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#Are more important than being kind and polite
xenodile · 23 hours
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"Shuro loves Falin for the same reasons he hates Laios" Completely and utterly wrong, could not be further off base.
I get the impression a lot of people watching Dungeon Meshi as it airs, or are a bit removed from its original manga run, have forgotten that Laios and Falin being monster freaks wasn't actually apparent until the events of the story. The only person that knew Falin loved monsters as much as Laios was Marcille because they were best friends at school.
Once Laios and Falin were in an adventuring party together, they both had public facing personas because they had both learned through their separate upbringings that being super interested in monsters and dungeons wasn't normal. Laios is the blunt but well meaning, outspoken and opinionated guy we all know, but Falin was way more withdrawn and soft-spoken, non-confrontational, easy to get along with. Everyone that interacted with Falin would say she's a sweet, gentle girl that everyone likes. Because she was, frankly, kind of a doormat.
The whole thing with Toshiro's infatuation with Falin is he doesn't actually know her. She is outwardly very polite and reserved, and that appeals to Toshiro because it meshes with his cultural sensibilities and how he was taught people are supposed to behave. Then he sees her marveling at a caterpillar in a private moment and decides on the spot that she's the ideal woman and proposes without actually talking to or getting to know her.
And his lack of understanding of Falin as a person is brought to the forefront in every action he takes after she gets eaten. He leaves the party and makes no attempt to contact the two people that Falin loves the most. Whether it's a matter of him just not knowing how much Falin cares about her brother and Marcille, or actively avoiding Laios to rescue Falin himself, he's demonstrating that he doesn't actually know what's important to her or understand how she feels.
Then when he meets Laios's party on the lower floors and they go over what happened, it's made even more blatant that Toshiro's affection is shallow and half-baked. He came into the dungeon a week too late and neglected his health the whole way down, so he was in no state to actually try and save Falin when he got there. When Laios talks about eating monsters, something Falin was thrilled about, Toshiro is disgusted. He threatens to kill Laios and turn Marcille in, which would never fly with Falin. His anger at the use of black magic is entirely based in his selfish idea of Falin being tainted and blaming Laios and Marcille for "ruining" his attempt to rescue her, as Kabru points out that Toshiro would have done the exact same thing in their shoes and that he's being a hypocrite. To say nothing of how he'd rather kill Falin after she's been transformed and "put her to rest" rather than put any effort into saving her, because that would require further involvement from Laios and Marcille and methods that Toshiro doesn't approve of.
And there's the fight he has with Laios, and Toshiro's subsequent confession that he had hoped to just take Falin home with him. He at no point gives consideration to what Falin feels or what she might want, only what he has decided about her based on the most surface level observation. Just like how his problem with Laios arises from his refusal to just talk to him about his boundaries, he has no actual connection with the woman he claims to love because he just wouldn't actually talk to her.
Like it's not a coincidence that every time his attraction to Falin is brought up, another character goes "yeah he's being weird about it".
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goodluckclove · 3 days
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An Open Letter to a Professional Author
I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.
People here seem to like it when I get mad. So, uh, enjoy?
Dear Professional Author,
I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.
You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.
Turns out it wasn't.
First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.
You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.
I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.
To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.
Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.
What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.
In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.
Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.
Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.
Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.
Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.
I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.
When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.
Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.
Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.
It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.
To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.
Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.
Best Regards,
Clove
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may i request trafalgar law!reader x class 1a? 😊 thank you!
-You were rather popular around school, due to your good looks, but your attitude sometimes caused issues, mainly with Bakugo, but he has issues with everyone.
-You personally didn’t really want to be in the Hero Program, you wanted to be a doctor, but the school officials were adamant, with your ability, that you would be in the Hero Program, much to your annoyance.
-You were polite to others if you were treated the same way, but you didn’t really go out of your way to make friends, as you felt like you didn’t need them, something Corazon, your adoptive father, whacked you on the head for, telling you that friends are important.
-The quirk you had could be used with or without your weapon of choice, a long nodachi sword, as that was the tool you used for when you needed to handle large items or groups of people to make your quirk work.
-Many knew, despite you not wanting to be a hero, you could be very dangerous if you wanted to be, many even tried to bully you, saying that your quirk and the way you use it is something more like what a villain would have.
-You didn’t care about their words, to you they were just talking and showing their two-faced nature, proving that they couldn’t be heroes either, as heroes wouldn’t try to bully others. You’ve called a handful of them out on that, which was quick to shut them off and make them back off you, much to your relief.
-Many of your classmates were impressed with your skills, from you being able to teleport, to cutting people into pieces without hurting them, and cutting large pieces of material with ease.
-Many of them praised you, telling you that you would be an expert rescue hero, which did make you smile, but when you told them that you wanted to be a different kind of hero, wanting to be a doctor.
-They were surprised but many were quick to agree that doctors were heroes, as they helped save people’s lives, working at hospitals rather than being on the front lines with the professional heroes.
-Bakugo was quick to chest up to you, “What you think you can’t be a hero?” you just smirked up at him, giving him a challenge, “Someone will need to stitch you back together when you get your ass kicked.” Tenya had to hold Bakugo back as he was yelling at you, calling you a bastard and that he was going to take you down a peg.
-Bakugo was more grateful to you, when you helped Deku and the others rescue him after he was taken, when the was about to be grabbed when he managed to escape, you shouted out, “Shambles!” and instantly he had switched places with you and you slashed down with your sword, slicing a piece of the building you were on with the League of Villains, making them fall before you teleported back, using a nearby rock of Bakugo.
-He told you that he had to admit your skills were pretty impressive, “But I’m still a better hero than you.” You just smirked again, waving your hand slightly over your shoulder, “But more reckless~”
-Bakugo shouted at you as you all headed towards the police, telling you that he was going to kick your ass, while Deku looked exasperated, wishing that you wouldn’t provoke Bakugo so much, something the others agreed on.
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muffinlance · 5 months
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I really do love your writing and Salvage gets me through when I am sad or depressed. However, I was wondering, how do you cope when someone who wrote a review didn’t like your writing? If you’ve had this before… I had one today and I am dejected. I’m working through my perfectionism and I keep telling myself, “my writing isn’t for everyone and it’s okay.” Any advice?
If it was unsolicited, especially on a fanfic? Delete it, block the person if you feel like, then go do your rage activity of choice before forgetting about it forever. That person is rude and doesn't deserve your time anymore than someone bumping into you on the street.
I've also found it useful to actively think of my fanfic as writing practice, and not even my brain expects perfection from writing practice. It also frees you do Try Cool Things.
Now take this digital blanket and cup of hot chocolate and go reread your nice comments.
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mariemariemaria · 1 year
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when deirdre maguire said ‘punk is the only religion worth fighting for’
#yeah!#derry girls#actually thought about this when i was studying today#the punk scene in ni is soo interesting to me#and how derry girls fits into art created about the troubles#because the vast majority of media about them has focused on the violence and political 'struggles'. and understandably so#but both derry girls and the undertones focused on teenager's lives . with the troubles on the periphery#teenage kicks is about the life of one teenager who fancies a girl basically#and derry girls is about a group of teenagers who struggle with ordinary things about being a teenager like school parents and crushes#and both the undertones in the 70s and derry girls today showed the rest of the uk/ireland (and further afield) that ni is more than just#violence and sectarianism. and that the people (esp teenagers) here are just like people and teenagers everywhere#which was a BIG deal in the 70s and honestly kind of a big deal now too when you think about english ignorance about ni lol#(one commentator on a guardian review of derry girls said that it hadnt occurred to him when he was growing up that catholics in ni were#just ordinary people just like him and his friends and family. which kinda shows the extent to which propaganda regarding ni functioned in#britain during the troubles - and still today in some ways)#it also feels significant that both derry girls and the undertones were created by working class catholics from derry but maintaining#a non sectarian aspect is also important - the point is that they both portrayed the realities of being a teenager which crossed religious#and political barriers. i could write a whole essay on this honestly#kinda moved on from the punk scene aspect hmmm in ep 3x05 of derry girls stiff little finger's 'alternative ulster' was played#which calls on the listener to 'grab it and change it - it's yours' to show that ordinary people - esp teenagers - have the power to create#a better society and a better life and a better ulster. and in 3x07 that's exactly what they did.
