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#he’s on a permanent path returning to fatherhood but I don’t think he ever really left
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I feel like I had more thoughts on this when I was at work in the direct middle of doing tasks but something something Joel’s love language and way he shows he cares through acts of service is so so so true to him as a dad, like giving Ellie his jacket, his food, cleaning Tess up after she got jumped, his overall protectiveness to “cargo” hits so hard
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tarysande · 3 years
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S6 Thoughts: A Tale of Two Brothers
But wait! There’s more. Thoughts on the overall arc of the series, Heaven and Hell edition:
In S1, Lucifer is “vacationing” on Earth but doesn’t plan to return to Hell. Amenadiel spends that season trying so hard to force Lucifer back to Hell, where he “belongs,” that he himself Falls. We’ve got this role reversal of an angel doing evil things to return the devil (doing ... good things, like solving crimes) to Hell. It’s all very “The road to hell is paved with good intentions.” 
In S2, Lucifer still has no plans to return permanently to Hell, but he’s willing to face it to save Chloe. Of course, this then leads to him experiencing his own forced hell-loop. Amenadiel is also conflicted. Though he’s changed enough that he no longer wants to force Lucifer back to Hell, he’s still uncertain where that leaves either of them. In fact, even when Lucifer pleads with Amenadiel to return him to Hell, Amenadiel refuses. However, when Mum plants the idea of returning to Heaven as a family, Amenadiel clings to that. He’s looking for a purpose. Lucifer, on the other hand, is still very much aboard the Heaven nope train. Here, we also get the foreshadowing of celestial war, and Lucifer’s rejection of Mum’s plan because “In war, there are always casualties.” He would rather sacrifice one--Mum, Uriel--for the many. But it hurts him. If he belongs anywhere, he thinks, it’s Earth ... but, ultimately, that’s shortsighted because we know he doesn’t actually want to be on an Earth that doesn’t have the people he’s coming to care about on it.
S3 is, as we all know, a bit of a mess. But, hey, it’s actually thematically appropriate! Lucifer’s having an identity crisis (wings) that just keeps giving (or taking), and even though subconsciously (we later realize) he gave himself the wings because he was, in fact, making progress reconciling his past and present, his conscious is backsliding like (pun not intended) hell. Much as he wants Earth to be home, he’s got these non-stop reminders of both Heaven and Hell. It makes complete narrative sense that this season reaches the point where he can no longer hide from himself--or from Chloe. 
In this season, we also see Amenadiel really start to settle into the idea of staying on Earth, of embracing humanity. He’s shedding the aloofness he once had. He’s learning (we later realize) how to be the kind of God who sheds mysterious ways in favor of boots on the ground. I mean, he doesn’t realize this. But Dad ... well, he has a Plan. Lucifer begins the season with sudden wings. Amenadiel ends it with his wings’ very deliberate return. 
In many ways, this season is about Hell on Earth and torture at the hands of an entity far more intentionally and deliberately evil than the actual devil. This is why the catalyst of Cain is so important. He is all the things Lucifer has been accused of being, only he embraces it in ways we’ve seen Lucifer reject and recoil from again and again. This season is torture (lol). It’s Hell. It’s every ugly thing lies beget. And much as we love Lucifer, we’re given an extreme close-up of how his omission of truth is very nearly as devastating as Cain’s outright lies. Of course, this nearly results in Chloe’s death (in more ways than one; you can’t tell me that godforsaken marriage wouldn’t have been like dying), and the devil’s vengeance results in the removal of Lucifer’s choice about the where and when to reveal his true nature to Chloe. 
Which brings us to S4, aka The Season of Angst. For Lucifer (and Chloe), anyway. Not so much for Amenadiel, who is set on the path of fatherhood, of responsibility, of partnership and not just commands he expects to be followed. In case we’ve forgotten how much Amenadiel has changed, Remiel “mini-Amen” shows up to remind us. In Linda’s “When angels fall, they also rise” of it, Amenadiel is rising again. He’s not the same as he was, no, but ... we didn’t like old Amenadiel very much, did we? Like Lucifer, Amenadiel is on a journey of learning who he is, the good and the ugly, so he can choose the parts he wants to keep with both eyes open. 
