Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.
I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.
Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.
Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.
I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).
Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.
Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.
Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.
Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.
Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.
Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.
Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.
Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.
There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.
Okay: back to Kabru (under the cut).
I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.
And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.
The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.
We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.
Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.
This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.
Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.
We also have this very important moment:
It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.
And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.
The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:
Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.
This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.
While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.
Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.
I hope I've explained my reasoning without becoming too insufferable.
To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.
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Identity reveal shazamily fic idea:
They're fighting some big bad in a huge cave or throne room or in an air pocket miles underwater (the Rock?) and the league and shazamily are all there, every two stuck in separate areas (magic barriers? Cave ins? Enemies simply not letting them close?).
The roof is starting to collapse. Billy catches it, but with his powers divided, he's struggling. With a time limit before he falls, the battle intensifies.
Mary and her jl partner fells her opponent first, and looks across the room just in time to see him stagger under the crushing weight. She cannot reach him (in time?). They meet each others eyes. The wisdom of Solomon, or perhaps Mary batson, has an idea.
In a crash of thunder, she detransforms, in front of their enemies, and the entire justice league.
With power returned, captain marvel stands a bit straighter. The roof grows heavier. Cracks scatter across the high ceiling.
As Mary is carried to safety, the family understands what they must do.
In conjunction with the league member they were trapped with, they work to defeat their opponents, and one by one transform, each time revealing people too small, too young. The crash of thunder marks each victory. Rubble starts to fall and shake the earth as the league members pull their partners to safety, gathering together by the entrance, bandaging their wounds. All eyes are on Marvel, trapped under a great pillar of stone. (They have been working with him for years now, but each of his family has been revealed to be children. Is he, too?) Each time he raises the ceiling a little higher, and each time it grows heavier as the battles and the ticking clock destabilise the thousands of tons above.
At last, the final group win, and exhausted league members piggy back the last child hero over the rubble.
All are evacuated, but Marvel cannot move. Rapid power transfer and hours of stress have taken their toll, and he needs to transform back as well.
Finally, finally, green lantern and superman reach him, and with their help he is freed, collapsing to the side in relief. No one says a word.
With one final lightning strike, the last member of the team is revealed.
He's twelve years old.
And the league needs to take them all to safety.
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Hey! It's me again, I've been a little needy these days and I'd like to make a request, something really cute.
Valeria, Farah and Kate.
Like, they spent the night with you having fun at home, but in the morning they had to leave for work without even having time to say goodbye, but before leaving there was a noticeable mess that remained in the house, a tremendous mess. But when they arrive late from work, they find the house shining completely clean, and soon they find the reader sleeping in the living room with the TV on, but still sleeping peacefully, because her tiredness does not allow her to stay awake to receive them.
(I would love to be spoiled by Valéria in exchange for being her housewife)
I think this scenario is so cute and I love your writing, and sorry if something is wrong, I'm using the translator again. Kisses and have a great day. <3
Hey! That's a really cute idea! Sorry this is short, I'm just really tired again tonight!
Valeria, Farah and Laswell Finding Reader Asleep
Valeria: She’s not particularly surprised to find you asleep, she usually comes home extremely late at night. However, the sight warms her heart every time. Stands in the doorway for a few seconds, watching your chest rise and fall as you sleep, a small smile on her face. It’s only afterwards that she realizes you’ve cleaned your shared home. Valeria will sigh a bit, the home was in complete disarray when she left, so it must have taken a while for you to clean it all up. No wonder you’re asleep. Although she may not be the tallest person, Valeria is strong, so she’ll pick you up and carry you to your bedroom, giving you a kiss on your forehead. During these moments she loves nothing more than to hold you, even if she normally isn’t a very touchy feely person. But something about you being asleep in her arms as she carries you, completely vulnerable, just gets to her. However, it won’t be long before Valeria goes to bed herself, getting ready for such a thing, she’s tired as well. The day after she’ll spoil you rotten, though. You’ve earned a nice reward for being such a good spouse for her, and so she’ll take you on a fancy date. Or maybe, since you’ve cleaned your home so nicely, she’ll just stay home with you to cook a good meal together. The choice can wait, she’ll just ask you later.
Farah: She’d be ecstatic to see you’ve cleaned your home. It must have been a long and boring task, but she truly does appreciate it. Like Valeria, she watches you for a few moments, thinking about whether or not she should wake you up. In the end she decides against it since you truly must have been tired. However, she will drape a blanket over you and give you a small kiss on your cheek, hoping to not rouse you too much in the process. Farah makes herself a small snack so she has had something to eat before she finally goes to bed herself. However, she doesn’t go to bed, she joins you on the couch, holding you close and nuzzling into your hair. While she may be extremely tired herself, she still daydreams a bit about how she could possibly repay you for doing that Sisyphean task. Anything from ordering takeout and paying to going on a walk during the sunset sounds good to her as long as she can show you her appreciation. Since she’s feeling very content around you, she might also start humming a bit, knowing fully well that you can’t hear her. But it’s just something she does when she feels comfortable around someone. Plus it helps her fall asleep too. In the end she’ll likely settle for something calm like staying at home and just cuddling the day away while thanking you. Or just doing whatever you say so she can feel like you’re getting enough rest and she did something for the household as well.
