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#[ MIRACULOUSLY THOUGH... he doesn't end up dying ]
causalitylinked · 1 year
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WHAT DOES YOUR SOUL SMELL LIKE?
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Candle Smoke.
key words: self-assured, courageous, intuitive. you are an expert at overcoming your demons and should be proud of how brave you have consistently shown yourself to be. others are amazed by your perseverance, strong personality, and unapologetic uniqueness.
compatible with: coffee, freshly baked bread.
TAGGED BY: @brawlqueen​
TAGGING: sweats copiously... i feel like everybody has done this already, so maybe just steal it from me??
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shmaimy · 6 months
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Okay, just, hear me out
Y'know how Gabriel is, like, dying and all that? (Don't hate on me if this as changed, I'm super not caught up.) So, what if he does die.
Ladybug and Chat Noir are super confused, heck, all of Paris is, cuz Monarch has been completely silent.
Adrien is, of course, super depressed and upset, and his friends mourn with him.
Ladybug gets a message, somehow, from Natalie, asking to talk to her and Chat privately. They meet up, and she tells them everything, including the fact that she is dying. She doesn't want anybody else to go through what they have.
Ladybug, though devastated due to what this means for Adrien, the love of her life, is also ecstatic to have the miraculous back, and is so distracted by reuniting with the Kwamis that she misses what Chat says. But Natalie doesn't.
I don't know what he'd say, maybe, "I can't believe my dad would do this" or "how could I have missed this" or "I can't believe you guys lied to me" (maybe even, "my dad tried to kill me?"). Honestly it doesn't matter.
Whatever he says, Natalie is smart. Yeah, she's made mistakes, but she's smart. Even if it takes her a second to figure it out, and another second or two in order to account for shock and the realization of what she did to the boy she has considered to be something like a son, she gets there, and fully breaks down.
She can't stop apologizing. Chat/Adrien, despite everything that has happened, comes to her side, and wraps her in a big hug, and comforts her. He's still upset, angry even, but he will stay by her side. Eventually, he'll understand why they did what they did. But for now, he's going to do everything he can to fix this as best as he can. For Natalie and his mother.
*
Ladybug is also smart. But she can't figure out why Chat is so determined to figure out how to fix the peacock miraculous. I mean, sure, it's important, it's their best chance of saving Natalie and Emilie, but he doesn't seem to be doing it out of a sense of urgency. Instead, he seems to be absolutely desperate. She's seen Chat face monsters, seen him as a monster himself, yet this is the worst she's seen him. Though Monarch had been defeated, Chat Blanc returns to her nightmares.
Marinette notices Adrien's strange behavior as well. He's exhausted, and constantly on edge. It makes sense, his dad had just died, but there seemed to be more. He was rushing home as soon as he could, as often as he could. He was constantly reading books and was barely eating.
Finally, with Alya and the kwamis' help, she connects the dots. She feels terrible. She throws herself into the work just as much as Chat/Adrien has.
In the end, in the nick of time, they find a way to save Natalie and Emilie. Emilie is horrified at what her best friend and husband had done, yet wonders what she would have done in their place. Chat breaks down and detransforms the second he sees his mother. (Many hugs and tears amongst the four.) He doesn't even realize what he has done, and most certainly doesn't notice Ladybug turning into Marinette. After calming down, however, he too connects the dots. He stares at her, and she just smiles. He smiles right back.
Anyway, just a random thought I had in the tub after watching miraculous with my baby siblings
Have a good day, y'all
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starguardianniom · 6 months
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The Paris Special and Cataclysm
So the special happened right after Destruction ended, so right after Monarch deliberately made Chat Noir use Cataclysm on him so Ladybug could not longer have any leverage on him and escape with the Lucky Charm, dooming himself.
A bit later the same night Claw Noir, while fighting Chat Noir, Cataclysm himself and doesn't seem bothered after letting out a scream. Or the physical pain doesn't even reach the level of emotional pain he feels during that time, who knows.
So Chat Noir has his own father and an evil alternate version of himself who literally had him hurt themselves and he's horrified.
They are willing to hurt each other if it means they can win in the long run, showing their goals have past reached their own wellbeing. It just shows how unhealthy they are mentally and how it poisons their minds.
Cataclysm here seems to be the symbolism of their destructive grief and negative emotions, they let it consume and hurt themselves rather than trying to heal and move on. And grief can literally kill you, dying of a broken heart is a real thing, and I feel that in the special it showed us the 2 possible outcomes of it.
Negative emotions can lead you to spiral that can end with you also destroying yourself emotionally and physically, though I don't feel like I need to go into details, I feel the special kind of showed some ideas well enough.
