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#Grand Abandon
techn0balkanic · 10 months
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tea-cat-arts · 7 days
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Ranking mxtx couples by whether or not I think they'd be good parents
(I'm 90% sure I'm forgetting someone)
Yep, next question (S)-
Wangxian: tried and tested good dads. I wish them luck with the whole “trying to get wwx pregnant” thing 
They have some shit to work through, but after that I think they'd be fine (A)-
Ling Wen/ Bai Jin: if we're just going off the original publication, I would put them in a much lower tier, but since the revised edition added that thing about them raising orphans together and said orphans turning out alright before unfortunate circumstances, I'm putting them up here. I think they'll be alright once they work through the miscommunication
Xiao Xingchen/ Song Lan: They obviously have a lot of trauma they're working through, but I'd like to think they and A-Qing will be a loving family in the long run 
One of them would be a good parent, the other wouldn't be a bad parent (B)-
Jiang Yanli/ Jin Zixuan: there's no canon reason for me putting them this low. Jin Zixuan just gives off a mediocre parent vibe to me (and we all know Jiang Yanli is the best)
Yushipei: Yushi Huang has good mom energy, and Pei Ming has been shown to be a not terrible mentor. I'd want the misogyny fully beaten out of him with a mace before I'd think he should have kids of his own though 
Lang Qianqiu/ Little Guy: at the very least, they're making sure Guzi is fed, clothed, washed, vaccinated, and has access to education. Neither of them know what they're doing, but I think Little Guy is good at faking it. I wish them luck in their upcoming custody battle  
You know what, surprise me/ I'll hear you out (C)-
Bingqiu: My first instinct is “no, do not bring kids into this,” but then I remembered tharnShen Qingqiu has a surprisingly decent track record? Like, Ning Yingying and Ming Fan both turned out a lot more health than they did in the original novel, and though I wouldn't call him in a good place, Binghe is doing a lot better than Bingge. The wild card for me here is Luo Binghe because I have no idea how he'd be with kids
Quanyin: Yin Yu had a decent track record until he was pushed into snapping. I think rn, he needs a couple centuries of being a babygirl before he's ready to parent again. No idea how Quan Yizhen would do though 
Born to “dual income, no kids, rich uncles/aunts” (D)-
Fengqing: Feng Xin is canonically a bad dad. I know he's working on it, but it is what it is. Mu Qing has been shown to be decent with kids, but I think he’d have a melt down if he had to deal with the mess constantly. 
Hualian: I mean, Xie Lian has raised three kids at this point and one of them became a god, another became state preceptor and then sorta complicit in a genocide, and one became god AND committed genocide + he babysat a ghost king for months and didn't even realize that's what he was because it was a miracle if he remembered to feed him… so, a mixed bag. Hua Cheng may be schrodinger’s child hater, but I'm intrigued by the idea of him raising kids just because I want to know how his own childhood would influence his parenting abilities. They should probably just stick to babysitting for now though 
Mingling: Liu Mingyan is too busy writing gay porn to be dealing with kids, and I just can't imagine Sha Hualing as a mom
Please don't bring a kid into this mess (F)-
Beefleaf: Do I need to explain this one?
Mobeishang: Shang Qinghua should not be put in any position where he has to teach someone about consent (Binghe’s early attempts at flirting being a prime example of why that's a bad idea). I also think Mobei Jun is still working on the whole “why hitting people is not cool” thing. 
QiJiu: I think the original timeline is a prime example of how they're just not in a place to be raising kids 
Jun Wu/ Mei Nianqing: Xie Lian would like a refund on his adopted father figures. They had one kid and he only made it to age 20 because he was cursed to not die
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chasingthewesternsun · 10 months
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Mr. Thrawn being a scary boy and contemplating the defeat of his enemies
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zombilenium · 1 year
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Victorian Gothic School constructed in the 1870's.
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its-hai-time · 1 year
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My situation has been improving slowly so I’ve finally had the time to update!!!!
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shallowseeker · 7 months
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i refuse to believe that castiel
who canonically describes dean’s driving (and indeed all automobiles) as “slow”
who made hannah the angel nauseated with his driving and promised to take the curves faster
is a granny driver
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eefaevie · 3 months
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✨ my official good omens s3 prediction post ✨
which accidentally I guess comes with a side-order of analysis and a soupçon of meta because I can’t shut up
The quote "The plans for Armageddon are going wrong. Only Crowley and Aziraphale working together can hope to put it right. And they aren’t talking." is intentionally misleading.
I think with Aziraphale gone, Crowley is going to become Grand Duke of Hell. He’s hurt, he’s tired, he’s got nothing to lose anymore. He’s also a bit of a dramatic petty bitch (affectionate), and after suffering what he considers the ultimate betrayal from Aziraphale, he wants to hit him where it would hurt equally by joining the “bad guys” fully. Crowley thinks of himself as unforgivable, and since (in his mind) Aziraphale refuses to “see” him for who he really is, he’s going to force him to by acting out like this (beside the fact that we know that this isn’t actually who Crowley is, but he’s injured and lashing out, even if it hurts himself, too.)
