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#(ANYWAY something to ponder)
idliketobeatree · 6 months
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Crowley was God's most dramatic creation.
She was also feeling particularly bitchy and gay that day, and thus, Aziraphale was made.
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surreal-duck · 2 months
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happy birthday to the most idiots of all time
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theteapotofdoom · 7 months
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Thinking about the early days of MHA and Tomura’s first appearance at USJ, and I’m kind of flabbergasted when I remember all the "man child" comments from the UA teachers because my boy was literally 19 at the time so like … yeah.
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madamescarlette · 4 months
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My New Year's wish is for something beautiful to happen to each of us every day-- and for us to be able to notice it, which is almost equally as important.
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delilahhyuuga · 7 months
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"His stomach twisted into tense, nauseous knots within his center as he watched the corner of her upturned lips… One quick twitch downward of the muscles, a momentary slip of the smile from its previous immaculately fastened position… Just enough of a break in her façade to reveal everything to Mello before she could even mutter even a single word.
The world moved in slow motion as she reached for a paper held in a bundle in her folded arms, placing it face up on his desk. Penned on the top right corner of his page using the same deep, steel gray ink and circled so dramatically that no eye would be able to miss it was the damning number: 97
Three points short of a victory…
An entire universe short of perfection…"
(From Chasing Hues - Chapter 1 - @forbiddensoul562)
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vinelark · 1 year
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i love the animated/comic bats’ domino mask vibes where the eyes are flat white but they can change shape to be expressive or blink (or give the impression of blinking), and if we’re tossing hyper realism out the window anyway then i like to imagine that the blinking/shifting is part of the design—something in the tech that helps the bats seem a bit more human while still hiding their eyes/identities. and while i’m imagining that i ALSO like to imagine that this function can be turned off when the bats want to go full unsettling cryptid mode
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walker-lister · 3 months
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I just have to remind myself sometimes that no matter what anyone else says, the way a piece of media makes me feel and the positive impact it has had on my queer identity is valid, and that tearing myself apart thinking I have to defend it or questioning my own place within queer communities is not at all important when compared to the almost tangible sense of 'rightness' that piece of media helped me to feel about myself.
#just something i've been pondering the last few days#kind of like no matter how much people debate or i suppose theoretically deconstruct media featuring queer stories#the most important thing is how it makes a queer person feel#and I do think it is of course a good thing to ensure queer stories are executed with respect and authenticity#but there's this grey area in fandom spaces in which people may have found rep from a 'unreliable' source i suppose#or something which is queerbaiting- sherlock springs to mind for example yet if people have been able to explore and nurture their own#queerness through that media does that therefore mean their experience is invalid? i don't think so#and my worry is the more we focus on theory the less we focus on emotion and therefore the actual queer experience itself#and sure theory can inform the queer experience and ensure the media is a 'healthy' site of queer identity formation and identity aid#but at the same time scorning or being rude to those who have found certain media an aid is not the right approach to be taking#especially as queer experiences are so wide ranging that one person's idea of 'good' representation is someone's else's of 'bad'#and that unless a piece of media is clearly offensive in its portrayal of queer experience there has to be some benefit of doubt#I think we're still in a period of progression in media espc tv where queer creators are coming to the fore of their own stories#and we've got to 'live and let live' a little about where people are finding sights of queer validation and joy#and perhaps this a naive and simplistic way of thinking but i think queer people can either recognise when something isn't the best rep#but was helpful for them anyway and therefore in a way confer 'ownership' of the media to themselves in how they engage#or there is variety in queer experiences represented in media so that perhaps not everyone finds a 'site' of rep but that does not#therefore invalidate it or make it 'bad' representation#this is just my opinion and it'd be hypocritical for me to not now mention this is only formed from my own queer experience lol#so i'm not trying to tell anyone how to feel or anything just something i'm pondering
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st4rstudent · 22 days
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Giant cornplate post here but I'll get my thoughts out anyways. I really like how even visually Mac and Winn are contrasting yet similar. Winn's main color is yellow and Mac's is purple, which are contrasting colors. Yet, they both wear green. And then both of them having glasses but they're different shapes (circle vs square). and ouuughhoguhgh. theyre good friends. i like them.
#clemramble#sorry this is a massive cornplate post . idc. ive posted my thoughts privately and now you all get to hear them#i always wonder if the color choices were done on purpose. i mean winns is obviously. being based off the windows logo#but macs based off a dutch bunny and not the macOS logo . soi always ponder if the purple was an active choice or if it was just coincidenc#not that itd change anything if it was or wasnt . their designs are clemheaven to me anyways#but yeah . you could also write about the same thing with their personalities#mainly in the way they talk in broadcasts. from what i interpret winns a lot more nervous and more casual whereas mac is well. its mac#i also think its funny that despite being nervous and stuttery winn gets to the point faster than mac. like if you read an alarming rate of#aptitude. mac takes 15 years to get to the point which is one reason it gets cut off so easily#and then in the hires and heroes blogpost it goes to do that again and then gets interrupted by winn#but even then winn does sometimes go off tangent just a tiny bit but is much more eager to get back to the point. i presume because of bein#nervous#i just think its all so good. i think they play off of each other in a funny way but not one that would be annoying to either of them#something something. contrasting enough to be different but similar enough to be best friends#sorry this is a kind of long tag post about mac and winn. i just like them alot and i need to get that out there. i hope you all can enjoy#my thoughts#...even if they turn out to be wrong.