In the first one outcome, which would be Gabriel since he got Cataclysmed first before Betterfly, Shadybug and Claw Noir showed up, Gabriel never let go of his grief and negative emotions, doesn't want to move on from Émilie and wants to bring her back no matter what, that's the outcome of letting grief and negative emotions consume you entirely.
The second outcome is Claw Noir not minding to get Cataclysmed himself and keeps using his power all the time, but in the end after a talk with Adrien, he choose to let it go and finally start to heal rather than stewing in his bitterness, sadness and loneliness and the all consuming, numbing pain of grief and all the dark emotions that comes with it. Of course he still has work ahead of himself, but he did the first most important step, and it was to accept that his mother was gone and would have prefered him to be happy rather than being miserable and mourning her loss for the rest of his life, and sure you can keep mourning your loved ones, but it doesn't mean that you can't learn to live with it and move on and be happy yourself, they still stay with you in your heart, and they would want you to live a long and happy life even if they're aren't around anymore.
I think this is why in the end (apart from the other reason of plot device since we still had the rest of season 5 to go through) Claw Noir got healed from his Cataclysm wound by Shadybug's Miraculous Cure, whereas Monach wasn't, because Claw Noir was ready to let go of his grief, Monarch wasn't, so Claw Noir got healed cause he wanted to stop hurting over his mother's disappearance after a talk with his alternate self who completely understood his feelings and situation and told him his own experience and offered advice that helped him be in a much better mental state that he was, but Monarch didn't want to give up on Émilie after getting most of the miraculouses after he feels so close after all this time so he wasn't healed because he couldn't let go, as he is obsessed over Émilie and his goal.
Which brings to their fate, Claw Noir lives, while Monarch at the end of season 5, dies, well choose to die and join Émilie and fix Nathalie rather than facing the consequences of his actions more would be it, getting what he wanted and also not entirely, given he was supposed to bring Émilie back and sacrifice someone else so that they could be a happy family again, but instead he chose to orphanate Adrien and be with Émilie and have Nathalie guard Adrien at the last second, he's still a horrible excuse of a parent and while I'm beyond pissed at this ending I'm also beyond done watching him do anymore crap for the following seasons.
So in the Paris Special there was the lowkey message of either you let your grief and negative emotions destroy you or you choose to accept them and start moving on to heal, and it was symbolised by Cataclysm.
It doesn't mean you aren't allowed to feel grief or negative emotions, you can't be happy 24/7 for your entire life, but letting them out in a healthy way instead of stewing in them without letting them go is what I feel the Special was about.
Thoughts?
Feel free to add your own piece of interpretation to it too.
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ihni · 11 months
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The hospital room is surprisingly cozy, for a hospital room. The walls aren't white, but a light green. There's a small plant in a pot on the windowsill, and a pile of newspapers on the table by the wall. One of them is open on the crossword page. It's only half done, a pencil lying on the page, forgotten, as if whoever tried to solve it gave up halfway through.
There's a chequered blanket on the bed, and an unmoving man lying under it. He's been there for a long time. The nurses don't mention the blanket, or the newspapers, or the plant. They know not to fight a dying man's family on the little things that might bring them comfort.
And the man in the bed is dying.
Neil Hargrove is dying.
He hasn't managed to eat at all for three days. Hasn't woken up for the last twenty-four hours. They've got him on a drip, but no one expects him to last much longer when he can't even drink. His mouth doesn't close anymore, and his jaw hangs open as if dislocated. His breath smells sour. Something rattles in his chest when he breathes, and his breaths are increasigly labored.
Billy sits in a chair by the bed, head in his hands, watching his father as he slowly withers away. Neil's hands are lying on top of the blanket, the skin of his hands like paper that has been out in the rain and then left to dry. The hands that have caused Billy so much pain now look like the fingers would snap if someone applied just the slightest bit of pressure. They look out of place, on the red and brown woollen fabric of the blanket. Soft, almost. Old. Alone.
Billy is sitting close. He could reach out, hold his father's hand as he dies.
He doesn't.
A knock on the doorframe and a rustle of someone moving behind him. Billy doesn't turn around.
"Hey," Steve says. "Have you been here all night?"
Billy doesn't answer. It's obvious that he has. He's still wearing the same clothes as he has been wearing forthe last two days, and he doesn't want to think of what his hair must look like by now. Besides, Steve would know if he'd left - they share a motel room while they're in town, after all.
A sigh, then, "Any change?"
He doesn't ask if Neil is doing better. Everyone knows how this is going to end, and it's not with Neil Hargrove's miraculous recovery.
