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ineffable-romantics · 9 months

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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post

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doctorbeth · 7 months

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Rabbit -- one of your cherished stuffed companions

Rabbit belongs to one of you dear people, and she gave me permission to share his story with you.:-) He was in the hospital about a year ago.

She initially wrote:

I live in South Florida and I am a big fan of your hospital! I have a stuffed rabbit plush animal, I believe he may have once been a Bugs Bunny plush, but to me he has always been "Rabbit" and I cannot find any leads online as to his "origins". Rabbit has been with me since I was 6 months old-- he's almost 24 years old! He's been my constant companion, and I still sleep with him and love him to this day. As you might imagine, this has led to many surgeries...

Lately, Rabbit has had very thin fabric fur, and you can see through to the stuffing (mostly on his tummy). He's also in need of some new stuffing, as his current has gotten pretty clumpy over the years. My mom and I have talked about possibly giving him a complete fur transplant on his tummy as we have applied patches before, but we aren't experts and don't want to cause him harm! He gets holes in his fabric very easily as he has become very delicate from love over the years... We are almost afraid to touch him with anything other than a hug!

Now there were many photos attached to this note, and just fyi, for diagnosis the more photos the better, but you all don't need quite so many close ups... here are three critical photos from his diagnosis:

You can really see in the last two photos how thin his fabric was getting.... but he has such a cute face, and it's mostly embroidered, and I thought they may want to keep that, so.... there were many (actually 7!) options for his care. Keep in mind, he's over 2 feet long, too. Here were the treatment options (a spa could be added to any):

1) Given his style of fabric, and his artistic belly patches, and the fact that he has embroidered facial features, we could line his body with new fabric. This reinforces his body and limbs while keeping his current appearance. He would get all new body stuffing as part of this treatment, as the stuffing would need to come out for lining and it can't go back in. But, a small amount of original stuffing would be preserved in a heart in his chest. With this treatment, he could still wear, but you would see lining before stuffing. Also, for future repairs, the lining could take the pressure of stitches away from his skin. I would also minimize the older scarring on his side.

2) I can do everything in option 1, plus line his head.

3) I can do everything in option 1, plus line his head and ears.

4) Instead of lining, we could recover just his belly and lower sides of limbs. His original skin (and old patches) would remain underneath, reinforcing the new fabric. I would get as close as possible to his current fabric color and texture. Perfect fabric matches are rarely possible, but if that is the case, I will send photos of him with transplant options so you can choose what you like best. I would also minimize his scars.

5) I can recover his entire torso and limbs (leaving his head and ears as is). I would also minimize his scars.

6) I can recover his belly and lower side of limbs around his patches (keeping his artistic appearance). I would also minimize his scars.

7) I can recover his belly around his patches and recover the rest of his body and limbs. I would also minimize his scars.

His person thought about it, discussed it with her family, and ultimately decided on option 5: recover his entire torso and limbs but leave his head and ears as is. They also added a spa for Rabbit, which would treat the lumpiness of his stuffing as well as clean him.

So Rabbit flew to the hospital and began treatment with his bubble bath:

He got restuffed before recovering, so here is his heart being made and installed with a bit of his original stuffing:

I started by recovering his gray areas, leaving the white of his pawpads and tail original. At this point, I sent chubbiness approval photos and let his person decide whether she still wanted to recover the white (which was in better shape than the gray):

His person wrote: "Wow, he looks amazing!! His chubbiness looks perfect, I can't wait to hold him! I would like to recover his white patches of fur"

So Rabbit got closed up, and the white got recovered, and then he was ready to fly home!

Approved, Rabbit flew home to Florida. When he arrived back cross country, his person wrote:

Rabbit is home!! Thank you so, so much!! He looks amazing, he's soooo soft and cuddly, I can't wait to spend many many more years with my darling angel rabbit! I cannot thank you enough Doctor, you're truly an angel!! I'm so blessed to have found you and your lovely hospital!! My mom and I can't stop gushing over how soft and cuddly Rabbit is, he's like brand new! I'll continue to treasure him for the rest of my life with your help!

#rabbit #stuffed rabbit #bugs bunny #stuffed animals #stuffed animal repair #stuffed animal cleaning #large stuffed animal #toy rabbit #toy rabbit repair #bunny #stuffed bunny #stuffed bunny repair

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candy69gurl · 1 month

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HIII NEW FOLLOWER :3 i js wanna cutely ask if u could make sukuna a gentle yet rough husband(he's still the king of whatevs) and the protagonist has a dragonfly pendant that glows and makes the protagonist submissive when originally, shes a VERY stubborn wife :3 thats all tyt (⁠´⁠⊙⁠ω⁠⊙⁠`⁠)⁠！

Trapped in Temptation

Heian Era Ryomen Sukuna x f!reader

Warnings- 18+, slight non-con, kidnapping, threats, mentions of violence (Sukuna is gentle only with you), tricking, use of nicknames, use of abdomen mouth and mouths on four hands, fingering (Sukuna has nails), double penetration (use of 2 dicks in rear and front), nipple playing, clit rubbing, choking, raw sex (cumming inside), breeding kink

wc- 4k

ART NOT MINE !

"Uraume, did you hear what that insolent wench said to me? She dared insult my honor!" Raging, Ryomen Sukuna paces back and forth across their opulent quarters, his four arms slicing through the air with anger. "I can't believe she would be so impudent before our subordinates! We should do something about her."

"Calm down, Lord Sukuna," Uraume interjects, standing in front of their master to block his path. "She knows not what she says. It was uncalled for, but I assure you, I shall handle the matter." They cross their arms, a determined look in their eyes.

"Uraume, she is so stubborn! Her constant attitude toward me is tiresome! I am the strongest, yet she dares to challenge me?" Ryomen Sukuna's voice booms throughout the room, emphasizing each word as he speaks. "And to think I took her as my consort... She must learn her place, or else I may end up hurting her"

With a sigh, Uraume nods understandingly, "I understand Lord, but the truth is, you've grown attached to her, haven't you?" Uraume asks, a knowing smirk playing on their lips. "I have the best solution for it"

"Tell me about it", he sits down on his throne, crossing his massive legs.

It was a sunny afternoon, as Ryomen Sukuna scanned his vast territory, standing atop the highest point of his temple. In the distance, he saw you - an unusual figure, unlike anyone he had ever encountered. Something within him stirred, a feeling he could not explain. His instincts screamed to hunt and devour this new prey, but a strange force held him back.

"You know I told you," Uraume said, looking up at Sukuna with a playful smile, "that sometimes we can find the most unlikely sources of entertainment."

Ryomen Sukuna grunted, acknowledging the truth in Uraume's words. He couldn't deny the fascination he felt for you. "Indeed, I will send my spies to follow her."

Weeks passed, and Ryomen Sukuna found himself consumed by your thoughts. He could resist no longer, and finally confided in Uraume, "I have grown obsessed with her. I've decided that I wish to bring her to me - against her will if necessary". A wicked grin spreaded across his face, revealing his sharp teeth. "Prepare the plan for her capture, and ensure she arrives here safely."

A sinister grin flashed across Uraume's face. "As you wish, Lord Sukuna. Your desire shall be fulfilled." And so, with expert planning and stealth, Uraume carried out the task of capturing you. When you were finally brought before him, bound and trembling, Sukuna couldn't help but feel a thrill of excitement.

In the grand temple, surrounded by darkness and the oppressive aura of Ryomen Sukuna, fear coursed through your veins like ice water. You couldn't help but tremble at the sight of the towering, monstrous figure before you. Even as he approached you gently, offering words of comfort, your heart pounded uncontrollably. The very air seemed heavy with his power, and you couldn't shake the feeling of loathing and dread that bubbled up within you.

"Fear not," Sukuna whispered, his voice a velvety rumble in the silence of the chamber. "I have taken a liking to you, and will not harm you...for now." He gazed into your frightened eyes, his own full of curiosity and perhaps even a hint of longing. "I promise you, you are safe here – for the moment."

Breathless and shaking, you pleaded with Ryomen Sukuna, "Please, let me go! I don't want to stay here, with you..." Your voice quivered, desperation clear in every word. But the mighty demon lord only stared at you, his expression unreadable behind his cold facade.

As days turned into nights, and then into weeks, you refused to eat, choosing instead to starve yourself in protest. Your pale and unwell body greatly concerned Sukuna.

"Enough of this nonsense!" Ryomen Sukuna's voice rang out, echoing through the temple chambers. "Uraume, attend to her."

Despite your protests, Uraume stepped forward, concern in their eyes. "Please, consume at least a bit, it will make things easier for all of us."

You looked up at them defiantly, tears welling in your eyes. "I won't eat!"

"This obstinacy is truly fascinating," Sukuna muttered, watching the scene unfold with a mixture of irritation and intrigue. "You underestimate the consequences of your actions. If you continue to starve yourself, your life will be endangered."

Uraume sighed softly, eyeing you with worry. "Just a morsel," they pleaded, gently placing a small bite of food on your tongue. "For your own sake."

But you stubbornly clamped your jaw shut, refusing to swallow the offered sustenance. Your determination was steadfast, fueled by your desire to leave the clutches of Ryomen Sukuna.

Seeing your resolve, Sukuna's eyes narrowed, and he spoke with a dangerous edge to his voice, "Very well. Have it your way. But know this, if you die, I am going to kill every human on this earth."

"Y-you cannot do that-", your words fell on deaf ears, as Ryomen Sukuna merely laughed darkly, the sound echoing ominously in the temple chambers.

"Oh, little mortal, do not mistake my words for idle threats. I am capable of such destruction. And if you persist in defying me, I may just do it."

Watching you waste away drove Uraume mad with worry. They tried once again to reason with you, "Do not test Lord Sukuna's patience, child. You know not the extent of his powers. You must eat, for humans' sake."

Reluctantly, you opened your mouth for Uraume, swallowing the food they offered. The taste was foreign, and your stomach growled in protest, but you knew better than to refuse. Your eyes met Ryomen Sukuna's, a mixture of defiance and despair in their depths. You were trapped, a caged bird desperate for freedom.

As days passed, you learned to endure your imprisonment, adapting to the odd rhythms of your captivity. Ryomen Sukuna watched you closely, a never-ending study of this fascinating creature who had captured his interest. Though you remained subdued, he couldn't help but notice the occasional flash of rebellion in your eyes.

One fateful day, unable to contain your frustration any longer, you spoke out of turn, lashing out at Ryomen Sukuna in front of his ever-loyal servants. The words tumbled from your lips, sharp and cutting, as if driven by sheer desperation to assert some semblance of control over your situation.

Ryomen Sukuna's eyes narrowed, his expression turning dark as thunderclouds. With a swift movement, he took hold of your arm, lifting you off the ground effortlessly. "Is this how you repay me for keeping you alive?" His voice was low and dangerous, sending shivers down your spine.

"Perhaps I should reconsider my decision to spare you," he snarled, holding you aloft in his powerful grip, the muscles in his arms straining visibly. Your heart leaped into your throat as you realized the severity of your actions.

"Kill me, it's better to die than to live with a monster like you!", defiance blazed in your eyes as you spat the words at Ryomen Sukuna, your voice shaking with emotion.

Surprisingly, Ryomen Sukuna paused, his eyes softening momentarily. "Monster?" He released you, allowing you to stumble back, breathless and terrified. "I have done nothing but provide you with a measure of safety, and this how you repay me?"