So, that quote. The plans for armageddon are going wrong. as in heaven can’t get it to start. And the only way they CAN get it to start is to get the Grand Duke of Hell and the Supreme Archangel to work together, which they are refusing to do. Think about all those meetings between Gabriel and Beelzebub — those definitely didn’t start off as dates, they were business meetings. And so Aziraphale and Crowley REFUSE to speak to each other (with MAXIMUM pettiness and passive aggressive comedy) because they’re both mad at each other for their mutual miscommunication, but also because they KNOW that if they do work together they’ll end up fucking it up somehow (and actually set the second coming back on track, which they obviously don’t want). The one thing that is a common thread through Good Omens is that Aziraphale and Crowley are actually kind of useless at their jobs, and they usually end up accomplishing the opposite of whatever it is they are supposed to do. Aziraphale is still in the grip of heaven, and can be manipulated — while Crowley is probably still terrified of Satan, and now that he’s kind of recklessly agreed to such a big promotion, that’s now his immediate superior.
(So really, if you’re useless at your job, and consistently do everything wrong, and you’re trying to stop a massive project — the best place to be would probably be in charge of that project, no?)
So anyways, cue Muriel being used for the most immature go-betweens (“Muriel, dear, please tell the Grand Duke that I won’t be able to make our dinner reservation this evening because he is a lying snake.” “Muriel, tell the Supreme Arseangel that I never made the reservation anyways and his holiestness was presumptuous to assume so.” etc etc)
I’m also betting that the Metatron orchestrated his offer to Aziraphale very intentionally, because he knows that they’re each other’s most precious thing, and he knew that raising Crowley would be the best possible offer to get Aziraphale to agree, but also, he knew that Crowley himself would never agree to it. Which left Aziraphale in a tricky position. He’s still too afraid of heaven to back out, and by separating him from Crowley, the Metatron thinks he has succeeded in both eliminating the biggest threat to the second coming (the earth’s only professional apocalypse-thwarters with extremely powerful joint miracles) and planted (what he believes to be) a huge pushover of an angel in the seat of power — essentially a puppet for the Metatron’s commands.
(I’m not even going to get into the alleged threat of the book of life at this point, but that’s it own big bag of worms)
Problem is, the Metatron severely underestimated how much these two are idiots, how far they’re willing to go for love (or how far they’ll go when they believe their love has been scorned), and again, I cannot stress this enough — how much they’re both idiots.
Crowley accepting the position of Grand Duke seems out of character, until you realize it absolutely is not. (The same thing goes for Aziraphale accepting the position of Supreme Archangel, btw.) With everything else happening, it’s going to be effectively Crowley’s only option — Aziraphale is gone, the second coming is coming, and there’s a convenient little vacancy at the top of Hell’s hierarchy. He’ll take it because he’s upset and hurt by Aziraphale, but he’ll also take it because he’s angry, and it’s the only way he can possibly have any impact on what happens next.
I’d go so far as to say that Crowley loves Earth primarily because he loves Aziraphale, and Aziraphale loves Earth. Crowley is always the one to suggest running away when the going gets tough, because his top priority is always Aziraphale’s safety. If the Earth ends up a casualty, well, boohoo, at least he’s got his Angel with him. Now, though, he’s got no Aziraphale — so what’s the point in sticking to Earth? Remember how he pretty much immediately gave up on stopping the apocalypse when he thought Aziraphale was dead? Yeah. (In fact, he probably realizes very quickly that if he wants any hope of having Aziraphale back and sharing their lives together — this time for real — he has to take drastic measures to make sure Earth and humanity survives. He’s an optimist, and he’s also selfish.)
So, surprise, Metatron! You just took these two will-they-won’t-they eternal virgins and made them business partners. Which is an issue.
Because remember, for one supreme archangel to fall in love with the grand duke of hell during dubious business meetings makes a good story. For it to happen twice makes it look like there is some kind of… institutional problem.
We’ve taken the “workplace” in “workplace comedy” and dialled it up to 12. Now it’s not two salarymen from rival companies just kinda begrudgingly doing what they’re told until they don’t, it’s two high-ranking executives from rival companies who’ve decided they’re in love with each other, they’re done with this shit, and they’re taking the whole industry down from the inside.
Never forget that Good Omens is, at its core, a comedy. I believe we will get the romantic south down ending, for sure, but the path to get there is going to be a farce. They’re not talking — perhaps only in the business sense — so who knows the hijinks and shenanigans and making out they’re going to make everyone around them put up with this season. Aziraphale orchestrated an entire Jane Austen ball for Crowley before they’d even touched mouths. They’re going to be insufferable and I’m praying for Muriel’s sanity.
Finally, the final element of my prediction: Jesus will be there, probably. Maybe even Adam, too! Maybe it’ll even be lost celestial baby pt. 2: electric boogaloo. (as you can see my priorities are mostly regarding what happens with Aziraphale and Crowley lmao)
(and also, you know that dinky little half miracle they pulled together for jimbo? They were a couple of nobodies then. Imagine a full-powered joint miracle between a Supreme Archangel and a Grand Duke?)
(…Imagine a full-powered joint miracle between two supreme archangels and two grand dukes? 👀 ok ok who knows but also I’m not convinced we’ve seen the last of beez and gabe)
ok bye ❤️
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vestaignis · 5 months
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Заброшенное судно-отель на Ко Чанге.
Abandoned ship-hotel on Koh Chang.