"No," Billy says.
A coffee cup appears by his side, and he takes it, grateful. A hand lingers there, hovering as if the owner wants to touch but doesn't know if it would be welcome. Billy takes it (like he didnt take Neil's) and presses a kiss to the knuckles before giving it a squeeze and pressing it against his cheek. Steve gets the hint, and strokes his fingers over Billy's skin. His touch is comforting and gentle, like Neil's has never been.
Billy closes his eyes and allows himself a moment to feel the crushing weight of reality. Just a moment, before he opens his eyes again. Takes a sip of the coffee, and turns his attention back to the shell of his father, wasting away in the hospital bed.
"You sure you don't want to take a break, babe?" Steve asks. He's careful about it. Not demanding. They've already fought about this, several times. "Half an hour? Just to go back to the motel for a quick shower?"
Billy hears what Steve is trying hard not to say.
Steve doesn't think that Neil Hargrove deserves Billy being here. Thinks he deserves to die alone and forgotten in this hospital bed, after all the pain and suffering he put his family through. And it's not that Billy disagrees with him. He knows his dad is a piece of shit. But this is more than about what Neil deserves.
It's about Billy. And Neil is Billy's only living blood relative, and even though he has been a bastard for most of Billy's life, even though he has caused Billy so much pain and anguish ... he is still Billy's dad.
And he is dying.
And Billy needs to be there.
"I'm sure." He swallows, trying to force the sudden tears back. Fails. Attempts a smile that feels like a grimace. "Thanks."
Steve sees through him. Hugs him from behind, and doesn't say anything as Billy cries silent tears at his dying father's bedside. Billy is grateful for the silence. He knows what Steve wants to say, knows it all too well. Feels an echo of it in hos own heart, and knows the truth of it.
Neil Hargrove is a bad man. He doesn't deserve Billy's tears.
But Billy sheds them anyway.
He's crying, even though Neil hasn't even died yet, and he's not entirely sure what it is he's mourning for. He's pretty sure it's not the man himself.
Perhaps he's mourning his own ruined childhood. Perhaps, a father he never got to have. Or maybe the relationship they could have had, had Neil Hargrove been a better person.
He about about his past self, and his mother, and the father he wanted so desperately to love him. He cries about everything that happened between them, and everything they never had. He cries about the man behind him, who is leaning his head against Billy's back, with his arms around Billy's chest, holding him gently and making him feel so safe, so loved, so cared for.
As his father slowly dies in a hospital bed an arm's length away, Billy cries about it all.
His father is close, his powerless hands within reach where they're resting on the blanket. But Billy doesn't reach out for him. Doesn't reach out for the man who may have raised him, but never loved him.
Instead he lets himself be held by the man who does.
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Note
I just realize you're the only person who point out that Felix and Kagami would be just as in the wrong for hiding the truth from Adrien. Most people I know puts the blame entirely on Marinette and like yeah, I get it it's really bad she would keep something like that a secret from her boyfriend but at the same time how do you deal with that big of a burden?
If it were up to me, I'd make her deal with it the same way like in the Dragon Prince with how Rayla tries to tell Callum and Ezran about their dad being dead but idk, maybe it's not the same with Adrien so it's unfair.
I'm just irritated at people who blame Marinette just cuz she's her gf and not at the adults like Nathalie or Amelie, Marinette's a child, what about Felix and Kagami? They care about Adrien too right?
Yep, it's somehow all Marinette's fault even though Felix knew for all of season five. He knew before then, too, but at least you could argue that he was fearing for his life in previous seasons. As soon as he got the peacock? No excuse. Especially since he got the peacock by trading away Adrien's freedom. A thing he arguably didn't even need to do since I don't think anyone believes that Gabriel would have said, "No" to only getting all of the miraculous. Felix just offers up the ring without even waiting for Gabriel to ask for it. A master negotiator this boy is not.
To add even more insult to injury, season five gives Felix a subplot about informing freaking Kagami and faking her amok. A girl he literally just met gets the treatment that Felix arguably owes to Adrien after all the shit Felix has put him through. You can't even argue that Felix did it because Tomoe isn't a threat on the scale of Gabriel. She's literally a co-conspirator in season five and Felix knows that because Kagami wouldn't be a sentimonster if Tomoe wasn't involved. And Tomoe has always been written as far more hands-on than Gabriel when it comes to controlling her kid, so this isn't even a case of Felix picking the easier target. He doesn't care about easy targets or subterfuge since he, you know, kidnaps Kagami in front of her mother?