Uraume stepped forward, trying to diffuse the tension. "Lord Sukuna, she is weakened, emotionally and physically. It's not wise to push her too far." They glanced at you, concern etched in their face. "Let us give her time to adjust to her circumstances."

Ryomen Sukuna hesitated, his sharp gaze never leaving you. "Get her out of my sight. NOW!"

Uraume quickly complied, guiding you away from Sukuna and into the comfort of your quarters. As the door closed behind you, you slumped against it, gasping for breath. Emotions swirled within, tearing at your fragile psyche. Fear, anger, resentment, and a strange kind of fascination with the demonic ruler.

In the quiet hours of night, Uraume approaches Ryomen Sukuna, a dragonfly pendant glimmering in their hand. Their voice soft but filled with purpose. "We have found a way to control her defiance, Lord. A dragonfly pendant of ancient origin, said to bring submission to those who wear it."

"Show me," Ryomen Sukuna commands, his interest piqued. Taking the gleaming object from Uraume's hand, he examines the delicate craftsmanship, a faint glow emanating from its center. A slow, predatory smile spreads across his face. "This could prove useful."

Uraume nods, understanding his intentions. "Once she wears it, and the pendant comes in contact with your iris, she will become submissive, appeasing her rebellious nature. Perhaps we can break her spirit and bend her to our will."

Ryomen Sukuna studies the dragonfly pendant, imagining the effect it would have on her. His dark eyes sparkles with anticipation, the plan working perfectly in his favor.

"But Lord.. Remember you have to trick her into wearing it", Uraume warns knowing your stubborn nature.

Rolling his eyes, Ryomen Sukuna dismisses Uraume's warning. "Trust me, I know how to manipulate her."

The following day, as dawn breaks over his kingdom, he seeks you out with a seemingly contrite expression. Apologizing for the previous day's outburst, he holds out the dragonfly pendant. "Here, take this as a token of reconciliation. Wear it close to you, as a sign of our understanding".

There's an underlying current of menace beneath his words, caught off guard by the unexpected apology, you tentatively accept the dragonfly pendant from Ryomen Sukuna's hand. As the delicate piece of jewelry slides around your neck, your heart races in anticipation.

Sukuna's eyes fall on the pendant and it glows, then a sudden warmth floods your being, and you feel an overwhelming sensation of... submission?

The change is immediate and profound. Your resistance crumbles, replaced by an inexplicable urge to obey. You fall to your knees, your eyes fixed on the ground, "I am sorry, Lord Sukuna. Please forgive my insolence." A wave of submission washes over you, eliminating the last vestiges of rebellion in your heart. The dragonfly pendant, now resting delicately against your collarbone, pulsed gently with each beat of your heart.

Ryomen Sukuna's eyes widens in surprise, a twisted grin spreading across his face. With a predatory grin, Ryomen Sukuna takes advantage of this newfound submission. Grasping your arm, he pulls you to your feet, your eyes locked with his. "Now that we understand each other, let's start fresh. Let me introduce you to the joys of our new arrangement."

A sense of helplessness grips you, as he leads you to a sumptuous room, adorned with silk sheets and plush cushions. Your heart hammers wildly in your chest, and you struggle to process the turn of events. As Ryomen Sukuna guides you towards the luxurious bed, you can't help but wonder how much more control he intends to claim over your body and soul.

"Remove your clothing," he orders, his tone commanding yet tinged with anticipation. Your fingers tremble, complying with his demand. Slowly, you undress, the dragonfly pendant glowing softly against your now-bare skin. An overwhelming sense of submission courses through you, leaving you vulnerable and exposed in front of the imposing figure of Ryomen Sukuna.

He watches you intently, his eyes never leaving your form. He steps closer, the heat of his body enveloping you, and you can't help but shudder, a mix of fear and desire coursing through you. "Turn around," he instructs, his voice a seductive purr. You obey without question, presenting your bare back to him.

His skilled hands move over your skin, tracing patterns that send shivers down your spine. "You are mine now," he whispers, his voice thick with desire.

He gives a searing kiss between your shoulder blades, his touch dominant and undeniably passionate. Every stroke of his hands, every caress of his lips, is a reminder of your new reality - one governed by his desires and his will alone.

Underneath his command, you find yourself responding in kind, your body betraying the fear that once held you in its grasp.

Ryomen Sukuna gently places you on the silken bed, his massive form towering over you. Your body trembles under the weight of his gaze, and his four arms wrap around you, holding you tightly, securely. The sensation is both terrifying and exciting, your heart racing in tandem with your growing arousal.

Slowly, he begins to explore your body, his fingers probing your core. You arch your back, torn between pain and pleasure.

"My, you're tight," he murmurs, his fingers sliding in and out of you with practiced ease. "Such a shame. You need to learn to relax for me."

Each thrust sends shockwaves of sensation through your body, the dragonfly pendant glowing with each movement. You moan softly, unable to deny the pleasure intermingling with your fear. "Please, Lord Sukuna," you whisper, the words slipping past your lips without conscious thought.

"Please, what?" He asks, his fingers continuing their rhythmic dance inside you. His voice is deep and velvety, wrapping around your senses like a warm blanket.

"Make love to me, please," you beg, your voice barely steady. There's a strange vulnerability in your plea, a stark contrast to the defiance he once faced.

Ryomen Sukuna's smirk grows wider, his eyes shining with triumph. "I have been waiting for this moment." he confirms, his fingers pausing briefly before he removes them from your body.

As Ryomen Sukuna leans in to kiss you, his enormous tongue darts out from his abdominal mouth, tracing a path to your clit. The sensation is unlike anything you've experienced before, sending jolts of electricity through your entire body. You gasp, your mind reeling with a mix of pleasure and confusion.

His tongue laps at your sensitive flesh, eliciting a moan from deep within your core. Simultaneously, his lips meet yours in a searing kiss, his tongue invading your mouth with the same boldness. His four hands roam freely, exploring every inch of your trembling body.

"You taste divine," he growls against your lips, his tongue from abdomen continues its assault on your clit.

One of his four arms reaches down to your core, thrusting inside with surprising ease. The sudden invasion triggers a response, your body arching off the bed in a fierce orgasm. Pleasure rips through you, a tidal wave of release that leaves you breathless and panting.

Breath still ragged from your climax, you watch in awe as Ryomen Sukuna discards his garments, revealing not one, but two erect phalluses. Shock momentarily paralyzes you, but his command snaps you out of it. Nervously, you position yourself between his legs, your hands trembling as you reach out to touch the unfamiliar appendages.

Your tongue darts out, hesitantly exploring one of his erect members. Your inexperience is evident, but he seems content to guide you. "That's right," he murmurs, his voice rough with desire. "Show me how eager you are to serve me."

You obey, your skill improving with each passing second. You alternate between his two phalluses, each one throbbing under your touch. His hands thread through your hair, guiding you as he mutters praises under his breath, his grip firm but gentle on your scalp. Your lips wrap around one of his member, your cheeks hollowing as you take him deeper. A strange sense washes over you, realizing he's taken complete control of this encounter.

Ryomen Sukuna groans, his hips bucking slightly under your ministrations. "So eager to please your master, aren't you?" he taunts.

"Mhm," you mumble around his member, your voice muffled by the flesh filling your mouth. The dragonfly pendant glows fiercely at your chest, a constant reminder of your submission. "Whatever you want, Lord Sukuna."

His laughter fills the room, a deep, rolling sound that vibrates through the air. "Delightful. Just remember, you belong to me now."

You continue to service him, your body responding to his every command, every thrust of his hips.

Ryomen Sukuna's laughter dies down, replaced by a growl of satisfaction as he pushes your head back. With an effortless strength, he picks you up with his four hands, aligning one of his hardened members with your entrance. In one swift motion, he pushes inside you, filling you to the brim.

You cry out, the sensation intense and overwhelming. Your walls stretch to accommodate his size, toes curling and head resting on his broad chest.

Ryomen Sukuna grins down at you, clearly pleased with your tightness. He responds by pounding into you with brutal intensity, each thrust driving deeper into your core.

"Tight little thing," he mutters, his voice guttural with lust. "Perfect for my needs."

Suddenly, Ryomen Sukuna notices the dragonfly pendant is missing from around your neck, but your face remains submissive. Confused, he slows down his movements, searching your face for any trace of rebellion. But there's none; only submissive yearning stares back at him.

"P-please lord, d-don't stop, i-i am so close.."

His lips curl up to a grin, his eyes narrow, studying you closely. "Is that so?" He resumes his thrusts, watching your reaction carefully. Your face contorts with pleasure, your body responding to his every stroke.

Without warning, Ryomen Sukuna pulls out of you, urging you onto your knees. You comply instantly, your body quivering with anticipation. He positions himself behind you, entering you from behind with renewed vigor.

The difference in angle sends waves of pleasure cascading through you. Each thrust strikes a new nerve, bringing you closer to the edge. You moan, your body begging for release.

Just as you start to crest, he stops with his thrusts keeping his member deep inside you, leaving you panting and desperate. "Patience," he growls, wetting his fingers with his saliva.

Your heart races, knowing what comes next. He inserts his wet digit into your tight rear, stretching you in a whole new way. You gasp, the sensation overwhelming. "P-please" you stammer, but it comes out more like a plea than protest.

Ryomen Sukuna chuckles darkly, his fingers working in concert with his cock. "Relax, little one. This will make you sing."

The added pressure forces you to focus solely on the sensations engulfing you. You breathe deeply, trying to accommodate his digits. His laughter echoes in the room, a cruel counterpoint to your mounting frustration. His other member pulses, impatient and ready to join the fray.

Finally, after what feels like an eternity, he withdraws his fingers, coated in evidence of your readiness. You tremble, anticipation building to a fever pitch.

In one swift motion, he introduces the second shaft inside you, stretching you beyond belief. Tears prick at your eyes, a mix of pleasure and pain washing over you, but you don't resist, your body listening to him.

As both of his members work inside you, his four hands come into play. Two grip your hips firmly, guiding his thrusts while the others explore your body. His mouth forms from his other pair of arms, closing over your breast. The sensation is unlike anything you've ever experienced.

His suckling mouths formed from his hands tug gently at your nipples, sending sparks of pleasure throughout your body.

"Oh gods, yes!" You exclaim, surrendering to the sensation. His dual attention, the incredible fullness inside you, overwhelms you.

"That's right," he croons, his voice deep and sultry. "Take it all, show me how much you enjoy being filled."

Two of his hands reluctantly leave your breasts, giving them a tight squeeze before retreating. You whimper, feeling deprived even though you remain filled to the brim. It's almost too much, his dual penetration combined with his previous attentions.

Then, one of his hands drifts lower, touching your clit with feather-light touches. The other wraps around your throat, cutting off your air.

"N-no, wait...!" You choke out, struggling for breath.

"Quiet," he growls.

Without warning, his tongue emerges from his hand currently stroking your clit. It dances across your nerve bundle with expert precision, pushing you closer to the precipice. At the same time, the other hand leaves hickeys on your exposed neck, marking you as his own.

You gasp, the combination of sensations finally proving too much. Your body convulses, your orgasm soon going to occur.

