Steve tries to stay quiet while he gets ready for work, but Eddie hears him. He keeps his eyes closed and just listens- to Steve grumbling to himself when his hair doesn’t sit quite right, who starts to hum and whisper some catchy song. Eddie turns his sleepy gaze onto Steve as he shuffles around their room- watching quietly as he slips on his clothes, his shoes, a simple chain with Eddie’s ring around his neck. A warm, affectionate smile breaks across his face. Before he leaves, Steve glances at what he expects to be a sleeping Eddie, but instead, he’s met with a rasped, ‘Hey.’ Eddie sits himself up, stretches his arm across Steve’s side of the bed, and reaches, fingers wiggling. Steve crosses the room to cradle his face.
Their foreheads press, noses bump, and Steve brushes his fingers across scars and dimples.
He breathes a quiet,
‘Sorry, I didn’t mean to wake you.’
Eddie huffs a tired laugh,
‘You know I never mind.’
Because, yeah.
Every morning Steve tries to stay quiet while he gets ready for work, but Eddie always hears him.
( another one from the poll | WIP )
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The scene where Ralph meets King Candy for the first time is one of the most interesting ones on a rewatch because you already know who King Candy is pretending Not to be. The way Ralph behaves is interesting too. (I’m studying these little 1kb game characters under a microscope)
Below the cut is a LONG scene/character analysis (~6min read?)
First off. King Candy’s mere Entrance in this scene already characterizes him a ton and he hasn’t even said anything yet. He speeds obnoxiously around Ralph in his little go-kart BLARING HIS HORN. This immediately gives off the impression of: Very in your face. Very full of himself. And Very Annoying About It. (sir.. your Turbo is showing)
BUT THE DIALOGUE. JUST THIS SINGLE INTERACTION:
(Ralph Face Reveal While Screaming)
“Milk my duds! it’s Wreck-it Ralph??”
“Yeah...? And who are you, the guy who makes the donuts?”
“Hoohoo, please- No! I’m King Candy!”
I love this interaction because King Candy INSTANTLY knows who Ralph is. And from Ralph’s perspective that’s… weird.
Ralph is probably a little confused. Given how he answers “yeah?” He doesn’t just straight up ask “How do you know who I am” because he’s currently being interrogated (Probably Not a Good Time) Also that recognition is something he rarely receives in the first place, so why from this guy…? So instead he asks: Well who are you supposed to be?
WELL FIRST OF ALL. HE KNOWS WHO RALPH IS BECAUSE TURBO’S GAME CABINET SAT NEXT TO HIS FOR YEARS. Which is why King Candy is so surprised - he’s probably seeing him for the first time in decades.
“Hoohoo, please- No! I’m King Candy!”
I also love how he nervously laughs at first before responding with “No!” In that particular way- simply laughing it off before being Rather Quick to reject Ralph’s proposal that he could possibly be someone else. Interesting .
But it’s the way he says “I’m King Candy!” That carries so much implication. His pose and smile, the perfect inflection in his voice- it’s theatrical, it’s like he’s rehearsed it. It’s almost like he’s trying to convince Ralph that he’s really who he says he is with the best performance possible. He’s been doing that for years and by this point he’s totally mastered it. Nobody suspects a thing. (For now……)
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Skipping forward a little, Ralph explains that he got a medal from Hero's Duty.
"Your medal? (giggles) Bad guys don't win medals!"
"Well, this one did. I earned it over in... Hero's Duty"
"You game-jumped?? Ralph... You're not going Turbo, are you?"
"What? No no no no no..."
"Because i-if you think you can come in here- (laughs nervously) to MY kingdom, and take over MY GAME, YOU'VE GOT ANOTHER THING COMING!"
THERE IS A LOT TO UNPACK HERE.
First off we'll focus on Ralph. The way he admits it... He knows it sounds bad. He breaks eye contact and hesitates before saying "Hero's Duty." Probably because he knows what King Candy is gonna retort with. But he still says "I earned it" not only because he doesn't want to incriminate himself, but because he believes it. He did earn it... right? And then Ralph tries to brush off the suggestion that he's going Turbo before being interrupted by King candy's rampant tantrum. (WHICH I WILL GET TO.)
At this point, Ralph is becoming less confident that he earned his medal because he's in denial about “going Turbo.” His confidence wavers here especially because he's in the presence of this apparent authority figure whose trying to guilt and incriminate him. (And this is a situation he's already all too familiar with- think of how Surge Protector always halts him when going into games just because he's a bad guy.)
But there's still one major thing keeping this denial intact: He wants to hold onto the fact he deserves his medal so bad. Others have hurt him for so long, he thinks getting that medal alone means he'll finally be respected, praised, and loved.
"Is it Turbo to want a friend? Or a medal? Or a piece of pie every once in a while? Is it Turbo to want more out of life?"
