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#Don't Mind Me I'm Writing My Blorbos
tev-the-random · 1 year
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He expected to bolt upright immediately, like the rash man he was. Instead, Jimmy opened his eyes and sat up slowly — very slowly, at the pace of someone who couldn’t quite grasp their bearings. Like he needed time to process something as simple as the universal joke that he just experienced. Truth is, Jimmy had had a lifetime to understand that.
He should have known better. He should have learned not to be so naive by now, not to feed false hopes like they were a starving dog.
But he hadn’t learned. Maybe he never would.
And that was, perhaps, what hurt the most: that he allowed them in. That he wanted them by his side. That every time, without fail, he hoped for things to change. Just this once! Just this once they would get it, they would drop the blade instead of using it against him!
But it always ended the same way. So maybe he was just stupid.
What did he expect, really? For his friends to be happy for him? To somehow justify the trust he put on them? To finally tell him he’s worthy?
What a joke. Everything in his life was a joke.
He sighed. Although he deeply wished to bury his face in his hat and scream for all eternity, the best he could do was pinch the bridge of his nose and sigh. They had the hat, and it’s not like they would hand it back so easily. No, no, they didn’t respect him enough for that.
What even is respect, anyway? When Jimmy arrived at the mesa, he envisioned it as power: to be respected is to have authority, to dictate the rules. But as time went on, his expectations started to lower. In fact, some would say his bar had hit the floor.
To be respected is to be taken seriously.
To be respected is to be listened to.
To be respected is to not be antagonised and humiliated.
To be respected is to be seen as a person.
With the sensation that he would fall apart if he didn’t hold onto something, Jimmy grasped his bedsheets.
He wasn’t even a person to them, was he?
The ones he so innocently, so desperately called “friends” had clearly latched onto the idea that he was, for the lack of a better term, a plaything. Look at the tiny Sheriff and his tiny empire! Watch him get mad! Watch him try and fail to defend himself! Point and laugh at this pathetic thing!
Within only a few minutes, he had already embraced the idea that having someone else — someone as important as a real sheriff — tell him that he deserved legitimacy would be enough to earn him some dignity. All he really hoped for was a place amongst his peers, who only looked down on him, both literally and metaphorically.
But it was worthless, in the end.
His vision blurred at about the same time his lungs decided they were too upset to take in air properly. It took him a second to realise why: Jimmy had gotten used to the fact that, as a living doll, he just couldn’t function the same as he had before; surely, amongst other things, he had become incapable of shedding tears?
But here he was: breathlessly, shakily, undeniably crying. And now that it had started, it was hard to stop.
It was a well-known fact that Jimmy got angry much easier than he got sad. Screaming matches, hand hasty to the blade, petty plots that he would never manage to fulfil; it all helped push down his sense of self-awareness, this powerlessness clawing at his gut.
Right now, he felt as if a wave had crashed down on him.
He hated this fake body he was trapped in. Hated that he was smaller and more fragile than a child, that nothing felt real anymore, that he didn’t even have it in himself to bleed.
Breathing is such a basic task, why can’t he do it? Is it that he doesn’t actually have lungs or that he isn’t supposed to breathe in the first place?
He hated his own incompetence. No matter how hard he tried, he would always fall behind, crash and burn into the most pathetic of explosions. He had nothing to offer and he couldn’t take, no wonder he wasn’t allowed to have anything.
His entire body hurts. He hasn’t even done anything today, why does it hurt?
He hated that he could be so arrogant and selfish and that no one ever hesitated to point it out.
Heck, maybe they had a reason to bash him all the time after all! Maybe he missed all the shots he had. Maybe he deserved it, that had to be it!
He hated the way he always made a fool of himself and couldn’t even cover it up half-decently.
Oh, he hated this empty town, hated the mighty empires, hated his friends, those toys, the gunpowder, the bandits, the stupid Law and even stupider Lore! He hated and hated until he crumbled and there was nothing left of him.
And there really was nothing left. No one to fight for him or see the mess he’d made of himself. Not even Tango or Scar would stay by his side in the end, and the Old Sheriff was bound to follow, wasn’t he?
He was alone.
Jimmy cried until he couldn’t breathe anymore. He screamed into his hands until his voice was gone and clung to himself as a sorry excuse for comfort. And then he just laid there, drained and numb.
The sun was setting outside, its orange light peeking through his window lazily. He could just stay here, not get up; it’s not like he had anything important to do. But as much as he would like to disappear under his covers until his bones turned to dust, the idea only made him feel worse. Then again, someone once told him that it was good to breathe some fresh air when you’re upset, so maybe he should do that instead.
Dragging his feet, Jimmy left his bed and stepped outside, where a warm breeze awaited him. It wasn’t particularly refreshing; the sight of the blue walls surrounding Tumble Town gave him an ill feeling. Thankfully, it didn’t last long. It was replaced by confusion, for the horrible melody of a disjointed piano ringed across the valley.
“What in the world—”
Oh. Right.
If only for a moment, the thought of having a tavern bustling with people made him feel... less terrible. And although he knew that it wasn’t the case, that his town currently only had one citizen apart from himself, that was enough to pull him from his melancholic haze and towards the saloon.
He walked into the establishment to find the Old Sheriff predictably sat at the piano in the corner. His hat rested on top of the instrument, like the dear damsel to whom he was dedicating a song.
“Oh, there you are.” The old cowboy stopped his cacophony once he noticed the small figure by the door. “I was starting to wonder when you were coming back. Did you...” He eyed Jimmy up and down, “wrestle with your friends or something?”
All the tiny man could do, once again, was sigh. His face was probably still puffy from crying, and he guessed his wrinkled shirt and ruffled hair didn’t help giving off the most pristine of impressions.
“Or something,” he half-answered.
Without bothering to elaborate, he walked around the bar and opened one of the cabinets underneath. Behind a dozen or so empty bottles, there was still one with about three quarters of liquid left. Jimmy wasn’t one to drink often; he’d been keeping this last one around for special occasions, but he supposed it didn’t matter anymore.
The bottle was nearly as tall as he was. He dragged it all the way to one of the tables, which he climbed on top of before fighting to pour himself a shot glass. A few instants later, a larger cup tentatively appeared in front of him.
“Care to share?” The Old Sheriff asked, leaning against his table.
He nodded.
The two men drank next to each other without exchanging a word. The silence held a thin mental thread Jimmy was struggling not to snap. He didn’t know whether or not he was thankful when the Old Sheriff interrupted it:
“Your piano is out of tune.”
“What, is that supposed to be some kind of metaphor?” Jimmy’s intonation was flat, too tired to sort out any emotion to put into it. He tried not to think of a voice box. “Is there a second T in ‘respect’ now? For ‘tune’?”
“No, I mean literally. The piano’s out of tune.” The man gestured towards the instrument he had been playing.
“Oh.” The young sheriff awkwardly cleared his throat at that. “Um... I don’t really know how to tune it.”
“That’s fair enough, I don’t really know how to play it.”
With a shrug, the old man downed the rest of his drink, and was already pouring a new dose by the time Jimmy realised the corner of his mouth had raised the smallest amount. But that mild amusement quickly vanished, giving way to quietness once more. This one felt a bit too uncomfortable, staring at him as his mind continued to reel.
“It didn’t work out,” he murmured.
“Hm?”
“Your tips, the whole respect thing? Actually, I think they might respect me less now!” The tiny sheriff huffed, resting his head against the window behind him. Not that he thought it was possible for people to degrade him any more than they already did, but here they are.
“Huh. I dunno, maybe you just did it wrong. The R.E.S.P.E.C.T tactic has never failed me.” The Old Sheriff chuckled.
Jimmy couldn’t help but sigh yet again. He didn’t shout, didn’t splutter, didn’t even try to defend himself. You see, he wasn’t exactly angry. No, he had mellowed out for today. Staring down at his distorted reflection on the amber drink, he searched for a word that could describe this numbness; this burning sensation in his chest that made him look at the world around him with such disgust.
Hopelessness? Exhaustion?
“They killed me, you know?” He commented, then quietly added, “And they took my hat again.”
“Well, now that’s just rude!”
With a disappointed click of the tongue, his senior refilled Jimmy’s glass, despite it still being half full. He was already on this third cup himself; the bottle was significantly emptier.
Was that it? Disappointment? Disbelief?