As your orgasm builds, Ryomen Sukuna leans in close, his voice a seductive rumble against your ear. "I found your weakness," he whispers, his abdomen's mouth tracing lines along your spine. "Tell me you accept me as your husband."

You shiver, the combination of his words and actions overwhelming. His thrusting never stops, pushing you higher and higher.

"Lord Sukuna..." you manage, your voice breathy.

"Still a stubborn one, aren't you?" he chuckles, his pace increasing.

His thrusts become more urgent, matching the rhythm of your impending release. "I said accept me as your husband," he commands, the demand clear in his voice.

You nod, your body shaking from the sheer force of his command. "Yes...my Lord, I accept you as my husband" you admit, surrendering completely.

"Want to bear my child?," he asks, his mouth on his abdomen resuming its licking.

"Y-yes yes yes.. F-fill me, Lord.. I want.. your babies.. hnghnn", you reply, drools dripping from your chin. The thought surging through your body as you shatter, your orgasm crashing over you like a tidal wave.

Ryomen Sukuna matches your release, his own body convulsing as he finds his own climax.

With a final burst of energy, Ryomen Sukuna fills both your holes, his seed spilling hot and thick inside you. The sensation is indescribable, filling you to the brim. As he finishes, his seed trickles down between your legs, coating you in his essence.

His breathing labored, he collapses against you, resting his forehead on your back. You lay there, basking in the afterglow of your shared experience.

His eyes fall upon the dragonfly pendant lying innocently on the floor, and a slow smile spreads across his face. "Well well, look at that."

He lifts you gently, turning you around so you're facing him. Holding the pendant between his fingers, he holds it to your lips. "We don't need this anymore"

Taking the pendant from his fingers and throwing it away you pout angrily at him, "You tricked me."

A wicked gleam enters his eyes, and he pulls you closer, capturing your lips in a passionate kiss. "Just wanted you to realize your real feelings towards me. All you needed was a little push."

You pull back, your lips parting slowly. you stare into his eyes, realizing he's right. Your body did submit without the dragonfly pendant at the end. Your feelings towards him are genuine.

"I'm yours, Lord Sukuna."

His grin widens, he is indeed thanking Uraume in his mind, his hands caressing your face tenderly. "That's what I always wanted to hear, love."

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legalkimchi · 21 days

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Please learn more than just a Phrase.

I don't expect people to be subject matter experts on issues of global politics.

But false equivalency is rampant in online discourse regarding three major conflicts in the world today. I am using the word conflict in this post, however, when applicable, i will use other words to describe specifics. (Nuance folks... it's a thing)

So i start off with an assumption that most people don't understand the basics of most international events. As an american, i only know some of the stuff that is happening within my own nation. This is not an insult to you, dear reader. Rather, it is a position we all must realize we are in. You do not understand most world issues.

You just don't.

you aren't there. it isn't your life. you don't have the academic background.

I saw a post recently calling for "freedom for Palestine, Sudan, and Congo."

And it bothered me. Not because i am opposed to peace, (how is asking for ceasefire a bad thing?) but rather because i believe simplifying the conflicts with this wording showcases the ignorance of the differences.

Not all conflicts are the same.

In palestine, we have a convoluted mess where two groups claim a territory as home. getting into the in-depth story of this conflict takes time. Foundational elements of it take place thousands of years ago, but the conflict itself is only about 75 years old. So it is a long and short story. Currently, the sovereign state of Israel is engaging in a genocide in Gaza. Asking for freedom for palestinians makes sense. they live in an apartheid state and would like a state of their own. they wish to be free of occupation. you can argue with the details, be pro-israel, or whatever, but that is the basic ask of palestinians. (if you want to get into anti-semetic regional sentiment or the desire of certain groups to eradicate the israeli jewish population or Israel as a nation that's a different topic, not the point of what i'm talking about.)

In the Congo and Sudan, it is a different story.

Let's start with the Congo. First of all, Which Congo?

Let's please understand that there is the Republic of the Congo and the Democratic Republic of the Congo. The Republic of the Congo is a former french colony. Then there is Democratic Republic of the Congo. Some of us might remember this country as Zaire.

the DRC is the congo we are talking about in the news. This was a former belgian colony and the atrocities committed by the belgians there rival any genocide in human history. i've seen estimates between 5 million and 20 million deaths. some estimates state the population of native congolese were cut in HALF. since the turbulent start of the country after their independence in 1960, the country knew relative peace until the 1990s. Then a mixture of a weak central government and the Rwandan Civil war (which had it's own genocide you may have heard about) spilled over into what was then Zaire. Zaire dissolved, and the DRC took it's place, But the wars have been raging off an on since then. earlier this year, more civil war violence erupted AGAIN. This displaced millions, AGAIN. while the DRC is a bit of an autocratic and repressive regime, the rebel groups are groups with ties with the Rwandan government and the other group with ties to Isis. It's awful all the way down.

Sudan has had an ongoing civil war for over 20 years. I remember this because i helped lead some anti-genocide protests regarding Darfur when i was in college 20 years ago. I've been following this conflict for nearly my entire adult life. you may have heard about this with regards to the Save Darfur coalition regarding the genocide in Darfur. Well, that genocide has continued (albeit with less intensity) for 20 years. the civil war lasted until 2021, but restarted in a different form in late 2023. the conflict is now between two different sides of the military government fighting each other.

It is an awful conflict full of awful leaders. Sudan's government suffered a revolution in 2019 from a dictator, only to have that government overthrown in a coup by the current dictator. The Sudanese military is supported by folks like Russia and North Korea. you might see that among the other countries that support sudan, bunch of communist countries, and you might think "hey, maybe al-Burhan is a leftist".

no... no he is not.

He is a military despot. He has no ties to any real ideology. He just runs sudan as a military dictator.

So who is opposing him?

The Rapid Support Forces. and you may be thinking "ok, so they are the good guys? trying to overthrow the dictator?"

No... They are the ones that instigated the Genocide in Darfur.

This is a situation is "no matter who wins, the people of Sudan lose."

So when folks claim these are all the same. Or wonder why folks talk about one and not the other.

there are reasons. These are very different conflicts. Please learn about them. It matters more than spouting some 4 word slogan calling for "freedom."

Find out what the people of these areas actually need. Learn more about what is happening. My description above is incomplete. I may even get some things wrong. I am trying to keep informed, but I am not an expert, nor do i live there. Raise voices from the region and find out if there are ways to help.

#palestine #sudan #congo

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lurkingshan · 5 months

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Japanese BL Starter Pack

It’s been awhile since I dropped a rec list, so I am here today to share one that is very near and dear to my heart—a Japanese bl primer for those who are new to the jbl game. I created this for @neuroticbookworm to help her on her journey when she decided she wanted to start getting into Japanese works. The fandom (on Tumblr and generally) tends to focus primarily on Thai shows because they are the easiest to access for international fans, since Thailand is working its way toward world domination via ql media and wants us all to be able to watch. But there is a lot of great stuff to watch beyond the easy access Thai channels, and Japan is the country where this genre originated, so its shows are important for anyone who considers themselves a bl fan. Japan doesn’t cater nearly as much to the international audience so tracking down the shows sometimes takes some ingenuity and can-do spirit, but that’s part of the fun!

And so, the list! Bookworm is about halfway through it and having a ball, so I figured it was time to stop hoarding it and share it with anyone else who would like to dip their toes into jbl and isn’t quite sure where to start. A few notes:

I am not here to teach you about the deep roots of the jbl genre or give you a primer on yaoi manga. I am by no means an expert and there are other places to find that information. Start here with this great post by @nieves-de-sugui and then maybe wander over to @absolutebl to read up more on the evolution of the genre.

This list is by no means an exhaustive accounting of every important Japanese bl ever made; it is simply a nice sampler platter of the cream of the crop among various styles you will find in jbl. Watching through this whole list will not only expose you to some fantastic shows, but also give you a sense of what makes jbl unique and how the country’s style differs from others, and point you toward the types of jbl you’ll like most (they tend to put shows in pretty specific style and tone lanes and once you find the ones you like there are lots more where that came from).

If you’re coming to this post as a jbl lover and you don’t see your favorite here, I promise it’s not because I don’t love it very much; I simply had to make some choices to get this down to a reasonable shortlist. Feel free to leave extra recs for others to find!

I’m putting these in a loose suggested watch order that will take you through the various jbl lanes in a kind of popcorn style, because I always think it’s good to change it up so you don’t get too stuck in one mode, and it works its way up to most of the extremely Japanese stuff (you will know what that means by the time you finish). But do what’s in your heart and change up the order if you want, friends, I am not the boss of you!

Cherry Magic (Crunchyroll or grey)

gif by @liyazaki

I believe everyone on Tumblr is pretty familiar with this one, which is not a coincidence—this is one of the most accessible jbls. Not in terms of actual access to watch it, mind you (we’ve all jumped through shady internet hoops to watch it) but in terms of its content and style. Cherry Magic is a classic workplace romcom with a magical twist, and it is charming af. It’s a great exemplar of Japan’s light and zippy comedy lane for bl—a lane in which, importantly, the romances stay chaste even when the actual plot is about sex, or lack thereof. My friend @waitmyturtles would kill me if I didn’t make sure you know that Cherry Magic also has a lovely follow up film. And bonus: there is now a Thai remake airing so if you watch the original you can get in on the discussion about the different adaptations between countries. This is pretty easy to find these days in all the usual places, but I strongly recommend watching it here.

Old Fashion Cupcake (Viki)

gif by @liyazaki

Moving on to a slightly more mature workplace romcom. Old Fashion Cupcake, another Tumblr favorite, is an age gap boss-subordinate romance, and it’s both very adult and somehow wholesome af at the same time. Sure, there is a lot of carnal desire going on here, but there is also a lot of wooing via fluffy pancakes. It’s a tight five episodes and a fantastic example of what Japan, with its extreme technical precision in writing, directing, editing, pacing, and acting firing on all cylinders, can do in two hours. There’s not an ounce of flab on this thing and you’ll want to watch it over and over again.

Utsukushii Kare (Viki)

gif by @wanderlust-in-my-soul

Time to get a little weird! Weird is a key feature of Japanese media, and lots of jbls explore unusual relationship dynamics rooted in complex psychology. This is the first show on the list that will likely feel very Japanese if you’re new around here—my advice is to lean into it and finish the show, even if you get uncomfortable along the way. In Japanese media, discomfort always serves a purpose. This is a high school story with a twisted relationship at its center, and I’m not saying any more than that. Don’t spoil yourself and go watch it! This one also comes with two sequels—one short second season and one movie—that continue from the original story. They are less essential but still excellent.

I Cannot Reach You (Netflix)

gif by @my-rose-tinted-glasses

Next up, another high school tale, but with a totally different vibe. This show is kind of a revelation in its willingness to tell a story about overwhelming desire—including sexual desire—with young protagonists. It’s rooted in a classic but often misunderstood trope, friends to lovers, and takes the angst of it seriously, giving us a low stakes story that feels extremely high stakes to our leads. It’s also gorgeous and uses a classic Japanese visual style (bokeh) that you’ll be dying to learn more about.

