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#(...that I specifically only looked at designs incorporating it)
snackugaki · 4 months
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@tmnt-tychou 's Mona and my iteration Venus just being cool, hot and couture
the problem is I thought it'd be so fun and cute to draw them in couture looks I think captures their spirits/character from the years and seasons their debut episodes aired.
.......tl;dr it was a pain in the ass finding full body reference of any one outfit and I fucking had to figure out wha the shoes were in Mona's look by looking at the photo of a different look coming after it on the runway.... so anyway.
Mona's debut episode aired mid September 1990, didn't see any A/W 1990 looks that seemed like her so I went into the next year with something from Yves Saint Laurent's couture a/w 1991 show.
Venus' debut episode aired .....uhhh... her whole introduction spanned 5 episodes. whatever that's A/W, hence putting her in Valentino A/W 1997
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fiapple · 24 days
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i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.
just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.
you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.
to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.
#obligatory disclaimer that i’m aware luffy is the protagonist & a lot of interesting stuff is explored w him. this isn’t abt him though.#part of me wonders if this is an aspect of why people will write off this arc sometimes tbh... like that & the political themes.#but yeah anyway i get why people say that for all there are 100% misogynistic tendencies in oda's writing & character design#it is very very hard to say that he as an individual is an ideological misogynist. like the level of care he puts into his female cast mem#-ers generally speaking & how he approaches what existing as a multi-dimensional individual would look like in their specific contexts is#like... in a lot of ways still something that is unprecedented across all forms of media.#but also not the point but anyone who says nami in particular doesnt get real fights/is unskilled um... no you're wrong read her fight in#alabasta & then all of skypeia.#like in alabasta she takes on arguably a stronger opponent than sanji when considering the structuring of BW. not only that but she does s#with a weapon she has never used before while actively reading the instruction manual. and she WINS. she wins based on sheer intellect &#the ability to utilize skills the audience already knows she has. the pre-existing basic fighting skills she's introduced with are elabora#-ed upon by incorporating her skill w navigation. same with the way her cunning is used in skypeia to cover her lack of sheer brute. &#the best part about it is she's fucking tough in a way that makes sense! she isn't strong/weak just for the sake of positioning her as such#it is thoughtful & it strengthens her as a character rather than just like giving the power-scaler types smth to mindlessly chew on.#like do i wish nami got to fight more & take a more active role in that regard even if i don't think she needs to be a fighter in the same#sense as the monster trio? yes absolutely. i'm guessing this is going to be smth that bothers me potentially even more with robin.#but that does not mean her fights are not masterfully written when she gets them or that she isn't tough as a bag of nails.#respect my darling woman or die.#skypeia#nico robin#nami#grey's one piece tag
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takahashi-labs · 1 year
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17: [OC] What made you choose their faceclaim/appearance?
- For Moth!
((Ooooh this is a good one because Moth is still one of my favorite designs and DTNs.))
((When originally got the concept for her, I already knew I wasn't going to a Luna Moth because that felt... too easy to me? if you know me you'd know I try to avoid going the Obvious route, or if I do I put some absurd spin on it.
In Moth's case it was fun to try and figure out how to work her color palette and design, especially since I don't work with earthy colors super often. I also knew right away that I wanted to make her Toll because 1. I thought it would be funny if a bug rm was Toll, and 2. there are some Big Fucking Moths that exist. Like, I don't know about you but most of the moths that I see where I live are itty bitty things. So knowing there's ones that can be as big as your hand?? I had to play with the idea in the sense of bug robots it was too good to pass up.))
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mechawolfie · 2 years
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hmm... michael......?
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dexaroth · 2 years
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trying to use that one method of solving a problem by thinking of it as if you were explaining it to someone else to sorta force a new perspective on it and going crazier and madder each iteration until im so devoid of any mental capacity i just stare blankly into the dark of my drawing tablet and die of spontaneous combustion and rising from the ashes like an integer overflow time and time again for as long as theres a fuel to change the variables
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disastermanagement · 5 months
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EVERYBODY LOVES SHADOW!!!
THE COMPLETE COMIC!
i said i was gonna put them all into one post once it was finished!
the idea came from this bumblekast episode!
i followed it as closely as i could while adding my own stuff (cus i make comics for a living--i can't NOT make it into a cohesive story!) and keeping the original ending bcus it was funny to me.
answering a few questions i got while this was being posted. >>
"how was metal sonic and the egg pawns affected?"
it was a spray/gas that could affect anything sentient by seeping into skin/metal/whatever. as long as it's something that was designed to be affected (so not grass, trees, water... unless it's a sentient person made of those things. like a tree or water monster for example).
an AI like nicole for instance would be affected physical or in a computer.
(i dont personally believe the egg pawns are as mindless as a pawn could be. they've shown sentience is being perceptive to attacks and threats. THAT'S JUST A HEADCANON THO. i incorporated it anyway cus i thought it was funny even if it probably doesn't make sense to anyone else).
it being scentless is an eggman specific design. if you could smell an unfamiliar scent on yourself (given you can smell at all), you'd wonder what it was.
shadow initially thought the spray was some diversion tactic to keep him from getting too close to eggman. since it was just one of his bases and he wasn't found there, shadow had left in search of where eggman could really be when he runs into amy and there the story starts.
"did sonic ever tell shadow about what was really going on?"
probably not as shadow yeeted himself into space before sonic could get the chance. i'm sure he found him eventually and told him the truth. shadow is gonna avoid that blue payaso for a while after that.
"i don't get the ending :("
watch the podcast! there are timestamps in the top comment, but i'll explain anyway. shadow felt the whole world had gone whack, so his only safe haven was going back into stasis deep in space. he looks so happy :)
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skyeblue8 · 8 months
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Ɗᥙҽ 𝜏σ ᙏყ Ɲҽɯ⨍σᥙɳԃ Ƒιχα𝜏ισɳ... ♚
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Specifically with the Gluttonous Sin of Beelzebub being my favorite Sin of the group (not necessarily in Helluva Boss, but just in general), I wanted to make a ranking list of my favorite Queen Bee redesigns and their creators for really no other reason than I just feel like it. Now, this is all personal opinions and should not be taken to heart by any means, it's just for fun:
#1. "Beelzebub & Bibi" by @gravcore
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♡ In terms of an actual redesign of the original, I love how this artist made "Bibi" because, for one thing, they made sense of the originals hair by giving her a ponytail since way too many characters have a mohawk style (Loona included); two, I cannot explain just how much I adore the clothes they gave her. The top is actually insect based and gorgeous, and not some recolor version of Loona's outfit; and third, they made canon Bee her own character rather than a royal because nothing about the OG read "Ancient Sin" to anybody.
♡ Now, in terms of the actual Beelzebub, here, she's legitimately stunning. Rather than a redesign, I can tell this was the original long before the Queen Bee episode came out, and I love how it reads both "70's party girl" and "regal ruler" all in one. That, and the actual bug design aspect and the color scheme. Above all else, I love how they incorporated the lava stomach in her design, too.
