#How to Fail Podcast | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

US Tumblr user growth rate is estimated to slow down to 4.1%.

#How to Fail Podcast

denimbex1986 · 3 months

Text

'Dublin-native Andrew Scott is making headlines at the moment after starring in All of Us Strangers with Paul Mescal.

The film, which is inspired by the 1987 novel Strangers by Japanese author Taichi Yamada, explores the queer relationship between Andrew Scott’s character Adam and Paul Mescal’s character Harry.

As Adam and Harry’s relationship intensifies, the former visits his childhood home in Croydon and comes out to his parents, played by Claire Foy and Jamie Belle – the twist is his parents died 30 years earlier.

Speaking exclusively to PinkNews on the red carpet at a UK screening of All of Us Strangers ahead of its release on Friday (26 January), Andrew Scott reflected on the importance of seeing queer sex represented.

As there’s an appetite for all things Andrew Scott at the moment (and rightfully so), we thought it would be a good time to take a look at his LGBTQ+ story so far.

When did Andrew Scott come out?

Scott first commented on his sexuality in 2013 in an interview with The Independent while promoting a BBC Two drama titled Legacy.

“Mercifully, these days people don’t see being gay as a character flaw. But nor is it a virtue, like kindness. Or a talent, like playing the banjo. It’s just a fact. Of course, it’s part of my make-up, but I don’t want to trade on it,” he said.

He recently told GQ that he was “encouraged by people in the industry” to keep his sexuality a secret.

“I understand why they gave that advice but I’m also glad that I eventually ignored it,” Scott said.

Scott started out on stage

Scott was a stage actor in Dublin before moving on to the world of film and TV, making his debut in the Irish drama Korea, which premiered at the Toronto International Film Festival.

He had small roles in Saving Private Ryan, Nora, and Dead Bodies, plus a number of other movies.

Scott became a ‘gay icon’ after appearing as James Moriarty in BBC’s Sherlock, sparking countless memes and fanfiction about the potential queer relationship between his character and the titular character played Benedict Cumberbatch.

In 2014, Scott appeared in Pride, a movie honouring the LGBTQ+ activists that raised money to help families affected by the 1984 miner’s strike.

More recently, many will recognise Scott from appearing as the ‘Hot Priest’ in Fleabag as well as playing Colonel John Parry in His Dark Materials, a BBC adaptation of the popular Phillip Pullman book series.

Scott relied on his own pain when filming All of Us Strangers

Homosexuality was illegal in Ireland until Scott turned 16 and he had to grapple with his sexuality and the fear he had in coming out. Scott’s complicated feelings about being gay was something he brought to set every day when filming All of Us Strangers.

He told GQ that he would walk around director Andrew Haigh’s childhood home, the set for Adam’s parents home in the film, and look at all the magazines that he himself had grown up with. Haigh told GQ that he could see Scott revisiting his past: “It’s so interesting watching someone react to something because you can see on their face they’ve been dragged back. It’s like time travel.”

Scott added: “I think that’s maybe why this feels so gratifying and cathartic. Because I did have to bring so much of my own pain into it.”

Scott and Mescal previously told Pink News that an uptick in the number of queer sex scenes in film and TV, including in All of Us Strangers, is “wonderful”.

Scott said: “What’s going to help bring the world forward is just to have representation in that sense. I always say [that] as a queer person, seeing straight relationships constantly and almost exclusively, it hasn’t made me disgusted to look at them. I just go, ‘there you go’.”

Though Mescal is straight, the two actors have great chemistry according to Haigh.

“It was clear to me that [Scott and Mescal] liked each other liked each other a lot as actors, as people. The characters are falling in love, so the actors know how to generate chemistry.”

“They clearly have amazing chemistry, and they’re really good friends now, and they care and love for each other. So, something magical happened. I’m very grateful for that,” Haigh told Sky News.

What will Scott be seen in next?

Scott will soon be starring in new Netflix thriller Ripley, an eight-part series based on Patricia Highsmith’s best-selling Tom Ripley novels.

