordable prices. Although online sites like Amazon, Shein, and Zara have affordable and appealing clothing, many of these brands also have ethical concerns that overshadow their reputation. Dubbed “fast fashion”, they are a source of scrutiny among fashion fans and I would personally avoid them if possible. If you really need something affordable and new, I highly recommend purchasing through discount and thrift stores.
If you’re in need of safe undergarments, check out Urbody. They have clothing suitable for trans people, non-binary, and other identities, varying from binders to tucked leggings. They are founded by trans and non-binary people and use ethical practices and living wages for their workers. If you’re interested in checking their site out, here is the link to their page (I am not sponsored by them): https://urbody.co/
Conclusion
The whole point of this guide is to help you pick the proper clothing and accessories as a newly-out girl. I made this guide since there doesn’t seem to be many that are detailed. Keep in mind I’m still learning about female clothing as I am still in the first stages of transition myself. If anyone would like to add more info that is missing or provide any corrections, please reblog and add more helpful tips as it would help trans girls, trans women, non-binary, and anyone else that desires to wear affirming clothing. Please refrain from using any hurtful language if you’re doing so. Thank you and hugs!
Links to sources:
https://www.healthline.com/health/women-body-shapes#why-shape-fluctuates
https://www.thestylatude.com/post/the-most-common-body-shapes-for-women-and-how-to-find-out-yours
https://theconceptwardrobe.com/build-a-wardrobe/inverted-triangle-body-shape
https://www.thestylebouquet.com/2020/02/17/5-most-common-body-shapes-for-women/
https://dressedformyday.com/how-to-discover-your-body-proportions/
https://gabriellearruda.com/how-to-dress-better-female-body-shape/
https://m2fguide.com/how-to-pick-clothes-if-youre-transgender-or-crossdressing/
https://feminizationsecrets.com/mtf-clothing-tips/
https://www.instagram.com/p/CHBk9v0J_WO/
https://www.transgendermap.com/social/clothing-accessories/
https://apexfoot.com/shoe-sizing-chart/
https://www.glamourboutique.com/crossdresser-fashion/guide-male-female-shoe-sizes-33255#:~:text=Minimize%20the%20chance%20of%20having,11%20in%20a%20women's%20shoe
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seamsterslocal · 1 year
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summer binder picture tutorial
this is the third binder ive made for myself recently and the first one i’m writing up. it’s designed to do a few things: 1) allow me to put it on by myself without dislocating my shoulders 2) allow me to breathe well enough to partake in normal activity 3) be cool enough to wear throughout a muggy 90-100F summer 4) not constrict my ribs in a way that aggravates my lack of connective tissue and causes intense pain.
this has become necessary even though i had top surgery many years ago, because when i had it i was extremely skinny and since then i’ve increased in size by about 50%. this has been really fucking good for my health in every single way* except that when my chest is squishy or moves at all it’s So Goddamn Triggering for me. but also since ive had top surgery ive developed and/or been made away of a plethora of chronic conditions that make every single commercially available binding option medically impossible. unbound, my chest is pretty much what you’d expect for a chubby cis guy but venturing out into the world in just a tshirt no longer works for me
*anyone who badmouths weight gain or fat bodies in the notes WILL be blocked
under the cut are a bunch of process pictures and explanations of what they all mean:
first i’ll give you a look at the pieces and measurements:
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most of the seams are sewn in this picture and one half is turned inside out, allowing you to see both the finished dimensions (right) and the placement of the fusible horsehair canvas that gives this lil scrap of linen any structure at all (left)
to get your chest measurement, you’re gonna have to do some math:
first measure above and below what you want to bind. average these numbers. mine are something like 32 and 34, which average to 33. subtract a few inches--this is to allow the air movement between the laces at center front and back, critical in the summertime. i deleted 3 inches bc i like that number but you can go bigger if you want. the more inches you subtract here, the more youll be able to ratchet all your chest material down later, but at the same time you need to leave enough fabric for a sturdy garment. let’s say a range of 2-6 inches/5-15cm. by taking your measurements this way, you’re essentially measuring the chest you would like to have. that + the horsehair canvas work together to compress any squishy tissue/force anything that doesnt compress up and to the outside (basically into the armpit/lower shoulder--the chest might stick out but it will give a very puffed chest captain america pectoral silhouette)
you can also see how ive clipped my curves and pre-drilled my lacing holes. i used the marlin spike on my knife to open up the holes on the interfacing side, mainly as a way of marking them. this worked well bc the interfacing’s glue kept the linen from raveling
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this is the same stage but looking at the non-interfaced grey linen/cotton blend (the black is some 100% linen from my cabbage stash). you can see ive broken the solar-plexus-to-back measurement up into a bunch of pieces to save on fabric but that’s not necessary. my original pattern was just two pieces (front and back) and chopping the straps into thirds on both sides was aesthetic
in the following picture you can really see how this is really just overgrown regency stays:
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i thought about doing side lacing but didn’t think that would be comfortable for me. on the front, the side seam allowance was pressed inwards before turning to create a finished looking slot. on the back the side seam is left unfinished with an extra wide seam allowance, and is inserted into that slot.
here’s a closeup on it pinned in place (you can adjust the angle of the side seam and the fit during this pinning stage):
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that side seam was just topstitched in place once i had the fit how i liked it, and the armhole was reinforced with more topstitching
alright, time for eyelets: first, you can see how well the marking worked:
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next, two rows of basted eyelets (left), one row of eyelets sewn with a doubled and waxed cotton thread (center right), and one row of eyelets opened and stainless steel rings placed (right).