#2. "Beelzebub" by @s3tok41b4
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♡ This design can best be described as a literal re-imagine of the canon Beelzebub as it shares almost all her similarities with the actual bug aspect to it that it desperately needed. It's legitimately simplistic but still appealing to the eye, futher showing us that Viv was perfectly capable of making something so simple, but actively chose to make it more confusing than it had to be.
#3. "Beelzebub" by @ruinxl0ve
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♡ Similar to the first two, this shares both a regal and party girl bug aesthetic with the added bonus of actually being beautifully emotive despite not even having a mouth. I feel this beautifully differentiates the design from the original while also making it recognizable and I feel that it kinda feeds into the original concept that Queen Bee could literally "feel the vibe", hinting to her being an empath in some manner.
#4. "The Three Bees" by @onehelluvatime
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♡ Long story short, these are three individual versions of the Queen Bee and her new placing within the Hellaverse outside of the canon one. For more in-depth explanation of these interpretations, it's best to check the blog yourself. Truly, I love these designs not only because of the visual redesigns themselves, but also the well-crafted and creative explanations and backgrounds regarding these characters. I especially like the idea that the hellhounds within society are half-undead with skull-like appendages and facial aspects.
#5. "Spontaneous Beelzebub" by @redd-byrd
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♡ I know it's essentially the same as the canon design, but with the small tweaks that were made to this one (the giant "Bee Butt", the added black lines, the actual bug-like wings, the blue-thin eyes), all of them give a more clear indication (at least to me) that this Bee is more higher up than her fellow hellhounds, meaning she looks a lot more like a hybrid thus making her more grand. It's nice how they added these small details for improvement while still essentially leaving the design like its original.
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Anyway, thanks for listening to my Ted Talk. Have a nice day!
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mouschiwrites · 8 months
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Creepypasta/MH - Doing Halloween Stuff With Them :)
(Characters: Tim/Masky, Eyeless Jack, Jeff the Killer, Nina the Killer, Jane the Killer, Ticci Toby)
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Tim/Masky
Hear me out... corn maze
I believe that Tim enjoys a good puzzle every now and again
He loves trying to figure things out (specifically when there's nothing at risk)
Getting to show off his navigational skills is also a major plus
He just likes to impress you, even if it comes off as annoying sometimes
"See? What'd I tell you? The exit's right there."
Though he does like the satisfaction of completing the maze, what he really treasures is that time you spend together figuring it out
Once you finally find the exit, you'll celebrate with hot cocoa :D
Eyeless Jack
This man LOVES carving pumpkins
He goes all out; definitely one of those people who makes the crazy intricate designs that look like they take hours
He'll love it if you help him!
If you have a steady hand, he'll let you do the details
If you don't, he'll task you with gutting the pumpkin/handing him tools
You guys collaborate on multiple pumpkins throughout the month, setting them in random locations for everyone to see
If there's a design you want to do, just show it to him, there's no question he'll be down
If it's too simplistic, he'll try to add more details
"Ooh, Jack, look at this one. Can we try to re-create it?"
"Of course! Though I do have some ideas on how it can be improved..."
Jeff the Killer
Another pumpkin carving enjoyer
But for a different reason... a very different reason
He loves the goriness of gutting the pumpkins
He couldn't care less about making actual designs, he just wants to get messy stabbing the pumpkin and gouging out its insides
That being said, he'll 100% gut your pumpkin if you ask him (he'll probably end up doing it even if you don't ask)
It's honestly a little disturbing watching him work
He just gets this look in his eye...
"You, uh... you doing okay there, Jeff?"
"Hm? Yup! Never better!! Say, can you grab the big knife from the kitchen for me?"
Nina the Killer
You best bet she's the costume queen
Spends the whole year planning matching horror-themed costumes
She'll settle for no less than creativity and perfection
High-quality props and articles only!! She'll even make them herself if she has to!
You can expect to spend at least an hour in front of the mirror while she does your makeup/adjusts your clothes
She's an SFX makeup legend, loves incorporating as much gore into your costume as possible
Don't ask why it's so realistic (it's not like she knows how the wound would look if it was real or anything)
"Wow, Nina... It's almost like I can feel it! It's so real!"
"No, no. If you were feeling it, you would be screaming pretty loud right now."
You can also expect to attend multiple parties where you show off your costumes
You guys dominate costume competitions
Jane the Killer
Horror movies!!
Specifically, making fun of them
You both pick apart the plot, the characters, the dialogue, the special effects, everything
No horror film is safe from your scrutiny
If you're the type to get scared during horror movies, her snide comments will help distract you
"Ooh, I can't look!"
"Oh, come on. Look—I bet they used corn syrup for that fake blood. It's way too thick."
When the movie ends, you're both feeling more amused than scared
She doesn't like to see horror films in theaters because she doesn't get to make commentary, plus she doesn't want to "waste" money on a "stupid tryhard-horror flick"
She'd much rather dig up some old indie DVD/VCR and have a home movie night with you
Ticci Toby
Halloween sweets are his bread and butter
Candy apples, fun-sized candy bars, candy corn, pumpkin bread...
He would perish if you made anything homemade for him
Spends the whole month gorging on sweets almost as fast as he can get his hands on them
He will not share with anyone but you
And even you only get a small portion of his goodies
Robs at least one child on Halloween night, mostly for the candy but also because he likes scaring little kids
"Where did you get all that candy?"
"Got it from a little birdy. By that I mean a kid in Falcon cosplay."
"Toby! ... save me the (favorite candy)."
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Thank you for reading! Have a good day/night my spooky pookies <33
(divider by saradika)
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maplewozapi · 8 months
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Heyo! I hope it’s okay to ask, but I have a question about character design.
I had the idea for a phoenix themed mage, and was considering having feathers growing alongside their hair. But my second thought was how I don’t know if that would be offensive to indigenous people.
If you don’t know the answer, do you know where I could learn?
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The thing about feathers and character designs is that nowhere else uses feathers like we do and the silhouette is very unique to us specifically. Looking up feathers in character design or in specific cultures it always seems to come back to us good or bad. So in order use feathers in character designs you have to try not to use our silhouettes with the feathers. (Eagle feathers, head dress, brooches,bustles,ex.) I feel like people don’t understand the importance of feathers like each one you earn or is past down to you by family. During powwows and ceremonies if one falls off they have to completely stop the competition/ceremony and you are disqualified and you have to give away that feather because you disrespected it. And by law we are the only ones allowed to have eagle feathers 🤷‍♀️ it’s a religious thing not an aesthetic
I say consider what bird you wanna use, what they associated with, and use the feathers in a different manner silhouette wise. Like incorporating the bird’s silhouette and stuff. I like what the warrior cats fandom did and moved the feathers to the shoulders instead of head. Because yes we put feathers on our animals as well for the same reasons.
