i'm literally insane about the last agni kai and the lightning scene(s). i swear i've rewatched it 10+ times since my last rewatch of the show (which was my first watch in years) and like. azula sees katara come into view from behind. zuko doesn't. he follows azula's gaze and sees katara and is immediately horrified. he doesn't even think or hesitate because he doesn't have time and for once he doesn't have to look back at azula to figure out what she's doing because he knows what she's doing and he won't let it happen. time dwindling into slow motion as a haunting score plays? and zuko literally yelling out "no!" because that lightning absolutely cannot hit katara. as soon as he sees it there's no chance of that ever happening. and then katara watching in horror as the lightning flashes against features in what is probably one of the most hauntingly beautiful animated moments of the show? zuko hitting the ground still convulsing with lightning and katara crying out "zuko!" and immediately trying to run to him before azula attacks again? and the next scene we cut back to with them, zuko is groaning weakly and trying to lift himself up, and we see katara literally gasp in surprise as she realizes he's still alive (i'm sobbing because i do quite literally think she thought he was dead) and immediately tries to run to him again, nevermind that she knows azula is still there, and the hand katara uses for healing is already doused in water as she reaches for him. but then azula starts attacking again. and zuko, despite literally being in so much pain that he can't stand and can barely even move at all without whimpering, still tries to reach for the spot where he can see azula attacking katara. katara is forced to hide from azula's attacks. and as azula is mocking "zuzu, you don't look so good" down to zuko, the perspective shot is such that you can SEE that katara is also looking at where he lies prone in the distance, surrounded by flame (probably wondering how much time they have before it really is too late) before looking back up at azula and realizing she needs to defeat her as quickly and handily as possible so katara can get to zuko. obviously katara would have done this anyway (the whole reason they were THERE was to halt the continued cycle of the imperialist regime of the fire nation), but the scene is specifically framed as katara trying to figure out how to stop azula so the obstacle to her getting to zuko is no longer in the way. katara's defeat of azula was epic and deserves its own post. but then after making sure azula is securely chained, she runs to zuko, looks at him with such immense sadness and horror and fear as she hears him in so much pain, tenderly turns him over so she can get a good look at the wound. and she cups his head? briefly but so gently? so that he won't hit it as she turns him over? and when she tries to heal him you can tell she is so genuinely unsure if it will even work, and so relieved that she starts crying tears of joy when she sees it has (at least enough to keep him alive and somewhat lessen his pain.) they thank each other (and you can tell it's still really hard for zuko to talk and his eyes are barely open but he thanks her anyways i'm.) and she thanks him back and!!! when he starts to try to sit up she makes a little surprised face and then immediately helps him to do so (and puts a tender hand to his chest while she does!!!) and obviously that last shot of them standing together is also one of emotional support, but katara's hand on his back is also partly because i still think (and certainly katara still thinks) trying to walk/stand on his own would be a bad idea, so it's definitely not happening.
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thought I should collect my vague fma/mp100 thoughts here to make it easier to have them all in one place !