next time i’m going to mark the eyelets same as i did above, but do this step differently--i’ll mark and baste the steel rings in place BEFORE widening the eyelets. this is bc i had a lot of problems keeping the eyelets on center
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eyelets half done on this one! on the left are eyelets sewn with doubled and waxed cotton thread and on the right eyelets sewn with quadrupled and waxed thread. the center is basting again. i was able to force the holes back in line while sewing the eyelets but it was kinda annoying. adding a second picture that doesnt have great focus but hopefully shows how that process worked and shows the spike clearly
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i ended up using this white cotton thread because it’s stronger than my black cotton thread (which the rest of it is sewn with). [eta: after this was first posted, i pressed the whole thing heavily, which effectively de-waxed the thread, and i dyed the whole thing a medium charcoal grey, the thread blends in perfectly on the lighter side and isn’t such a sore thumb on the darker side]
bonus: the piecing layout for that little piece of strap. the whole light gray half of the binder was made from 1/2 of one of the legs i cut off some linen suit pants to make slutty camping shorts last year and i really really didn’t want to break into any of the other three halves for this garment--i have Plans for it
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overall the fit of this is incredible. it DOESNT hurt my ribs which every zip-up garment ive been able to find (and it is difficult) does due to really thick elastic at the base. it doesnt aggravate my sensory issues with the synthetic fibers that every commercial option is made of. i can walk up a hill or stairs, or go to pt, without getting too out of breath. i can eat with it tight, or loosen the front easily and without taking it off to make eating easier and less nausea-inducing. it is reversible!
best of all the lacing at the back gives the garment enough movement for me to get it on without dislocating, and the interfacing and steel rings give it structure once it’s on. the shaping comes only from fusible horsehair linen canvas and stainless steel rings like youd use for chainmail, there’s no boning at all, which makes it very quick to sew (except the eyelets, but metal grommets would be sturdy and quick provided theyre of good quality)
there’s a small amount of gaping on the outside of the shoulder strap, which i plan on fixing with a tiny tiny dart in the armpit, i want to add pockets to tuck the laces into, and i need a better lace for the back, but it’s completely wearable in time for the 90 weather next week which is all i wanted. i’ll do a reblog when it’s perfectly finished with an update on the fit but for now it is done enough 
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the little ridge where it doesnt lay flat against the shoulder is most visible with just a single t shirt over it. with a flannel or a sweater, it disappears, and by itself, it’s hidden in movement
eta: after dyeing this, i relaced it a bit looser in the back and that gape mainly disappeared. ive decided to leave it in instead of smoothing it with a dart because the loose fabric gives space for my chest to expand when breathing and shapes my silhouette in a way that emphasizes my shoulders
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undreaming-fanfiction · 4 months
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This is an appreciation post for non-native English fanfiction writers. I respect you all so much.
I respect that you might be from a country that doesn't speak English at all. You might be picking up different phrases and spellings from US English, some from RP, some just a random international mix. Or you moved to an English speaking country late and even if you speak English fluently, your brain still operates in your primary language. Maybe English lessons in your country sucked (hi, my fellow post-Socialist states of central and east Europe!) and you just learned through trial and error.
I admire that you keep writing even if you get stuck on a phrase for 30 mins because you have a perfect saying, but it's in your first language and you can't just translate it, so you end up searching for an English equivalent that just doesn't fully cover what you want. You struggle to keep the spelling consistent because there's no international standard and so you randomly switch between "colour" and "flavor" and then have to correct it again and again.
Maybe your first language doesn't have the same sentence structure like English and when you read your finished fic, it just doesn't sound right. Maybe your parents or friends speak to you when you're writing and you switch to your first language and the sentences become even wonkier.
(special shoutout to my fellow suffering Slavs and others whose languages don't have articles. Even if we know the rules, we sometimes just toss all "the"s, "an"s and "a"s into the text and pray they land correctly)
You might struggle because those events in the US history or in the Anglophone world in general that shaped a whole generation mean nothing to you. How do you keep your characters realistic if you don't know? And don't get me started on measuring systems. "What the hell are inches," you may weep as you google all those conversions.
And punctuation? Commas in all the places that seem so wrong to you but they're apparently right?
And yet you decide to struggle with all of that to show love to your fandoms. You conquer your fear of sounding wrong and being ridiculed to share your thoughts with all the fans. Consuming media in another language is difficult enough, but creating something? That's so much more.
So to all of you who struggle with all or some of this like I do - I see you. And I want you to know you are awesome.
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lectorel · 14 days
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Fiction fragment of the moment: DCxDP, liminal edition
An extract from the pamphlet The Anti-Ecto and You
[ . . .
What is a liminal?
liminal (noun)
A person, animal, or object which has transitory or contradictory elements inherent to its nature.
Someone or something which exists on a threshold between two mutually incompatible states.
That which has been touched by death, but still lives.
Why does it matter?
Because a few years ago, the federal government of the United States issued a series of regulations, colloquially known as the Anti-Ecto Acts, which classify most liminals as legally non-persons, enjoying none of the protections granted to metas, aliens, or clones under the Metahuman Rights Act
That can’t possibly be legal
It is. In fact, the Metahuman Rights Act itself is the basis of many of the Anti-Ecto Acts most troubling laws. Within the MRA, sections 3a through 3j, legal definitions of several common metahuman abilities are set. These include duplication of self and others, external manifestations of power, mental projections, and possession.
The AEA are built upon these legal definitions. Liminals, by the terms of the MRA, are postmortem power expressions, a meta ability effect which did not cease with the death of the metahuman.
How? Why?
The most common way to identify and external power expression is Ichor Radiography, which measures what percentage of a structure is only locally, instead of universally, real.
. . . ]
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hisui555 · 4 months
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Hazbin Hotel thoughts
"How are they with kids ?"