His (Viki)

gif by @gabrielokun

Time for a break from high school, and we’ll sprinkle in a movie for some added flavor. His is a jbl film featuring a second chance romance between a stoic, introverted man who moves to a remote town to start over, and his ex-boyfriend who follows him there unexpectedly, adorable child in tow. Importantly, this movie does not take place in what we often refer to as the “bl bubble” where homophobia doesn’t exist; the leads’ experiences of being gay men in a homophobic society are hugely important to the plot and themes of the story. It’s a beautiful film and I’ve lost count of how many times I’ve watched it. @bengiyo would surely also like me to tell you that this film follows a brief prequel show called His: I Didn’t Mean to Fall in Love about the characters originally meeting in high school; I do not think it’s really necessary to watch it but completists can start there.

The Pornographer series (Gaga)

By now you should be ready to get into some classic Japanese fucked up psychosexual material, right? Right! The Pornographer series is told in five installments in this order:

The Novelist, a six episode miniseries

Mood Indigo, a six episode prequel series

Spring Life, a 15 minute short

Pornographer: Playback, a two hour film

Spring Life Continued, a 15 minute short

Confused by that distribution model? So say we all; sometimes Japan likes to make us work for it to make sure we really appreciate its many gifts to us. The story across these installments is about a very difficult to love protagonist, what makes him the way he is, and the also-unhinged-but-in-a-different-way man who finally gets through to him. It’s an extremely satisfying love story and one of the best character arcs I have ever seen, full stop. For this one, you’ll want to just pull the word problematic out of your pocket and store it in a drawer; nearly everything that happens in this story is problematic and that’s the point. Lean in! All of these installments except for the film are on Gaga, if you get that far hmu and I will supply you with the final puzzle piece.

Our Dining Table (Gaga)

You could probably use a break after those last two, so it’s time to shift over to a heart-tugging twofer: family trauma mixed with the cutest shit you’ve ever seen. ODT is an example of another classic type of Japanese show: the food drama (you will see the GOAT in this category at the end of this list). In Japanese culture, food is love, and the act of preparing food for your loved ones is a common path to romance. You’ll love this story about an isolated office worker who meets a pair of brothers, learns to cook as a way of connecting with them, and begins to heal from his own trauma as a result. The image above is a scan from the manga, which @troubled-mind curates to make extremely cool comparison sets like this one. Many jbls are faithful adaptations of yaoi manga source material, so it’s good to have a bit of familiarity with them.

Minato’s Laundromat (Gaga)

gif by @liyazaki

Japanese media loves to explore taboo, and often manages to do it in a way that is surprisingly light and chaste. This is an age gap romance between a teenager and his adult neighbor that explores internalized homophobia, emotional repression, and falling in love across seemingly impossible social chasms. It’s also a great example of old school yaoi seme-uke dynamics that still show up across the bl genre. Also, take my advice: end your journey with this one with the first season and just pretend season 2 doesn’t exist.

Eternal Yesterday (Viki)

gif by @wanderlust-in-my-soul

Remember what I said about weird? Time to do that again, but with a heaping dose of grief and pain on top. It’s not a spoiler to tell you this show involves a major character death; a major character death is, in fact, the root of the entire story. This is a magic realist tale of first love turned tragic, and it will hurt and heal you. It is one of my favorite dramas of all time.

Restart After Come Back Home (Gaga)

And now for a break for your poor exhausted brain. This film is basically the jbl version of a Hallmark original movie, about a city boy who goes back home to the country and falls in love with a total sweetheart while working together on a farm. Enjoy it, bestie, you’ve earned it!

Tokyo in April Is… (Gaga)

gif by @wanderlust-in-my-soul

You’ve probably noticed by now that emotional repression and failed communication are big themes in Japanese works. This second chance romance has plenty of both, and it’s a great example of a kind of muted emotional style that Japan does so well, where the surface of the story seems almost placid and calm even as deep emotion roils underneath. This one (and Eternal Yesterday above) are part of a special line up of jbls on Japanese channel MBS called Tonku (Drama) Shower. The shows air one after another in the same time slot on Fridays (in Japan, perhaps Thursdays for you depending on where you live) and you truly never know what you’re gonna get, but they’re all interesting. Warnings on this one for sexual assault and trauma.

The End of the World With You (Viki)

Time for sexy and weird again, but even more so! This has to be one of the most unique bls ever made; it goes to some truly divine and strange places, and it feels incredibly queer while doing it. Made by the same screenwriter/director of the Pornographer series with a lot of the same sensibilities, but in a more heightened apocalyptic setting. This one has existential angst, a road trip, a redemption tale, and a variety of interesting side characters in the mix.

What Did You Eat Yesterday? (Gaga)

gif by @my-rose-tinted-glasses

Congratulations, you’ve reached the end of the list and your reward is watching one of the best bls of all time, and a perfect slice of life food drama to boot. WDYEY now has two seasons (along with a couple specials and a movie that fall in between) because the universe clearly loves us. You can now get it on Gaga for easy access but I’m partial to the versions over at @kinounaniresource for better subs. Wherever you watch, settle in to get cozy with Shiro and Kenji and make sure to always eat before you hit play.

#shan recommends #cherry magic #old fashion cupcake #utsukushii kare #eternal yesterday #our dining table #minato’s laundromat #what did you eat yesterday?#tokyo in april is...#his the movie #the pornographer #japanese bl #jbl starter pack

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hanihaato · 3 months

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a/n: jealousy themes, yandere sunday x reader, mentions of abduction, incapacitation, drabble

Your artistic silence is broken with a snap of fingers and a question.

“Now, who is that man?”

Before the vision disappears, you have a split second to admire your efforts. Your skills have improved over the last three hours where Sunday had left your dreamscape to attend to some urgent and questionable matters.

This time, you have delved into the concept of imaginary creations that followed your newfound belief that even in this kind of twisted dream, deliberately manipulated by Sunday, you could still treat it like… a dream.

Do wonders. Keep yourself occupied to take care of your sanity.

The man you’ve created doesn’t have a name as you don’t recognize him. Maybe he was your own creation, or maybe he was one of the countless tourists at Reverie Hotel whose face you’ve been fortunate to remember. He would have made for a much more entertaining company than Sunday is, especially as he presses his lips into a thin line and looks disappointed in you.

“A secret boyfriend. We were planning to elope tonight, before you…” The story cuts short, as Sunday closes his eyes and sighs heavily, as if dealing with a troublesome kid. You take the warning and end your joke here, but because you know you have the privilege to as his beloved, you pout at him. “Alright. I was bored. Happy now? I thought you said I can do whatever I want here. Well, you keep calling it my dreamscape, after all.”

Sunday sits you down on a sofa that materializes within a blink of an eye. It’s another reminder you’re not in Penacony; there, nothing like that could happen, as it’s a dream with rules you are bound to obey. But at least there, you could understand its mechanism as it was created to mimic the real world.

‘Your’ dreamscape was solely ruled by Sunday’s whims.

You fall on a stack of heavenly puffy cushions, with his arm draped around your waist.

“Dearest. It’s our dream. This fantasy wouldn’t exist without any of us,” Sunday promptly corrects you and smiles gently at your irate gaze. “Believe me, I wholeheartedly would love to give you a fair share of power over this place, but it would be a bit dangerous to someone not practised in lucid dreaming.”

If you didn’t exceed his tolerance for defiance for today, you would have hit him with one of the pillows. Instead, you sink yourself deeper into them.

“Alright, then… What do I have to do to be classified as experienced? As far as I am aware, spending a whole three months in a dream should have made me an expert.”

“That’s a lovely conclusion. But does spending time in a library make you able to get a degree in every subject that’s written in the books?”

The question silences you. The break is long enough for Sunday to design your surroundings: a coffee table that matches the times, a porcelain tea set with golden details and some infusion with fascinating taste. They go with a tray of cookies and little sandwiches, as well as a bowl of fruits and nuts that would taste better if they were real.

However, you have to do with what you have on your hands.

You bite into a biscuit. “Then, what should I do? To be adept enough, that is.”

“There are many other requirements…” He falls into a reverie, and just as you think he closes the topic—you’ve been willing to give it up at this point, solely for the quiet to continue—Sunday speaks again. “If you can wake up on your own or overwrite any of the aspects of this dream, for example, gravity, I will consider giving you a little more power here.”

So, he’s asking you for the impossible.

“…I won’t be wiping myself out only for you to ‘consider’.”

Sunday takes a sip of tea. The porcelain can’t hide a tenderish smile, but the unexplainable gleam in his eyes is exposed.

“There is always a shortcut.”

“That doesn’t, um, doom me for eternity?”

“Yes. If I have a say in this, it’s a very delightful one.” And after the next sentence, you know why he’s so engaged in this discussion. “Marrying me.”

…

Sighing, you cross your arms and shake off Sunday’s arm from your shoulder. “I thought you hated liars.”

“Which part of what I said do you consider a lie?”

You ignore him and get up from the sofa, heading towards the big door. Sunday might have changed the look of the place, but the layout always remains the same. Behind that door, you will find a short hall that leads to several other rooms that don’t have Sunday in them and so are preferred.

“I don’t want to talk (to you) anymore, sorry,” you mutter out the apology just to defend yourself if Sunday was going to accuse you of being rude. “I am going to daydream—dreamdream?—about, I guess, men, if I can’t have anyone here. Goodbye.”

You reach for the pair of doors and find them uncharacteristically too heavy. You try to open the door, but just then a big silver chain crosses over their handles, a small lock appears, but you don’t have time to notice the details as you find yourself staring into a plain wall.

“Now, no need to rush,” Sunday purrs, and you turn around to see your beloved doors behind his back. “Would you like to play a round or two with me? I think we could have a wonderful conversation about how to pry the imaginary door locks and who are the people you’ve been thinking about so much.” He smiles. “All with names and examples. There shouldn’t be any secrets between us, isn’t that so?”

#i think i write scenarios better than headcanons hmm #honkai star rail #hsr #sunday #sunday hsr #sunday x reader #yandere sunday #yandere sunday x reader #hsr x reader #honkai star rail x reader #the act

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arkhammaid · 3 months

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— ˚₊‧⁺˖THE LIGHTNING ON TRACK | THE GRID'S REACTION

fandom. formula one & mcu

about. the grid reacts to the news!

content warnings. some drivers are acting like assholes, some cursewords, 23!grid

notes. have another reaction chapter hehe

daniel ricciardo Guys

Guys wake up

IT'S IMPORTANT

lando norris ???

daniel it's 5am, why are you spamming rn

carlos sainz It's summer break, why can't you all shut up for once

daniel ricciardo Did no one see the news? Stark is coming to F1

carlos sainz To a race?

daniel ricciardo No you shithead, he's making a team

charles leclerc !!!!

lando norris at this point you'll never win monaco (because once stark joins, there no longer will BE monaco) charles leclerc Fuck you, nowins

daniel ricciardo This is serious... Tony fucking Stark wants to create an F1 team for the next season. @/max verstappen your winning streak will be over

charles leclerc Next season??? I thought for 26?

lewis hamilton Of course he would do that

charles leclerc Lewis, explain?? daniel ricciardo Yeah Lewis, please explain?

lewis hamilton Did any of you ever meet Tony? He will probably see the next season as test for the 2026 season. To train his mechanics and engineers and go all out. I bet many are saying it's a waste of money

carlos sainz It is a waste of money.

daniel ricciardo Yeah, they do. Reactions vary but 'experts' are saying that Tony is just wasting his time and should properly prepare for 26

lewis hamilton Knowing him, he already has a fully built car for 2026 and it's a beast.

fernando alonso Only the best for his daughter!

charles leclerc What. lando norris wdym his daughter??

george russell Why are you all awake at this bloody hour?

kevin magnussen Read the room. Everyone is in schock.

sergio perez Stupid. She will fail like every woman in motorsport with a rich father. Too dramatic.

lando norris i'm still confused???

oscar piastri Tony Stark has three children. Harley Keener-Stark, Y/n L/n-Stark, Peter Parker-Stark. Y/n is his only biological child and currently racing in Formula 3. She won Formula 4 last year.

charles leclerc I thought he only had sons?? When did Y/n appear? oscar piastri She 'appeared' the first time in January this year as Tony's daughter, no one knew before. lando norris how did you know? oscar piastri Google exists.

carlos sainz So daddy's money... great.

max verstappen I swear to god I will leave this chat the next time you all decide to fucking gossip at 6am like old women

daniel ricciardo It's important news!

max verstappen No it's not. Stark will be in F1 for a few years maximum and then leave again. It will pass

daniel ricciardo @/lewis hamilton you here? Don't you have anything else to add??

