#“time is sometimes a choice actually”

[flemingsfreckles]

Something New (18+)

Jessie Fleming x Reader

Synopsis: you and Jessie get teased for your assumed “vanilla” sex life, you decide to take Jessie on a trip to find some new things to try in the bedroom.

Warnings: suggestion to sex, sex toys, visiting adult store, (handcuffs, blindfolds, strap-on, buttplug, vibrators), none of the toys actually being used.

WC: 2.4k

A/N: if yall want a part 2 in which the toys are actually used, I can do that :)

“Oh come on there’s got to be something you want to try that we haven’t?” You pull up the sheet from where it had been kicked off the bed, covering your naked body before laying down next to your equally naked girlfriend.

“I don’t know.” Jessie just remained lying on her back, not making eye contact with you. Her chest was still rising and falling quickly, catching her breath.

“Oh come on, don’t be shy with me, after what we just did there’s no reason to be shy.” You two had just finished what was supposed to be quick morning sex but turned into a competitive match. Giving each other orgasm after orgasm until about 11am when you both finally tapped out.

“Are you asking because of what happened at Sam’s house?” Jessie asks.

The two of you had been at a party the night before at Sam’s with the rest of the team, playing various card and board games which led quickly to playing drinking games that somehow always ended up in discussions of everyone’s sex life.

When you started dating, you and Jessie had agreed to not disclose too much about what you two do behind closed doors to your nosey teammates. It was originally an idea out of shyness on Jessie’s part, you had never minded indulging your teammates in your experience but out of respect for Jessie and your relationship you kept your mouth shut for the most part. You started to like the secrecy of what went on in your beds, no one knew the details, just you and her. So when you were asked the craziest thing you’ve done in bed, you sipped away at your drink instead of answering. Unsatisfied with your choice to not answer, Sam began to accuse you and Jessie of having an incredibly boring and “vanilla” sex life. You tried to defend yourself and Jessie, Jessie being too shy to be any help, the teasing from your teammates had only continued.

“No.” You’re quick to answer, not even really thinking. “Okay maybe, I don’t know, I don’t think our sex is boring though, I love having sex with you. It just made me think and just thought I’d ask if there was anything you wanted to try.”

You truly didn’t find your sex life with Jessie boring at all, she was excellent in bed, able to meet and exceed your needs and the two of you being athletes meant you had the stamina to last as long as you wanted. You collectively owned a strap-on and a vibrator but nothing else. It worked for the two of you, it was great sex. But even great sex sometimes could use something new, something for a little change of pace. You also knew Jessie well enough to know even if there was something she was interested in, she most likely would keep it to herself until you pried it out of her.

“I don’t know.” You can tell she’s withholding information, still too shy to put her ideas into words. But you decide not to push it, it was a little bit of a personal question to throw on her and expect an immediate answer.

“Alright babe, if you come up with anything, you can tell me. Want to get a shower?” She nods, finally making eye contact with you as you both get up from the bed and move to the bathroom. You let the question go unanswered for now, secretly hoping Jessie would come up with something to tell you in the next couple of days.

After a week passes since you had asked Jessie if she wanted to try anything out in bed and not getting any form of a hint or answer, you decide maybe a little field trip would help. Maybe Jessie just didn’t know what she wanted to try, maybe this would give her some suggestions.

“Where are we going?” Jessie asked for the fifth time since you told her to get dressed and ready to leave the house. She claimed she needed to know where you were going so she could dress appropriately.

“I’ve told you, it’s a surprise.” You turn back to look at your girlfriend as you grab your keys.

“You know I hate surprises.” She mumbles as she follows you down the hallway from your apartment out the door. Jessie wasn’t a big fan of surprises, she liked having all the information and surprises made her feel out of control.

“Jessie it’ll be fine, I promise. If you hate it for some reason we can leave. Do you trust me?”

“Yes, I trust you.” She gets into the passenger seat of your car and you start driving. You debated having her close her eyes but it didn’t feel necessary, you weren’t going too far. You drove for another 25 minutes before you pulled into the parking lot of a small shop.

“You brought me to an adult store?!” Her voice is a mix of confusion and also a little bit scared.

“Yes, I did but we don’t have to go in if you don’t want to. I just thought, maybe we could look around?” You don’t want her to feel forced, but you thought this would be a good way to maybe suggest new ideas for the two of you.

“What if someone sees us?” You’re convinced her voice is raised a few octaves.

“Jessie, we’re adults. We’re also publicly dating, people know we have sex.”

“Still.” She was bouncing her leg, head swiveling to look around the car to the empty parking lot, and she was nervously playing with her fingers. You start to think maybe you should’ve asked if she’d want to do this before you made it a surprise. Or maybe just going online shopping would’ve been a better choice for someone like Jessie.

“Babe,” you place a hand on her knee, trying to settle it, “we don’t have to go in. If you don’t want to, we won’t. We also can go in and then immediately leave, whatever you want.”

She doesn’t say much, just looking at the door of the shop. You can tell she’s having an argument within herself on what she wants to do. You let her ponder, she slowly stops fiddling with her fingers, wiping her hands, that were likely sweating slightly on her legs.

“Let’s go in.”

“Are you sure?” Now worried she feels forced by you and like she has to go into the store.

“Yeah.” Before she’s able to get out of the car you grab her hand.

“If you want to leave, just tell me, we’ll go.” She nods and you both get out of the car and walk into the store.

You’d been in a store like this once before, buying a joke gift for a bachelorette party, but never when looking for something you actually wanted. The toys you owned had been purchased online.

You didn’t know where to start so you decided to just take a lap around the whole store, then figuring out where you wanted to look. Jessie followed you around like a lost puppy, her eyes barely leaving the floor, glancing up only to look at you.

You move over to the wall of dildos, you liked the one you had for your strap currently, but a new one wouldn’t hurt. It’s a little overwhelming, every color and size imaginable on the wall, ones that vibrate, ones that spin, ones that have heating elements. That sounded like a fire hazard to you. Your eyes scan over all the options, a few catching your eye, you prefer the fun colors, you look at sizes comparable to the one you already owned. It worked for both of you, no reason to make too much of a change with a new one.

You turn to see Jessie, surprised to see she’s actually looking up at the wall instead of the floor. You watch as her eyes scan, before setting on a blue dildo that looks to be slightly larger than the one you already owned. Her eyes wander away and then come back to the blue one. You give her a second to make a decision or movement to grab the toy, she doesn’t.

“You like that one?” You point at it on the wall. Jessie doesn’t say anything, just turning to look at you and then back to the box and then to the floor.

“Jessie, if you want it we can get it.” You notice the slightest nod of her head, but she doesn’t make a move to grab it. You sigh, letting out a small laugh at your girlfriend’s shy behavior, given she was the opposite in the bedroom once you got her going. You take the box off the wall and throw it into the basket you had picked up.

Jessie walks away and out of the section you were in, not saying anything to you. Now it was you who was the one following her around the store. She moves over to a wall of assorted items. Small vibrators, bottles of lube, gags, paddles, all sorts of things. You watch her carefully as her eyes scan again. This time they don’t stop for too long on anything. You assume nothing has peaked her interest. She takes a few steps around the corner to another wall of items. You grab a bottle of lube off the shelf, identical to the one you already owned, you weren’t running out quite yet but there wasn’t really such a thing as too much lube.

You scan the wall yourself before following Jessie around the corner. You see her hand reach out slightly toward something before she withdraws when she notices you coming around the corner. Her hand drops but she’s still looking at it when you come over. It’s a blindfold and handcuff set.

“Really?” You look at her, shock probably across your face as your hand grabs the box. She nods again, still not using her voice. You throw it in the basket. The thought of your hands restrained to the headboard while Jessie had her way with you, or hers being restrained while you got to tease her had you clenching your thighs together, ready to leave the store and try it out.

You are now just following Jessie around the store, less looking for yourself and just watching her eyes carefully as she has yet to actually say any words about what she wants to you. As you walk by a section of harnesses you see ones with a pocket where you could put a vibrator. You try to think if the one you have at home has a pocket but you can’t remember.

“Babe,” you whisper yell across the store to where Jessie was wandering around. She quickly comes over to you. “Does our harness have this pocket? I can’t remember.”

She nods at you and gives a quiet “Yes.”

“Oh, should we get something for it? We don’t have anything small enough to go in there.” You grab for one of the smaller bullet vibrators and hold it up to Jessie, cocking your head to ask her if she wanted it. She just gives you a nod again.

Jessie returns back to where she was before, you follow her over. She’s looking at another wall of assorted items. Only instead of walking past this one her eyes are glancing and then looking away only to draw back to some boxes. When you realize what she's looking at, your jaw nearly falls open, but not wanting to make her question her interest you keep a straight face.

“That?” You point at the silver butt plug Jessie was looking at.

“Only if you’d want it?” You realize she means she wants to use it on you, if you’d let her. You’d never tried it, but figured no harm in trying things out.

“Sure, I’m open to trying whatever with you.” You grab the box, throwing it into your surprisingly full basket. You hadn’t realized how many things you had picked up on your lap around the store.

You’ve nearly made it through the whole store, taking a last stop to look at some of the lingerie. You flip through the options while Jessie is back to standing behind you as if she was hiding. You find a red lacy matching set and throw it into the basket, you look back to see Jessie’s eyes wide as she sees what you had picked out. You flash her a smirk, knowing she’s picturing you wearing the outfit.

“You all done?” You ask your girlfriend. She gives you a nod and reaches into her pocket grabbing out her wallet and handing you her card.

“I’ll get it.” You wave off her card but she sticks the card into your hand again. You roll your eyes, taking her card and turning to go check out, leaving Jessie wandering behind you, not wanting to interact with the employees.

You check out quickly and look back to get Jessie’s attention as you’re ready to leave. She follows you quickly out the door and rushes to the car. You place the bag in the trunk and get in the drivers seat.

“See I knew there was stuff you wanted to try but were too shy to say it.” You poke at her cheek. “You could’ve told me.” You tease her gently you knew she was shy, she always had been since you met her, she was shy with everyone.

She doesn’t say anything but you notice the blush on her cheeks reddening. You decide to leave her be, not wanting to tease her too much. At least not yet, maybe later in the bedroom.

You throw the car in drive and leave the shop, heading home. When you get home you throw the contents of the bag on the bed. “So where do you want to start?” You ask Jessie turning to see her looking at everything you had bought.

“Handcuffs maybe the new dildo too?” She says with a questioning look, one eyebrow raised at you, no longer shy like she was at the store.

You nod quickly at her.

“Get on the bed.” Her tone is demanding, she reaches to pick up the handcuffs and blindfold as she makes her way to the side of the bed. You lay down and Jessie straddles your waist, her weight holding you to the bed. She drops the handcuffs before grabbing your hands with hers interlocking your fingers and pinning your hands above your head with her strength.

She leans down as if she’s going to kiss you, before moving to the side to place her lips against your ear. “This is going to be fun.”

#jessie fleming #jessie fleming x reader #jflem #jessie fleming imagine #woso imagine #woso x reader #woso smut #jessie fleming blurb #jessie fleming smut

[cattolino]

little bit of advice, take the dare.

pairing: bang chan x f!reader. warnings: profanities, implied exhibitionism, dirty truth or dare (more like dare or dare...), stripping, mild grinding, dirty talks. genre: implied rivals to lovers, implied smut. rating: mature. word count: 2.1k

“Let Chan strip two pieces of your clothing.”

These little bitches.

The innocence in Seungmin’s broad grin as he delivered aloud and clear what Minho had earlier whispered in his ear wasn’t able to deceit Chan the slightest in spite of it combined with that sparkly attentive puppy stare.

A foul scheme had been carefully arranged in those two cunning heads of theirs before they instigated this truth or dare game as soon as the majority of people returned home. Chan wasn’t oblivious of what he would get himself into the moment Minho escorted him from the drinking game in the back patio to a coffee table in the living room and begged him to join in the fun. Especially when you were one of the people centering around the table.

And so Chan was down for whatever challenges thrown his way no matter truth or dare it was that he ended up choosing. Wouldn’t really matter. Except now it was your turn, yet he was somehow involved in such a risque dare so early in the game.

Seungmin’s index finger pointed around the room twice, attracting the attention of the few people close enough to the table to see what he was up to, and he added, “or let anyone in the room. Your choice.”

As though he expected you would actually pick one of the sweaty and tipsy dimwits you barely knew of instead of Chan who you were certainly more familiar with. When, seriously, it was clear to Chan that both Seungmin and Minho wanted to prove him wrong— that the possibility of you romantically attracted to one another wasn’t even close to impossible despite the banter between the two of you sometimes getting out of hand.

The banter, Seungmin and Minho insisted, was a flirting attempt.

You leaned back onto the sofa behind you, crossing your arms with a stare of haughty disdain piercing through Seungmin and Minho’s who both seemed to be just as imperious.

“I was expecting a more daring one from you horny freaks,” your eyes then landed on Chan who was sitting across from you. Not looking away, your proud smile widened into a blithe grin, “this isn’t even his dare. But if he’s down, I don’t see why I have to back down.”

Chan stretched his arms and arched his back as a dramatic warmup before downing the remaining liquor in his red cup, earning supportive laughs from the excessively excited spectators around. “As long as you don’t back down if they involve you in my dares later.”