Of course, while Amenadiel is rising, Lucifer is falling. In having to deal with Chloe’s reaction to his devil face, Lucifer is put in the uncomfortable position of either growing enough to face his own darkness and self-loathing or retreating, very literally, into who he used to be because it’s comfortable and less frightening than the prospect of change and the unknown. Until it isn’t, right? The more he becomes the devil Eve remembers, the more uncomfortable he becomes. And the more frightening he becomes. Not to Chloe, as he fears, but to himself--though it takes a while to recognize it. If nothing else, we have to hand this to Lucifer’s subconscious: when it wants him to PAY ATTENTION DUMMY, it’s pretty good at getting its point across. If S3 was Hell on Earth starring Cain as the devil, S4 is Hell on Earth starring, well, the devil as the devil with bonus demons. It’s Lucifer’s earthbound iteration of a guilt-induced hell-loop. And at the tragic end, he chooses to return to the place he swore he’d never return, losing everything good in the process, but doing it for selfless reasons. So, that’s new. And it’s why there was still a sliver of hope even when things looked impossibly dark.
S5 begins with Lucifer in Hell--farther from the things he cares about than he has ever been, but also closer to his true calling. Not that he realizes it; this is Lucifer we’re talking about. So, of course it makes sense that as the season goes on, he’ll end up confused by suddenly having everything he always thought he wanted within his grasp. The Lucifer who led a rebellion against his father because he thought he could do better than God? Of course that part of him wants to be handed the job now. No--he wants to earn it. And while some of his reasons are not great, others are. His heartbreak about the injustice and unfairness of life, well ... who hasn’t felt that way? Who hasn’t wanted the power to unilaterally make things better? But that’s not how free will works. That’s not how choice works. While Lucifer wrestles with the necessity of becoming God, Amenadiel recoils from what his S1 self would have seen as his right and his calling. S1 Amenadiel would have made a terrifying and inflexible and absolute and judgmental God. Perhaps even a God closer to our imaginings of Evil than Good.
S6 is about how sometimes personal growth means we grow out of old dreams and acquire new ones. Sometimes, it’s about reimagining those old dreams, rebuilding them with new information. For Amenadiel, that means recognizing that the person he is now is the best man for the Big Job. It means recognizing that Heaven can be (a place) on Earth if he wants it to be. It means he sets aside the pride of “If God wants something done, he sends ME” in favor of delegation and accepting help--and in doing so, helping others (his siblings) discover their callings too. He learns to lead by example, tempered with love and humility.
In Paradise Lost, Milton’s Lucifer famously declares that it is better to rule in Hell than serve in Heaven. But our Lucifer ... his calling isn’t ruling in Heaven. That’s the old dream of a person who no longer exists. Ironically, Lucifer’s calling is to serve in Hell. Not to serve a distant, ineffable, unfathomable being’s mysterious ways, mind you, but to tangibly serve the humans he has come to love, and who have taught him so much about himself. Who have taught him about love and sacrifice and light and darkness and second chances and hope and faith. When Lucifer chooses to return to Hell, he does so with his eyes open, just as Chloe returns to the LAPD with her eyes open. It’s a lesson that revisits the first episode of the season: Truth and wonder don’t have to be at odds. They can go hand in hand. The mysteries at the heart of pain and suffering and trauma--those are the ones Lucifer wants to solve. Because solving them isn’t about trusting to a higher power (aka the justice system, which is flawed) or designing the perfect torture. It’s about quite literally helping others set themselves free. Finding release. It’s about being a guide, not a judge. And it’s about fulfilling not the temporary desire that merely scratches the itch, but offering the tools necessary to help others determine--choose--their path to the desire they may not even realize is buried beneath the layers of scar tissue within them. And what could be more wonderous than that? Especially when you have a partner who makes you better at your calling, even as you make them better at theirs.