Fine, I'll guess I just ask the rest of the grid, you fucking bore.

daniel ricciardo @/everyone wakey wakey, it's time to wake up and talk!

mick schumacher Daniel? What's up?

george russell Ignore him. He has been annoying us because Tony Stark is coming to F1 and no one really cares. charles leclerc Lies and slander! I care!! lando norris yeah! me as well, idk what you're yapping abt

carlos sainz It's bullshit.

arthur leclerc Why do I have a bad feeling about Monaco...

ollie bearman THAT'S WHAT I'VE BEEN THINKING bianca bustamante It will be something for sure

lance stroll Well, I'm just happy to see another friendly face at the paddock :)

carlos sainz Of course you know Stark.

lance stroll You're just jealous esteban ocon As am I??? I'm your best friend AND MY BEST FRIEND HAS THE POTENTIAL OF KNOWING SPIDER-MAN???? AND YOU DIDN'T TELL ME???????

daniel ricciardo I want everyone who knows anything related to Stark to immediately share with us because Lewis is ignoring me and I need to know. The only info we have right now, is that Stark will make a F1 team and that's it. I refuse to believe that's it. So, @/mick schumacher @/lance stroll spill the beans.

mick schumacher He didn't say anything last time I saw him, so I can't help you much.

lance stroll I know nothing, ask my dad.

daniel ricciardo I don't believe you.

pato o'ward If they say they don't know anything, then they don't? I don't know what's the problem, just wait for the next press release

max verstappen Do you even know Daniel. He's unable to wait for gossip. And he classifies this as gossip

daniel ricciardo Gee, thanks, feeling the love here

nico hülkenberg I wake up to 100+ notifications, why are you all like this?

kevin magnussen They're all idiots.

kevin magnussen @/tony stark could you please speed up with the press release? Daniel is setting all grid chats on fire and it's not funny anymore.

y/n stark ha, weak ass bitch kevin magnussen Watch your mouth missy

tony stark Should I tag Seb in a Tweet to announce it?

peter stark do it y/n stark do it harley stark do it

pepper potts-stark Don't do it. We will proceed with the plan. No matter how annoying the people in your private life are.

kevin magnussen Yes, ma'am, sorry for asking.

sebastian vettel I deserve more than a Tweet at 10am.

y/n stark speak your truth king peter stark sorry for suggesting otherwise (@/yn stark stop being such an attention seeker, we all know seb loves charles the most) y/n stark but charles is not here rn is he?

daniel ricciardo @/kevin magnussen EXPLAIN YOURSELF?!

carlos sainz What is going on now...

charles leclerc KMAG FOR STARK???? I didn't put this on my bingo card, now I lost 100 bucks. Fuck you Kevin

arthur leclerc Pay up bitch

oscar piastri Well done, man

nico hülkenberg And so he leaves he burning, ever sinking ship... the true hero- sorry, I meant coward

daniel ricciardo @/kevin magnussen I KNOW YOU'RE ONLINE YOU COWARD, COME HERE

I just want to talk to you

kevin magnussen No.

*kevin magnussen has left the chat*

fernando alonso There is your answer

several people are typing...

taglist. @lilypadlover , @adorablezhui , @peqch-pie , @keyz-writes , @obsidianjewel, @themercyverse , @lem-hhn , @akiraquote , @kiiyoooo , @nichmeddar , @nothingfuninthislife , @minkyungseokie , @fionaschicken , @lyrasconstellation , @spideybv28 , @keii134 , @starssfall , @tpwkstiles, @fangirl-dot-com , @nichmeddar , @lady-laura-speaks , @nikfigueiredo , @hinamesgigantica , @brakingboundaries , @almostjollypizza , @yoremins , @raizelchrysanderoctavius , @celesteblack08 , @watermelon-sugars-things , @lighttsoutlewis , @radiantdanvers , @vellicora, @sterredem , @hiireadstuff , @jolixtreesunn , @mypage-myfandoms , @nelly187 @greeneyesandsunshine , @fulla02 , @welovediaaxx , @whyamireadingthis , @67-angelofthelordme-67 , @blueberry64857959 , @winchesterwife27 , @six-call , @skywalker1dream , @mellowarcadefun , @cherry-piee , @peterholland04 , @motorsportloverf1 , @renarots , @msbyjackal , @woozarts , @leclucklerc , @yl90

crossed off tags mean i can't tag you!

DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!

ARKHAM MAID 2024

#f1 x reader #f1 fanfic #f1 smau #f1 social media au #f1 scenario #f1 x female reader #f1 female driver #fem!driver #female driver #kevin magnussen x reader #tony stark x reader #peter parker x reader #harley keener x reader #sebastian vettel x reader #f1 imagine #— ˚₊‧⁺˖ creations #— ˚₊‧⁺˖ lightning on track

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cowboys-tshot · 3 months

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EDIT: DO NOT TAKE MY WORD AS THE 100% TRUTH!!

I took some classes and wrote a paper about ancient Greek culture, but I am in NO WAY an expert. Please read through the reblogs to see some good criticisms and discussion about this topic further. My point overall stands that you can't apply modern rules and standards to ancient stories, but my evidence is undoubtedly flawed!

I'm seeing everyone pointing out the possible issues with Epic the Musical's deviation from the original story of Circe and Odysseus, and as someone who's studied Ancient Greece/ancient Greek myths a bit, I wanted to say some stuff about it. This will be a bit of a long one, so apologies for my rambling!

Note that I'm not trying to shit on SA survivor's perspectives and (completely valid) arguments. I'm just trying to offer some context surrounding the original myth and how it fits (or rather, doesn't fit) with a modern audience. If I'm wrong with any of this, feel free to call me out! Criticize the shit out of me! I like learning about Greek culture and myths and would 100% love to hear other perspectives on this.

So, a few points about Ancient Greek myths to kind of explain the context around Circe and Odysseus:

Greek myths generally did not have good views/depictions of women. Women were almost always depicted as conniving, selfish, sexually insatiable creatures. To largely summarize the process within actual Greek society, women had three/four stages in their life: child, dangerous/wild virgin (after first menstruation), married woman (whose wildness was tamed by her husband), and then a "real" woman (a mother). There are a few deviations from the "evil" trope, the most prominent of which being Penelope herself—she's basically the ideal Greek wife, staying loyal to her husband for 20 years and all that.

Adultery only applied to women. Husbands cheating on their wives wasn't merely tolerated, but expected. Marital sex wasn't seen as enjoyable, rather something that had to be done for the sake of reproduction and continuing the bloodline/securing inheritance. Men cheated on their wives with various kinds of prostitutes, concubines, mistresses, etc, but sleeping with unmarried women (that weren't specifically prostitutes) or married women was looked down upon. Women didn't have this same standard. They could only sleep with their husbands, hell, their husbands were pretty much the only men they could even interact with (excluding family, obviously).

The original myth has Hermes very plainly lay out how Odysseus' confrontation with Circe will go: Odysseus will eat the moly, draw his sword at her, she'll proposition him, and Hermes directly tells Odysseus to accept. Basically a "sleep with her if you want your men to live" situation. (See this post for more specifics on this).

So, let's apply this to Epic: The Musical. Here's some reasons I think may explain the Circe myth being changed:

The Greek "women being evil" stereotype is... problematic. While I 100% understand that it's important to acknowledge male victims of SA, I don't think the original myth was focusing on Odysseus being a victim—I saw it more of an emphasis on Circe being a sexually selfish woman, as all Greek women were believed to be. Changing Circe to be less conniving and evil deviates from the concerning Greek stereotype.

The SA in the myth is not actually very clearly SA. Yes, with a modern perspective, it absolutely is sexual coercion, but for Greeks, not so much. It made sense to them that sex could be transactional. It's already been established that Epic, while still generally accurate to the original myth, does change things relating to morality/themes in order to better align with modern Western ideas (i.e. OG Odysseus not being as remorseful and merciful, as that was expected of a Greek hero, but Epic Odysseus having more empathy because that's more modernly heroic). If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

In the case that the original Circe myth wasn't SA (I'm not saying one is more right than the other, I'm just covering all the bases), then it wouldn't even constitute as cheating. Like I described earlier, it was perfectly acceptable and expected for men to sleep with women that weren't their wives. Plus, being a goddess, she's already kinda exempt from being blamed if Odysseus slept with her—only women are ever really blamed for sleeping with (or being SAed by) gods, and even then, their husbands sometimes don't even give a shit. But modernly, we would not see it that way. To us, it's not societally acceptable for a married man to sleep with another woman (without his wife's consent, at least). While Ancient Greeks viewed Odysseus as a good (or at least okay) husband, a modern audience wouldn't. Making Odysseus loyal to Penelope and not sleeping with other women (assuming this wasn't SA, but again that's one interpretation) makes him the good, loyal, empathic, modernly heroic man that Epic is clearly aiming for. Repeating my last point: If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

Applying modern perspectives on Ancient Greek society and mythology isn't worth it. Like, we all joke about Ancient Greece being super gay, but they didn't actually like gay men. Homosexuality was literally only acceptable when it was between a young man and a prepubescent boy (it was called pederasty if you want to know more) or between women (they only considered penetrative sex to be 'real' sex so they didn't really care what women did with other women). Y'know the Hades and Persephone story? Like, the original one with the kidnapping? Yeah, that was normal. The myth of Demeter and Persephone is tragic, yes, but it was so normal that wedding ceremonies often included references/recreations of it! Girls got married off ASAP after their first menstruation to men of at least 30 years old. We don't tolerate that shit today (for the most part, at least)! But it was normal in Ancient Greece. Applying modern rules and standards to ancient culture just does not work.