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project-sekai-facts · 6 months
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idk if this has its own comprehensive post on here or not but can you explain in depth how rui is gay coded
yeah okay
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i think what you'll see people bring up most often is the fact that he has his right ear pierced (see above). incredibly brief queer history lesson for anyone who is unaware: back in the 70s & 80s when it was still illegal or otherwise heavily looked down on to be gay, wearing a single earring in your right ear became a non-verbal identifier amongst gay men in America. As far as I'm aware, identifiers did actually vary between areas, but it became far more publicly known that the right ear was the gay ear and the left ear was the straight ear. Even today when the stigma has worn away a decent amount, you still hear people bring up the term "gay ear" and the fact that the right ear is the gay ear is fairly common knowledge. This is also a known thing outside america, i'm not sure how far the spread is outside america and other english-speaking countries but it is definitely known in a fair amount of places, including Japan (also it should be noted that a right ear piercing can have different meanings in different cultures that predate this meaning, and nowadays people are more likely to get whatever ear pierced they want regardless of sexuality).
obviously anyone can have any ear pierced that they want but things work a bit differently with character design. the only other MCs who regularly wear earrings are An (left ear) and Akito (both). For both of them, this is definitely done to make them seem more cool, which makes sense given they're in the street music scene and following the fashions. As for NPCs there's Nagi (left), Arata, Ken, Tatsuya, Iori, Saku, and Yuuka (all both), which again is probably just to fit the fashion of those characters. Okay, Yuuka just has regular old earrings but as for the others you've got street and punk rock styles which both incorporate piercings as a big part of the style (especially with Saku's punk look).
so all that considered, Rui's earring just sticks out, I guess? it's not really a fashion thing, it's pretty plain and just kinda there, and very conveniently happens to exactly match up with an old way of signaling in the gay community instead of being in his left ear which is the far more common ear for guys to get pierced if they only have one earring. also he almost always only has the one piercing in his right ear in trained cards, the only exceptions being his cheer squad (earrings in both ears) and his canary card (three piercings but still in his right ear).
like i said though, it doesn't have to mean anything but talking from the perspective of character design, sometimes if you want to communicate something about a character then you put it in there.
building off of that, very stereotype-y but his choreo is notably quite.. flamboyant, should I say, compared to the other characters, even shizuku and haruka's more elegant styles. honestly just watch the clip this is so hard to explain. anyway in the process of writing this i found out that his mocap artist lists in his professional profile that one of his specialities is dancing for both masculine and feminine roles, so I get the feeling that there was a reason they cast this person specifically instead of one of the other male artists at the company, and then there was the decision to even have him dance like that in the first place. this doesn't have to mean anything at all and as i said leans very far on stereotypes which is something that i'm not a huge fan of but you do still have to consider things like this even when talking about modern media since it’s still a common way to imply characters as queer.
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this one again is more of a matter of perspective. Rui has a few interactions with Tsukasa that could very definitely be read as flirting. it's kinda ambiguous though, which does make sense given the type of game this is; idol-adjacent games like this very rarely make anything concrete so that people who are fans of a pairing can enjoy the teasing and people who don't like it can simply move on. first thing that comes to mind would be the part where he invites Tsukasa to his house in wonder halloween (above), mainly because his L2D uses his smile expression that has a blush with it and that was a choice that someone on the L2D team had to make but didn't have to - they could've easily just kept his usual teasing expression he had at the start of the interaction there was no need to change it.
There's a couple other interactions but this is probably the most obvious outside of the incredibly shameless shiptease of Rui volunteering himself to play Juliet so Tsukasa could rehearse the proposal scene of his R&J adaptation despite the fact that Nene was in the room in Kamikou Festival!. Also, these scenes I mentioned would have been written long before the pairing between the two characters gained popularity in the fandom, so they were written just because the writers wanted to rather than because they were intentionally targeting a certain group.
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(TL by pjsekai eng)
there's also that 1koma that I posted about a while ago. you know, the one where he asks for people to call him the "modern day Hiraga Gennai"? Hiraga Gennai as in the 18th century Japanese inventor who was also gay and wrote multiple works about it. The whole joke of the 1koma is that Rui wants to be known as the modern equivalent of a gay scientist and Tsukasa questions if he really wants to be called that.
The 1komas are played for jokes though, and especially the original ones are quite hard to call canon due to some of the scenarios and character interactions not making sense. But then again, someone on the writing team decided to write a gay joke around Rui for whatever reason that may be and it got passed by higher ups and put in the game (or, 3 versions of the game. the joke didn't make it to EN due to Gennai not being very known amongst the audience).
the only other thing i can think of (and arguably like, the biggest bit of evidence for this theory (? Idk if I should call it that)) is that he doesn't really show any interest in women.
First off, the Valentine's Day 2021 vlive. Quick note that in Japan, Valentine's is traditionally a holiday for girls to give chocolates to boys (while white day is the reverse). You can give platonic valentines too, which is what happens in-game... for the most part.
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Those chocolates Rui got could easily just be platonic chocolates from other students, but then you have a few factors to filter in. 1) this is very early into the game, back when his only friends were WxS and Mizuki and 2) Those chocolates aren't from WxS, since Emu and Nene give the boys sweets offscreen after the vlive, and Tsukasa is on the receiving end for this holiday. Of course, one box could be friend chocolates from Mizuki, but that leaves more chocolate boxes than friends to give him chocolates.
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Immediately after this, Tsukasa gets jealous that Rui got chocolates and tries to brag that he got some too, before saying too much and revealing he got friendzoned by multiple girls, basically confirming that Rui's chocolates were given with romantic intent. I guess you could say that these were chocolates given out to everyone in 2-B, but then why would they leave it anonymously in his locker? Tsukasa's classmates just gave them out to everyone in-person. The only reason I could think of is that people don't want to associate with him, which is canon, but if that's the case then why even bother. I dunno. This is almost word-for-word from that post I made about the in-universe attractiveness of every character so sorry I made you sit through that again.
Getting back on track, Rui seems very neutral about the fact he got given multiple boxes of what was likely confession chocolate. He just briefly mentions that he forgot the holiday was even happening until he found chocolates and then never brings this up again. I think it's worth comparing his reactions to Tsukasa, who seems to care very much about his abilities (or, lack thereof) to attract women. Obviously Tsukasa is the big reactions/brag about a lot of things guy, but Rui does not really seem to care about the fact that multiple women find him attractive, or just the holiday where he’s supposed to get chocolate from girls in general. But this whole interaction is just for jokes anyway so you don’t have to think too much of it if you don’t want to.
Second sub-point: Shizuku. Shizuku can be considered as the most attractive character in-universe given the sheer amount of characters that have been shown to be attracted to her or at least comment on her looks (currently at least 8 MCs if not more and a few named side characters). Admittedly none of those MCs are male, but it isn't like it's impossible for people to be attracted to the opposite gender in this game, like we just established that Tsukasa says he's interested in women, so the point still stands.
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(TL from Tsukasa's #3 fan on YT)
Specifically I would like to point out a scene in A Once-In-A-Lifetime Pandemonium, when the 2-B trio first meet the Miyajo 2nd years. The three of them immediately recognise Shizuku and Airi and then Ibuki describes Mafuyu as "a beauty". Shizuku gives them her idol smile which in their POV has the same sparkles that often (not always, but definitely in this context) show up when characters are attracted to another character (like how Haruka has this effect on Minori and Kohane, and An has this effect on Kohane). Like it's very, very obvious that Rui's friends are attracted to Shizuku and the other girls and they're pretty surprised that he's hanging around with them.