(I know that’s literally the Conflict of the Movie. BUT ITS WORTH MENTIONING OKAY I LOVE RALPH’S CHARACTER LEAVE ME ALONE)
I think the fact you can gather all this info just from the way he's portrayed during this SINGLE INTERACTION- its amazing. Amazing character writing is when when nearly every action a character does reinforces their motivations or personality and you're able to SEE IT!!
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Now to focus on King Candy again… this FUCKER‼️
First off, him mentioning Turbo Isn’t even that suspicious at this point in the film… well… at first glance at least.
At first it seems like everyone knows who Turbo is. Ralph is questioned at Bad-Anon, Q*bert tells Felix and the nicelanders freak out- everyone who’s been around for a while knows who this guy is. But if you think about it… isn’t Sugar Rush a newer game? Not as new as Hero’s Duty, but it’s still a little odd that King Candy would know who Turbo is ON TOP of knowing Ralph. Just a little.
"You game-jumped?? Ralph... You're not going Turbo, are you?"
Ok but Seriously. That Part. The pure irony of King candy saying THAT a threat against Ralph in an attempt to incriminate him. The way he says it too... He breaks eye contact and glances to the floor like it’s something forbidden to even mention. His accompanied hand movements too (and King Candy speaks with his hands A Lot) they move like he’s describing a ghost story. He’s obviously trying to scare Ralph… trying to scare him into admitting something.
This is... a lot. Maybe even some level of self projecting...? Cuz MAN. that is too deep for me to even start getting into
But the fact that his OWN NAME (a SECRET IDENTITY MIND YOU) has become so infamous that now HE’S WEAPONIZING IT?!? IS INSANE??? Can you Imagine his thought process. Like how far gone into the deep end is he.
(SORRY FOR NOT USING MY OWN WORDS. BUT I JUST ADORE HOW @simpingforcys PUT IT HERE. …..)
THIS. this is so good. And the way King Candy eludes to “Turbo” as some kind of monster. Could that be offering him like. A Brief moment of catharsis. Or fuel some twisted sense of pride. What the FUCK is going on in this SICKO’S HEAD !!!!! I NEED TO KNOW!!!!
"Because i-if you think you can come in here- (laughs nervously) to MY kingdom, and take over MY GAME, YOU'VE GOT ANOTHER THING COMING!"
SECOND!!!!!! King Candy gets SO defensive SO FAST. That man jumps to conclusions IMMEDIATELY!!! He essentially throws a tantrum while stepping closer to Ralph, stumbling over his words and giggling nervously. The mere thought of there being ANY threat of someone else taking over "his game" riles him up SO BAD.
This is the same EXACT SAME TEMPER that made him storm into Roadblasters as Turbo years ago, because he saw Roadblasters as a direct threat to his own game's popularity - HIS popularity!!!! Because getting exposure- infamous or otherwise- is the ONLY thing that drives him. (Pun intended. Sorry.)
And the way he repeats “MY” kingdom “MY” game… mine mine mine mine mine mine mine mine mine. Are you done with your tantrum old man.
——————————
Wow. Anyways I think that’s enough for now. And that was in response to only a minute of content. (Oh dear.)
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Do you think he was ever in love with Bedelia like he was in love with Will? I ask this because Bedelia says they were both the "brides of Hannibal". But Hannibal never courted her like he did with Will, Bedelia came into Hannibal's life much before Will but he never pursued her like he did with Will. Mads said he wanted a future with Will unlike with other people he hooked up with Alana, Bedelia or Anthony. He took her to Italy as a consolation prize when Will betrayed him. Even in Italy H was pining about Will all the time and telling Bedelia how much he loves Will. I know he slept with Bedelia but he probably slept with Anthony too and he slept with Alana, Hannibal is a hedonistic guy who sleeps around. For him sleeping with someone doesn't mean he is in love with them. On the other hand he took a bullet for Will, went to prison for years for Will, made a human heart for Will, jumped off a cliff for Will, committed a whole massacre for Will. But when Will confronts Bedelia, she pretends as if Hannibal held them in the same regard which is obviously not true. Hannibal would choose Will over her in a heart beat and even she knows it but yet she acts as if Hannibal sees them both equally. I don't understand why? 😭 Why do you think?why make herself seem like a competition when she is not?
I think that’s a very interesting question, Bedelia is a complex character and I can only tell you what I think, I don’t know if there’s a right or wrong answer here.
