#DC characters take bad decisions | Explore Tumblr Posts and Blogs

sugurism · 2 months

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FLAGS EVERYWHERE. ୨ৎ are jjk men green, beige or red flags?ㅤheadcanons

featuring ♰ㅤmultiple. (choso, higuruma, megumi, nanami, gojo, geto, sukuna, toge, toji, yuji, yuta)

warning(s)! ♰ㅤNO PRONOUNS AND ANATOMY FOR READER. SFW (?) — toxic behavior ! cheating ! breaking-up mentions ! very much made based on personal opinions + i tried to write the characters off as canon as possible, but my favoritism will probably show ! sukuna is a warning of his own tbh ! violence + blood + death (mentions) ! cannibalism (mentions) ! angst (mostly) ! some are implied yandere ! not really dark content but i will tag as so just to be sure, some of them are dc vibes ! mentions about marriage + having kids (biologically and not) !

୨୧ CHOSO KAMO — beige flag.

not the reddest flag of the list. although, still has some fails. . .

this may come as a surprise to many, but choso is not a green flag. he’s perfectly in the middle, i think. not nearly as bad as others on the list, but his track record isn't perfect, either.

BIGGEST RED FLAG? he's family-centered.

choso is, as is well known, a man completely focused on his family. the joy of his brothers and relatives is his priority, and he will always be more focused on others than on himself (this could also be a red flag, he is quite selfless). he carries the burden and honor of being a big brother. of course because of his love for you, you are as much a part of the family as his siblings are.

however, if you don’t get along with his siblings for any reason, it’s very likely that the relationship won't be able to continue. it would be troublesome if you can’t take his true nature ── as a half-curse ── well, too. it would really upset him, because love is about acceptance and care.

DO YOU NEED TO BE A SORCERER?

the answer is: no, but it is preferable that you are. being a sorcerer, you would have a much easier time understanding the abnormal aspects of his life (him and his family). if you’re not a sorcerer, it makes things a little chaotic. choso wouldn't want to lie to you about who he really is, his origins, and obviously, he would be prevented from introducing his (monstrous) brothers to you in that circumstance.

this would make him reflect for a long time, which ends either with a breakup, or with him showing you everything about jujutsu. living under a false identity and with a life built on lies is not how he wants the relationship to be.

WOULD HE CHEAT ON YOU?

absolutely not. choso is aware of how heartbroken you would feel if he ever did that — besides, it's not like he feels desire or romantic love for anyone else. he has no reasons to cheat on you, and he never will have.

OTHER OBSERVATIONS.

choso has good intentions, but romantic love is a new and unknown field for him. this makes him inexperienced and often irrational towards romance. the information about relationships is too fresh and unprocessed for him, and it's all from the dead brain of the vessel he inhabits. he is not completely unaware about all of it, but his lack of experience shows.

he is very hasty and believes that the status of “boyfriend” is not bad, just that “husband” would be much better. if you don’t see a future, why would you be with him? he doesn’t understand when you correct him you are just dating and not married (you've been together for barely two months).

choso is not the type to let fights happen without reason, and he tries hard to make things work out, but he’s constantly overprotective and his affection can quickly become suffocating.

choso loves family. he wishes to expand it someday. and who would be better to help him besides you, his true love? besides taking care of his brothers, he would like to be a father himself one day (at least, a better one than his own father was), and there is this underexpectation — not exactly spoken out loud until he is confronted about it. choso wouldn't want to pressure you, and he would understand your choices and respect your decisions perfectly if you don’t want to have children, however, he gets a little sad over it nonetheless and always wonders if you would change your mind if he asked more nicely.

of course, we can’t forget the amount of people he killed (in and out of shibuya). this is a factor that is rarely talked about and choso doesn’t even think about it anymore, honestly. if you can ignore that, good! if not? well. . .

୨୧ HIROMI HIGURUMA — green / beige flag.

objection! he did nothing wrong (except for, at least, 22 murders, i guess).

BIGGEST RED FLAG? married to his work.

this is a completely personal view, but it’s hard to date someone so busy and married to their work. pre-culling game, the grueling overtime and mountains of paperwork would constantly keep him away from you ── from dates, from nights together, from romantic trips. furthermore, his ideal of justice is always dangerously close to failure in practically every situation hiromi faces, and this is a source of stress for him. he wouldn’t take it out on you, there’s no reason, but of course. it’s difficult to balance so many hours of work and such an important goal with personal relationships.

it’s not that he forgets commemorative dates, he merely doesn’t have time to celebrate them themselves. when he can’t be there for whatever the occasion is, he’ll send some expensive gift and an apology card, or call you and start a conversation for eight minutes to explain why he forgot your second anniversary. it’s common for him to come home, and you’re already asleep. you simply don’t have time.

in the culling game situation, it’s not so much work that keeps you apart, but training, focus and purpose. he focuses more on your protection and his than on romanticism, which can end up creating emotional barriers that are very difficult to break ── on both sides. hiromi is accidentally cold quite often. and that’s if you ignore the number of people he had to kill.

DO YOU NEED TO BE A SORCERER?

honestly: yes and no. is a simple question with a difficult answer. hiromi prefers someone who can understand him completely: his feelings, his work, what he wants the justice system to become, and his vision of justice. so when he finally receives this new power that not only matches all of this but can make it possible, it’s very complicated to have a partner who doesn’t understand this new part of your life. he’s another person who wouldn’t lie to you about his nature. he swore to tell the truth, always the truth, and only the truth.

if you are a sorcerer, things get easier and harder. a relationship with hiromi has certain nuances, such as his constant concern for your safety, regardless of what you are (sorcerer or not). he believes in your own strength, but would like to stick around just to make sure you’re going to be okay. his change between coldness and sudden closeness can make feelings very raw and difficult to deal with.

if you’re not a sorcerer, his protection gets even worse. he’s not suffocating because he takes care not to be, but he would genuinely go crazy if something happened to you because he was careless. anyone who touches you won’t come out alive and brag about it. he just wants you to be okay.

WOULD HE CHEAT ON YOU?

no. hiromi is loyal to all his oaths, whether they are about protecting justice or being by your side even in sickness and in health.

OTHER OBSERVATIONS.

he is very open and honest. it might be bad in certain situations, but it’s great for the bigger picture. he doesn’t hide his opinions from you and is willing to talk about almost any topic peacefully. fights with him are actually quite rare, because hiromi thinks it’s fair to listen to his side, then speak his own, and think together to see if you can resolve this peacefully. depending on the angle, this is another problem, in a way he tends to rationalize feelings very often.

despite all the negatives, he has a surprisingly good memory. he doesn’t forget special occasions, he simply didn’t have time to be there in person (which is still a con). but he remembers everything else about you. hiromi is the type to look at you with a slight smile on his face, looking like his words are going in one ear and out the other. but when you stop talking, he gets confused. “why did you stop? i want to know what happens next.”

୨୧ MEGUMI FUSHIGURO — green / beige flag.

honestly, a good option. if you’re able to catch up.

megumi is a better boyfriend than people would think, honestly. the issue, with him, is more about himself and his view of himself than you ──, but it still affects the relationship and your experiences together as a couple.

BIGGEST RED FLAG? no respect for his own safety.

as a jujutsu sorcerer, it’s perfectly common for megumi to get into situations that risk his neck. it’s as much a part of the job as anything else. the problem is his willingness to put himself in danger for the sake of a greater good, or greater goal that he needs / wants to achieve. he is bold and reckless, and can be very harmful to both him and you.

other than that, he’ not necessarily a very bad boyfriend. megumi doesn’t have as many communication problems as expected, although he can put up fights — especially on this specific subject, trying to justify his lack of care with “doing what was necessary”.

dying to win is not an idea he is opposed to, until someone (like you or gojo) puts some sense into him.

DO YOU NEED TO BE A SORCERER?

not really. megumi would love you regardless of your ability and strength ── and would find qualities to admire anyway. he doesn’t think you’re incapable of protecting yourself, and a part of him is tempted not to introduce you to jujutsu if you’re not a sorcerer. it would be a fully, normal thing in his life, but he wouldn’t want to lie to you in any way.

WOULD HE CHEAT ON YOU?

definitely not. megumi has way too much respect, admiration, and above all, love for you to do something atrocious like that.

OTHER OBSERVATIONS.

megumi is reckless, but at the same time he listens to what you say and can slowly learn to take care of himself in a more efficient way through your words and worry. he doesn’t forget precedents or dates, and he takes good care of anything you’ve given him. his shikigami love you, sincerely, so he would be happy if you could see them and interact with them ── because they are a reflection of their owner and end up showing all the affection he feels for you and doesn’t have the courage to show it.

he’s not cold or distant, just more reserved, but he could be more vocal about his feelings instead of dropping hints and hoping you understand what he means. everything about megumi is soft, even when it shouldn't be.

his inclination is indoor dates and having alone time with you that doesn’t involve his friends in any way. he has nothing against any of them ── they are dear people to both him and you, megumi is just inclined towards privacy and doesn’t want your time together to be interrupted. especially if you are a busy person who doesn’t have much opportunity to spend time with him.

despite being quiet, he is a little jealous often. not on a controlling level or anything like that, but he could easily end up making greater gestures to reinforce his dominance over your heart ── a treasure more precious than any cursed jewel. grabbing your waist gently and pulling you closer when he notices someone staring is not an uncommon occurrence.

୨୧ KENTO NANAMI — green flag.

i have nothing to say besides: you’re lucky — really. this man is a blessing.

nanami is honestly the ideal kind of guy no matter what life you want to lead. He honestly tries to balance his personal life with the work he so fervently hates, and he understands and helps you doing the same.

BIGGEST RED FLAG — emotional walls (eventually lets them down).

one of the few things that are not respectable about this man is that he really takes a long time before showing himself vulnerable in any way, shape, or form. nanami's experience makes him a very cold and harsh guy on the outside, but with well-defined morals and a heart of gold. he's also inclined towards privacy, just like megumi, and would prefer if you didn't get too involved in his circle of friends (more because of gojo than anything else, really).

DO YOU NEED TO BE A SORCERER?

no. not really. nanami appreciates the normality and calmness that can come from a life with you. he genuinely doesn't care if you're a sorcerer or if you're the head of the marketing department.

impressively, he's not as protective as others on the list. of course, he worries about your safety, but he doesn't doubt his own ability to be there to protect you if needed.

WOULD HE CHEAT ON YOU?

no, never. nanami is very adamant and loyal to you in all situations — he can't be tempted by someone else, because all he desires is you.

OTHER OBSERVATIONS.

as already mentioned, nanami prefers that you not get involved in his social circle, especially if you are a non-sorcerer. this is due to the fact that his senpai is clueless and could often create very uncomfortable situations. furthermore, he is afraid that you will be interested in more of his acquaintances and end up discovering/getting more involved with jujutsu.

he's very supportive of pretty much every decision you make ── as long as it doesn't hurt you and doesn't seem rushed without thought. he makes a point of looking for you for conversations that he considers necessary and punctuating whatever is needed.

nanami is very analytical too. if the two of you set a goal, agree on its repercussions and after a long time, decide on it ── like, for example, having a family ── he works hard to make it happen. it is not uncommon for him to agree to work overtime to receive a salary bonus to prepare a surprise for you, or support you better. he doesn't doubt your independence in the slightest, but he would like to constantly give you gifts as thanks for your divine presence in his life.

kento is very kind and basically the height of chivalry. for those who say that romanticism is dead, it's because they've never seen your boyfriend tying your shoelaces, carrying you on his lap, taking you to romantic dinners and making dinner for the two of you.

୨୧ SATORU GOJO — beige flag.

strongest sorcerer, a charming man, and good at flirting. although, an actual relationship? oh, boy. . .

satoru isn't necessarily a bad boyfriend per se. he's far from the worst option on the list, but he genuinely has a lot of problems that would make a relationship fall apart.

BIGGEST RED FLAG? emotionally unavailable.

satoru's personal experience has made him carry the burden of being the strongest sorcerer during his entire life. it's his identity to nearly everyone else — the satoru gojo, and not just satoru. it feels set in stone.

he doesn't have close friends or a support group that he feels he can genuinely trust fully since suguru's betrayal. this rubs off on you and makes him avoid really emotional conversations or directly saying what he's feeling — even when it's necessary. it's almost impossible to make his emotional walls come down, and if they do, he'll probably act a little sour for a while ── a kind of reflex, where he's wary of the idea of being betrayed once again.

being vulnerable is not his strong suit.