But Rui never acts like this around Shizuku at all, nor does he ever even address the fact that she's good looking. He doesn't even bring it up in their earlier interactions back in the Picnic event or any events after, when a lot of other characters (e.g: Emu, Ena, and Mizuki) commented on her looks almost immediately after meeting her (they did first meet in a pretty stressful situation if you want to argue that, but it still stands that he's never been attracted to her). Similarly in The Tomorrow we Hope for, he does not have any reaction to meeting Haruka for the first time, unlike how we see other characters who are attracted to women (Kohane/Minori/debatably Nene it’s up to interpretation) act around her at first.
at the end of the day i think you could definitely make a case for it. like it's harder to make a solid argument in comparison to say, Kohane, An, or Minori who are outright attracted to other girls and say as such on-screen, but there's definitely some more subtle hints and stuff to work with still and it was actually quite fun to compile them (i took the in-depth part to heart as always sorry anon).
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prokopetz · 11 months
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i'm not sure how relevant to your interests this is, but i've been digging and can't find anything and you're the last place i know of to ask for hyperspecific obscure game recommendations. would you happen to know of any zeldalike games inspired by zelda 1 specifically? i've been struggling to find anything that scratches that itch in the way i'm looking for.
My personal favourite is definitely Ittle Dew 2. It's admittedly not a pure example of the type, as it also incorporates Adventures of Lolo style block-pushing puzzles and frequent bullet-hell elements, particularly in the boss fights; however, it does hew close to its inspiration in its ungated, secret-laden overworld design, nonlinear dungeons, and a progression schema which takes pains to provide multiple developer-intended solutions to nearly every puzzle, minimising dependencies on obtaining upgrades in any particular order.
(Note that I'm specifying the second game in the series for a reason; the first game is a speedrun-centric puzzler that takes its primary inspiration from early 2000s Flash games. It's a neat piece of work if you enjoy lateral thinking, though; while it has only three items to obtain, each of them can be used to solve puzzles in multiple ways, and some of their interactions are very non-obvious.)
Beyond that, it's tough to say. There are other Zelda 1-likes out there, but they're for the most part very bad, and by policy I don't provide recs for games I wouldn't actually, you know, recommend. You only really start to see a range of solid titles to choose from among those that more closely emulate the franchise's early Game Boy instalments. If you're also willing to give that a try, you might have a look at Wirewalk()↳ – it's probably the purest example on my rec list.
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gacha-incels · 4 months
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regarding character design in gacha games- if you haven’t played many, I will show examples from some popular ones here. This is for reference regarding confusion as to why incels often play these games. This isn’t to cover everything in these games either, there are games with much more absurd designs and I’m not even going to get into the “sexy little girl” designs a lot of them have. In the future I plan to research more and intend to make a concise post regarding the incel relationship with these games. These character designs and tropes exist across societies and are enforced through many types of media - it’s not just gacha games alone perpetuating them. I think they are however hypervisual in this specific genre mostly due to the huge amounts of money being spent by players in “purchasing” them. again this is just for reference, if you already are familiar with female character gacha design feel free to skip this. I’ll put it under a cut.
gacha games are infamous for typically having extremely sexualized female characters who will usually flatter the assumed male player. Again there are some that designers and writers will dress more chaste or have them give the player shit, but by “winning” these characters they are now “yours” anyway, they are not real women and therefore can’t walk away. I believe a big part of this appeal is due to incel men wanting to control a woman designed for an audience of people like him. The hypersexualization serves both to flatter his idea of a woman’s true place (his consumption) and to create a very rigid and obvious differentiation between men and women during a time when women are fighting tooth and nail for their dignity and equal rights.
Nostalgia and rigid character design dichotomy can be seen in the extremely popular gacha game Fate/Grand Order, I believe a good piece of its success can be attributed to this. There are thousands of Japanese gacha games that take already popular anime franchises and create a money pit gacha with them, it’s been happening for over a decade now. These games usually make bank taking already popular characters and giving them hypersexualized alts and costumes. FGO is an interesting phenomenon to me because it seems like for a lot of fans, the Fate franchise’s cultural touchstone is now this actual gacha game. The game adds popular existing Fate characters of course, so you can see how different the gacha character designs are from the VN/animes:
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When you can only watch them/read their stories, the characters are dressed like the above examples. When they are added to the game and you can buy and own them, they look like the bottom examples.
The (rare) depiction of darker skinned female characters in these gacha games is pretty uniform across the board- they are somehow, consistently, sexualized even more than the other female characters, they are often exoticized and sometimes have a “wild” or rebellious looking aspect incorporated. I would consider this something the intended audience expects to see, regardless of the truth, and the gacha game reflects this back to their customers, therefore enshrining this damaging stereotype to its audience. These examples don’t account for everything of course.
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As to not offend the delicate male viewer, these games also typically design furry/animal characters by having the female retain the most human-like features (like a small and delicate face) while the male is allowed to actually look like the animal. When a female character has armor that conceals her sex, there is of course a version of her you can “upgrade” where she takes off her armor to reveal a very delicate girl in revealing clothing.
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Typically, the consumer will see powerful, sturdy looking male designs that attempt to not alienate the straight male viewer first before adding “sexy” elements. In contrast, female characters are almost always very thin (often with exaggerated tits and ass) and her pose is chosen to show off her body first, before her power. This is an Arknights dual banner that displays this design philosophy well:
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some of the biggest incel shitfits come from male designs they see as being sexualized and objectified as the typical female design. these are 3 characters Korean incels have lost their minds over:
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In their world, the rigid sex dichotomy is breaking down and the hierarchal system of gender where men are on top is being threatened. they don’t feel powerful seeing lithe and skimpily dressed men, and they aren’t the hentai “femboy” fetish these guys seem ok with either. incels see these games as their playground. when designs like these are included, they see it as their job to rectify this. Lyney’s costume and demeanor is too “sexy” and “gay” for Korean incels, they mass dislike his character trailer and write hateful comments across SNS. Sinclair is shirtless and wearing a collar - Korean incels are furious he’s wearing less than the female summer character and see the collar as meaning he’s a “slave” for the female customer. This snowballs into them targeting a female artist on staff, Vellmori, and getting her fired even though it was a male artist who illustrated the cards. I’ve posted Korean incels comments on the Honkai Star Rail character- similar to Lyney, they are angry he looks “slutty” and/or “gay” since he has a boob window and detached sleeves. This is too similar to how the female characters are made “sexy” and it means women have prominent roles creating for these games, something incels of course hate. Regarding the role women should have in creating these games, a Korean incel wrote (after seeing photos that include many female staff members at Mihoyo) that they should just be there working at the cafe to serve coffee to male employees and look pretty for them.
In regards to how some of these games are marketed, we can again look to the article written by a Korean woman who was a victim of feminist ideological verification.