“It’s not the first time, either.” Tim ran his hands through his hair in what could maybe be called exasperation. That still wasn’t it, though. “I’m really starting to think that I should... I don’t know, cut ties with them or— or maybe I should just leave. Find somewhere new to live. I can’t take this anymore, man.”
All he received in response was a soft hum. The past Sheriff stared at the wall somewhere above Jimmy, who wondered if he was even listening anymore.
“Tell you what,” the old man started a few moments later. “Why don’t you show me around them empires? I wanna see what’s changed. And if we happen to stumble upon any of those ‘friends’ of yours, we can show them what for, yeah?”
He blinked. Then he blinked again. And then he laughed, incredulous. His chest untightened the slightest amount.
“I— You— I mean, that— that sounds great, yeah! Sure!”
For the rest of the evening, Jimmy managed to push down the fog of that strange feeling by ranting to someone who would finally listen to him — more or less; he wasn’t sure the Old Sheriff was completely conscious by the time the moon was up. Something at the back of his mind told him not to get used to this by the time he went back home. It could always be a trick, a lie even. The irony of hoping that he could hope wasn’t lost on him.
And irony, much like everything else, would pull the rug from under him.
From the moment Fwhip saw the Old Sheriff and opened that cunning smile of his, he knew that the best of his bravado wouldn’t be enough. He would always fall back to bickering with his ex-deputy, whose verbal traps never failed to demean him. Oh, he tried so hard not to, but could he help it? Fwhip had the ease of pulling people in that Jimmy and his frantic arguments never would.
So maybe he should have listened to that thing at the back of his mind. At least he wouldn’t be surprised when his new partner got so quickly dissuaded from following him; wouldn’t bother going to Gobland or reminding them of his stance with Fwhip. It would certainly have spared him some heartache.
On the way to the goblin empire, the same jokes that had begun to cut so deep were laughed at. At the Drip, his inevitable boiling annoyance was taken advantage of. The slander went undefended and his call for assistance in the ensuing fight, unanswered. His possessions were teased out of his reach and given to a “real sheriff”. In the middle of all of this, his last ally, captured by Fwhip’s determination to take everything he could away from him, rubbed elbows with his enemies without giving him so much as a reassuring look. That’s when Jimmy finally realised what the feeling was.
Bitterness. Unrelenting, cold resentment.
Maybe he wasn’t perfect. He wasn’t commanding or assertive, nor was he easy to live with. Yes, Jimmy had a lot to learn, and he would. But he couldn’t fathom what could possibly made anyone deserving of such a world-shattering emotion. It was all so clear now, he didn’t have to put up with any of this! They don't get to do this to him over and over again!
This is bullshit.
And he’s done.
He didn’t even bother going back for his stuff when Fwhip killed him the second time. His armour, his tools, all of it was tainted with weakness and ridicule — he didn’t even have a badge or a hat to hand in anymore. In the end, there were very little items he cared to take with him.
The very same caravan he arrived in Tumble Town with was loaded by the time night had fallen. Norman had already leaped into the back without Jimmy needing to call him, and Bullseye was harnessed and ready to go. He briefly considered waiting for the Old Sheriff to return, but he didn’t think he could bear looking at the man at this point. By far, the biggest lesson he learned was that it wasn’t worth it getting attached.
Without anyone to say goodbye to, he left the empty silence of Tumble Town behind. He wasn’t sure where he was going, but the sheriff dream was gone — and so was Jimmy.
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bitegore · 7 months
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every so often i have to really wonder about the people who watch me talk about how badly i want someone to let me hurt them and fantasize about murdering imaginary characters i like and somehow assumes i'm a sub primarily and wants to be killed and chased and not, like, do the killing and chasing
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quickhacked · 2 years
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excerpt from their backstory that i can't stop thinking about
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Why do so few people like only moderately sketchy middle-aged men? Why do they always gotta get on mass murderer tier to become widely acclaimed babygirls? Asking for a friend
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thewafflewhat · 2 years
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i would like to propose a new leah headcanon (using the knowledge that she likes both writing/poetry and music/musicians*coughfatincough*) and say that she definitely had a spoken word poetry phase
specifically for shane koyczan and his work with the short story long, hannah epperson, and dan mangan
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fanaticsnail · 2 months
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Kiss their cheek
Masterlist Here
Word Count: 220-650 for each character
Sanji, Zoro, Luffy, Law, Kid
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Synopsis: It was a simple reaction, an impulse you felt organic and out of your control. Their cheek was right there, and the swell in your chest and spike of adrenaline prompted you to lunge forward and capture their cheek beneath your lips. How do they react to such a soft touch? Do they shy away, or do they respond in kind?
Notes: I have hit a follower milestone and I am freaking out about it. I don't normally post about the follower count, but this is simply too incredible to not mark the occasion for. To distract myself from the sheer number of you that found my writing good enough to follow, I have a little drabble for you to enjoy for my favorites. To quote the goodest and bestest boy there ever was: “Thank you for loving me.” I love you all too. All 1,200+ of you.
Themes: cheek kisses, feelings, monster trio, supernova trio, crewmate!reader, unrequited love, confessions of love, no prior romantic relationship, gn!reader, pure fluff, A little OOC while I'm still learning about a couple of the blorbos.
Tag List: @sordidmusings @since-im-already-here @feral-artistry @writingmysanity @gingernut1314 @i-am-vita @cinnbar-bun
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Blackleg Sanji
“Dinner was beautiful as always, Sanji,” you cooed at him, swooping forward and collecting his smooth cheek beneath your lips in a small kiss, “Well done, Chef.” Holding his cheek in contact with your lips for a few moments longer before pulling away with a broad smile. 
“You’re most welcome, love,” he returned your affectionate demonstration, his lips finding your cheek and grazing your flesh with his lips. 
Both of you reacted as if this touch was not uncommon, not something out of the ordinary in the slightest. This was the first time you had given him this small gesture, demonstrating your appreciation for his hard work with something as simple as a small kiss. 
The fact that this kiss was so freely given to him had Sanji’s heart catch in his throat, his pulse rapidly beating and elevating the flow of his adrenaline through his veins. His family of origin comes from a culture that kisses on the cheeks to greet and farewell friends, acquaintances and even enemies. Why did this kiss feel so perfect against his skin? 
He would do anything to feel your lips on him again, often giving you preferential treatment in the hopes your lips would find his skin once more. Should he gather up the courage to turn his head, claiming your lips within his own, would you turn away? He hoped you wouldn’t. 
Roronoa Zoro
His mind could not comprehend the moment that just befell him. 
It was a simple night of comradery and relaxation. The air felt alight with joyful merriment: Brook playing music, Sanji ensuring each of you had an adequate meal. It felt light: nothing plaguing, hunting, seeking, nor fighting. It was simple, and that is what it felt. 
It being a simple and small kiss against his right cheek.
“You are an excellent first-mate, Zoro,” you laughed up at him, taking his hand and giving it a gentle squeeze, “A noble knight and fearless protector.”
Zoro’s head couldn’t produce a single thought to form a string of a sentence. He had not felt this way, the ignition of a small swell of passion to not involve swordsmanship, ever before. 
In all the realms of intimacy and subtle touches, Zoro was inexperienced in receiving and reciprocating. Zoro was, for lack of a better word, a virgin to such an expression of unbridled affection. 
“Th-Thanks, I guess?” he grunted, his brows arching at you. You giggled, patting him on the shoulder and offering him a warm smile. 
“You’re welcome, soldier,” you cooed up at him before turning on your heel, following the gentle rise in rhythm with your hips, dancing along to Brook’s playing. He followed your movement with a keen eye, more enthusiastic about your gentle sway and soft laughter than he was moments prior. 
Monkey D Luffy
“Oh, Captain!” you smiled at him, hooking your arm over his shoulder and drawing him close to your face, “Your cheeks are so cute. I could just-,” you halted your words, lunging forward and peppering his tanned cheeks with several fluttered kisses, humming throughout each press. 
“Oi, oi, Docinho,” he chuckled, swatting at your hands and writhing within your arms, “Stop that. I am a hardened criminal. I am a captain! You’re not meant to think I’m cute, you’re meant to dote on me and offer me tribute of your loyalty!” You giggled, allowing him to swipe your body away from his. 
His eyes darted away from yours, his lips curved in a soft pout with his brows furrowing in a deep frown. For a moment, you thought you truly offended him by your lips finding his skin. Your eyes widened, your hands shaking defensively to desperately retract your affectionate touch.