DO YOU NEED TO BE A SORCERER?

no, but it's preferable that you are. not only because you would understand him and his capabilities much better, but because as a sorcerer you would have your own worryingly long workload, and wouldn't make such a big deal about him almost never being home. at least, he thinks so, but he wouldn't avoid a relationship with you if you weren't a sorcerer.

also, he gets worried about you constantly — he has lots of enemies that could try to hurt you to get to him. if you're a sorcerer, at least he can believe more easily that you can defend yourself.

WOULD HE CHEAT ON YOU?

personally, i don't think he would. as already mentioned, gojo's inability to be with just one woman is, in my view, his inability to be vulnerable and honest.

OTHER OBSERVATIONS.

personally, i interpret “satoru is the type of man who cannot be faithful to a woman” precisely because of the emotional problem. he can't be vulnerable and that only gets the relationship to a certain point before it stops working completely. it's very, very difficult to get past the defenses he's created for himself, and there's always the chance he'll get scared and decide to leave.

the gojo clan isn't really a hindrance ── what are they actually going to do, argue with their only relevant member? ── but they can be quite uncomfortable. the person with the strongest sorcerer needs, in their view, to be “proper.” this includes: being a sorcerer and having many strong children for a new generation.

if you do not meet these requirements for any reason (not wanting or not being able to have children), the clan is unfriendly towards you. this doesn't stop the relationship in any way, or it doesn't stop you and satoru from getting married one day, however, it is quite awkward.

regardless of whether you are a sorcerer or not, there is a gulf of difference between satoru's lifestyle and yours. while he doesn't have difficulties with money or power ── and maybe you do ── this means he can't quite understand what it's like to be in your shoes. he's not unfriendly, but his arrogant and defensive nature can really lead to a silly fight or two that escalates depending on the situation.

୨୧ SUGURU GETO — red flag.

i love suguru, but he’s undeniably not an ideal partner.

i don't think there's much doubt about whether geto would be a red flag. he is. even if you consider his nature in the relationship more than his personality itself, it's still the case.

BIGGEST RED FLAG (besides the genocide nature)? — manipulative.

as a very skilled cult leader and orator, suguru has an indescribable charisma and a well-directed charm ── be it to convert those he calls monkeys or to enlist sorcerers to his cause. however, this charm can also be used on you and your relationship.

intentionally or not, he ends up trying to convince you of the same things he does. either his own distorted belief ── or his apologies become attempts at manipulation. he's not beyond gaslighting you, either. he learns what type of action provokes a specific reaction from you and ends up acting very artificially sometimes.

the benevolent cult leader persona he uses on non-sorcerers mixes with the real suguru geto, and that's definitely something scary to have in a relationship.

DO YOU NEED TO BE A SORCERER?

yes. there's just no other way. sorry, it's geto.

WOULD HE CHEAT ON YOU?

not really. capturing geto's attention isn't really an easy thing, and maintaining your position as his partner is just as hard a task. i don't see him having eyes for anyone else, because i feel that if you were in a relationship, he would need to have some kind of attachment to you and wouldn't want to hurt you on purpose.

despite this, in those ridiculously impossible situations — if he could achieve the world he wants by sleeping with someone else, would he do it? then the answer is yes. but i don't know if that counts.

OTHER OBSERVATIONS.

he is more married to his cause than he would ever be to you. he will not change for you, nor he will abandon his dream. that's a thought you can't let go of your mind when you're with him. no matter your own actions and beliefs, the new world must be created using any and all means necessary. no price is too high, no one is too innocent to be sacrificed.

being around someone like that would not only be exhausting but terrifying. there is always the uncertainty of what he would do if you left him. on the one hand, suguru doesn't want to hurt you. on the other hand, as his partner, you would know too many valuable things to just leave. he would never let you go like that.

it's very important not to forget that suguru definitely suffers from delusions of grandeur and high expectations of himself and everything around him. whether it's about the new world, his role in it, or about you. he faces some frustration when this expectations are not met, but he does his best not to take it out on you.

he might even "forgive" the fact that you don't actively fight to kill non-sorcerers, like he does, but he wouldn't want you to interact with them other than when it's absolutely necessary. furthermore, suguru would require absolute hygiene. don't touch him if you've been too close to a non-sorcerer. in cases where you have shaken someone's hand or hugged someone, he will refuse to talk to you until you wash your hands or take a shower.

and if you see non-sorcerers as people, as lives who matter, it will be absolutely worse. it would certainly be a very frequent topic of discussion between the two of you, so opposing views would make the relationship unsustainable. but staying silently by his side makes you accomplice — the blood of all these people will be on your hands, because you knew.

you knew and you did nothing to stop him, nonetheless.

୨୧ SUKUNA RYOMEN — red flag.

do i have to say anything? nevermind. i’ll pray for your soul instead. lord have mercy on you — because sukuna won’t.

if you were so unfortunate as to capture the king of curses' attention in this way, i can only be so sorry.

BIGGEST RED FLAG? he's sukuna.

it's hard to know where to start when naming his worst red flag. would it be his violent nature? his overall behavior? the sadistic desire for death and the total lack of morals? sukuna knows nothing but power, and has no respect for anything other than himself or equivalent strength. it makes your relationship with him less of a romantic thing — and more like an owner-pet relationship.

DO YOU NEED TO BE A SORCERER?

i'm inclined to say yes, because it's difficult to see where sukuna would be interested in a non-sorcerer. regardless, i guess it doesn't really matter as long as you fit his twisted and bizarre criteria, somehow.

WOULD HE CHEAT ON YOU?

no, but not for the reasons you think. love is an unknown and irrelevant concept to him, so what really stops him from cheating on you is not moral. it's desire, or rather, the lack of it. no one is as interesting as you in that sense.

he wouldn't cheat on you simply because there is no one else he wants like that. but not in a romantic sense, like nanami. it's like someone who is so engrossed in one thing in particular that in comparison, everything is gray and rotten.

OTHER OBSERVATIONS.

there's very little i can describe without being extremely dark compared to other reviews. sukuna would play with you until he got tired, and when he did, he would send you to the pot and enjoy a nice dinner.

i think the closest thing that can be called showing affection from him is when he asks uraume to be extra careful with the meat this time. he had, somehow, a strange feeling for you that he didn't understand. even tired, he wouldn't forget a human who fascinated him so deeply. furthermore, it would be agonizing for other sorcerers and humans. sukuna would not be actively looking for replacements, but sincerely. if he was, he would be disappointed. sometimes he turns to bark a mean comment, just to not see you there, and murmur oh, right, knowing very well he is the reason.

despite this, he may feel some kind of affection for you. sort of. the kind of pity you would feel for a beggar on the street, or the feeling you have for a pet, in some way. he would never see you as an equal. an interesting creature, but beneath him, as it is your place.

none of this would ever stop him from killing you if you became a nuisance, though.

୨୧ TOGE INUMAKI — green flag.

few words, but a lot of action and gentleness.

after a horror show committed by our favorite cannibal, a good look at our favorite ingredient talker should cool us down nicely. toge is actually the type to act instead of talk, because, well. . . salmon?

BIGGEST RED FLAG? bad communication.

even if you are a great sign language interpreter, there will be communication problems in your relationship. sometimes you may not understand what he is saying, or the other way around.

this is not a fatal defect, but it certainly exists, and needs to be addressed accordingly. furthermore, it is difficult to have serious conversations or argue. it's very annoying not being able to have a serious dialogue without hearing an onigiri ingredient in response. but it becomes a bit habitual for you and it doesn't make that much of a difference — it's the way he needs to communicate and you understand. toge understands how difficult it can be to communicate with him and does his best to help the process.

DO YOU NEED TO BE A SORCERER?

i'm tempted to say absolutely not, but if you're not a sorcerer there's no chance of you having a relationship without you at least knowing about jujutsu. in any case, you will be inserted into this world and this context, but honestly it doesn't matter to him. as long as it is you.

WOULD HE CHEAT ON YOU?

no, not at all. man can barely speak to his friends, how could he even chat with someone else and cheat behind your back? despite all the jokes, it's not really toge's thing.

sure, he can't directly tell someone else he's rejecting them — again, communication —, but he just needs to show his ring and they'll leave him alone. usually. he does not entertain flirtation from anyone who's not you, though.

OTHER OBSERVATIONS.

loving toge is as calming an experience as it is chaotic. he wants to do everything that “more normal people” would do too. for example, going on dates in big, crowded places — even if a part of him screams internally when not being able to talk to you like these people do. and honestly, even when he merely wishes for the simple, he just wants you to be happy and enjoy. your relationship is something very important to him, and there would certainly be a doubt if he can be a sorcerer and be your boyfriend at the same time. inumaki's lifestyle is not really something anyone wishes for their significant other, after all, but he was willing to try.

despite not being able to speak, he always has a cell phone and a notepad at hand. it's common for you to find small notes and loving notes, or his messages. love messages, messages asking how your day was, messages telling you that you forgot your lunch — giving him the perfect opportunity to just slip away and personally hand it over to you. he turns down the collar of his coat to return your smile when doing so.

toge also has a habit of sending you pictures like cute cats and a small love poem. he never wants you to feel appreciated — and everytime his friends tease him for smiling like a fool to the phone, he murmurs an affectionate “okaka”.

୨୧ TOJI FUSHIGURO — beige / red flag.

already experienced with love, a hurt heart can literally end everything.

the experience of being in a relationship with toji can be the happiest thing in your life or the most toxic addiction possible. it really depends on a single factor: is he able to love you truly, even after mamaguro? he'll be the only character in this list with two “separated” versions.

BIGGEST RED FLAG? emotionally distant / inconsiderate.

in a world where he can love you just like he loved megumi's mother, toji has a lot of emotional baggage that is difficult to deal with. his job is dangerous, he had an extensive past with another woman and an abandoned son, it's a lot for both him and you. it's very difficult to get close to him at first, but he slowly opens up and is willing to change and improve his life, getting a new start with you. one he won't lose.

in a world where he can't love you, he just doesn't care. you're just another partner he hooks up with occasionally, and he makes that clear. he's not interested in anything serious, not marriage, not anything. you are not the love of his life and you will not be. and if you feel bad about these words? well. you're out of luck.

DO YOU NEED TO BE A SORCERER?

definitely not. he couldn't care less in any case.

WOULD HE CHEAT ON YOU?

again, that depends. if he loves you truly, hell no. anyone who comes to flirt with him while he is in a relationship with you will be ignored and likely humiliated if he persists. if you managed to capture this man's heart, congratulations, he's all yours.

if he doesn't love you — yeah. pretty much. then it's more about if he wants someone else than your feelings.

OTHER OBSERVATIONS.

there's not much to say about toji's part and his role in a relationship, except that it won't be easy in any case. the past is the ghost that haunts every man, conscious or not. and his is full of blood, guts, tears and lost love. being willing to deal with this is not only necessary but something he won't forget. it's very difficult to win his loyalty permanently, but if you do, you simply have to worry about it anymore.

if he does not love you, it's very likely that he will eventually leave you for someone richer. money is mainly what would keep him in a relationship — sex is just a bonus. when some of those ends up being too difficult to get (or when these things are missing), his lack of emotional attachment makes him easily turn around and leave, to never returning again.

୨୧ YUJI ITADORI — green flag.

a very good option! the problem is that it is not long-lasting.

yuji is a sweetheart, really. definitely not a bad choice (one of the best ones in this list!). although, he has a very unfortunate destiny in front of him.

BIGGEST RED FLAG? he's way too selfless.

being selfless is a great quality, but in cases like yuji's, things go overboard very easily. he doesn't have as much respect or admiration for himself as he does for other people, and this can definitely be very damaging to his mental health and, consequently, your relationship.

he takes risks for his friends and strangers, he swallows cursed objects, he does his best to save lives — and he blames himself under fail, despite it not being his fault. he's the kind of man who carries the weight of the world on his shoulders, and doesn't want you to exhaust yourself trying to share it with him.

DO YOU HAVE TO BE A SORCERER?

not really, but if you're not, the relationship ends very quickly and suddenly. yuji wouldn't allow himself to tell you about jujutsu, being the vessel of sukuna, and anything that puts you under risk. this includes staying close to him.

he wouldn't break up with you just because you're not a sorcerer, he just values your safety too much and is afraid of what could happen. if you are one, he feels slightly relieved you won't separate, but still tense. you can still die.

WOULD HE CHEAT ON YOU?

he would never. never, ever. you're his love and he could never betray your trust like that. in one occasion, he said he wouldn't cheat on you even if it were with jennifer lawrence.