But does anyone in the fandom seem to acknowledge that? No and I really don't get it. If hate must be assigned to a character and not the writers, then Felix deserves so much more hate than Marinette.
Kagami isn't innocent either. She knew the truth for about half of the season and yet she doesn't seem to care about telling Adrien. At the same time, she's fine outing Ladybug's secret identity and fine telling Marinette everything, none of which is done in the name of justice. Kagami does it all for purely selfish reasons. To me, this was as much of a character assassination as the whole Kagami believing Lila thing even though Kagami should know the truth about Lila after the Oni-chan incident (Lila faking the kissing picture and texting it to Adrien's contacts).
Then there's Nathalie. In my opinion, Nathalie's redemption is a joke and one of the key reasons for that is how little she cares about actually saving Adrien. At no point does she tell him the truth even though she knows she's dying. She could have very easily died much sooner than the final, leaving Adrien to obey Gabriel's commands, never knowing that he was being controlled. She doesn't even try to find someone else to guard Adrien's ring. She just maintains the status quo and pretends that everything is fine while occasionally asking Gabriel to pretty please change his mind and think of Adrien? Please?
Lady, you literally pinned this man to a table at the start of the season and you are his second in command. You know all his secrets. You have access to everything. You have the power to take him down. You have the power to save Adrien. You are an awful, awful mother figure who put Gabriel's wants above Adrien's needs right up to the very end. Did you even think you had a chance to fire that cross bow or was this just another, "I'm totally helping" feel good moment to assuage your guilty conscious before you died?
And Amelie. Oh, Amelie. If you hate what Colt did to your son, then why are you idly standing by while Gabriel does the same thing to your nephew? You know that Felix has the peacock, so he's safe from being snapped. Why aren't you encouraging him to help Adrien? Or, if you want to keep protecting Felix, then why don't YOU go to Ladybug and Chat Noir and tell them that Gabriel is behind everything? Surely you have to know that Felix isn't safe as long as Gabriel has all those miraculous, right? Gabriel knows that you and your son know everything. A terrorist knows that you're a chink in his armor. Why aren't you terrified by that?
In summary: yeah, Marinette should tell Adrien. It's totally fair to be mad at her. But dear God, she should never have been put in a position where she needed to tell him because one of these four should have done it long before the end of season five! The fact that Marinette was put in this position in the first place is terrible, nonsensical, illogical writing. So go ahead and be mad at Marinette, but you sure as shit better be just as mad at the people who knew everything and did nothing, leaving a teenage girl to face it all alone while bearing the safety of the world on her shoulders.
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ironborealis · 19 days
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Blooding Rite 1/1
The first time Alastor sees a man die, he's surprised.
He'll laugh himself sick much later at the very concept of being surprised at someone dying in a trench, on the front lines of the battlefield, in the middle of what the newspapers are starting to call 'The War to End All Wars'.
Not now though, as he stares at the bloodied remains Lt. James' jaw, hanging off his face as he stumbles back from the radio, his headset miraculously still attached, pulling the entire damned radio down on top of him as he collapses.
Lt. James, from Cincinnati, who moments earlier had been shouting that Alastor best be prepared to go over the top with the antenna, because their reception is absolute dog shit down here what with it pissing rain.
His mind is focused on how this scenario doesn't make sense: He's halfway out of the trench waving a metal baton in the air, desperately searching for a signal, while only James' head is visible -- how did James end up catching the bullet and not him?
There will be time to ponder later about the fickle proclivities of Death, but in the moment he's far too distracted about being tackled down into the trench himself by a blur of gray wool.
Animal instincts take over as soon as his back hits the dirt. Even with the wind knocked out him he's biting, clawing, kicking at the fucking Gerry on top of him. He can feel the kiss of the knife's blade against his palms and forearms as he struggles to protect the softest parts of himself, when he's not being clobbered over the face with the butt of a pistol.
The first time Alastor kills a man is only a few breaths later when he manages to get his own pistol out of the holster and blindly aim for the bastard's temple.
He hits his mark. The Gerry's body sags down on top of him, pushing him deeper into the mud. He's taking large, open-mouthed gasps of air, like a stunned fish out of the water -- at least until the gore coating face starts dripping into his mouth. That returns him to reality in a real jiffy.
He shoves the body off of him, rolling into a crouch as he swipes at his face with his sleeve in a futile effort to clean it. Tries to listen between the thunderous beat of his heart to what is going on around him.
Battle -- gunshots and screaming -- close but not too close, not near enough to him to panic. When he can stand, a quick glance over the top reveals no more Gerries waiting to pounce in the clearing fog, and he can hear his heartbeat start to quiet.