“I’m sorry, Captain. I didn’t mean to-,” you were silenced by several inexperienced kisses littering your cheeks, nose and forehead. The cheeky chuckle that followed each of the small pecks only prompted your mind to chase your heart with its rapidity. He placed his hands over your shoulders, laughing whole-heartedly at your frazzlement. 
“If this is the way you’re offering me tribute as a wonderful captain,” he hummed thoughtfully, “Perhaps I’m not so bad at the job after all.” 
Trafalgar D Water-Law
“You work too hard,” you sigh against his cheek, pulling away from his cool flesh and raking your eyes over his face, “You deserve to take a break some time.” You watched the small hue of pink rise to dust over his cheeks, his hair at the nape of his neck standing alert and rigid. 
Unsure what exactly prompted you to seek out your captain’s cheek with your lips, you were regretting the small brush of your lips over his smooth skin the instant you drew yourself away. Watching as Law inhaled a deep breath through his nose, he exhaled a lengthy breath through his lips: following the small gesture with a soft hum. 
“Just know that you’re appreciated, Sir,” you reiterated your stance, ensuring you held your eyes against his to reinforce your seriousness, “I-... We appreciate you, Captain. We love you, and want to help you achieve your goals. Just-... Just know that, okay?” 
Yellow eyes followed your exit, watching every step that you took and hearing the hollow floor ricochet the reverberating tap of your boot heel. His haunted gaze held firm to your retreat, silence growing heavy at the closure of his office door. 
He could not stop thinking about the kiss all day. The way your lips felt against his cheek, the way he felt the small elevation of your smile - the way his heart swelled in his chest, and the way his breath caught in his throat. He wanted to know what it meant. He needed to know if you were being friendly and supportive, or if you wanted more. 
Lips over his cheek, the catching over the words “I appreciate you” with your reassurances that he is loved and worthy of devotion, inhibited him from welcoming slumber for several days. In the hopes of providing him encouragement and loyalty to soothe his rapidly sporadic mind, you aided in him in only finding restlessness. 
Growling at his own racing emotions, he hastily drew up the transponder snail and dialed your personal shell. He awaited the annoying hum, the crackle of the receiver halting as you picked up the call. 
“C-Captain?” your groggy voice called over the snail, “Cap, it’s nearly five in the morning. I clocked off the overnight shift and only just got to sleep-.”
“-Do you love me?” he quickly spurted the words before he could stop them. 
Your mind did not have the capacity to mask your words, given your groggy sleep deprivation. Yawning your answer into the transponder, Law’s heart raced at hearing your words.
“Of course I love you. We all love you,” you confirmed, rolling your neck and taking a moment to collect yourself, “You’re my captain. I pledged my allegiance to follow you, sir. What are you calling me at-?”
“-No,” Law’s voice crackled over the receiver, his tone immediately waking you of your prior tired state, “I need to know what it meant. I need to know what it meant. Why did you kiss me?”
“What?” you began, shaking your head and brows beginning to knit in confusion, “I don’t understand what you’re-.”
“-Why would you kiss me knowing your lips would haunt me? Knowing that that kiss you gave would scorch and mark my heart?” his voice rose as his temper boiled over the edge. “You know I closed myself off to this bullshit. You know what giving me a small amount of your affection would do to me. Why would you-?”
“-Because I love you, Law,” you uttered in a low voice. You flung your legs over the bed, feet finding your sleep shoes beneath your mattress. Your confession hung heavy in the air, your heart and mind fully awake and comprehending your every waking minute. Silence was heavy and swollen with tension, your mind racing over all the possible retorts Law could throw at you. 
Dismissal, execution, exile, abandonment: these were the responses you deduced to be the most appropriate response. In its stead, you were greeted with a small huffed chuckle and a low rumbled retort.
“Come to my office,” he hummed into the receiver, “Show me more. I-I-...” the transponder crackled as Law found his words, “...-I need more.”
Eustass Kid
“In some cultures, it’s seen as a sign of respect,” you nodded your head, bowing your down to him, “It’s an extension of submission and admission to serve beneath a mighty ruler. Hands are the most common to touch, but kissing a cheek is the most intimate expression of-.”
“-Fine, you can kiss me,” the gruff rumble of Eustass Kid’s voice dismissively crackled. He rolled his eyes, turning his cheek away from you to hide the bite of his lip to stifle his rising blush. 
Affectionate touches was not something Kid, nor his crew, were very experienced in receiving. When he offered you the chance of joining his crew to achieve his goals, Eustass Kid did not expect you to dote and coddle each of his crewmen into submission beneath your affectionate touches. As the last member of his crew to be a recipient of your gentle touch, he truly did not comprehend why his heart was beating with anxious rapidity. 
“Only if you’re sure-,” you began, halted by a harsh bark from your captain.
“-I said it was fine, didn’t I?” his gruff voice cut through the air. While his head was still turned from you, he stretched out his right hand to await a small touch from your lips. 
But his cheek was right there. You couldn’t help but spring at the opportunity to rise up to Eustass Kid’s seated position on the wooden bench aboard the deck. He was ripe for doting and peppering a flurry of kisses all over his face, but you held yourself back from such an expression of unbridled affection. You opted to start slow.
Gently touching his shoulders, you stooped down and pressed a sweet and intentional kiss atop the apple of his cheek. You felt his breath catch in his throat, an unintentional whimper halting in his nose at the soft expression of your admiration.
As you pulled away from him, your upper left arm was caught by the wide and firm grasp of the captain of the Victoria-Punk. His face was still turned away from you, but the crimson hue of his pale face gave away the elevation of his heartbeat. 
“I’m sorry, Captain. I should’ve just gone for the hand-,” you began, attempting to tug away from his grip and apologize properly to him. 
“C-Can I-...” he grunted out a gruff cough, continuing to hold his face away from yours, “...Can I have another one?”
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nohaijiachi · 6 months
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Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside
Before we get into the subject matter of the title let me preface a couple of things:
1- All that will follow is, big surprise, my opinion and my interpretation of this character. Do I think I am The One And Only Who Gets The Blorbo Right and that my ideas are 100% the way the author(s) intended to convey the character? No.
More likely than not the way I see Aziraphale could be intensely different from the way Authorman sees him, or Actorman sees him, and I don't think that my interpretation is necessarily any more correct than anybody's else.
That said, if I also did not think that I am, in fact, correct on a certain level, I wouldn't have bothered forming such a thought out opinion of Aziraphale in the first place, nor would be sitting here, writing this post that I can already tell is going to be entirely too long and might probably ruffle some feathers.
So I'll be writing the rest of this post with the caveat that I while I do think my interpretation correct, I'm also not trying to change anybody's mind nor to discredit anybody's else interpretation of Aziraphale. We can sit here in the sandpit and hold different opinions and still be able to build sandcastles together, it really isn't that deep at the end of the day; I can assure you, I'm not here to fight nor cause fights with this one.
2- With the above point, comes also the fact that I won't bother continuously saying "In my opinion" for the rest of this post. You already know that. So, if something will come across as a bit caustic, do know that it is very much tongue in cheek and I am poking a bit of fun at general fannish habits that I am also very much quote-unquoute 'guilty' of having partaken into, and will partake into again plenty of times in the future, I'm sure.
So, with that: Here's Why I Think The Fandom Has Been Doing Aziraphale Dirty Ever Since Season 1 And It's Only Gotten Worse With Season 2 And It's Killing Me Inside
A large part of the people comprising this fandom prefers Crowley. There, I said it.
This fandom's preference blatantly skews toward Crowley. Can we admit that openly? Let's admit that openly.
To be clear, this isn't meant to be an accusation or recrimination or any other -ation you can think of, I am merely stating matter-of-factly a phenomena I've observed in the last four years.
It is also not a wrong nor bad thing in any way, shape or form. I adore Crowley myself. I love them both so much it's unreal.
But I started with that because I think it is very much a symptom of the fact that a lot of people don't get Aziraphale.
I remember back with S1 there had been plenty of times when I found myself reading discussions and opinion exchanges about Aziraphale and Crowley, their dynamics, all the things that went unsaid behind the things that were said, and found myself genuinely surprised by seeing how some people interpreted certain moments wildly different from how I personally saw them.
I look back at that and I think "Oh, sweet summer child". Nothing could have prepared me from the onslaught of takes about Aziraphale that make me go "Good lord, what???" in the wake of S2, and the infamous Last Fifteen.