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mossflower · 6 months
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loki season two has me screaming crying throwing up trying not to get dragged back into the mcu trenches
#i am stronger than this. i am better than this!!#by the trenches i mean consuming fanfiction at an unhealthy rate. fourteen year old me was insane i think i was on ao3 more than i slept#that’s not exaggeration. i was getting four hours of sleep on school nights and frequently went to bed at 5am on weekends#it is ONE good story. one. literally not worth it. i don’t even care about ninety percent of the mcu characters#i will ignore the little voice in my head reminding of the sheer amount of fanfiction. this was my pre-tumblr days#so my fandom interaction was like. youtube and ao3. maybe instagram posts sometimes. it was so much fun like. zero drama zero discourse#i was honestly living my best life. got less interested when i joined tumblr and went full doctor who mode#and after endgame i watched i think wandavision and loki and that was it. just didnt care anymore lol#i know exactly why this is happening tho. currently the thing i am insane about is my own damn project. which i am in the process of writin#for obvious reasons no fandom there. bc it lives in my mind twenty four fucking seven#i do wonder if i’m kind of growing away from fandom anyway? the closest i’ve got since toh ended was homestuck tbh#i want to feel obsessed with something again!! everything i’m into now - tma tlt and the like - i love them#but it doesnt hit like it used to. i don’t know it’s hard to explain#like video essays that i would have loved a few years ago!! the hour long ones about representation and queer media#they just irritate me now! i got halfway through one last week and had to bail i just could not care less#how did 2020 social media have me convinced that x character being gay was super important politically economically socially etc#ofc the answer is that i was a baby lesbian getting even less social interaction than normal#like representation is important obviously but also. sometimes it was not that deep#i don’t know if i’m making sense tbh but you get my drift#morganposting
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see-arcane · 1 year
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jonny no she's gonna lose her job forever
She can start her own school. All her job does is produce polite young ladies churned out to politely and properly accept whatever shrug of a suitor comes their way. Meanwhile, Mina sets up:
'Mrs. Harker's 12-Step Course for Getting a Spouse Straight Out of a Romance Novel (Who Can and Will Fight God and the Devil Out of Love for You)! Ladies and Gentlemen Welcome!'
The brochure is just a picture of her and Jonathan making out like the cover of the aforementioned romance novel. Jack took the photo, Van Helsing is playing with Baby Quincey on the side, Art is an investor. She's booked throughout the year. Every Valentine's Day gets her a wealth of thank you notes in the post. Problem better than solved.
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officecyborg · 6 months
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you know how there used to be all those posts going around like “I don’t know any political theory, it’s not hard to have good politics, it’s called being a decent person” type stuff, where it’s like okay, well, if it works it works. but this year more than ever has convinced me that actually it’s really important to have political values to fall back on even in cases of high emotion, e.g. anti-imperialism or bodily autonomy. feelings like kindness, empathy, concern, just on their own, are politically neutral and can just as easily motivate conservative or even fascist political positions. you know. like what happens to empathy-based politics when it’s people whose lives are very different from yours, or where there’s a culturally-ingrained bias against seeing them as people, or if they are just interpersonally offputting and unlikeable. like how etiquette is for being polite when you’re not “feeling it”, you need something to fall back on, a metric to evaluate what a “just society” looks like for people you don’t personally know and/or like. am I making sense here
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sophiamcdougall · 4 months
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You're a reasonably informed person on the internet. You've experienced things like no longer being able to get files off an old storage device, media you've downloaded suddenly going poof, sites and forums with troves full of people's thoughts and ideas vanishing forever. You've heard of cybercrime. You've read articles about lost media. You have at least a basic understanding that digital data is vulnerable, is what I'm saying. I'm guessing that you're also aware that history is, you know... important? And that it's an ongoing study, requiring ... data about how people live? And that it's not just about stanning celebrities that happen to be dead? Congratulations, you are significantly better-informed than the British government! So they're currently like "Oh hai can we destroy all these historical documents pls? To save money? Because we'll digitise them first so it's fine! That'll be easy, cheap and reliable -- right? These wills from the 1850s will totally be fine for another 170 years as a PNG or whatever, yeah? We didn't need to do an impact assesment about this because it's clearly win-win! We'd keep the physical wills of Famous People™ though because Famous People™ actually matter, unlike you plebs. We don't think there are any equalities implications about this, either! Also the only examples of Famous People™ we can think of are all white and rich, only one is a woman and she got famous because of the guy she married. Kisses!"
Yes, this is the same Government that's like "Oh no removing a statue of slave trader is erasing history :(" You have, however, until 23 February 2024 to politely inquire of them what the fuck they are smoking. And they will have to publish a summary of the responses they receive. And it will look kind of bad if the feedback is well-argued, informative and overwhelmingly negative and they go ahead and do it anyway. I currently edit documents including responses to consultations like (but significantly less insane) than this one. Responses do actually matter. I would particularly encourage British people/people based in the UK to do this, but as far as I can see it doesn't say you have to be either. If you are, say, a historian or an archivist, or someone who specialises in digital data do say so and draw on your expertise in your answers. This isn't a question of filling out a form. You have to manually compose an email answering the 12 questions in the consultation paper at the link above. I'll put my own answers under the fold. Note -- I never know if I'm being too rude in these sorts of things. You probably shouldn't be ruder than I have been.
Please do not copy and paste any of this: that would defeat the purpose. This isn't a petition, they need to see a range of individual responses. But it may give you a jumping-off point.
Question 1: Should the current law providing for the inspection of wills be preserved?
Yes. Our ability to understand our shared past is a fundamental aspect of our heritage. It is not possible for any authority to know in advance what future insights they are supporting or impeding by their treatment of material evidence. Safeguarding the historical record for future generations should be considered an extremely important duty.
Question 2: Are there any reforms you would suggest to the current law enabling wills to be inspected?
No.
Question 3: Are there any reasons why the High Court should store original paper will documents on a permanent basis, as opposed to just retaining a digitised copy of that material?
Yes. I am amazed that the recent cyber attack on the British Library, which has effectively paralysed it completely, not been sufficient to answer this question for you.  I also refer you to the fate of the Domesday Project. Digital storage is useful and can help more people access information; however, it is also inherently fragile. Malice, accident, or eventual inevitable obsolescence not merely might occur, but absolutely should be expected. It is ludicrously naive and reflects a truly unpardonable ignorance to assume that information preserved only in digital form is somehow inviolable and safe, or that a physical document once digitised, never need be digitised again..At absolute minimum, it should be understood as certain that at least some of any digital-only archive will eventually be permanently lost. It is not remotely implausible that all of it would be. Preserving the physical documents provides a crucial failsafe. It also allows any errors in reproduction -- also inevitable-- to be, eventually, seen and corrected. Note that maintaining, upgrading and replacing digital infrastructure is not free, easy or reliable. Over the long term, risks to the data concerned can only accumulate.
"Unlike the methods for preserving analog documents that have been honed over millennia, there is no deep precedence to look to regarding the management of digital records. As such, the processing, long-term storage, and distribution potential of archival digital data are highly unresolved issues. [..] the more digital data is migrated, translated, and re-compressed into new formats, the more room there is for information to be lost, be it at the microbit-level of preservation. Any failure to contend with the instability of digital storage mediums, hardware obsolescence, and software obsolescence thus meets a terminal end—the definitive loss of information. The common belief that digital data is safe so long as it is backed up according to the 3-2-1 rule (3 copies on 2 different formats with 1 copy saved off site) belies the fact that it is fundamentally unclear how long digital information can or will remain intact. What is certain is that its unique vulnerabilities do become more pertinent with age."  -- James Boyda, On Loss in the 21st Century: Digital Decay and the Archive, Introduction.