OTHER OBSERVATIONS.

the most important point to make is that yuji will undeniably die. he would be executed, and he thinks he should be, and that was the order given since he made a mistake that day. one day, and his life changed forever. having a relationship with you is one of the few lasting joys in his life, but when it ends for whatever reason, it will hurt more. maybe he'll try to break up with you sooner and move away so you don't feel so upset about losing him.

yuji is also the guy who was thrown into the context of the jujutsu world in a very unfortunate situation — he can be very slow to understand some things and, if you are a sorcerer, fearful. he understands that many sorcerers have important reputations to maintain. maybe you have too. in that case, wouldn't it be better not to have a relationship with sukuna's vessel in your past? what if the higher-ups antagonize you for that, and your career can't succeed? he doesn't want to make you uncomfortable about the topic, and he often doesn't say what he's feeling directly. yuji doesn't lie, but he omits.

he is very anxious despite his constant positive attitude. sukuna likes to mess with yuji's mental health, and he knows how much you mean to him. yuji would purposely turn away from you very often, terrified that somehow, the king of curses would kill you simply to laugh at his expense. he can't lose you — the ironic thing is that maybe he would lose, distancing himself so much.

୨୧ YUTA OKKOTSU — green / beige flag.

not bad, but. . . very questionable, nonetheless.

last, but not least! the implicitly yandere yuta okkotsu — not by far the worst option we have out of all of them here, but. he has almost unforgivable habits.

BIGGEST RED FLAG — rika (?)

everyone agrees that seeing your boyfriend's first love as a bloody, inhuman ghost is a pretty uncomfortable experience. in your case, it is an uncomfortable and constant experience, happening practically on a daily basis. although rika is much more controlled nowadays, and she is more a manifestation of technique than a soul in itself — it's not the kind of thing that anyone just finds normal. even sorcerers.

unfortunately, your boyfriend's late first love is kind of always there anyway. he still wears the ring he needs to connect with her, even if he gave you a different one. it's strange and sometimes it gives the impression that either you are a replacement, or that you will never reach that level of affection. you're the other woman in your own relationship.

DO YOU NEED TO BE A SORCERER?

again, no. but it's preferable that you are. all the difficult issues of being a sorcerer would be better understood if you were one yourself. it would also avoid him lying to you / hiding jujutsu from you. furthermore, yuta is a paranoid mess.

he always imagines that the second he's not around, you're going to get hurt. he cannot stand even the weakest curses near you, crushing them like repulsive insects.

WOULD HE CHEAT ON YOU?

no, unless you consider rika and his “relationship” with her.

OTHER OBSERVATIONS.

honestly, the time you have with yuta always seems to be under the influence of an hourglass, limited. ready to end at any second, where his work will be a constant interruption. he tries and tries very hard not to let this undermine his relationship, but it can become an occasional problem. he had to spend long periods of time in other countries, and it hurts for him to be so far away.

yuta is strangely clingy. you can't expect anything less. he's the kind of boyfriend who can easily become overprotective in a way that's not cute. always guiding you to one side on the sidewalk, one hand around your waist, staring deathly at any man who gets too close. it doesn't matter if it's his friend or a mutual friend of yours, there is a certain distance that everyone must respect when it comes to you. except him.

besides being like a cat (very skittish with some people, invades your personal space very frequently), yuta is very demanding in some aspects. he really hates it if someone flirts with you, even though he wouldn't take that frustration out on you. after all, it's not your fault and it would be unfair. but he's very adamant about not having any secrets or personal things he doesn't know about. secrets kill people, and he can't bear to lose you.

despite all the lessons he learned with rika, sometimes you end up wondering if he will curse you too, if you end up dying. you ask him about it. if he would. yuta doesn't answer.

ENGLISH IS NOT MY FIRST LANGUAGE. I APOLOGIZE FOR ANY MISTAKES. thank you for reading! <3

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mysterycitrus · 7 months

Note

Clearly you’ve got a lot of opinions abt the characterisations of the batfam in fandom /pos

Can you elaborate on your interpretation for all of them? /gen

it’s called caring too much — and it’s incurable! wrt my personal interpretation, that's a long and complicated answer, so ill just focus on the internal character of the waynes (specifically bruce and his five canonical kids).

bruce wayne is a control freak, we know this. his parents were killed for being in the wrong place at the wrong time, and he has literally never ever been able to truly process it. the degree to which he is controlling - firing robins, survelling his allies without their consent, compiling personal information from others, disregarding others feelings in favour of his own - is all about trying to achieve the best possible outcome. everything he does is justified, because if he's in control then he can stop bad things from happening. it is all in favour of the greater good. it's the logic of an eight year old who's just lost everything and hasn't grown up.

if bruce's trauma manifests control then dick's manifests personal perfectionism. he holds himself to such an absurd standard because he's a flier - when you're catching someone on the trapeze you quite literally have to be there, always, ready to take their hand. if you don't, they fall. if there's no net, if dick isn't the net, then they die. he’s always swinging back out and in again, waiting for the next person to slip through his fingers. he does not fear falling, only what will happen when he hits the ground. he’s a born performer made to be an atlas, carrying an unbearable weight that anchors him to the earth.

jason after death is a tragedy of his own creation, and dc's worst crime is trying to justify the terrible decisions he makes. jason isn’t right, because what he wants is not about protecting other kids from his fate or being a better batman. he wants to be personally vindicated, even though he knows it's impossible. jason rejected himself, bruce, everything, in order to transform into a weapon to enact violence. deep down he's so angry, so hurt, that he'll go after other children - tim, damian, mia - and still decry bruce in the same breath. killing the joker, killing bruce, killing dick, killing every robin before or since won't take him back to who he was before. you cannot go back. you can never go back.

cass sees everything. she can't unsee it, she can't ignore it, nothing in the body can be truly hidden from her, but like bruce that doesn't mean she's always right. she killed a man and witnessed his death, and thus will never take another life. she is all knowing, but she was not born knowing herself. she's jason in reverse — she turns from steel to flesh and bone. she will do whatever it takes to be good. she has made herself real.

tim chose this life in the most literal sense of the word, and then kept choosing it. it’s his duty, it’s his honour, it has hollowed him out and left nothing behind. his tethers to the world snap one by one — janet and jack and darla and dana and steph and kon — and suddenly it’s much harder to extricate himself from the black. robin, dick grayson, is his guiding north star, but his north star is only human. he knows he is capable, he knows this is his choice, and he knows he has long since lost the chance to unchoose.

damian is raised in the shadow of the bat. he is born of blood. he knew death before he knew his father. he is a child. he is ancient. he is a killer. he only wants to do good. he loves his mother. his father is gone before he learns to love damian. damian loves someone else who wears the bat but does not carry wayne name. everything he knows about himself is questioned — robin is given to him, and suddenly he can decide his own fate, make his own family. he wants to be the best, but he doesn’t know what he wants that to mean anymore. he wants the chance to find out.

#sorry this got long! not sure if i actually answered ur question lol #batfam #dick grayson #bruce wayne #jason todd #tim drake #cassandra cain #damian wayne #nightwing #batgirl #batman #dc comics #the ask and the answer #dc meta #ig?

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lorkonsghost · 9 days

Text

another post okay giant Jason relationship with the bat family.

Dick Grayson/nightwing

Talks about as decent brother when around other,

Dick

when they talk about jason like he's a baby a big angry baby who can do no wrong and everyone thinks he's crazy since Jason is easily the scariest thing they ever met

Bruce

it's similar to Canon but Bruce is more active in trying help get along with him and the family since Bruce thinks fighting as he has is enough.

Cass use Jason as a jumping off spot when they fight together it pisses Jason off but Cass doesn't care also Cass as shortest BatFam after Damien is not a fan of fighting Jason since if she gets grabbed its game over so when she fought Jason she was playing defensive in this au

Tim if titans tower happens is terrified of Jason for how easily he was beat tossed around like a rag doll in this au and but when gets over his fear their probably the closest siblings.

Tim if titans tower doesn't happen he is Jason number one defender simply because a few dead or fight Jason again is easy decision in his book like he remembers when in this au when Jason was fighting multiple bat at a time every week like it was nothing and he would rather not.

Steph has the most fun teaming with Jason since that means the brick house can take on most fodder no problem so the only real problem are big bads and they have craziest prank wars

Duke is weird since dc wants nothing with him at all. Though I think he has the most potential character growth in dc comics along side Cass and Jason of course if dc gave a shit about any of them dukes powers are so intriguing and dc does nothing with him sorry mini tangent but him Jason would be bound over being protectors of the daylight and crime ally respectfully

Babs is a weird character in general when it comes to Jason but I feel like though in this au she had the hardest time accepting Jason was red hood because while Bruce was in thick of it so he had to face it more directly and dick was just glad he could finally make with up Jason. Babs was watching from sidelines and the difference between kid Jason and adult Jason can give you whiplash but that sweet little boy is now bigger than a brick house a kills people so yeah although she helps Jason the most when she comes to accept that their the same Jason

Damian respect for Jason is a lot since he easily one scariest fighters on earth all though you could argue certain people are better and more skilled fighters but Jason used his powerful build with all skills he's learned over the years let's Damian a certain respect for him

Honorable mentions

Talia al-ghul / Ra's al ghul

Are terrified of Jason if he finds out how much of the truth they manipulated so he could attack Bruce because if Batman needs back up then so they

Short king dick au

That's his baby brother godamit he doesn't care what others think

Justice league

What do you mean a human is justice league level threat Bruce what do you mean he has access to almost all of your contingencies what do you mean you can't track him Bruce what do you mean he rules most Gothams crime bruce answer us bruce

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cryptocism · 29 days

Note

I 100% get it, I had started writing a script for a comic (developed off of old fanfiction that I revamped then revamped again in the DC universe) and immediately got Really Defensive because if I were to pitch it to DC and it got picked up that's just There now for Editorial and other writers to fuck with because they're a product of their own story and I feel would get turned into this certain flanderized (or worse since these characters are not White) over time. It hasn't gotten far/probably wouldn't have but I do think if I go forward it's gonna be indie route because I think once the character's story is through it needs to be left where it ended.

The defensiveness really blindsides you its wild!

tbh I think everybody who reads comics knows of at least one run that completely ruins a character, or a famously bad editorial decision or retcon that has negative consequences on canon for decades. The idea of that happening to your story or your characters is a genuine shot of anxiety that can really take the wind out of a writers sails.

I think about the Mark Waid interview where he talks about Flash: Fastest Man Alive and what they did to Bart's character, and how he openly said he'd rather Bart be dead than misunderstood/mishandled. Which is probably a lot of writers' sentiments about the characters' they created decades ago turning into something unrecognizable before their eyes.

But it's also an unavoidable reality of writing comics in an interconnected universe manned by corporate interests. It feels like if you want to commit to writing the characters you grew up loving or create new characters for that existing universe, there's some level of letting go that needs to be done. which is why i think despite not necessarily being as financially successful/stable or mainstream, the indie comics scene is still thriving with cool stories and amazing writers.

#asks #anonymous #there's a lot to be said about creative freedom and who gets to have it #on the outside looking in. it kinda feels like you only get free reign if you're already an established and successful writer #which on the one hand makes a certain amount of sense because yknow u want a guarantee of quality and new writers are a much bigger risk #but also so many of the characters i love like bart and thad and the young justice crew etc #only exist as they do because the writers and their stories were given room to breathe

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mysadcorner · 2 years

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DC Characters x WronglyAccused!Reader Headcanons

- Credit to the gifs owner - Please be specific about characters wanted in requests -

Masterlist Navigation

Requested: yes @simligul

Damian Wayne

• Damian wouldn’t want to believe that you actually did whatever you had been accused of, and would have a hard time believing it no matter how terrible it was. But if all the evidence pointed to you then he wouldn’t really have a choice in the matter and would have to take the logical path.

• If Damian did genuinely think that you were guilty then he would try his best to prove otherwise until he could no longer oppose the thing you were blamed of. He’d be very hurt if he couldn’t prove your innocence.

• If you decided to leave because of the accusations and felt that the environment you were in wasn’t exactly the safest or best for you then Damian would agree with your decision. He wants the team to be with people he regarded as trust worth, and if he doesn’t think you fit that category then he won’t oppose your leaving.

• This could possible even cause you to leave your vigilante or crime fighting life for a much more ordinary and mundane one. Word travels fast amongst the vigilante community so if Damian did think you were guilty, many of the other would hear about this pretty quickly too.

• When you turn out to be innocent Damian would be one of the first people to reach out to you and apologise. He finds that admitting when he’s wrong a hard thing to do but after all you’ve been through he needs to put his feelings aside and set things right.