basic plot/character stuff
ed and al are both talented young psychics who got their powers when they were pretty young. ed got his powers around the time their dad (a CRAZY powerful psychic) left, and al got his shortly after their mom died :(
they thought they could use their powers to bring their mom back as a spirit, but it went. very bad. instead, an evil spirit took advantage of them and started fucking Eating Their Life Forces. al freaked out and astral projected out of panic, but his entire body was consumed so now he's. stuck like that. ed managed to exorcise the spirit, but not until after his arm and leg are devoured too
their motivation is to get rid of evil spirits that take advantage of people and hurt them like this, which is what takes them to roy mustang's door
roy mustang is a fake psychic pretending to have pyrokinesis (he just has a flamethrower behind his desk) because I think that's funny. he's running an exorcism business like spirits and such, except he has a larger crew -- mostly his friends he can call up to do odd jobs for him, like fixing the leaky pipes that make noises that make people think their house is haunted or whatever. he's also the only exorcism business that's willing to hire a teenager, so that's how the elrics end up working for him
in addition to mustang's crew of non-psychics, he also has hughes, who is tragically a ghost. there is definitely some tragic back story here that I'm still working on hashing out, but they've kind of come to terms about it now. he still haunts his family, who know he's there, and he agrees to help out mustang with Actual Spirit Issues when the elrics are unavailable
the elrics' quest to deal with manipulative evil spirits leads them to encounter the sins, who are all very powerful evil spirits. one of the first ones they deal with is greed, who they mostly exorcise, but he manages to just barely survive, dimple style. he's looking for ways to bring himself back up to full power
enter: ling yao, recently awakened psychic who is also looking for ways to become more powerful. he keeps over-exerting his psychic powers and exhausting himself, which is how the elrics come across him mostly unconscious. he's very excited to meet another esper, but he makes the mistake of asking why al doesn't possess ed, since he knows that can enhance someone's psychic powers. the elrics are both Very Sensitive about that kind of topic and tell him to fuck Right Off
bad idea, because then he goes and finds a spirit of his own. both he and greed approach their mutually beneficial consensual possession situation for self-serving reasons. both of them look at each other and think "yeah I can definitely manipulate this guy into making me more powerful" [fast forward a couple months to when they've become Extremely attached to each other] oopsies
lan fan is a telepath. ling did not know this, so he tried to act soooo normal about being possessed around her. that didn't work for long, jackass! she got so fucking angry with him when she heard a literal devil on his shoulder, and even though ling stopped her from destroying greed, that evil spirit is on THIN ICE.
scar's family was killed in a psychic terrorist incident (think kimblee if he was part of claw). he's one of those really late bloomer espers -- it wasn't until this traumatic event that his psychic powers awoke, and he hates them because of the link to the event. now he's on his vengeance based quest, going after psychics that abuse their powers
things I'm still working out the details for
mustang was involved in some high profile fuck-up. kind of like separation arc reigen except uhhh people Died. hughes was likely one of those people. no one has enough proof to outright prove he did it, but he is definitely linked to the event, especially because he was a pretty public psychic figure at the time. in reality, it was the fault of the sins, but it's harder to find evidence when it was evil spirits doing it
olivier + the rest of briggs are an anti-psychic terrorism government agency (kinda like joseph) and initially scar is one of their targets, but they end up recruiting him bc they have a common goal
eventually scar starts working at spirits and such (olivier's assignment so he can keep an eye on mustang) but he fucking hates it. oh my god I cannot emphasize how much he hates it. imagine reigen serizawa and mob at spirits and such except none of them can stand each other. that's mustang, scar, and ed having to work together.
mei is also a psychic! she kind of latches onto both scar and alphonse (separately) because she needs some help killing someone. they have very different reactions to this.
the someone she's trying to kill is father, a super powerful psychic who's been orchestrating much of the psychic terrorism, as well as directing the sins. he's like if toichiro had a specialty for spirit wrangling like matsuo
miscellaneous au details
ed and al's auras (and al's spirit form) are mostly gold, ed's leaning more coppery and al's more of a green-gold. ed's kind of has the look of fire crackling around him. ling's aura is a blend of red and purple and has a kind of watercolor/bruise look. it's more vibrant and has more purple when greed is possessing him. mei's is mostly pink with some red.
mob psycho spirits range from completely abstract to mostly humanoid and frequently have multiple forms in between. hughes looks mostly humanoid most of the time, but can go simplified and silly when gushing about his family. al has a more powerful form that looks like the full suit of armor but he doesn't like using it very often, so most of the time he's a long blob that's just kind of armor shaped (like when the armor is simplified for silly moments). greed at full power looked like the ultimate shield, after being weakened he looks more like a dimple-like blob that resembles the face in ling's mindscape. when possessing ling and both of them are using their powers, ling gets lines on his face like on the ultimate shield (like dimple's cheek spots!)
other spirits: pride looks how you'd expect. horrible shadow spirit. envy bodysnatches a lot. wrath has been possessing a politician for Literal Decades. it's no good. I'm not sure about the other sins
people's feelings on possession range from the elrics (Fuck No), to hughes and mustang (if necessary to get a job done), to greedling (they like it like this actually)
the rockbells aren't psychics but they live kinda adjacent to the psychic world bc theyre family friends with the elrics + hohenheim, so they know more than most about psychic powers
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I will say, though, people used to be way meaner about fic online when I was a kid. Readers can still be shitty, don't get me wrong, but it was the wild fucking west when I was young and new to fandom.