Now because I don't want to be pointing fingers at specific things and risk upsetting somebody more than I already am by being open in admitting that, guys, yes, some of the takes y'all have been sharing make me go "Yikes(tm)", I'll move on the interesting part and what I would actually love to discuss, aka cracking Aziraphale's head open and see what that actual fuck is going on in there.
Another preface: Because this duo is intrinsically linked and woven together it is downright impossible to only focus on Aziraphale without also mentioning Crowley, so... Let me circle back to our fav demon bae for a sec, here.
I think the reason why it seems that a larger part of the fandom favors Crowley is because I feel like Crowley is a much easier character to grasp. He is very open in his thoughts and feelings, at any given moment us, the audience, have a much easier time watching a scene and sort of ruminating in the back of our heads about Crowley's motivations for saying the things he says and doing the things he does.
That isn't to say Crowley is a less complex character than Aziraphale. They are very much equally complex and multifaceted individuals with their strengths and weaknesses, their issues and the way they each cope with them, how differently they approach their existence and so on and so forth.
But whereas Crowley as a character presents itself with a certain dynamism and a far more outward openness about his complexity, Aziraphale does the exact opposite; we can say Aziraphale is downright hermetic about it.
For us, the audience, he presents a challenge that requires a good deal of thought being put into him to see over the facade he presents at a more superficial level; he requires time and effort to fully dismantle him in our minds to try and see what makes him thick (other than his thighs), and thus I think it is entirely natural that more people latch on the far easier to identify-with, and relate-to, Crowley.
And that is the inevitable consequence of everything that makes Aziraphale... Well, Aziraphale.
So, where to start? Let's try and jot down what Aziraphale truly is at his core.
He is a contradiction.
This man-shaped being is a walking contradiction, constantly existing in a state of being coated in three thousand layers of misdirection and obfuscation and double thinking.
Why is that? Well. He's an angel.
Aziraphale loves being an angel. It is a tenet of his entire existence and something he cherishes. He wants, so very much, to be his ideal of what a good angel is: An entity who is kind and loving and understanding and forgiving.
Of course us, the audience, know that is utter bullshit, because we know angels can be individuals just as complex as the humans Aziraphale loves so much, with all their inherent flaws and capability for cruelty. And, on a certain level, Aziraphale knows that too.
So there we have it, one element of contradiction: Aziraphale wants to think that angels are always Good and Righteous and Never Wrong; Aziraphale knows that angels aren't, in fact, always Good and Righteous and, by god, can they make plenty of mistakes, too.
What else? How about Aziraphale sitting there, being in love with a demon, fully knowing that at the end of the day demons really ain't that different from angels, and also desperately hanging onto the concept of Good vs Bad.
And he sits there, existing with these two contrasting idea equally taking space in his mind, neither side ever capable of taking over the other.
What else do we have? Aziraphale loves God and wants so hard to believe in Her love for humanity and Her ineffable plan, and Aziraphale also time and again does things that very blatantly go against Her will, lies to Her face, and Doubts. He Doubts, a lot, and that requires the capital letter because those Doubts are what spur him in going against everything he's ever told to believe in order to do the right thing.
Aziraphale's very existence is a constant push-and-pull of things he wants to believe and things he knows are real; things he's told to do and things he wants to do. That's how we get "My side" and "there's a bit of good in you" and "you are the bad guys".
And nothing he's lived through has managed to break him out of this unhealthy way of existing quite yet; that's why he acts the way we see him act in the Edinburgh flashback in S2, or at the start of S1 when Crowley has to ease Aziraphale into the idea of trying to stop Armageddon with the usual song and dance of "temptation" and "plausible deniability" and "you'd be thwarting me", even though from the start we can tell there's a little part of Aziraphale who is clearly not at ease with the idea of the end of the world, and once he's been given 'permission' by Crowley nudging him, he is all the way in with the whole saving the world business, not take-backsies.
Both the moments I mentioned here are very important for different reasons, but of the two is very much the Edinburgh flashback that gets a lot more flack by the fandom and is blatantly misunderstood, which I think is the inevitable consequence of that minisode immediately following the glorious, beautiful, heartbreaking piece of art that is the "A companion to owls" minisode.
I've seen a lot of people lamenting that Aziraphale acts obnoxiously in the Edinburgh flashback and, yeah. He does. But I feel like the fact that we are seeing this after watching Aziraphale struggle his way through saving Job's children, even being willing to go to Hell for it, is a though act to follow and probably soured Edinburgh-Aziraphale for a lot of people, made them think that the character had regressed instead of progressing.
But, see, the way he acts is wholly congruous with who Aziraphale is and has always been and keeps being up to the very end of S2. Yes, even after what he does for Job's children.
If you get down to it, Aziraphale had been ready to give up and let the children die, in episode 2. For a brief moment, after Crowley told him he 'longed to destroy the blameless children', Aziraphale was walking away, having tried all he thought he could try to do to stop this senseless act. That was until Crowley tested him by making the crows bleat, cuing Aziraphale to the fact that his impression of Crowley wasn't wrong, and the he could count on him to do the right thing.
To be clear, I don't want to undermine Aziraphale's action by only giving the credit to Crowley but... It is, also, only thanks to Crowley cajoling him and giving him the right excuses, that Aziraphale feels safe in doing what he's always wanted to do all along.
He'd wanted to save Job's children, and thought he couldn't until Crowley threw him that hell of a lifesaver. He wanted to save the world and thought he couldn't until Crowley nudged him on the path of plausible deniability.
He wanted to save Elspeth's eternal soul, blinding himself to the hardships she'd have to endure in her not-eternal life, and was smacked right in the face by the reality of human suffering multiple times.
The way Aziraphale acts in that flashback can't be a regression, because there never was a progression in the first place: He'd always walked the line between Heaven's and God's will and his own, personal morality and sense of justice.
By all means, if we look at Uz-Aziraphale and modern-day-Aziraphale at the start of S1, his reticence about the whole saving the world business should, by all means, appear as a regression as well. You mean to tell me that he'd been ready to become a demon for the sake of three mortal children, and then suddenly a handful of thousands years later when faced with the prospect of the whole world going up in flames he'd just be all like "Heaven will triumph over Hell and it will be all rather lovely"? Like, fuck off, Aziraphale, you lying double-thinker, you (/pos)
Aziraphale constantly exist while being at war with himself. Circumstances have allowed him to rebel the will of Heaven and God more or less safely time and again, but he never quite managed to break free entirely. He'd always ended up being reeled back in, being fed the party lines, being made to feel shame for his independent thinking, until it all becomes too much and he is forced to step back from that freedom he'd been inches away from grasping.
Back and forth, back and forth, never stopping.
And all of this, all of what he is, makes it so hard for us, the audience, to truly see him. To truly grasp him. To truly watch any given scene with him and figure out what he might be thinking or feeling.
To understand Aziraphale is to understand what he is not saying when he says something, which is a good deal harder to do than it is to understand and relate to a character like Crowley, who very much revel in saying exactly whatever the heck he thinks whenever he damn well pleases.
All those layers of obfuscation and misdirection and double thinking that Aziraphale coats himself in are as much an armor that makes it harder for the audience to understand him as they are his very own downfall because, good lord, if you exist like that, if you exist forced to keep things hidden from yourself, well... It's inevitable that at some point you are going to stumble into pitfalls of your own making.
And I love him for it.
So, there? I hope I managed to explain something with this post, and that it wasn't just the rambling of someone who spends way too much time thinking about her blorbos. To be clear, I don't think people who haven't spent as much time as me trying to dissect and better understand Aziraphale's character are like, dumber than me or anything. It's just that this pair of angelic-demonic blorbos take too much real estate in my mind, lol.
Feel free to let me know your opinion and if you think I am wildly off mark and my Take Is Bad. I might answer, I might not, it all depends on time and my mood ◝(ᵔᵕᵔ)◜
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hi I'm queenie! TEMPORARY HIATUS!!
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★once I've got my stories going, don't be afraid to ask about them!
★but please be respectful! This is what I won't write for:
★ •trans or male reader! I don't mind doing them, it's just I don't know how to write for them and since I'm not either, I don't want to accidentally miswrite them and upset somebody. But you can still ask, I'll probably take a good long while though 💧
★ • classic Wattpad y/n. I like to keep my darlings as relatable as possible. I'm tired of seeing submissive bland (names). Time for 'go fuck yourself' y/n
★scat. Pedophilia. Minor x adult. WATERWORKS ❌. Incest. Stepcest. Age regression. Furries. Oc x oc unless I really really like it.
