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#Love angie for life
stupidrant · 1 month
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i think the most we will get is PC release (if that) this year but that means we gotta deal with those trolls bc changing angrb0da’s skin color is such a big deal to these mfs and i still dont understand that sweet baby inc shit bcuz all the information im seeing is just bundled bullshit LMFAOOO i feel like her actual character gets overshadowed by the made up problems and no one actually talks abt HER as a character or even analyses her fr (outside of here ofc) lol sms abt to make a banger with her and atreus istg
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hexedwithluck · 7 months
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2021 Angewomon twt log 😇
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stay-close · 8 months
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I can’t change where I come from or what I’ve been through, so why should I be ashamed of what makes me, me?
Angie Thomas, The Hate U Give
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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thoughtkick · 11 months
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At an early age I learned that people make mistakes, and you have to decide if their mistakes are bigger than your love for them.
Angie Thomas, The Hate U Give
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perfectfeelings · 2 months
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Sometimes you could be doing everything right and thing will still go wrong. The key is to never stop doing right.
Angie Thomas, The Hate U Give
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ministarfruit · 1 year
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day 22: “there is something deeply wrong with you” ♡
(prompt list for femslashfeb)
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quotefeeling · 2 days
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I can’t change where I come from or what I’ve been through, so why should I be ashamed of what makes me, me?
Angie Thomas, The Hate U Give
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angi-writes-filth · 10 months
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An art student's ramble about Lobo from Puss In Boots
As y'all know I'm a visual artist so ofc I'm aware that a HUGE part of creating visual content is intentional. Like, chances are if you see something being made a certain way, there was thought behind it. There are references being made and/or this was done with a specific intent in mind.
So ofc the moment I saw THIS
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I was like.... why?
Why why why?? Why the pose? Why is it so symmetric? Why the balance in all the scenes and his figure and design WHY??
(rambles about visuals, possibly grotesque imagery and talks about death, various gods, and tons of pictures BEWARE)
Then I realized HOW MANY REFERENCES to other Gods/omens of death The Wolf has??? Like:
Death. Straight up.
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(I don't think I need to explain myself for this one...)
Kinda cool how they decided to include a more "scythe-looking weapon" at the end, only when Lobo decides to get serious. Kinda like he's becoming more "Grim Reaper-y" when he stops playing around. More on DW's choice of weapons for our edgy furry friend later honhonhon.
Big Bad Wolf
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The universal, historical omen of death. Present in many stories like Little Red Riding Hood and The Three Little Pigs to name a few. Always the ultimate symbol of evil (fun fact: Most old bedtime stories we know today are passed from generation to generation; by the time these were created and put to use, it's most likely they were either made to warn children not to wander off into the woods for fear of being eaten predators, or for the risk of running into criminals shunned out of society and who normally retreated into the forests since they had no other place to live and couldn't leave the fiefs.)
Wolves are also predators that chase their preys, and exhaust them before going in for the kill. Much how like he does during the movie.
Also, it's possible Lobo isn't even the true form of Death in this universe. It may very well be the form he adapted to scare off Puss in particular; because canine v.s. kitties amirite?
(this could also be a huge stretch but the dark patch of fur on his face reminds some people of a bird, which could be interpreted as a crow. i personally think it's just a design element to attract more attention to the face/make his eyes stand out more but i included it cuz why not).
El Silbón/El Silbador
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"El Silbón" (The Whistler; also known as "El Silbador" in Colombia) is a legend from Venezuelan origin of a young man condemned to carry the bones of his father, whom he himself killed.
It is said if his whistle is to be heard, the more far away it is, the closer you are to your death.
Could also explain why the hell the Wolf is Latino LMAO. (Hearing him talk full sentences in Spanish scared me to Death haha get it? d-death)
Charon's Obol
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The bribe for Charon, the ferryman who carried the soul through the river that divides life and death.
Osiris
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This was one of the things I found interesting the most lmao. Like, I knew that pose reminded me of something...
I've read many people attribute this to Anubis, but from my research, it's actually not. This pose was used in sarcophagus by Pharaohs to resemble the God of the Underworld and Judge of the Dead, Osiris. What Osiris holds to his chest are a crook and flail.
Wikipedia offers the following explanation:
Traditionally crossed over the chest when held, they probably represented the ruler as a shepherd whose beneficence is formidably tempered with might. In the interpretation of Toby Wilkinson, the flail used to goad livestock, was a symbol of the ruler's coercive power: as shepherd of his flock, the ruler encouraged his subjects as well as restrained them.
AND NOW WHAT I ACTUALLY WANTED TO TALK ABOUT!!!