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character designs for NIKKE and Destiny Child:
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what the gameplay for NIKKE looks like:
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misc-obeyme · 7 months
Text
Here is part two with the rest of the characters!
I actually included the three undateables - Mephisto, Raphael, and Thirteen. I'm getting tired of waiting for them to become dateable, so I decided to go ahead and write some for them, too. I don't know how good they are, I feel like I have no clue what I'm doing when it comes to them lol.
I may have also included my OC Arsenios as a bonus... just 'cause I really wanted to write one for him. It's exactly the kind of scenario he would be there for so it just fit so well. Anyway, you can read more about him here if you're curious. He's also the last one, so you can just skip it altogether if you like lol!
FLUFFTOBER 2023
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GN!MC x the dateables, the undateables, and one OC lol
Warnings: none that I can think of??
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It was an October night in the Devildom and the House of Lamentation was hosting a Halloween masquerade ball. The main hall had been decorated splendidly in oranges, purples, and blacks. An entire feast was laid out, the table full of dishes contributed to the party by Barbatos and Simeon. The room was dark, lit mostly by orbs of orange light, enchanted to float through the air by Solomon. On a small stage there was a live band playing a mix of lively and slow creepy music. The dance floor was filled with demons, all of whom were unrecognizable…
Due to the masquerade theme, special masks had been made for each attendee. They were made by Satan and Asmodeus, working together to create magical masks that would completely obscure each party goer's appearance. Once they put on the mask, a glamor fell over them that transformed them and made them unrecognizable. Every glamor costume was black and incorporated a look involving fancy suits, flowing dresses, and probably too many sequins.
The party organizers all knew what each other's mask-generated costumes looked like. Everyone had been present when Asmo revealed his designs. Everyone… except you. You had insisted on creating your own glamor and thus hadn't been present to see everyone else's.
Now you stood in the middle of this masquerade party, unable to recognize a single person.
And yet you knew that the person you wanted to see most was in the room somewhere. And after a small amount of time, you were certain you had figured out who it was. You made a bold move and asked them to dance. While you were in their arms, they told you to meet them somewhere specific later, when the party was winding down. You agreed and spent the rest of the night exchanging looks with them, anticipating the moment when you would be alone with them.
Had you chosen the correct person? Did you know them well enough that you could determine their identity when their appearance was so altered? And more importantly… did they know who you were?
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Diavolo
You actually had to pretend that you didn't know who he was. The reality was that there was no mistaking Diavolo. He walked like a king, moving about the room and talking happily with every demon he came across. He had a presence unlike any other, even rivaling Lucifer in the way he commanded the space and everybody's attention.
You had to intercept him and ask him to dance. He accepted your invitation readily enough, but you weren't sure if it was out of politeness or if it was because he actually knew who you were. He spoke with you easily while you danced and even when he asked you to meet him in the foyer, you weren't sure if he knew you.
You managed to break away later, when things were winding down. You had seen Diavolo going into the foyer and followed him after only a few moments.
His mask was already gone and you found him in full demon form. Diavolo looked absolutely regal standing there, waiting for you. You went up to him, almost intimidated. You still weren't sure if he knew you.
"You wanted to see me, Lord Diavolo?" you asked carefully.
Diavolo chuckled. He reached out to take off your mask. "Were you truly afraid I didn't know you, MC?"
You blushed and looked away.
Diavolo laughed and took your hands, pulling you outside into the Devildom night. Before you knew what was happening, you were in his arms and with a heavy beat of his enormous wings, the two of you were flying. The wind rushed through your hair as you wrapped your arms around him, pressing yourself close.
Diavolo hovered for a moment. "Don't be afraid. I have you. I only wanted to be alone with you for a moment. Up here, no one will see us."
You flushed, amazed at the sight of him, his strong arms keeping you up, the yellow light of the moon splashing across his skin. Everything became heated as he kissed you, the neediness of his lips indicating just how much he had been waiting for this moment.
Barbatos
If you hadn't been deliberately looking for him, you likely wouldn't have noticed Barbatos at all. He stayed out of the way, on the edges of the party, sometimes fully in the shadows. But even in his glamor, he maintained his usual butler pose and his stance was what gave him away.
You weren't sure if he would accept when you asked him to dance. You knew he was a guest at this party, but he had a tendency to go into butler mode even as an attendee. To your delight, he bowed to you and took your hand. You hadn't been sure if he knew who you were, but the way he danced so close to you indicated that he did. Likely, he had known all along. Your suspicions seemed confirmed when he invited you to the kitchen.
You slipped into the kitchen as the party quieted, finding Barbatos making tea. You weren't in doubt of his identity, but the sight was so familiar, any questions were immediately put to rest.
"Come, MC," Barbatos said. "I've brewed your favorite."
You took off your mask. "You always knew it was me, didn't you?"
Barbatos poured you a cup of tea and handed it to you. He met your eyes and took off his own mask. "Just as you always knew it was me."
You put the teacup down on the counter next to your mask. You took Barbatos's face in your hands and kissed him.
Barbatos responded by wrapping his arms around your waist and kissing you back.
After a moment, he pulled away and smiled at you. "Your tea will get cold, MC."
"Let it," you said, kissing him again.
Simeon
You really thought it would be easy to find an angel in a room full of demons, even if they were all unrecognizable. You moved from group to group, trying to figure out if you could find Simeon by his words. Perhaps he would say something that would tip you off.
You were unsuccessful still by the time someone asked you to dance. You almost said no, but something stopped you. You cocked your head and considered him. He was graceful, his hand extended, ready to take yours. You couldn't quite place it, but there was something about him that made you think… could it be…? When he asked you to meet him in the guest room later - your room - you were even less sure than before.
When you entered your own room to find him waiting for you, you hesitated.
But then Simeon laughed and no glamor could hide the musical sound of it.
"I'm sorry, MC," he said. "Did I confuse you by asking you to meet me in your room?"
You sighed, coming fully into the room now and taking off your own mask. "It was a little unexpected, yes."
You walked up to Simeon and took off his mask yourself.
"But in the end, your angelic laugh gave you away," you said with a smile.
Simeon blushed. "I only wanted a moment alone with you and this seemed like the best place."
You put your arms around him. "It is," you said.
Simeon kissed you without prompting, his arms tightening around your waist and pulling you into him.
Solomon
You were the only two humans in the room. Maybe that was all it took. Perhaps it was the unmistakable bond between master and apprentice. You could even argue that after all the time you'd spent doing spells together, you simply knew the feeling of the other's magic. Whatever the reason, both you and Solomon knew each other upon first sight.
You both deliberately kept your distance, each of you sending glances at the other across the room at regular intervals. It was a look of knowing, a soft smile, quick eye contact, a conversation without words. You were the first one to ask him to dance. He accepted right away, holding you closer than a stranger would dare to as you moved together to the slow song that was playing.
You were a little startled when Solomon teleported you right off the dance floor. You grabbed onto his arms as the room spun a bit before resolving into his own room at Purgatory Hall.
You took a step back and folded your arms, frowning at him. "Was that really necessary?"
Solomon chuckled. "You sound upset, MC. After all those looks you gave me tonight, I thought you would want us to be alone."