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На побережье острова Ко Чанг, входящего в состав морского национального парка Таиланда расположен крупный туристический комплекс «Koh Chang Grand Lagoona Resort» (60 гектар), изюминкой которого был круизный лайнер The Galaxy (Aunchaleena)  в качестве главного здания отеля. Это стометровое судно, перестроенное в гостиницу с 7-мью этажами. Что бы отбуксировать судно-донор для отеля вглубь территории парка, пришлось рыть канал, который потом засыпали. На огромной площади курорта тогда появились фантастической красоты пруды с лотосами, тропические парки, кокосовые рощи, гигантские статуи слонов, водопады и великолепный пляж с белым песочком. На данный же момент комплекс пришел в упадок, но туристов продолжает манить заброшенный лайнер — отель, он даже стал своеобразной достопримечательностью острова, для любителей отдыха в необычных местах. Причины угасания популярности этого места просты: проблемы с транспортной доступностью (придется взять на прокат машину и отправиться вглубь острова) и с самой инфраструктурой на Ко Чанге. А также есть версия, что морской курорт попросту закрыли из-за отсутствия разрешительных документов на строительство в заповедной зоне.
В настоящее время прогуливаясь вдоль пляжа, можно увидеть колоритные лодки-шале и оригинальный административный корпус, расположенный в заросшей лагуне. Несмотря на то, что главный отель курорта совсем в плачевном состоянии, ходят слухи, что часть корпуса еще функционирует, там сдаются номера по бросовой цене. Также сдаются номера в кораблях-шале, правда, былой роскоши там уже нет, но провести несколько ночей любители экзотики и экономии тоже могут. Мало вероятно что "флагман" курорта когда-нибудь восстановят, это слишком нерентабельно.
On the coast of the island of Koh Chang, which is part of the marine national park of Thailand, there is a large tourist complex “Koh Chang Grand Lagoona Resort” (60 hectares), the highlight of which was the cruise ship The Galaxy (Aunchaleena) as the main hotel building. This is a hundred-meter ship, converted into a hotel with 7 floors. In order to tow the donor ship for the hotel deep into the park, they had to dig a canal, which was then filled in. The huge area of ​​the resort then featured fantastically beautiful lotus ponds, tropical parks, coconut groves, giant elephant statues, waterfalls and a magnificent white sand beach.
At the moment, the complex has fallen into disrepair, but tourists continue to be attracted by the abandoned liner - a hotel; it has even become a kind of landmark of the island for those who like to relax in unusual places. The reasons for the fading popularity of this place are simple: problems with transport accessibility (you will have to rent a car and go deep into the island) and with the infrastructure on Koh Chang itself. There is also a version that the seaside resort was simply closed due to the lack of permits for construction in a protected area.
Nowadays, walking along the beach, you can see colorful chalet boats and the original administrative building located in an overgrown lagoon. Despite the fact that the main hotel of the resort is in a very deplorable state, there are rumors that part of the building is still functioning and rooms are being rented out there at a bargain price. Rooms are also available for rent in chalet ships, however, the former luxury is no longer there, but lovers of exoticism and economy can also spend a few nights. It is unlikely that the “flagship” of the resort will ever be restored; it is too unprofitable.
Источник:https://t.me/+hAtkre-p-zI3Njdi, /satang.ru/otel-prizrak, /novate.ru/blogs/030521/58646/,/tursputnik.com/2021/08/zabroshennoe-sudno-otel-v-tayskih-dzhunglyah.html, /www.ixbt.com/live/travel/kak-poddelnyy-kruiznyy-layner-okazalsya-v-dzhunglyah-tailanda.html.
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fortune-maiden · 2 months
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I have discovered the True Final Boss of PMD:
The Hunger Mechanic
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corvidist · 8 months
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Alright, Equatorial nomads (They don’t usually get that far south but it’s the Equatorial Desert regardless.)
These groups have been around in various forms since the Yellowstone eruption around 250,000 PA, when large numbers were pushed south when a global cooling effect took hold. As temperatures warmed back up, these groups in many instances either left, or in the case of these ones often began to follow vultures in order to find sources of water, eventually developing into a symbiotic relationship that lasts into the present day. The vultures get protection from ground predators and higher quality food, Directors get water. The cultures started off in the Americas however have become present in Afroeurasia as well.
The original cultures’ use of gliders largely began in response to widespread heat-related death due to exposure to ground temperatures and general idolization of vultures through stories and observation, who seemed to be able to stay in the air almost indefinitely when compared to Directors. Initially, it was believed that families each would collectively reincarnate into vultures. When they allowed Directors to get close enough, much like with corvids in western afroeurasia, groups of Directors would decorate the vultures with a variety of dyes and such. With time, northern desert populations grew, tools became more complex, and flying techniques developed to keep individuals in the air for longer. This led some groups to wonder about the idea of craft that could help them stay aloft for longer, carry tools, and make it easier and safer to move from place to place. 
The first gliders were modeled pretty closely after vultures, essentially being half-dangling, half-gliding knockoff airsleds that individuals would harness to themselves to carry supplies and would regularly go out of control and detach themselves or in some cases bring down the Director as well. Still, techniques improved with time and eventually the idea emerged that much of the issue with the individual sleds resulted from failure to be able to control them directly. Some essentially scaled them up into light surfaces that could (hopefully) be picked up by the wind in the right conditions or after being pulled by Directors, and be controlled afterwards. 