Sporking communities (communities dedicated to going through fic line-by-line to make fun of it to an audience), homophobic death threats, "constructive criticism" that was really just designed to hurt young writers' feelings... Like this was all considered not just acceptable but fun and fairly normalized. You were considered "butthurt" if this stuff really affected you.
But damn, it was so mean. Like so unnecessarily mean. People were practically hunting fan writers for sport just because they wrote fic/meta/roleplays/etc. that they didn't enjoy. I cannot overemphasize that making fun of writers was considered a viable fandom path at a certain point. Some people got very big followings for sporkings, takedowns, particularly creative flames, etc.
What I'm telling you is that making fun of others' writing was considered a kind of fanwork in and of itself.
Like... I remember writing something online when I was about fourteen and -- I don't even remember what it was, being honest with you. It probably wasn't very good, given my age. But I do remember that someone just replied to it with a link for a website "how to write" and nothing else, and it hurt my feelings so badly that I didn't even want to keep going. That was considered concrit back then, even though it was really just a thinly veiled insult. Pretty sure whoever wrote that comment thought it was hilarious, and others would have agreed with them. I definitely would've been mocked if I'd complained.
And... that was just what you had to put up with if you posted your writing publicly. Some of those old warnings like "flames will be used to make s'mores!" come off as kind of cringe these days, but it really was a coping mechanism that you had to develop if you wanted to get through it at all. It was saying "your words won't hurt me, so don't bother."
Like... I like to believe that I'm a pretty good writer these days, and I can guarantee that not one of those assholes who made fun of me or mocked my work or talked shit about my ideas actually helped to make me what I am today. It was the people who encouraged me to play with a lot of different ideas and forms of writing who really helped me grow. Nothing worked better than just writing and writing and writing without fear that I would be punished for doing so.
So even if you're a garbage person who likes to hurt people because it makes you feel big and strong and important, think about all this pragmatically. Be totally fucking selfish for a minute. Think about all of the good writing you will never, ever get to read if you destroy the writer's self-esteem when they're still learning. Think about all the people who will never grow. All the beautiful flowers that are being nipped in the bud every day by assholes like you.
And even if someone never gets good, even if they just splash around in stupid ideas and awful prose and incoherent characterization... so fucking what? No one owes you beauty. Sometimes the beauty is just in having fun with what you're doing, and sometimes that's enough.
I am actually extremely relieved that fandom isn't quite as cruel as it was when I was a kid, but I won't pretend that things are perfect now. People still have this weird entitlement to them, like other people in fandom only exist to create things that they enjoy. Like other people only have worth, only matter, if their presence gives you exactly what you want when you want it.
You don't have to like everything that other people make! You don't even have to like them. But come on, now. Let people have fun. And don't act like other people's fun is only valid if it's of use to you.
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One reason why I think Mila Finelli's mafia books do work for me better than most other (Italian--I did really love Kresley's series) mafia romance novels I've read is that the characters do feel DISTINCT and so do the relationship dynamics.
In a lot of these somewhat darker, more erotic reads, you do get the sense that any of the characters could be switched out for one another. The heroes are always the same types of alphas, the heroines are always the same types of a) virgins or b) defiant rebels who may also still be virgins, and what really sets the books apart are a few bananas scenes here and there, and some distinct sex scenes.