Getting up from the floor, you rounded the table and stood before him. You mirrored the smug grin that stretched across his face as he peered up at you, “pants and sweater then, gentleman.”

Despite the profuse tease that gleamed in your irises, Chan didn’t entertain you with even a slight wavering in the way he looked back up at you. Instead, taunting you with a faux innocent tilt of his head as his firm yet tender fingers began to toy with the button of your jeans.

The waistband of your black panties as if emerged once he slid down the zipper. He wasn’t sure if your hand placement on the crown of his head was unintended, but then your lips tilted up into a smile and your brow arched challengingly as your fingers ran through the soft tresses of his brown curls.

Encouraged, he lifted the hem of your sweater, exposing just enough of your bare stomach. His other palm smothered around your waist and landed on the small of your back, drawing you closer until his lips accidentally brushed against the bare skin of your stomach.

Chan’s hearts didn’t leap at his own sly, dirty initiation.

It didn’t. Definitely not.

Perhaps one could cut the air with a knife as the tension between you two was thickening the longer he took his time sliding the pants off your waist and the tighter you had his hair gripped in your palm. But everyone else was too preoccupied with keeping track of his veiny hands lingering around the waistband of your jeans, tugging down the denims at an intentionally slow pace.

In one glance, nothing of your true emotions was shown through your perfunctory facade. But Chan was practically on his knees, hands on you, and there was less than two inches gap between his lips and your stomach. Anything changed from your stance, he could easily catch it.

So when he felt you tensed up when he tantalized you by skimming his palm down the side of your thigh as the other pulled the jeans down to pool around your ankles, he had to fight back the triumphant grin he felt was close to spread on his face.

Once the pants were tossed somewhere on the floor, Chan got up on his feet as you held your arms up for him to take your knitted sweater off over your head.

His eyes peered down at where the bare skin of your stomach was supposed to be on full display as he pulled the hem of your sweater up. The underband of your bralette was slowly showing the higher the hem of your sweater was lifted.

He drew closer, lips lingered on your ear, chuckling and murmuring out of everyone’s earshot, “should’ve made you rid of three garments instead of two. What a shame.”

You ran your palms down along his torso as soon as your sweater was off your upper half, and you leaned in to whisper in his ear where nobody else could hear, too. “Next time it’s your turn, I’ll make you stand on the porch naked.”

Shameless gasps of “oh fuck” was heard from around you as you casually sat down with only high cut panties and black bralette. Chan could easily relate. He found himself checking you out when you weren’t looking.

He was grateful of the sudden rough smack on his thigh that brought him back to his senses. He looked to his left where the hand was from and Minho shot him a knowing look before leaning over to mutter, “you fucking pervert.”

He chuckled. Perhaps he was.

“Spin the bottle! Spin the bottle!” Felix chippered lovely squeaks and giggles as he bounced up and down on the carpeted floor in anticipation. More because the game had progressed into all the more obscene to earlier than he had expected. Don’t be fooled by such an irradiant, angelic face.

Chan just had to dissolve into laughter and squeaks and giggles when the bottle cap once again pointed in your direction. Twice in a row, it was. He threw his head back laughing when your jaw plunged into the ground in disbelief and eyes narrowed into slits in spite, feeling betrayed— by the bottle.

“Sit on Chan’s lap.” Jeongin smugly declared before anyone could even think of something potent to embarrass yourself, effectively shutting down the jeers and laughter as they contemplated.

You shrugged, once again rounding the table to where Chan was perched on the floor and nonchalantly settled your ass on his lap before he could protest.

Chan, on the other hand, grasped either side of your waist tightly and tried to prevent you from dwelling on that particular spot. But you persisted on reclining your back onto his chest, shoving your ass further down to where Chan could feel himself twitch.

“Fuck you.” He cursed against your neck when you slightly wiggled your lower half.

“Quit being a jerk,” you whispered back with a chuckle, but tone laced with genuine threat, “or I’ll make you wet your pants. Literally.”

Not even thirty minutes into the game that everyone around the table was a little tipsy with signs of either misery and happiness written on their faces.

With five people being out of the circle and off to the back patio for a lot more lame drinking  game with other football players, the remaining nine still held out in place to seek revenge.

Minho had tasted his own medicine as he was left with only briefs around his waist but not that he was unhappy about it as he’d gotten to proudly present his hard-earned well built body when you had Jisung leave three hickeys on his shoulders and two on his inner thigh. Jisung had solid yellow face paint all over his face, exactly resembling Looney Tunes’ Tweety.

Hyunjin was sprawled on the floor with occasional dramatic huffs and groans after he’d called his problematic ex and told him he’d been missing him. Changbin and Felix were disgustingly glued to one another after the older prolonged the supposedly five-second kiss. Seungmin had collected lipstick marks around his neck from ten people. Jeongin almost passed out from seven slices of pizza he’d had to finish before Seungmin returned.

And Chan was about to get his second turn after the top of the bottle pointed at him and you, who was still very much comfortably perched on his lap.

“Dare.” He didn’t even hesitate, calm and confident.

Not even when Minho slightly shoved himself forward to gain everyone’s attention. A little lift at the corner of his lips didn’t go unnoticed and for some reason, Chan was even anticipating what the little bitch had to say now.

“Are people still doing seven minutes in heaven?” Minho blurted, making Felix perk up instantly.

Hyunjin abruptly ended his dramatic disintegration and sat down with a gasp. “Oh my god,” he started, “I did it a year ago at a frat party with a guy except we weren’t allowed to say anything. Not a single fucking sound ‘cause one of them was sitting in the front of the door and if they heard even a small bit of me moaning, we’d have to walk to class the next day with extremely short fucking miniskirt. Imagine such suffering I had to bear while a hot guy blew me. He was great though.”

Wonder-stricken looks were instead what the taller got from everyone in the room. Minho was especially beaming at the deliberate suggestion and against his better judgement, his eyes landed on Chan whose chin rested on your shoulder. The older raised a brow in amusement when catching him staring, already seeing through the younger’s impish smirk.

Seungmin turned towards Minho, “I vote for what exactly Hyunjin did.”

Minho chuckled, “slow down, my guy. Our Channie doesn’t have to get someone suck him off. He can do whatever he pleases behind the door. But not. A single. Fucking. Sound.” He firmly suggested as he looked Chan dead in the eye. Insisted, even, perhaps, “or Changbin would love to lend his sister’s pink tutu.”

While Chan’s expression was hard to read, the rest seemed to be pleased. Excited, even.

You straightforwardly approved of Minho’s suggestion, ripping through the sound of supportive cheers from the others with an excited squeak after taking a sip of cheap beer from your cup, “I volunteer to sit at the door.”

Chan snorted behind you, “who says you’re not coming with me?”

A noisy commotion of “ooooohhh” and dramatic “aaaaahhh” immediately collided with the blaring EDM played in the background.

He’d thought you would never run out of snide remarks to shoot back at him at a time like this. So when you choked on your drink at his candidness, he couldn’t hold back a laugh.

Felix unattached himself from Changbin’s arm, hands flailing before his own face as he grinned so brightly that the dim room no longer seemed to be as dim as it was supposed to be. Once again, don’t be fooled by such an irradiant, angelic face. “Okay, look. You got seven minutes. Choose your person. No sounds allowed. We’ll set the timer once the door’s shut.”

“That room’s empty.” Changbin added with a snicker, nodding at the door to his roommate’s room, “he’s gone for two weeks. Just don’t make a mess.”

If Chan was surprised at how he managed to manhandle you and somehow scoop you up as he got on his feet, it didn’t show on his face. You securely wrapped yourself around his upper half, a long list of filthiest profanity was at the tip of your tongue at the sudden, unannounced move.

Chan blinked. Not breaking eye contact, his tongue brushed over the upper row of his pearly teeth before those sank in his lower lip. There might be a lack of reaction shown on your face as you seemed to be still as annoyed, but the faint pinkish tint that stained your cheeks had said so much already.

He glanced over to Changbin, nodding, “worry not. I’ll swallow everything y/n has to give me.”

“You better,” your irritated stare tapered off into that of a challenging glare injecting venom straight into his dimpled grin, “or I’ll make you wear the tutu.”

#skz fictions #stray kids imagines #skz imagines #skz smut #skz x reader #stray kids x reader #skz bang chan #bang chan smut #chan smut #chan imagines

[nthspecialll]

I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories

Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?

Anyways here is a full explanation of all the Van Der Linde gang members backstories.

Sean MacQuire

Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.

He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in North Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and took the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.

Lenny Summers

Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.

After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.

Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however wehn Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.

Kieran Duffy

Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."

After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.

At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.

Leopold Strauss

Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.

When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.

Tilly Jackson

Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.

Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.

Micah Bell

Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.

Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.

Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.

Bill Williamson

Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.

Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.

Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).

In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.

Daniel "Dutch" Van Der Linde

Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.

Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.

When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.

Hosea Matthews

Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.

He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.

Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.

Molly O'Shea

Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.

Arthur Morgan

Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.

In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.

Uncle

Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.

After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.

Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.

Susan Grimsaw

Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.

Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.

You can also hear Susan talking to Mary-Beth one time in camp, admitting that she had a fiance once however he went to heaven.

John Marston

John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.

John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.

At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.

Orville Swanson

Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.

At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.

Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.

Mary-Beth Gaskill

Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.

It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.

Charles Smith

Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.

They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.

At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.

Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.

Simon Pearson

Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.

After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.

Abigail Marston

Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.

Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.

Josiah Trelawny

Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.

Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.

Karen Jones

Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.

Javier Escuella

Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.

Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.

Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.

It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.

At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.

Sadie Alder

Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.

#rdr2 #rdr2 community #arthur morgan #rdr2 arthur #red dead redemption 2 #john marston #rdr john #dutch van der linde #rdr2 hosea #hosea matthews #sadie adler #rdr2 sadie #rdr2 susan grimshaw #rdr2 javier #javier escuella #simon pearson #rdr2 charles #charles smith #rdr2 mary beth #mary beth gaskill #abigail marston #rdr2 abigail #abigail roberts #tilly jackson #rdr2 tilly #josiah trelawny #rdr2 trelawny #rdr2 micah #micah bell #rdr2 sean

[macgyvermedical]

My Experience in Inpatient Psych

So I know a lot of people on here have talked about their experience in inpatient psych facilities, but I'd like to add mine just to give all you writers out there a writer-focused one. It's below the cut just in case you have to sit this one out for your own reasons.

To give you some background, I am 30 years old and have had hallucinations since about 16 and bizarre intrusive thoughts (someone living in my house that wasn't supposed to be there, somebody poisoned my walls, etc...) for about a decade, as well as very severe anxiety since I was about 3 years old. This is something not a lot of people know about me, even people I am friends with IRL.

The only thing I am actually diagnosed with is anxiety, which I'm starting to think is a failing of the psych systems I have been a part of. I have had counseling off and on and prior to this hospitalization I took escitalopram, aripiprazole, and gabapentin prescribed by my primary care doctor- all for the severe anxiety.

Quite frankly, I should have been in inpatient psych at least a few times before this, and it's by sheer dumb luck that I've survived to continue this blog.

On Friday, I was at home alone and made a few pretty bad decisions. I wont say what they were because frankly they're embarrassing, but they have to do with self-harm. I was scheduled to work Saturday and at about 9pm I realized that if I drove myself to work I would crash my car. Since my wife drives me sometimes, I figured I would just ask her to.

I told my wife and she asked- even if she drove me to work, since I was a nurse, would I be able to keep myself safe around insulin or other potentially dangerous drugs? I couldn't answer that question. We talked for a couple hours and came to the conclusion that I probably needed to go to the emergency department.

At this point I figured they would evaluate me and release me because I couldn't possibly meet the criteria for inpatient. I was wrong in this assumption. After telling them the decisions I had made that day, the feelings of wanting to die in a car crash, plus about a previous attempt, they recommended inpatient. Turns out, when you're a nurse, you can make some really bad life choices with the knowledge you have, and they didn't want to take any chances.

I was given paper scrubs to wear (so I couldn't hurt myself with my clothing or a hospital gown). I was also given a patient companion (someone who sits in the room and makes sure you don't hurt yourself).

They gave me the option of signing myself in voluntarily, or putting me on a writ of detention. A writ of detention is a piece of paperwork that allows a medical professional or law enforcement officer to hold someone for 3 days in a psychiatric facility against the person's will for the purposes of psychiatric treatment. Whether you sign the voluntary or get placed on a writ, you cannot sign yourself out. You need to wait until the psychiatrist taking care of you thinks you're ready to go.

I didn't believe at this point I needed to go inpatient, but I took the voluntary option because there are some perks, like being able to leave within 3 days if appropriate. At this point I was convinced I was probably going to have to call off work Saturday and Sunday, probably be out of the hospital Monday, have a few days to rest and be back at work on my next scheduled shift after that, which was Thursday.

Well, that's not what happened.

Because of some of the decisions I had made, along with bed availability, they wanted to keep me in the observation unit overnight before they sent me to psych. I stayed overnight in a unit that shares staff with the unit I work on, so I was taken care of by my coworkers. This was surprisingly not that bad. I like my coworkers and they were really professional about it.

Saturday I felt like I was in a fog all day. I couldn't watch TV. I couldn't color or write. I worked out some in my hospital room and paced the halls once or twice. Mostly I hung out with my wife and occasionally talked with my companion, but even talking was difficult. I had refused ativan because I felt like I had no hope of finding a medication that made me feel better, and I figured I didn't want to take the one medication that might actually work and then not be able to get it ever again.