These improved with time, eventually developing into craft that could be lifted up with high winds and the right pitch, kept aloft by the desert’s strong updrafts and controlled by the crew directly manipulating flight controls. The most aerodynamic usually carry a maximum of about a dozen adult directors, with gliders traveling in groups from water source to water source, in many cases using vultures that are found along their path as indicators. When they land, depending on the craft and culture they may take off again using their own power, wait for the wind to pick up, or in later periods use propellers and such to get them in the air. 
These craft have also helped contribute to perhaps some of their most utilitarian and collectivist cultures, as the craft themselves, tools, etc. are made from the carcasses and bones that they come across, from snakes and coyotes to vultures and Directors in their groups, as there simply isn’t much that’s as simultaneously sturdy and lightweight that far in the desert. As such, in some places the gliders are treated as family members, carrying the collective consciousness of the beings that comprise them. These groups regularly will speak to the gliders, decorate them heavily with paints, dyes, and ornaments, purposefully fly over interesting areas as a means of showing them, etc. If a glider crashes, they will be repaired, and if it can't it is considered a major tragedy among the group, and whatever parts that can be salvaged are. Individuals in some of these groups don’t take names, instead opting to be identified by their role in operating the glider, with each role being held in equal value (hence the varied colors of feather dyes in the drawing, also serve the purpose of helping cool them down). Religions, spirituality, and lack of either are present among these cultures as there is an incredible degree of variation among them from family to family. 
It is common for groups that spot one another to merge, following one another to their destination where it is common for a period of celebration (or just general relaxation if it gets long enough) to occur that often lasts until the next time winds are strong enough to pick up the craft by themselves. Groups will exchange food and other gifts, young adults will often engage in courtship, and by the end of it, you typically have some individuals joining one crew or another if things have gone well. These cultures are also known to salvage from crashed airships and abandoned beacons, and to work with both for rescue and recovery. It is not uncommon for stricken airships to be greeted by one group or another to assist in navigation or repairs. It is also common in the present day for beacons to originate in or cease operation and join glider cultures, and many regional Beaconer cultures are heavily influenced by glider cultures.
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estuaryorange · 2 years
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Thinking about how few shits Stede gives about the distress of the crew really makes the bathtub scene hit even fucking harder like Lucius keeled over in front of him and he was just annoyed fuckery rehearsal was interrupted but Ed has a flashback and panics and he breaks open his own fucking door and sinks to his knees beside him and says Ed’s name in the tenderest voice and I am oN fIrE
Oh you’re dying Lucius? Inconvenient and rude. Ed is upset?!?! Fuckery, what fuckery ARE YOU OK EDWARD would you feel better if I tell you that you’re good at maiming people please don’t cry I’ll forgive you for planning to murder me I’ll do anything to stop you looking so desperately sad let me just touch you gently let me make it better
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techn0balkanic · 10 months
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chloe12801 · 2 months
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I love Steven Ogg but no one ever talks about the weird situation/distance he has with his son and it is ALWAYS on my mind and bothering me when I think of him
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fandom-geek · 1 year
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just occurred to me but now i'm having feelings abt how ala mhigo got told “no charity, you’ve got to trade if you want shit” by ul’dah post-sb, while garlemald gets given a trade agreement as a concession to their egos after receiving a ton of charity.
especially with the in-game context that most ala mhigans have been refugees in eorzea for the 20 years of the occupation, that gaius was canonically enslaving ala mhigans to send off to the mines (mentioned in both 1.0 and 2.0), and that the people we’re seeing on-screen were wealthy enough to live in the imperial capital and would’ve benefitted from the proximity to the imperial family (see: forum solius).
like. idk, the msq is just trying to make you forget how every single garlean we see on-screen benefited from the empire and its crimes, even if they weren’t actively complicit.
stormblood was pretty good when it came to how it portrayed colonialism, but it feels like the msq writers have retreated from that because they want us to be sympathetic to garlemald. it feels like an extension of how gaius was morally whitewashed in shadowbringers despite never actually opposing what garlemald did, only that an ascian was using him for his own purposes.
i think it’s a shame we’ve never been able to ask gaius point blank if he would do what he did again if it wasn’t an ascian asking him to do it. both in terms of story potential and just sheer... why wouldn’t we?
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zombilenium · 2 days
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"Grand Hotel," San Pellegrino, Italy
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insanelyadd · 1 year
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Collector and Archivist Family Headcanons
I got one person who said they wanted to see this when I asked, so this is for you. <3
Before I get into describing the relationships of the siblings (Which I think I did a really good job writing and describing), it is important you know a few background details (that are also headcanons). As a little heads up warning, under the cut there will be mentions of: Imprisonment, neglect, abuse, manipulation, toxic family dynamics, child murder (the Titans), murder (also the Titans), abandonment, guilt, PTSD(?). I think that's it. Let me know which of the Archivists are your least favorite, I'm keeping track and so far one of them is ahead by a lot.
As a reminder this is what My Archivists look like, I swear to god tumblr if you tank the image quality when I publish this:
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Free headcanon before we transition to under the read more: I gave The Collector and The Archivists "true names" (and in the Archivist's case, specific code names) because I have a HC that the reason we never learn any "normal" names for any of them is that if a mortal knows a Collector's True Name then that mortal (non-Collector) has power over them. Their magic no longer has much, if any, effect, and they can be harmed by the mortal.
They had one parent named Nebula who used xey/xem pronouns. Their parent has been imprisoned for trying to raise xeir children to believe contrary to the extremism of destroying planets when people get mad about their loved ones being kidnapped, which would probably reflect onto the children that their parent cared more about xeir contrarian morality than them, since xey definitely would have known what would happen when/if xey were caught. They have to have had a parent because the large age disparity between the eldest Archivist and the Collector would typically imply a more parental role, so they need to have all shared a parent.
