Positioning Louis as the "Edwardian wife who becomes trapped by her husband" in a literal sense does no justice to analyzing his actual place and role as a Black man in his society and in his relationship with Lestat. Any interpretation or analysis you do of him when it comes to their relationship cannot be stripped of the racial aspect because it's constantly there. Texts analyzing Edwardian wives (and particularly ones this fandom loves to bring up) typically were white and the dissection of their place in societal rules are always viewed from the aspect of gender that is within these texts only allowed to white women, but never to Black men or even Black women. And gender and race become inseparable when you discuss the latter, no matter how people may view it.
This is why I can't take this approach to analyzing Louis' story seriously because if you don't consider the racial aspect in his relationship even to himself and his sexuality, what's the point? You're still centering the standards that were more placed upon white male/female couples than you're willing to look into the unique structure of Black families, religion, their view of homosexuality and how that sooner heavily influences Louis than the family's "need" for him to be sold off to an Edwardian husband. Even in Louis' own story, him and Claudia being Black is more centered on than any demeaning "housewife" comment he tries to go against from Claudia's perspective. She makes that comment once, whereas we have at least two episodes from Louis' perspective that have very blatant hints and showings of the racism he still suffers from under the Jim Crow era and how it affects his self-worth as well as his relationship with Lestat who doesn't seem to take into consideration how any of the blatant racial aggressions and objections still affect Louis and what he considers to be important to achieve in his own life.
Then there's also the pointed topic of Louis' position as a Black man who is a pimp to the Black women he has as sex workers, as well as how his position as a Black father affects Claudia, another Black girl. If you insist on Louis being centered as this "Edwardian white wife" who is confined by his implicit gender in his marriage, where does that leave Claudia and the blatant misogyny and disrespect she gets from both him and Lestat? Lestat who is her white father abuses her. Positioning Louis within the strict confines of "being her mother" doesn't do her any favors because he didn't hesitate to choke her when he was deeply emotionally distressed, nor does it make him look any better when he's fine with chopping up her diaries and then delivering them on a silver platter so that Daniel, another white man, can read and dissect. Even if he does this under the sole pretense of "doing right by her", how does it in any way help when he also can't face up to his failures towards her?
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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Reading Digger Harkness as an Aussie: why he’s specifically written to wind me up, the undercurrents of many of his appearances, and why he’s voting No in the Voice referendum.
(Okay if you know ANYTHING about Digger and about the Voice you already knew that, but making this current-relevant!)
George “Digger” Harkness is Captain Boomerang. He’s traditionally written by DC to be specifically, deliberately annoying and disliked. Due to this he’s simultaneously quite cleverly written while also being the laziest character stereotype imaginable.
One of the things that drives me up the wall every time I read him in a book is that due to a clash of a few things in his character design, the subtext he’s evolved over time is remarkably complex, but also geared to make me despise him. Also I can’t tell how much of it is deliberate on the writer’s part.
The first thing you need to understand is that Harkness is very specifically putting on a level of Australianness for his audience (the usually American characters around him). The fascinating thing in this is that, unusually for this trope, his writers are often aware he’s doing this. The common term for this is ‘ocker’. You can notice this in the language he uses: it’s specifically peppered with ‘Australian’ words and phrases.
Now this is a pretty common thing for writers to do to demonstrate a character is Australian. It sounds like someone trying to write Crocodile Dundee or Steve Irwin. However, to my ear (and years of putting up with this), the way it’s done for Digger is…off. It’s not the standard terrible way it’s used in American media, but it’s equally not written naturally for how an Australian who natively speaks ocker/broad would use it. Digger’s playing it up, and he’s playing it up badly. (the closest comparison I can make than an Australian might understand is he sounds more like Russell Coight than Steve Irwin, with all that implies) He wants people to think he’s an Australian stereotype.
Heck, let’s break down his name for a demonstration of this.