Around 7PM I took a 45 minute ambulance ride to the facility. Getting my blood pressure taken is a big anxiety trigger for me, but my brain felt so scrambled that I couldn't express this well. They took it every 10 minutes on the ride there and by the time I got there it was in the 170s/100s (BP goes up when you're having severe anxiety). This was not their fault of course, but no matter how much I thought about telling them or refusing the BPs, I just couldn't do it.

When I got to the facility I was greeted by a tech who took my BP again (150s/90s this time), showed me around and looked through my personal belongings (basically just the clothing I came in with since my wife took my phone and wallet knowing I wouldn't be able to have them on the unit) to make sure I didn't have anything I wasn't allowed to on the unit. She showed me around my room and was really thorough with telling me how things worked, what the rules were, etc..

The rules included:

No patients allowed in other patients rooms

No personal belongings that had strings, belts, or laces, or that could be used as a weapon

No caffeine after lunch and no free access to caffeine

No personal electronics (including eReaders and watches). There was a TV in the day room and 2 phones mounted to the wall for patient use

A little later my nurse came into my room and asked me a ton of questions. Here's the thing about any hospital- you get asked the same questions over and over. By the time I'd gotten there I could give my story in under a minute. Or at least, that's what it felt like. There were only 2 clocks on the unit, at the nurses stations.

The unit itself was laid out in a "T" shape. There was a main nurse's station at the place where the two hallways intersected. At the end of the long hallway there was another smaller nurses station, a cafeteria/day room, and a "comfort room" which was a small room off the day room that had a collection of the oldest and worst donated books that have every come together on a bookshelf.

I did some pacing that night and then went to bed, but didn't sleep particularly well.

On Sunday morning the tech woke me up to take my blood pressure, which was, not unsurprisingly, still high. It was about 5 AM so I got up and paced the longer of the corridors for about an hour. Breakfast was served at 8 and the food wasn't that bad. The coffee was about the worst I'd ever drank, which I suppose helped with the no caffeine goals.

Just after breakfast I met with a psychiatrist on an iPad for about half a minute, and I'm not exaggerating there. The only questions he asked were whether I was suicidal and whether I would be fine with tripling my dose of aripiprazole in light of the hallucinations. I had had a 50-lb weight gain in the last year so I asked to switch my med. He switched the med to cariprazine. That was all.

I had a much longer meeting with my nurse later. All the nurses did an excellent job of assessing me, asked tons of questions, and it seemed like they really tried to figure out what was going on. That day I also met with a social worker, and a therapist, and a nurse practitioner. Each of them did an assessment to see what my needs were while I was there.

There was also a music therapy session where I cried my eyes out to Because of You by Kelly Clarkson.

I was really tired by the end of the day but I also didn't think I could sleep so I asked for trazodone. I should clarify that when I say "I" in this piece I really mean my wife convinced me to ask because I legitimately didn't believe I needed or deserved any of the things I asked for at this point. To my utter shock and surprise, they gave me the trazodone.

My first night on trazodone was amazing and I realized I hadn't slept well in a long time. With trazodone I fell asleep and stayed asleep until the blood pressure cart came rolling down the hallway at 5am. The second I got up on Monday morning I was wide awake.

I paced a lot Monday. I went to a goals session in the morning where I gave a goal to write 3/4 of a page. I didn't know if I could do it or what I was even going to write about, but I know I like to write and it might be a reasonable introduction to getting back to life.

I also was having kind of a rough day brain-wise. My brain was coming up with all the ways I could hurt myself in my room. There weren't a lot of them, but it was trying. I told the nurse during her assessment and she asked if I felt I could keep myself safe. I asked her what she would do if I said no. She said they could move me to a more secure part of the unit and give me more supervision. I knew what part of the unit she was talking about, and I didn't want to go there (no space to pace, and pacing was keeping me alive right then). So I told her I could keep myself safe (if anything, the idea of moving was good motivation to do stay safe in itself). I hallucinated some black and white blood cells falling from the ceiling and music coming out of my vents.

I also had another meeting with the social worker to figure out discharge plans. I voiced in the meeting that I wasn't sure that I could trust my wife, since it felt like at the time she was the one who exaggerated my symptoms to get me in here. The social worker said we had really good communication skills, since this was something I felt needed to be said in front of both of them and we both stayed really calm through the whole thing.

I finished the day with an art therapy session that really helped me turn a corner. The prompt was to draw the emotion(s) you felt right now on one side of the paper, and to draw the emotions you wished you could feel on the other side. For the first time I realized that my emotional state was actually really bad and that the suicidality hadn't come out of nowhere, and that I needed help.

When my wife came to visit later that night I was able to tell her about my breakthrough, even though I still felt a little bit like she had done something to get me in here and I still wasn't sure I needed to be inpatient.

Tuesday was a lot better. I felt like I had woken up out of some kind of fog and I had no idea how long I'd been in it. I went to goals group, a spiritual group, and group occupational therapy. My goal was to be more social and I made a friend and we paced together and worked out. I read a quarter of The Martian by Andy Weir (my wife brought it for me because the best thing on the bookshelf was Louis L'Amour). I wrote about how good I suddenly felt. Turns out, I thought, a few days of good sleep, lots of therapy, and a new medication or two will really change things.

A quick side note about The Martian. I highly recommend it to anyone who is chilling in a psych hospital but has the ability to read while they're there (I sure didn't the first few days). I don't really know why, but the first few times I read it, I felt like they had created this superhuman character in Mark Watney just so they could throw a ton of wild things at him for the story. This time reading it, as a suddenly not suicidal person, I realized anyone with Mark's skill would have done the same thing and not just died on Sol 7 to get it over with.

Wednesday I woke up not feeling nearly as good as Tuesday, but still like the fog had lifted. I was a little disappointed (I hallucinated my cat (thanks for coming to visit me, Corina), some spiders, and just felt kinda meh. But I remembered how good I felt the day before, and that really kept me hopeful about going home.

I saw the psychiatrist again and asked to go home. He joked a little about me staying till Christmas, but ultimately he said as soon as his note was in I could go. I ended up leaving at about 12:30 with my wife.

In the time since leaving I have required a lot of support from my wife. The medications are all locked up, so are the blades and anything I could use to hurt myself. My wife has me in eyeshot at all times. I can't drive due to intrusive thoughts, so she does all the driving now. I quit my job because I feel like it was a big part of why I ended up as bad as I was. As someone who has been a pretty independent person this is a big change of pace, but something that is really necessary to my healing.

Ultimately at the end of my hospital stay, I was prescribed escitalopram, gabapentin, trazodone, cariprazine, and then a few days later propranolol. I'm currently on a total of 5 psych meds and honestly I don't care one bit because its so much better than being not on them at this point in my life.

#mental health #personal #writing reference #inpatient psych #suicide mention #hallucination mention

[ddoxhan]

stay by my side

if there is no one next to you I’ll just be behind you, just stay by my side

word count : 0.9k words

genre : classic angst; giselle x gn! reader; days were never the same anymore but your feelings for aeri will always be unchanging for as long time exists

t/w : nothing :) this is just some good ol' angst

a/n : not much plot to it but ! it's the feels of not being able to forget someone and maybe, you're better off longing for them than try pressing down your feelings. anyone out there longing for their special someone, I just wanna say it's okay to feel that way :3 it may not be the healthiest choice, but allow yourself to long for that person until you feel it's time to actually let them go <3 enjoy !

things were just never the same anymore, it couldn't. I'd keep having dreams about you, about us. those sweet, spring memories we shared now embedded in my head like a broken record. those days when we spent our mornings showering each other with kisses, when we would take night walks in the park, when we talked about spending the rest of our lives together. those days, when we loved each other like there was no tomorrow. we did, but it just didn't last forever just like what we had wished under that shooting star.

I admit, that I still love you, the same or maybe even more than I did back then. I truly believed that we were meant to be, and no one can tell me otherwise as I've seen those eyes of yours bear the same endearment for me as I do for you. it sounds cheesy, but I am willing to be if it's you. however, as much as I want to let go of you, I don't think I'd ever come to terms with the fact that you did. we were so beautiful, don't you think so? it was as if the world revolved around us. I know we will never be able to go back to those days, to love each other again.

every night that came and went in the same repertoire. staring straight at the ceiling, reminiscing the times I still had you in my arms, crying myself to sleep, jolting awake from the same nightmare, hugging myself back to sleep. the pain was almost unbearable when it gets to the nightmare. it was my regrets for not doing my best for you, and the mistakes that I wished I hadn't made. I could never stand to see tears in your eyes, especially if it was because of me. on the day you left, you looked me in the eye, with tears threatening to roll down your crimson cheeks. that moment broke my heart to pieces, noticing the burning sensation of the wind against my skin.

it seems I have already lost you, with no chance to turn back time.

when I'm sober, everything I did numbed me to the core. when I wake up to your side of the bed empty, seeing that the once lively space all dull with silence, the fridge slowly emptying, leaving nothing but water and some alcohol. it's like I stopped functioning properly when you're not with me. the flowers that you loved so much don't look as lively, the warm breeze that greeted us daily slowly getting chilly, the stars that we spent hours looking at don't sparkle as much. you brought so much color to my world, and it returned back to being monochromatic, like those times before I met you.

you brought so much joy to my life, and I have never felt so grateful for being alive. it was the first time I felt so euphoric, fortunate to see that very smile of yours when you look at me with such affection. that smile was for me, because of me, only me. you made me feel like the luckiest person on earth to love someone as wonderful as you are. I can only hope you felt the same way as I did.

all the things in my life took a turn, not a good one at that, after you left. you took a part of me with you when you told me that things weren't working out. what did that mean? was I not doing good enough? did your feelings for me change? there were so many questions I want to ask, but sometimes, they were better left unanswered. these daggers piercing through my heart are more than enough to leave me bleeding profusely till I can't feel love anymore.

as I spent each day, yearning for your warmth and affection, there's something that I've come to realize as I take a step back to look at things. there will be no one else who would be able to fill your spot, not even with time. it's been months, almost a year that I've been standing here, not knowing what is wrong with me. that's because, nothing is wrong. everything made so much sense.

I love you and nothing can ever change that fact. even if you don't love me anymore, that's okay. all I will do is just stand here right behind you, protecting you from the shadows. although there might not be someone who would be by your side all the time, I will be right here behind you. until the day I get the chance to stand next to you, be the one you can rely on, I will be here for you.

there will be a day where we meet again, whether it be by chance or fate. and when that day comes, I want to be stronger than I am now, to give you that smile you loved so much when we were us. until then, I will take this role as your dark knight. looking over you from somewhere you wouldn't notice, offering you a hand when you struggle, finding solace right here. I know you would be able to tell that I am here, but please, leave me be. for the day I am able to let you go, will hopefully come.

so let me stay by your side for now, aeri.

#giselle #uchinaga aeri #aespa #aespa angst #aespa imagines #aespa scenarios #aespa x reader #giselle x reader #Spotify

[birdbrainedboy]

I’m obsessed with this show and fear a hyperfixation anyways here are my thoughts on every character in the show

Edwin Paine: forever my favorite, even back before the show when I read the comics! I think it’s funny that basically every man in the show wants him? I’m intrigued by his character arc throughout the story regarding his sexuality as despite dying in 1916, he seems to have had time to slowly become more accepting of gay people (I’m guessing in part due to Charles, who is pansexual), to the point where there’s only mild internalized homophobia if at all, which just exhibits itself in him denying any possible feelings for Monty. I love how face-value and logical he is while still being a sweetheart

Charles Rowland: he has a pan flag pin on his jacket which confuses me bc can ghosts only wear clothes they would’ve worn when they were alive, or how do ghost clothes work? Because he died in 1989 and I’m near positive he didn’t wear that pin back there. Anyways I do love him but I wonder about some design choices, like the one earring (not sure why it just kinda annoys me). That was more a rant abt his design than his character, which I have nothing notable to say abt since I LOVE HIM he’s so real

Crystal Palace: sometimes she was a bit annoying the way she was trying way too hard to pry into everyone’s lives, but honestly that was just momentary annoyance since nothing could make me hate her. I love how her past was slowly revealed (as someone who already knew it from the comics) and how she came to terms with the person she used to be vs the person she is now. She’s so cool!

David the demon: honestly kind of caught me off guard at first bc the person I’m dating is named David but I actually enjoyed his character. LOVED when Crystal dealt with him in the end. He was very interesting

Niko Sasaki: I love Niko, but I have some problems with her character. First of all, I feel like ditsy anime-loving cutesy Asian girl with dyed hair is a weirdly common trope? But whatever my main issue is that it feels like characters who normalize the fetishization of gay men are so common. Like if Niko had been a guy obsessed with lesbian manga evb would be weirded out, so why is it different? If we ignore all of this tho I absolutely adore her and I’m actually praying she’s in the next season bc she was one of my favorites (esp her relationship w Edwin)

Jenny: She is so hot and cool and funny I’m in love with her

Esther: oh my god words cannot come close to describing how much I love her character. She felt powerless and weak in the past and now she’s become obsessed with making sure nobody has that power over her ever again. She was so fun and I loved her attitude! I’m sure she won’t show up next season, as she was the main antagonist of s1, and while I love her, I kind of hope she doesn’t since I think her arc was finished.