★minors please do not interact
★what I will write for: pretty much everything, I'm not picky! Pitch in your own ideas, I'd love to hear them! {Warning this'll include yanderes: I don't condone them but they do have Me a little interested}
★I'm mainly a fem! reader writer so, my male readers, I am so sorry 🥲 I'll try and make some gn fics just for you
★that's it really, I don't mind. Just be respectful to me and the other people who would like to enjoy my nonsense!
I'M A TRADITIONAL BEGGINER ARTIST SO PLEASE BARE WITH ME!
•°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆
Current works:
Riley Sanderson x reader 🖤, doing his makeup
Yandere farm x farmhand reader 🌾, returning their feelings (cow couple, quintuplets)
It's raining cats and dogs 🐱🐶🌾
Country roads take me home 🐮🐴🌾, big daddy smut , taking a nap
Where the birds and fish gather 🦚🐟
Pure as a lamb 🐏🐐, Kim the goat
Yandere popular girl x reader x emo boy, sick darling, date at the mall!, crack imagine
oc kink list: part 1, part 2
Mild yandere circus x reader: part 1 Wendy!
Yandere bunny hybrid x reader, extra details + doodle, cotton x meat eater!darling
Yandere playboy x reader, reader escapes
Yandere florist x reader
yandere cupid x reader, househusband!
Yandere online boyfriend x afab!reader, sadistic reader
Yandere church boy x reader
yandere rockstar x FEM!reader
Oc's ethnicities
Yandere cheerleader x fem!reader, random headcanons
Yandere friend group x FEM!reader, reader dates kiross
Yandere fantasy party x gn reader
Blackwood academy masterlist
•°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆ •°. *࿐ ⋆
Headers by: @pixiesite @cafekitsune
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The anons: 💕 - 👍 - 🍧 - 🐁 - 🍄 - 👾 - <3 - 🎀 - 😶‍🌫️ - 🦖 - 🇦🇶 - ☔ - blorbo - 🐢 - 🦌 - 🐮 - silver anon - 🎸- 🎶 - 🏮- ✂️
Note to self:
@a-goblin-named-cherry wishes to be tagged on all farmhand reader content
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Hair for thought: a little mini lesson
I know this blog may seem more geared towards art than writing, and admittedly, I am pushing for visuals because I can be a very visual creator myself, so the two converge for me. So that may be an issue of communication on my end.
However, I do want people to consider that the way you "see" your character in your mind affects how you write them! So if you're here to learn to write better Black characters, the way you picture them has an effect!
For example, let's say you're writing your character. You want them to have a 4C afro. Do you know what 4C means? Do you know what that looks like? How it feels? How it changes under different environments and circumstances? How can you describe those things to give your reader an adequate picture of your character if you don't know what that looks like? How can you get creative with their looks if you don't know your options?
If you have a loving moment between your characters, and you want one to touch the hair of the other. First, do you know the importance of the vulnerability of touching your Black partner's hair? Second, how will you describe that, if you don't know the texture of the hair and what it looks like? You can't often "run your fingers" through it! You have to be able to know and describe the curl pattern and what could happen with it!
Again, I'm using hair examples because that's the next lesson, but this still works in general! Skin color, the way the light plays on the skin- if you understand lighting on brown skin visually, you can describe it! Our lips, the way they feel in a kiss! Pubic hair texture, for the nasty!
One major example I have of this is that once, a few years ago, I did a test in one of my favorite fandoms. I took about 100 stories, and I asked myself: how far can I get into this fic while assuming My Blorbo is Black? (I.e., how often do we assume that whiteness is the default and don't feel the need to properly describe our characters?)
The answer: through most of them 🤣 "Brunette with brown eyes" is the majority of Black people.
We have to be willing to address the unintentional bias in our minds that treats Whiteness, and therefore white features and the habits that come with them, as the default. It doesn't seem like it matters because it's "normal", except for I and other Black fans! It's not our norm! You have to understand how we look, and how we may interact with the world culturally (and again, we're not a monolith! But there are some consistencies!) and how that may "look" (be described) in a story.
I hope this may help clear up some confusion 😅 and again, I'm sorry if I didn't make my goals clear. I'm new at this.
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nights-at-crystarium · 8 months
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You know what, I assume that people always read my pinned, or notice the pointer "new reader? start here" in every new Fragments' episode. I might be deluding myself. So hi hello lemme TALK ABOUT MY COMIC.
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Before I get too rambly (and I mean RAMBLY), here's a quick intro. Fragments is a comic focused on feels and slice of life, made by a queer guy, aiming to ~character study~ the main cast (Vivi, Raha, Alisaie, Feo Ul) and fill in the gaps in canon (or linger in canon moments that needed more air imo), the tone ranging from angst to fluff to meme. Good punches require a good windup, so please don't expect angst anytime soon :3c
The story's segmented (fragmented, heh) into episodes. Episodes 1-11 take place in ARR, you can enjoy them with no worry about spoilers. Episode 12 onward is ShB, with all the spoilers and lorebending.
My storytelling style assumes you haven't only played through ShB, but know it like the back of your hand, i.e. it's for nerds and thinkers. Of course there's plenty of silly moments that don't require any deep knowledge, but the overarching story does. Often I skip canon events, only hinting that they took place, simply because I don't wanna retell the msq 1:1, I've got plenty of original scenes waiting to be drawn. You're in for a treat if you like obsessing over emotional and moral implications of things. And, yes, this's a story about a morally grey mc. Don't expect to be spoon-fed "and this's why that thing's bad, kids".
Currently I've outlined all the main story beats up until post EW, so it's like, not being winged as I go. Yes I refine things here and there, but I know where I'm going. I'm going ham!!!! With the lorebending post ShB. Initially I didn't plan to, but the more I learned about Vivi and personally grew as a writer, the more courage I got to "divorce" from canon. The general xiv story may still be good wherever it's headed, but it's not suited for an established wolgraha, so I'm making food for myself.
Everyone imagines the lil scenes from their wol's life, I'm taking that a tiiiiiny step further. Fragments tells a cohesive story that's looking to be the longest project at least in our corner. I can and will hyperfixate on this for years.
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I started out just like many others, being hit with ShB like a truck, I wanted to put a catboy under a microscope and rotate him forever. Although I'd already been drawing for decades, I didn't have the comic-making skills yet, or eloquence to write the dialogue, so I spent the first half of 2022 self-studying, just because I needed a mouth to be able to scream about my ship.
Vivi didn't exist prior to my obsession with Exarch. He was made for this, he started out as a reagent (or a foil, now that I know fancy writing terms) for a rich and fun chemistry, and keep myself entertained for years, first and foremost.
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Me, a fool: okay let's make a guy that falls in love with Exarch in this particular moment, what kinda life must he have led to- Me: ....oh no
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The chemistry quickly bubbled up and exploded in my face, involving not only Exarch, but other characters (first as a means to subtly tell about Vivi, then they also demanded their own screentime), and here I am, sitting with a massive script on my hands, drawing my blorbos every day. Thanks for enabling that btw.
I care about characters a lot. I ask a lot of whys and hows. I'm critical-minded and burned on many bad stories that did their characters dirty, and I wanna be an opposing example. What I'm doing is extremely ambitious and risky, yes, but I can only invite you to tag along and see if I stick to my word.
The internet's a cruel and unforgiving place nowadays, and here I am, pitting my passion against what feels like decaying humanity. I'm making this comic to keep myself happy above all else, being sincere and cringe because life's too short to be anything else.
Thanks for reading this, and if you haven't yet, read Fragments here!
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tev-the-random · 1 year
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So I may have come up with a whole Villain Jimmy AU...
Listen. I have way too many feelings about the events of Jimmy's Empires S2 Episode 31 and the immediate following stream. I also have way, way too many feelings about whatever the hell is happening in Sausage's and Shubble's lore and whatever is to come in Lizzie's, so I decided to only indulge one brainrot at a time and came up with... an interesting concept? I dunno, I'm easily entertained—
(There's a TLDR at the end if you don't want to read my insane and incessant ramblings o3o)
Ok so, after Walmart WRA kills Jimmy on the bridge for the kicks and giggles, Jimmy really starts questioning just what respect is and who his friends actually are. The conclusion? Dude has absolutely zero friends. Sure, he has this truce going on with Joel, and Katherine has been somewhat trustworthy so far. But actual friends? Nada. Closest thing he had were Scar and Tango, but they're gone now and he didn't even get a proper goodbye. His town is empty. He's alone.