The story follows a con artist who is hired by a wealthy man to get the man’s son to return home from Italy, when everything goes wrong and descends into fraud and murder.

Scott plays the titular character Tom Ripley, alongside Johnny Flynn and Dakota Fanning. The series premieres on Netflix on April 4, 2024.

He is also expected to appear in an upcoming action comedy film with Jamie Foxx and Cameron Diaz titled Back in Action. There is no release date for the film at the time of writing.

Andrew Scott husband?

Many people (probably people who are quite hopeful that Andrew Scott is still on the market) have been Googling whether the Fleabag star has a husband or partner.

While Andrew Scott keeps his personal life very private, according to Hello Magazine– it’s thought that he is currently single after splitting from his long-term partner, writer Stephen Beresford, in 2019.

He’s previously appeared on the How to Fail podcast speaking about relationships in January 2020, and said: “You learn from people. It’s not about the length of time you spend with somebody. My life is different now. I feel like my attitude towards relationships and my attitude towards myself and sexuality and all that stuff has changed, and that came about from having the courage to be on my own for a bit, quite a scary thing to do.'

2 notes · View notes

variksel · 1 year

Text

takes a drag of my coolguy cigarette I dont know man the fact that all of the s1 dads' original dad haha funnyman tropes were at first only jokes to make fun of middleaged middleclass middlebalding cishet white american men with but the second their fathers and the traumas of the daddies' pasts stepped into the plot they tied themselves into the initial premise and dad tropes so fucking perfectly i mean TAKINGANOTHERBIGINHALE darryl the christian who married his highschool sweetheart and started living the picket-fence "kid-and-a-house" american dream relatively young while idolizing his own dad has a father who died before darryl had properly talked with him and found out more of his faults and nuance henry the pacifist pretentious vegan dad has a father who thinks hes better than everybody else and wants his son to repress his anger and anxiety because he feels he is morally above emotions glenn the distant but cool rocker dad who tours the country without his son on christmas eve has a dad who glenn wasnt even sure if he had died back on earth because it had been so long since he had heard of him ron the emotionally detached stepfather who doesnt seem to care to remember his stepsons name or a single fact about his personality has a father who used everything in rons life to hurt him including his love for his dog AND his love for his father when he asked him to go fishing with him knowing despite all hes done ron would still somehow desperately want to make his father proud fuck me running anthony burch doesnt get enough credit

#darryl wants to be everybodys shield and-#not realizing that he cant do that and also people wont let him if he doesnt share his own burden #this podcast makes me insane #also while i was writing this my brain went he doesnt see himself as a good enough father so he tries to act as someone who tries to carry #he feels like hes failed as a father because his marriage is on the rocks despite marriage being forever. he thinks he shouldve had his-#happily ever after already but things keep going and life keeps moving and not everything is perfect and he doesnt know how to deal w it"#thats all i just really had to like put this all out there #dungeons and daddies #dungeons and daddies spoilers #dungeons and daddies odyssey #dndads s1 #dungeons and daddies season 1 #darryl wilson #dndads glenn close #glenn close #henry oak #ron stampler #paeden bennets #oakworthy

340 notes · View notes

just-an-enby-lemon · 1 month

Text

Thinking about the complexities of a "losing your magic" story in a DnD (and similar) scenerio because what it means completly depends of your class. Because while not everyone is born with magic, everyone can have it.

How for a sorcerer losing their magic is genuinally about losing a part of themselfs, to suddently not being able to do something they always did. Losing your magic is like sudently losing a limb or one of your senses. And how besides being always theirs, their magic is ancestral how it can mean losing a connection with a part of their family history.

How for paladins is about morals. About breaking their vows whatever they are, dealing with the fact that they changed or maybe that morals were always way more complicated than they thought they were. (The Oathbreaker subclass changes things but I think it can work if Oathbreaker is one of the ways to embrace the emotional conflict that took your magic). Is almost phylosofical. Is the what makes Thor worthy?