Monty: His personality was like 2020 “soft boy” who acts nice and dumb but is lowkey a manipulator. So obviously this kind of made me like ☠️ bc why is he acting like that… but I still love him to bits because he’s just a crow guys he didn’t ask to be human,, Anyways yeah his personality annoys me but also I love him so much so? It’s confusing. ITS COMPLICATED. I will cry if he’s not in s2

Kingham and Litty: I honestly thought they were annoying but I can’t lie they were so fucking funny. Every time they were on screen I laughed.

Cat King: oh my god. He is so camp. I love him. There’s honestly not much to say he is simply iconic. Love how he’s afraid to be alone so chases after other people, he’s so real AGHH I love him

Night Nurse: Ruth Connell the woman you are… 😍 she reminds me of Muriel from Good Omens, in a way, and I love her! I really hope we get to see more of her in relation to the guy in the fish, and see her get to better understand human emotions and why they choose to cling onto the human world rather than pass on!

#dead boy detective agency #dead boy detectives #charles rowland #edwin payne #crystal palace surname von hoverkraft #crystal palace #niko sasaki #david the demon #neil gaiman #esther #monty crow #cat king #night nurse #good omens

[thesublemon]

best picture

For the first time in a long time, I watched all of the movies nominated for Best Picture at the Oscars this year. Partly on a whim, partly for a piece I’ve been working on for a while about what is going wrong in contemporary artmarking. I cannot say that the experience made me feel any better or worse about contemporary movies than I already felt, which was pretty bad. But sometimes to write about a hot stove, you gotta put your hand on one. So. The nominees for coldest stove are:

Poor Things. Did not like enough to finish. I always want to like something that is making an effort at originality, strangeness, or style. Unfortunately, the execution of those things in this movie felt somehow dull and thin. Hard to explain how. Maybe the movie’s motif of things mashed together (baby-woman, duck-dog, etc) is representative. People have been mashing things together since griffins, medleys, Avatar the Last Airbender’s animals, Nickelodeon’s Catdog, etc. Thing + thing is elementary-level weird. And while there’s nothing wrong with a simple, or well-worn premise, there is a greater burden on an artist to do something interesting with it, if they go that route. And Poor Things does not. Its themes are obvious and belabored (the difficulty of self-actualization in a world that violently infantilizes you) and do not elevate the premise. There’s a fine line between the archetypal and the hackish, and this movie falls on the wrong side of it. It made me miss Crimes of the Future (2022), a recent Cronenberg that was authentically original and strange, with the execution to match.

Anatomy of a Fall. Solid, but not stunning. The baseline level of what a ‘good’ movie should be. It was written coherently and economically, despite its length. It told a story that drew you along. I wanted to know what happened, which is the least you can ask from storytelling. It had some compelling scenes that required a command of character and drama to write—particularly the big argument scene. The cinematography was not interesting, but it was not annoying either. It did its job. This was not, however, a transcendent movie.

Oppenheimer. Did not like enough to finish. But later forced myself to, just so no one could accuse me of not knowing what I was talking about when I said I disliked it. I felt like I was being pranked. The Marvel idea of what a prestige biopic should be. Like Poor Things, it telegraphed its artsiness and themes and has raked in accolades for its trouble. But obviousness is not the same as goodness and this movie is not good. The imagery is painfully literal. A character mentions something? Cut to a shot of it! No irony or nuance added by such images—just the artistry of a book report. The dialogue pathologically tells instead of shows. It constantly, cutely references things you might have heard of, the kind of desperate audience fellation you see in soulless franchise movies. Which is a particularly jarring choice given the movie’s subject matter. ‘Why didn’t you get Einstein for the Manhattan project’ Strauss asks, as if he’s saying ‘Why didn’t you get Superman for the Avengers?’ If any of this referentiality was an attempt to say something about mythologization, it failed—badly. The movie is stuffed with famous and talented actors, but it might as well not have been, given how fake every word out of their mouths sounded. Every scene felt like it had been written to sound good in a trailer, rather than to tell a damn story. All climax and no cattle.

Barbie. Did not like enough to finish. It had slightly more solidity in its execution than I was afraid it would have, so I will give it that. If people want this to be their entertainment I will let them have it. But if they want this to be their high cinema I will have to kill myself. Barbie being on this list reminds me of the midcentury decades of annual movie musical nominations for Best Picture. Sometimes deservingly. Other times, less so. The Music Man is great, but it’s not better than 8 1/2  or The Great Escape, neither of which were nominated in 1963. Musicals tend to appeal to more popular emotions, which ticket-buyers and award-givers tend to like, and critics tend to dislike. I remember how much Pauline Kael and Joan Didion hated The Sound of Music (which won in 1966), and have to ask myself if in twenty years I’ll think of my reaction to Barbie the same way that I think of those reviews: justified, but perhaps beside the point of other merits. Thing is. Say what you want about musicals, but that genre was alive back then. It was vital. Bursting with creativity. For all Kael’s bile, even she acknowledged that The Sound of Music was “well done for what it is.” [1] Contemporary cinema lacks such vitality, and Barbie is laden with symptoms of the malaise. It repeatedly falls back on references to past aesthetic successes (2001: A Space Odyssey, Singin’ in the Rain, etc) in order to have aesthetic heft. It has a car commercial in the middle. It’s about a toy from 60 years ago and politics from 10 years ago. It tries to wring some energy and meaning from all of that but not enough to cover the stench of death. I’d prefer an old musical any day.

American Fiction. Was okay. It tried to be clever about politics, but ended up being clomping about politics. At the end of the day, it just wasn’t any more interesting than any other ‘intellectual has a mid-life crisis’ story, even with the ‘twist’ of it being from a black American perspective. Even with it being somewhat self-aware of this. But it could have been a worse mid-life crisis story. The cinematography was terrible. It was shot like a sitcom. Much of the dialogue was sitcom-y too. I liked the soundtrack, what I could hear of it. The attempts at style and meta (the characters coming to life, the multiple endings) felt underdeveloped. Mostly because they were only used a couple times. In all, it felt like a first draft of a potentially more interesting movie. 

The Zone of Interest.Wanted to like it more than I did. Unfortunately, you get the point within about five minutes. If you’ve seen the promotional image of the people in the garden, backgrounded by the walls of Auschwitz, then you’ve already seen the movie. Which means that all the rest of the movie ends up feeling like pretentious excess instead of moving elaboration. It seemed very aware of itself as an Important Movie and rested on those laurels, cinematically speaking, in a frustrating way. It reminded me of video art. I felt like I had stepped through a black velvet drape into the side room of a gallery, wondering at what point the video started over. And video art has its place, but it is a different medium. Moreover video art at its best, like a movie at its best, takes only the time it needs to say what it needs to say. 

Past Lives. I’m a human being, and I respond to romance. I appreciate the pathos of sweet yearning and missed chances. And I understand how the romance in this movie is a synecdoche for ambivalent feelings about many kinds of life choices, particularly the choice to be an immigrant and choose one culture over another. The immigrant experience framing literalizes the way any choice can make one foreign to a past version of oneself, or the people one used to know, even if in another sense one is still the same person. So, I appreciate the emotional core of what (I believe) this movie was going for, and do think it succeeded in some respects. And yet…I was very irritated by most of its artistic choices. I found the three principal characters bland and therefore difficult to care about, sketched with only basic traits besides things like Striving and Being In Love. Why care who they’d be in another life if they have no personalities in this one? It’s fine to make characters symbols instead of humans if the symbolic tapestry of a movie is interesting and rich, but the symbolic tapestry of this movie was quite simple and straightforward. Not that that last sentence even matters much, since the movie clearly wanted you to feel for the characters as human beings, not just symbols. Visually, the cinematography was dull and diffuse, with composition that was either boring or as subtle as a hammer to the head.

Maestro. Did not like enough to finish. Something strange and wrong about this movie. It attempts to perform aesthetic mimicry with impressive precision—age makeup, accents, period cinematography—but this does not make the movie a better movie. At most it creates spectacle, at worst it creates uncanny valleys. It puts one on the lookout for irregularities, instead of allowing one to disappear into whatever the movie is doing. Something amateurishly pretentious in the execution. And not in the fun, respectable way, like a good student film. (My go-to example for a movie that has an art-school vibe in a pleasant way is The Reflecting Skin). There’s something desperate about it instead. It has the same disease as Oppenheimer, of attempting to do a biopic in a ‘stylish’ way without working on the basics first. Fat Man and Little Boy is a less overtly stylish rendition of the same subject as Oppenheimer, but far more cinematically successful to me, because it understands those basics. I would prefer to see the Fat Man and Little Boy of Leonard Bernstein’s life unless a filmmaker proves that they can do something with style beyond mimicry and flash.

The Holdovers. Did not like enough to finish. It tries to be vintage, but outside of a few moments, it does not succeed either at capturing what was good about the aesthetic it references, or at using the aesthetic in some other interesting way. The cinematography apes the tropes of movies and TV from the story’s time period, but doesn't have interesting composition in its own right. It lacks the solidity that comes from original seeing. (Contrast with something like Planet Terror, in which joyous pastiche complements the original elements.) The acting is badly directed. Too much actorliness is permitted. Much fakeness in general between the acting, writing, and visual language. If a movie with this same premise was made in the UK in the 60’s or 70's it would probably be good. As-is the movie just serves to make me sad that the ability to make such movies is apparently lost and can only be hollowly gestured at. That said, the woman who won best supporting actress did a good job. She was the only one who seemed to be actually acting.

Killers of the Flower Moon. The only possible winner. It is not my favorite of Scorsese’s movies, but compared to the rest of the lineup it wins simply by virtue of being a movie at all. How to define ‘being a movie’? Lots of things I could say that Killers of the Flower Moon has and does would also be superficially true of other movies in this cohort. Things like: it tells a story, with developed characters who drive that story. Or: it uses its medium (visuals, sound) to support its story and its themes. The difference comes down to richness, specificity, control, and a je ne sais quois that is beyond me to describe at the moment. Compare the way Killers of the Flower Moon uses a bygone cinematic style (the silent movie) to the way that Maestro and The Holdovers do. Killers of the Flower Moon uses a newsreel in its opening briefly and specifically. The sequence sets the scene historically, and gives you the necessary background with the added panache of confident cuts and music. It’s useful to the story and it’s satisfying to watch. Basics. But the movie doesn’t limit itself to that, because it’s a good movie. The sequence also sets up ideas that will be continuously developed over the course of the movie.* And here’s the kicker—the movie doesn’t linger on this sequence. You get the idea, and it moves on to even more ideas. Also compare this kind of ideating to American Fiction’s. When I said that American Fiction’s moments of style felt underdeveloped, I was thinking of movies like Killers of the Flower Moon, which weave and evolve their stylistic ideas throughout the entire runtime.

*(Visually, it places the Osage within a historical medium that the audience probably does not associate with Native Americans, or the Osage in particular. Which has a couple of different effects. First, it acts as a continuation of the gushing oil from the previous scene. It’s an interruption. A false promise. Seeming belonging and power, but framed all the while by a foreign culture. Meanwhile potentially from the perspective of that culture, it’s an intrusion on ‘their’ medium. And of course, this promise quickly decays into tragedy and death. The energy of the sequence isn’t just for its own sake—it sets up a contrast. But on a second, meta level it establishes the movie’s complicated relationship to media and storytelling. Newsreels, photos, myths, histories, police interviews, and a radio play all occur over the course of the movie. And there’s the movie Killers of the Flower Moon itself. Other people’s frames are contrasted with Mollie’s narration. There’s a repeated tension between communication as a method of knowing others and a method of controlling them—or the narrative of them—which plays out in both history and personal relationships.)

Or here’s another example: When Mollie and Ernest meet and he drives her home for the first time, we see their conversation via the car’s rearview mirrors. This is a bit of cinematic language that has its origins in mystery and paranoia. You see it in things like Hitchcock or The X-Files or film noir. By framing the scene with this convention, the movie turns what is superficially a romantic meet-cute (to quote a friend) into something bubbling with uneasiness and dread. This is not nostalgia—this is just using visuals to create effects. It doesn’t matter if you’ve seen anything that uses the convention before, although knowing the pedigree might add to your enjoyment. The watchfulness suggested by the mirrors and Ernest’s cut-off face will still add an ominous effect. It works for the same reason it works in those other things. Like the newsreel, it is a specific and concise stylistic choice, and it results in a scene that is doing more than just one thing.

In general, the common thread I noticed as I watched these nominees, was the tendency to have the ‘idea’ of theme or style, and then stop there. It’s not that the movies had nothing in them. There were ideas, there was use of the medium, there was meaning to extract. There were lots of individually good moments. But they tended to feel singular, or repetitive, or tacked on. Meanwhile contemporary viewers are apparently so impressed by the mere existence of theme or style, that being able to identify it in a movie is enough to convince many that the movie is also good at those things. The problem with this tendency—in both artists and audiences—is that theme and style are not actually some extra, remarkable, inherently rarifying property of art. Theme emerges naturally from a story with any kind of coherence or perspective. And style emerges naturally from any kind of artistic attitude. They are as native as script, or narrative, or character. A movie’s theme and style might not be interesting, just like its story or dialogue might not be interesting, but if the movie is at all decent, they should exist. What makes a movie good or bad, then, is how it executes its component parts—including theme and style—in service of the whole. When theme is well-executed it is well-developed. Contemporary movies, unfortunately, seem to have confused ‘well-developed’ with ‘screamingly obvious.’ A theme does not become well-developed by repetition. It becomes well-developed by iterationand integration. Theme is like a melody. Simply repeating a single melody over and over does not result in the song becoming more interesting or entertaining. It becomes tedious. However, if you modify the melody each time you play it, or diverge from the melody and then return to it, that can get exciting. It results in different angles on the same idea, such that the idea becomes more complex over time, instead of simply louder.