Question 4: Do you agree that after a certain time original paper documents (from 1858 onwards) may be destroyed (other than for famous individuals)? Are there any alternatives, involving the public or private sector, you can suggest to their being destroyed?
Absolutely not. And I would have hoped we were past the "great man" theory of history. Firstly, you do not know which figures will still be considered "famous" in the future and which currently obscure individuals may deserve and eventually receive greater attention. I note that of the three figures you mention here as notable enough to have their wills preserved, all are white, the majority are male (the one woman having achieved fame through marriage) and all were wealthy at the time of their death. Any such approach will certainly cull evidence of the lives of women, people of colour and the poor from the historical record, and send a clear message about whose lives you consider worth remembering.
Secondly, the famous and successsful are only a small part of our history. Understanding the realities that shaped our past and continue to mould our present requires evidence of the lives of so-called "ordinary people"!
Did you even speak to any historians before coming up with this idea?
Entrusting the documents to the private sector would be similarly disastrous. What happens when a private company goes bust or decides that preserving this material is no longer profitable? What reasonable person, confronted with our crumbling privatised water infrastructure, would willingly consign any part of our heritage to a similar fate?
Question 5: Do you agree that there is equivalence between paper and digital copies of wills so that the ECA 2000 can be used?
No. And it raises serious questions about the skill and knowledge base within HMCTS and the government that the very basic concepts of data loss and the digital dark age appear to be unknown to you. I also refer you to the Domesday Project.
Question 6: Are there any other matters directly related to the retention of digital or paper wills that are not covered by the proposed exercise of the powers in the ECA 2000 that you consider are necessary?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 7: If the Government pursues preserving permanently only a digital copy of a will document, should it seek to reform the primary legislation by introducing a Bill or do so under the ECA 2000?
Destroying the physical documents will always be an unforgivable dereliction of legal and moral duty.
Question 8: If the Government moves to digital only copies of original will documents, what do you think the retention period for the original paper wills should be? Please give reasons and state what you believe the minimum retention period should be and whether you consider the Government’s suggestion of 25 years to be reasonable.
There is no good version of this plan. The physical documents should be preserved.
Question 9: Do you agree with the principle that wills of famous people should be preserved in the original paper form for historic interest?
This question betrays deep ignorance of what "historic interest" actually is. The study of history is not simply glorified celebrity gossip. If anything, the physical wills of currently famous people could be considered more expendable as it is likely that their contents are so widely diffused as to be relatively "safe", whereas the wills of so-called "ordinary people" will, especially in aggregate, provide insights that have not yet been explored.
Question 10: Do you have any initial suggestions on the criteria which should be adopted for identifying famous/historic figures whose original paper will document should be preserved permanently?
Abandon this entire lamentable plan. As previously discussed, you do not and cannot know who will be considered "famous" in the future, and fame is a profoundly flawed criterion of historical significance.
Question 11: Do you agree that the Probate Registries should only permanently retain wills and codicils from the documents submitted in support of a probate application? Please explain, if setting out the case for retention of any other documents.
No, all the documents should be preserved indefinitely.
Question 12: Do you agree that we have correctly identified the range and extent of the equalities impacts under each of these proposals set out in this consultation? Please give reasons and supply evidence of further equalities impacts as appropriate.
No. You appear to have neglected equalities impacts entirely. As discussed, in your drive to prioritise "famous people", your plan will certainly prioritise the white, wealthy and mostly the male, as your "Charles Dickens, Charles Darwin and Princess Diana" examples amply indicate. This plan will create a two-tier system where evidence of the lives of the privileged is carefully preserved while information regarding people of colour, women, the working class and other disadvantaged groups is disproportionately abandoned to digital decay and eventual loss. Current and future historians from, or specialising in the history of minority groups will be especially impoverished by this.  
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medicinemane · 8 months
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Piece of advice is to always thank people for bring you bad news, so long as it's bad news you need to know to do something about it
Like that's really the only context I can think of bringing bad news in, so like... feel free to ignore if they're somehow just being spiteful with it, but like if they're coming to you like "yeah, you bed turned to goop while you were out and you need to get a new one", yeah that's not the sort of thing you want to hear but you probably need to know about it so you can fix it
The reason to thank them is so that you don't accidentally take your frustration over the bad news out on them, cause if you do that you won't get bad news and that means you won't be able to make accurate decisions when you're missing key info
Always gotta reward the behavior you want people to do if you want it to keep happening
#that's not what this post is actually about#this post is about someone that's not on here doing something that they don't mean anything by but is the wrong thing to do#because while I know that's not how they mean it so I'll ignore it; it feels like a bit of a kick in the gut#so this is me sharing what to do right rather than saying what someone's done wrong#... for a number of reasons; some less healthy than others#but one of the reasonable reasons being that I'd rather focus on what is good to do instead of what's bad#but just... mind your words; cause if you say stuff thoughtlessly you'll find other people's behavior shifts or dries up#so in my opinion it's better to actively affirm that you appreciate stuff rather than even just saying nothing#and this is more shifting back to what I was saying in the post; but that includes when you're annoyed#if someone pissed you off but they're doing something you want them to keep doing... need to reward it#like... lets say that... lets say you've got a kid and they ask annoying ass questions#well bad news; you probably want them to come to you with questions about important stuff later#so sadly the only wise move is to swallow your irritation and be grateful they're asking you; and do what you can to answer honestly#which funny enough is also the polite move#or at the very least as politely as possible explain it's not them it's you; but you're just too damn tired to answer questions#less ideal and more likely to shut things down; but it's still better than being actually nasty; and maybe you just are too tired#...I don't know#it's all kind of just nonsense rambling
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somehowmags · 9 months
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i’ve seen a lot of posts talking about nimona’s queer messages which is great! but ive not seen as many posts talking analyzing how both ballister and ambrosius were changed to be asian, which is a shame because i genuinely think its one of the most important parts of the film! a huge part of it is a deconstruction of the model minority myth and respectability politics, both of which are big issues in the asian american community. both of them represent each side of the spectrum, with ambrosius expected to be superhuman with very little support and ballister being seen as less than human, no matter how hard he tries- a monster.
ambrosius (who is now east asian, like his voice actor eugene lee yang, who is korean with chinese and japanese ancestry), despite being in a seemingly powerful position as head of the knights and a descendant of gloreth, he isn’t really given the kind of support that this position needs- he’s constantly undermined and belittled by todd, the face of the other knights, and when asked about his emotional state by the director, represses his emotions rather than talk to her about his true feelings. this is very similar to how asian american students in schools aren’t given the support they need academically by teachers and administration, as the model minority myth leads to them being perceived as more intelligent and competent than their fellow students and therefore not needing support. he’s also held to a higher standard than any of the other knights, being immediately placed into a position of power despite just being knighted, again a reflection of the model minority myth, since asian americans are held to higher standards unfairly. despite being technically better off than ballister, he has no support, no friends, no way to seek help for his problems, and, just like ballister, is immediately thrown away the moment the director thinks he’s served his use.
ballister is now pakistani, like his voice actor riz ahmed (no, not like pedro pascal. where did this come from lol), and i’d go as far as to say that he is also, if not explicitly muslim, heavily muslim coded as well. he’s framed as a terrorist by the white, christian institution, and from then on, it doesn’t matter how good he tries to be- everyone else sees him as a monster. he’s also from a lower socioeconomic class than ambrosius and the rest of the knights- while this is initially used to frame him as a success story, after he’s framed, it’s used to cast suspicion on him. almost immediately he’s othered, with posters casting him as a foreign invader sent to destabilize the city, much in the same way that muslim immigrants are seen in real life. even when he tries to be peaceful and good, it’s always twisted so that he’s the monster of the story. while ambrosius is held to too high of a standard, ballister will never be enough for the institution to accept.
which is why both of their arcs culminate in them breaking out of the system, learning to accept what they’d been taught was monstrous, and leaving behind respectability. it’s a genuinely great commentary, and i can definitely see why riz ahmed and eugene lee yang were chosen for this, as they’ve both done activist work for their communities.