In the end, Heaven and Hell are what we make of them. One person’s Heaven is another person’s Hell. Love is what matters. In all its many, many forms.
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aion-rsa · 3 years
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Star Trek Discovery Season 4: What to Expect
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Yes, we’re already looking forward to Star Trek: Discovery Season 4. Season 3 saw the show go where no Star Trek has gone before – literally. Flung almost a thousand years into the future after saving all sentient life as we know it, Michael Burnham and her crewmates had to navigate a new and alien reality that bore little resemblance to the one they left behind.
Yet, the decision to send Discovery to the future is possibly the best decision the series has ever made, giving the show a much-needed narrative reset that cut ties to things like Klingon wars and The Original Series legacy characters and sends it off to blaze its own path, unencumbered by the strings of existing canon. But now that Discovery is firmly established in the 32nd century, what can we expect from Star Trek: Discovery‘s upcoming Season 4? We have a few educated guesses…
Michael Burnham Finds Her Feet as Captain
Despite her colorful history as an officer – replete with mutiny, insubordination, and general recklessness – it’s been obvious for a long time that Michael Burnham was destined for the Discovery captain’s chair. The only question was a matter of when. But now that she’s there – what kind of captain will she be?
She could very easily turn out to be one of the Starfleet greats. Despite her flaws, Michael has proven time again that she is smart, capable, and brave. A risk-taker who always comes through in the clutch, she has saved her crew more times than most of us can count and she is a shining example of someone who absolutely believes in the mission of the Federation and the good it can do.
But she’s also often rash and impulsive, and just a few short episodes ago wasn’t even all that certain that she belonged in Starfleet anymore. Granted, many successful male Starfleet captains (cough cough James Kirk cough) are remembered as great precisely because they weren’t huge fans of following the rules, either, so there’s certainly precedent that generally refusing to play things safe is a workable leadership strategy.
Yet, Michael has always found her greatest success as a character when she has an authority figure or structure that is set in opposition to her, so it will be interesting to see how she evolves now that she is the authority she once pushed back against.
What’s Next for Saru?
At the conclusion of “That Hope Is You, Part 2,” Saru took a leave of absence from the Starfleet to go with the young Kelpian refugee Su’Kal back to their home planet of Kaminar. What’s next for him is unclear, but there’s no way Discovery’s planning on writing off this character completely – or losing the talents of actor Doug Jones.
So what’s next for Saru? If he does return to the Discovery, what role can he fulfill now that he’s no longer captain? Does his future lie in the Federation hierarchy somehow, possibly working for Admiral Vance or serving as some sort of ambassador to his people?
A third option could involve Saru taking on an entirely different kind of mission, one that looks a lot like fatherhood of a sort. Ever since his arrival in the 32nd century, Saru has longed to reconnect with his people. Perhaps showing young Su’Kal the stars he’s missed out on all his life is something that might allow him to do just that on a smaller, more intimate scale. (And indulge his dorky dad vibes at the same time.)
Gray Will Return Somehow
During Adira’s trip to the dilithium planet to ferry medicine to Saru and Culber, we learned that the holodeck program on the abandoned Kelpian ship could extrapolate Gray’s consciousness and give him a holographic form. This allowed him to be seen by the other Discovery crew members present, which means that the technology clearly exists which can bring Gray back to life again. Sort of, anyway.
 Because, of course, Gray is technically dead and his consciousness only exists as part of the Tal symbiont inside of Adira, which raises many questions this subplot will eventually have to answer, including how much agency and sentience post-Burn holograms even have to begin with. (Eli the Federation lie detector hologram certainly seems independent enough.)