Oppenheimer wasprobably the worst offender in this regard. Just repeat your water drops, crescendoing noise, or a line about ‘destroying the world’, and that’s the same as nuance, right? Split scenes into color and black and white and that’s the same as structure, right? That’s the same as actually conveying a difference between objectivity and interiority (or another dichotomy) via the drama or visual composition contained in the scenes, right? When I watched many of these movies, I kept thinking of a behind-the-scenes story from Buffy the Vampire Slayer. The story goes that Joss Whedon was directing Sarah Michelle Gellar in some scene, and when the take was over he told her how great she was, and that he could see right where the music would come in. And Gellar replied that if he was thinking about the music, he clearly wasn’t getting enough from her acting alone. This conversation then supposedly informed Whedon’s approach to “The Body,” a depiction of the immediate aftermath of death that is considered one of the best episodes of television ever made, and which has no non-diegetic music whatsoever. Not to imply that music is necessarily a crutch, or to pretend that “The Body” is lacking in other forms of stylization (it is a very style-ish episode). But more to illustrate the way that it is easy to forget to make the most of all aspects of a medium, particularly the most fundamental ones, once one has gotten used to what a final product is supposed to feel like. 

And that’s why most of these movies don’t feel like movies. They create the gestalt of a movie or a ‘cinematic’ moment—often literally through direct vintage imitation—without a sense of the first principles. Or demonstrating a sense of them, anyway. Who needs AI when the supposedly highest level of human filmmakers are already cannibalistically cargo-culting the medium just fine.

[1] “The Sound of Money (The Sound of Music and The Singing Nun).” The Pauline Kael Reader. (This book contains the full text of the original review, rather than the abbreviated review that I linked earlier.) 

#posts: art #movies #am rusty at blogging and don't have all the virtuous nuance i would like in this but we will go with it

[jennelikejennay]

Just watched The Doomsday Machine. We see Spock, Kirk, and Commodore Decker taking very different approaches to dealing with this massive superweapon.

(If you are keeping track, this is the second automated weapon destroying solar systems they deal with in the series, but not the last. My rant about destroying inhabited planets with no consequences still applies.)

What's interesting to me is that Decker behaves the way people often attribute to Kirk: bold, emotionally driven, thoughtless. Spock tells him he has no hope of destroying the weapon, so they should get away and send a warning instead. Decker refuses to accept this (and I can relate, it's headed straight to Rigel) but his only plan is just to shoot at it, even though his phasers aren't penetrating. Bones and Spock both tell him this is stupid and he refuses to listen. He ends up trying a suicidal plan that he knows won't work, but which feels cosmically fair to him.

Now Kirk's approach looks similar to this on first blush. He, too, refuses to run. He's willing to take chances with his own life, on something he's not sure will work. But Spock trusts him in a way he didn't trust Decker. Why? Because Kirk is thinking, not just feeling. He calculates his odds and has no plan to let himself die. It's that combination of boldness and sense that allows him to accomplish so much.

At times, the show makes it feel like he simply throws himself at problems at the universe lets him get away with it because he's the hero. But actually there's a great deal of thought that goes into his plans, which sometimes goes unspoken. This time, it's spelled out.

Kirk knows the size of the explosion he'll make and the seconds he'll have to escape. He knows it's not a sure thing, but the odds are in his favor and he's risking nobody but himself. Spock doesn't love letting him take the risk, but he does because he has total faith in Kirk's leadership. He knows the only reason Kirk would do this is because it is the right choice—that he's not being reckless because he isn't that kind of person.

Of course it's a success, meaning Jim and Spock get to make eyes at each other while making a very pointed statement about the Cold War. Roll credits!

#star trek #james t kirk #spock #star trek tos

[eff4freddie]

Touch | Part Six

Words: 5.8k

Just as you approach something resembling contentment, this broken world will exact its toll.

Warnings: smutty smut, trauma, grief, Joel hasn't come to terms with what happened in Salt Lake, Joel is bad at feelings, but pretty good with his hands. Minors DNI.

Part Five | Series Masterlist

You were busy again, the new table earning its keep almost immediately, and the ease that you moved around your treatment room, the way that you could bend without reaching over, push with your weight rather than your wrists, meant that you could concentrate more, heal more effectively. You hadn’t realised how much the clumsiness of the old dining table had been holding you back. Every day that you used it, you wanted to find a new way to thank Joel. Maybe even sometimes, with all of your clothes on.

Except that the idea also terrified you, in a way that you were struggling to really understand. The idea of him, of being naked with him, not that you really fully had been, of kissing him even, no that you had, was enough to send an absolute riot of butterflies careening through your guts and down into your legs, into your knees. The idea of him scared you, his reputation proceeded him, and you kept thinking of how wary Maria was, how protective Ellie seemed to be, how sweetly oblivious Tommy was most of the time which you were beginning to suspect was actually a choice. You wanted to pull them all into a room and forensically map out who the fuck Joel Miller actually was. You were aware you were thinking like a crazy person. You didn’t care.

Because then when he was with you, when you fell into his orbit, looked into his eyes, there was something heavier and realer and more tangible than your stupid, flighty, squawking fears. It worried you, that he made you into a different person when he was around you. You weren’t sure what that person was capable of getting up to, left to her own devices, but you had an inkling.

You knew that you were pushing him away, pushing it all away, because it scared you, but also it felt like the only sane thing to do, had kept you alive for years and years, had meant that when you lost people it hurt less, maybe. Being busy again, and fairly invested in maintaining your denial for as long as you could manage it, you got back to your usual routine of seeing the broken and weary people of Jackson early, before the work hours, and then steadily throughout the day. It afforded you the illusion of being sociable, of contributing to the community, without having to actually be in it. Without Ray and Marla, with Maria and Tommy wrapped up in the baby, with Joel being…Joel, you had collected a long list of clients and a dwindling list of friends. It could have made you sad if you thought about it, so you didn’t, and you were too busy anyway, and how could you be lonely with all these people in your house?

Besides which, in the quiet moments you could feel the tension in people, the uneasiness woven tight into the musculature of most of the residents you now saw. Not everyone knew Marla or Jacob or the others personally, not everyone even necessarily liked them, especially not fucking Jacob, but everyone had an investment in their safe and hopefully bountiful return.

To escape it, you went for long walks along the foreshore of Jackon’s lake at the bottom of the township, until the dying light forced you back. You were there, hands in the freezing water feeling out for flat stones you could warm in hot water and press into particularly assertive muscle knots, when you heard the yelling. You were up and sprinting, the twisty and icy path underneath you occasionally threatening to boot you into the snow, and if you’d had time to think about it you have marvelled at the difference in your reaction from Joel and Ellie’s homecoming to this one. The elation you felt at their return, the relief of it, not just for you and Marla and Ray, but for Jackon. For what it meant for this community. For your community.

Trying not to knock yourself out on the way to the gate meant that you didn’t initially notice the quiet. There was a smattering of people still out despite the cold, the encroaching darkness, but they weren’t rushing forward, weren’t really helping the returned residents, were in fact milling around, some just standing in quiet observance, and it occurred to you for a second that they were like onlookers at a funeral. You pushed forward into the crowd, trying to see past unmoving shoulders, past still bodies, moving towards the sounds of horses, of panting breaths you weren’t sure belonged to whom.

And then you arrived at the front, and you had a clear view. And you realised the panting breaths were your own.

There were only two horses, and only three riders. Marla at the reigns of one, Jacob slung over the back of her saddle, slumping over at an odd angle, his head rolled back in a way that you thought would really strain his cervical spine, until you realised he was tied to the horse, had been roped around Marla’s midsection, that he was nearly as pale as the snow around you, that he was very dead. The other rider stared, unblinking, into the distance and was eventually helped down and led to the infirmary, not ever having said a word.

Marla had seen you, had watched you fight your way to the front of the crowd, had searched you out. She was shivering, a splatter of blood across her chest and under her neck, and you couldn’t tell if it was hers or if it was Jacob’s or someone else’s entirely, and in that moment staring into her eyes you knew that it didn’t matter, that it would never matter, that whatever damage it was it had already been calculated, tallied, on a ledger somewhere none of you would ever be able to balance.

You motioned to a few of the men around you, gesturing to the ropes around Marla’s middle. ‘Cut him loose,’ you said, in a voice you didn’t recognise, and reached your arms up to hold Marla’s hand. You held it, limp and contrite in yours, while Jacob’s body was freed from hers. When he was lifted away she slumped forward, her back having held his weight for god knows how long, and you caught her, pulled her down from the horse on wobbling legs, let her crumple underneath you and set her down onto the pavement. Someone pulled a blanket over her shoulders and you held her in it, gripped her hard and tight and let her shake in your arms. You looked up into the eyes of Ray, who looked like he might throw up or pass out or both, and you pulled him down with you, wrapped him around her while he cried into her hairline, and you watched as the horses were led away.

‘Did you bring anything?’ someone asked from the crowd, quiet but hopeful, and you wanted to reach up and slap them for every moronic word they had dared speak into existence, had thought to utter in this sacred space of abject loss.

Marla never answered, and you squeezed her. She twisted in your arms to look up at you, an angry purple and yellow bruise forming having formed under her eye. You turned to Ray. ‘Help me get her to mine,’ you said.

--

You had the fire going, and you pushed your old armchair right up to it, folding Marla into it under a sea of blankets. Ray went to get something to bring her from the mess hall, something warming but easy to chew, and you perched beside her, slid down until her knees were in your lap and she was resting her head against the wing of the chair, and you stared, together, into the fire.

‘We barely made it back,’ she whispered, her voice dry, her lips chapped and windburned. You stayed still, not wanting to shake her, not wanting to do anything that might stop her from talking. ‘Rode through, all night. I wanted to bring him back, bring them all but I could only get him.’

‘Was it raiders?’ you asked, and she shook her head.

‘Both,’ she said, and you didn’t understand. ‘Raiders that had…kept a few clickers, had them locked up, had them uhhh…weaponised.’

You shuddered. ‘Like pets?’ you asked.

‘Like torture devices,’ she simply replied. You contemplated this for a second, couldn’t imagine it, the terror of being faced with that choice: raider or runner.

‘We got within a few hours of where we thought the pharmacy was,’ she went on, her voice catching. She continued to shake, her hands tremoring underneath the blanket, and you tried to tuck her in tighter, tried to warm her up. ‘We’d gone through a valley, ended up on the other side of a glade, it would have been so beautiful in the before times. We found a farmhouse, looked abandoned. Wasn’t.’

She was jiggling her foot and you put your hand out to hold it, feeling that her socks were wet. ‘By the time we realised they were already on us, were ready, had seen us coming.’

She looked at you, tears forming in her eyes. ‘They tried to lock us in the cage with them,’ she swallowed. ‘Jacob was really brave, fought them hard, stopped them from putting us in.’

If cold had gotten into her boots she must have been freezing, was risking losing a toe. You lifted the blankets to pull at her sock, putting your hand on her bare skin to warm it.

‘But one of them, two of them maybe, they got out,’ she continued. You held the ball of her foot in your hand, rubbing your thumb over the top of her foot in what you hoped were comforting little circles.

‘I just wanted to get him back here,’ she said, just as you felt it, a raised, rough ridge on her ankle, tendrils of heat snaking up her shin. You threw the blankets back, saw the bite there, the way the ropes of twisting fungus had already started their march up to her heart. You froze, your terrified eyes snapping to her wet, sorry, scared ones.

‘Don’t let Ray do it,’ she said.

--

It didn’t matter that you hadn’t been there before, you knew where it was. You wrapped on the door so hard you would later discover the skin on your knuckles had split. All you could hear was the ringing in your ears, your vision narrowed down to a pinprick, the look on Marla’s face so drawn, so scared, so resolute, imprinted on the inside of your eyelids. You kept wrapping, hopping from side to side, your tears mingling with the frigid air. You called for him on his front porch, your voice high and choking on the fear, on the grief in it.

He'd wrenched the door open, having pulled his boots on but not yet done up the laces, the furrow in his brow deep, his eyes wild when he clocked you, when he checked your six.

‘Jesus, are you? What is it?’ he spluttered, and you couldn’t let him finish, had to get the words out in case they poisoned you.

‘She’s bit, Joel,’ you spat out, watching his face fall.

‘Who, Ellie?’ he asked, panic rising in his voice, and you choked out a sob, shaking your head fiercely. He grabbed you by both shoulders, bending down to look you in the eye. You shook underneath him, wanted to launch yourself into his chest and bury yourself in it.

‘Marla,’ you said, shivering so hard your jaw was barely cooperating. ‘She came back bit.’

‘Where is she?’ he asked, and you told him. You’d locked her in your treatment room. She hadn’t turned yet, and you figured there was still an hour or two, maybe. The tremors you’d thought were the cold, shock.