Anyways, I'll shut up now! I'm gonna go keep listening to The Circe Saga lmao

#can you tell im a history major #seriously tho im not trying to shit on the opinions of SA survivors talking about this #the greeks were just kinda fucked up #greek mythology #epic the musical #odysseus #the odyssey #circe #circe saga #the circe saga #hermes #epic the circe saga #ancient greece #history

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seiwas · 6 months

Text

₊˚⊹。look my way, you’re what i crave | gojo satoru

wc: 2.6k

summary: you and gojo made a promise to yuuji.

contains: f!reader in mind but no pronouns used, food trip/taste-testing, many food descriptions, a little bit of (playful) jealousy, pouty gojo, yuuji calls reader sensei, established relationship (but no label).

a/n: a small extra scene that takes place some time between col 2.5 and col 3! not a food expert nor am i japanese, so food descriptions are just based off first-hand experience and some research i’ve managed to do! there are some switches in povs (gojo-reader-gojo) but i tried to keep it as distinct as possible! this is also my birthday gift for you, niku @stellamancer!! thank you for sharing this idea with me and for loving the col couple as much as i do!!

collection masterlist: conversations on love 2.5. and my body keeps saying (it's yours) <- you are here -> 03. so this is what it means to be in love + (extended scene) too good to be mine

‘Losing’ isn’t a word in Gojo’s vocabulary.

If it is, it’s usually addressed to the other party.

He’s been a winner ever since he was born, two blue eyes and an extra four hidden, holding power that manifests itself only once every few centuries. Some argue that he was born for that reason: to win, without doubt, incontestably.

And he supposes, most of it is true—which is why he can’t believe the loss he’s feeling right now, standing in front of the Daifuku stall across from you.

Never in his entire life did Gojo ever anticipate himself losing to anything. But with the way you’d casually nodded off, signaled so nonchalantly that you’d follow him but clearly didn’t—it has his head turning, finding you midbite a singular, shared stick of Yakitori.

He thinks he might have just experienced his first loss.

And the victor is none other than Itadori Yuuji.

You made a promise to Yuuji.

Back when he was still up for execution by virtue of being Sukuna’s vessel, you’d laid your confidence in Gojo.

“Sensei, do you really think it’s possible?” he asks, voice hesitant but eyes tinged with hope. You were discussing the ways his execution could go down—if it even will go down.

Shoko’s always pointed out that the most dangerous thing about you is hope, and how you hold onto it so deeply that you pass it onto others like a disease, spreading it to seep into skin and bones.

Gojo calls it your hidden technique, the trump card you pull out when everyone’s knocked down, spirits low. It’s what sets you apart, he thinks, how you’re able to survive in a world that serves as an antithesis to the values you hold.

“If Satoru said to leave it up to him, he’ll find a way,” you answer immediately, like you’ve known it all this time, experienced it first-hand—a memory. Then you add, an affirmation that sounds so close to fact, it reassures him, “he always does.”

“Let’s go to Osaka and eat all the street food when everything’s done.”

You made a promise to Yuuji, and here you are now, with Gojo, keeping it.

The streets of Osaka are bustling, crowded pretty much any time of the year—carts of all sorts of street food lined up with restaurants hidden in every corner. Neon banners and LED signs light up overhead, a twinkling food heaven reflected in Yuuji’s eyes.

It must be his first time here, you surmise, because he’s looking at every food stall like he’s ready to devour. You glance at Gojo, hands tucked in his pockets with his blindfold sitting snugly on his face. His presence is bright, blending in with the light, and he turns his head to you slightly, flashing you a small smile.

You tell yourself the warmth you feel is because of the heat radiating from all the vendors’ stoves.

“Sensei, what do you want to try first?” Yuuji interrupts your train of thought, but you’re sure he doesn’t mean to. He’s just excited, and his energy has always been infectious, spreading to both Gojo and you.

Gojo isn’t too big a fan of savory things, so you know you’re going to end up having to choose. You take a look around you to survey each stall, before turning back to Yuuji with a plan on how exactly you’re going to eat and conquer.

Gojo watches—the way you zig-zag across the street, following Yuuji as he walks up to each vendor. It’s both amusing and endearing seeing you being just as, if not more, enthralled at all the savory options in front of you.

Between the two of you, he’s always had the sweet tooth, so it tickles something in him that even when you don’t, your food-tasting game plan still consists of alternating savory-sweet-savory food.

Yuuji’s first pick is of course, Okonomiyaki, an iconic must-have in Osaka. He orders one piece at first, but you insist on two, knowing that the boy is more than capable of finishing a single one on his own. On the frying sheet lie columns of the pancakes–a simple mixture of flour, eggs, and cabbage–fried and coated in flavors bursting of sweet, savory, and smoky. The lady vendor is generous with the toppings and sauce she pours over it, packing the two pancakes in separate plastic containers before handing one to you and the other to Yuuji.

You turn back to find Gojo a few steps behind you, so you beckon him closer.

“Let’s share,” you whisper, once he sidles up next to you. The plastic crinkles in your hand as you try to slice a piece, Yuuji’s muffled ‘whoah’ heard from the side.

You blow on the slice, lips shaped into a small ‘o’; he doesn’t want to stare, not with Yuuji right there and neither of you having made anything official yet—

—but this is really tempting him to kiss you.

He doesn’t know if you can tell—any hint of his desire concealed by his blindfold, but you shove the slice right to his lips. And while it isn’t graceful at all, with the sauce probably smeared all over his mouth, it’s a good distraction from how much he wants you instead of the food right now.

The texture of the Okonomiyaki hits right every time, the crunchy and creamy combination providing a great contrast that complements how sweet and savory it is. The bite you take after his has your expression mirroring Yuuji’s, and he takes out his phone to capture this memory.

“Gowo-shunsheh! Tek a shulfeh!” Yuuji shouts, mouth still full as he lifts his fingers up into a peace sign. You grin, ear-to-ear, evidence of your happy tummy; he wants to pinch your cheeks.

“Okay, copy!” he raises his phone up at an angle, fingers hovering over the volume button as he grips the edges, “ready! 1…2…3… say Okonomiyaki!”

Only Yuuji shouts it, and when Gojo reviews the photo, you’re halfway through a fallen smile—face contorting into disbelief that he said something that cringey, in typical, loud, Gojo fashion too.

“Hey!” he points out, zooming into your face in the photo, “Again! You’re not smiling!”

You shoot him a look.

“We can try it with a .5 this time, the kids love it these days.” he suggests, flipping the phone and gathering you and Yuuji closer.

He takes two photos: one with flash and one without, and the moment he counts down, you mumble right by his ear to please not say ‘Okonomiyaki’ when you have to smile—he chuckles.

And he says it again. Both times.

You expected no less, but at least you tried.

“You should be our human tripod next time,” you tell him, letting Yuuji go ahead.

The photos look good, with you tiptoeing as you balance a hand on Gojo’s shoulder, Yuuji at the back with his hands raised, holding the empty plastic that used to house his Okonomiyaki.

“Knew you were just using me,” he pouts, hand reaching behind to rest at your lower back.

It’s been the subtleties with him this trip, tonight especially.

“Yep,” you play along, smiling oh-so-sweetly, “I knew those freakishly long arms were good for something.”

Before he can retort with something cheesy, along the lines of: ‘to hold you’ or ‘to hug you in your sleep’, you move away, catching up to Yuuji.

Your pick, for Gojo, is Taiyaki. It’s not his favorite thing to eat, but it’s sweet, and is still a good, nostalgic dessert, you’d like to think. Batter is poured all over the fish molds before being filled with the red bean filling. Then, after a few minutes of waiting, it pops out perfectly, ready to be eaten by the three of you. You ask for two again, only because this time, you know Gojo can finish one whole.

But when his eyes land on the Taiyaki you’re biting from and he realizes very quickly that it isn’t his, he feels a pinch.

It's a good thing the crunchy outside and soft, full inside of the Taiyaki is enough to make him shrug off the feeling. For now.

As the food trip goes on, you end up in many more stalls—

—a Takoyaki one, where Yuuji’s ‘ooo’s’ and ‘aaa’s’ are heard every time the balls are flipped and formed. The cooking on it is perfect, the pieces of octopus sitting just right with enough bite as flavors of soy and Worcestershire come through in its glaze. Gojo only eats one from the set of six that you ordered, and he wishes he just waited, because now Yuuji is eating half of the last one you couldn't finish.

—a Kushikatsu one, deep fried beef and vegetables coated in crispy, crunchy breadcrumbs and dipped in Tonkatsu sauce. Yuuji ends up finishing three whole sticks, while you manage to eat one. It’s an animated conversation between the two of you that Gojo can’t seem to insert himself into. A part of him feels a little pathetic now, tailing you both like a dog, but he just wants a little bit more of your attention.

—a Soba shop (not so much a stall) that serves amazing Cold Soba he definitely isn’t missing out on. Yuuji is practically buzzing, excited for anything noodles; it’s the main reason you’d suggested Osaka in the first place. He ducks in the shop last, Yuuji first with you in the middle, and when you settle in your seat right beside him, he snickers endearingly. Gojo can see everything, you’re reminded of that everyday and in moments like this especially. Right now, it's the way you sigh as soon as you release the top button of your pants immediately.

You pout at him as you’re served an order each, the dipping sauce in small ceramic as the noodles lie in bamboo boxes. It’s refreshing and light, just the right balance of sweet and savory; the buckwheat noodles have a lovely bite to them, not at all mushy. When he glances at you, halfway through your bowl, he can tell that you’re already full.

But just as he offers to finish yours—

“Sensei, are you going to finish that?”

—there’s Yuuji.

You shake your head, pushing your bowl towards him; Gojo feels that pinch returning.

A few good minutes of walking find you on the way to another stall—

—a Yakitori one that Yuuji practically skips to, as if he didn’t just finish a bowl and a half of Cold Soba, three sticks of Kushikatsu, three and a half pieces of Takoyaki, a half of one Taiyaki, and a whole order of Okonomiyaki.

Gojo decides to sit this one out, eyeing the Daifuku stand across the street. He’s gone here plenty of times before, but never with you—and if there's anything he wants you to try out here, it's fresh, special mochi, all soft and delectable, delicate in the way its decorated.

He takes off his blindfold, ruffling his hair. With Yuuji having gone ahead, it’s just the two of you.

“I’m going to buy Daifuku, there’s a special one I want you to taste,” he whispers excitedly, wiggling his eyebrows.

The expression on your face is the last thing he was expecting.

Your eyes are dazed, half-lidded, almost like you’re sleepy, and you blink at him twice before you’re able to fully process what he just said. You could be having a food coma right now, just standing.

“Oh, okay,” you hum, nodding as you smile, dopey, “I’ll follow.”

He considers just waiting for a bit, because he wants you to go with him. But you insist and shoo him away, telling him that the Daifuku might run out by the time Yuuji reaches the front of the Yakitori line.

So he goes, and maybe it’s a little petty, and immature, and stupid-silly, but he hates how this entire food trip has felt like a battle for your attention between him and Yuuji.

Even though he’s probably the only one who feels it.

So it’s one-sided. Definitely.

And he’s losing. Terribly.

Each individual piece of Daifuku looks majestic, pink mochi with red bean filling, sliced in the middle to leave room for a whole syrup-glazed strawberry. He orders two boxes to bring back home and an extra two pieces, one for the two of you to share and the other for Yuuji.

Gojo’s mouth is watering and he really wants to take a bite already, but you aren’t anywhere near him. So when he turns around and spots you, mid-chew on the last few bites your stomach can take from that shared Yakitori stick—he feels that pinch again. Because throughout this trip, all you’d done was split savory food with Yuuji, and all he wanted was a bit more attention, sharing half-bites with you.

When you finally meet his eyes across the street, signature blue amidst bright reds and neon greens, he’s pouting, and he hopes he’s making it very obvious that he wants (needs) you to go to him.

Your eyes widen before crossing the street, Yuuji right on your heel.