Conner Kent

• Conner would be very surprised at anything you had been accused for as he has such a positive out look of you. So, he certainly wouldn’t believe someone’s word against yours unless there was a lot of proof or you admitted to it.

• Conner is one of the most understanding and supportive people you could ever meet, so if they genuinely thought you were guilty this would be no small thing. He wants to believe that you’re innocent no matter what, but if he has no basis for it he can’t help but chose what the others believe to be true too.

• He’d be heart broken to see you leave after how close the two of you had become, and especially as Conner doesn’t have many people there for him. Even if he wasn’t the one targeted or affected he would still feel like it was rather personal.

• If you decided to leave vigilante and hero life Conner would still find a way to be with you. Deep down he has an inclination that something wasn’t right, so even if he can’t convince you to continue he’ll still keep an eye out for you from the sidelines.

• When you are finally revealed to be innocent Conner would be overjoyed and the happiest you’d ever seen him. Straight away he would include you in the things you had been missing out on and would treat you as if nothing had ever happened to begin with.

Rachel Roth

• Raven usually takes her time when reacting to a betrayal or someone doing something she doesn’t agree with, so she isn’t quick to judge you. But when the thing you’re being accused of is serious then she does need to be wary with you.

• When Raven is finally convinced that you’re not as innocent as you’re claiming to be she will try to take charge and have something done about you and what it means for the team. She doesn’t want to make things hard between the two of you but she will always keep the safety and best interest of the team as her top priority.

• Raven would give you at least a final goodbye of you did decide to leave the team because of the accusations. She doesn’t want all of your friendship and meaningful time together to have been a waste and to end things on bad terms when she doesn’t know what could happen in the future or if you ever will come back (and she’s hoping you will).

• Raven would wait a little while before she would get back into contact with the tou if you had left a lifestyle of crime fighting. She wants you to get on your feet again, and still wants to wait until the accusations had settles.

• When you are announced to be innocent she’ll welcome you back with open arms and tries to ease you back into the team the best that she can. Ravens aware that she can’t erase everything you had been through and how the team handled things, so she tries to make up for this gradually.

Jason Todd

• Jason would firstly try to ignore the accusations and pass them off as simple rumours intended to ruin the team when he first heard the accusations. He doesn’t believe that you’re the type of person to do such things and would stick by you through a lot of it.

• If Jason did genuinely think you were guilty he he would be furious and you’d be met with an explosive response from him. He’s been betrayed and through enough hurt in his life so he has a no tolerance policy for anyone no matter how close he is to them.

• Jason would prefer you to leave more than anything if the accusations hadn’t been proven wrong or you accepted them, mainly because he needs to put himself first. He cares for you deeply but the thought of you being guilty makes him feel personally betrayed and lied to by you.

• You may not hear about how Jason is if you leave the vigilante lifestyle, but he would be raining terror on all the criminals and villains he could get his hands on. As said earlier, he’s pretty angry about it and needs an outlet for all that he’s feeling.

• Jason would get rather emotional and may even cry to you in private if you come back after being proven innocent. He hates the feeling of abandonment and hates himself for thinking that he abandoned you when all along you were innocent.

Garfield Logan

• Garfield would be in complete shock when he hears about the accusations targeted towards you. His first inclination is to protect you and keep the accusations away for as long as he can so you don’t get hurt as much.

• If Garfield had thought that you were guilty or had no way of proving otherwise then he’d try to get a response on the situation from you directly. He’d talk to you for a while about it and believe the things you say, but he can only support you for so long in a situation like this.

• Garfield would miss you a lot if you ever left, and would almost feel like a state of grieving for him. You’re one of the closest people he is to, so your presence not being there has a detrimental affect on his happiness.

• If the accusations become to harsh and you have no way of calming the situation other than leaving the team then Garfield would mois you dearly. He’d wish to be with you and spend some quality time with you again even though he knows he can’t because he knows that you’ve never done anything bad to him or the team.

• When you’re finally proven innocent the. Garfield will rush to you as fast as possible and would act almost like a lost puppy who has found their owner again. He knew deep down that the things said couldn’t be true and is ready to get justice for what you’ve been put through any time that you’re ready.

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celaenaeiln · 3 months

Note

what do you think are the Batfam’s enneagram types? Specifically Bruce, Dick, Jason, Cass, Tim, Damian, Barbara and Steph, And anyone else you think important (l think Dick is mostly a type 2 and 1. Haven’t looked into the others yet) I’m asking because I think knowing a character’s personality type (OC or not) can help you write them in character, and I know a personality test probably isn’t going to fit them 100% just like real people but it could be a great guide

Ennegram Chart source

Bruce

Bruce is a 5 no doubt.

I feel like this is pretty self-explanatory. The description is a checklist of his personality traits.

Dick

Dick is 1, 2, and 3.

I would say 3 is his overarching personality, 1 is a secondary/support of the main one - 3 - and 2 is the other half of his personality. The thing about Dick is that he feels an almost pathological need to keep succeeding, keep doing better, and break every limit. It's not for anyone else, it's for himself because he doesn't feel like himself if he's not perfect. All of 1, 2, and 3's traits

Jason

Jason is an 8.

Ever since his Robin days, Jason has always been more on the willful side. As in, I want to do my own thing. Deal with it. And after coming back as Red Hood he wasn't initially self-confident but he's grown into it. No one can influence him to do anything and he's ready to throw hands if someone pushes too much.

Tim

Tim is a 5 or 6.

Smart, genius boy detective obviously (he's no isolated tho) so that explains 5 but Tim leans more towards 6. He's loyal to the cause and he's very responsible. But he's also a huge cute dork who's always on the look out for something that is off and he's always worried and thinking about what's wrong and what could go wrong. He's mainly a 6 with a little bit of 5 added in (perceptive, innovative, sometimes secretive).

Cass

Cass is a 5.

Cass and Bruce are identical. The way they think and act, Cass is a like a Batman 2.0 but better.

Steph

Steph is a 4.

DC really wants her to be a 7-

But I wrote a whole essay on why she's not a 7, but a 4 instead. She's not self-absorbed in the "I only love myself" way, she more of a "How can I constantly improve myself" type. When something bad happens her mind can get really down in the dumps about it but she tries her best to be positive - she's not withdrawn but expressive, dramatic, and temperamental definitely.

Damian

Dami is 3 or 8.

The achiever was instilled in him by his mother to constantly work to be the best at whatever he tries and now it's just a part of his personality. He's very self-conscious. 8 because like Jason, he does what he wants when he wants. No one can tell him what to do (unless it's Dick but gosh Bruce really tried).

Duke

Duke is 9.

Duke is extremely strong-willed but he does it in a nice way. He works towards heroism and every action he takes, it's aimed at helping people. He has a very strong sense of right and wrong and nothing will stop him from doing what is right. That being said, he gets along with everyone and is very easy going and caring, it's just that he won't compromise his morals for it. He's very loving in like a familial way.

Barbara

Barbara is an 8.

Dominant. She has a strong need to be in control at all times and know everything and when something gets in the way of that control, she gets very angry and persistent. She's confident in her abilities and makes decisions in which no one can influence her. She knows what she wants and she will get it whatever may come.

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sophietv · 9 months

Text

The Ultimate Thread Of Koincidences (2021) Part 3

Here's the part 3 of my thread since I reached the photo limit...again.

If you haven't read part two. Go read it before reading this one! (X)

Those are all the Kaylor evidences I could find for that year. If I've forgot some, don't hesitate to tell me so I can add them!

If you haven't read the posts for the other years, I highly suggest you do before reading this one:

Fall 2019 (X)

2020 Part 1 (X)

2020 Part 2 (X)

2021 Part 1 (X)

2021 Part 2 (X)

As always, I'll include link to more informations on certain piece of Kaylor Lore as we go, so some Koincidences are easier to understand. When there's a (X) beside something, it's to give you more context and help you understand better.

Here's the link to the incredible Masterposts that helped me do this one: (X) (X)Afficher davantage

Septembre 2021:

Septembre 17th:

Taylor posts a TikTok hinting at Red (Taylor's Version) and 1989 (Taylor's Version). (X)

She winks with her left eye (Eye Theory) (X)

There's a Glitch in the video.

Glitch easter egg? (X)

People said in the comment that it made them think of the Bad Blood MV...Karlie is in the MV.

At the start of the video. Taylor is painting her nails Red.

A couple of days later in another TikTok we see that she also painted her toe nails red. (X)

Interesting because Karlie posted a video in her Story on Septembre 10th with Red fingers and toes nails. The. Exact. Same. Red.

And it's not over.

Because in that video Taylor wears about the same outfit as when she recorded King Of My Heart...on Karlie's birthday.

Also.

On that day. Taylor releases Wildest Dreams (Taylor's Version).

First song out of 1989 (Taylor's Version) and this song is about Karlie...

And if you zoom in on the shirt. You see that there is double Ks embroided on it.

October 2021:

October 5th:

Eye Theory in Karlie's Instagram's Story:

October 26th:

Taylor posts her fall TikTok. (X)

She wears her famous "Le Duo" necklace with "The artist and The muse" (X)

October 29th:

Eye Theory in Karlie's Instgram's Story. (Still inchteresting red fingernails)

October 31st:

Halloween.

Taylor goes out in the West Village with Blake's children. Dressed up as a Squirrel.

Karlie goes with Levi. Dressed up as Batman.

This is rather interesting...

This was a fanmade cover posted in 2011 (X)

Not their first time cosplaying DC characters...

And it's even more interesting because in her 2019 Musicians On Musicians Interview with Rolling Stone (that we talked about in the 2019 thread). (X)

Taylor talks EXACTLY about that with Paul McCartney.

How he could go spend Halloween with his kids wearing masks...

Here:

Swift: But I think that in knowing him and being in the relationship I am in now, I have definitely made decisions that have made my life feel more like a real life and less like just a storyline to be commented on in tabloids. Whether that’s deciding where to live, who to hang out with, when to not take a picture — the idea of privacy feels so strange to try to explain, but it’s really just trying to find bits of normalcy. That’s what that song “Peace” is talking about. Like, would it be enough if I could never fully achieve the normalcy that we both crave? Stella always tells me that she had as normal a childhood as she could ever hope for under the circumstances.

McCartney: Yeah, it was very important to us to try and keep their feet on the ground amongst the craziness.

Swift: She went to a regular school .…

McCartney: Yeah, she did.

Swift: And you would go trick-or-treating with them, wearing masks.

McCartney: All of them did, yeah. It was important, but it worked pretty well, because when they kind of reached adulthood, they would meet other kids who might have gone to private schools, who were a little less grounded.

November 2021:

November 15th:

I Bet You Think About Me MV.

Sooooo much about that MV.

Taylor's dress being about the same as Karlie's Met Gala one.

Josh's lookalike AND Mickey's.

Taylor "spills" champagne when there's a close up on Mickey's lookalike.

Josh, Mickey and Karlie

Mickey, Karlie and Josh's lookalike

Taylor spills wine while doing a close shot on Mickey's lookalike.

Taylor gives her red Scarf to Karlie's lookalike. And the girl is really pleased by this.

And so much more to say...

Novembre 23rd:

Taylor releases a TikTok of Champagne's Problem (X)

The hand that appears of the person filming is not Blake's hand.

Let's compare Blake's hand with the hand on the video:

Source: purplepinksky on Twitter (X)

And now let's compare Karlie's

Source: purplepinksky on Twitter

December 2021:

December 13th:

Taylor celebrates her birthday and wears the Victoria Secret Angel Ring (X).

Source: 9w1ft

There you have it!

All the Koincidences I could find for 2021.

There was a lot.....

Let me know if some are missing! I'll add them.

#kaylor #lsk #gaylor twitter #koincidences #gaylors #gaylor swift #gaylor theory #gaylor #gaylor of twitter #lgbetty

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thehydromancer · 8 months

Text

Fables Press Release

Subject: Fables Enters the Public Domain

15 September 2023

By Bill Willingham

For Immediate Release

The Lede

As of now, 15 September 2023, the comic book property called Fables, including all related Fables spin-offs and characters, is now in the public domain. What was once wholly owned by Bill Willingham is now owned by everyone, for all time. It’s done, and as most experts will tell you, once done it cannot be undone. Take-backs are neither contemplated nor possible.

Q: Why Did You Do This?