When the other Collectors came to arrest Nebula, xey tried to fight it so xey could stay with xeir children but xey were easily outnumbered and overpowered. After Nebula were apprehended, the other Collectors began to round up the children so they could be brought to new adult(s) to be raised “properly”, but once they noticed Penumbra was roughly adult age, they asked her if she would be willing to become their caretaker, as otherwise the other children may all be separated, because who would want to suddenly accept 5 new children, including an infant. So Penumbra took on all this responsibility herself to prevent them from being separated.
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Sketch of the happy family after these events, now with finalized designs.
Next info bit relates to a theory I have about how the room where Phillip found the Collector's disk could not have been made by the Titan ("Ah yeah lemme teleport this into my skull where I have conveniently made a locked door to put it behind") or Titan Trappers (they would have absolutely taken the disk instead), so this room had to have been made by SOMEBODY and the most likely candidate is the Archivists. To expand upon this, I believe they absolutely had access to Titan Blood and the Disk and chose to leave the Collector behind.
They most likely did this because whoever found the disk would very quickly find out they need Titan's blood or a Titan's help to release the Collector, in any case, the last Titan would need to be hatched, and accessible. The Archivists very likely assumed that he would return to them and when that happened they'd go back to the planet to finish what they started (killing the last Titan if they were not already killed to release them, and then possibly microwaving the planet).
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They need to stop taking family photos after one of them is imprisoned, now with finalized designs.
NOW FOR THEIR RELATIONSHIPS!
Nebula, the Archivists' parent, loves all of xeir children dearly, and hopes they are all doing well without xem.
Penumbra:
Penumbra had a very good relationship with Nebula, but after xey were imprisoned for raising them "wrong", Penumbra resents xem. Xeir actions led to Penumbra being forced to raise four children all by herself while she, herself, was barely an adult by the standards of Collector society (I'd say 16 but simultaneously I'm assigning numbers for convenience to myself rather than it being a true translation of their ages as I feel many of our concepts of aging and other things are not be truly cross-compatible). Taking care of a teenager (14), two children (8), and a toddler (2), all while trying to continue to do her duties as a Collector (starting at the Collector equivalent of 8 years old they can assist on Collections, so Satellite, Solari, and Crescent all would have been able to help to varying degrees) would have been extremely stressful for her and it strained her relationship with all of her younger siblings.
She gets along best with Crescent since he was old enough to be almost entirely self-sufficient, though she was still very immature. They would occasionally come to points of contention specifically about how much Crescent should be allowed to do, with both of them having different perspectives on what she can do and what he can't do. Penumbra felt like he should contribute more on Collections and play less with Cosmos (the Collector), while Crescent felt like she should be allowed to help care for and watch Cosmos more since Penumbra assigning herself as sole caretaker of them was very obviously wearing her out. This would ease as Crescent got older, but as Cosmos also got older and less dependent, Penumbra became less stressed which made Crescent press less about caring for him, though she still enjoyed spending time with them (if any of the Archivists were likely to want children it would be Crescent). 
Penumbra has a much more tense relationship with Satellite who took Nebula's imprisonment the hardest. Penumbra feels like Satellite resented her for the role she was forced to fill as their new sole caretaker. Satellite became much more quick to anger and was openly hostile when in a bad mood, which is ultimately why Penumbra decided they should be the Cartographer, because it gave them a lot of time by themself, since it seemed so obvious to her that they couldn't stand their own family. Penumbra also has a bitterness towards Satellite for their repeated verbal abuse towards Cosmos. All she wanted was for them to play nice with their baby brother so she could have a moment alone with her thoughts, or to work on projects and sometimes it worked, but it is impossible for her to tell when Satellite is in a bad mood (since they suppress their emotions until they explode) until she hears them screaming and Cosmos crying and has to show up to yell at Satellite and comfort Cosmos.
Penumbra has a horrible relationship with Solari. Unless they are speaking on official matters regarding their jobs, Solari has a tendency to undercut everything with sarcasm and disdain. Solari only ever seems truly happy and genuine when deep in thought categorizing and organizing the Archives, which was something Penumbra picked up on quite quickly, seeing how organized and easy to find everything in their room was, especially compared to the random hordes of assorted trinkets present in Crescent and Satellite's rooms (and her own if she felt like being honest), and assigned her as the Archive’s Curator. Penumbra feels like Solari needs to be preoccupied with other tasks while interacting with anyone because she otherwise expends her excess mental energy to be snide and cold to people, like they want to tell jokes but she's too mean or emotionally distant to bother thinking of ones that aren't cruel. Penumbra also DEEPLY dislikes Solari's tendency to be rough with Cosmos when she sends him off to play with them. He doesn't seem to mind the shooting star game, as long as he isn't thrown into objects or so far away they can't find their way back, but Solari does things that scare Cosmos and piss off Penumbra, like boxing him into small spaces or stomping their foot hard enough for the floor to crack right in front of him, or punching walls and slamming doors when she’s aggravated about them being around. She's never actually hurt them on purpose, with a few accidental times resulting in Solari immediately apologizing, healing him if necessary, and leaving him alone. But if the day ever comes where they do hurt him on purpose Penumbra is fully prepared to wring their neck and lock her in her room for 100 years, impeccable talent for organizing be damned.