“Whoah, Gojo Sensei! That looks good!” Yuuji’s voice booms, earning a few looks.

Gojo holds one Daifuku on each hand, the other two boxes tucked in a plastic bag hanging by his elbow.

“It’s their special one!” He smiles at Yuuji, handing it over.

You look at him curiously, head tilted to the side as you watch him closely—how his smile doesn’t really reach his eyes.

Once Yuuji moves out of earshot, his series of ‘mmm’s’ blending in with the bustle of market chatter, you face Gojo and open your mouth wide, “Aaaah,”

Gojo doesn’t move for the first few seconds, but you meet in the middle eventually, his hand inching towards feeding you while you move your head closer. He keeps his palm open under your chin, cupping it to serve as a catch tray for any filling that might spill out.

There’s something about the look of you, half-sleepy and asking to be fed, that makes him feel warm and fuzzy—like that pinching feeling earlier never existed. Like he’d gladly do this everyday if you asked for it.

The soft, plush exterior of the mochi touches your lips, and you bite, the filling oozing out just enough for you to get a good portion of it. Flavors of red bean and strawberry hit your palate, and the filling doesn’t leak, but the syrup coating the strawberry catches onto your nose when you move away.

At the tip of your nose is a shiny red spot, glistening under the busy lights. The expression on your face is pleased, content—your head doing that side-to-side sway whenever you like the taste of something.

“Mmm,” you smile at him, “it’s yummy.”

And he doesn’t know what it is, if it’s the look you’re giving him, or if it's something in the air tonight, but he feels warm and full and still very much like he wants to kiss you.

So he decides, damn all the passersby.

He does one quick scan around him, making sure that Yuuji, at the very least, is away from the immediate vicinity. And when it’s all clear, he leans in.

Gojo kisses you on the nose in the middle of a busy street food road, and his lips are soft, almost feather-light, swooping in quickly before anyone can notice. You’re stunned into silence, but the moment you come to, he’s already swiped the strawberry syrup off you.

His cheeks are starting to turn pink, the sides of his neck already as red as the signs on the food stalls. And he can tell you feel it too, with the way your sleepiness seems to have faded into what now looks like surprise.

Still cute though.

(Always will be, in his eyes).

So, ‘losing’ isn’t really a word in Gojo’s vocabulary.

But if it is, he thinks he’d gladly lose to you.

(Still not to Yuuji though. He maybe still has to keep an eye out for that one).

thank you notes: to niku for being there always!! from answering my questions, brainstorming together, and just all-around everything!! col wouldn't be what it is now without you!! i love u, i hope i gave your love for food justice, niku!

comments, tags, and reblogs are greatly appreciated ♡

1K notes · View notes

sixosix · 5 months

Text

ALL EYES ON YOU, MY MAGICIAN | LYNEY

please note that lyney and mc are 20+ in this series !! genshin hasn’t explicitly stated lyney’s age but there are a couple scenes where lyney talks about drinking— and i’m stating this now because lyney and mc drink alcohol for this chapter.

warnings drinking, kissing (kinda), hopeless pining, dialogue heavy orz, wc 3.8k

previous chapter | masterlist | next chapter

You and Aether once again find yourselves in an inconspicuous meeting spot, which was just a shadowy corner of Cafe Lutece, your exchanges veiled by the guise of three friends casually eating dinner. Paimon is, of course, stuffing her mouth with the array of desserts; Aether is sipping on a drink she ordered for him, brows furrowed in deep thought, and you’re still wondering why Lyney lied to your face.

After your spar with Lyney, you realized a few things. 1) He knows more than he lets on. 2) He knows that you’re onto him. 3) He could have easily called you out on it, but he didn’t. What was his goal here? Is he playing along?

Or is he hiding something bigger than what you’re trying to go after? Magicians tend to play little tricks to hide a grander one.

Aether hums thoughtfully. “Do you believe him?”

“Definitely not,” you reply swiftly—bitterly, too, because you don’t know what you’re looking for. “I feel like I’m walking straight into a trap.”

You’re a hypocrite, but you’re essentially doing this for them, so you’re better than a hypocrite, at least.

Aether frowns, contemplating. Paimon speaks up on his behalf, fork in hand, “That's strange. Paimon thought you were close! With what it looked like when we found you talking to him.”

“Why?” you demand. It was Lyney who was getting close—literally. “What does it look like to you? I mean, to me, it's as if saying the wrong thing would prompt him to kill me himself. If he wanted to."

Aether suggests, "You should check your eyes."

You huff, stubbornly taking a huge sip of your Fonta. These things taste great. Their sweetness always left you craving it even when you don’t like drinking. Paimon, because she’s an expert, sensed your newly acquired favorite and insisted that Aether buy you one.

“I feel kind of bad now. It seems that my blackmail is just getting in the way of your drama with Lyney,” Aether admits.

“We don't have drama,” you dismiss, which is instinctual by this point, “We just hated each other. He used to get on my nerves a lot—and turns out he doesn’t plan on stopping.”

Under the muted glow of the street lamps, your words trail off. Your gaze lingers on your palms. It is not obvious—you’d have to look closely, but there were scars on your palms. Most of them were from tending to plants and sharp tools, while the others were marks of burns. You wonder how Lyney noticed.

Aether calls for your name. You’re dragged back to reality when Paimon waves her tiny hands in front of your face.

“Right, sorry,” you laugh humorlessly, turning your hands back around. “Um, what should we do about Lord Tartaglia?"

Aether and Paimon share a confused glance. “Childe? What's up with Childe?”

“I told them that I'm under his faction as a cover.”

“Oh, that's no problem,” Aether assures, snorting dismissively. “Childe still owes me a lot—I'll tell him to keep his mouth shut.”

You glance around the area. There were only a few customers. A Melusine kicks her feet by the entrance as she digs in on her cake, a young man whose face is buried in his palms, and a little girl and her mother share a plate of Conch Madeleine. How sweet.

“Will that work?” you whisper, “I am trying to extract Fatui information. People usually get killed over this.”

Aether, with a sly grin, says, “Again, Childe owes me a lot. My magic word is Teucer.”

Feeling a little hopeful, you decide to look on the brighter side of things. A Harbinger and an Outlander by your side against Lyney and The Knave sounds more promising than years' worth of memorizing Fontaine Flowers’ textbook definitions and a rusty polearm.

“Is there anything you want to find out in particular?” you ask.

"Anything about my sister, really,” Aether says dejectedly. “I've traveled from Mondstadt to Fontaine, and only one Archon gave me a sliver of info. If you find anything, that’s all I ask for.”

Getting blackmailed by such an earnest brother is possibly the most troublesome way of getting blackmailed. Seeing such a longing expression on his face— archons, these idiot brothers caring too much and using it against your family-oriented soft spot.

“And you’ll leave Rosalie alone, right?”

“That’s our deal,” Aether says. “Though, I think Rosalie loves Paimon. You wouldn’t be able to get rid of us that easily.”

You separate ways after Paimon finishes her food. She politely and sweetly asks you to question Rosalie when she will make her next batch of dinner so they can come over. You tell her sure, but you hope not because Paimon, as cute as she is, would end up spilling a secret or two when her stomach is happy and satisfied.

Rosalie is probably waiting for you to get home. You hurry your steps.

Before you can reach the door, a tall, hooded figure swings it open and shoulders past you, not allowing you even a glimpse of the stranger’s face. When you turn, the figure has stopped and looked at you over their shoulder. You can't tell if you've made eye contact; the shadows dancing on their face make it too dark to discern their features.

Feeling uncomfortable, you turn back and shoulder the door open. You feel uneasy knowing that they had been inside Rosalie’s shop. Rosalie has a lot of lovesick admirers, ones that you didn’t hesitate presenting lousy customer service to to scare them away.

Rosalie is humming happily as you enter, moving pots of plants around to display by the window. She brightens when you wave at her. “Y/N! Just in time—would you mind helping me replace these with the newer batch?”

She doesn’t seem to be creeped out.

You can’t help but ask, “Was that a customer earlier?”

“Mhm,” Rosalie says absentmindedly, fixing the pot in a perfect angle that would show the blooming flowers to the streets. “Bought one of our imports from Snezhnaya—you know the ones that would have died in the next two weeks or so? Our rain is no match for Snezhnaya’s snow, but they were beautiful petals. I’m glad they could be of use, somehow.”

You hum, heaving up a heavy pot of Calla Lilies onto a vacant space. “They were.”

“I didn’t make her pay because I felt terrible knowing it wouldn’t last long, but she insisted!” Rosalie wipes sweat off her brow.

You gesture at the little Lumidouce Bell by the counter, growing taller by the day. “Are we not going to display that, too?”

“We’re displaying it there—it is not for sale,” Rosalie says. “We can’t let them think I’m selling it.”

“It’s just a flower.”

Rosalie wipes off the dirt from her fingers on her apron and pokes at your nose with her pinky. “Yes, but it’s your flower.”

You feel your face warm, flattered, and endlessly endeared. “Right.”

Rosalie smiles knowingly, rising from her knees. “Before I forget—check behind the counter, will you? A package of yours arrived today.”

“A package?” You don’t remember ordering anything. You don’t think you’ve ordered anything at all your entire life.

Everything you owned was either hand-me-downs (courtesy of the House’s previous members and now Rosalie’s collection of dresses) or little things here and there with the money you earned from working in the flower shop. They were all bought and chosen, with Rosalie doing so on your behalf, with your unwillingness to step outside when unnecessary.

“It’s tall,” Rosalie says conspiratorially, “twice the size of a guitar case! Are you practicing the double bass in secret?”

“No…?” You walk behind the counter and find the package beside the door. Rosalie wasn’t exaggerating—it’s taller than you. “Does it say who’s it from?”

“I tried looking, but it only has a cute little cat drawn on it,” Rosalie says, walking past you in a flurry of ruffled skirts.

You frown at it. A cat? You inspect the bottom of the package; sure enough, it has a little cat drawn on it, winking up at you. What the hell?

“The cat is wearing a top hat, did you see?” Rosalie asks loudly to overpower the running water.

Nevermind. You know exactly who sent you this package. The double bass in question is a spear, hence its height. It’s here already? Lyney sure works fast. To think that you never escaped the ever-generous donations of the House—even now, when you aren’t an orphan there.

You sigh. You just told him you didn’t want to owe anything.

Still, you tear open the carton. It rips in a clean line, unraveling itself. You gasp at the sight of the most beautiful spear you’ve ever laid your eyes on. It’s far from elegant, the tip resembling the sharpened spine of a dragon, as if a hunter’s trophy. The shaft, fading from blood red to black on its tip as scales, feels sleek to the touch when you run your fingers through it.

A piece of paper is taped onto it, folded in half, and has the words READ ME printed in bold ink. You cast a glance at Rosalie, who’s still out of sight, then swiftly read the contents of the letter.

Come with me to the banquet tomorrow morning, with an address attached.

Your first thought is to rip it to shreds. Your second one—which happens to be the louder one—is curious about the event. Why invite you? Is this a trap? Did he want to show you something?

A banquet… You catch a reflection of yourself on the shop’s window, seeing a muddy apron, a loose blouse, and pants that most probably belonged to a man before you got your hands on it. A banquet invitation by the famous Great Magician Lyney is like a challenge to your wealth and fame, but Lyney’s not like that. Curiosity ends up winning.