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winterspellsfrozenkit · 3 months
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Maomao's Dislike of Jinshi
So I've been watching Apothecary Diaries and I think people are missing out on the root cause of why Maomao doesn't like Jinshi's interactions with her. It's not because he's too pretty, of high standing, or because she thinks he's annoying/etc., as they're just parts that make up the actual root cause. It's because she knows he's being fake.
Jinshi, because of who he is, where he lives, and how he was raised, covers up his true intentions almost constantly. That was how he trapped Maomao and singled her out as the one who warned Concubine Gyokuyou, after all. The premise to get all the servants in the room, the note telling her to stay put, and making her come with him without telling her where they were going? He let her worry that she was in trouble, so to keep her off-balance when he introduced her to Gyokuyou and also had kept her note to keep her pinned in a corner so she would have to comply with what he and Gyokuyou wanted.
Maomao prefers working with honest people. It's why she never wanted to ascend into the ranks where court politics were a constant presence, because in court politics, you have to assume most people are lying to you on some level. That's why she likes Gyokuyou; Gyokuyou has a similar mentality about the importance of honesty in the people around her and she reciprocates that honesty with the select people she lets her walls down around. When Jinshi is flirting or being super sweet to someone, Maomao knows he's often not being sincere, so when he flirts or acts all sweet with her, she's not going to believe in the sincerity of it because it's dangerous for her if he's not being sincere.
In Maomao's world, a man who makes false promises will not have severe consequences for his actions, unlike the women who fall for them. Growing up where she did and doing the work she did, Maomao knows exactly what kind of damage someone else's lies can bring to someone else who got caught in them. Maomao is not blind to the ugly truths of the world around her, unlike many her age, so interacting with Jinshi, someone who is usually some level of false in almost every encounter with her, is frustrating to her and he won't leave her alone. Lies are a form of poison themselves as they deteriorate a person's life and relationships and if not caught, can lead someone to their death or a fate akin to death, but unlike physical toxins, Maomao can't fix any damage from that kind of societal poison. As someone who wants a lowkey and unremarkable life because it's more peaceful, Jinshi could damage her goals with his falsehoods if she falls for any of them.
And we see that when Jinshi is actually honest about himself and his feelings with her, she treats him better. When he gives her his hairpin, when he's hugging her and crying because of what happened with Ah-Duo, and when he's at the Verdigris House, drowning his sorrows over letting Maomao go from the Rear Palace, Maomao is kinder to him and doesn't look at him with the immediate disdain and suspicion she often throws his way. Maomao even states she prefers the Jinshi, who is more childlike and bratty, which is something we see Gaoshun constantly discourage when Jinshi has those moments where his mask breaks. But in those moments, he's being honest.
For the position of Maomao's love interest, Jinshi's already got one foot ahead of any other guy around Maomao, as he is willing to let Maomao have more freedom in her special interests and gives her things and access to areas that play into her interests, like her dad does, which is more than most men in her society would ever allow. The only reason he actively goes against her toying with poison is he knows exactly what she's going to do with the poisons. But his main hinderance to getting Maomao to like him back is the training of being two-faced that's been ingrained into him for his survival in court. If he was more honest with her, rather than hiding himself under the veneer of a pretty man who is sweet, gets along with everyone, and keeps his knowledge close to the chest, he'd do so much better in earning Maomao's respect and affection.
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sunderwight · 5 months
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disciple luo binghe, running errands for his shizun one day, somehow manages to be in the exact wrong (right) place at the exact wrong (right) time and catches shang qinghua meeting with mobei jun
in order to keep luo binghe from tattling right away, shang qinghua dissembles in a panic and claims that his clandestine meetings with mobei jun are happening because they're lovers and definitely not because shang qinghua is betraying the sect and handing their secrets over to demons in order to save his own hide. when that almost doesn't work, he also tells luo binghe that he knows he's part demon, and that if luo binghe rats him out then shang qinghua will take him down with him. mutually assured destruction
it works, and even though luo binghe threatens him quite a bit (jeez kid calm down, you might be the almighty protagonist but also you're like sixteen) he agrees to keep shang qinghua's fraternizing a secret. but if ANYTHING BAD should happen to the sect or especially to luo binghe's shizun because of this, luo binghe will take shang qinghua down even if it does ruin his life too
shang qinghua, now sweating even more bullets about the impending immortal alliance conference: cool! cool cool cool sounds great cool yeah
so shang qinghua can add "being blackmailed by the punk ass brat I sort of created" to his list of stress-inducing woes. which gets even worse when luo binghe keeps somehow sensing if mobei jun is around for more than a couple hours and showing up, and picking fights with him?? kind of??
wtf has the protagonist been taking tips from liu qingge or something...?
shang qinghua feels like he's gonna have a heart attack when mobei jun just snorts and tosses luo binghe by the scruff like he's an annoying yappy dog
mobei jun actually knows what's up though. teenage half-demon who has never been around his own kind has become spoiled by the lack of competition on this front, and now his hackles are all up because he wants to claim the whole mountain range as his territory, and his instincts are screaming at him to challenge mobei jun about it so that they can decide who is actually top dog. since mobei jun could easily kill him, especially with his blood sealed, and has been clawing rocks and pissing on trees along the borders of an ding peak since before luo binghe was born, he's clearly got seniority here
and since qinghua doesn't want mobei jun to just kill the little shit (fair enough -- that sealed bloodline does look kind of interesting) that means it's up to mobei jun to teach him how to do things like interact with other demons without making a complete fool of himself. lesson one: what to do when you challenge someone out of your league and they win, assuming they don't just kill you
so luo binghe reluctantly gains another demon tutor
meng mo actually approves. he's been out of the loop on demon high society for a long time, and has lacked a body for long enough too that he's forgotten a lot of the particulars of socializing. it'll be good for luo binghe to pick up some manners that aren't just silly human tea ceremonies and things. maybe he'll start addressing meng mo more respectfully for a change!
(lol no)
luo binghe is partly like "I don't need to learn demon social skills since I'm spending the rest of my life as a disciple of qing jing peak" but partly like, well, if shizun knew about this and didn't freak out about it, he'd probably say that knowledge is power and learning how to handle politics and diplomacy of all kinds is important. and despite himself luo binghe is also interested, because this is a whole perspective on his own nature that he's never really gotten advice about
also, mobei jun is the lover of shang qinghua? mobei jun is a demon who successfully seduced a cang qiong peak lord? does he have any advice about that?
(he does -- all of it very bad)
anyway all of this sort of fucks up the immortal alliance conference developments really good, so the system kind of gives up and settles on some other big transformative achievements that luo binghe has to complete in order to be suitably heroic
but shen qingqiu has no idea and so the reprieve just seems to come out of nowhere until several years later, when he walks in on luo binghe with his claws out and huadian gleaming in the company the demon king of the northern desert, the two of them playing weiqi or something while they wait for shang qinghua to get back from some random logistics crisis he had to rush off to
shen qingqiu: ...?!?
luo binghe, panicking: wait shizun I can explain it's not what it looks like SHIZUN I SWEAR I WAS GOING TO TELL YOU PLEASE DON'T BE MAD--!
shen qingqiu: all this time I thought you were sneaking out to meet a girl, and this was what you were doing instead?!
luo binghe: WHAT?? shizun no I'd never do that I swear I don't even like girls!
shen qingqiu: that's not -- wait what do you mean you don't even like girls?!
mobei jun, unperturbed and still focused on the weiqi board: he's gay
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lantern-hill · 1 year
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"In an era of “girls-supporting-girls” and “let-people-enjoy-things”, having distinct tastes or opinions is tantamount to social suicide. There is no room for good-spirited teasing or critique or gossip or even interpersonal dislike. As much as I despise the phrase, these things are human nature. We possess the human range of emotions, which includes being annoyed or petty or mean-spirited—to pretend anyone is above it is not only moralistic but biologically false. When we don’t like someone or something, we scavenge to find a political or moral reason to critique them, instead of owning up to our honest truth: sometimes, you just find someone annoying.