And while I definitely think there are distinct sexual dynamics and kinks at play with each couple (Fausto/Frankie are obviously daddy kink-central, Enzo and Gia are.... generalized freaks with some heavier BDSM by way of CNC vibes, Giulio and Alessio also have some D/s vibes but with a more competitive edge and are very into each other's violence, and Giacomo/Emma are obviously a breeding kink/softer touch vibe) they're also just super different people.
I guess the closest couples would be Fausto and Frankie and Enzo and Gia, but even then... Fausto is a dick, but he's more rational, more doting (see: daddy), and though Frankie is absolutely defiant and strong, I actually think that though she and Fausto have more of a traditional partnership in terms of gender than Enzo and Gia (which also could be because Frankie wants a billion kids and yes she has her MBA but she's very much a wife and mom first, whereas Gia is more about her career, which keeps them from being too similar). Enzo and Gia are more into the defined D/s shit sexually, but you get the sense that she has more control in the relationship and that, at the end of the day, he is very much... her bitch. Enzo and Gia have a very similar age gap to Fausto and Frankie, but Fausto and Frankie have more of a care-focused DD/lg relationship, whereas Enzo and Gia thrive on the friction of her giving as good as she gets.
And Alessio and Giulio, aside from the obvious of being the only queer relationship in the series, are very much coded as D/s as well... But not as inflexibly as the previous two couples. Aside from them switching it up in the bedroom a little, there's also a lot of space for Alessio to take care of Giulio. Like, Giulio kinda doesn't know shit about what he's doing lol, whereas Alessio is hypercompetent (which also makes sense, as Fausto for sure spoiled Giulio and Alessio has been in essentially a different class his entire life). So while Giulio is more sexually dominant, Alessio is really the stronger, steadier, and more threatening partner otherwise. And again, they both really get off on watching each other do what they do best, which is: crime.
I do think Giacomo and Emma have the softest relationship in the series--but it's not so much because she's this kind of babe in the woods virgin (and I will say, I did love that Frankie and Gia were NOT lol) but because Giacomo is just a much more tender guy. Like, yes, Fausto and Enzo both also had loved ones, but I think that because they'd both been running their shit longer than Giacomo had before he met Emma, they had these very set roles. Fausto and Enzo come off as more brutal, and honestly more crazy (like, Enzo is THE CRAZIEST for sure, but Fausto is a fucking nutball). Giacomo seems like a dude who's good at killing people and doing mafia stuff, but it's really like? His day job. It's not his life and it doesn't feel like his culture, even, which makes sense because he was on the fringes of the types of levels Fausto and Enzo have always been in, because his father and brother kept him separate from it. Even Giulio is more connected to that space than Giacomo, because he was groomed to take over for years.
I think it would be very easy to rely on these great sex scenes and wacky plots she writes, but the thing that does make it clear that Mila has the chops (.... and it also makes it clear that she's very experienced, lol, and someone who has had to write series with very individualized characters for professional editors in the past........) is that the characters are very DIFFERENT. Like, Frankie and Gia may both have their partners' balls in their pockets, but you see Frankie do a wheedling kind of little girl pouting thing to get her way with Fausto because she knows he looooves it, whereas Gia is like LISTEN UP ASSHOLE with Enzo (and it makes the relationship the best because nobody else can do that with him, Enzo and Gia are the greatest, thanks for coming to my Ted Talk). Giacomo is willing to let Emma go in a way that Fausto, Enzo, and honestly I would say Giulio too after working out some things, really aren't okay with. He's probably the best guy out of the series, on a moral level, while also being a scary murder man.
(Except for maybe Alessio? Because Alessio is also a scary murder man, but he literally just does it for the cash or to protect Giulio. It's PURE BUSINESS.)
I find the distinctiveness of the characters really cool, especially when I reread the books, and that is probably why I've had a hard time finding a series that really clicks for me in the same way within the sort of Italian mafia genre.
(That, and: so much of the other books center on Italian-American mafia stuff and that shit DOES NOT HAVE THE SAUCE the way Mila's Italy-set books do. Like, be real here, the Italian-American mafia has not been raking in this kind of cash for DECADES.)
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