A number of reasons. I’ve thought this over for some time. In no particular order they are:

1) Practicality: When I first signed my creator-owned publishing contract with DC Comics, the company was run by honest men and women of integrity, who (for the most part) interpreted the details of that agreement fairly and above-board. When problems inevitably came up we worked it out, like reasonable men and women. Since then, over the span of twenty years or so, those people have left or been fired, to be replaced by a revolving door of strangers, of no measurable integrity, who now choose to interpret every facet of our contract in ways that only benefit DC Comics and its owner companies. At one time the Fables properties were in good hands, and now, by virtue of attrition and employee replacement, the Fables properties have fallen into bad hands.

Since I can’t afford to sue DC, to force them to live up to the letter and the spirit of our long-time agreements; since even winning such a suit would take ridiculous amounts of money out of my pocket and years out of my life (I’m 67 years old, and don’t have the years to spare), I’ve decided to take a different approach, and fight them in a different arena, inspired by the principles of asymmetric warfare. The one thing in our contract the DC lawyers can’t contest, or reinterpret to their own benefit, is that I am the sole owner of the intellectual property. I can sell it or give it away to whomever I want.

I chose to give it away to everyone. If I couldn’t prevent Fables from falling into bad hands, at least this is a way I can arrange that it also falls into many good hands. Since I truly believe there are still more good people in the world than bad ones, I count it as a form of victory.

2) Philosophy: In the past decade or so, my thoughts on how to reform the trademark and copyright laws in this country (and others, I suppose) have undergone something of a radical transformation. The current laws are a mishmash of unethical backroom deals to keep trademarks and copyrights in the hands of large corporations, who can largely afford to buy the outcomes they want.

In my template for radical reform of those laws I would like it if any IP is owned by its original creator for up to twenty years from the point of first publication, and then goes into the public domain for any and all to use. However, at any time before that twenty year span bleeds out, you the IP owner can sell it to another person or corporate entity, who can have exclusive use of it for up to a maximum of ten years. That’s it. Then it cannot be resold. It goes into the public domain. So then, at the most, any intellectual property can be kept for exclusive use for up to about thirty years, and no longer, without exception.

Of course, if I’m going to believe such radical ideas, what kind of hypocrite would I be if I didn’t practice them? Fables has been my baby for about twenty years now. It’s time to let it go. This is my first test of this process. If it works, and I see no legal reason why it won’t, look for other properties to follow in the future. Since DC, or any other corporate entity, doesn’t actually own the property, they don’t get a say in this decision.

Q: What Exactly Has DC Comics Done to Provoke This?

Too many things to list exhaustively, but here are some highlights: Throughout the years of my business relationship with DC, with Fables and with other intellectual properties, DC has always been in violation of their agreements with me. Usually it’s in smaller matters, like forgetting to seek my opinion on artists for new stories, or for covers, or formats of new collections and such. In those times, when called on it, they automatically said, “Sorry, we overlooked you again. It just fell through the cracks.” They use the “fell through the cracks” line so often, and so reflexively, that I eventually had to bar them from using it ever again. They are often late reporting royalties, and often under-report said royalties, forcing me to go after them to pay the rest of what’s owed.

Lately though their practices have grown beyond these mere annoyances, prompting some sort of showdown. First they tried to strong arm the ownership of Fables from me. When Mark Doyle and Dan Didio first approached me with the idea of bringing Fables back for its 20th anniversary (both gentlemen since fired from DC), during the contract negotiations for the new issues, their legal negotiators tried to make it a condition of the deal that the work be done as work for hire, effectively throwing the property irrevocably into the hands of DC. When that didn’t work their excuse was, “Sorry, we didn’t read your contract going into these negotiations. We thought we owned it.”

More recently, during talks to try to work out our many differences, DC officers admitted that their interpretation of our publishing agreement, and the following media rights agreement, is that they could do whatever they wanted with the property. They could change stories or characters in any way they wanted. They had no obligation whatsoever to protect the integrity and value of the IP, either from themselves, or from third parties (Telltale Games, for instance) who want to radically alter the characters, settings, history and premises of the story (I’ve seen the script they tried to hide from me for a couple of years). Nor did they owe me any money for licensing the Fables rights to third parties, since such a license wasn’t anticipated in our original publishing agreement.

When they capitulated on some of the points in a later conference call, promising on the phone to pay me back monies owed for licensing Fables to Telltale Games, for example, in the execution of the new agreement, they reneged on their word and offered the promised amount instead as a “consulting fee,” which avoided the precedent of admitting this was money owed, and included a non-disclosure agreement that would prevent me from saying anything but nice things about Telltale or the license.

And so on. There’s so much more, but these, as I said, are some of the highlights. At that point, since I disagreed on all of their new interpretations of our longstanding agreements, we were in conflict. They practically dared me to sue them to enforce my rights, knowing it would be a long and debilitating process. Instead I began to consider other ways to go.

Q: Are You Concerned at What DC Will Do Now?

No. I gave them years to do the right thing. I tried to reason with them, but you can’t reason with the unreasonable. They used these years to make soothing promises, tell lies about how dedicated they were towards working this out, and keep dragging things out as long as possible. I gave them an opportunity to renegotiate the contracts from the ground up, putting everything in unambiguous language, and they ignored that offer. I gave them the opportunity, twice, to simply tear up our contracts, and we each go our separate ways, and they ignored those offers. I tried to go over their heads, to deal directly with their new corporate masters, and maybe find someone willing to deal in good faith, and they blocked all attempts to do so. (Try getting any officer of DC Comics to identify who they report to up the company ladder. I dare you.) In any case, without giving them details, I warned them months in advance that this moment was coming. I told them what I was about to do would be “both legal and ethical.” Now it’s happened.

Note that my contracts with DC Comics are still in force. I did nothing to break them, and cannot unilaterally end them. I still can’t publish Fables comics through anyone but them. I still can’t authorize a Fables movie through anyone but them. Nor can I license Fables toys nor lunchboxes, nor anything else. And they still have to pay me for the books they publish. And I’m not giving up on the other money they owe. One way or another, I intend to get my 50% of the money they’ve owed me for years for the Telltale Game and other things.

However, you, the new 100% owner of Fables never signed such agreements. For better or worse, DC and I are still locked together in this unhappy marriage, perhaps for all time.

But you aren’t.

If I understand the law correctly (and be advised that copyright law is a mess; purposely vague and murky, and no two lawyers – not even those specializing in copyright and trademark law – agree on anything), you have the rights to make your Fables movies, and cartoons, and publish your Fables books, and manufacture your Fables toys, and do anything you want with your property, because it’s your property.

Mark Buckingham is free to do his version of Fables (and I dearly hope he does). Steve Leialoha is free to do his version of Fables (which I’d love to see). And so on. You don’t have to get my permission (but you might get my blessing, depending on your plans). You don’t have to get DC’s permission, or the permission of anyone else. You never signed the same agreements I did with DC Comics.

It was my absolute joy and pleasure to bring you Fables stories for the past twenty years. I look forward to seeing what you do with it.

For questions and further information you can contact Bill Willingham at:

[email protected] Please include “Fables Public Domain” in the subject line, so I don’t assume you’re another Netflix promotion.

#Fables #Bill Willingham #Public Domain #Shots Fired #Radical Change #Comics #DC Comics #Bigsby #Holy Shit

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brawltogethernow · 11 months

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Agree or Disagree: Hard continuity can't actually exist in Marvel/DC comics. Because even if the company says a story is canon, the sliding timescale means that after a while the actual events depicted in the story can't have happened, only the broadstrokes of the story. For example, take Batman's "Death in the Family". The broadstroke events (Jason Todd's Death) remained canon, but other stuff like the Joker working for the Ayatollah could not have.

I prefer to think of the timelines as stretched than sliding, i. e. Bruce adopts Tim because adoption standards have changed since he took in Dick as a ward over a decade ago (in 1939). It's fine.

If, as you say, you retain only broad stroke events, what you end up with is a collapsing tower built on a pile of shit. ADitF is a perfect example because if you remove the extremely period (also, separately, not good) Joker decisions and don't patch anything in in their place you also lose the part of the story where Bruce attempted revenge murder and got wrestled down by Clark because killing the Joker would have caused an international incident. Now look at where we are. People think Bruce is an ice cold bad dad who behaves in ways that make no sense for a heroic character because his mourning period aged poorly.

#big hate how flash thompson was no longer drafted #DCU #asks answered #anonymous

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obxsummer · 10 months

Text

Gut Feeling // The Pogues

as john b's younger sibling, it was your job to make sure he didn't do anything too stupid. when he leaves with ward to go on a fishing trip, you find out just how cruel the cameron family can be... little did you know john b was finding out the exact same thing.

john b x gn!sibling!reader, platonic!pogues

warnings: the usual shitty cameron parenting, verbal threatening, no use of y/n, tried to keep things gender-neutral but let me know if I missed something!

a/n: sorry if things are out of character, I couldn't really find a way to make this flow the way I wanted. thanks for your patience with this request anon!

navigation

John B getting pushed off the Hawk’s Nest was definitely not on your bingo board for this year. Ward Cameron offering to be your legal guardian on top of that wasn’t even a thought in your mind. So what the hell was going on?

Your bond with your older brother, John B, was unshakable. Only a year separated you in age, yet your connection ran much deeper than that. You were best friends as kids, guardians of each other's secrets, and steadfast anchors in each other's lives. Everything only became more intense when your father disappeared.

Sharing friends was expected, as well as the fact that where there was one of you, the other wasn’t far behind. Everyone in OBX knew the Routledge siblings traveled as a pack alongside their friends.

Topper shoving John B off the ridiculously tall spot created more than just sprained joints and concussions. Sarah told her dad, and to your dismay, Ward Cameron, was suddenly in front of you, offering to be your legal guardian.

The offer hung heavy in the air as the older man dismissed himself for the two of you to take some time. The expression on your face must have said everything since John B instantly tried to assure you. "Listen, I know you're skeptical, but we're running out of options here. Ward can help us."

You stared out the window, a mix of worry and doubt tugging at your heart. "I don't trust him, John B. There's something off about him." The idea of being in Figure Eight, away from your friends, was terrifying.

John B let out a heavy sigh, his gaze fixed on the ground. "I get that feeling too, but we need his help. We need to keep DCS off our backs. Nobody said we had to stay there all the time. It’s just a cover."

Despite your hesitation, you nodded, knowing that he had the right idea. The bond between you and John B was your anchor, and you were willing to trust him, even if the circumstances were far from comforting. “I’ll go where you go, JB. But I really have a bad feeling about this.”

Moving into the Cameron house was extremely awkward. The walls felt unfamiliar, and Ward's presence seemed to loom over you. The first change came when you and John B were assigned separate bedrooms, a decision that made your unease grow.

Standing hesitantly in the doorway of your new room, you looked at John B with a mixture of concern. "Why can't we share a room?"

Ward exchanged a glance with John B, and the unspoken conversation between them only fueled your anxiety. Was this John B’s decision? "It's important for both of you to have your own space," Ward said, his voice carrying a hint of finality. “Gives you time to grow in your own way. You don’t share a room at home now, do you?”

“I’d feel a lot better by him,” You replied without any regard for your ungrateful attitude. It seemed like Ward was doing a great job at driving a wedge between you and your brother. And even though you did have your own rooms at the Chateau, being separated here felt much worse. Usually, there was just a wall between you, not three hallways, a set of stairs, and locked doors.

“We can share a room, Mr. Cameron, it’s really no-”

“You will have separate rooms. That is final. I already have a lot on my plate getting you two adjusted, please don’t make it harder.”

As night fell, the unfamiliarity of your surroundings only intensified your discomfort. Unable to bear the thought of being separated from John B, you found yourself sneaking into his room. The floor became your refuge, a makeshift bed where you sought solace in his proximity.

Your unease didn’t disappear overnight. The gold was still waiting to be pulled out of the well and when Ward interfered with the plans for that too, your anxiety resurfaced. You couldn't shake off the feeling that something was amiss.

You had been standing awkwardly on the sidewalk when Ward approached John B and Sarah to bring up the idea. He finally acknowledged your presence. "This trip is just for John B and me. Some bonding time while we talk things out, man to man about dating my daughter…"

John B leaned over, ruffling your hair affectionately even though he wasn't a major fan of this himself. "It's just fishing, Birdie. I'll be back before you know it." He could tell you didn’t like being here by yourself and he didn’t blame you. “Plus, Sarah will be here. You guys could hang out?”

Despite his attempt to reassure you, the feeling of unease clung to you like a second skin. "Promise you'll call if anything goes wrong?"

John B's eyes softened as he nodded. "I promise. Can always hang with JJ and them too, you know. Figure out some plans.”

He hinted toward what you were supposed to be doing the following morning: pulling the gold out.