“Rosalie?” you call out.

She emerges from the door. Her dress, even for gardening—unlike yours—is gorgeous and grand and definitely meant for banquets. She unties her apron. “Yes, darling?”

And that’s how you ended up getting all dolled up. Having learned your lesson from last time, you asked Rosalie to loosen your corset. This gown is larger than your previous one, fluffing around your waist and pooling by your feet in a graceful heap of velvet fabric.

You can’t help but notice the wine-red shade of Rosalie’s lips matched the skirt of the gown.

“Can I borrow the lip color you use?” you ask quietly, feeling like you’re already asking too much from her.

You cast your gaze to the floor, too nervous to behold Rosalie’s expression. You didn’t get to see how she smiles fondly or how her eyes crinkle as you fidget on your feet. When she returns from fetching her box of cosmetics, she holds your chin and grins.

“Thanks, maman,” you try to say, with your mouth wide open and all as she paints your lips.

The brush pauses. Rosalie’s face softens. “Of course, Mon bébé. Always.”

As you enter the main hall, a man in a suit greets you with a tray of glasses in hand. He waits patiently and doesn’t leave until you reluctantly take one with a muttered thanks.

Where is Lyney?

You scan the place. The chandelier twinkles with diamonds, raining on everyone’s heads with a colorful reflection that illuminated their jewelry. Although Rosalie’s gowns were far more expensive than anything you’ve ever worn, it almost seems like it’s nothing compared to the over-the-top dresses and suits excuse of a wealth showcase.

They’re all talking and laughing with each other, sipping idly on their half-empty champagne. Feeling out of place, you tip the glass back and swallow quietly.

Its acidity makes you wince, but the taste bursts with a rich flavor. The last time you consumed anything alcoholic, it was your 18th birthday, and Rosalie slid over a glass of wine. The day ended in you throwing up on the sidewalk, but the memory is sweet. It has you going for one more sip.

The banquet-goers pay you no mind as you walk further inside. They chatter, eat, and tip their heads back to drink, but they don’t spare you even a glance. Perhaps they can smell the money off of you—which was none.

Meow, you hear by your feet.

“Oh!” you say, pleasantly surprised. You bend down to offer your hand out. “Hello, kitty. That’s a dashing hat you have there.”

The cat purrs and rubs itself on the back of your palm. Its dark fur is soft, a telltale sign of a well-groomed cat.

“Are you here with someone?” you ask politely, expecting no response, but the cat starts moving its paws and saunters off with a destination.

With nothing else to do, you obediently follow.

The cat strolls off. It brushes past leather shoes and ruffles and layers of skirts. It walks like it knows exactly where it’s going in the grand room. Maybe the little guy actually does. Its hat bounces as it trots, which reminds you of a particular lilac-eyed individual.

But you stopped following, eventually, because your eyes caught on— speak of the devil.

Lyney grins as cards fly across from one hand to another in a smooth movement. There aren't any stage props or spotlights flashing down on him, yet everyone watches with rapt gazes. That's always been his real talent: a magnet for attention by simply waving his hands. By batting his eyes, he's got everyone enamored.

For all his talk about keeping a fair distance with his admirers, you can’t blame any of them for believing Lyney’s comfort in their presence, his ease in the way they crowd him. He’s a splendid actor.

For some reason, this brings out an unpleasant feeling in your chest. It makes you want to reach out and show them what he’s truly like without a mask—but that doesn’t sound right to you, either. They don’t have to know what Lyney’s like when he wraps his arms around your personal space.

Maybe the alcohol is getting to you.

Before you can turn away, fingers clasp around your forearm and pull you against a body.

Lyney’s smiling wide, a jarring contrast to the fake one seconds ago. “You’re here!”

You get flustered, aware of his audience directing their attention to both of you. “I told you I didn’t like owing anyone anything.”

Lyney laughs melodically, kissing the back of your palm. Is he aware of all these eyes? He has to be—that’s his life’s work. Perhaps he doesn’t care. Perhaps he wants to show off as much as you do.

The air was thick the moment you entered the banquet, scents of all perfumes and roasted meats clashing and clinging to your nose, but suddenly it felt a lot more charged. Like you could faintly register the hair on your arms standing up in attention as you hold Lyney’s gaze.

“Forgive me; I missed you and had to come up with an excuse, somehow,” he says, winking up at you.

“We just saw each other two days ago,” you say.

When the tray of wine passes by once more, you eagerly draw out another glass. The faint buzz in the back of your head is not strong enough to drown out your stupid thoughts about Lyney, of all people.

The man of the hour—Lyney, because he always is—does the same. He murmurs, “You look breathtaking.”

“You should’ve warned me that the banquet would be ten times fancier than what I had in mind,” you say in return.

“And yet, even unprepared, no soul can take their eyes off you.”

You hope Lyney’s just saying that as a compliment, and it’s not what’s actually happening. You crane your neck and notice a whispering crowd as they stare at you. It wasn’t the whole truth. Even when pressed against Lyney, all eyes are on him. You face Lyney, suddenly conscious.

He doesn’t take his eyes off you, even once when his fingers reached out to fish out a champagne flute. Lyney still has that stupid smile on his face, the rim of his glass against his lips. You’re hit with the startling realization that you want to kiss him.

Fuck, what?

Your face burns, breath hitching in a way that has you choking on your drink. What the hell are you thinking? Are you out of your mind?

“I need another drink,” you say after downing your current one in half.

Lyney frowns, patting your back. His warmth sends a pleasant shiver down your spine. “I think what you need is water. How many glasses have you had already?”

You don’t want to be sober when you’re faced with Lyney. You don’t want to be sober when Lyney’s so close. “Not enough,” you say, because you don’t want to be sober right now.

The rest of the signs of intoxication start to settle as the laughter that rings somewhere from afar softens into an echo. The warm lights that showered the room seemed to glow when they rested on Lyney’s face. Though, you can’t quite tell if it’s intoxication or if it’s Lyney’s magic.

“What’s this banquet for?”

Lyney hums, taking one long sip. His lips press against the glass. “We’re celebrating father’s return.”

You think of The Knave instead, tall and intimidating when you stand across her, and wince. “She’s back?”

“Mhm,” Lyney says, his eyes tracing over your face, “has been for a while now, but the orphans decided to throw a little something for her. Can’t you tell? Half of the people in this room are Fatui.”

Oh.

You couldn’t tell, but you should’ve known. The Orphans were raised and trained to be masters of deception, blending seamlessly.

“But… why?” You’re starting to feel some weight on your tongue.

“We needed sponsors for a party this grand,” Lyney leans in to whisper, eyes gleaming, “and a party this grand would surely attract important people who know a lot.”

You want to ask why he’s telling you all of this freely, but you catch the flush dancing on his cheeks, and it faintly registers that Lyney must be a little drunk as well.

“Lyney, I—”

“Don't worry.” He’s still whispering. You have to draw closer to hear him. “I wouldn't have invited you if ‘Father’ personally came here. It’s just us, and no one will bother you if you’re with me.”

“Then why invite me here?”

Lyney smiles playfully, posture elegant with practice yet shoulders loose with the champagne. “I thought you would have been eager to learn more about the House’s current state.”

Was this a jab to his suspicions? Or was this him trying to reach out and employ a sense of nostalgia? You’re not drunk enough for this.

“Most of the ones we grew up with were sent off to other regions. But the one hosting—do you remember Cecilia?

You remember Cecilia. You have scars that remind you of Cecilia. “How has she been? Good, I hope? No grudges against me?”

“She never held any grudges,” Lyney laughs, and he tells you all about how they’ve all been since you left.

Without meaning to, you and Lyney end up recalling memories back in the House. And without thinking hard about it, you pluck another glass, then another, emboldened by the taste and fruits of alcohol—emboldened by how each sip has you feeling light. You don’t realize it, but you and Lyney end up pressed against each other, fondly remembering memories you thought you left behind. You could never run too far.

Maybe it’s your inhibitions dissipating along with the fizz of the champagne. Maybe it’s the atmosphere. Maybe it’s when Lyney’s tongue darted out to wet his lip, the words died in your mouth, and your head is heavy and very much feeling like it wants to be caught by Lyney. With his face.

“Hey,” Lyney says, his hand trailing across your jaw. As if he’s stopping you. “We’re pretty out of it right now. Don’t kiss me.”

You scowl. “Why? you hate me that much?”

Lyney’s eyes widen. “No. Don’t—don’t pout at me like that.” He covers your mouth. “That’s not fair.”

You haven’t even realized you were pouting. You wave his hand off and slump against him, curling against his comforting warmth. You like the view of the flush on Lyney’s neck crawling all the way up to his ears.

Lyney sighs, his back leaning against the wall as he holds you. You haven’t even noticed that you and Lyney were huddled together in a dark corner. “It would’ve been easier if we hated each other, huh?” He traces his thumb over your lip, looking forlorn. “I wouldn’t have hesitated to protect my status as a Fatuus the moment you came back out of thin air.”

You want to shut him up. “You’re talking too much. Just kiss me.”

“No,” Lyney says, but he doesn’t push you off of him either. “Let’s get you water.”

Ugh. The thought of water makes you sick. You resist the urge to vomit and nuzzle your nose on his collarbone, visibly relaxing when he steadies you with hands on both sides of your hips. This is better than water.

“Did you like my gift?” Lyney whispers to your ear.

You nod against his neck. “It was cool. I didn't know how to repay you, but now… now I regret coming here.”

“Why’s that?”

You run your fingers through his hair, messing up the braid on the side of his head. “Because I want to kiss you, and you’re being annoying. The nerve you have when you’re looking at me like that.”

Lyney slumps against the wall, defeated. “Don’t just say that, Y/N. You can’t go around saying that.”

“I’m not. Why else am I all over you instead of someone else?”

You watch in fascination as Lyney’s pupils dilate. Lyney’s skin feels so soft to the touch and inexplicably warm. Why is he denying you? Surely he feels it, too. Surely he wants it, too.

“Hey,” you whisper, and Lyney trembles. “What’s—what… What are you and Lynette up to? There has to be a reason you’re here, right? Tell me.”

Lyney frowns, pulling away to face you. “What?”

But then light rolls into view, stinging your eyes at the abrupt radiance. Someone has turned the lights on, possibly the culprit of this assault and rude interruption.

“Oh, shit,” a voice says.

Lyney stiffens, hands moving protectively around your torso, shielding you from the light that floods in when the door opens.

“M-Master Childe!” Lyney exclaims, looking torn between standing up and keeping you shielded, still. He has lipstick on his jaw; you want to point at it and laugh.

“Lord Tartaglia’s here?” you ask, stumbling over his name.

“Um,” Lord Tartaglia stands frozen by the doorway, “I’ll be leaving you two to it.”

ive never gotten drunk before so idk how off i am from the real deal, but i did consult my friend who has gotten drunk so hopefully i was at least not too inaccurate LMFAOO

NO WAY NEW CHAPTER. and theyre being stupid. now ay..... TYSM FOR READIN!!!!!! and sorry if this took a while i was being stupid too and decided to rewrite a big chunk last minute. LMK WHAT U THINK

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#606: THAWED #genshin x reader #genshin impact x reader #genshin x you #genshin impact x you #genshin impact #lyney x reader #lyney x you #lyney x y/n

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