‘Please, Joel,’ you said, and he was already heading back into the house to grab his rifle. Tears were streaming down your face now, your knees threatening to give. ‘Please be kind about it.’

He pulled you in, off his porch and into his living room. Set you down on the rug beside the fire.

‘I’ve got you,’ he said. ‘You stay here, you stay warm. You wait for me. You don’t come lookin’, you hear me?’

You nodded, and he shook his head at you. ‘Repeat it,’ he said.

‘I won’t come looking,’ you said, quiet and desperate like a child. He nodded, then, his rifle slung over his shoulder. You took a long breath in, felt the burn of it down your chest and into your lungs. Felt the electricity crackle between the two of you, arcing from his chest to yours through the air, let it fuel you for the next part.

--

The three of you had just left Chicago, two or so days into your trek towards Wyoming, to maybe find something better, to maybe find more of the same. Ray and Marla were ahead of you by about four paces, you deciding to hang back to let them chat. You could hear their murmurs, Ray’s giggle high and giddy when Marla made him laugh. You could imagine the two of them strolling down a sidewalk together, one hand holding their coffees with the other hand holding each other’s. You could see the golden light of the late afternoon in the trees, backlighting them as they chatted about their work, about their friends, about what movie they wanted to see on the weekend. You could imagine them going out for dinner of an evening, Marla resting her head on Ray’s shoulder as the sun set over the water, the two of them intertwined and suburban and blissfully, delightfully bored.

You were so lost in this reverie that you hadn’t realised they were talking to you until you nearly rammed into them, and you stopped to see them smiling, warmly at you.

‘You were a million miles away,’ Marla observed, and she reached out to pinch your arm.

‘Years,’ you said. ‘I was a million years away.’

--

 You sat with your legs folded underneath you on Joel’s floor, the fire warming your skin enough to remind you that you were alive. Your stomach ached, your chest burned, you rocked backwards and forwards and tucked your chin into your chest and sobbed, alternating between wiping your tears with the top of your shirt and just letting them fall onto the carpet.

You saw yourself as if you were floating outside your body, observed yourself get up on all fours and keen into the carpet, unleashing a wail unlike anything you’d ever heard. You thought, for a second, that this woman on the floor was unrecognisable, was barely human, scratching at the rug and trying to breathe through the sobs.

The night grew darker. The fire died down. You collapsed in on yourself, felt the last guide rope tethering you to the ground fail, and you slipped under, crouched on the floor with your forehead resting on your arms, your knees numb from the weight of pressing into the rug, your mind empty, time having stopped, the world having fallen off its axis. A small part of you observed in wonder at how much grief you could carry. A larger part, a wiser part, a part that had taken a back seat to let the banshee take the wheel for a while, knew that this was so much more than Marla. Knew that it was all of them, a ledger steeped in red.

In the darkness you became vaguely aware of footsteps, the sound of the fire being stoked, logs being added. Felt a blanket thrown over your shoulders, then warm hands on the small of your back guiding you, pulling you up and over to sit astride a warm body, a strong pair of legs. You wrapped your arms around him, clung to him like a koala to a Eucalypt, snuffled your tear-streaked face into his neck, into his shirt. He held you to him, a hand buried in your hair and cradling your skull in his palm, the other wrapped around your back, easing the fabric away and tucking under, to touch you, skin to skin. You heard whispers of words, mixed with your own sobs, your own gasps. He held you through all of it, on aching bones on the hard floor, until the crashing waves settled, until you finally washed ashore.

‘You don’t have a couch,’ you said, after a while, pulling your head up to observe the oddly sparse furniture arrangement. He snickered, leaning you back to brush the hair out of your eyes, away from your wet face.

You realised, after a moment, heat on your cheeks. ‘Oh,’ you said, simply. He gazed at you, watched you put two and two together, stood unshaken in all that he had sacrificed for you.

‘But where do you sit?’ you asked, and he nodded towards the old rocking chair he’d pulled in from the porch outside. You nodded your head, because it was perfect really, and because it made sense, and because you needed it to.

‘Is she gone?’ you asked, shifting on his lap to watch his face. He blinked slowly, nodded. You felt your face crumple, felt him tighten his hold on you. ‘Was it bad?’ you choked out, and he shook his head.

‘She was so brave,’ he said, gravelly voice just above a whisper. He reached out and cupped your face, wiped a tear away, held your gaze to him. ‘She was ready. She said when it was time.’

‘She didn’t…turn?’ you asked, clinging to his forearms now, letting him anchor you. He shook his head once more.

‘No, baby,’ he said, and you wanted to wrap yourself up in the sound of it, let it blanket you in warmth and quiet, burrow down into it and hibernate for the winter.

‘Thank you,’ you said, simply. He hummed in response, collecting a tear on his thumb and raising it to his lips, licking it clean. You gasped at the sight of it, his eyes never leaving yours, squirming on his lap, the sudden heat in your cunt catching you off guard. ‘Joel?’ you whispered, and he raised his eyebrows at you. ‘Are your legs numb?’ and he laughed then, because you had managed to surprise him, and after he caught his breath he sheepishly nodded. ‘Take me to bed, then,’ you said, climbing off him and extending a hand. You hauled him up, his knees creaking. For a moment the both of you stood, staring at each other in the light of the fire. You felt breathless with need for him, your head swimming, the sadness shifting just enough to let the heat in, the want. ‘Up the stairs,’ he told you. You slipped your hand into his paw.

--

Joel’s bedroom was sparse, the walnut oak bed pressed up against the wall, a stack of books on the floor beneath a bare lamp, a guitar in the corner. His scent was all over the sheets, all over the clothes strewn around the floor. You pressed yourself against him in the hope that you would absorb some of it into your cotton.

The moment you crossed the threshold his hands were on you, pulling your clothes from you like they had personally insulted him, shucking your jeans off your hips and pulling your panties down with them until you were bare, standing before him at the foot of his bed. He took a step back and you watched his face as his gaze devoured you, the heat of it so scorching that you could swear you could feel his fingers on you even standing three feet away. You trembled from the cold air and the intensity of it, and he saw in your face, read in you that you wanted to turn away from it, from the intimacy of it.

‘Don’t,’ he all but whispered, coming towards you and running his hands up on the outside of your arms. ‘Don’t be shy, not now,’ he said. He slipped a hand behind your back and his knees between yours, pushing you gently onto the bed behind you, laid his body over you and nipped at the skin behind your ear. You pulled at his flannel, trying to claw it from him without even unbuttoning it, groaning in frustration when the garment held fast. He snickered, his little lopsided grin, as he pulled it away.

You lifted yourself up on one arm, bringing the other to cradle him to you, licks and nibbles to his collar bone, to the patches of hair on his chin. His brought his hands to your breasts, pebbled the nipple with his fingers while he pushed and rolled them, squeezed them together just to watch them bounce. He was hard and heavy between your legs, still covered in his jeans, and you lifted shaking fingers to his belt buckle. He froze, a sharp intake of breath between his teeth, as he watched you. You faltered, worried for a second you had read it all wrong, that he was going to push you from him, that he had seen something in you, that you had revealed something wrong and gnarled.

‘Do you…should I?’ you stuttered, and he came to his senses again, his brow creasing when he saw you were floundering.

‘Oh, my sweet girl,’ he said, and you thought it would be kinder if he just set you on fire at that point, ‘darlin’ I was just awed for a second, that somethin’ as gorgeous as you would want a man like me. An old man like me.’

You felt the relief wash over you, your pulse quickening now but not from fear. ‘Seasoned,’ you grinned, bringing him back down to you, pulling him on top of you as his hands helped yours to free him, push his jeans over his hips. ‘Worn in,’ you went on, and he grinned at your little game. ‘Fine wine,’ you finished, and he snickered again.

‘Vinegar,’ he said, and you pushed his head down to your chest, fed him your breast, let him lave at your nipple while you gasped and clutched at his hair.

‘Experienced,’ you whimpered, and he huffed out a warm laugh into your breastbone. You wanted to unlock your ribs, swing them open like an ancient garden gate, and capture it there for safe keeping.

Free, now, the two of you naked and lying together on top of his blanket, the sheets rumpling underneath you as you rutted against each other. He reached a hand down to cup your sex, groaning when he felt how wet he had made you, how you were dripping for him. You gasped as he ran his fingers up and over your slit, gently teasing your lips apart, testing you, teasing you. You rolled your hips, trying to snare him, trying to slide him inside, but he worked against you, zigged when you zagged, and your frustrated little gasps delighted him.

‘Joel,’ you groaned, your voice tight across your chest, not enough air in your lungs to properly scold him. He ignored you, instead lifting his lips to his fingers and sampling a little taste. You watched him, eyes wide as his fell shut at the taste of you.

‘So sweet,’ he said, almost to himself, before he opened his eyes as if he just remembered you were there. ‘Here, baby,’ he said, and he fed yourself to you, his fingers sliding over your tongue as you suckled at them, his hot breath on your face as he watched you, pupils dark in the half-light of his lamp, sweat forming on his brow.

When you had sucked them clean he lowered them again, slipped them inside you, bending down to rest his ear on your mouth when you began to pant, to whimper.

‘Show me,’ he said, pulling your hand to your cunt and watching as you began slow, lazy circles around your clit. He furrowed his brow, pushed off you and down to watch properly, lifted a leg to prop you open, planting your foot on the mattress beneath you to open you wide and obscene in front of him. You blushed, moved to cover your face with your hands, but he stopped and caught you, brought your fingers back to your core before he slipped inside again. You raised your head to look at him beneath you and you realised he was learning you, studying your movements to replicate them later, letting you teach him how to touch you so that you’d never have to do it alone again.

Your first orgasm hit you hard. Under his careful, studious gaze you felt yourself unravel, your legs shaking where he held you open, his hand grasping at your ankle to keep you from slamming shut. So lost in the feeling of it, of the blooming heat expanding out and into your belly, of the undulations of your cunt around his fingers, that you barely noticed him slip his fingers from you and slide to the ground beside the bed, pushing your legs into your chest and holding them there, pressing you in half all the better to ease his tongue into your cunt and lick up your spend, kitten licks at your sensitive clit before plunging his tongue into your hole, breathing hard through his nose and groaning, uttering filth in the base of his throat as he devoured you, wrung your second orgasm from you in a matter of minutes, rolling from side to side and head thrown back, hands tangled in his hair as his mouth rode you, as he stayed with you up to your peak and then over it, savouring and lapping at your come, rutting into the side of the bed as he let your thighs down to rest on his shoulders, your breath ragged and rippling with pleasure, hands clutching to the blanket to steady himself, to catch his breath.

He gazed at you in repose, ran his eyes over your sopping cunt up to your heaving belly, to the curve of the underside of your breast, the nipples straining into the cold air, and then up to your face, your head thrown back as you came down, as you squirmed from the overstimulation still coursing through you, as you let your hands drop beside you, sated and glorious in his worship of you.

You swallowed, your mouth, lips, throat dry. With shaky hands you reached for him, grabbed at the air above his shoulders, felt him shift and rise up to meet you, felt his weight blanketing you as you came back to yourself. With one hand in your hair and the other tracing your cheek, your jaw, you opened your eyes to stare into his, the desire carved hard and deep into his features.

‘Take it,’ you whispered, watching as his bottom lip quivered with need. ‘Please, Joel.’

He shifted his weight to one arm, reached down between you as you lifted your legs to bracket his hips, crossing your feet at the ankles behind his back. You felt him guide his cock to the weeping maw of your cunt.

‘Please,’ you whispered again, as you felt him slip inside you, the burn and the stretch and the force of him, so hard and pulsing as he parted you. He dropped his head, sighing, and you planted your lips to his brow, whimpered at the weight of his cock inside you, at the weight of the two of you finally, finally joined.

‘She’s tight, baby,’ he said, his brow creasing. He moved his hips, shoving further into you in one shot, and you gasped, grabbed at his shoulders, brought his eyes back to yours. He paused, gazing into your eyes, read the trepidation in them. ‘S’ok baby,’ he cooed, leaning down to place a kiss on your cheekbone. ‘You can do it,’ he encouraged, and you felt the warmth of his reassurance radiate down your thighs. ‘We can take our time,’ he said, languidly pulling back from you before gently, achingly, taking his place again. ‘Got all night for ya,’ he said, and you realised he had started to ramble, and that under his hot breath, on top of his blanket in his sparse bedroom lit only by his bedside lamp, in the cold Jackson night where the snow dampened all the noise, all the loss, all the sharp edges down, you never wanted him to stop whispering his filthy encouragement to you, never wanted him to stop easing his way into you, to the core of you, marking you where only he belonged.

‘Doin’ so good for me,’ he went on, his eyes closing on their own, lost in the grip of your cunt around him, in the heat of you. Finally he was fully seated, the warmth of his belly coming to rest upon yours. He settled there, reluctant to move, until you squirmed underneath him, caged whimpers escaping your throat. He opened his eyes, his lopsided grin appearing above you, as he planted a kiss on your hairline, gazed down at you as you stretched around him. He brought his hand down to cup your jaw again, held you there under his stare, as he withdrew his hips and eased back in again, pushing deeper into you that you gasped when he bottomed out, his eyes never leaving yours as your mouth dropped open in surprise at the feeling he was pulling from you, at the need and the ache of your cunt spread so open and wanting for him, at the way he was so effortlessly taking you apart, so calmly and so warmly unravelling you.