Captain Boomerang: this is a very, very, loaded name. Digger’s specifically racist, and he’s racist in a very White Australia Policy sort of way. The writers are aware he’s racist. He uses a boomerang as a symbol as he’s Australian (surface level) but they’re also specifically drawn as white a lot of the time, both in his costume and in the weapons themselves. They’re not plain wood or decorated with traditional art. They’re white. He has a history of making boomerangs and promoting them in Australia for sale, as a white guy, which is uhhhh Not Great. He’s assumed a traditional piece of Australian Aboriginal weaponry and culture as his own, and he’s painted it white. He’s asserting that it’s his culture now and has stripped it of its traditional meaning. (Also his boomerangs often don’t come back, and have sharpened edges and are used wrongly). He doesn’t like Black People ™ but also uses a weapon specifically associated with an oppressed minority in his place of origin. The white supremacy attitude is very much coded in.
“Digger” as a nickname: oh the way this clashes and interacts with the fact he uses ‘Captain’ as a title! Digger as a term is a general nickname for Australian Army soldiers. It comes from the Gallipoli landings and the trenches of World War I. By using it as his nickname, Harkness is evoking a whole HOST of imagery and specifically nationalist cultural imagery surrounding Gallipoli as a ‘birthplace’ of Australian identity, something that’s been weaponised particularly by the Australian political right for the past 30 years as a national symbol. In the stories that a country tells itself about who they are, Harkness is evoking a very major one and also one that can read as quite toxic if not done carefully. (if you need a quick entry to the way the nickname makes me wince, look up ‘Cronulla Riots’. That’s the sort of person his name is evoking for me) The other problem on top of this – this is a soldier’s nickname. Harkness has never been in the Australian military (as far as I can tell). Combined with the fact he uses the title of ‘Captain’, he’s suggesting he’s got a military background that he 100% does not have. He’s a giant hypocrite. Now being part of the military in Australia reads differently to being part of the military in the USA, in how society sees it, but this is still not on. It’s not a natural nickname for an Australian to have, in his circumstances. It doesn’t even make sense as a traditional ironic nickname given by his friends. Which means he picked it himself. And for that style of nickname…choosing your own? That’s considered to be poor form and trying way too hard. (And nicknames are culturally important! For the personality Harkness is trying to present to his audience, he SHOULD have a nickname like this. My father’s is ‘Bones’, for instance. But choosing your own, and choosing one that implies traits that are not yours to display? Really really bad form)
Basically in summary, Harkness is very much coded in a lot of ways to essentially be the Australian equivalent of someone who stormed the Capitol on January 6, 2021. With that sort of view of his home country.
What is fascinating is that when Harkness interacts with other Australian characters, they do not like him, so the writers are aware that he’s been written to be this level of objectionable.
Now, some of this coding in his character has just accumulated over 60+ years as stereotypes have evolved and things have become ever more socially unacceptable. But the interesting thing here is that the writers ACKNOWLEDGE that unacceptable behaviour from Harkness.
I hate him so much. And I also want to fix his dialogue, which suffers from being written by Americans, to include a bunch more extremely country ocker sayings. He NEEDS to be saying things like “stone the flaming crows” and “fair shake of the sauce bottle” and “flat out like a lizard drinking” and “I didn’t come here to fuck spiders”. Because he’s putting it on. And these are the sort of things he’d lean in to to convey that level of “oh I’m not from around here, I am quoting Crocodile Dundee at you but you didn’t even realise” that he’s written to have.
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literally freaking out over an akishinji fanfiction where they bring in 13 year old kanji from persona 4 and akihiko and shinjiro become the older queer male role models that i think kanji desperately fucking needs
there’s no chance in hell atlus would ever write a story like this but god. GOD. i wish so badly that kanji could’ve gotten this in game. the party members in p4 make kanji feel like garbage for how they perceive his sexuality, and seeing an alternate universe where he finally gets people to show him that yes, it’s perfectly normal to be queer, is so goddamn cathartic.
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