With a heavy heart, you watched them head out to the dock the next morning. It felt so silly to be worried about being alone without John B. You retreated to your room, the morning sun casting golden rays across the floor, hoping for the best.

Minutes dragged on like an eternity as you cowered in the suffocating darkness of the room. Every creak of the floorboards, every rustle of leaves outside, sent shivers down your spine. The air was heavy with fear, your heart beating in a frantic rhythm as the minutes ticked by.

Suddenly, the door swung open, and your heart jumped into your throat. Ward's sinister smile greeted you, his presence casting a shadow that seemed to engulf the room.

“What are you doing here?” You asked, confused by his presence. “Where’s John B?”

He completely ignored your question and threw the light on as he stepped closer. "I think we need to have a little chat."

“Don’t touch me!” Your breath caught in your throat, and you stumbled back off the bed, your hands pressing against the closet wall as if it could shield you from the threat before you. His grip on your arm was like a vise, cold and unyielding, as he pulled you into the dimly lit room.

"You see, I have a problem here," Ward hissed, his eyes locking onto yours with a predatory intensity, "Your father thought he could outsmart me from the gold. I killed him for it. You and your brother don’t stand a chance, especially if I take you out one by one…but just how do I go about it?"

As he spoke, his words were a twisted dance of intimidation. His threats were like icy daggers, each word digging deeper into your psyche, igniting a firestorm of panic. The room felt like a cage, and you were trapped in its suffocating grasp.

Your heart raced, your breathing shallow as your mind raced to find an escape route. The weight of his words bore down on you. The room seemed to close in on you, the walls narrowing as Ward's presence loomed over you. Your dad. Ward Cameron killed your dad.

Before you could respond, the door swung open, and another figure entered the room—Rose Cameron. Her demeanor was cold and calculating, her eyes scanning you with an unsettling intensity.

Ward's gaze flickered between you and Rose, and a knowing smirk tugged at the corner of his lips. "You remember Rose, right?"

You felt a knot of unease tighten in your stomach. Rose's presence seemed to amplify the danger, and you couldn't shake off the feeling that you were trapped in a spider's web.

Rose's voice was silky, her smile masking an undercurrent of manipulation. "Ward and I are only concerned for your well-being, sweetie. We want what's best for you. You don’t have to worry about going back to the Cut ever again, okay?"

The words felt like a strong hand tightening around your throat, and you backed away, your heart racing as you tried to maintain some semblance of control. "I don't need your concern, I need my brother."

Ward's laugh was chilling, his amusement a stark contrast to the terror that gripped you. "John B’s gone. Why do you think I took him out on the boat? Easier access to dump the body where someone won’t find it."

A wave of panic crashed over you, and you instinctively turned to flee, only to find Rose blocking your path. The realization struck you like a lightning bolt—this was a trap, and you were caught in their twisted game.

Before you could react, Ward lunged forward, his grip like a vice as he forced you into the closet. The sound of the lock clicking shut sent a shock of terror through your veins, and you pounded on the door, desperation fuelling your efforts.

"Let me out! Let me out of here!" Your voice cracked with fear, each thud against the door a desperate plea for escape. “John B!”

From the other side of the door, you heard Ward's voice, his tone taunting. "You're not going anywhere. This is where you'll learn your place. And stay quiet until we finish digging out the gold. Actually, thank you. Without your help, we wouldn’t have even gotten this far."

The reality of your situation hit you like a ton of bricks. Trapped, alone, and at the mercy of their manipulation, you felt a surge of panic rise within you. You were a pawn in their game, a helpless victim in a twisted power play. And they knew about the gold.

As you sat in the darkness, the silence was deafening, broken only by your ragged breaths. The taste of fear lingered on your tongue, and you knew that escaping this nightmare would require every ounce of strength you possessed.

You waited until silence covered the house before slamming your body against the closet door. Pain radiated through your shoulder, but you remembered JJ’s direction on kicking a door out before putting it to practice as best as you could.

The adrenaline coursing through your veins was a lifeline, propelling you forward as you lunged for the door and finally broke the lock free. Panic fed your speed, and your heart pounded in your chest as you burst into the hallway, your breath ragged and harsh.

As you fled down the corridor, the taste of freedom was tantalizingly close. You turned a corner, your pulse racing, and then… silence. Panic surged as you realized you were trapped in a dead-end hallway, the walls closing in on you like a vise.

Footsteps echoed ominously behind you, and you whirled around to see Rafe's approaching shadow—no time to spare. Your heart hammered in your chest, and desperation surged within you. With a gasp, you spotted the open doors to the upstairs balcony. Adrenaline-fueled strength carried you forward, and you sprinted toward them.

“Where do you think you’re going?” Rafe’s voice taunted as he started to round the corner. You pushed yourself over the balcony rail and tried your best to hang on as you slowly slide down the column to the ground. Until you lost grip, that is.

The world outside spun in a blur of green and blue, and your body collided with the ground, the impact sending shockwaves of pain through your limbs. Dazed and disoriented, you scrambled to your feet, your breath coming in ragged gasps.

Rafe's voice echoed behind you, but you didn’t dare look back.

The sound of your own breath, the rustling leaves, and the pounding of your heart filled your senses as you ran. You thanked JJ for dragging you through these paths as kids so you never got lost by yourself.

And then, suddenly, your foot caught on a root, and you were tumbling, colliding with something solid. Pain radiated through your limbs as you groaned, disoriented and breathless. You looked up, blinking away tears, only to find yourself staring into a pair of familiar eyes.

"Birdie?" John B's voice was a mixture of disbelief and concern as he rushed to your side, his hands reaching out to steady you.

Your heart raced, emotions swirling within you as you tried to process what was happening. Your eyes widened in panic, and your hands shot up defensively, a guttural gasp escaping your lips as you stumbled back.

John B's expression shifted from surprise to a gentle concern, his voice cautious. "Hey, it's me, it’s me. You're safe. I'm here."

The flood of emotions was overwhelming, and your chest heaved as you struggled to catch your breath. Slowly, you lowered your hands, your vision clearing enough for you to see your brother's worried eyes, the deep lines of concern etched into his forehead.

"John B?" Your voice trembled, a mixture of disbelief and relief coursing through your veins. “You’re alive?”

He nodded, his voice soothing as he extended a hand toward you. "Yeah, it's me. You're okay now."

You felt your legs give way, the tension and fear of the past hours finally catching up with you. John B caught you, his arms wrapping around you protectively as he eased you to sit. He held you close, the warmth of his embrace grounding you in reality.

As the tears spilled over, you clung to him as if he were the lifeline you had desperately needed. He whispered reassurances as he held you close, reminding you that you were with him and everything was fine.

Gasping for breath, you clung to John B as if he were your anchor in the storm. Tears streaked down your face, your voice trembling as you struggled to find the words to explain the terror you had just experienced.

"John B, I… I couldn't stay there. Ward…" You choked on the words, your voice a fragile whisper. “He said you were dead.”

John B's arms tightened around you as he gently brushed a strand of hair away from your face. "Shhh, take your time. Just tell me what happened."

Taking a deep breath, you began recounting what had just happened—how Ward had cornered you, the sinister threats that were enough for you to kick a door out, and the desperate flight through the woods. As you spoke, you finally let your shoulders sag in relief. Your brother was okay.

John B's grip on you tightened even further, his voice shaky when he realized how fucked up this whole thing was. "He attacked me on the boat. Said he was the reason Dad is gone and… he-he tried to get me to share the gold with him - lashed out when I said no."

As the reality of the situation settled in when you didn’t answer, John B's protective instinct kicked into high gear. He helped you to your feet, his gaze never leaving yours. "Are you hurt? Did he… did he touch you?"

You shook your head. "I'm okay. He didn't… he didn't hurt me."

John B's features softened with relief, but his anger remained simmering beneath the surface. "We're getting out of here. Right now. Let’s go find the others."

Your friends were waiting at the Chateau when you arrived. They attempted to share their progress with the tools to remove the gold but you and your brother moved past them wordlessly

Kiara, Pope, and JJ filed into the house instantly. "Guys? What's going on?" Kiara's voice carried a note of worry. It only got worse when JJ got shoved aside by your brother. “John B!”

John B's gaze darted around the room, his eyes finally settling on yours before he looked away, his jaw clenched tightly. Without a word, he made his way past your friends, his steps determined as he headed for the door, this time with JJ’s gun in his hand.

“Where are you going?” You screamed after him in shock and ran onto the porch. This was not what you figured he would do.

John B ignored your shouts and kicked JJ’s dirt bike to life before speeding off with no explanation.

JJ exchanged a confused glance with the others. "What's up with him?"

You groaned and flopped on the couch, the heaviness of the truth threatening to consume you. "Ward... Ward killed Big John."

The room fell into stunned silence, the weight of your words hanging heavily in the air. Kiara, Pope, and JJ stared at you in shock, their expressions a mix of disbelief and horror.

JJ's voice was barely a whisper. "What?"

Tears pricked at the corners of your eyes as the memories flooded back, the pain of the past resurfacing with a vengeance. "He was investigating something about the Royal Merchant, and Ward killed him when he wouldn't agree to share the gold."

Pope's voice was filled with anger and disbelief. "That son of a..."

Kiara's hand covered her mouth, her eyes wide with shock. "Oh, my god."

As the truth settled in, the room seemed to close in around you, suffocating you with its weight. John B's abrupt departure on the dirt bike now carried a new layer of meaning—if he killed Ward, they would turn this all on your brother.

Hours passed, each moment heavy with the weight of the revelation. The sun dipped below the horizon, casting a somber glow across the Chateau. No one spoke, the tension growing with every passing minute.

Kiara eventually got up to grab you something to eat in hopes of calming your nerves. You appreciated the gesture but as you huddled together between JJ and Pope, the reality of the situation began to sink in.

What the fuck were you going to do now?

navigation

read my outer banks x the summer i turned pretty crossover

#outer banks x reader #obx #john b routledge #routledge reader #outer banks imagine #pogues x reader #outer banks reader insert #outer banks angst #john b x routledge!reader #john b imagine #john b #outer banks netflix #jj maybank #kiara carerra #pope heyward #routledge!reader #obx x routledge!reader

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monstersdownthepath · 6 months

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Monster Spotlight: Hydra

CR 4

Neutral Huge Magical Beast

Bestiary 1, pg 178

The humble Hydra has been in Earth's legends since ancient times, the vast multiheaded serpents legendary for their incredible regenerative abilities, able to regrow entire heads in a matter of seconds. On Golarion, the Hydra is a well-known and rightly feared magical predator whose flurries of natural attacks can peel apart even prepared adventurers and whose rampant healing abilities make them extreme dangers to any man or beast without the ability to shut them off. Their signature ability to regrow twice as many heads each time one is severed makes them more powerful as a battle goes on rather than less, catching the unawares by surprise as what they believed to be a decisive blow merely allows the creature another damaging bite attack.

Unfortunately for the Hydra, because its CR is so low and because they're uncommon but not unheard of, just about anyone who can manage a DC 15 Knowledge (Nature) check can figure out the primary weakness of a Hydra and how to counteract its incredible power: "Just don't attack the heads lol." It's more than a little amusing to me how much of the Hydra's statblock is devoted to describing the exact mechanics of attacking and destroying its heads (a sunder attempt vs a target with 0 hardness and 5 hitpoints), how swiftly they regrow (1d4 rounds), and how to stop them (at least 5 points of Fire or Acid damage)... but if the players simply stand and attack or hit it with spells that take advantage of its low Ref and Will saves, they won't engage with these mechanics at all.

Which is likely why a Hydra is monstrously dangerous to stand and attack despite its low CR, introducing the terror of the glass cannon to a party very early in their career. It has a 15ft space and a 10ft reach AND Combat Reflexes, letting it pose a threat to the entire party at once if it manages to get in the middle of them, and because it's incentivized to use its Pounce, it likely will. A basic Hydra has no Stealth, but they live in temperate marshes and have a decent 20ft Swim speed, letting them slither through the water and ambush a party with a charge into Pounce to likely tear apart whoever they hit with the resulting Full-Attack.

A basic Hydra has five bite attacks a round, each dealing 1d8+3 damage, and they can make additional attacks for each head they grow during a fight. 5d8+15 averages out to about 40 damage, far more than a character at levels 2~4 would have, so if every attack hits, the unfortunate victim the Hydra ambushed is probably dead. Thankfully, Hydra are not particularly intelligent and are just as likely to spread their damaging bites among multiple enemies as they are to attack one at a time, so the best way to keep one of your party members from being burst down may, ironically, be to just cluster together and hope the thing gets greedy. Or throw summons/decoys at it, that works too. For a DMs knowledge, a hungry Hydra is more likely to attack one enemy until it's dead and then retreat with the body to eat, while a Hydra defending its territory is more likely to spread its damage around to drive off intruders.