How for druids, clerics and warlocks are different levels of losing a connection. For druids is with nature, with a force beyond their comprehension but that became a part of you for so long and who are you without this feeling? For warlocks is so many things, is losing a boss, a friend, is the price of freedom, is the loss of whatever you had with the sentient being that gave you powers. And for clerics is a mix, is about if their gods are feelings like nature or beings that talk to them, but whatever it is, for clerics, for clerics is a lack of faith. Is about what happens when you doubt your god, when you can't belive it or in it. Is also about what happens when your god doesn't belive in you.

For bards and mages is the loss of a skill. The bards might have the loss of their playing or voice but even if not, even if is just the magic that is gone, well they, just like the mages, studied hard to be abble to do magic. If for a sorcerer is like losing a limb, for them is like waking up in the morning and noticing your accent changed or that you don't speak a language you once did anymore, is trying to ride the same bicycle you used to go to work everyday and noticing you just doesn't know how.

#now since i'm listening to rqg #i need need to point out #that it started with me thinking aboug rqg wilde #and the differences between hamid's fear of losing magic and wilde's actual reality after losing his #and after getting it #thinking about how rq wilde speaks with a posh british accent #not a hint of the irish he had to have had #and thinking about how trying to do prestigiditagion and failing for him is actually similar to the day he realized it #the day he noticed his thoughts were not in irish gaelic anymore #also a thing hamid and him can totally bound about because hamid also lost his cairo accent #rqg #rusty quill gaming #dnd #pathfinder #ttrpg #loss of magic #in a less this specific podcast does degenerative disorders like dementia and Alzheimer affect bardic and mages magic?#does amnesia affect their spells?#are they muscle memory?#is some of them muscle memory and some not?

23 notes · View notes

heycarrots · 11 months

Text

Happy Friday, Black Sails Nation!

It’s Fan Fic Friday and Episode Three of Reading Between the Lines Podcast is out . . . NOW!!

Episode three: Your Life for Mine features the beautiful work of Mary, aka VVitchqueen and her compelling Eleanor introspection.

The fic itself is neat and concise, but the discussion . . . whooo boy!! Tuck in with tissues, because it’s LONG and there’s some trauma!

Once again, I want to send out a profound thank you to @magicbubblepipe for his gorgeous and super sad cover art, inspired by a shoot I did back in my hay day. When I did it, I wanted Marilyn Monroe looking in the mirror and seeing Jean Harlow, the woman from whom she’d taken most of her inspiration, from her platinum blonde hair and comedic timing to, ultimately, her untimely death.

Kelsey took that image and that idea and gave us the repressed season three Eleanor, shoved back into England’s tightly corseted grasp, looking at the freedom she sacrificed in exchange for a pardon and the comfort of Woodes Rogers’ protection. Eleanor sees what her future becomes and she mourns it.

Reading Between the Lines is available on both Spotify and Apple Podcasts. As always, I would encourage you to share your enthusiasm and feedback with Mary and Kelsey for their fantastic work and while you’re at it, subscribe, rate and review on Spotify or Apple to boost the podcast’s visibility.

To anyone sharing, listening, supporting, and even better . . . participating . . . I thank you from the bottom of my soles to the tip of my head.

To anyone about to rub elbows with one Luke Arnold, I see your joy, I’m happy for you, and I’m also SEETHING with envy! 😜

36 notes · View notes

smidgen-of-hotboy · 4 months

Text

@one-joe-spoopy you asked a few days ago about Miasma in my monster hunter au. It has taken me two days, but I've reached a point where I'm content enough to share my thoughts finally (and @esquemeencanta I haven't forgotten you Jove <3)

This is the tale behind Juno losing his original eye to Miasma. Sometime after this encounter he gets a new enchanted magical eye from Ramses O'Flaherty, finds out he's a changeling actually named Jack Takano, and after that shit storm, Juno gouges the magical eye out himself (almost dies trying). The continuation picking up with Hunter Steel and Hunter Glass is in the back of my mind. I've been fried trying to think of how Juno fights a monster he knows next to nothing about, and how he's supposed to do it alone (because ya know- he's stubborn like that)

! Obligatory guts, gore, blood, and violence and angst warning !