Penumbra has a complicated relationship with Cosmos. She is their older sister but also effectively their mother, having been his sole caretaker for a majority of his life, but she’s also exhausted by him. She raised Cosmos from a literal infant into a curious and playful child. Unfortunately the playfulness and curiosity are a non-stop feature and not one that only conveniently exists when she wants a break from her duties or when she's giving him his lessons on their culture, the universe, or their vast Collection. She also gets easily frustrated with them just like the twins do, but she prides herself in being able to easily dismiss those feelings despite her bone deep burnout for childcare. She sends him on tasks in the Archives, uses the cultures of the beings she’s observing at any given time to concoct new games for him to play, or redirects them to any of the other available siblings. She loves them very much but she also desperately wanted a break from him.
Crescent:
Crescent had the worst relationship with Nebula, which isn’t to say it was even bad, but that once she found out that xey were breaking their laws by teaching them all “incorrectly”, he turned xem in. Crescent much prefers the rules as they are Meant To Be, because the way Nebula taught them was much less efficient, which is what she prefers. It wasn’t until the incident with the Titans that he became more openly gleeful about ending the lives of mortals, before then it remained largely just another part of her duties as a Collector. Nobody knows how other Collectors found out about Nebula doing this, and Crescent knows better than to tell his siblings about this.
Crescent feels like an equal to Penumbra, in that they both are the eldest, with only a few “years” apart from each other, and he is given free reign to make executive decisions while performing her duties on planets alone. She still has a slight bitterness about Penumbra refusing to let him help raise Cosmos, because she believes if Penumbra was less stressed she would have lashed out less to Satellite and Solari, and blames her for some of their behavioral issues. For the most part though he doesn’t let these feelings interfere at all with how he interacts with her, because they are The Charmer, and she prides herself on being able to be incredibly charismatic, smoothing over moments of tension between Penumbra and the Twins easily, lying to and manipulating mortals even more easily.
Crescent silently despises Satellite. She would never let it slip how she really feels about them, but inside whenever they are forced to interact she is constantly imagining scenarios in which it may be appropriate to punch them. He HATES their inability to telegraph how they’re feeling more clearly, because she hates not being able to read people. Their emotional constipation means it’s harder for him to get a read on how best to placate or flatter them in any given situation. His frustration about this coupled with Satellite’s extreme hostility at the drop of a hat makes it so Crescent loathes interaction with them.
Crescent outwardly gets along very well with Solari, as they can very very easily figure out the best course of action to take in any given interaction they share. He still doesn’t enjoy her company that much though, as her tendency to “jokingly” insult her pisses her off, especially paired with what Crescent perceives as extreme arrogance when Solari tries to act intimidating and tough to him. Crescent is probably the most physically fit of all of the Archivists (magically it is much harder to decipher who’s on top) and is insulted that the least physically capable of all of them (excluding the actual child) even entertains the idea that she could fight him, especially with her misplaced confidence in these moments that Crescent perceives to be them believing they could even win. At every opportunity that has presented itself Crescent fights her and takes them down VERY quickly, which makes Solari even more passive aggressive and angry at him.
Crescent adored Cosmos. Always enjoying playing with them, telling him stories about the Collections she’s gone on recently, teaching him new magic tricks. Crescent liked that they were easy to read and easy to lead, easily redirecting their energy at tasks and “games” that could easily preoccupy them until they got tired enough to sleep. Still, he believed it was a great idea to send them to the Titan Planet to see how he would do on his first excursion as an Actual Collector, even after the Titans proved to be able to harm Cosmos they weighed the benefits against the risks of leaving them there. Benefits being that he could function as a good distraction while she whipped up a quick plan to wipe the Titans out, risks being the Titans catching on and harming Cosmos or doing so accidentally. Crescent concluded the Titans were far too nice to harm them, and believed himself to be clever enough to quickly mount up an attack on the Titans that would wipe them out before they’d even be able to register what happened.
Satellite:
Satellite loved Nebula more than anyone, even their own twin (but don’t tell Solari that). The feeling of betrayal and abandonment they felt when it was revealed that xey had broken laws which resulted in xeir imprisonment destroyed everything that they knew in their mind.
Satellite is afraid of Penumbra, which used to not be the case, at least, not to the same extent. Satellite never really got along with any of their siblings except Solari on a consistent basis but Penumbra’s idea to make them the Cartographer at first felt fine, even Satellite didn’t fully understand what would set them off and enjoyed the time alone and moments of peace they got exploring space and searching out new places to Collect from. Eventually they realized that they actually hated being alone, they didn’t like how easily Penumbra sent them to do probably the most isolating task any of them could do to maintain their Archive. This strained their relationship quite a bit, but seeing how easily Penumbra was able to cast aside Cosmos after he was sealed in the mirror shook something in them. They thought Penumbra loved Cosmos more than any of the other siblings, a leftover piece of jealousy at him receiving so much attention after Nebula was taken away, but they couldn’t comprehend Penumbra actually even DISLIKING them in any capacity so it simply meant that to Penumbra All of the other Archivists were disposable if she came up with a good enough reason to abandon them.