You blushed and were grateful that you were still wearing your mask. "I mean, yes, obviously, but now everybody's going to be in uproar about it."
"No they won't," Solomon said, putting his arms around you again. "Nobody knew who you were, did they?"
You suspected that some of the others had figured out your identity. But the look in Solomon's still glamored eyes made your stomach flip and you found you no longer cared. You took off his mask and yours, tossing them aside before kissing him.
Mephistopheles
Maybe you wouldn't have known Mephistopheles with the glamor, but he gave himself away with his haughty demeanor. He moved around the room with his chin up, following Diavolo like a puppy. Everyone in the room was aware of Diavolo's identity, so it only made sense that the one constantly seeking his attention was likely Mephisto.
You approached and asked him to dance, knowing that his sense of correct manners would prevent him from saying no. He didn't seem to be able to tell exactly who you were as you danced with him. You wanted to ask him to meet you later, but you weren't sure if he would agree. So instead you mentioned that Lord Diavolo was going to be in the music room.
You were pleased to find Mephisto waiting when you showed up in the music room. He turned to you and frowned.
"I thought you said Lord Diavolo would be here," he said.
You took off your mask. "I'm sorry," you said. "I only said that because I didn't think you'd come if I just asked."
Mephisto's frown deepened as he took off his own mask. "You? What do you want?"
You came closer, tapping his chest with your fingertips, smile teasing. "Oh I don't know. It's a party. You seemed so tense and preoccupied. I thought you might like to let go a little."
Mephisto blushed, but he caught your hand in his. "And I suppose you think you can help me with that?"
You leaned forward, your faces almost touching. "If you let me."
Mephisto pulled your hand so you stumbled forward a little and your lips crashed into his. His arm wrapped around you and you couldn't resist putting your other hand on his cheek as you kissed him back.
Raphael
Raphael was almost painfully obvious. You even heard him say something about spears, which instantly let you know who you were dealing with. He seemed oblivious about who you were and he also seemed like he didn't particularly care who was who at all.
That was, until you asked him to dance. He agreed, but it was clear to you that he was puzzled. Not just about who you were, but why you wanted to dance with him. He likely thought you were a demon and therefore would want to stay far away from him. And yet, as the dance went on, he relaxed, which surprised you. Had he realized who you were? You thought he must have when he asked you to meet him in the garden.
When you arrived, he turned to look at you. He had already removed his mask and he had a rose in his hand, which he handed to you as you came closer.
"I asked you to come out here so I could give you this," he said, his voice serious, his demeanor as stiff as it always was.
You held the rose carefully and looked at him. "Do you… know who I am?"
Raphael smiled and it transformed his face. One moment he had been staring at you with an almost stern expression, but now there was a sweet softness that you rarely saw. "Of course I do, MC."
You sighed and took off your mask. "What gave me away?"
Raphael blushed lightly. "It was your kindness. I did not think a demon would ask to dance with me. I would have recognized if it had been Simeon or Solomon."
You couldn't help yourself. You leaned forward and pressed a kiss to his lips. To your complete surprise, Raphael put his hands on your waist, keeping you there and kissing you back. You found out in that moment how soft Raphael could become.
Thirteen
You expected it to be difficult to find Thirteen. You thought she likely didn't even want to be at the party at all. So you supposed she would keep to herself. But you should have known she wouldn't be able to give up a chance to trap a certain sorcerer. She had brought a trap that looked absolutely terrifying, but before it could be sprung, Barbatos intercepted it and had her take it apart.
She was sulking about the lost opportunity when you asked her to dance. The way she brightened up immediately made you think she must know it was you. You were the only one she seemed to genuinely like. She danced with you happily, smiling the whole time. When the dance was over, she asked you to meet her later in the planetarium.
As soon as you arrived, she was at your side. "MC! You came!"
You laughed and took off your mask. "How did you know it was me?"
Thirteen giggled. "Your shiny soul, of course! It was the first thing I saw when I got here!"
You blushed and reached out to take her mask off, too. "I might not have figured out who you were if it wasn't for that trap you brought."
Thirteen frowned and shook her head. "Barbatos ruined my chance."
You took her hand. "Maybe, but I'm sure you'll come up with an even better trap for Solomon."
Thirteen pulled you closer, her smile back. "You're so sweet, aren't you, MC?"
"Only to you," you said, leaning in and pausing only a breath away from Thirteen's lips.
Thirteen needed no further prompting, letting her lips meet yours as your arms slid around her.
Arsenios
The live band playing on the small stage seemed to consist of a group of demons all wearing the glamor-giving masks. You were a little mesmerized by the one who was playing the piano, but you had no idea who he was at first. You watched them play as you moved about the room, your eyes always going back to the demon at the piano. A few times, he looked up and met your eyes.
You noticed when band members began to take breaks, one of them leaving the stage while the others played something soft and mellow. So you were hovering by the drink table when the demon who had been playing the piano came to the table for some water.
"Hey there, MC," he said as he filled a little cup from a large glass jug with slices of Devildom citrus floating in it.
You frowned. "You know me?"
He shrugged and drank the whole cup in one long gulp. "There's a rhythm to the way you walk," he said.
Something about the way he said this clued you in to his identity. "Arsenios?"
He took off his mask, revealing that you were correct. "I didn't think you'd know me."
You pretended to be offended. "Really? Who else would recognize someone by the rhythm of their walk?"
Arsenios chuckled. "Yeah, okay, smart ass," he said.
You grinned and grabbed his hand, pulling him away from the drinks and into the nearest empty room, which happened to be the library. He let you lead him, an amused expression on his face when you turned back to him.
"I'm glad you're here tonight," you said. "Even if it is as the entertainment."
Arsenios reached up to remove your mask. He put it carefully aside before cupping your cheek in his hand. "And? Are you entertained?"
You leaned toward him. "Not yet."
Arsenios pulled you close and kissed you, arms enclosing you. You could just hear the soft strains of the music - sans piano - behind the beating of your heart.
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part 1 with the demon brothers
flufftober | kinktober | masterlist | Thank you for reading!
taglist: @anxious-chick @t0tallycoolname @libidinous-weeb
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madseance · 2 years
Text
No, Adobe and Pantone don't "think they can own colors and charge you to use them". No, Stuart Semple's "liberated colours" don't solve any problem. No, Adobe isn't going to lock you out of your files if they happen to have any colors in them that are in Pantone's books. That's not how any of this works.
Pantone doesn't own colors. They own the Pantone Matching System, which is a system for designers and the people who turn those designs into end products to all be on the same page about what color something should be. It's essentially a more complex and extensive version of what happens when you pick out a paint swatch and someone mixes up that color for you.
There's nothing new about Pantone charging exorbitant amounts for their products. Pantone's color books—which are essential because knowing what the color will look like in physical form is the whole point—infamously cost hundreds of dollars. They can charge that because Pantone is the color matching standard agreed upon by multiple industries, from print publishing to fashion. Everyone uses it, because everyone else uses it, and because it works.