Hazbin Hotel Bonus 1 (Hell cast + drawings of them) here
Hazbin Hotel Bonus 2 (Heaven cast + babysitting + drawings of them) here
Masterpost here
Something popped into my mind and I thought I'd share. A good while back, there was a stream (Hunicast I think ?) where the question "How good are they with kids ?" was asked, and suddenly that same question entered my mind about the villain characters :
What about the Vees ?
We know how some of the Hazbin crew would interact (if it's still canon) with children : Angel is the "friendly irresponsible" type - would never harm a child but would bring them to inappropriate places. Husk is actually surprisingly good with kids, knows how to distract them, catch their interest (it helps that apparently he knows magic showman tricks) and just plain care for them. Alastor is more distant and a bit behind the times in terms of discipline - he'd slap a kid if they were being a little shit, but won't harm them otherwise, even if scaring them for life isn't off the plate, and be generally decent if maybe annoyed. Vaggie if I remember right isn't comfortable with children, probably because she'd feel in over her head and has a short-ish fuse.
I don't remember what was said about Charlie (if anything was said at all), but my bet would be that she'll infantilize them a great deal - like treating a 10 y-o like a barely-able-to-walk toddler, with huge amounts of coddling and babying (all in all, not that far from how she treats Sinners). For Cherri, I don't think she was brought up (or my memory is failing me), but again, my personal bet would be that she'll be "friendly irresponsible" like Angel, but cranked up : sure you can throw that bomb, it's fun ! Just remember to let it go in ti- aww, c'mon, don't cry, yes your eyebrows will grow back. I know what'll cheer you up : wrecking that building !
But, yeah, what about the Vees ?
Well, here are my thoughts :
Vox would have the personality to deal with a child, but not the skills. He'd keep that CEO everything-is-fine-just-as-planned smile plastered on, and give Polite Interest (TM) to whatever squiggly drawing is pushed under his non-existent nose, listen with only one hearing sensor while 15 other tabs are open in the background of his brain, Wii music playing optional, analyzing graphs and stats while complimenting that pretty dragon pic ("It's a unicorn !" That pretty unicorn pic as he said) or distractingly commenting to the kid rambling ("I almost fell in a well yesterday." "Mh-hm." "I could've died." "That's wonderful, dear.") and spouting facts (unless about sharks. THAT gets his attention - one of the only times it's genuine and 100% and did I show you my pet Vark ?). He'd be generally patient (when your boyfriend is Valentino, kids are nothing next to that) and treat it just like one of his interviews, hypnosis included (Why won't you go for a nap, hm ? For the fifth time today ?) because like I said : skills ? Nuthin'. He'd be unable to wrap his flat-screened head about a kid's needs or why they cry, being unable to differenciate a "I'm hurt" from "I'm hungry" or "I'm scared" from "I'm sad because I'm missing my teddybear", so he'll go trial-and-error.
He'd be the type of babysitter that doesn't really interact much with the kid, letting them be, only keeping an eye on them while multitasking (cameras, right ?) and/or letting them play around him, as long as they don't cause a structural fire, fall in the shark tank, stick weird things in power outlets or bite the cables. Even better, stick them in front of a TV show and leave them there, only checking from time to time, with a pat on the head and a pinch of the cheek for good measure, calling them "dear", "darling", "squirt" or "champ" - but rarely, if ever, by name - as an afterthought, filling that "bare minimum affection" quota on the check list. Won't harm the child, because What Do You Think It'll Do For Our Image first, and not inclined to resort to that second, but if inspired will use the hell outta them (Voxtek ! Presenting new child-approved Vloops cereal ! New Voom flavor for kids ! Trust us with your children's happiness and diabetus !) and get ratings. In general, decent in personality and watching this mancub fumble around with semi-amused interest, like one takes a coffee break from work to check memes. Knows that getting angry won't help squat, so keeping the ankle-biter distracted and out of his hat is his way of dealing with it if he can't make more money out of them.
Velvette on the other hand would be the complete inversion : good child-handling skills, bad personality. She will immediately know what's up and pinpoint the exact issue no problems, but generally doesn't have the patience to deal with a kid. She'll stick the child in a corner with two toys within a chalk outline of three square meters at best and tell them to stay there, I'm busy putting together a show, dammit, I don't have time for you. Might be mildly verbally abusive, at best quite snippy. She has her fare share of frustrations and annoyances with stupid employees and stupider tantrum-throwing pissbabies, no need to add another one. Complains the whole time about the ordeal on her phone and social media between two shoots. Expect Mordecai Heller (Lackadaisy) levels of art critique each time a drawing is shown to her, and will deal with tears or tantrums by throwing the convoited item at the kid - the sooner it goes away, the faster she can go back to her business. Type of babysitter to be in another room and rarely check on the kid, telling them to shut up, stop singing or play less loudly, she's in the fucking middle of something here. Will make it VERY CLEAR to people asking that no, hell's sake, she won't babysit for long, today is just an unavoidable exception. Ignore the brat, folks, it's like a wallflower : decorative and useless.
Might incorporate the kid into her show or photoshoots (especially if Vox slipped her the idea to use the kid) to sell new fashion trends and as a child model, generally for cutie points and the attention it provides, especially if it makes people green with envy. Might still not call the kid anything other than "brat", "midget" and "shrimp", and you better strike that pose right and face the camera the proper way. However, food and naptime is provided right on the dot, and if left to play in a room, the room itself is not bad at all, and Melissa will be asked to keep an eye on them, nope, no raise, just do it or else you're fired. Might dump the child to Vox or Valentino whenever possible, or keep them around as a glorified clothing prop she fusses around, adjusting that bow, straightening those folds. Might also soften a bit if the child is very well-behaved and shows an interest in what she does, calling her designs cool and her style pretty, and not asking lots of questions.