‘Too good,’ you complained, your brow saddling and jaw clenching, as you felt your cunt grip and release, grip and release. He cooed at you, revelling in your whimpers, gasped as you did, shared in your breath, made you submit to the divinity he was pushing you towards. This was how your third orgasm found you.

Locked in his gaze you could only lie beneath him, holding him to you by the shoulders and groaning as he pistoned in and out, watching his eyes slam shut as he was dragged under, submitted to the pull, his come washing the fear and the stress and the grief out of you, replacing it only with scorching heat, with a kind of pleasure indistinguishable from a greedy, pernicious want, with something that, in another life, you could have shaped into love. 

--

You lay, entwined together, under his blanket. Your head on his chest, ear to his heartbeat, you felt your body rise and fall as he breathed underneath you. You hadn’t wanted the night to end, hadn’t wanted to close your eyes and wake to the aftermath. Together you lay and watched the sunrise. Occasionally Joel ran his fingers up and down your arm to let you know he was still there.

‘Joel?’ you whispered, and he hummed in response. You kept your head down, listening to his pulse quicken as you spoke. ‘Canna ask you something?’ you said, jaw resting on his ribs.

‘Uhhuh,’ he said, but his fingers were stopped now, frozen in place on your shoulder.

‘Before, when we were…’ you trailed off, because even though hours before he had been eyelevel with your swollen, puffy cunt, now suddenly talking about it felt too intimate. ‘Before,’ you started again, ‘you said you didn’t think I’d want a man like you.’

‘An old man,’ he corrected, and you smiled.

‘Seasoned,’ you corrected, and he groaned, theatrically. ‘But you said a man like you, then an old man like you,’ you reminded him. He wasn’t laughing anymore, and you could feel the temperature in the room drop. ‘What did you mean?’ you ploughed on, because you were in it now.

He thought for a moment, swallowing hard. You shifted in his arms, looked up at him, saw the flicker of panic there, before he reset his features in stone. You pulled away from him in surprise, not having seen that look directed at you in weeks, not since the first time he had appeared reticent and sore at your door. Your stomach dropped.

‘I gotta check on the horses,’ he said, rolling you out of the way and moving to get up. You sat up with him, grabbing at his arm.

‘Joel,’ you said, trying to pull him back towards you, but so easily overpowered. He rolled his shoulder, shaking you off.

‘The two that came back, they need to be checked over. Waited for first light.’

‘Joel, I don’t understand what’s happening.’ He was standing, pacing around the room pulling his clothes back together, gathering yours and dropping them on the end of the bed. He stared at you, expectant, but you refused to move.

‘What kind of man did you mean, Joel?’ you pressed him, and he scoffed, pulling his jeans on and hastily doing up his shirt. He missed a few buttons, and in that moment you didn’t feel like helping him.

‘You know exactly what kind of man,’ he said.

You saw Maria’s tense shoulders when he came into her kitchen, bleeding. You saw her sitting in your kitchen as you held her feet to your chest, explaining how Tommy was different, how he had only wanted to impress his big brother.

Sort of dressed, he was now pacing, the morning light turning his skin a ghostly pale, and you thought for a moment he was haunting you. ‘You know exactly,’ he repeated. ‘Same reason you came running to me the second your friend needed killin’.’

You flinched like he’d slapped you, would have preferred if he had.

‘What kind of man, Joel?’ you asked, and he looked at you, then, tortured for a second before he wiped it away with his hand on his face.

‘A fuckin killer,’ he said, quiet and deathly in the chill of the morning.

You stared at him, heart racing. You were surprised and you also weren’t. You knew what this world demanded of people, the toll you had all paid for survival.

‘Infected?’ you asked, and he sighed, frustrated.

‘Don’t be so fuckin’ naïve,’ he said.

You remembered you were naked, but this was the first time he had really made you feel it, and you held the blanket to your chest, tight.

He wouldn’t look at you, staring instead out the window as Jackson woke.

‘I ain’t a good man,’ he said, quietly, and you shook your head.

‘I don’t believe that,’ you said, and he sneered at you then, picked up your clothes and threw them at you.

‘You don’t know shit about me,’ he said, and then he was gone. You listened as his heavy footsteps stomped down the stairs, the pause as he pulled his boots on, the slam of the door.

Taglist:

@orcasoul

@archofimagine

@hiroikegawa

@ilovejoel-andjavi

@giggly-otter

@harrysrosetatto

@Hjzghi-blog

@daddy-dins-girl

@kathaaaaaaa

#joel miller fanfic #joel miller x reader #joel miller x you #pedro pascal fanfiction #the last of us fanfiction #joel miller #tlou fanfiction

[writing-for-life]

Considering this is a site where so many people have aspirations to become professional authors or artists, I think it’s really astounding that many (often the same) people encourage book piracy. And by that I mean: They don’t just do it behind closed doors (whatever, do what you have to do and keep it to yourself)—they actually package it as some act of immeasurable kindness in the name of “social justice”. And I’d say: If you’re not a professional author and have no experience in or with publishing, hence don’t really understand what it means to make your living as a writer, maybe just… don’t? And if you ever want to sell your books, maybe also just… don’t?

It’s not some cool subversive thing in the name of social justice you’re doing. You’re really hurting authors with it, and it’s in no way comparable to “fighting the big bad streamers.”

Yes, Neil Gaiman will be okay, but if you’re saying it’s okay to do it to him, you’re also saying by extension it’s okay to do it to lesser known authors. And those authors make up the vast (and I mean vast!) majority of authors. But maybe you’re one of those people who think that all artists are minted and picture them in La La Land, entirely possible. If that’s the case, maybe educate yourself what the median income of authors is, be very surprised and wake up. Sometimes, it really helps to think before hitting post. And if rants are not your thing, this is the exit sign because I’m not going to mince my words…

Here are a couple of really good comments from *that* post that people should maybe inwardly digest before they prioritise being oh-so-understanding and supportive of every Tom, Dick & Harry who “can’t afford the book” via piracy (how about buying them one instead if you care so much. No? Thought so) over supporting authors, artists and, yes, libraries:

(Re the last comment: Or use online libraries—they’re also free. That was also part of above post btw. Libby, Hoopla etc exist for a reason.)

If that’s all too hard, then let’s at least stop pretending on here that we care about supporting authors and artists while vocally supporting book piracy. Because really, it’s the same in all arts, even if the symptoms are slightly different—take it from one who is both a published author and used to be a stage performer.

And to say it quite frankly: These “ideas” are probably held by the same people who were tearfully blabbering about the arts being what kept them going during the pandemic and then forgot about it all when lockdown was over. Or maybe they are the same people who think that art is a “jolly pastime”, and that everyone should just be content to “do it for the love of it and give their art away for free because awwwww, so amazing, here, buy food with my exposure bucks.” Go on then, write and consume fanfics and create fanart, problem solved. Just don’t ever ask for the pro art that inspires it again. Ah no, I forgot, it’s all made for money and soulless anyway, innit? Why oh why then do you want to consume and pirate it though?

You’re not progressive and/or supportive of artists. You just have no clue how making a living in the arts works and think your comfort (= “I have to have all the things even if I can’t afford them”) matters more than someone’s livelihood (namely that of the people who devoted their lives to creating that art for you), and it really shows.

I don’t care about anyone’s Google history and even said so several time on here when people asked (this is the latest one, and yes, I see the people who had a “reaction” to this one or the reblog above, but I bet that’s “coincidence”). Do whatever you want to do, it’s your choice, keep it to yourself. But stop pretending that piracy means “caring about the noble cause”, because repackaging entitlement as social activism is performative crap…

#book piracy #authors #publishing #support libraries #support writers #books & libraries #bookblr #books #writers #personal rant

[wordy-little-witch]

Hellooo how are you? i just wanna ask wat r ur nsfw headcanons abt crossguild polycule😳

Also i love ur posts❤️

Hiya, honey bee! I'm doing alright, all things considered, thanks for asking, lovely ♡ just sleepy lmaooo

Cross guild my beloved aaaa okay so I'm gonna put the NSFW ones under a cut bc of the content warnings~

Thanks for the ask, I appreciate you!!!!! And thanks for reading, hun ♡ drink water, have a snack if you can, take any medicine you have prescribed and stay safe ♡♡♡♡♡♡♡♡

18+ BELOW vvv

Okay NSFW stuff lezzgo. I am. Genuinely debating doing the consent charts here for each of them, then a layered one with them compared to each other.

Keep in mind, these are my head canons, and I adore when they're different takes and opinions, I think variety is awesome ♡♡♡♡

So let's start with the biggest of our guild boys!!

Crocodile:

FTM, Top surgery done in his early adult years through a series of oddly aligning events, bottom surgery looked into but rendered unneeded via Ivankov's hormones

Likes/Preferences

This man is a SWITCH, he usually Doms and prefers topping, coming from some older dysphoria issues, but honestly? Is open to submitting and bottoming to others when the need arises on a case by case basis.

Not exactly vanilla, but sometimes the intimacy there is nice.

Is fairly ace-spec, all things considered, sees sex as not a need but something enjoyable. Doesn't always even get off during sex, just enjoys the power and rush he gets from his partners. Took a very long time to realize that for himself. Sex positive!

Sadomasochist. Prefers causing the pain, but scratching and biting are HELLA approved for him

Marks marks marks

Idk if there's and actual word for it, but Crocodile LOVES dressing his partner up in finery just to ruin them. Also discovered an additional kink there which will be talked about later on. (See mixed)

He has wild stamina and ca go maybe three rounds before he needs to stop or pause.

Objectively the best at eating out, can and will make one partner moan out loud and the other outright cry.

Mihawk

Cis (?) insofar as he's a man by technicality. He is a SWORDSMAN by choice. He identifies as a threat, and that is not for ironic jokes. Honestly, to Mihawk gender feels complicated and stupid. 0/5 stars, hates it. He could not be paid to give a fuck about that sort of thing beyond his immediate people's happiness.

On that note, also doesn't care what parts someone has or what they identify as. If he likes you, he likes you, that's all there is. Doesn't use labels. Does admit to being more oredominantly attracted to masculine individuals. It is simply Mihawk and The Vibe.

Onwards to the thoughts!!!!

True Switch. Doesn't care. Enjoys dominating, enjoys submitting, likes topping, likes bottoming, but it's a case by case and person by person basis.

Choking. Idk, but something about holding someone by the throat and feeling their skin and muscles and heartbeat under his fingers gives him a rush, I bet.

Not particularly into sadism or masochism specifically, but does enjoy some of the semi-connected things. Knife play is a given, as well as blood play, and ironically hot wax

Trust is big to him.

Sensory play.

Has a personal rule that his partner has to cum at least once before he even thinks about his own pleasure unless that's the pre-established play they're doing that scene.

On that front - service top/service bottom.

Praise and degradation kink, surprisingly enough

Breeding kink

He Will Bite. With consent of course.

Really enjoys edging and teasing his partners. Doesn't like it as much for himself but doesn't DISlike it either.

Disinterest kink, he likes to make his lovers beg for attention and feigning disinterest.

Cockwarming.

Something about making a mess in the bedroom is simply PERFECT for him.

Honestly, Mihawk is down to try anything at least once and isn't too surprised to find new things that he enjoys.

Stamina is INSANE, but goes about one round, maybe 2, before needing to step back. Dw though, he's not leaving. He can ruin someone with more than just that option.

Buggy

AFAB masc nonbinary, no surgeries, Iva's hormones do not work on him, and he makes his own. Had a partial hysterectomy as a child before his Devil Fruit due to a... bad situation. Has numerous scars as well from before then and even a few after when he was learning the limits of his Fruit and the partial immunity to Haki.

Could top, hypothetically, but really does enjoy bottoming more. Will try topping if a partner really wants it, but feels weird and awkward the whole time - only realized that doing it despite his discomfort was not only not healthy but the partners who pushed and pushed for it from him were pushing the boundaries of consent at best. ((Had to talk Mihawk out of hunting the people down for a Talk, had to convince Crocodile and surprisingly Daz out of adding some extra bounties for it ((they still did))))

Will dom!! Enjoys being a power bottom honestly. Subbing is a guilty pleasure he rarely got to indulge in due to his absolutely insane trust issues, but once Mihawk and Crocodile earned that trust from him, he'll be the sweetest or brattiest sub on this planet, just for them

Really good with his mouth.

He's a screamer. Tries to stay quiet but never can on his own.

He falls apart sometimes during intense sex.

He's mortified by it, but he has a daddy kink and the first time he called one of his partners daddy he didn't even realize until Mihawk grabbed him by the neck just so, squeezed, forcing his head to tilt back and see blazing gold and molten violet just for someone to growl "cum for daddy, baby" and his vision went white. He was flustered for DAYS after that. ((Their light hearted teasing did not help, nor did their exploitation of the newly found On Button))

Exhibition kink but not publicly

Breeding kink

Size queen

Likes being manhandling

BIG on being marked up and claimed. ((11/10, would wear a collar if it could stay on permanently))

Together

Neither Crocodile or Mihawk had any opinion on makeup until Buggy - when they get to a certain point with his mascara and eyeliner running, lipstick smudged, eyeshadow casting his face in technicolor bruises, they are besotted and burning in equal measure.