First of all, I think we can take sex out of the equation entirely. There are moments in the show where Hannibal and Will touch each other, but none of them are in a sexual context. I think these moments have significance in the sense that they are a sign of Hannibal being changed by Will, and I can imagine a season 4 in which their physical relationship is explored further, but from what we’ve seen, sex plays a small role in Hannibal’s (and Will’s!) life. However, we see a lot of carnal connection between characters through something else: Hannibal’s cannibalism. I believe that what many people find in sex, he finds in his meals. He feeds people human meat all of the time, but in most cases they don’t know about it. Will does, and Hannibal knows he does. Inbetween all of Will’s double spy thing that’s going on, he never once suggests not wanting to eat Hannibal’s food, not just to the man himself, but also to the audience. Will wants to join Hannibal at the table, he wants to join him in the one (very corporal) thing Hannibal hasn’t shared with anyone knowing or willing (except for Gideon, but he is practically forced to eat his own leg, which is very different from willingly eating Hannibal’s murder victims while being a free man). The symbolism behind their shared meals is endless, but now to Bedelia: For all her knowledge of Hannibal, she still refuses to dine with him. In fact, I believe she is repulsed by it.
We know Bedelia has a murderous tendency, or at least that Hannibal was able to coax it out of her. I do think there are similarities between Bedelia and Will, they are both acutely aware of Hannibal’s character, danger, capability and power and they are also both intrigued by it. But there are fundamental differences between their relationship to this knowledge: With Bedelia, it results in fascinated fear, with Will in self-recognition. Bedelia is afraid of Hannibal while they share a life in Florence, because, as you said, she knows if he were to get bored with her, it would mean she’d end up as his dinner. She has no intention of joining him in eating anyone, she does not want to be eaten by him (or suffer any violence at his hand), or eat him herself. Will does. Bedelia is a spectator, Will is a participant.
As for why Hannibal spent such a huge part of his life with her, I think it’s a quite simple and very human reason: loneliness. Bedelia was his psychiatrist before she was his wife and even if she didn’t know the nature of his crimes for a long time, she did know at least part of him. Hannibal craved understanding and being known and I think he knew he could find some sense of it in Bedelia. She’s his consolation prize, as you said. He was promised a partner in crime (literally) and didn’t get one, so he might as well take the next best thing and discard it if necessary. He clearly also knew she stayed with him out of fear.
As you said, Bedelia actively tries to make Will jealous. She knows how dangerous Hannibal is, but I’m not sure she realises just in how much danger she is putting herself when making Will angry and jealous. I don’t think she loves Hannibal, it’s probably a distant sort of fascination and intrigue, but, like you said, she’s more than aware Hannibal does not see her as an equal. I believe Bedelia wants Will to believe she is Hannibal’s true partner, because then someone does, even if it isn’t Hannibal, or herself for that matter. She chose a life she knew wasn’t truly hers to live and I think she merely wants to convince someone close to her and Hannibal that it is hers to live. That’s speculation on my part, though, even if based on perception of her behaviour.
I’ve always thought Bedelia is the character most similar to the show’s audience. A spectator who is fascinated, intrigued and repulsed by Hannibal, just like (presumably) most of us are. She must be living a very lonely life in Florence. In the first two seasons, she plays the same role in Hannibal’s life, but she also has one of her own. A psychiatrist is the epitome of passive spectatorship. When in Florence, she is reduced to that role entirely, her life consists of nothing else. I honestly can’t blame her for wanting to be active in some way, even if it was only in someone else’s imagination.
It’s also interesting to take in the post credit scene of wrath of the lamb, but I fear I would talk for hours if I started and most of it would be very vague interpretations.
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i wanna talk about iroh’s “four seasons” and why it’s used as the musical motif for sokka & yue
i’ve seen a few different videos/theories about why this song is used for sokka & yue, but none of them matched my personal thoughts, so i figure i’ll just share them. it’s a stretch in regards to what the writers were probably intending, i admit, but it’s how i’ve always interpreted it
winter, spring, summer and fall (x2)
four seasons, four loves
four seasons, for love
the lyrics have Always reminded me of the japanese idiom 一期一会 (ichi-go ichi-e), which is usually translated to something like “one season, one meeting” or “for this time only.” it’s like a reminder that every moment happens only once, and you should cherish the moment and the memory, for it cannot be repeated.
the analogy: four seasons is to one season as four loves is to one meeting
why have iroh sing the song first?
the idiom is heavily tied to japanese tea ceremonies; the fire nation is partially inspired by japanese culture, and iroh is characterized by tea. also it’s just the kind of sentiment iroh would appreciate.
and then we have sokka and yue, whose relationship is brief but unforgettable. within a span of what i assume is a few weeks, they meet, fall in love, and then tragically part
one could look at what happened to them as only a tragedy, and i imagine sokka probably does for a little while, but in time i feel he would learn to love and cherish the time he had with yue for what it was—that he would simply be glad for having met her and having gotten to know her. and of course he’ll always love the moon for its reminder of the time they had together.
it reminds me a lot of that post by @/starpeace:
the love was there. it didn’t change anything. it didn’t save anyone. there were just too many forces against it. but it still matters that the love was there
one season, one meeting—it doesn’t matter that it was just for a short period of time. this one of sokka’s many seasons will always have been for his love for yue
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