Our crisis of niceness is both insufferable and detrimental to our artistic output; the films, art, and music we make are expected to promote pleasantness and punish everything else. We don’t see culture as a vehicle for artistic expression, but instead for moral expression, and as such our capacity for connoisseurship is at an all-time low. A film can be visually uninspired, a song can be derivative, a book can be poorly written, but as long as it espouses some rhetoric of universal justice it will be lauded as “important”. This is boring. It is uninspiring. If you even critique the mechanisms of the culture industry and its monopolized outputs (Marvel Movies, Taylor Swift, etc), you are deemed at best a hater and at worst a misogynist/racist/classist/homophobe depending on the day and the detractor.
It is a vague and meaningless form of pleasantry and niceness that does little more than create social codes of conduct concerning our language and discourse. It is Redbubble “Treat People With Kindness” stickers on MacBook Airs, it is a mass produced t-shirt with a slogan like You Matter <3 sold as mental health awareness. It feels suffocating, a cloying Yankee Candle atmosphere that gives nothing of substance yet demands a smile and a quiet wave.
We have confused pleasantness with kindness. Pleasantness is plasticine and sanitized, florescent lights over pastel bulletin boards. Kindness is human, old hardwood floors and fresh fruit.
Kindness is bringing your neighbors a bowl of chili, or sitting quietly with the people you love to reflect in the morning. Both actions somehow sparked mass outrage online and the individuals who shared their moments of quiet kindness were either called privileged or evil or any of the -ists that internet commentors love to toss around… classist, ableist, et cetera. The people who attempted to bring some joy into their own lives and the lives of others were called ugly and annoying in hundreds and thousands of replies within the same cultural space that insists that it is materially violent to say that you don’t like K-Pop or Taika Waititi."
-meditations on meanness - charlie
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vivwritesfics · 4 months
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Fake It Till You Make It - CL16
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The Princess of Monaco is wild and out of control. She needs to stop being in the tabloids for all the wrong reasons. Charles Leclerc has had a spot of bad press since his very public break up. He needs some good PR. What better way to fix their problems than to pair them up?
Fake Dating turned real dating trope
6.3K
For the purpose of this story, I have fabricated the royal family of Monaco. I have created the members of the family, their roles and what they do, using only the fact that Monaco has a royal family
ROYAL MESS
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In the early hours of the Morning on Friday, the 19th of May, Princess Y/N of Monaco was found lying in the street outside of MK Club Monaco after what appears to be a wild night out. Fans of the princess know this is no new occurrence for her.
When asked, employees in the club were quoted as saying: “It is always a delight to serve the princess. She is always polite and kind when ordering from the bar, always offering to pay for the drinks of those around her."
"Princess Y/N is fun to party with, sure. But she takes it too far, gets too drunk, and leaves us all wondering how far is too far?" Said one club patron to our reporters.
It leaves us all wondering how far is too far for the Princess of Monaco? When will her family finally take action against her partying ways?
Pictures such as these are not uncommon for the Princess of Monaco, showing us just how far royal privilege goes. It is at times like these where we thank any higher power above us that she is just the spare
Y/N's brother threw the newspaper down in front of her. His jaw was tense and his eye twitched, having just read out the entire article. "Seriously?" He said and leaned forward on his desk, staring down at his sister.
"I don't know what you're so upset about," Y/N muttered as she picked at the dirt beneath her nails. "You're not in the article."
Her brother, Herni, Prince of Monaco, let out a huff. He wanted to grip his hair and pull out of frustration, but he couldn't do that, he had to be pristine and perfect.
For years he and his family had been working to try and improve Y/N's image. It was no easy task. Well, Y/N certainly didn't make it easy. The royal family had tried to control the press, control what the night clubs were saying; they had tried to control Y/N, but none of it was working.
Henri was at his wits end.
He stood straight and turned around, looking towards the window. "How do you not understand that your actions reflect our entire family? That this shit makes all of us look bad, not just you?"
"Like the article said, I'm just the spare," she spat back, not looking up from her nails.
"Oh, don't give me that shit." Henri tried to keep his composure calm, tried not to lose his shit, but Y/N was making it very, very hard. "You're just a spoiled, little brat," he hissed.
Y/N let out a dry laugh. "I'm the selfish one? Seriously, Henri?" She called and he shot her a dirty, venomous look. So, she continued. "Who was it that threw a tantrum like a child when he didn't get the Ferrari 250 GTO for twenty-third birthday?"
Her brother glared, easily hiding his surprise that she remembered the name of the car he had so desperately wanted seven years ago.
But then Henri dropped his glare. She was just lashing out because she was pissed off about the article, he realised as he sat in his seat. "Go on, get out of here," he said to her, his head falling into his hands. He grabbed the newspaper article and slipped it back into his desk drawer.
Y/N didn't have a job. She was twenty-two, living fast and living off her family. Her family had tried to force her to get a job, but that had only pushed her into being more wild and out of control. Henri, though, he had a job. Their father had given him the important task of keeping an eye on Y/N and putting out her fires. It was an exhausting job, one that had him losing sleep.
He had to do something, he had no idea what.
There was one thing Henri could force his sister to do. And that was attend the Monaco Grand Prix.
Every year Henri and Y/N went to the Monaco Grand Prix. Y/N could still remember the first time she ever attended the Monaco Grand Prix. She was just ten years old, an eighteen year old Henri holding her hand as they walked through the paddock. She remembered standing up on the podium, watching as her brother gave a trophy to Jenson Button, and going to give Fernando Alonso a trophy of his own.
This happened every year. And, every year since she was a little girl, Y/N looked forward to seeing Fernando Alonso. The Spaniard always seemed to remember her, always greeting her with a kind, wide smile. Although Y/N loved the races, this was her favourite part of the weekend.
Because she really did love the races. As much as she tried to act nonchalant, Henri knew she loved it, loved the sounds of the cars as they came driving past.
This year, Henri kept Y/N in front of him as they walked through the paddock, waving at the drivers and the teams. The Grand Prix was full of celebrities, as it was every year. And, as with every year, Y/N and Henri were the talk of the town.
In the Red Bull garage, Y/N and Henri met Tom Holland, the Spider-Man, who was awestruck. He couldn't quite believe it as the youngest member of the Monaco Royal Family stood in front of him, talking to him about his role as Peter Parker.
At the Aston Martin garage, Y/N ran straight into Fernando's arms. "There she is," he said as she hugged him back. The bond Y/N had with Fernando was special. They'd saw each other only once a year at the Monaco Grand Prix and, in a weird way, it was like he had watched her grow up right in front of his eyes.
He knew of her partying ways and it worried him, just like it would a father to his daughter. "How have you been?" He asked, his Spanish accent thick.
As Henri moved onto the Ferrari garage, his favourite garage, as Y/N chatted to Fernando. Her favourite garage was wherever Fernando was, and she wasn't afraid to admit that. They caught up on the last year and Fernando introduced her to his teammate, a man Y/N had only met briefly before.
In the Ferrari garage, Henri said hello to Carlos Sainz. Carlos and Henri had always been friendly, that friendliness growing into some kind of friendship when he moved to Ferrari.
But then then was Charles Leclerc.
Herni loved Charles. He had several of his old F1 cars, including one of his Sauber cars, in his private collection. He'd been following Charles's career closely as he represented their country. The day he had his first win in Monaco was going to be a big day for Henri.
"Ah, Charles!" Henri called as he spotted him, already in his race overalls.
The overalls themselves were red and white, matching the flag of Monaco. Charles grinned when he saw Henri, striding over to the prince. "How are you? How is your sister?" He asked as they walked together through the Ferrari garage.
Henri pulled a face. "She is... she is Y/N," he answered with a curt nod. "Anyway, how about you? How is your season going?" He asked.
Charles gave a pained smile, and that was answer enough for Henri. "Ah," he said as they continued to walk. "Well, today will be your day."