Juno works for the Hyperion Monster Hunter Association. He's brought Rita along with him and together they've been doing pretty well. Falco reached out a handful of times but after enough missed calls caught on that Juno wasn't going to come back to HCPD. By then, Juno had made a name for himself as a hunter in Hyperion. He was seeked out for personal jobs often enough that he didn't need to rely on the job postings from the HMHA. Sometimes though he still takes a posting.

There had been a few postings for a series of disruptions in the valleys down south of Hyperion City for a few months. Other Hunters had taken up the jobs and died trying to hunt down whatever monster was out there. Reports from the Cerberus Province were coming in:

Puddles of black gunk have been forming overnight. Anything that steps in it immediately sinks to the bottom. It is unclear if there even is a bottom to these pools.

Vehicles are being broken into and stripped for parts.

Earthquakes are being recorded, rumbling every few hours like clock work. This area is not known for experiencing earthquakes.

Other monsters have been found dead, disembowled and drained of their blood.

Juno takes the latest job request and gets Rita to look over some survey maps taken of the area. She finds that where the monster carcasses are turning up, there was a puddle of gunk there previously. She says she may be able to find out more if Juno can collect a sample. He obliges and returns to her a day later with a small jar full of gunk. His hands smell like burnt tar.

Rita runs a few tests on the jar of gunk and she finds that it has a mostly liquid state, but when disturbed it solidifies. A non-newtonian liquid. Like water mixed with cornstarch. It oozes slowly but seizes up when jostled. Rita makes a comment that she can't stand the smell, "it must taste pretty bad too. Don't know why any monsters would be getting so close to it." Juno unscrews the jar and sticks his finger in it. Rita watches horrified from her computer at their office as Juno proceeds to sniff the gunk (bad idea), and lick it (super disgusting idea).

Juno finds that even though the gunk smells bad, it tastes... okay. Little bit of a burnt wood taste to it, but nothing awful. It's almost sweet. Kind of savory. He goes around asking other hunters at the HMHA to try it and many refuse. The ones that do all come to the same conclusion as him: a little burnt, kind of sweet and savory.

One Hunter boldly takes the jar from Juno and spills it out over a table. Nothing happens at first as it slowly spreads out, but soon enough it's like the gunk has a mind of its own. It begins to almost crawl. It "oozes" across the table. Juno slams the jar back over it, the other hunter tries to frantically scoop it back into one mass. They eventually get it in a cup and back into the glass jar. Rita is not impressed when she hears about their sheer stupidity.

Juno brings the jar home and shows it to Ben. This whole time Ben has been hearing about the ooze from Juno and listening to his calls with Rita, but hasn't actually seen it. He looks at it in the jar and takes a good whiff ("Juno what the hell... you licked this? Gross... will I lick it? Yeah sure- when I'm dead! Put that lid back on or so help me.") Ben asks Juno what happens when it's introduced to heat. He says he isn't sure but according to Rita,

"In theory, it should just solidify. Non-Newtonian fluids cannot withstand extreme heat. The liquidity part evaporates. Just leaving the solid-ity part."

"I'm impressed. You listened to her."

Juno frowns. "I always listen to Rita."

"That's not what I meant. I meant: you listened to her, and you even sound like her now."

"... haha, very funny Benten... do you want to help me find out what happens when you introduce this stuff to fire or not though?"

Ben and Juno are both extremely smart in their own ways. They are also both extremely dumb in the same way. Ben lights the stove, Juno holds the jar with a pair of tongs, and they watch with bated breath as the gunk tries to hop out of the jar as it gets hotter. Eventually it stops moving altogether. And sure enough, when Juno removes it from the stove and lets it cool, it's solid.

Ben asks Juno what he's going to do and Juno simply says he's going on a Hunt.

"You can't be serious? Juno- this is dangerous. You're going to literally be playing with fire."

"I can handle it."

"Juno- I'm serious. Take this seriously."