Jimmy may be quick to anger, but this might be the first time he actually allows himself to be sad about it. There's something much more painful than rage crawling inside of him; be it guilt, self-hatred, loneliness, betrayal, there's just so much he's been burying under all the fighting that he can barely breathe through it all now. But once it's over, Jimmy's left with a strange feeling of clarity. This cold bitterness and complicated self-awareness that would turn into something far more sinister in the future.
The next day is really what decides his next course of action, though. He's touring the Old Sheriff around the server, kind of holding onto the last hope that someone might want him to stay after all. But then Fwhip comes along and decides that no, he doesn't get to have this, so they start bickering like the old divorced couple they are, like nothing's changed. Somehow, Fwhip manages to charm his way into the Old Sheriff's good books despite everything that Jimmy has said about his ex-deputy.
Martyn (that's what I'm calling him, he doesn't get his own name now) laughs at his jokes, makes little comments that... sound so familiar to Jimmy. This is how it all started: little comments — and this is how it's going to end. Maybe the Old Sheriff has good intentions. Maybe he does have the intention to stick with Jimmy and be a friend/mentor to him. But Jimmy, still raw from his most recent disillusionment, can't bear the thought of befriending someone only to have the rug pulled from under him again.
So Jimmy leaves Tumble Town in the dead of night.
Now, his first objective is to bring himself back to normal. He had to admit, no matter how hard he tried, it was hard to gather any respect from others when he was trapped in the body of a literal toy. He had already asked Joel to reverse this nonsense, but the god only offhandedly mentioned that this was Jimmy's true form and that it was how he was meant to look — which Jimmy took as "I have no idea how to, my name is Joel and I'm irresponsible with my powers and incompetent and also really short". So his next destination is the Witch Academy.
He had heard about the them from Shelby. She was a nice witch — or, well, nice enough. She was clearly going through some stuff at the moment, which is why he thought it would be better not to ask her for help to begin with — and was clearly able to change people's bodies, whether intentionally or not. So surely the people who taught her magic would be able to help him, right?
Little did Jimmy know that most witches do not, in fact, give a damn about helping other people. After travelling far and wide, he explained his curse to them, and all they did was close the door on his face.
Well, he's not having it! If the witches won't help him, he'll find someone else who will! This is when Jimmy starts travelling around in search of someone, anyone who could undo his curse so he may start his life anew. Through all the ensuing shenanigans, he gathers some... interesting allies.
It's not that he wants to ally himself with undead pirates; he may not be a sheriff anymore, but that doesn't mean he's about to become a criminal! But alas, when the boat he's travelling with is captured, it's not like he can do much else.
Jimmy is spared due to his... interesting predicament. Well, surely this tiny tiny man could be useful! Besides, didn't he use to live close to Pirate Joe? So in exchange for some information on Skeletron's rival and helping them get some treasure for a little while, Jimmy is dropped off at the next port with directions to a shady wizard who might be able to solve his problem.
When he gets to said wizard, they are already expecting him. You see, this is the same wizard who gave Scott his magic eye, and although I'm sure we'll get some actual canon explanation to it eventually, this is an AU in which the wizard may have some... ulterior motives. And they may or may not have been spying on a certain god who lives very close to Chromia. But that's a story for another time!
Jimmy wakes up the next day his normal-sized, human self again! It's almost overwhelming, how much he loves his own body right now. His chest quite literally aches... and that's when he notices a heart-shaped scar on it.
The wizard is still around. They explain to him that, to deal with the curse, they had to remove his heart. Literally. They stored it in this lamp, which emits a blinding red glow — an indicative of how strong it is, how much it feels. The farther away he is from it, the more detached he will be from his feelings. Although that would mean he should probably carry it close at all times, he should not forget that it is still his actual heart; you better keep it safe, kid.
Now that the deed is done, the only thing that the wizard asks for is a front row view when Stratos falls. Jimmy carries a lot of grief, clearly, and if they know anything about him — which they shouldn't, but they strangely do, — he is going to get back at the people who made him miserable for so long. It just so happens that the wizard also has a beef with Joel, so really, they both win in the end!
After some not-so-subtle persuasion and reminders of all the horrible things Jimmy had to endure in the past, the wizard manages to convince our ex-sheriff into going back to the empires to truly bring an end to this story of pain. He's never going to be able to start anew unless he gets rid of all traces of his weak past self, right? His enemies deserve to reap the hate they've sown fashioned in cold blood, right?
And so Jimmy concocts a plan, gathers resources and new (purely professional and with no emotional attachment, never again) allies, and returns to Tumble Town a new man with a new name. In the day, he's a charming and friendly traveller sneaking his way into the emperors' hearts. At night, he's a dangerous bandit carrying a lamp of dwindling red light, playing a game of metaphorical chess with the authorities to bring the pieces of his plan closer together.
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TL;DR Jimmy leaves the empires bitter with his friends, searches for a way to turn back into a regular human and finds a wizard who does so in exchange for being able to watch the world burn. To reverse the curse, he had to lose his heart, which he now carries in a red lantern closely tied to his feelings. He goes back home for revenge.
Calling this one the Red Light Bandit AU òwó
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cordeliawhohung · 4 days
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me: i don't take requests because i'm focusing on personal projects, but i'm always down to talk about our blorbos!
user: hey! not a request but here's something that's been on my mind that i wanted to share with you!
me: oh, wow this is really neat! thanks!
my brain: write it write it write it write it write it write it write it write it
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moodymisty · 5 months
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mkay so I have 2 Warhammer ideas? requests? sticking in my head that I can't decide on one so I'll throw both out there and you can pick one (or neither since I already threw a request at ya lol) to chew on. also a lot of my lore knowledge comes from the wiki and lore vids so sorry if I get things wrong.
first, if I'm remembering right you've said that the blood angels get a smidge yandere over Sanguinius' partner. so I'm thinking, how the hell would they act towards them after ol Sangy gets murderized by Horus? what about the black rage? would they recognize them? maybe her being present around a raging blood angel somehow makes them even more feral, desperate to protect them from "Horus". or maybe it helps mellow them out, can't decide which I like better lol. also what if she's pregnant or has had Sanguinius' kid? idk just poor grieving widow surrounded by these also grieving giants who mean well but are kinda unhinged lol.
OR maybe some thoughts/ headcanons for your blorbo Sevatar lol. I don't know much about atm but reading the little thing you made of him made me think he's like one of those boys who picks on the girl he likes but heaven forbid someone else tries to pick on them.
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[ 𝕸𝖔𝖔𝖉𝖞𝕸𝖎𝖘𝖙𝖞'𝖘 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙 | 𝕬𝖔3 ]
Author's Note: I know you said do one, but I'ma do both. Keep an eye out for the Sevatar one soon. I'm not going to pass up a chance to write about not only my crazy husband Sevatar, but also my yandere vamp boys. I really like both ideas of Sangy's lover either mellowing them out or making it worse. I chose that it's made worse in this snippet however. There's other yandere tendencies I could get into, but I decided to primarily do black rage stuff here. I hope you enjoy.
Summary: Guilliman visits the lover of Sanguinius for the first time since the Heresy reached it's murderous apex.
Relationships: Sanguinius/Fem!Reader (no pronouns just the title 'legion mother')
Warnings: Major Character Death technically, Sanguinius haunts the plot because that's what he do, Increasingly yandere Blood Angels
Word Count: 1116
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It will have been the first time since the Siege that Guilliman has laid eyes on the Legion Mother of the Blood Angels.
He boarded the Red Tear with a small gathering of Ultramarines, though when he reaches the entrance of the room he's due to meet you in, he turns to his lieutenant and speaks.
"Stay out here."
The Lieutenant instantly begins to put up resistance, standing up even more rigid than he already had. His helmet is off, hanging on is belt and showing slight disbelief on his face.
"But My Lord, I-" Guilliman cuts him off.
"I am not going to bring a small army of Astartes to speak to a widow in mourning." He takes a breath and calms himself. "If I have need of you, you will know."
The marine quiets, and then the Primarch enters the room. The door closes right behind him, and two Blood Angels part for him; They had clearly been guarding the interior of the entrance. In the middle of the large room is you- in front of a massive table of maps and parchments, separating you and him.
"This is a surprise, Primarch Guilliman." You look up at him from across the room as he steps closer. This room was designed with Astartes and Primarchs in mind, so his height fits quite comfortably.
"Do you have need of the Blood Angels?"