Absolute horror scenario, really. Suddenly being hit with a flurry of natural attacks that may come out of nowhere is bad enough, but Hydras also possess decent resilience in the form of Fast Healing X, where X is the number of heads they possess (normally 5), NOT Regeneration as you may believe; Acid and Fire are necessary to keep their heads from regrowing but do nothing to shut off the beast's rampant healing; it just slows it down. Given that they have no claw or tail attacks, a DM wishing to up the threat even further can have the creature hide its body in the mud or water, forcing the players to engage the heads, flee, or leap in and deal with the dreaded underwater combat rules to try and kill it without engaging in its gimmick.

... hold on, is it really more beneficial to hit the heads? It might be, and after all I talked down about its gimmick, too! Hell of a damage race, though; each Hydra head has 5 HP (+1 per hit dice), and destroying one with slashing damage lowers both the Hydra's number of attacks and its Fast Healing by 1 to directly lower its own damage output AND resilience, and each destroyed head deals 5 damage to the Hydra directly so you're not even wasting that much time by hitting them. Obviously, if you cut off EVERY head before any regrow you kill the beast instantly, so destroying each head (a total of 25 damage) is in fact more time-efficient than getting through the Hydra's 47 HP (which a DM can raise to as much as 70 if they feel like)... IF, and only if, you have a repeatable source of Fire/Acid damage and a method to deliver it reliably (AoE attacks like Burning Hands work). The cauterization has to be done before the head regrows in 1d4 rounds, because otherwise it gets its bite attack and Fast Healing back, PLUS an additional one! And then you're basically right back where you started: standing directly in front of the glass cannon while the fuse is rapidly fizzling down.

You can read more about them here.

#Monster Spotlight #CR 1 to 5 #Pathfinder #dungeons and dragons

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boyfridged · 7 months

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Could I ask what makes you dislike zdarsky so much? Not disagreeing in the least lol, just curious for ur opinion

i was going to link my posts criticizing his work but tumblr is not cooperating, so let me just write up a couple of bullet points:

constant retcons of characters and their stories for much worse, including jason and talia. his retcon of jason's robin days in cheer is the most shameless and heartless interpretation of the character to date, and jason had already been a victim of plenty poor-taste flashbacks. his retcon of talia in the knight makes her a mindless seductress without her own will nor motivations. their respective relationships with bruce lose all depth, love and unique qualities. zdarsky managed to even retcon khoa within a year since he was first introduced as a character. and even when he does not rewrite the backstory per se, he just makes the characters act in ways that make no sense for what we already know of them (like with selina in gotham knights.) most of the time his ideas completely upset and discredit the already existing storylines and contradict what lies at their core. the audacity it's unbelievable.

classism & misogyny: this is a simple one. the previously mentioned retcons turned the characters into stereotypes of their background and gender, the most malicious ones even.

his personal biases and favouritism: here's a thing. zdarsky has perhaps three favourite characters: bruce, tim, and khoa. and you will know about it, because everyone else will be thrown under the bus to make them look good. bruce is a perfect man and all of his mistakes come only from his good intentions apparently. he is so perfect that he knows better about classism than jason. and tim is his favourite robin because (checks notes) jason hated being robin and dick just didn't care about cooperating enough apparently. this is a claim that literally appears in-text.

since i already mentioned classism twice: his politics are plainly atrocious. he sometimes loosely uses phrases and tropes that make some readers think that he is progressive, but somehow all of his storylines always get a "plot twist" that reverts them into something ugly and cynical. and somehow a lot of fans just don't notice. i think the fact that he loves a war on drugs moment should perhaps give people a hint but what do i know.

his writing it's just bad? he can't write dialogue. his plotlines are all over the place. what even was failsafe. the concept of zur as the backup personality is so incredibly tacky and useless it doesn't belong even in the genre as camp as superhero comics. and on top of that, there is so much meaningless melodrama that doesn't say anything about the characters, their values nor their relationships at all- there's just a couple of panels that batfam fans will go crazy for because bruce hands kid a lollipop as batman or because tim calls bruce "dad." but neither of them convey anything of significance, especially not within their original context.

there are more reasons and i could talk of particular creative decisions that i just think are offensive to both the legacy and the intelligence of the readers, but it would take forever given zdarsky's prevalence in dc as of late.

#outbox #core texts #<- my hatred to zdarsky is essential.

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pluckyredhead · 3 days

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Time for more Fourth World posting that no one asked for! I've previously written about the Fourth World comics of the 1970s and the 1980s, so here are the 1990s:

New Gods (1995): I FOUND IT! I FOUND A GOOD NEW GODS COMIC THAT ISN'T BY JACK KIRBY!!!

Okay, so the art is 1995 in the worst way, but the first 11 issues (written by Rachel Pollack) are actually excellent? The problem with previous New Gods runs was that it's hard to write about a utopian world at any length, but writers tried to introduce conflict by having the people of New Genesis be shitty, which undercuts the whole...utopia thing. Pollack has the corruption come from outside, which makes all the difference.

Basically, Darkseid manages to invade the Source (God, essentially, but more of a place than an entity) in an attempt to conquer it, but Orion follows him, and, desperate to stop him, kills him. However, committing patricide within the heart of the Source corrupts it, causing natural disasters on Earth and making everyone on New Genesis go evil or crazy or both. Which was all part of Darkseid's plan (he regenerates himself out of Orion's flesh, which is both very gross and a total mic drop moment) but now the cosmos are in upheaval and that's bad for everyone.

The other thing this book does that most post-Kirby New Gods books don't manage to do is treat Orion like an actual goddamn hero. Yes, he is angry and violent and makes bad decisions driven by destructive impulses. But he also loves Highfather and Lightray and New Genesis deeply, and this book allows those things to be stronger in him than his rage, and I'm crying about it. HE IS ACTUALLY A GOOD PERSON HE'S JUST ALSO A VERY CRANKY ONE.

The last few issues are by John Byrne and the plot and tone diverge pretty sharply but that's a lead-in to a different series so I'll talk about that in a bit.

Mister Miracle (1996): The universe tends towards balance and so because New Gods (1995) was good, this comic sucks. It sort of fits into the same continuity (it takes place after Darkseid dies), and so everyone on New Genesis is kind of being an asshole. But a lot of it just doesn't make sense and isn't explained? Like, they want Scott to be the new Highfather, even though Highfather is totally around in the concurrent New Gods series, and also this is presented as just a thing that everyone knew would inevitably happen, which...no? Honestly, the things that happen in this comic are so bizarre and arbitrary - characters appearing out of nowhere, continuity errors, random and baffling changes to the lore - that I kept thinking they were going to reveal it was all a dream. Bad.

Jack Kirby's Fourth World: So in the last 4 issues of New Gods (1995), Bryne takes over and long story short, Apokalips and New Genesis are smooshed together into one planet split down the middle (and also Orion dies). This series picks up from there and also ties into the Genesis miniseries. Byrne's art is always great, but the stakes are so exhaustingly high (the planets are smooshed together! now they're separated! Orion's dead! now he's back! now Highfather's dead!) that I started feeling numb pretty quickly.

It also relies heavily on the whole "god" thing, which means way more religious themes than I'm particularly comfortable with. (And yes, Kirby also drew very heavily one biblical themes but more for worldbuilding. He didn't have everyone on Earth "lose faith" because of issues with Source, as if atheists are just fooling themselves.) I just don't need that much Thor and Odin in my Fourth World comics, and the two of them repeatedly saying that they are "the closest to the Old Gods" is way too literal. (A commonly accepted version of events is that one of Kirby's biggest frustrations with Marvel was not being able to write a Ragnarok story and kill off Thor and his supporting cast, which is why he came to DC...where he immediately opened his book about NEW gods with the words "There came a time when the old gods died!" and a clear depiction of Ragnarok. This fan theory has several holes in it, not least of which is that Kirby did draw a Ragnarok story for Marvel, but the aggressively obvious allusion here just feels like Byrne is elbowing me in the ribs going "Get it? GET IT?")

Also, there are weird changes to the lore. I've mentioned before that in Mister Miracle #1, Scott is clearly already familiar with Earth, meaning some time has passed between his escape from Apokalips and our first sight of him...but Kirby has him living on Earth for two hundred years before Mister Miracle #1, including marrying a woman who isn't Barda - as if the idea that Scott and Barda had spent that long apart or that it took Barda that long to decide to leave Apokalips makes any sense at all. Tigra, Orion's mom, spends issues and issues claiming Orion is the result of a one night stand she had with some guy and thus not Darkseid's kid, and nobody really believes her but it's never actually resolved. Also, Infinity Man turns out to be Darkseid's brother??? What the hell.

This series also has a lot of Takion, a real Original Character Do Not Steal of a guy if ever there was one. He's Paul Kupperberg's OC, not Byrne's, but he shows up and is sparkly and more powerful than everyone and can talk to the Source and all the other characters ask him for advice all the time even though he literally just showed up and Beautiful Dreamer is in love with him and then he becomes the new Highfather. Big Mary Sue energy. Also he looks like a ripoff of Waverider, who is already firmly in Original Character Do Not Steal territory.

Anyway the series ends with Apokalips and New Genesis gearing up for a final, major clash...and then the last issue is literally just Byrne retelling a mashup of Forever People #1 and Superman's Pal Jimmy Olsen #147, but setting them in the post-Crisis universe instead of their original pre-Crisis framework. And then it's over. What? What???

Anyway on to the 2000s and the series I've been looking forward to since I started this project, Walt Simonson's Orion! See you in the next post!

#fourth world #mister miracle #scott free #barda free #big barda #orion #lightray #meta

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dipperdesperado · 10 months

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Notes Towards Anti-Authoritarian Victories: Distributed Resistance

TLDR: Distributed communities are a way to create a more equitable and sustainable society. We should decentralize and distribute power, resources, and decision-making. This comes from an emphasis on cooperation, restorative justice, and dismantling oppressive structures. Part of this process is honestly and earnestly exploring the role (and necessity) of the dialectic between violence and nonviolence in social change. There has to be a genuine embodiment of solidarity and diverse tactics. Two strategic frameworks for organizing resistance to explore and expand upon are encircling campaigns and the Fabian strategy. The overall goal is to build autonomous, resilient, and ethical movements. We have to challenge the status quo to create a more just world.

Distributed Communities

One of my main goals for how I interact with the world is to be a source of joy and hope for myself and others. Part of that is creating spaces for joy and hope. To create those spaces, we have to eradicate institutionalized spaces of despair and sadness. I’m not looking for a world without challenges…I’m just interested in finding realistic utopias, as opposed to the dystopic conditions we currently reside in. So, how do we get there, to a solarpunk world of dreams? First, let’s talk about where we are.

Centralization: The Anti-Life Equation

I’m not sure if you all are into comic books or anything like that, but I’ve always loved animated superhero shows and movies. Back when I was young, there was a DC show with a character called Darksied. His whole villainly motivation is to find the Anti-Life Equation. This is a math proof that essentially is meant to take away free will from living beings. Something about it is to prove the futility of living, therefore saying that people should just be controlled. Sound familiar?

Most people, especially from a Marxian tradition/understanding (so most sociologists and leftists), would say that this describes capitalism. Capitalism, as a reminder, is a system that functions most commonly off of two maxims: Private property rights (most notably towards the means of production, and as opposed to personal property) and wage labor. Many folks have argued, and I’d agree, that this system of withholding access to resources and goods across enforced property lines is bad, and stifles self-actualization. I want to go a bit further, though. I think that the underlying tendency that motivates capitalism, the imaginal cell spurring all of the negative emergent behaviors we see now is centralization.

Centralization is, as it sounds, about bringing “something” towards the center. In our case, that is power and access to resources and decisions. Centralization runs counter to nature. Though we apply our ideas of centralization onto nature, there is no true king of the jungle. Lions don’t “command” gazelle. And even if they did, us, as more conscious beings, can do better. Centralization is deterministic and linear instead of pluralistic and dynamic; it assumes that since people have differences that there have to be power distributions based on those differences. It’s Social Darwinism at its finest. Command-and-control social organization is pyramidal, and, no matter how “representative” the structure is, it inherently reinforces power distribution along lines of difference, creating and reifying social hierarchy.