Yes, that unfortunately means that a lot of people have locked themselves into using something owned by a single corporation, and if they ever decide they want out, it would be massively inconvenient at best. That's a huge problem that isn't limited to this situation (see also: Adobe) and doesn't have a simple solution.
Stuart Semple's "liberated colours" palette, that he's hyping as Pantone colors but free, doesn't address this problem at all. Nor does it solve the immediate problem facing people who actually professionally use Adobe's existing features for incorporating Pantone compatibility into design files.
Because that is the actual issue here: Currently, you can specify your colors in e.g. InDesign as specific Pantone colors, and that information can be used when your file is turned into a physical product to get the exact colors you asked for. This works only because, again, you and the printer are both using Pantone's system, which tells you what the color will look like and tells them how to make it look like that.
Adobe removing those palettes doesn't mean you can't use any Pantone colors. It means you can't automatically specify them as Pantone colors in your file. And that means, when someone produces your designs, they don't have the Pantone system to tell them exactly what physical colors to use. That's it.
Semple's palette doesn't fix this problem, because it's just a palette. It's not part of any larger system that ensures colors are faithfully reproduced in the end products. It's just a set of colors that are similar to some of Pantone's colors. It's no different than using the color picker, or a palette you downloaded somewhere else. It doesn't have any effect on what gets printed, which is the whole reason anyone uses Pantone at all.
I know people love the story of Semple and the other guy and the black paint, and/or the other side of the story where he's actually the villain, but none of that matters except for this context: Semple's whole brand is "liberating" colors from these evil millionaires and corporations who want to control them, etc. I like to think that he has a basic grasp of what Pantone is used for, and if so, he knows his palette doesn't solve the problem. It's just a promotional stunt. It's not inherently a scam or anything; but the idea that he's giving you back something Adobe and Pantone took from you is complete nonsense.
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mochiajclayne · 16 days
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Hi there,
I hope you're doing well.
i read your post regarding SasuSaku and Sarada as a family and you stole the words right off my mouth.
I'd like to know your thoughts and opinions on Sasuke Retsiden because from what I can see, its only Jun Esaka (a mere light novel writer that writes non canon stuff) all over the internet being equally all over about her Sasuke Retsuden. I haven't seen any other light novel writer being more active about something non canon. Even kishimoto himself doesnt behave like this regarding his own work.
I'd like to also know about your opinions regarding Jun Esaka ATTEMPTING to remove or metaphorically kill Karin Uzumaki by making the main villain a Karin look alike and giving her sensory abilities to Sakura, which again, makes no sense. Does that woman hate Karin and SK so much? Is that woman so threatened by the very thought of SK as a couple that she had to incorporate a villain that looks like Karin Uzumaki down to a tee?
These are just my thoughts and speculations but I'm also really interested in knowing your side of the story.
Thanks for reading my long comment and i wish you a wonder day/afternoon/evening/night
Hi, @theuntamedangel! I appreciate the long comment! I hope you have a wonderful day/afternoon/evening/night, too!
Before I share my thoughts about Sasuke Retsuden, let me share that I did, unfortunately, have a sasusaku phase. I know. Shocker. The entire lore is here in case you're interested (promise it's relevant to my explanation).
I did hear about Sasuke Retsuden when I was still in college. Bits of information, specifically, about the chakra ring and from a perspective of someone who used to ship sasusaku casually, my initial reaction was okay good for them and I went on with my day. Note that I wasn't as heavily engaged in the Naruto fandom like I do now so for me to isn't active back then, hearing about Sasuke Retsuden, speaks volume on how it is over the internet that it even reached me.
I hate Sasuke Retsuden. It's badly written, it's OOC especially for OG Naruto characters, and the canon inaccuracies are more than enough to drive me into aneurysm.
Below this cut is my detailed thoughts about Sasuke Retsuden.
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The villain looking like the male version of Karin caught me off guard. I don't know what the intentions behind the character design but I think they aimed for association as Jiji, one of the characters from this godforsaken novel, reminded me of Juugo.
I am not a sasukarin shipper but I do understand where the shippers are speaking from. I think they'll make a cool couple because Karin actually freaking cares about Sasuke when shit gets serious and outside of her "gag", she respects Sasuke's boundaries. Might be speaking out of the box but this novel in its existence was meant to be sasusaku-centric so the possibility of being threatened by all Sasuke-related ships, especially those making far more sense than SS, is high. I don't think Jun Esaka hates Karin. I would dare say that she picked a random character that could work as a direct contender to Sakura and unfortunately, she decided to scapegoat Karin. Moreover, the entire sensory ability shtick added to Sakura was uncalled for. I would go even further and say that Esaka's version of Sakura is what her stans hailed her to be--a superior version of [insert any Naruto's female character]. Even their pink haired kunoichi is incredibly OOC here and you expect me to take her seriously?
The funniest thing about Sasuke Retsuden is the way that they had to use SNS at first, specifically, Sasuke's mission is to find a cure for that chakra illness that Naruto alone suffers. Sure, this is SS centric but it all comes down to Sasuke and Sakura working together to find a cure for Naruto. Now, she could just write a novel about SS without using Naruto's "sickness" as some kind of a plot device, right? But no, she had to convince us somehow and an effective way to do that is literally Naruto and Sasuke.
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The dinosaur. Don't even get me started. Even tailed beasts cannot fight against Sharingan to the point that canon graciously provided us evidence of both Madara and Obito controlling the Nine Tailed Beast. The very same Sharingan that made the higher ups of Konoha suspect the Uchiha clan as mastermind for that same incident. We're talking about the same dojutsu that manipulated the Fourth Mizukage. The canon inaccuracy throws me off the loop.
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More inaccuracies. Suddenly Sasuke is an Earth and Ice Style user. Wow. Conveniently forgetting about Kakashi mentioning in Part 1 how Ice Style is a Kekkei Genkai that even Sharingan can't copy. As far as Naruto canon goes, Sasuke is a Fire and Lightning Style user. I don't consider Boruto as canon but even that animanga doesn't show any moment of Sasuke using Earth Style. It's insane that people claimed this as canon.
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THIS DISTURBING INTERACTION. I did say that the OG Naruto characters are OOC in this shitshow novel and yes, unfortunately that includes Sakura. We've seen the way she react around Naruto's sexy ninjutsu antics. Unless objectification of women or the mere implication of it doesn't perturb her, then it says more about how Esaka portrayed her. I'd personally file a restraining order when a guy says he'd settle for my old, half smoked cigarette butts. I'm surprised that she didn't throw any snide remarks here.
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WHO IS THIS SASUKE AND WHAT DID YOU DO TO HIM. This panel made me laugh so hard because I feel like Esaka straight up ignored that Sasuke canonically spent years with his family before the Uchiha downfall happened. I don't think he'd be this clueless about how a married couple acts. Even in flashbacks, Sasuke was shown around his parents or Itachi, literally with his family. I think he knows well enough about married couples.
The ring part as well makes me cackle because Kurenai literally wears a ring in Shippuden. Trust me, Juugo-look-a-like, rings are used in Konoha by couples.