Now, Valentino. And here's the thing : he'd be very good with kids. Which to any outsider makes it "awww", but for anyone who really knows him ? Absolutely TERRIFYING. This sweet voice and cute nicknames ("cariño", "cariña" - hope I got it right - name nicknames, cooing and practically purring it out), propping them on his hip, parading around, and would you look at that, aren't those pretty lights ? That's right, they're from the spotlights ! Wouldn't you like to look ? while pinching cheeks and booping noses and poking at ribs, promising a candy bar or lollipop if they behave nicely for "uncle Val", and everyone else who has been on the receiving end of this in a WILDLY different context just shivers with fear. And that's the worst : he'll be decent to kids, adorable even (nevermind consciously playing up the endearing points), and still be able to sent that cold death glare and smiling rictus over his shoulder to his employees so that they better get in line for work already. Kid will only see the surface, super-nice moth guy with fluffy wings showing them around and everything, others (the ones with morals) see the monster underneath and really do hope children aren't on his pimp radar. And Val will let them keep guessing, because pragmatically, the imaginary-but-still-implied threat works very well, and he has no interest in someone that's no fun to break, unlike adults who are much more satisfying to bring to their knees : the higher they are, the harder they fall, and the resulting control is just gratifying. Even Vox will be queasy about it at times, but hope he knows Val well enough and choose to ignore it (as long as nothing Harms The Image) and go back to business, Velvette is grateful for Valentino's babysitting skills, but if Val is in a bad mood ? Better drop the kid at Vox'. Becoming a casualty to Val's tantrums is a low chance for a child, but let's not damage the PR along with the brat, shall we.
I don't think Valentino would censor himself around the kid, even if he'll be decent while addressing them : one minute going wait here for me, okay [name]-ita/ito ? and the next second screaming at the top of his lungs over his shoulder OKAY BITCHES AND FUCKS WE'RE TAKING IT BACK FROM THE TOP ! and just barely keeping the kid out of sight in a room corner or adjacent room, like having the playpen barely behind the obscuring wall or something (whereas Angel Dust would probably use euphemisms - despite still cursing - around them and, while entering the studio with the kid, keep them in his own break-room (and the lot of questionable items he likes and that could fall in curious grabby hands, because he Didn't Thought This Through) while he works, preventing them from directly seeing anything). On the subject of Angel, he'll probably have a near heart attack seeing Valentino with a kid around him, knowing what he's truly capable of, and hoping it's not what he thinks it is (it's not, but Valentino is well-aware of the effect and if it makes his employees more compliant, might as well, relishing in the fear it causes). His way of dealing with tantrums or coaxing into behaving is either a cold glare and intimidating with silent anger and a very low voice (basically, scare-tactic), or playing keep-away with things, as in once you behave, you can have it. You wouldn't want me to keep it locked somewhere you can't reach, right ? Good. On the other side, expect faux-fussing and cooing for a child that's genuiely hurt, see how good a caretaker he is, right ? what do you mean he likes when someone is dependent on him to be comforted and happy, pffft, that's just your imagination.
Conclusion : hypothetically, none of them are above using a kid for their own goals, with next to no empathy outside a connecting point or two (sharks for Vox, maybe fashion for Velvette, and admiring Valentino - or just, boost their egos by fawning over their work/supposed smarts/prettiness, that works too), and while they'd be mostly decent towards the kid on a basic level (needs are taken care of, no (intentional) physical abuse, no neglect), they will be directly or indirectly manipulative, with calculated affection and praise. Healthy people to be around, I'm telling you.
Bonus :
For Sir Pentious, I think he'd just be plain lost, especially with modern kids and their needs (he's from the 1800's). Or paranoid the child is plotting his double-death when the local 5 y-o he got saddled with is merrily pushing buttons haphazardly on his blimp and no, no, not the death ray ! I, Ssssir Pentious, command you to let go of the Hyperbeam Dessssimator this inssstant ! That, or he'll try to transform them into one of his minions - and keep any stickman drawing offered to him in his secret room, after squishing it to his heart with welling-up, shiny gloopy eyes.
I don't remember if Niffty was brought up too, but she'd be rather... extreme. With a very fifties mentality of what caring for children implies, with leftover gender stereotypes. She'd be puzzled by a girl playing with toy cars and putting them to bed like some flipped-on-the-back beetle (pun intended) in the Barbie sheets, or a boy not being that much of an airplane fan. She would come around, but expect at least one that's not how you do it, and some hyper rants about killing bugs and CLEANING. However, she'll be very careful about dangerous items : no touching the bleach without her supervision ! Even if she'll tell the kid the hundred and a half ways of killing stuff with it.
For the Overlords : I admit I'm just drawing a blank on Zestial, I guess he'd just observe kids from afar but not really interact. Tall, Dark and Spidery would rather not interact, but I guess he'll point a lost kiddo in the right direction once in a while.
Rosie would just be the politest, most accomodating, patient, motherly figure, the talk about your emotions and how does that make you feel kind (I mean, we all watched Episode 7, right ?). Just watch out for the slow but steady conversion into a potential cannibal, because Oh you've never tried these, dearie, it's a delicacy ! Now, you're a forever-not-growing child, you need your calcium. And what's better than taking it from the source ? These bones are good for yours ! If unconvenienced by behavior, she'll show The Disappointmed Frown, and you better go to your room. Might still believe in spanking (by hand, no objects) as punishment. We don't do tantrums here, sweetie, we're classy, helldammit.