The pair continued to chat as they walked through the paddock, catching up like old friends. Because, by this point, they were old friends. Herni asked about Charles's family and his plans for the summer break, and about his girlfriend.
Again, Charles gave Henri a look. "Ah, no girlfriend," Henri said and Charles nodded.
"I got a bit of bad publicity from it," Charles said. "I'm surprised you didn't hear about it."
Suddenly, Henri got an idea. An incredible, wonderful, terrible idea. He looked at his friend, wearing a grin, and said, "I think we can help each other out."
It was clear Charles was confused. So, Henri continued. "My sister wild and out of control," he said. "She needs somebody to get her imagine under control, and you need some good publicity. Take my sister on a couple of dates, take her to some grand prix and it'll make the both of you look good."
Charles suddenly frowned. "What? Henri, we can't do that," he said.
Henri checked his watch. The race was bound to start any moment now, he needed to grab Y/N and go sit. "Think about it," he said to Charles, wished him good luck, and went back to the Aston Martin garage to find his sister.
Henri didn't say anything to his sister as they watched the race. They watched Charles go from pole to second, Henri trying not to let the disappointment show on his face as he watched Y/N give Charles his second place trophy.
There was a good few weeks where Henri didn't hear anything from Charles. So, he didn't say anything to Y/N, whilst also trying to get her under control.
It wasn't working; Henri was close to begging. He kept an eye out for Charles's name in the press, looking for that bad bit of publicity he was talking about. And there was a lot of it, international news outlets accusing Charles of cheating, saying his bad start to the season was because of Karma.
It wasn't looking good for him, thought Henri as his phone vibrated.
He picked it up and read through his messages.
Charles Leclerc
I'm in
***
It was rare for Y/N and Henri to eat dinner together. He was always busy and she didn't give a shit. But, today, Henri insisted.
They sat across from each other, a ridiculously long table between them. Any attempt at conversation was near to impossible with the distance between them.
So, with no thought of decorum, Y/N picked up her dinner and moved down the table coming to sit right beside her brother. "What were you saying?" She asked as she tucked into her dinner.
Henri cleared his throat. "I've been speaking with Charles Leclerc."
"Okay?" Y/N looked up at him, her brows furrowed. "Good for you, Hen."
"Just listen, please," he insisted and Y/N fell quiet, returning her attention back to her food. "Its been decided by your PR team, dad, and I, that it would be best if you were seen to be with someone more... presentable. And our friend Charles if also in need of a bit of good press at the minute."
"So you want me to fake date Charles Leclerc?"
Henri nodded his head. "Not fake date him, exactly. Just be seen with him."
Y/N sat back, tapping her fork against her plate. "Okay, why should I?"
Grinning, Henri used his fork to scoop everything into a pile on his plate. "Because, if you keep up with your partying lifestyle, we're cutting you off."
She said nothing. Throwing her fork down, she pushed her chair back and stormed off.
That was the thing with Y/N. She didn’t care for propriety or her image. She did what she wanted, without much thought of how it made the royal family of Monaco. She was the weekly scandal in the newspaper, the wild child.
Henri’s head fell into his hands.
For the next week, while Charles was away from Monaco at another race, Henri set everything up. He booked out a restaurant for them, picked out something for his sister to wear and prepared her for her date with a script. Henri was controlling everything. He had every move planned out and had Y/N run through it with him several times.
He was a complete control freak.
For the date, Henri gave his sister a set of rules. Charles was his friend, after all, and this was a PR stunt. Anything he could do to prevent Y/N from embarrassing the royal family any further.
That was how she found herself in an empty restaurant, an almost empty glass of wine in front of her. Charles Leclerc hadn’t arrived at the restaurant yet; fashionably late, Y/N assumed. She was five minutes away from leaving.
But then he walked in. It was not possible for this man to look bad, Y/N realised as he strode towards her. His outfit was simple, a white shirt, buttoned almost to the top (just revealing a bit of chest) and a pair of black trousers. His hair had that usual fluff, that he seemed to achieve effortlessly.
Y/N had seen pictures of him online since his career began. He always looked good, so it was no surprise he did now.
"I'm sorry I'm late," he said as he sat in the seat opposite her.
As if to prove a point, the princess finished her drink and placed her glass down. There was a flash to her left, a camera going off. But she didn't care - Henri could put out the fire he created.
Henri had given her a script, but Y/N wasn't going to follow it. That was boring. "Your brother is in F2, right?" Asked Y/N as food was brought over to them (Henri had decided what they were going to eat when he booked out the restaurant, arranging the food to be brought over as soon as Charles arrived).
Charles looked at her, clearly confused. "Um, yes," he answered. "He's with the Ferrari Drivers Academy," he said and took a sip of his own drink. "What is it that you do?"
She snorted. She hasn't meant to snort, but she couldn't help it. "I'm a princess, what do you think I do?"
But it wasn't clear. To Charles, it seemed like all she did was party. According to her brother, all she did was party. So Charles couldn't be blamed to think that.
He didn't answer her. This dinner wasn't going too well. That much was clear to everyone.
Letting out a sigh, Y/N sat back in her seat. "We need to make this look good," she said, glancing to her left. At the paparazzi not quite hidden in a bush outside of the restaurant. "You know what the news articles will be, right? 'Monaco Royalty... something something else."
Charles thought for a moment. The restaurant wasn't the right setting, this was clear.
So, he finished his drink and looked across the table, at the princess sat opposite him. "Do you want to get out of here?"
Fuck yeah Y/N wanted to get out of here. She grabbed her coat and, together, she and Charles walked out of the restaurant. A crowd of paparazzi followed them as they made their way to Charles's Ferrari SF90 Stradale.
It was a beautiful car, one Henri had wanted for the longest time. He he was going to flip his lid once he learnt that Y/N had been inside of it.
The paparazzi continued taking pictures of them as they drove off. "Where are we going?" She asked as he drove her through the streets of Monaco.
Y/N and Charles found themselves in a bar, three drinks deep. They talked casually, more like acquaintances than anything else.
Nothing happened in the bar, they just got to know each other a little better, without the awkward conversation of a formal dinner. Y/N found out about his love for music and he learnt that she was more than a just a party girl.
The next morning Y/N woke up in one of the many guest rooms with a pounding headache. She didn't remember getting back to the palace and was still in her dress from the night before. "Shit," she groaned, the light shining through her windows hurting her eyes.
She sat up and ran her hands through her knotted hair. Painkillers. She needed painkillers and she needed them now.
With no clothes to change into, she searched through the drawers for the much needed painkillers. And when she didn't find any, she made her way to her brothers office. "Henri," she sang as she pushed her way inside. And then she was leaning against the door, holding his head.
"I did it, I went on a date with Charles Leclerc."
"Well done," Henri said as he sat back in his chair. "He's taking you to Canada next week, so pack warm," he said and went back to his work.
Y/N glared at her brother and stormed off, making her way back to bed.
***
Canada. The only reason Y/N agreed to go was to see Fernando Alonso. She was there as Charles Leclerc's guest, but she didn't care. She ran straight to the Aston Martin garage, ran straight over to Fernando.
The Spaniard was surprised to see her, that much was clear. "What're you doing here?" He asked as she threw her arms around him.
Y/N swallowed the lump in her throat. "I'm here as Charles's guest," she answered.
Fernando's eyes went wide. "Really?" He asked, his brows furrowing.
"I know," she answered.
It really was a surprise. Fernando had never even seen the princess of Monaco so much as interact with the Monégasque driver. He knew Prince Henri was a fan, but he didn't know Y/N was. So, he asked about it.
She didn't want to lie to Fernando. But she had to seel it. For the sake of the tabloids, she had to sell it. "Well, we met at the Grand Prix, hit it off, and the next thing I knew, we were going to dinner together."
"Dinner together? Wow," said Fernando. "So, do you want me to go easy on him out there?"
Grinning, she shook her head. "You do what you need to do to bring home a win for us Aston Martin fans," she said.
They said their goodbyes and Y/N made her way to the Ferrari garage.