You speak proper and polite, but not cold; It's a behavior that reminds him of Sanguinius, and for a moment he wonders if the Primarch had ever prepared you had you needed to ever command his legion.
Guilliman notices a well armored captain at your immediate left, and a few other Blood Angels standing guard in the room. More than he would've put in a room this size, though he thinks that perhaps it hadn't been your idea, judging by the captain's face. He looks across at you.
You look terribly, horribly lost. A young woman with her lover dead, thrust into a leading mantel of a legion in mourning. Belarius is serving as the Chapter Master of the Blood Angels now, but even he still looks to you as if you're an extension of Sanguinius. Something more.
He doesn't envy your position. For once he might see himself almost more fortunate than you; As despite circumstances, he has the genes of his creation assisting him, you do not; You were not make for the role cast upon you.
The Blood Angels standing guard are tense- unbelievably so. Guilliman suspects if he made even a somewhat fast movement, they'd have their bolters all pointed his way.
The weight of Sanguinius' death has weighed heavy on you all. All of you live in mourning. That drive in them now channels fully to making sure their Primarch's beloved stays alive.
"I wished to give you my condolences before you return to Baal."
You smile at him, weak, before it fades a bit as you loose yourself in thought. Then, you turn to your men.
"Leave us alone for a moment, if you will." The captain at your side speaks up. You shush him before he has a chance to say much of anything on the matter, and Guilliman suspects that this isn't the first time. You've clearly been growing frustrated at their obsessiveness already; You wish to mourn in peace, but this is how the Blood Angels have decided to.
"It will only be for a moment. I am sure nothing will happen in the ten minutes I would like to have a conversation without eight other pairs of ears listening." He can hear the strain of irritation and sleep deprivation in your voice. He moves to take his final strides closer and come fully up to the table that stands between you.
One step away however, he stops.
In the corner of Guilliman's eye, he notices in the back of the room that one Blood Angel turns rigid. With how tense his neck and jaw is it's like he's gritting his teeth into dust. He makes a move closer, his hand slipping down the barrel of his bolter towards the trigger-
Guilliman can't see a thing but rage in his eyes.
His own hand twitches in preparation, but the marine's partner in guard roughly grabs his pauldron. He whispers something the Primarch can't hear. As they all move to leave, it almost looks like he's dragging him out. Guilliman notices you watching the scene with a particular look on your face. Like you've seen it before, and you're unsurprised but displeased to see it again.
When they're all out of the room, his posture relaxes ever so slightly. As much as it can in his armor, at least.
"Thank you for visiting, Guilliman, but it wasn't needed. I'm sure you have many other duties to attend to." You smile, but it's forced. He's familiar with the gesture.
"The Ultramarines are always occupied. However I still wish you a safe journey." The smile on your face becomes a bit more sincere.
"Thank you. And I'll be sure to think of the Ultramarines have I any need of assistance." Guilliman has had nothing but respect for the Blood Angels, and a request of yours would be one he would consider.
"Very well. Do take care of yourself."
Guilliman wants to say something about Sanguinius, but he can't bring himself to. instead he gives you a nod, and turns away to leave. He does so silent other than the sound of his footfall, and you're left alone in the room. But only for a moment. Your captain that was here previously enters not long after he leaves, standing in front of you. Rubbing your tired eyes, you look up at him.
"How is he?"
You say in reference to the Blood Angel who'd snarled and almost attacked Guilliman moments ago. The captain shakes his head.
"Not well. He is just barely holding onto his sanity. He'll be in Death Company post haste." You sigh.
"Did any of the Ultramarines see?" Much to your relief, the captain once again shakes his head.
"No. We barely got him out of earshot before he started yelling about saving Primarch Sanguinius and you from the Arch Traitor."
Arch Traitor. How quickly everyone has begun refusing to even utter Horus' name.
You nod to the captain in thanks for his quick reactions in the matter, your face tired. Sleep has been a rarity; You feel sick, and mourning isn't an emotion that welcomes rest.
And no one can know about the Rage, or the Thirst. You suppose that's your duty now. You just hope you can hide it as well as Sanguinius had.
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elderwisp · 21 days
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The Creative Process ‧₊˚✩彡 
Because I love to be distracted
Hi! Ok, I wanted to share wif everyone my process in which I create a story post from conception to the final post. I would say I'm a very structured person when it comes to projects like these however, I've learned a lot and maybe someone could find something useful! We'll be referencing this scene. Oke, let's start!
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✩ Rough Drafts
So, of course everything starts off with a vision. While I always say, write what feels authentic to you, I also know it makes things much more difficult if you don't have a solid ground to build from. I think I've scrapped this particular story about twice already and even reshot the first chunk of Tessellate so there was a better foundation. I like to start off with understanding a character before moving onto creating a plot, otherwise people start bleed into another. Greta Gerwig makes a really awesome statement about how characters come first to her before plot. OKE with that in mind, this particular scene, I wrote it well over a year ago, however there wasn't much flow in the initial draft. In fact, the two look nothing alike. This conversation was supposed to occur during France's concert, but I moved it to to this particular scene and I'm so glad. I felt like their current relationship was strong enough to have this conversation but also it allowed me to really focus in on the two. I am a huge advocate for jotting down dialogue even if things change because you can always expand on an idea. And if things don't work, scrapping is okay, but at least you gave it a shot! After that change, I didn't revisit that scene up until about a month and a half ago. I like to let things sit for a good while. In the initial draft, Taryn was reserved throughout a majority of the conversation. There was limitations in which how I wanted her to express things but things change in a year. When I looked at her as a character and how she's progressed throughout the story, the draft no longer aligned with her lack of response. And then that created the question of what the heck does one say? Because people aren't typically very graceful or eloquent when it comes to confrontation but also we're telling a story so how do I balance the two out? Since, I've followed these little blorbos for a while, knowing their characters and motives allowed me to flesh everything out. Atlas is much more cunning than he lets on and is excellent at painting a pretty picture for those around him if it means getting what he wants. Taryn on the other hand is perceptive and unwavering so being around someone like him, someone that she finds herself slowly falling for, is a complete, well, mind fuck. We can also see from this interaction that there's a hint of feeling inadequate and the lack of confidence to know that maybe he does like her. We also see that Atlas maybe isn't the most mature when it comes to developing something real so the two have plenty to work on just from this scene alone. Like Greta Gerwig says, writing is listening.
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I also wanted to mention LocalScriptMan and this video all the time because it just about changed how I viewed dialogue in general. I think it's such a great tool! I've probably shared it a billion times.
✩ Blender & Posemaking
So I would like to preface this by saying, you do not need to use blender to achieve a vision. There are still scenes that I still use poses/animations from other creators! I wanted to list a few references! Rebouks, Rascgal and Simmireen have an amazing variety of poses to use! I literally use Becca's bumper packs RELIGOUSLY! However, if you need any suggestions, SurelySim's has an excellent breakdown on getting started with posemaking from tiny details, to SimRipper and using accessories! She also talks about Vyxated's Pose Helper which is a god send! For this scene I wanted to fully pose it. In my script, I italicize anything I want to pose, I'm such a sucker for the mannerisms that people have. When words fail, body language speaks. Are they fidget-y, or do I imagine them to be more composed? Taryn's stance is grounded, she doesn't move at all in the scene except for when she leaves and I think it's a great representation of her stubbornness. Whereas Atlas is watching every single move, up until he makes his incredibly bold (ridiculous!) statement. As for emotion when he made that statement, I wanted to go with shame but then I felt like his expression radiated ruthlessness. I personally enjoyed that 10x more because it represented two things for me, his character and that he felt comfortable enough to show that part of himself. When posing a scene from start to finish, it takes me about 1-3 days depending on how complex it is. I'm a huge advocate for using references! I love referencing hands, posture, how to grab a book ANYTHING! Because this was a conversation and not much action happened, it took me about a day.