Carmilla is just a confirmed mom, maybe strict and an iron lady, but she deeply loves her own children, and it shows. Other kids don't bother her at all. A stern talking is what they need if misbehaving. She's protective, but not overprotective, and kinda the learn-from-your-experiences type (unless said experience would end fatally, because then she'll intervene). She aims to teach independence and self-sufficiency, and while blunt at times in her approach, her praise and affection are completely sincere and given without a second thought.
I don't know the other Overlords enough to tell how they would react to kids.
Okay, well, this blew up to a whole thing. Ah well, I'm known for my skyscrapers anyway. Have a cookie, you've certainly burned a lot of calories just by reading this, you really earned it.
(And seriously, just choose Carmilla as a babysitter.)
Again, Masterpost here.
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nenelonomh · 10 days
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human resources management pt.3
this post is the third part to my little business exam revision series. the reason that i am making these posts is to study for my exam in a more enjoyable way.
part 1 | part 2 | part 4
today's post (written 27-05 and scheduled) focuses on pay and remuneration, performance appraisal, and recruitment and selection.
pay and remuneration
these two items make up one hrm topic. pay (generally) refers to wages, salaries, bonuses commissions, incentives, etc.. remuneration refers to monetary and non-monetary benefits such as sick leave and gym reimbursement. the purpose of pay and remuneration is to attract and retain employee talent, as well as to boost productivity and foster employee satisfaction.
let's focus on one example from pay and one from remuneration.
one example of pay includes commission, which refers to monetary incentives awarded to employees for hitting sales targets or other goals. the benefits of commission include increased employee motivation and potentially higher pay. however, customer satisfaction may be affected if employees are too focused on earning commission.
for remuneration, an example is paid time off. vacation days, sick leave, and other types of leave promote work-life balance and employee wellbeing. this may be costly for a smaller business, so remuneration packages must be well thought out and other departments (finance, marketing) must be worked with to achieve a well-rounded final package.
performance appraisal
performance management is a continuous process of identifying, measuring and aligning performance with the strategic goals of an organization. features of this hrm topic include clear goal alignment, continuous feedback, performance metrics, and KPIs (key performance indicators).
an advantage of performance appraisal is an increase in employee engagement because an employee's productivity directly correlates to their engagement experience. moreover, when performance appraisal is done well, businesses see a decrease in attrition rates. high employee turnover results in greater costs of hiring, lower productivity, and utilization of resources and time to train new people according to company objectives. performance appraisal works to combat this and reduce the cost of hiring.
performance appraisal may provide a challenge for companies since the basic system is to try and create a one-size-fits-all model. this simply does not work. employees might also feel demotivated due to perceived unfair evaluations during appraisal.
recruitment and selection
this is the largest hrm topic so far - and can be broken down into three main parts. internal recruitment, external recruitment, and the selection process.
internal recruitment is the action of filling roles through promotion and considering current employees to fill gaps. a business may choose to recruit internally because it can be cheaper, and quicker, and the business already knows the employee. this means that the employee is already familiar with the business and its operations. however, internal recruitment creates new vacancies - then, external recruitment must come in.
external recruitment refers to hiring employees who are not already in the company. this occurs when companies are looking for new perspectives/ideas, increased diversity, or when old positions need to be filled (when an employee has transferred/been promoted).
this can welcome a wider pool of applicants, fresh ideas, and increased experience and skills. however, external recruitment does not always result in recruiting a person who fits the job (or company).
in order to hire an employee, a hiring team must go through the selection process. it is a process that involves evaluating candidates based on their qualifications, experience, and other relevant factors to determine who is the most suitable for a particular job.
a proper structure is vital for effective and efficient recruitment and selection. here is the typical recruitment process: - identification of job vacancy - conducting job analysis - preparing recruitment documentation - advertising the vacancy
the general selection process: - shortlisting applicants - conducting interviews and assessments - selecting a successful applicant/s, and offering them the role
when performing recruitment and selection, the hiring team must decide how to assess a candidate. the two most common ways to do this is through an interview, or an assessment (or a combination).
interviews explore the applicant's personality and attitude - as well as discussion of their abilities and skills. although, this can be time-consuming, costly, and it doesn't always lead to the selection of the best applicant available.
assessments also look at the candidate's abilities, skills, personality and attitude, but in a more on-the-job way. the pressure from assessments may limit the applicant from exerting their true capabilities.
///
the hrm topics explored so far include demographic change, employee welfare, flexi-time, gig economy, immigration, pay and remuneration, performance appraisal, and recruitment and selection.
thank you for reading! i look forward to any feedback or questions from other ibdp business students (or anyone interested in business).
❤️ nene
image source: pinterest
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sysboxes · 5 months
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It's possible for alters to have their own mental health!!! Alters can have personality disorders that other alters don't have, I think what you're talking about is autism, ADHD and other disorders similar! (As those affect the brain and therefore affect the whole system, but personality disorders are a different sort of thing, so one alter can have a PD and the others might not!) We can provide links if you'd like ^^ /nm /info
Hey there Anon! Thank you for the offer. We also received the following anon from (probably) another user, which I'd like to address here as well:
Alters can have personality disorders: (link) “✘ MYTH: ALTERS CAN’T HAVE THEIR OWN MENTAL HEALTH ISSUES IF THE MAIN SURVIVOR DOESN’T HAVE THEM. They actually can, and many do. It’s extremely common for individual alters to battle depression, anxiety, OCD, bipolar, eating disorders, self harm, etc., while other members of the system experience no such thing. Some extremely differentiated systems may even need that system member to come forward and take medications that the rest of the system does not need and will not get. ..and their brain’s neurology responds accordingly. But, make no mistake, most expressions of mental illness amongst alters are incredibly real and valid and should be treated as such.” (cut up a little, the source is above, we're pretty sure the source is reliable, it seems so. We've also had other systems say this too, and to us that's how it works, as only one of us as far as we know are affected by NPD)
Firstly, I feel the paragraph that was cut out of the Beauty After Bruises section is very important for further context and explanation. It's quoted here below:
One note about some disorders, however. Non-verbal, poor eye contact, savant-like, or sensory-processing-disorder alters can be extremely common traits in DID systems. However, it’s important not to just jump to calling these parts “autistic” if the system as a whole is not autistic. It’s possible for alters to behave in ways that mimic their understanding of SYMPTOMS in other disorders they know about, while not actually possessing the neurology for them. This is a complicated subject we could try to elaborate more on at some point, but it’s just an encouragement to pause and not automatically label some parts as having certain conditions just because they show a few traits of them. It can cause a great deal of conflation and misrepresentation of those illnesses. It may also be purely based on discriminatory or uneducated stereotypes of those conditions that were adopted into a young child’s mind. So, it’s just helpful to check for that possibility first!