"I am."

"Then you'll listen to me when I say, it'll make me feel a whole lot better if you take someone with you."

"You know that's not how this works Benten-"

"A Kanagawa hunter would be more than willing to work with you. Hell- what's her name Big Eyes would probably kill to work with you again."

"BENZAITEN! Enough! This is my job alright? I don't tell you how your recitals should be going or what stretches you need to be doing! You don't get to boss me around about how my Hunts go. End of discussion."

"Juno-"

"No. We're done. I'm going to bed, and tomorrow, I'm going on my hunt."

Juno goes to bed without saying goodnight. He wakes up and leaves for the office without eating or saying good morning. Ben calls but he doesn't answer. He calls Rita and Rita relays the message "just tell him I'll be waiting at home and- good luck."

Juno takes with him his pistol, shotgun, a flask of vodka, canisters of gasoline, a box of matches (Ben's brand), and an empty glass milk jar. He drives out to the valleys between HC and the CP to the largest black pool and starts pouring gasoline into and around it. He brought five of them with him. Rita said that his plan was dangerous. ("maybe we can get a hold of Ms. Cassandra and find out if-" "I'm not bringing Cass into this. This is my hunt. I'm doing it my way.") She made him agree that if she didnt hear back from Juno in an hour, she would call Juno, and if he failed to pick up she'd ask for assistance ("I ain't takin no as an answer Mista Steel." "You and Benzaiten worry too much." "Sorry Boss, but you're important to us.")

Juno stands back as he strikes a match and tosses it into the gas. He watches the pool erupt in flame. The ground trembles underneath him. Juno falls backwards. Something rises out of the pool... a monster.

Covered in black gunk, reeking of burnt tar, a monster on fire towers over him. She hisses and squeals. She would be beautiful if half her face wasn't torn off and the other half on fire. Black tentacles rise with her. She has a maw full of razor sharp teeth that go around and around in rings. In that moment, Juno knew he was fucked and would likely die. But if theres one thing being a Steel had prepared him for, its to not go down without a fight.

Juno brings around his shotgun and fires. He lands two bullets that lodge themselves in the monster. She hisses and growls, lunging at him. Her hands are sharp talons. They dig into his shoulders and drag him through the ground. Forgotten is the flask and jar. She rises again towering over him. He takes aim and fires another shot that embeds itself in her shoulder. She howls, a tentacle comes slicing through the air. He rolls out of the way in time and continues rolling as more trail after him.

He remembers the flask when it falls out of his coat. He takes hold of it and unscrews the cap, gulping a mouthful and holding it in his cheeks. With shaking hands he reaches for another match and lights it. He turns and spits the vodka into the flame, lighting a trail of flames that follows a tentacle of black tar. It spreads and the monster catches fire, screeching, leaving Juno time to unholster his pistol. He takes aim and fires off a few more rounds at her, slowly limping his way back where he dropped his shotgun and the milk jar. Finally, one of his bullets lands at her core. The monsters screeching turns to silent wailing.

Her size has shrunk as most of her body has caught fire, the rest is riddled with silver bullets. She clutches two appendages over her chest where the last bullet struck. Frantically trying to dig it out. She slowly tries to slip away as Juno grabs his jar and makes the dumbest decision he could've ever done: he runs towards her. He holsters his pistol, unscrews the jar and keeps the lid in one hand. The monster musters what remaining strength she has as both of the appendages over her chest shoot out. Two things happen at once:

One. Everything comes down to a singular point of pain. Juno feels it as his eye gets scooped out and he just about blacks out.

Two. He successfully scoops the monsters core inside the jar. The lid comes down on it, and monster screams as she shrinks to fit inside her small prison.

Juno has just enough strength left in him to screw the lid on. He blacks out shortly after.

(Ben calls Juno and then calls Rita when he can't reach him. He insist she call him right then and there because "something is wrong. I know it. Rita- listen to me. Call it' call it twin intuition, alright." Intrigued by this Rita calls Juno and when he doesn't answer her she calls in Cassandra.