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✩ Taking Screenshots and Composition
I began taking photos for this scene on March 6th. I use to use this reshade preset by growfruit however, after tinkering with some settings I use like a mish-mash blorbo of a preset. Amobae and Sforz have some cool LUT's for download (I think of it like a filter? That's probably not what it is but MEH) and I love the qUINT's lightroom shader as well. Huge advocate of relight, I was today years old when I learn that you should load it at the top of your shaders order so you don't get like a weird whitecast. These spotlights though are super fun too if you don't use reshade! There are some photographers on instagram that even go over how to use lightroom and it can translate to game as well! For the most part, I try to keep screenshots pretty simple, editing-wise but there are moments when I doodle in little hairs, add in some texture and include shadows for, uh, DRAMAAA. Lately, I've been incorporating intricate fonts because idk sometimes my brain enjoys a little graphic design moment. Sometimes shooting conversation heavy scenes can get so repetitive so I like to look at film stills on pinterest or pay close attention to a film and how they present the camera work in a conversation. Rule of thirds is a great reference tool to use, I believe GShade has a shader for that. However it's okay to experiment, it's not an end all be all. I love looking at animators and how each frame is incredibly intentional, whether it's a shot from above or a really close frame. The beginning of this scene, I honestly didn't have a clue as to how I wanted to open it up since they were walking down a hall. Then I noticed the detail in the fencing and how the tiles were opposite. Using the TOOL mod, I was able to get them both in the center and it created a strong opening shot of how different these two are.
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✩ Editing
My god, I love editing but also this is usually the moment where I get so freaking distracted. This process takes me a day if I am focused.... But realistically it takes three days.... That's why I try to keep things to a minimum. I do use Photoshop. I like to use this sharpening action (the other actions are awesome too!) for story posts, I crop each photo (I use a 9:5 ratio and a 16:6 ratio if I need to focus on something specific idk why i picked those numbers yo), and add in text. Dafont has a lot of different free fonts. I like to use these little guidelines if sentences needs to be centered.
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For adding umph to text, I like to use two things: The warped text option when using the type tool or just going to the distort panel and using the wave option!
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Also bottom right of your layers channel is an fx layer. I like to use stroke and drop shadow on all text so it doesn't get lost within a photo!
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✩ Finalization and My Schedule
That story post was uploaded on March 29th. As of right now, I like to stay three weeks ahead so I have three weeks worth of story posts marinating in my queue LMAO. I always reread things like a bajillion times, sometimes I'll go back and tweak conversations if they feel a bit stiff. Having that three week buffer also gives me time to really dedicate myself to details and focus on being present with a future scene. Another perk is, it allows me to work on cleaning up the script, plotting for future arcs, and having fun with edits. When I used to upload story videos on youtube, I didn't really plan ahead and it was so chaotic for me. Sometimes I didn't have enough time to actually create a solid episode so things felt rushed because on top of that I had a schedule I committed to. This isn't necessary but structure and patterns is something my little brain needs.
I hope this maybe provided some tips for people wanting to start out or it was just a fun little thing to read! One final OP tip is to write about something that you enjoy, something that matters to you. I'm one mf that loves a fleshed out character arc, that doesn't like linear plots and for fucks sake I love a good slow burn and I think all of that reflects a lot which helps me be engaged.
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storiesofsvu · 6 months
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Holiday Bingo 2023
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That's right besties! It's that time of year again! And in an attempt to keep y'all entertained with your favourite blorbos, I'm hosting this bingo so we can all share our creations and you have something to fixate on while I'm busy as hell at work!
As per usual:
Submissions can be anything! A mood board, a ficlet, headcanons, drabble, gif sets, one shots, social media au's, make it a mini series following the holiday journey of the same two characters! literally whatever you want!
Prompts are all winter/holiday themed. If it specifically says "Christmas" it does not need to be Christmas, it can be whatever holiday this time of year that you want!
Read the rest of the rules under the cut!
Prompts can be made into any genre, make it super spicy, make it tooth rottingly sweet, make it angsty as all hell and break our hearts, make it a wild AU, do whatever you want with them as long as they are what inspired your story. (aka "first snowfall" could be the first time character a is seeing snow, it could be the first snow of the year, it could be the characters baby's/dog's first time seeing snow. It can be cute, catching snow flakes on tongues or sad, bringing back memories with a friend who has passed. Literally whatever you want.) Just make sure to include any and all appropriate warnings/tags at the TOP of the post and I don't want to see any TikTok censoring of words!
Fics can be a ship, a reader insert, an OC, or any kind of crossover! Mix and match, stick with one, try out a new character or fandom!
Accepted Fandoms:
Literally everything and everyone. This is wide open to any and every fandom/show/movie that you want, it's free game besties! It doesn't matter if I write/read that fandom, do what you would like!
Some Inspiration:
-Law and Order (OG, OC, SVU)
-Criminal Minds
-Marvel
-NCIS
-One Chicago
-Abbott Elementary
-Mayans
-Grey's Anatomy/Private Practice
-911/Lonestar
-OUAT
-The L Word
-Wednesday
Rules:
You MUST tag me @storiesofsvu and use the hashtag #storiesofsvuholidaybingo2023 on each creation and I'll put together the masterlist.
Bingo begins on November 25th and will run all the way to January 20th.
You may only post/submit ONE creation per day!
Only one bingo square per creation
No underage characters involved in relations.
Tag all and every warning appropriately at the top of the fic
Anything over 1000 words must be under a readmore!
Everyone is welcomed and encouraged to participate! You do not need to be following me, we don't need to be mutuals, if you see this post and want to play, let's go!
If anyone has questions, feel free to comment or send me a message/ask!
Some playlists to get us in the mood:
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tagging some people who might be interested? (if you got tagged and have no idea who i am/where this came from it is likely that i have read your stuff and loved it/have some bookmarked on my to bed read lol. feel free to ignore.)
@prentiss-theorem @swimmingstudentchaos891 @rustyzebra @plaidbooks @thatesqcrush @adarafaelbarba @detective-giggles @mickey-gomez @alexusonfire @bumblebear30 @tropes-and-tales @unitchiefs-blackbirdphoenix @beccabarba @prurientpuddlejumper @fighterkimburgess @baubeautyandthegeek @melk917 @blackbird-brewster @virescent-v @leftoverenvy @iamnotoriginalphil @happenstnces @daddy-heather-dunbar @just-a-torn-up-masterpiece @five-bi-five-main @thehauntingofbasingse @supercriminalbean @h0tch-r0cket @bullet-prooflove @boldlyvoid @astrophileous @slutforsilverfoxes @cissyenthusiast010155 @hotchs-bitch @honeypiehotchner @whiteberryx @v3nusxsky
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birdclowns · 4 months
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jan - the start of the end of my criminal minds hyperfixation. spencer reid my beloved. he's so mentally ill
feb - unsub!spencer reid is something that can be so special.... he can kill people for "science." as a treat.
march - I STARTED WATCHING 911. I watched all of it so fucking quickly. I hate buddie. I love them
april - brainrot for lone star has STARTED. making good on my vague 2023 goal of doing backgrounds more often🥰
may - fuck you, couch theory. they need to fuck nasty on it
june - one of my FAVORITE projects for the year. I love all of the canon queer characters thatre lone star, and paul means so much to me. paul's is Definitely my fav icon out of them all
july - my self proclaimed "it's my birthday month I can fuck up my blorbos if I want to" if you havent read the fic that @inflarescent was inspired to write. who are you and what the fuck are you doing with your life
aug - lap tk my beloved<333333 if he FITS he SITS!!!!!
sept - continuation of my lap tk love. I had so much fun with the colors and with figuring out how to make movement happen with a little comic. I just think they're neat
oct - we get to the gifts at the end of the year<333 a collab with @paperstorm for @thebumblecee's birthday 🥰🥰🥰🥰 again, read the fic. or I Will find you 👀
nov - GHOSTFACE TARLOS YOU MEAN THE WORLD TO ME. birthday gift for the lovely amazing talented @mooshkat<333333 read their ghostface!tarlos series!!!!! its so good their writing makes me insane
dec - one of my favorite things for one of my favorite people. matching icons for discord of @cold-blooded-jelly-doughnut and I's ocs<3333 we weren't dating when I posted this (which. wild. this should've been a sign tbh) but we started very soon after and honestly. what a great way to end the year 🥰🥰🥰🥰
(denton is from my fic read it or don't I won't threaten you but he might)
there's more december art coming <33 gifts and secret santa and I'm so fucking excited to continue to grow with my art!!! next year will be so full of projects for both art and writing
tags under cut!
thanks for tagging me @thisbuildinghasfeelings & @reyesstrand 💕💕
tagging for various round ups; @cold-blooded-jelly-doughnut @mooshkat @thebumblecee @inflarescent @paperstorm @orchidscript @heartstringsduet @lemonlyman-dotcom @reasonandfaithinharmony @louis-ii-reyes-strand @welcometololaland @inkweedandlizards @bonheur-cafe @sanjuwrites
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