Decentralization: A Light at the end of the Tunnel

Something that I and other folks struggle with is the pervasive nature of centralization. If it sucks for most people, as we know, then why is the entire world’s levers of power and influence pointed towards that? It seems like it has to be this way, otherwise we would be doing something else, right? Sadly, no. We, as people, are very susceptible to the systems that we interact with. We all live under centralizing systems of domination, coercion, and oppression, so our version of reality is warped by those experiences. But, just because we’re in a bad situation, doesn’t mean things have to stay that way. We’ve grown around these systems, and while they shape our thinking, they also create the fertile ground for their undoing. Subjects tend to not enjoy subjugation.

Decentralization is the antithesis of centralization. Decentralizing radically reorients power and access from a competitive, zero sum game, to a cooperative game. Even if you like competition, and you think it’s a necessary part of human nature (which it isn’t), we’re way past the point where stuff like that is useful. That’s assuming that it ever was, which I am skeptical about. The dog eat dog mentality, if nothing else, is destroying the Earth for profit. That alone, since we all need a functioning biosphere to…function, should be a searing indictment of the logics that underscore nation-states and capitalism.

By operating in a decentralized way, where we reorient our organizations to have power flow from the bottom up, we can enable more agile and resilient communities. It’ll not only give people more power to steer their lives (as opposed to hoping their boss or representative government official is a “nice guy”), but will allow society to continue existing, albeit in a new form.

Distribution: A Strong Network Flexes its Muscles

Decentralization is great, but if we’re not careful, it can just become like ancient times, where little city states have conflicts with each other, acting as little centralized pockets of power, even though they don’t have as much power over society as a whole. We want to be able to have connections with other communities and parts of society, without resorting to domination, coercion, and oppression. This can happen through distributing power across the network of communities, focusing on the goal of giving each individual the maximum autonomy in their lives. It looks like this: each person can live their life however they want, as long as it doesn’t impede others from doing the same. The same can be said on every level, from the block, to the neighborhood, to the city, and beyond.

This necessitates cooperation, as no one can provide all of their needs and wants by themselves. It also necessitates being militantly against domination, oppression, and coercion…people who are looking to cause harm do not get to claim that they are practicing autonomy. We have to do the hard work of practicing restorative and transformative justice. When people violate the autonomy of others, there has to be a victim-led response process, with a goal towards healing the victim, and supporting the betterment of the perpetrator if possible.

How we get there

Now, I haven’t gone in a ton of depth, since I don’t want to be super prescriptive as to what this new space could look like. That might leave a lot to be desired, in terms of a framework from how to get from here (a crumbling, decaying society that is looking to centralize more before it implodes) to there (a decentralized-distributed society where everyone’s needs and wants are met in an ecologically and socially harmonious way). My short answer is…power distribution. If we use this idea as an imaginal cell in our process and as the road on which we travel, we have a chance to create a situation where we can get the benefits of the olden days of city states (if you don’t like a place, you could just dip!), and most of the benefits of modern society, but spread out to each person. We probably won’t be able to see the levels of luxury of billionaires, or maybe even the lower end of the capitalist class, but we will all have a much, much better shot of living our lives in an actualizing way. Who knows what we can discover about ourselves in that kind of space?

Distribution as resilience

One of the great things about moving power away from central nodes is that it makes the system more resilient! A great example would be power grids. Imagine if your power grid for your town or city was centralized in one big plant, and everything was powered from there. If someone wanted to destroy your city’s electricity, they would just have to be able to take out the hub. Then, your city is blacked out, and there’s not a lot of ways to get that kind of critical infrastructure back.

Decentralization is a step better, but it can repeat the same things on a smaller scale. The most resilient option is for there to be a distribution of power generation (in the most sustainable way possible). We should always tend towards distribution—as much as reality would allow us.

What should be distributed, what should be decentralized?

Going back to the question of how we get from here to there, we have to face the reality that social change movements face repression from the status quo. Also, given the history of these movements, there are a lot of cases of co-option, and an incomplete version of the goal. In other words, we may not have the chance to prefigure the world we want to build before it is threatened by the old world. So, how do we uphold our values, while being strong enough to survive?

An important thing is to see this for what it is, a conflict. We have to engage as if we are facing an enemy, because we are. We also have to realize that, especially in a centralizing structure, our ire, in general, should not be for the foot soldiers but for structures and ideologies. We have a chance to win people over. It’s a lot harder for folks who are benefiting from the machine. This is not to say that we don’t acknowledge the harm that they cause. I mean to point out that if we get stuck in conflict with oppressive people and we don’t attack oppressive structures, we lose out on the ability to get decisive victories.

Another important piece is to not be dogmatic. We have to figure out our foundational principles and values, be honest about what we’re doing, and work hard to ensure we orient around short term gains that lead to long term successes, rather than quick fixes that endanger our progress in the long run. We want to know what works, but not be married to something. By thinking systemically, we can approach things in a diversity of effective tactics. This may mean that we occupy multiple parts of the centralization-distribution spectrum, depending on the area of focus.

In general, the more clandestine the operation, the more distributed it should be. Clandestine operations tend to be centralizing, so if we approach them from the opposite end of the spectrum we could potentially avoid the pitfalls. We also probably should never tend towards centralization, because that is a surefire way to destroy anything we create. Powermongers should just go work in the mainstream system if that’s their desire. Places where power tends to centralize, we should distribute, while being open to and welcoming of decentralization where it makes sense. An example could be: instead of every household having a personal car and coordinating sharing with each other (distributed), we could have car libraries that people check cars out from (decentralized). The most important thing to remember with any initiative that the goal is to make sure that power is not centralizing, even if there is a central place where resources exist.

Distributed Resistance

Violence

I want to switch gears and lean more into a side of world-change that people either knee jerk towards (”capital R” revolution) or away from (3.5% nonviolent resistance to social change nonsense). Let’s talk about violence.

Violence, as the state defines it, is something like physical force used to damage or destroy someone or something. That seems…reasonable, maybe, but let’s go a little bit deeper. Is it violent to commit non-physical harm, such as repeated verbal accosting? Is it violence to commit physical harm, when it’s on a time delay? It’s easy to point out immediate violence, like punching someone or burning something. It’s a lot harder when it’s a company putting carbon in the air, causing respiratory issues hundreds of miles away, the symptoms of which don’t show until years after the factory shut down. What about self-defense? How do we define that? Can violence be justified? Should justified violence even be labeled as violence?

There are a lot of questions to answer, but one thing is clear—a diversity of tactics is important. There also has to be solidarity. MLK and Malcom X understood how important each other’s tactics were to the success of the movement as a whole. Even if they didn’t reach the heights of their desires, that is an important lesson we can take away. If we act like nonviolence is unimportant, or act like “violence” is too far no matter what (like saying that hitting a nazi makes you no better), it makes our movements weaker. Like any tactic, it should be used tactically, not wantonly. We shouldn’t encourage fighting if its very unlikely to win (unless we have no other choice), and we shouldn’t encourage pacifism because of some short-sighted and self-defeating moral high-grounding.

An Occupying Force

A way that helps me think of our situation as people who want to help bring about new paradigms that directly conflict of the prevailing ones is framing it as if we are under military occupation. I mean, that’s basically the primary function of the state…that monopoly on violence. In my view, framing it like this makes a lot of the tactical orientation that I was discussing before make sense. When you are an occupied community, you very clearly see the subjugation that’s taking place. How “nice” your occupiers are is of little import; the fact that they’re there is transgression enough. Since we don’t have access to the “legitimate” flows of power (and if we did, we couldn’t use them to liberatory ends), we have to think differently. This is where operating as guerrillas comes in.

OODA Loop

Guerrillas are small groups that fight asymmetrically against a more powerful opponent. With us being tiny right now, it’s worthwhile to figure out how to fight in a way that makes our weaknesses into strengths. One method into this is the OODA loop. OODA stands for observe, orient, decide, and act. It’s a method for making strategic decisions in an iterative way. We observe our surrounding, circumstances, and current data. We then orient ourselves to our situation, making judgements based on that information. We decide what to do based on those judgements, and then we act upon those decisions, constantly iterating to make new decisions. The size and structure of decentralized and distributed organizations allows for iteration to happen more quickly, leading to an advantage over slower centralized structures.

Generally, the path I see to success is through operating via a distributed model of autonomous units, coordinating only when necessary, while also keeping the information network alive as is pertinent, and an alignment on vision and values. By any means necessary, but not all means. Especially if the group is operating as a singular organization, a la the ELF or ALF, ideally there would not be people that do tactics that violate that maxim. Means-ends unity is how we create the world we want. We can’t get liberation by exuding oppression.

Formations for Resistance

Before I leave, I want to list a couple strategic frameworks for organizing. The ones I’ll focus on are:

Encircling (i’ve discussed this in another post)

Fabian Strategy and Ethical Guerilla Warfare

Encircling

Encircling is when you surround an enemy in a way that doesn’t allow them to escape. You leave them two options: surrender or defeat. My conception of how this relates to organizing is that you take an issue that you’re trying to respond to (usually a system of oppression), and you encircle it with campaigns running in parallel. A campaign is like a series of actions/tactics, employed over a period of time. Since systems of oppression are…systemic, you would take a systems approach. You would work cross-functionally, looking for leverage points to exploit, and exploit those. My basic outline is that you’d have a campaign that starts off very non-confrontational, making appeals to the system of authority, and as that doesn’t yield “capital S” success (you can’t vote in socialism or decentralization), you ratchet up the confrontation, though only to the level that you can handle. It acts as a radicalization pipeline, strengthened by the results of the other campaigns. There would also be an extreme campaign, where folks are doing as confrontational of actions as they are willing to do. The rest of the campaigns would be in the middle, where they are relatively confrontational, moving towards heightened confrontation. Everything is moving into a more militant direction, where people are learning their power.

Fabian Strategy and Ethical Guerrillas

The Fabian strategy gets its name from Quintus Fabius Maximus Verrucosus, a dictator of Rome. His army was fighting against the much more well-equipped army of Carthage, so he opted for fighting a war of attrition. This sounds a lot like the situation social movements are in. It can be easy to think we have to fight might with might, but it’s a senseless and undesirable approach to try to outgun the state. We can use a guerilla orientation to organize in ways that highlight our strengths while exploiting their weaknesses. Building on this strategy will allow us to grow our movements and continue to fight, while simultaneously making it harder to put the movement down.

I also advocate for an ethical approach to this fight. By any means necessary, but not by all means available. There are certain actions that won’t yield us the results we want, and there are other actions that can only be useful in concert with other actions and campaigns. Broadly speaking, we want to minimize the harm caused to folks while maximizing the disruptions to the status quo. Here are some ways we can do this, some of which intersects and overlaps with the encircling framework:

Focus on grassroots organizing and building community power from the ground up. We have to think like stewards and coordinators rather than leaders; our strength comes not from a being a tiny centralized group, but an autonomous network of agents.

We build up our capacity, by creating multiple levels of engagement into the movement. we can combine non-confrontational tactics where we gradually increase disruption as support grows with giving support to more militant segments. This leads to a continual, dynamic (see nonlinear) process of education, advocacy, construction, and disruption.

Think about how to disrupt the status quo in a way that doesn’t target the oppressed. Instead of prevent public transportation or emergency vehicles from being able to travel, maybe focus on lavish events where some really terrible decisions are being made by oppressors at the expense of the oppressed. Actions can simultaneously be symbolic and direct.

Plan targets systemically. Keep the guillotine away. We don’t get our problems solved just by attacking elements within a system. If a leverage point ends up being a specific person… be very sure about understanding how to interact in a way that gets you the results that you want. Tactically and ethically, it becomes very hard to justify targeted attacks.

Uphold solidarity and mutual support among allies while respecting a diversity of tactics. Our analysis should be expansive enough to allow any tactics that could work within our ethical framework to be permissible, even if we personally don’t feel comfortable doing those tactics. As I said before: it’s not “anything goes”, its “we have to be willing to do anything we can that doesn’t violate our ends to achieve our means”.

If people can’t get behind your ideas, then your ideas need to be reexamined. Everyone has a horse in this race. People have to be able to understand that they have power as individuals and collectives, along with how to use it in non-coercive and non-oppressive ways. Meeting people where there at, showing up in real solidarity, and putting your ideas into practice goes way further than an isolated philosophical conversation.

We also have to keep fighting. This doesn’t mean that we are constantly ourselves fighting—through building distributed movements, we can take breaks and be sure that the network still functions. We won’t be able to create a new world in a single move, but through persistence, critical review, and intelligent strategy, we can grow and tend the seeds of change.

I hope this was interesting to ya. It’s a little different topically and format-wise than what I usually do, so let me know if this was interesting or useful. Solidarity forever 🙂

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