Crocodile finds he apparently has a THING for his lovers in lace, something found purely by circumstance and he felt foolish for not ever noticing before. Is equally flustered when they both use it against him.

After Buggy's moment with calling them Daddy, something Awakened in Croc and Hawk. Words like Sir and Master were familiar but this? Ohhhh it hits Different.

They're all pretty partial to BDSM but they also can be really vanilla too. It's cute and sweet.

Buggy's thigh thighs get their own section ♡

Alright that's all I have rn but I hope you enjoyed!!!!

#buggy the clown #sir crocodile #dracule mihawk #cross guild polycule #nsft #gender nonconforming buggy #trans buggy #trans crocodile #(????) Mihawk #witchy answers!!

[rlqfpdl]

Anonymously Knowing You

Fem!Reader x Luke Castellan

Summary: As you start to find comfort in your new friendship you establish some rules to keep yourself anonymous.

A/N: part two is out!! Hope you guys like it, feedback is always welcomed. Taglist if open comment or send ask to be added!

Taglist: @idli-dosa @v1ckycheesue @randomgurl2326

Word Count: 1.7k

series masterlist

previous | next

“So, how was school today?” asked your mom, as both you and Percy ate opposite each other, seemingly ignoring each others' presence. “Do anything fun?” She pushed again, frustrated with the current state of her children. It was normal for you not to talk while eating lunch with your family, but Percy’s unusually quiet demeanor added to your mother’s concern. 

“I'm going to have to stay at school to work with a study group. I might be late some days” you said, averting your eyes in hopes that she wouldn't see through the lie. 

“Oh, isn't that wonderful. Then I guess Percy and I will be seeing you less,” she said, her words carrying genuine meaning behind them.

 “Actually, I am also staying for a study group after school,” continued Percy, nudging your foot  and giving you a disapproving look. Percy didn't like lying to your mom;  he was honest and open with her, telling her about everything that happened, maybe sometimes omitting certain parts but still. Meanwhile, you seemed to resort to lies more often. It wasn't that she would disapprove of your particular life choices, you just felt like she didn't really care about them like she did for Percy. 

“Silena invited me for a sleepover. Can I go?” you asked, swiftly changing the subject.

“Actually, Leo also invited me for a sleepover,” commented Percy,maintaining his disapproving gaze at you, one lie after the other.

 “Sure, you both can go. I don't see why not” 

“Thanks, Mom. Love you” you said, rising to kiss her on the cheek leaving your mom surprised. “Moody teenagers, I'm telling you,” Percy concluded as he also made his way to his bedroom. 

It wasnt that you didn't enjoy parties, but they weren’t your scene either. Silena was lucky enough to have parents that never were home and a house big enough to throw a party. You found yourself playing beer pong with Clarisse against Percy and Jason. Clarisse kept winning, much to Jason's annoyance. “Hey you're cheating” said Jason starting to get pissed off at the large amount of cups they had left compared to you guys almost full set.  Overwhelmed by the crowd gathered mainly to witness Clarisse’s victories, you decided to walk away and find somewhere quieter. 

As you maneuvered through the crowd, a hand wrapped around your arm. “Y/N, come dance with me,” said Silena, a faint scent of alcohol lingering around her as she started to sway her body to the rhythm of the music. With a smile, you joined her, already having a few drinks in your system. You grabbed each other's hands  and swayed along with the music, sharing laughs, a momentarily bearable atmosphere. But, as always, all good must come to an end. Silena suddenly  felt a pair of arms slither around her waist. “Babe, where were you?” she asked, turning around to see Beckendorf, her attention fully diverted to him,leaving you on the sidelines.

You simply moved out of the way, no longer in the mood to continue dancing, opting for a less crowded corner of the house. Pulling out your phone, you debated on texting your new friend or not.

Unknown

Since when did parties get so boring?

Your palms are sweating as you hit send, staring at your phone as if it could magically produce a rapid response. Meanwhile, Luke found himself alone on a friday night, choosing not  to attend the party he was invited to. Instead, he immersed himself in some random project, only to be interrupted by the appearance of a new notification.

Unknown 

Well depends who you spend time with 

Was your date a no show?

Laughing out loud as you saw the message, you began to type a response. A small flutter of excitement tingled in your stomach as you hit send.                                                  

Unknown 

Is that how you flirt?

And there’s no date 

Unknown 

Sorry am really bad at flirting 

Unknown 

I can see that 

Never do it again 

Luke smiled at your exchange of texts, making his way towards his bed as he typed away, noticing that you were doing the same. 

Unknown 

So you hate parties? 

Unknown 

Something like that 

Hitting the send button once again, you continued to type, only to flinch as you heard a loud knock on the window. Clarisse stood there, grinning wide as ever, indicating that someone was up to something stupid. “Come on, Y/N, you’ve got to see Travis chug a beer through his nose,” she said excitedly, jumping as she dragged you towards the commotion. 

The hype slowly died down as the clock struck 2 am. People began to walk away, carrying their drunk friends and laughing about the stupid decision they had made. You might have lied to your mom about why you were sleeping over, but you were indeed staying at Silena’s. sitting with your legs in the pool, you watched people leave, Percy right next to you.

“Have you ever tried kombucha?” he asked, gulping down the strange drink in his hands. You only grabbed onto it, taking a sip yourself. Percy pulled out his phone, starting to film a story for his close friends. “The last survivors of the night, with my cool older sister,” he said, zooming into you, chuckling at his statement. 

“I'm not cool, Percy,” you responded as he posted the video. You looked down at your feet avoiding your brother's scolding eyes. “The fact that you don't recognise it makes you cooler, Y/N,” he remarked, and a comfortable silence fell between the two of you. 

Building up the courage to speak a bit more , you began, “Perce I'm sor-”, only to be interrupted by Leo’s voice, “Percy we’re leaving,” making your brother jolt up and run towards his friends. Soon, he left too, leaving you there smiling bitterly at the good awful kombucha in your hands.

It was finally monday, meaning it was the first day of detention. “You'll work in pairs during detention: so Jackson 1 and Grace, you're working together, Valdez, you’re alone. Jackson 2 and Castellan, off to work” said Ms. Ava working on her knitting, Leo frowning at the thought of being left alone while Percy and Jason cheered, as you groaned at the prospect of working with the new guy. 

“Well, get up, guys, we don't have all day,” repeated your teacher, prompting  all of you to finally stand up and head towards your respective duties. Grabbing the buckets provided, you made your way towards the greenhouse, noticing that Luke was struggling with the box in his hands 

“You need help with that?” you offered, albeit half heartedly.

“I’m okay,” he responded dryly as you led the way. 

You settled down your supplies, carefully adding soil to your box in preparation for adding seeds. You noticed how Luke grabbed the bag of seeds ,ready to dupe its contents. 

“Wait, you have to first add water,” you stopped him, spraying some water on the soil. “Then you can add the seeds.” Handing him back the bag, you watched as he dumped them all at once. “You're not supposed to do it like that,” you complained, but Luke only stared at you, annoyed. He grabbed a rake, thinking it would solve his little mishap, only to be met by more complaints from you. 

“No, that tool isn't for that, and that bag you have isn't even soil,” you pointed out, Luke took a step back as he started to grow even more annoyed at your bossiness. “You're not helping by doing everything wrong,” you finished off angrily, patting down more soil. “Haven't you thought that maybe I'm just doing it my way?” he asked.

“Well, haven’t you thought that maybe your way isn't that right one?” you sassed back, rolling your eyes out of instinct. “Do you enjoy doing things your own way? Or the way people taught you to?” he retorted, copying your eye roll. “What would you know about how I do things? You don't even know me.” 

“I know people have been saying you roasted Ms. Dots,'' he said jokingly, your blood boiling at the sound of his words. “You know what people say about you?” Luke's ears perked up in curiosity to your next words. “Nothing, because you don't have friends,” he huffed, pressing his lips together looking into your eyes. “And what, you only have two?” 

“Okay, that's enough. Both of you can leave for today,” said Ms. Ava, clapping to grab your attention. You simply dropped your tools and walked towards Percy, leaving the school, while Luke watched you leave, equally as mad. And even as you got home you still felt angry at

him, he was a jackass you couldn't stand thinking he was so smart reading other people like a book. 

Unknown 

Are you there?

You texted, finding yourself increasingly drawn to exchange messages with the mysterious number. Luke couldn't deny that he found himself eagerly waiting for a text from this unknown girl, a smile spreading across his face whenever the notification popped up on his phone. 

Unknown

I had the worst day ever

Unknown

Again?

Unknown 

All because of stupid

Selfish 

Smartass 

Unknown 

Let it all out 

Unknown 

He's just an asshole 

Luke chuckled at your little rant,  realizing that whoever was on the other end seemed to hold a strong dislike for this person. Yet, the way you described the feud brought back memories of the small, petty fights he used to have on the playground. 

Unknown 

Guess those aren't hard to come by 

There's this girl at my school, she's insufferable 

Unknown 

We should set them up

Unknown 

Best revenge ever 

You laughed at the text, imagining Luke and some random girl together, possibly experiencing a taste of his own medicine. However, you froze in your tracks as you saw the next text.

Unknown 

What's your name 

Unknown 

Why would I tell you my name?

Would you like my address and social security too?

What if you're a stalker?

Unknown 

If i were a stalker i would already know where you live?

Luke could only facepalm at his responde, really? Was that the best he could come up with? 

Unknown 

Am joking btw 

You stood there for a few seconds trying to think of the best solution to your dilemma as you texted back. 

Unknown 

Lets sets some rules

No personal information

No pictures, no voice messages 

Lets just be anonymous

get to know each other better 

Anonymous 

Okay let’s be anonymous

#ria fics #percy jackon and the olympians #luke castellan #fanfic #luke castellan x reader #luke castellan pjo #luke castellan series #luke castellan x y/n #luke castellan x you #luke castellan smau #luke castellan fluff #luke castellan fanfic #pjo luke #anonymously yours

[orpiknight]

2023 is the year for asking the burning questions like "What if David Tennant came back to play a queer, nonbinary, nearly-immortal, otherworldly being that loves Earth and whose greatest adversary list somehow includes a cup of coffee?"

#David Tennant #good omens #doctor who #doctor who 60th anniversary #14th doctor #okv #Twice in one year. #“bouncy” for both too. #“possible flight risk to the stars” #“time is sometimes a choice actually” #I had a really good time with the special. :) #Edit: I don't believe in the coffee theory. But I'm happy for people to have fun with their different theories. Even if I disagree. #All I meant was a (regular) coffee was included with the Metatron.

[front-facing-pokemon]

#sobble #now THIS was the starter that i chose in my actual playthrough of swsh. this little fucker was Basically my reintroduction to pokémon #bc as i've talked abt many times i had a long reprieve from pokémon during my teenage years and only got back into it #with the release of swsh. and this thing was the starter i chose at that time #subconsciously i think the reason i chose them is because i wanted to be subversive. right #i do this sometimes. for some reason. where i know there's an obvious option i wanna pick but i don't do it because i don't wanna be #“obvious” and choose the “obvious” choice that everyone knows i would pick so i pick a different‚ more obscure option for some reason #i did this with sobble over scorbunny. more recently i did it in every playthrough of bg3 i've ever done #where i've never played a dragonborn despite OBVIOUSLY KNOWING i would choose a dragonborn #because i don't wanna be too “obvious”. i dunno i should just play a dragonborn already. and i should just admit to liking cinderace

[this-is-a-love-story-isnt-it]

Claudia Black and Ben Browder being captains of their own ship since 1999.

ComicCon 2009 Wintercon 2019 Wintercon 2023

#farscape #john x aeryn #claudia black #ben browder #the show's creator did plan for it to be a love story btwn John x Aeryn #but Ben and Claudia wanted to have as much input as possible to make sure it stayed that way #and the show was very collaborative so they did have a lot of input #and they made a lot of really great acting choices #in 2019 Claudia said there had been a storyline that didn't sit well with either of them #because they felt that John and Aeryn only had their hearts on each other #but it sounds like they were bringing in another woman for John to have a thing with ig #idk if they're talking about Jenavian in LATP #but I know Ben protested against that #but he didn't win that time ugh #the vid from 2019 is mine #sorry for the camera work #i was trying to film with my phone but also making sure I was in the moment #and actually watching the panel with my own eyes and not through my phone screen #so sometimes it went off-center #my gifs #my gifs: farscape

[silverskye13]

For the record! I'm going to apologize now and say it's probably going to be a hot minute before a new RnS chapter comes out [a week, maybe two]. I have encountered some issues that need sorted.

#spazzcat barks #redstone and skulk #don't read the tags if you don't want bookwriting logistics spoilers #delete later #the long and the short of it is i wrote 3 chapters and now i think i'm going to scrap them all #this is the problem with making a backlog: sometimes you see the corner you've written yourself into #and instead of writing your way around it like you would if you were writing chapter by chapter #youre instead going to go back to where the problem started and kill it there #except it is very demotivating to lose upwards of 10k words because of one character choice three chapters ago #that you think is a little out of character #so you need some time to recover from that #and then you need time to make plans #because you've spent the past week and a half writing 3 chapters that don't exist now #so you need to figure out how you think your character would actually act and decide how much this changes the three chapters you wrote #and if those chapters are even salvageable now #so in summation: damn it m'lord there's a dragon in the castle and i've lost escaliber