Lobo's Symmetry
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Okay this is a purely personal take, but am I the only one who found it incredibly interesting how balanced and symmetric his design is?
A rule of thumb when designing interesting-looking characters is to say fuck you to symmetry and balance. It usually works for a much more exciting silhouette and generates more visual interest. However, in Wolf's case, they made a ton of effort to make him look extremely symmetric.
His face doesn't have any distinct marks that separate one side from the other.
His cloak is a triangular shape that converges somewhat in the middle (the only element that breaks the overall perfect sillhouette).
And they went out of their way to divide the Grim Reaper's signature scythe into two: Which he usually holds to his sides, almost at the same height. Like, why would they? Why bother to do all that?
WELL WHY DON'T WE ASK OUR KINGS OF SIMMETRY THEMSELVES, HUH?
T h e E g y p t i a n s (insert papyrus font here)
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Symmetry is usually seen as the ultimate form of perfection. It is unachievable by most human standards, so it is notably known for causing feelings of detachment to a figure, even if it is recognizably human.
If you had a person who was entirely, perfectly symmetrical on both sides of their face, changes are, the uncanny valley effect would be triggered. Try grabbing a picture of a person's face, flip one of its sides and connect it with the other....... Looks weird, right?
The uncanny valley effect is normally used to depict images of deities and the like, because it usually instills the most literal form of 'fear of God'. Something that is so perfect that, by its presence alone, it makes you feel awkward.
The same principle is used by architects in churches even today: The more other-wordly, detached but still recognizably human you get, the more a person is made to feel powerless and awkward. Thusly, easier to control.
In summary, Wolf's design is made to look as symmetric and balanced as possible because he's supposed to feel other-worldly, even before we find out who he is. He's supposed to resemble something unachievable by human standards because he's not human. He's supposed to look out of place because he's Death. Straight up.
Every aspect of Lobo's design is sooo carefully thought out I just LOVE IT. Like have you noticed how his eyes stop giving off light during the scene we find out he's actually DEATH???
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I JUST-- I LOVE THE WORK DREAMWORKS PUT IN THIS CHARACTER. I LOVE HOW HE'S JUST SIX MINUTES INTO A 1 HOUR 40 MINUTES MOVIE AND HE SOMEHOW STILL STOLE THE SHOW. I LOVE HOW YOU SPEND EVERY MINUTE GLUED TO THE SCREEN, ABSOLUTELY TERRIFIED OF WHEN YOU'LL HEAR THAT STUPID WHISTLE NEXT.
Edit: I don't understand why, but Tumblr is fucking with the formatting and I've been trying to fix it, but I can't. It's genuinely upsetting me lmao but yeah. I promise it looks better when it's in my drafts but the moment I save it, it justttttt does whatever it wants. I'm so sorry! Edit: I THINK I FIXED IT GUYS say THANK YOU to fumbling with HTML, fucking everything right up to the point where the post itself doesn't know what to do and gives up with my ass like "OKAY OKAY I'LL FIX THIS MYSELF GOD"
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resqectable · 2 years
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I can’t change where I come from or what I’ve been through, so why should I be ashamed of what makes me, me?
Angie Thomas, The Hate U Give
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darlingsart · 24 days
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Drew my patchilles kids as adults and instantly went through the stages of grief bc I’m so used to them being little lol
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perfectquote · 1 year
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Brave doesn’t mean you’re not scared. It means you go on even though you’re scared.
Angie Thomas, The Hate U Give
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loud-whistling-yes · 5 months
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"y'know what, a hard task would be to keep your alliance for the entire season... Cause apparently, no one can keep it!" Hey. Hey pearl. What about a certain day one alliance you had that lasted an entire season. Hey pearl. Pearl-
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Obsessed with love between diary and devil bc every character seems to think they’re living in a different genre. Xiao Lanhua is convinced she’s in a silly romcom (and she’s right about half the time). To her, Dongfang Qingcang is doing all these things for her because he’s helplessly in love, not because he needs her skill and definitely not because she has any kind of power over him. Lord Changheng is in a palace drama—he’s returned from the war and longs to settle down with the sweet girl who saved him once, but his arranged marriage takes precedence over his true desires. Dongfang Qingcang is in, like, a power fantasy xianxia webnovel, so taking time to care for Xiao Lanhua pisses him off sooooo much. He just wants to skip to the part where he beheads everyone who ever opposed him
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surqrised · 8 months
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At an early age I learned that people make mistakes, and you have to decide if their mistakes are bigger than your love for them.
Angie Thomas, The Hate U Give
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thoughtkick · 2 years
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At an early age I learned that people make mistakes, and you have to decide if their mistakes are bigger than your love for them.
Angie Thomas, The Hate U Give
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