Cass says she isn't in the mood to save Steel’s sorry ass. Ben takes Rita's comms from her to speak to Cass directly, "You owe me Kanagawa. I'm calling in your favor to me. And if you don't uphold our deal Cassandra, I will make your family's life hell." Rita has always liked Benten. That day she understood what Juno means by "Ben strikes the fear of Benzaiten into you".

Cass rides out to the valleys on her motorbike and finds a giant gaping hole in the ground. Beside it- Juno Steel. Cass turns him over carefully removing the milk jar. She sees his fucked up face and hauls him inside his truck. She tosses his shotgun in the backseat and straps the jar in next to her as she floors it back to Hyperion City. When Ben meets her at the hospital she apologizes and says she still owes Ben his favor, she shouldn't have brushed Rita off so quickly. All Ben does is tell her to leave. Rita promises to give her a call when Juno comes around.)

Juno wakes up in the hospital. He panics unable to see out of one eye. He tries to sit up and falls back groaning and grunting in pain. Something shifts next to him and he turns his head. It's Benzaiten. Bathed in golden light.

"Do you remember what Ma used to say, whenever she found us fighting? Fighting over the Andromeda costumes and Turbo toys?"

"Benten-" Juno wheezes and coughs. Ben turns and fills a glass with water. He carefully hands it over to Juno without a word.

"Ma used to say that we shouldn't fight. She didn't want us to fight because when it came down to it, there was only us in the world. She said- if we wanted to get flattened, we go and lie down in the road, but we aren't supposed to do that to each other." Ben smiles. At least Juno thinks he sees him smile. The sun glares behind him creating the perfect halo. An angel. Juno's angel.

"Ma said that when she was gone, we would have to rely on each other, and that meant we couldn't fight. We need someone else so that when we're not tough enough, they can be." He takes a shaking breath. Juno sips his water and parts his lips. Ben shakes his head and holds a hand up. "Save it, I'm not done.

"Ma said a lot of things before she died. She wanted nothing but the best for us Juno. She wanted us to look out for each other, wanted us to fight the big mean world together, and she wanted us to live. I know you never believed her. I know you don't believe her now- but she was ours. She was- Ma. And you're my brother. Ma is gone. Annie is gone. Oldtown is dying. Sasha left. Mick can hardly take care of himself. And you're all I have left Juno... I need you Juno. I need you to be alive for me because I can't be tough enough for this world. I want you alive... why can't you want that for yourself."

Benzaiten stands from the chair he's in and walks around Junos hospital bed. In proper light Juno can see the bags under his eyes and the tears streaking down his cheeks. He takes the glass from Juno's shaking hands and sets it aside. He pulls Juno against him and half folds his body over, half shields his twin.

The same mouth. Same hands. Juno broke his nose when they were still kids. Ben broke his ankle a year ago. Their noses are different. The way they walk has changed. But the one thing that no one could take away was their matching gaze. Their matching eyes.

(Ben leaves the hospital to visit Rita. She welcomed him inside her home without a second thought. She opens a window and sits down at her breakfast table while Ben takes a cigarette from his pocket and lights it. He takes a long draw and holds the smoke in his lungs for a long moment. He exhales slowly. His tears have long since dried. He thought he cried himself out at Ma's funeral. He was wrong.)

Juno goes back out to the site in the valleys a few weeks later with Cass. She took the jar and kept it to herself. When she saw Juno in the hospital she asked about it. He just said to turn it over to Rita and she'd take care of it from there (to this day Rita still has it in her personal office at home. The monster watches her work. She finds it easier to work when she has something to explain her thought process to and the monster is frequently subjected to that. When she's not home Rita keeps it locked up inside a safe next to emergency bac up shrimp crunchies.)