Laswell: By the time she’s home the sun has probably almost risen anyway given her line of work. Laswell would be dead tired, so I’m not even sure she’d notice you having cleaned right away. However, she would see you having decluttered the desk in the living room and be grateful. Although she may almost fall asleep herself, standing in the doorway and barely noticing her surroundings, she will see you sleeping on the couch and immediately think about sleeping next to you. Granted, Laswell isn’t a very cuddly person either, and she can’t sleep particularly well holding someone either, but she thinks it would be unfair if you slept on the couch while she slept in the bed. At least that’s her logic at the moment. She won’t even try to carry you to bed, she just wants to head to bed. Gets changed and stands still in front of the couch for a few moments before draping a blanket over you. Naturally, she’ll turn off the TV, but afterwards she gets some shut eye for a few hours as well. Only in the morning does she notice that everything is spic and span. Laswell will feel bad if you woke up before her and made some breakfast. However, she will make it up to you as well. If there’s anything you ever need from her, she’ll do it. She’ll have done it before as well, but she doesn’t want to be indebted to you. Gives you a kiss before promising you that she’ll clean up next time. Either on her own or with you. You did such a good job, she’ll likely get you some cake to show her thanks in the meantime.
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Seen quite a few people comment how they believe it's more likely the Dragodile Divorce happened due to ideological differences rather than because Dragon was too straight to stay with Crocodile, and. Like I did suggest that (or at least tried to) in my Crocodad Giga Thesis (really I should've been more clear about it in my essay so I wouldn't be writing this now lol), but like yes, Dragon and Crocodile absolutely have drastically different beliefs on How One Overthrows The World Government. And that absolutely could have contributed to the two separating and/or Crocodile deciding to go his own way instead of becoming a proper Revolutionary
Because like, as I tried to imply in the essay (but failed to deliver); if Crocodile's goal had always been to get Pluton so he could just nuke Marijoa off the face of the earth by himself and end it all in one go, then Crocodile and his way of thinking could work as this, like... contrasting opposite to how Dragon believes things should be done.
Some fans (unfairly imo) call Dragon a "fraud" because over the past 20+ years he has only attacked Marijoa and the WG directly just once, and even when he did, instead of doing something to stop their corrupt reign for good... the Revs destroyed... the Tenryuubito's... food storage..? Like. Sure, that'll bother them for a little while, get their panties in a good twist etc, but in the end they're just going to demand more tributes and more free food. The Revolutionary Army may be successfully inspiring more people and more countries to rebel against the World Government's corrupt rule, but the Tenryuubito are still in power and will continue to be in power for a long time.
And that's kind of how Crocodile would greatly complement Dragon within the narrative. Dragon being arguably "too soft" with his slow, methodical way of overthrowing the WG, while Crocodile would just kill them all without mercy, even if it meant hurting innocent people in the process. The two would act as the opposite sides of the same coin, the different extremes of the same spectrum. Crocodile would become like a response to the complaints people have against Dragon.
And yeah, the two having such wildly different ideological views could VERY EASILY contribute to a divorce, for sure.
My thing is that... If (and this is an if) Crocodile is meant to go a character arc and grow as a person, if we're meant to see him as a sympathetic character at all and maybe even feel bad for him... It'll be much harder to write that if the Dragodile Divorce happened only because of the two having ideological differences.
Like who's going to feel bad for Crocodile if the two got divorced because Crocodile wanted to mass murder people and Dragon wasn't okay with it? That's not a tragedy, that's not a situation where we as the readers would feel for Crocodile and want to root for him. That's not something that would give a character unprocessed emotional trauma to heal from and overcome. He'd just be a villian who'd need to have his beliefs changed.
Where as, if The Divorce was caused by Dragon and Crocodile no longer being compatible due to Dragon being straight while Crocodile transed his gender... Even in the most respectful of scenarios that is a heartbreaking situation, a painful thing to go through. That is a tragedy without bad guys, a story where you could feel bad for Crocodile and want to root for him. That is a situation that would give him trauma to heal from.
And that's kind of why I so strongly believe in Crocodile's transition being a more important, contributing factor in The Divorce.
Again, this does absolutely depend on what Crocodile's actual role in the story is going to be and whether or not he's even meant to go through a character arc at all. Like if he's not going to be that important and if he isn't meant to go through an arc then sure, Crocodile's transition doesn't have to matter one fucking bit.
But if he is meant to go through an arc, if we are meant to feel bad for him and find outselves rooting for him eventually... From a writing perspective, that'll be far easier to do if we can find ourselves sympathizing with him even just a little bit.
Also like. Yes, you can have queer characters who are just queer for the sake of being queer, their queerness does not have to be an important aspect in them or a huge plotpoint in their story at all. Crocodile could be queer just for the sake of being queer. Because that's what it's like being queer, you just are what you are.
At the same time, from a writing perspective. What would even be the point of making him queer if it didn't matter to his character at all and have an impact on his character?
Also while Crocodile and Dragon clearly have very different beliefs on how the WG should be dealt with right now, we don't really know when Crocodile came to his beliefs. Like for all we know Crocodile could've formed his worldview years after the divorce. Hell, based on the way he spoke to Vivi about her ideals, and how we know he spent over a decade in utter emotional solitude, his current worldview could have been partially born from resentment towards Dragon (and his ideals) that's been simmering away over the years.
All of this to say; yes I think the two's beliefs could have been a contributing factor in The Divorce, but from a writing perspective (and based on the direction I personally want to see the story go), I find it far more likely if Crocodile's transition was the main cause, one way or another.
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