It wasn't as if she and Charles knew each other; they'd drunkenly discussed things, but that was it. But now, she was playing the girlfriend, tucked into his side as he kept his arm wrapped around her. Before the race he held her close and she tried her best not to look uncomfortable. Play the part. All she had to do was play the part.
During the race she stayed in the Ferrari garage, watching alongside Charles's brother. Y/N had met Arthur before, she just couldn't remember where.
"So you're dating my brother?" Asked Arthur as they watched the race.
Y/N kept her eyes fixed on the screen and nodded her head.
"How did that happen?"
She just pretended not to hear him.
This went on and on, the pair going on the odd date in random countries and Y/N joining him at races. But they were putting on a performance around each other, trying to play that part. They weren't being themselves and, therefore, not getting to know each other.
She'd joined Charles in Silverstone. They'd held hands as they walked through the paddock, smiling and waving at cheering fans. Their relationship was public knowledge now and, first the first time in the last four years, she wasn't in the tabloids for a bad reason.
Henri had arranged a date in Monaco for the pair once they got back from the British Grand Prix. They flew back with Pierre Gasly, an old friend of Charles. Y/N had only met Pierre earlier that year, in Monaco when her brother had introduced them.
Pierre was good fun for the flight home. But, by the time they got there, Y/N was exhausted. She wanted nothing more than to crawl into bed and shut her eyes. Looking at Charles, their was no doubt that he was just as tired as she was; he was the athlete after all.
As he drove, he blinked continuously and rapidly, his tiredness evident. Her apartment was just around the corner, she realised as they were stuck in traffic. It wouldn't be the worst thing if they blew off the dinner, right?
"I live near here," she said, looking at him.
Charles blinked as he looked at the stationary cars in front of him. "Am I not taking you to dinner?" He asked, somewhat surprised.
"Well, I was thinking we could go back to my apartment and eat some pizza," she said.
"But what do we have to gain from that?"
That was right, everything they were doing had an objective. Everything they were doing had a purpose. Having dinner in her apartment, where there were no cameras to watch them, had no purpose.
"We wouldn't die on the road from you being so tired if we went back to mine."
Charles realised she had a point. When the traffic began moving, he took her directions and drover to her apartment. They made their way inside, practically collapsing on the couch.
"Sorry for the state of it," Y/N muttered as Charles sat on the sofa beside her.
Her apartment really was a mess. Clothes, dirty dishes, pizza boxes everywhere. It wasn't very royal of her. "Don't worry about it," he said quietly as Y/N gathered up the dishes and placed them on the counter in the adjacent kitchen.
Charles didn't want to ask, but he was wondering how the apartment of the Princess of Monaco was so disgusting. He hadn't even realised she had an apartment of her own, assumed she just lived at the palace.
"Can I get you something to drink?" Asked Y/N as soon as she had ordered the cheese and pepperoni pizzas. It was a safe choice, considering she didn't know what Charles wanted. "I've got beers, wine, spirits, anything you want."
She didn't hide her surprise when Charles requested a beer. "I thought you were all... fancy and stuff," she said as she handed him the opened bottle.
"The princess of Monaco is passing me a beer and she thinks I'm fancy," he said with a laugh.
But he was undeniably tired. His laugh turned into a yawn and Y/N turned on the television. They watched in silence as they waited for the pizza to arrive.
"I didn't think you'd be allowed to eat pizza," said Y/N as she checked her phone, checked where abouts the delivery driver was. Just a few minutes away. "You know, considering you're an athlete."
"I won't tell my trainer if you won't," he answered.
Just a few minutes later and Y/N was running to get the pizza. She didn't have to worry about disguising herself, running down to the lobby of the apartment in her comfiest pyjamas. She wasn't like her brother, where he was always prim and proper; she hid in plain sight.
When she came back up with the pizzas, Charles was already snoring lightly on the sofa. Y/N would have left him to sleep, left him on the sofa, but he hadn't eaten since his race. As soon as he'd eaten something, she'd let him go to sleep.
So, she gently woke him, placing one of the pizza boxes in front of him.
Again, they were in silence as they ate. But the food was giving them some sort of strength and energy and, by the time they were finished, neither were quite ready to go to sleep.
So, they talked. They talked and talked, properly getting to know each other. Charles told her stories of his karting days, of his friendship with those on the grid. Y/N told him about her childhood as a princess and her friendship with Fernando Alonso. She didn't get into the subject of her partying habit, not when she realised she didn't miss it.
"No way," Y/N scoffed, sipping her beer.
Charles laughed as he nodded his head. "Seriously. I woke up shouting 'box box'!" He insisted.
She let out a laugh of her own. "Looks like I'll need to have words with the strategists."
Their evening continued much in this fashion. She hadn't realised he was an artist, not until he showed her some music that he hadn't yet released. He was a talented pianist, and Y/N couldn't stop herself from calling him a tortured artist.
There was no way she was going to let him sleep on the sofa. That would be like letting the Queen of England sleep in the dog house. So, she let Charles sleep in her bed, a wall of pillows keeping them separated.
***
There was a shift in their relationship dynamic after that. Things came easier to them. They were still faking it, but they weren't putting on a performance anymore. It was natural.
When they weren't together, she found herself texting him. Any time she had something to say, she texted him, without caring whether he had time to text her back yet. When Y/N wasn't at a grand prix, Charles was pictured laughing at his phone, and everybody knew who he was texting
CL16
what do you want your contact picture to be?
Please don't make it something embarrassing
Oh come on, Charles
I doubt there are any embarrassing pictures of you
okay i take it back
oh god
look at this little guy
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you were so cute
what happened?
Hey!
I'm still cute!
The ladies love me
sure they do, sunshine
She found herself sending him anything and everything that made her laugh. Whether they knew of this shift, it wasn't clear.
But Henri certainly did.
The next part of this story takes place during the Belgian Grand Prix. Y/N hadn't attended. She'd been to the last few and, for once, her brother wanted to spend time with her.
"I'm impressed," Henri said as they sat on the balcony, tea in front of them. "You're selling this whole relationship really well."
But his sister wasn't listening. Instead, she was giggling down at her phone as she texted. "Y/N," Henri prompted and she looked up from the phone. "Can you put it down? I'm trying to have a conversation with you."
Reluctantly, Y/N put her phone on the table. "What were you saying, Hen?" She asked and picked up her little tea cup. The rim was decorated with pink, yellow and purple flowers.
"I was saying that you've really made this relationship with Charles look real. If I didn't know better, I really would think you were dating," said Henri. He straightened his posture and sipped his tea. "What is he doing during summer break?"
She shrugged her shoulders. Summer break was something they'd only briefly talked about, while Y/N was in his apartment, trying out his sim rig (spoiler alert, she was fucking terrible at sim racing. But it was still good fun, pretending to be her pretend boyfriend). He'd invited her on his yacht by literally saying, "join me on my yacht during summer?"
It was an invitation Y/N couldn't turn down, so she just said, "sure."
Henri continued. "Why don't you invite him to the palace for dinner?"
That was too much of a step into real relationship territory. Immediately she shook her head. "You do know that he isn't actually my boyfriend, right?" She pressed, placing her teacup back down onto the saucer.
Henri waved her off. "I know, I know," he said. "It would just be nice, you know?"
Suddenly Y/N felt a little sick. This was skidding way too far into relationship territory. Fake boyfriends didn't have dinner with her family, fake boyfriends didn't take him to her apartment just because he could.
The next time she saw Charles, Y/N was on his yacht. She laid in the sun, arm across her stomach and her eyes shut. It was lovely, so fucking lovely.
Charles sat beside her, passing her a drink. "Thank you, Charlie," she said with a smile as she sat up. "Best fake boyfriend ever." He patted her knee and stayed at beside her as the yacht gently moved on the water.
They spoke and, as they spoke, Y/N realised they never spoke about how fake their relationship was. In fact, Charles wasn't acting as though their relationship was fake. Even as they walked to his apartment, through the building and away from prying eyes, he still held her hand.
When she sat on his yacht, talking to him about whatever, he kept his hand on her knee.