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etoilesombre · 1 year
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Ok since more folks are looking at the main tag for a second, here's a question. Its been over a year since there has been anything like this, and there are new people around, so:
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dirtbra1n · 8 months
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trying to find the most efficient way to say that discussion and analysis of hirakagi is like social drinking to me but in the way where All of it is enjoyable and worth my time
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blinkbones · 1 month
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Nana, Émile Zola
Finally getting some French lit in. To be completely honest, I've had this book for almost a decade, and I never read it. Well, actually, apparently I tried at some point, because I found some underlined bits very early on -- but it's clear that I gave up. I remember struggling with it back then. I didn't, this time. It's nice to see proof of my improvement, although I'm not sure what specific skill is concerned.
For a quick & anachronistic summary, it's the story of a 19th century escort girl who makes it big in paris.
I was actually surprised by how easy to read this was. I kind of expected very difficult language. It is poetic, but not actually difficult. The text is easy to follow, almost journalistic. Poetic journalism.
I really, really enjoyed Nana. It's a long ride, and what a ride. It reads, at times, like a soap opera, with how she has a roster of desperate men orbiting around her. She really is the sun of her novel -- and it is her novel. I entered this book ignorantly (despite being French and a ~lit student, I'm not actually well-versed in my country's literature) and it kept surprising me. Where I expected a moralizing tale, or at least a pessimistic outlook on the arrogant seductress, I got the unstoppable, inescapable success of Nana. It's almost a power fantasy, although I doubt Zola saw it through this angle. I mean, it does end badly. Spoilers, but she fully dies in a disfiguring manner. And there is this underlying theme of Nana, the beautiful Venus from the lower classes, bringing the rot of the sewers to the silk sheets of the aristocracy. She all but ruins the entire upper class with the raw power of her sex-appeal, and I thought that there was something cosmic about it. By the time she's at her apex, she herself does not have control of her situation. She becomes like an empire, constantly conquering further reaches to maintain peace and prosperity throughout her imperial reign. She devours. And yet she's so incredibly human. She felt to me like a deity unaware of its power, and, in that sense, her death (especially because it's in the full bloom of her youth and legendary status) felt more like a shedding of the mortal form. Admittedly, I also just find it more fun to interpret it that way. I'm reading for fun, after all. Ah, the specter of academic seriousness hangs over me.
I think Nana is an easy entry point into that sort of literature. Yes, it's part of some long-ass series, but no, you don't need to read the previous books (I didn't). It's very self-contained. It's a long, very eventful ride, through Nana's chaotic and glamorous world. It's long but it feels like going downhill on a bike, and like everything's going too fast still. And it's fucking funny.
And for you, tumblr, my beloved, yes, you will find some messy queers in there. I only talked about Nana herself here, but Nana holds a whole ensemble cast of secondary characters, many interesting women (a wealth of them, really), that are really a whole other serving of delights that I just didn't have time to talk about here. But seriously, just about every character, especially the women, is interesting.
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gravedigg · 3 months
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WORKING UP THE COURAGE TO ASK VIRGIL QUESTIONS:
What were the most intense emotions he'd ever felt outside of the Urge, before the tadpoling and after?
Hi Myc this is a fantastic question ily.
I think pre-tadpole, it would be the major beats of Virgil's life.
When Enver was sold to Raphael, his confusion and anger and sadness that was far too overwhelming for a kid.
The moments after Bhaal compelled him to kill his family, once the urge had faded and he was left to face what he had done alone, absolutely unfathomable horror, shame, and grief. And then there were the dark times after that where he didnt feel much of anything at all for a long time.
There was the shock, disbelief, relief, and utter childish delight that Virgil felt when he saw Enver again after the House of Hope, having believed him dead for so long. He kept these feelings inside as best he could in the moment, the Temple having taught him to temper his emotions as they didnt serve his father's will.
The slow build of trust, love, and sick bloody devotion over the years working together, coming to an apex at their trading of vows on Bhaal's altar, hearts connected by affection and the cold steel blade shared between them.
And then post tadpole, I would say,
Waking up on the nautiloid, head empty except for absolute, unending, blood-curdling rage with no discernable source.
When he found out he was he a child of Bhaal, the deep shame, hatred, and fear knowing his companions would scourn him.
And when he saw Gortash again, not knowing who he was or how he knew him, but that he felt right and good and why did he feel right and good hes supposed to be their enemy, but all Virgil wanted to do was cup Enver's face in his hand, to pull him into an embrace and never let go. I think for him it felt like he had been holding his breath for weeks and he was finally able to exhale, but there were people staring at him, judging him, and he knew how he felt would be seen as wrong, which made him so so angry which he channeled directly into smashing his shitty sister like a bug.
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sylvies-kablooie · 5 months
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have we thought about the potential of sylvie and agatha harkness
something to consider! we all can take some characters that have never interacted and imagine what would happen if they were placed in a room together, as a treat!
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oscill4te · 5 months
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"ethical killing" sounds like an oxymoron to me idk why
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michi-chelle-draws · 4 months
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ace solo sesh whennn 😩
(full censored versions & a bonus under the cut 💦)
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you can do fun little meta exercises about your blorbos and their vibes by pulling inspiration from other random bits of media just for the hell of it with absolutely no intent to do anything with what you come up with it's just a game but Watch Out....
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