Satellite is also afraid of Crescent but for reasons that are the same and completely different. The same because Crescent didn’t even argue with Penumbra’s plan to leave the disk on the Titan Planet, and in fact came up with the idea to leave behind folklore and stories about how “The Collector” was so powerful to entice people to want to find him and release him. Different because while Satellite was more apathetic to mortals, the lessons Nebula told them about how mortal life is sacred and should be protected (which is only slightly different from what they were “meant” to be told about how mortal life is sacred and must be protected by collecting unless they resist in which case they should be taken by force and their home and any stragglers left to die as they destroyed their planet) resulted in Satellite being deeply disturbed by Crescent’s total glee upon orchestrating mortals to fight the Titans on his behalf, easily ignoring how many of the Titan Trappers she had trained were killed in the battles against the full grown titans. Wearing the skulls of the babies and children, and encouraging the Trappers and other Archivists to do the same. Satellite knows how good she is at reading people, they aren’t stupid, they see how when Crescent is around fights are resolved easily, how the mortal Trappers were so easily swayed by her words and loyally fought in battle for him to the very last breath. Satellite isn’t as good at reading people but they sense their emotional non-transparency frustrates him which Satellite is just fine with, to a small extent because it can be used to protect them from her but also they worry about it making Crescent angry enough to do something about it one of these days.
Solari is Satellite’s only friend. They confide in her frequently about what they are feeling, and spend much of their time when not exploring space hanging out with them in the Archives while she sorts, categorizes, and organizes things. Solari is almost never on the receiving end of one of their meltdowns, especially since she was the one to be there for them the most after Nebula was gone. They still do get into fights, they are siblings of course, but they are not even remotely on the same level as one of them fighting with Penumbra or Crescent. Satellite has shared their worries about Crescent and Penumbra so easily discarding Cosmos, and how they worry how easily they would get rid of them or her. Solari understands them and they agree quite frequently on things, though their jobs typically keep them far apart.
Satellite did like Cosmos. They have extreme difficulty expressing how they feel and clearly communicating their needs in social situations which very often resulted in Cosmos, being a child and thus even more oblivious to social etiquette than Solari with none of the lifelong bonding Satellite has with her to guide Cosmos through their interactions, getting on their nerves severely. It was about a 50/50 chance for Satellite to be in a relatively good mood to speak with Cosmos, enjoying them chatting about assorted things, especially when they got to lie and teach them the wrong things about space or magic which resulted in Penumbra giving them the stink eye when Cosmos finally got around to asking her about whether black holes get sick and throw up when too much stuff goes in them at once. Satellite did not like yelling at any of their siblings but they also don’t know how else to act when overwhelmed because it’s not like any of them have had the same issues as them. Now that Cosmos is gone, Satellite is very upset at how they treated him. Satellite feels like they should have realized that they were distant and cold, and Solari was distant and cold, and Penumbra was detached, and Crescent was nearly always busy, and they wonder if he felt the way they do, about being so very alone with almost no one to talk to about how they really feel.
Solari:
Solari loved Nebula quite a bit, though they could tell Satellite was always more excited to spend time with xem than her, but they didn’t let that get her down. Seeing their parent taken from them, and how badly it hurt Satellite made them resent Nebula after the fact.
Solari hates Penumbra. Mainly because she was smart enough to, just like Crescent, realize that if she relinquished some control over Cosmos when they were a baby to Crescent, she would have been more present for Satellite, like they desperately needed her to be. As they got older her resentment manifested in cold hostility for all the members of the family that they felt were failing her twin. Penumbra isolates them, Crescent is annoyed he can’t just puppet them to do what she wants, and Cosmos got all the attention. Penumbra’s obvious disdain for Solari just fuels her own disdain for her right back. They frequently get into fights. Solari was HORRIFIED by Penumbra’s suggestion that they leave the Collector’s mirror disk, all that remained of him, on the Titan Planet because what amounted to the corpse (though not dead) of their sibling could be used as a signal to them for when the final titan frees them or is killed so they can finish the job they started and finally destroy the planet.
Solari despises Crescent. The way he is able to so easily turn events in her favor when there is a disagreement, the fact that he is given so much freedom from Penumbra compared to herself or Satellite, the way that Crescent avoids Satellite simply because she does not care to be genuine in conversations with them. Not to mention when instead of arguing that since they had Titan’s blood and the disk, they should release Cosmos immediately, he agreed to Penumbra’s plan and contributed. It deeply disgusted Solari, especially since her and Satellite agreed that Crescent and Cosmos were closer with each other than any of the rest of them were with either. She loves to get under his skin by challenging her authority, even though she knows they will always lose in a hand-to-hand fight, she does it anyway because they can tell it makes him angry to see her self-assured superiority challenged.
Satellite is the only person Solari is really close with, both of them speaking to each other about their concerns regarding their older siblings when they have the chance to. Solari knows Satellite the best out of any of their siblings, which is why her sarcasm and teasing is always intentional and never mean spirited with them. Solari was the one to comfort Satellite the most about Nebula, which shocked and upset her, because they could not understand why neither of the older siblings could tell or seemed to care about how much they were hurting. Together they realized they had been terrible to Cosmos through no fault of his own and they both deeply regret how they treated them. They’ve spoken before about a complete pipe dream they’ve had, where if Cosmos is ever able to return to them, they’d all run away together to keep their older siblings from continuing to use and neglect him.
