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#AND YOU WERE SO RIGHT
muckyschmuck · 14 days
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wuh
IM ABOUT TO LOSE MY MARBLES (ALL OF THEM EVERY SINGLE ONE) !.!!!. THIS IS VERY COOL
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o0kawaii0o · 1 month
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no mercy 😭
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stil-lindigo · 10 months
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bite of winter.
a comic about a princess who died in the snow.
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creative notes:
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all my other comics
store
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ronanlynchbf · 8 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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The fact that izzy apparently just hangs out in stede's room doing his own thing is so funny because what's he gonna do when stede&ed start fucking?? they're gonna have to lock him out of the bedroom like the family dog that's yowling at the door
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nat-20s · 1 year
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I'm not aromantic but I believe in their beliefs
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oobbbear · 4 months
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Made this exactly a year ago since my dca brainrot is back I thought I might share this cropped version of the rpg meme
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jq37 · 12 days
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I love Brennan being shocked at Siobhan translating elvish as if she hasn't translated Latin on this show without blinking. Come on, man.
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botlabyrinth · 3 months
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sally’s “i want him to know who he is, before your family tries to tell him who they want him to be.” and poseidon saying “he will be stronger for it on the other side. his mother raised him well.” and he is. percy is stronger on the other side. we’ve seen it so clearly through his quest. his confusion at how you have to earn the gods’ love, earn their respect. his conversation with annabeth on the train about it. his unwillingness to accept the ways of the gods. him realizing his mother wanted to keep him away from this world, and annabeth being the one to tell him that maybe it was for the better that sally did that. so that he wouldn’t be like them. annabeth’s “he isn’t that way. he’s better than that. maybe i was that way once. but i don’t want to be that way anymore.” the way percy would’ve turned out with a similar worldview to annabeth’s if he had been sent to camp so early on. and annabeth’s worldview changing so quickly after meeting percy. sally jackson raised that kid right. you would think that as a demigod, the half god side of percy is what’s important. but that’s not what makes him the hero. it’s the half mortal side of him that does. his humanity, his mortality, his mother. that is why percy is the hero that he is.
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rosekasa · 26 days
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im feeling so unwell about them tonight
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buggachat · 1 month
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yes the peacock miraculous obviously needs to be felix's and is extremely significant to him and there's so much poetry about the fact that he is the holder of the very miraculous that created him and him being the holder of it is deeply entrenched into the plot. HOWEVER.
sometimes i miss the cat!adrien vs dog!felix dynamic. because it was really fucking funny
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I get a notif every once in a while and its goofy look at thisss
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THIS IS SO FUNNY… shocked to be a notification
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redysetdare · 1 month
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All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
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lotus-pear · 3 months
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satosugu <33
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novelconcepts · 2 years
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The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
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