As Beauty After Bruises is saying here, neurology takes a place in this discussion. It seems as if this resource is mostly stating that alters can all struggle with mental illness, and can appear to struggle singularly with those illnesses symptoms -- in which case, the "This alter is a symptom holder" is exactly the language we feel comfortable with. Until we are able to research more, we're wary about spreading potential misinformation about how brains work.
As mods, we absolutely want to do our best to avoid spreading misinformation. From our understandings, NPD and similar personality disorders are caused by a structural shift in the brain -- something physical and concrete. Here's some of our resources we found on NPD.
Source 1: “They analyzed a total of 34 test subjects, of which 17 suffered from a narcissistic personality disorder… Using magnetic resonance imaging (MRI) methods, the scientists measured the thickness of the patients' cerebral cortex… The findings revealed that those subjects suffering from narcissistic personality disorder exhibited structural abnormalities in precisely that region of the brain, which is involved in the processing and generation of compassion.”
Source 2: “The decreased brain white matter microstructures among three clusters were found in the association, projection/thalamic and connection pathways of white matter in young adult males with NPD. The abnormal white matter brain regions may be one of the neuropathological basis of the pathogenesis of young males with NPD, and it may be related to white matter development in early adulthood."
Based on these sources, the moderators are most comfortable using the language of alters being symptom holders. Both sources indicate that NPD affects the structural nature of the brain, which would impact all of the members of the system. However, like Beauty After Bruises was suggesting, that doesn't mean that various alters don't reflect those symptoms in different ways. It's absolutely possible for alters to struggle more or less with disorders, or even seemingly not at all.
I hope this clarifies our perspectives. Thank you!
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humansbgone · 5 months
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I know that measuring the intelligence of animals is a stupidly complicated thing, but in general, what types of insects show more intelligent behaviors? Building or organizing complex structures or groups, planning long term, understanding complex situations or objects, etc. I assume ants top the list, but any other standouts?
This is real life facts, not HBG lore, but...
Ants and bees are both extremely intelligent, even standing out among non-insects--ants can recognize themselves in mirrors, which few mammals can, and bees can solve puzzles pulling on strings to get treats that cats struggle with.
Roaches are another contender. They can't hear, but can be taught to come and go using vanilla and peppermint scents as commands!
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trishmishtree · 1 year
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I sewed myself the strawberry dress... but made it a modernized 18th century round gown!
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Why yes, I am perched on my bathroom counter because my phone camera is a potato and there was no other way to get a non-blurry photo of the fabric print.
I've been wanting to make one of these dresses since I saw the Bernadette Banner video from a few years ago. Apparently this was a trend on CosTube and I'm just late to the party as always because I'm not a CosTuber.
Anyway, I used Mariah Pattie's fan/arc drafting method to get the conical bodice pattern based off my own measurements. No dress form, no commercial pattern. Doing it this way, it fit nearly perfectly on the first try.
The bodice has a lining layer that laces closed underneath and acts like a pair of stays without me having to make stays. I basically reinvented the wheel with the structured bodice lining, since it turns out Sewstine and Lina Piprek both did something similar for their versions of the robe a la Bernadette. But look how smoothly it fits!
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The fabric is just a quilting cotton from Joann. It's in no way historically accurate, but I hand sewed the dress anyway because I don't use sewing machines. You can't see the skirt but it hits just below the knee and is 86" in circumference.
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And yes, it has pockets. 18th century style pockets that can be accessed through the skirt side slits, actually 🥰
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operafantomet · 1 month
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POTO KRISTIANSTAD
One year later and there are some aspect of the POTO Kristianstad non-replica production in Sweden I would love to see again. Now, albeit the cast was outstanding and the overall impession most favourable, I didn't like every single thing about this production. I would have pimped the costumes, had professional dancers, and also added more of a spectacle in one or two of the big ensemble scenes. But being in the vein of a community theatre production they made the most out of little and came up with some scenes that were near genius in all their simplicity. Here's three favourites.
AUCTION SCENE: The overall scene was performed pretty much as usual. Draped sets, draped chandelier, an auctioneer as the focal point of attention - tiny twist being that she was a woman - and people gathering around to bid.
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But then, cue: Overture... The chandelier sparked and exploded, started rising, and from here it became quite interesting. Old Raoul started stumbling around the sets, the drapes and columns which seemed to collaps around him, like a nightmare. Then with the drapes disappearing, the Hannibal set slowly came to view, and he was back in his youth, spotting Christine. This transition worked SO well, and felt quite unique.