Culber has promised both Adira and Gray that he will find a way for him to be seen again. But what that will ultimately look like, we don’t yet know. There is precedent for the idea that one part of a Trill’s symbiont memories can live outside it, but does that mean Gray will become a hologram himself permanently? Or can his consciousness be housed in something that has a more physical form?
What’s Book’s Actual Job Now Anyway?
Now that Cleveland Book – and we’re still waiting for the story behind that name, btw – is officially a part of the Discovery crew, it’s time for the series to define his role in this universe beyond his relationship with Michael. Is he technically part of Starfleet now? Is he an officer on Discovery? Does Grudge get a tiny decorated insignia collar? (Please say yes!)
Much of Book’s role in Season 3 was to support Michael in one way or another, whether that meant to literally help introduce her to the new rules of the 32nd century or to provide emotional and tactical help when needed. And don’t get me wrong, Book and Michael have somehow managed to form one of the most functional, normal relationships in Star Trek history. They’re honestly great together. But David Ajala is a tremendously appealing actor and if he’s going to stick around – which I think we’re all in agreement he should – Book needs a meaningful story of his own.
Tilly’s Promotion
Following Michael’s promotion to the Captain’s chair, it certainly looks like Tilly is getting some sort of command-level promotion in Season 4.
Technically she was still an Ensign when serving as Saru’s Acting First Officer, and while she conducted herself admirably during, well, everything, if she’s going to be Michael’s legitimate First Officer – which that last scene would definitely seem to indicate – she deserves to at least become a lieutenant.
Stamets and Michael Will Have to Work Out Their Issues
One of the lingering unresolved plotlines from Season 3 is the massive rift that formed between Paul Stamets and Michael following her decision to physically jettison him from Discovery while it was under Osyraa’s control. To be fair, her choice was completely the correct one, as he was the only one capable of operating the spore drive, and removing him from the equation meant that the Emerald Chain couldn’t just jump back to the Verubin Nebula and all its dilithium.
But, Stamets basically took that decision to mean that Michael was fine with condemning his family to horrific radiation deaths, and that’s going to be a hard thing for him to get over. If you notice, he’s the only person who doesn’t exactly look thrilled at Captain Burnham’s promotion, and we don’t see the two interact again once the ship is reclaimed.
There’s also the question of the spore drive itself. Stamets has tied his own identity – and his worth as part of the Discovery team – pretty tightly to his ability to communicate with the Mycelial network. Now that Book can do the same thing, how will this change things for him?
We’ll Probably See More Episodic Storytelling
Solving the mystery of The Burn and battling the villainous Emerald Chain were both season-long arcs that helped establish Discovery’s place in the future, and allowed Discovery the show to set up the new rules and players of its universe. But now that both those tasks have been accomplished, don’t be surprised if we see a shift toward more episodic storytelling in Season 4.
After all, with a fresh new supply of dilithium to distribute and the entire future to explore, isn’t it time we spent some time seeing what the 32nd century looks like? Some of the most entertaining moments of this season came when Michael and the rest of the Discovery crew found themselves on new planets or adjusting to changed cultures (including their own). Since Discovery purposefully removed itself from all known Star Trek canon, isn’t it time the show got about really establishing some new ones? The revelation that Vulcan and Romulan reunification has indeed happened feels like it should be just the beginning of the surprises this universe has in store for us. What has happened to other species such as Klingons or the Borg? Wouldn’t it be fun to find out?
The Grudge Content We Deserve
One of the few things Discovery fans of all stripes can agree on: Grudge is amazing. And we deserve to see more of her. Whether that means all our initial speculation turns out to be true and she’s actually the secret god of a planet full of telepathic felines we’ve yet to visit or just that she gets her own bridge-safe cat basket so she can hang out with Book and Michael next season, just give the people what they want.
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Can we at least find out how she and Book ended up together? Throw me a bone – or I guess a cat treat – here, show. (Truly, if we don’t at least get a Short Treks episode about Grudge what are we even doing here?)
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