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The Uchiha clan symbol takes me out because AREN'T YOU GOING UNDERCOVER IN THIS PRISON? WHY ARE YOU SHOWING THAT OFF?
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The Chakra ring in question. Finding out the lore behind this further upset me and I am thankful that I no longer ship sasusaku. Show these panels out of context to someone with little to no exposure to canon and it would be romantic but if you know Narutoverse like the back of your hand, this novel served nothing. Seriously, the fact that Sasuke is incredibly OOC on this novel speak volumes. Imagine annihilating Sasuke's character to make SS work? Insanity.
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Writing Edo Tensei with rose tinted glasses disgust me. That jutsu is straight up manipulating a dead body at your bidding. Tobirama shouldn't have invented that jutsu. Hinting that jutsu to be used to revive a loved one that passed away is vile and disgusting. The lack of attention to canon isn't a new thing for Esaka at this point.
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Even this novel can't cover up the fact that Sakura doesn't know Sasuke well. If there's one thing that's consistent in the prequel, it was Naruto that gets into trouble. Sasuke doesn't use honorifics and he got away with it. His bluntness doesn't get him and everyone around him in trouble. Sasuke only began resorted to extremes when he was batshit blind and sinking into the unhinged depths of his hatred. Probably the only things that Sakura got correctly was Sasuke's kindness and his nonchalance about his looks but that's it. So the claim of knowing Sasuke inside and out is preposterous. The one who can say that is, guess who? Naruto.
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Ending this long analysis with this panel because honestly, Ino is asking the questions for me. Unfortunately, despite being "married", their dynamic stayed the same. Sakura is still that same girl that has a crush on Sasuke, except she's in her 30s and Sasuke is still the same boy that rejected her date offers and the idea of being together with her, even reaching the point that he's away from her a lot.
I do apologize for going off to the point that I decided to pull a meta post about this. I do hope you're doing well and I appreciate the ask!
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itsmaferart · 9 months
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SPY x FAMILY x CHAIR Vol 10 - 11- 12
Continuing with this series of analysis of the covers:
SxF . Vol 10 - Redacted
Unlike all the covers so far, cover 10 is the only one that does not show us a chair, but instead introduces us to [Redacted]. So we can give a little deeper analysis.
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We can highlight that behind [Redacted] we can clearly see the rubble of a house of which there is absolutely nothing left, a soldier's helmet with scratches and cracks, the toy gun and a radio that apparently announced the war and the look of a child who has lost all happiness in his life and now must learn to survive with no one to take care of him.
I think it goes without saying that this is the saddest cover of the whole collection so far. But we can talk about the influence of [Redacted] on the current story.
In previous reviews I have talked about how [Redacted] is the basis for the existence of Twilight, the great spy of Westalis, the metaphorical death of this child who has lost his parents and his friends due to the conflicts of his country, and who later, blinded by hatred, would want to destroy his apparent enemies, to finally learn the hard lesson from his father of always longing for peace above all else.
From my perspective the tragedy of [Redacted] is the basis of Twilight, it's why the spy fighting for peace exists, but more importantly, it's what allows Twilight to not be entirely a living weapon serving a specific side. And while Twilight you made remembering her past "Self" is weakness, it is also who reminds her of what is truly important.
And it is [Redacted] who gives authenticity to Loid Forger, who reminds him that in the past he could experience happiness, his more vulnerable and sweet side, a child who could easily cry and wished to be in his mother's arms every night. Someone who just wished for a little love. Redacted] may never come back, but it is because of him that Twilight and Loid Forger are genuine and real.
This is a good time to dry your tears! 😭 
SxF . Vol 11 - Emile and Ewen - Hill House Chair
The Hill House Chair was designed by Scottish architect and designer Charles Rennie Mackintosh in 1902 for the Hill House residence in Helensburgh, Scotland. The design has a strong Japanese influence, which Mackintosh incorporated into his work after being exposed to Japanese aesthetics during the Glasgow International Art Exhibition.
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The chair is in Mackintosh's "Glasgow Style", which is characterized by straight, simple lines and shapes. The chair, along with the rest of the furniture, was designed to integrate with the architecture and décor of the building, resulting in a harmonious and balanced ensemble.
Both the Willow chair and Hill House Chair are designs by Mackintosh, which is characterized by simple lines, geometric shapes and a modernist sensibility that gives them a unique and recognizable look. In terms of style and architectural context, the chairs have important differences in terms of form and functionality. The Willow Chair is a low chair with a curved back and woven seat, while the Hill House Chair is a taller, slimmer chair with a rectangular back and upholstered seat.
Damian-sama!!
There are two very interesting details that I could highlight and the language of the objects with respect to the chair, and the characters. Unlike Damian, the proportion of the chairs with respect to both children is much more harmonious unlike Damian whose chair stands out easily and its size is huge with respect to his size, indicating that while Damian projects greatness, Emile and Ewen are the complementation, both stand out, but balance each other at the same time, and do not overshadow Damian-Sama!
It is very interesting, given that the chair selection reflects this bond of friends/followers. While the chairs have different contexts, while Willow Chiar's has a primary function, the Hill House has the function of complementing the decor. Pointing out how the personalities of Emile and Ewen is to complement Damian.
Like Becky, the reflection of each other's personality is evident, they are notorious and not hidden. While Ewen has a passion for space, astronauts and the stars; Emile is a lover of sweets and all kinds of junk food. However, in the middle of both of them there is an obvious bond for explorer adventures. Having his picture with Damian in the center, because their bond as friends is very genuine!
SxF . Vol 12 - Sylvia Sherwood - Diamond Chair
The Diamond Chair, also known as the Bertoia Chair, was created by sculptor and designer Harry Bertoia in 1952. It was originally designed for Knoll International and has become a symbol of 20th century industrial and avant-garde design.
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Bertoia designed the chair because of his desire to explore new forms and techniques of furniture making. Inspiration came from his interest in experimenting with steel wires, which allowed him to create light and elegant structures.
The motive was to achieve a perfect combination of form and comfort, which would be attractive but also ergonomic and comfortable to use. The chair's curved steel wire frame allows for breathability and provides flexible support, adapting to the user's body. Its design is minimalist and timeless, as well as its versatility and ability to adapt to a variety of environments.
"Stop waiting for easy answers to fall into your lap, Rookie. Use that head of yours to find them for yourself"
Both Fullmetal Lady and Diamond Chair could be described as elegant, sophisticated and modern. In addition, the attention to detail and quality workmanship reflect a high-end personality and refinement that projects the experience Handler has in executing its work. At the same time, its comfort and ergonomics demonstrate a concern for the well-being and experience of the user, which makes it friendly and welcoming, one of the most human characteristics of Sylvia who, although she is a relentless woman, also knows how to relate to her humanity, and reminds her little spies that having a soft spot is part of them.
While the folders and surely confidential papers are shuffled and exposed, reminiscent of Handler's main role, we can see subtly hidden the family photograph that is pierced by the chair leg reflecting the rupture caused by the war of losing her husband and young daughter. For no matter the passage of time, it will always be something that will accompany her.
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You can read the previous part here
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