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TITLE SONG: Another scene that was fairly simple, yet underlining the magic and the danger in equal measures. The title song's first half featured a misty stage, and the Phantom and Christine partly crossing it. Then a large gate coming down, and a second Phantom and Christine couple appearing. The two couples mirrored eachother perfectly, as if one side was just a dream world, the world beyond.
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The couples disappeared, and so did the gate. With one couple re-appearing, a cage-like structure rose from the floor to illud the boat. The sets around them moved rather than the boat itself, and created yet another dreamlike illusion.
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Now, if they'd had given the Phantom a proper boat pole instead of a garment hook pole the scene would have been perfect. But having worked in a clothes store and used these poles many a time I could not unsee it. Anyhow... The last part of the scene was the cage-boat lowered again, they entered the lair, with a gazillion floating candles, masks and an organ, and Christine sung the cadenza - pretty much how it's usually performed.
RED DEATH: OK, so this idea is as old as ALW's POTO itself. I first saw it mentioned by magic consultant Paul Daniels, working on the 1986 West End production. In his words:
“My best idea was not accepted by the director, whereby the Phantom would come down, singing Masquerade, and then the whole costume and his stick would twirl up into the air, and he would… not be in it, despite the fact that he’d been singing. But the director wanted him to be seen to go down to the underworld” (from the BBC documentary "Beind the Mask", 2004)
This idea was first experienced with in the Restaged Tour's Final Lair scene. There the Phantom disappears in a similar manner, cloak falling to the floor, the Phantom gone. But for the Kristianstad production they had Red Death doing it. He entered the top of the staircase through what looked like a giant cracked mirror, handing over the score, swirling out of the red hooded cloak and poof! Gone.
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(it is also in this vein they feature Red Death in the Mediterranean production, currently performing in Madrid)
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showtoonzfan · 9 months
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Okay,guys. What do you think of fionapollos recent video?
Ganna be straight to the point, I didn’t like it. This is ganna be a long post so if y’all love reading, feel free to but I’m warning y’all now. Of course, what I’m going to say are my opinions only. This is coming from a person who actually follows Fionapollos, I love listening to her art commentary vids and I hope she keeps up the good work! But for this recent video specifically? I don’t think it was good. Not to say that Fionapollos didn’t handle this well for the most part, she’s always respectful and open minded and I’m glad for that, but the structure and overall execution of the video was poorly handled.
Outside of being an inspiring animator and a help to spread awareness of how incredible indie animation is, I have no respect for Vivziepop, but that doesn’t mean I want to be biased or one sided. There were only two sections of this video I agreed with, it’s in three segments. The first segment was about Erin Frost and the evidence they had provided, and like me and some have been saying, the evidence just wasn’t strong enough to indicate a really toxic environment, especially since what Erin had provided was screenshots of her being on good terms with Jane and Sam. I never really saw an issue with Jane deciding to move the assignment to someone else since Erin was struggling, because like Fionapollos said, people in this business just want to get stuff done and if someone can’t do it, they have to take measures where someone else can.
Now maybe this wasn’t mentioned because there isn’t really evidence to support it, (it’s just a statement) but we do know that according to Ashley Nicholas, Viv had talked behind Erin’s back, calling her too mentally unstable to work. I personally believe that there was a lot of gossip provided by Viv and/or Jane and Sam regarding Erin, they’ve all shown to be shady before so I just wouldn’t be surprised if this were true, however let’s move on. Other parts of the video I agree on were Fionapollos simply just being fair. She stated that the fake document is damaging to indie companies and studios, and how her audience has the right to feel the way they feel, but outside of that there wasn’t anything specific that I agreed on outside of the Erin stuff. Her closing thoughts were nice as usual, but I’ll move on to the actual issues I had with the video.
If I had to speak in general, I feel like Fionapollos just didn’t have enough evidence, cause this video is basically a rehash of what her last one was, where she didn’t have enough evidence back then, only this time in her personal opinion, Viv is just a flawed non-perfect person who makes mistakes and needs to stop being put up on a pedestal and idolized as someone who is perfect….something I drastically disagree with but I’ll get into more of that later. When I say that she doesn’t have enough evidence, what I mean is that the stuff that she looked at is only the FROSTING of the iceberg pointing to Viv being a narcissist who mistreats her employees. Like I said there’s only three sections, and the only section where she actually looks at evidence against Spindle is Erin’s section and the document, something that was obviously fake and I’ve already shared how I dislike it when people pay more attention to the fake/troll side of things rather than the real actual evidence. I was shocked/bothered to see that KenDraws’s document isn’t even mentioned here, since the topic of this vid is how Viv/Spindle treats her employees and that document could have been a MASSIVE factor in evidence pointing towards the mistreatment being legit in some areas. Instead, the majority of this vid is very empty and lacks something that you could make a case out of. Of course she was going to go with the “I just think Vivziepop is flawed”- route, because she doesn’t have the same knowledge of evidence and drama that Viv has been through, wether that be in the past few months or past 2 years. It’s just clear that she so far has only seen a few bits and pieces of evidence but not the mass amount pointing to Viv being a problematic childish person. And I get it, she’s not like others where she constantly follows every single move Viv makes or constantly checks her status online, but if you’re going to make a video like this, you should be more informed.
The middle part of the video is the worst. It’s dedicated to talking about the fake document and AnimationCallout, (which this section of the video doesn’t do much, it’s just panting Spindle in a victimizing light) and she also dismisses the transphobic allegations by saying it was included in the false document so it makes her question if that is true as well (despite the fact that the screenshot of Viv’s discord messages had been floating around awhile before the document). The biggest part that made me roll my eyes is where she mentions Viv’s old weird art, indicating that she assumes people spite her all because of old shit she did years and years ago, which if you know me is another thing I hate the people bring up regarding Viv’s controversies. Her old art is irrelevant. This entire middle section felt irrelevant because the topic is about Spindle mistreating their employees so I don’t know why she felt the need to bring that up as well as how fake documents affect animation studios but that’s just me.