As they day got later, the two began drinking. "To us," He called and tapped his glass against Y/N.
"To us," Y/N repeated and drank her drink. They slept on the yacht that night, with Y/N changing from her swim wear into something a little warmer as the sun disappeared.
They ate together, drank together, and just spent time together. It was nice, giggling and leaning on each other. Charles just loved spending time with her, it seemed. He gave her his hoodie when she shivered and, when that wasn't enough, he tucked her into his side.
They were both getting tired and were both ready to go to bed. Y/N glanced up at him from her place against his side. That was when he leaned down to kiss her.
Y/N stood up immediately. "Woah, what the fuck?" She cried as she jumped away from him. "Charles, what the hell are you doing?"
"I... Just thought..."
"Well you thought wrong!"
Y/N stormed off, heading to the bedroom. She set up the bed, placing the cushions between them. They'd slept in the same bed several times since that very first time in her apartment, but hadn't since.
The next day, she got Charles to take to back to the marina. Whether paparazzi saw them or not, she didn't care as she stormed away from him without so much as a goodbye.
OFF THE RAILS
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Just when we thought things were looking up for the Monégasque Princess, it seems she is, once again, off the rails.
Princess Y/N has spent the last few months seemingly dating Formula One driver, Charles Leclerc. In this time, it appeared that the princess had halted her wild ways. The clubs she so often frequented were quiet without her presence.
But, after a rocky night on his luxury yacht, the couple appeared to go their separate ways. The Princess was seen storming away from the yacht on Monday morning.
Fans had been hoping that this was just a little spat between the popular couple, but after the Princess was spotted partying in Monaco just the night previous, fans soon lost hope.
She'd done so well staying in the medias good books for the last few months. But, ever since that night on the yacht, Y/N needed to get out. She needed to get out and have a wild night.
She'd never been a relationship person. When Charles had gone to kiss her, she'd been terrified. Why be in a relationship person when every relationship you've had was somebody trying to screw you over?
Because she had loved every minute with Charles. Every fucking minute. For once it felt like she wasn't being used, and they weren't even in a relationship. But Y/N couldn't see a future with him, not one where at least one of them didn't get hurt.
So, she ran away from it. She ran from him and her feelings, ran back into the embrace of the bottle. She partied the night away without caring who saw it.
Of course Charles saw it. It was the first thing he saw when he opened any form of social media. Her face plastered across his screen. Her in a low cut dress that perfectly showed off her figure. He sucked in a breath. She was meant to be his girl, and she didn't want him.
Even though they weren't together anymore, Y/N did stop with the partying. She calmed down immensely, no longer appearing in the tabloids. No longer appearing anywhere, actually.
Charles tried his best to forget about her. He didn't sleep around, he just put all of his energy into his work. He took sponsorship deals, did photoshoots and spent all of his time training. All to get Y/N out of his head.
Well, it didn't work. Charles couldn't forget about her. It was taking everything in him not to go to her apartment and tell her how he had fallen for her while they were supposed to be pretending to date.
Charles messaged Henri, asked how Y/N was doing, but Henri didn't seem to know.
That was because she hadn't been seen outside of her apartment in weeks.
When Henri told Charles, he knew he had to do something.
After attending the Italian Grand Prix alone, Charles made his way to Y/N's apartment. He had all of his things, having not made his way back to his own apartment.
When he knocked on her door, there was a moment before anything happened. He listened out, listening as she got off of the couch with a groan and walked over to the door.
The girl that answered the door was the girl that Charles was in love with, but she was hard to recognise. Hair a mess, bags under her eyes, wearing clothes that hadn't been washed in days.
When she pulled open the door, her face dropped. "Oh," she muttered, leaning against the door, not letting him see the mess inside. "What are you doing here?"
"Your brother told me you're not doing good."
"So?"
She was so quick to shut him down, to try and get him away from her apartment.
But, Charles pushed on. "So, I came to check on you. I'm worried about you."
Finally, she pushed open the door and allowed him inside.
The apartment was a state. Trash everywhere, dirty clothes about the floor, all of her dishes used and piled up around the apartment. There was half eaten food that was definitely rotting.
"Shit, Y/N," said Charles as she pushed the door shut.
She glared and threw herself back down onto the sofa. "Oh, fuck off," she said.
Charles sat on the end of the couch. It was the only place in the apartment that filthy. "I just want to help you," he said and began picking up the clothes on her floor.
And then Y/N sat up, causing Charles to stop what he was doing. "Why? Our entire relationship was fake, so why do you care?" She spat.
"Because." Charles stood up a little straighter, dropping her clothes into a little pile. "Because I love you. I know we were only fake dating, but it felt so real! And I realised that I actually do love you! I want to date you for real! I want to be the best real boyfriend ever, not the best fake boyfriend ever!" He exclaimed. "I don't know why you're so opposed to the idea. Those dates we went one, the ones after that first night in your apartment, they were amazing. I wouldn't have invited you to my yacht if I didn't seriously like you."
Y/N scoffed sarcastically. "Sure you do, Charles. Sure you, a world famous Formula One driver who can have anybody he wants, wants me, the troubled spare, the princess that nobody wants." She said it quietly, picking at her nails.
He leaned down in front of her, taking her hand in his and kissing the back of it. "I do. I really do want to be with you. Princess Y/N of Monaco, I want to take you on dates and I want you to join me at races. I want to show you off in the paddock and I want to take you on my yacht, kissing you with your permission. I want you, Y/N."
But the way she looked at him, she looked ready to cry. "I can't do heartbreak," she said and pulled her hand away from his. "Not with you, Charles. I can't handle you breaking my heart," she said and stood up.
Charles suddenly pulled her close. "I won't break your heart," he whispered and kissed the top of her head. "Now, go take a shower. I'll sort out... all of this."
Y/N did just that. She turned on the water and hopped into the shower as Charles picked up the rubbish. Mainly empty wrappers and bottles of soft drinks. There were plenty of pizza boxes that he shoved behind the bin, just for the time being. After that, Charles picked up her clothes from the floor. He shoved what he could into her washing machine and turned it on, leaving to pick up the plates.
When Y/N hopped out of the shower, the apartment wasn't clean. But it was better. The floor was now visible. As Charles cleared up the space between the couch and the television, Y/N set about washing the dishes.
"Pizza?" Charles offered as he walked over with some half full glasses and cups.
But Y/N shook her head as she scrubbed a bowl that was once full of cereal. "You know, for the first time in a while, I'm not feeling like pizza."
"We'll get you something better, then," Charles said and set about ordering food.
They sat on the couch, Y/N in the last of her clean clothes, tucked into his side. "If we're gonna try this, we'll need to go on proper dates," she muttered, her head against his chest. "And, eventually, you'll need to come and have dinner with my family."
Charles let out a laugh. "Relax, chérie, we're gonna take it one step at a time."
One step at a time.
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thinking about that time I was at some kind of diversity and inclusion thing that involved discussion in small groups and one straight girl said she really wanted to be a good ally but sometimes there were some things she just didn’t know and was too afraid to ask for fear of accidentally being offensive. and as the only queer person in this 4-5 person group I said well go ahead and ask me, I don’t care if you accidentally use the wrong term right now or whatever, it’s better to talk about it and learn something, I love talking about queerness and I’ll answer the best I can. and she just looked so nervous and in the end wound up refusing to ask for fear of causing offense. and it wasn’t just the group setting, I’ve known straight people to act similarly even when it’s just one on one
and just. you guys. this is what purity culture and the “if you don’t know something you were never a real ally in fact you’re a bigot in fact you’re worse than bigots because you pretended not to be one” attitude does. how can our allies be allies if they’re scared to talk to us? to ask questions, to make mistakes, to learn? can we please bring back the idea of “in good faith”? there’s way more to say here about identity politics and virtue signaling and acting like language is more important than action but I’m too tired for that right now
please feel free to add to the discussion (regardless of if you’re queer or not), I would love to hear about people’s experiences with this and if others feel differently about it
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