Solari has a lot of regrets about Cosmos. She wishes she could have realized that they never did anything wrong, or hurt them (Solari and Satellite) intentionally. They know now that he deserved much better than what he got, this regret typically manifests in her being even more upset at Penumbra and Crescent, how DARE they care more about practicality and their “carefully laid plans” and stupid PROTOCOL than their own brother. Whenever she thinks about her, and Satellite’s own treatment of them, she becomes repulsed with herself. She tries to avoid thinking about it, because it only comes up in her mind when she’s alone sorting the Archives and cataloging new entries, a task they do so effortlessly that the guilt and “what ifs” end up consuming her until she realizes she’s stopped her work entirely and is standing entirely too still with her non-existent stomach turning and her eyes burning, but never fully crying.
The Collector/Cosmos:
Cosmos doesn’t know how to feel about Nebula. On one hand, xey never would have been taken from him and his siblings if xey had simply done what xey were supposed to do, but on the other hand, now that Cosmos is separated from their own siblings, and the culture of other Collectors, he wonders if Nebula would have been proud of them for disagreeing with what he was raised to believe, and managing to escape from the grip it had on them. They’ve heard stories from their older siblings. Penumbra’s stories about xem were typically meant to impress upon him some lesson or to pass on a story that was originally told to Penumbra, as part of the lessons she would teach him, though she avoided speaking about xem in any other context. Crescent’s stories would usually come back to how what xey did was wrong, and how xey put xeir morality above what was actually legal and accepted practice. Satellite loved speaking about Nebula, it was one of the seemingly only guaranteed ways to cheer them up, unless the story was specifically the day xey were arrested, that one was a guaranteed way to make them more upset than anything else he could think of. Solari’s stories were tinged with bitter resentment, though she had good stories about xeir kindness, they would always finish their story with “but xey still choose to break the law and abandon us”. It was all giving mixed messages.
Cosmos had thought that Penumbra was one of their nicest siblings. He loved spending time with her, he enjoyed their lessons, he tried to ignore the slithering feeling of pain he got in his chest whenever he could tell she was annoyed with them. Every time she tiredly redirected them to play with Satellite, Solari, or Crescent when he was there, he pushed down the feeling of agonizing pain in his stomach. He knew Penumbra still loved them, she still was so happy to play with him when she wasn’t busy, to teach him lessons, or read important books to them. That’s what he thought at least. Since they’ve been freed from their prison, he’s had time to reflect on what happened. Even though Satellite was the one that told them about how he was allowed to go play with the Titans, Cosmos knew it was Penumbra who came up with the plan, it was literally her job to direct the rest of them and their missions. She was either the one that came up with the plan to kill all the Titans or at the very least approved of the plan that was otherwise definitely Crescent’s idea. She didn’t bother taking him off the planet after they started. She left them there.
Cosmos loved Crescent very much, the only sibling that never gave them a disappointed look, that never dismissed him, that enjoyed playing games with him, and never yelled at or scared them. Which makes them even more devastated, knowing that she was the one that had all their friends killed. Every baby Titan he befriended died, very likely because of Crescent, either indirectly by the Titan Trappers, or directly by her own hands. It’s very hard for them to hate anyone, but they’ve decided they should hate him. For being so nice, and so kind, only to hurt them in such a hideous way, he knows she, Penumbra, and the twins all were definitely watching him on the planet. They absolutely knew that Papa Titan blamed Cosmos for the missing and dead Titans. They still did nothing to stop him. Eventually he figures out that they all had to have found his disk, and had access to Titan’s blood, and chose not to free him on purpose. The more Cosmos thinks about him, the more upset they get.
Cosmos never had a very good relationship with Satellite. It was confusing, how they seemed to be fine one moment and angry at them the next. It made them feel cautious when Penumbra sent him to play with them, but they were always happy when Satellite was in a good mood to play or talk. They could never tell when they were lying to him about things, but it was always funny when they did because it was never mean or about important things. Cosmos knew Satellite (and Solari) did not get along with Penumbra or Crescent as much as they did, so it makes them wonder if Satellite argued against leaving them on the Titan Planet when they came up with the plan to kill all the Titans, if for no other reason than to just be contrarian to the elder siblings. Cosmos knows that no matter which of their siblings suggested they leave him behind in his disk, it would have to have been approved by the elder two, so ultimately they do not blame the twins for leaving them behind, at least not nearly as much as he blames the others.
Cosmos was even more cautious about Solari than Satellite, being the scariest of their siblings. She could be so mean and they didn’t understand why. When they seemed to be in a good mood she would have him do little tasks for her, going into the Archives to retrieve things for them, which, in hindsight, they now realize she likely could have just magically summoned. But it kept him occupied and taught him about how the Archives were cataloged. She would teach them about each of the creatures and objects that he collected for them. When she was in a bad mood and felt like scaring him was the worst. Sometimes she got so angry that she destroyed things, nothing from the Archive of course, Penumbra would be furious if they did that. But she would smash walls and floors and doors. Sometimes when she broke things, the exploding pieces would hit him. It never really hurt, but she would always immediately apologize and heal them, even if there was never really any damage. Sometimes she would play games with him, her most favorite being the one where they would pick him up with magic and throw them as far into open space as she could, which was mostly fun, though sometimes scary when he was thrown way too far or hit something. It didn’t happen often and he figured a way around both of these issues by counting in their head to a preset number where he would magically stop their flight if he was still going when they reached the number, and they would also use their flight to alter their path to avoid objects. Now that they’re away they wonder if any of their siblings actually loved him.
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