There’s also things that weren’t mentioned that bother me. Like I said KenDraws document wasn’t mentioned, but there’s more. The most obvious is that Erin ain’t the only member who left Spindle. For a video about Spindlehorse mistreating their employees, there’s no mention of anyone else, or people who claimed to be mistreated. KenDraws, Ashley Nicholas, Salem Squidder, Nicolas Jordan, Jane Walker, the list goes on. This is evidence that there’s definitely more going than just “Viv is flawed”. You can only use that excuse so long, as more and more people who were close or her or worked on her stuff left.
I also feel like it’s a glaring issue that Spindlehorse/Viv never acknowledge their mistakes or even confront their controversies. Name one time Spindle came out and made an official statement on the allegations or drama. Zero. They always let the fire burn, hide behind the fanbase, and wait for the waters to cool before moving on and pretending nothing ever happened, only speaking up if someone dare call Viv problematic. They silence any ex member and never take accountability, and it’s something the public has yet to acknowledge, no one ever acknowledges this shit and I’m so tired of it. This is why I never agree with anyone who tries to paint them in a victimizing light filled with people who are “just trying to get by” when there’s no evidence that leaves me to believe that’s true, especially when they’re too cowardly to even confront something or make a fucking statement. Doesn’t help that they always ignore allegations against Viv or just shut the other side down by simply saying “she was nice to me end of story”. How are we supposed to believe that these people are genuine who don’t want to hurt anyone if they aren’t saying anything? How are we supposed to believe Viv is just an imperfect person if she NEVER acknowledges her faults and keeps making the same mistakes over and over again?
I truly believe that Fionapollos had good intentions, but I’m really tired of folks just dismissing Viv or the shady stuff that’s been going on at spindle with just “they’re imperfect stop putting them up on a pedestal”. Like I said there’s plenty of evidence pointing to the people at Spindle lacking self awareness and Viv being an abuser who blacklists people and talks behind other’s backs, so this vid just didn’t do any justice. She just doesn’t know the half of it. Sorry.
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So where the hell is Rhadamanthus?
OK, lets list some things we know about the space elevators, orbital ring, and conduit in xenoblade 3:
the orbital ring is around the equator exactly
the orbital ring has three space elevators, Minos, Aeacus, and Rhadamanthus (the world tree)
the conduit/zohar was found in Africa, PRESUMABLY near lake turkana, just north of the equator in Kenya
presumably, the three space elevators are equidistance from eachother, at three different spots on the equator
ok now that we've got that straightened out, lets try and pinpoint the locations of the three stations. The only one we actually see is Rhadamanthus, and at the end of future redeemed we get to see the surrounding areas.
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Many people were quick to note how much this looks like California. A sprawling city by the sea with mountains inland. not to mention the obviously american architecture. Hell when we visit the same place in xenoblade 2 we see ruins of road signs made in the american style. Including references to a interstate 236, that doesn't exist
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But, obviously, there's no part of the USA that straddles the equator. So we have to look for other locations that fit the bill. First of all, we know that the flashback to the city in future redeemed takes place during the afternoon, as we hear the radio broadcaster mention that the show is the afternoon news. Shadows point east in the afternoon as the sun is in the west. We see shadows pointing away from the sea in future redeemed, so that must mean that the location of Rhadamanthus is on a west coast.
There are only three countries with a west coast the equator cuts through: Gabon, Indonesia, and Ecuador.
Gabon doesn't fit the bill, it's too flat.
Indonesia has several islands on the ecuator that COULD fit the bill, but I'm really interested in ecuador here.
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this part of ecuador right on the equator fits the bill perfectly. by the sea, with mountains inland, on the west coast, and there's a BIG reason to suspect rhadamanthus is here, but I'll come back to that in a bit... For the record, I'm going to assume that the areas around all three space elevators are administered by the USA, or at least the "coalition goverment". We know the USA had a MASSIVE hand in at least Rhadamanthus's management as we see references to the US government in it in xenoblade 2. I'm imagining it to be a panama canal situation, where only a small strip of land around the space elevator is actually controlled by the USA. Which would explain the road signs and the non existent interstate. (worth mentioning that 236 could be a connecting road to the nearby pan american highway). Anyway, what about the other two
Well. Obviously one of them is going to be in East Africa right? To the south of lake Turkana. They'd build up from where they found the conduit for sure. So, what are some potential locations? Well, about 175 miles south of the lake is the city of Nanyuki. Right on the ecuator, and has an airport. Perfect spot for a major development to happen.
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So, what two locations are equidistance from Nanyuki on the equator? Well, to find that we need to divide the circumference of the world into thirds, and then measure that number along the equator from Nanyuki in both directions
the circumference of the world is 40075km, divided by 3 is 13358.33km To the east 12258km from Nanyuki is...
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The middle of the ocean... which is fine. There are no three spots on land on the ecuator which are equidistance from eachother. There was always going to be somewhere in the water. But the way i see it, if you can build a space elevator you can build an artificial island. So this probably wouldn't be an issue. It gets exciting when you go west though, because 13358km west of Nanyuki is...
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RIGHT OF THE COAST OF ECUADOR.
Within a margin for error of about 300km too. and if you're building a structure of that scale 300km is nothing. Rhadamanthus could've absolutely been right there on that coast. Anyway, this has been my TED talk. Rhadamanthus is in Ecuador. Why the conduit is there and not in Nanyuki... well thats a whole different question to ask.
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