Cass and Juno explore the gaping hole together. (Cass pulled her weight as a Kanagawa and had the site quarantined off from other hunters and the public). They find a whole underground network of chambers and lab equipment. Journals and notes. Juno flips through a few pages and together this is what they piece together:

Doctor Miasma was a human doctor. She learned about fae medicine and was desperate to get her hands on it by any means possible. In order to get any though she needed to cross over. So. She did. She forcibly opened her own portals and exchanged parts of herself, constantly replacing whatever she lost. Her arms, her legs, half her face. Eventually she gave up the last thing she had to offer: her humanity.

Miasma awoke a monster in the fae wilds. She used intimidation to force them to open a portal for her to cross back home. She created her underground lab and stocked it with soup. She ran experiments on herself. With practice she honed her hunting skills and had her first taste of fae blood.

Shortly thereafter Miasma lost more than her body and humanity. She lost her memories. She lost her name. She forgot her title, forgot her research, and simply became a monster that consumed.

Some part of her must have remembered something though. She broke cars and stole parts from them trying to build a machine to harness magic and open portals. Even after giving up everything, Miasma was still trying to get back to the fae realm

Cass finds the rotting corpses of dead monsters. Their blood not yet drained.

Juno's seen enough and with Cass' help climbs out of the hole.

"Cass- you write the report."

"Huh? Why? This was your Hunt. I don't need the credit or the money."

"And I don't want the attention it's going to bring. Write it. If you have questions call Rita."

(Cass swears this will be the last nice thing she does for Juno. She writes the report and hands it over to the HMHA. The senior hunters of the association are confused why she's handing in the paperwork. She shrugs and tells them "Steel doesn't want to handle the guts." The Kanagawas come in and clean everything out. Cecil does a live stream special walking through "the lab of a monster". Juno reads the newspaper in the kitchen while Ben makes them breakfast. Life carries on.)

#the “burnt yet savory taste” juno describes is bc she taste like burnt soup. burnt chicken noodle soup.#i ought to just start compiling a google doc for this au this shit is getting outta hand #the penumbra podcast #monster hunter penumbra au #private eye's keys go jingle jangle #smth about junos connection to ben is so so special and important to me #i started this au in my head years ago bc i wanted a silly au where ben is alive and he and juno bicker a bunch #and i still hold that close to my chest only now tho ben is a lot more fleshed out and his own person #ALSO PLEASE DO NOT TRY FIREBREATHING LIKE JUNO DOES AT HOME #that is NOT proper technique nor safety practices #juno steel the monster hunter is fiction and if i say he is dumb but doesnt get burned then thats just what happens. is it 100% realistic?#hell. no. he is fiction. his face is fiction. you and your face are not.#he succeeds because we can suspend our disbelief. we/you/i would fail because thats how the real world works.#just. thought id make it clear that i know it isnt the most realistic and therefore very dangerous but shhhh- shhhh....

5 notes · View notes

tomwambsgansbignaturalz · 1 year

Text

I feel like I had more thoughts on this when I was at work in the direct middle of doing tasks but something something Joel’s love language and way he shows he cares through acts of service is so so so true to him as a dad, like giving Ellie his jacket, his food, cleaning Tess up after she got jumped, his overall protectiveness to “cargo” hits so hard

#taking (failing but still) to take both watches instead of Ellie taking one #teaching her how to shoot a rifle even though she has a gun but she wanted to learn to hunt and hit a target #like being a dad is so ingrained in him forever and always #I think it was the official game podcast that said something like #he’s on a permanent path returning to fatherhood but I don’t think he ever really left #the last of us hbo #Joel Miller #pedro pascal #in another life he’s the dad who brings his kid a snack after a fight instead of apologizing ya know

21 notes · View notes

rudyardcunt · 1 year

Text

why work on the exam that’s due in less than two hours when i can start writing a wolf 359/EOS 10 crossover fic that would have done numbers in 2018 instead

#one why am i like this #two why am i only able to write fanfics for old podcasts #three how have i never actually failed an exam before

3 notes · View notes

Last Seen Blogs

thekitmanuk

The Kitman

differentreaderfromme-blog

siddhartha

cutelittleexo

Luna-4's Little Blog + Vex

minstitute

M Aesthetic Institute

clown-cryptid

Cryptic Cutie