On impulse he pries the Gerry's pistol from his hand, and checks the cartridge.
Empty. Last bullet for Lt. James.
Makes sense, he supposes -- kill the radio operator, cut off communications, then kill the damned fool playing flag pole...
Better luck next time, old chum.
He tosses the pistol down as the sounds of the radio start to filter into his ears.
The radio is still working, that's good.
He pulls the antenna out of the muck and stumbles towards the operator's desk.
Stabs the antenna into the soft dirt on top of the trench.
Rights the operator's desk.
Hauls the radio back onto the desk as gently as he can considering how heavy it is.
Checks his sightlines for any imminent enemy incursions; finds none.
Hauls Lt. James' corpse to lie to one side of the desk.
Reconnects the cable connecting the battery cell to the antenna.
Pulls on the headset.
Ignores the tacky-wet sensation as the ear piece drags across his cheek.
Takes a deep breath.
Remembers that the northerners back at base camp will not understand him unless he talks in that flat, nasal accent they taught him back in special training.
Turns the microphone on and reports in.
"Ni-yen Too Easy, Report. Ni-yen Too Easy, Report." Base command replies.
Microphone's broken. Well fuck.
He slams the headset down in frustration, only for a loud squawk to emanate from the ear pieces.
"Ni-yen Too Easy, was that you?"
Microphone's only mostly broken then... He can work with that.
Pulls back on headphones.
Still ignores the tacky-wet sensation on his cheek.
Uses his pocket knife to start tapping out a message in Morse code on the mouthpiece of the headset.
"Copy that, Ni-yen Too Easy. Gerries sighted on the Eastern flank."
Well, no shit.
He can hear the battle drawing closer.
It takes twelve hours before Alastor finally receives the order to retreat to hand off to the runner to give to command. There's no other signalman close enough to lend him a spare headset, let alone relieve him from his post for as much as a piss break.
Twelve hours tapping out updates and confirmations in the alphabet he learned at his mother's knee, hiding under her desk as she worked.
None of them know Morse code like he does anyway.
By the time he's loaded up the radio and jumped into the back of the transport truck his head is throbbing with the mother of all headaches. His ears feel like they're bleeding. He does his best to hide the trembling in his limbs.
It takes hours to get back to base, and even though he's dead on his feet, he's more ravenous than tired, and lines up outside the canteen.
In a few days, once the casualties are accounted for and word spreads from the signal battalion about his field improvisation skills, they'll start calling him 'Radio Demon' because only someone in league with the Devil himself would have decided to stay in that hellhole, at his post for as long as he had, instead of retreating somewhere safer.
They make it sound like some altruistic act for his "brothers" -- in truth, he hadn't been thinking clearly enough to even realize that retreat was an option. If he had, he would have booked it as fast as possible away from the front line.
Tonight, though, the Radio Demon is rewarded for his heroism with a plate of congealed chipped beef on soggy toast and directed towards some damp benches, sitting out in the rain. The storm's onslaught has taken down one of the base's two mess tents, and Command cannot abide the idea of white officers having to eat with colored officers.
Only the finest for all these brave men dying on the front lines after all.
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thursdayinspace · 4 months
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But now I'm thinking about the dynamic between Jack and Ianto during CoE, the whole mess about being a couple or not, the way it hurts to see Jack pushing Ianto away like that. Especially when Jack had been the one to ask Ianto on a date in the first place, so he very much implied that that was where things were going for them - becoming a real couple.
Only then one thing leads to another and suddenly they *are* a couple and Jack panics and acts like it's the last thing he wants. Towards the end he has started actively downplaying and sabotaging their relationship. It feels like he's trying to make Ianto break up with him and that makes *so much sense*. Because he really actually fell in love; he's not just dating this guy, he can imagine a future with him, and that's the one thing he can never have. What does it have to feel like, knowing that everyone you love and everyone you ever will love will die and you'll have to live without them forever? It's no wonder he doesn't want to commit to anything because the more you love something the more it hurts to lose it.
But he can't leave Ianto. His heart has already made the commitment he can under no circumstances allow himself to make. None of that is a conscious thing. It's pure self preservation, pure survival instinct. He needs Ianto, but that need is the thing that will one day break him. So he needs Ianto to leave *him*. He needs Ianto to believe that there's nothing between them that's worth fighting for. (Whilst a small part of him maybe wants the opposite: Ianto convincing him that they're worth all the pain.)
That doesn't make it okay how he treats Ianto. But those two are really seriously NOT good at communicating. Ianto deserves more. Jack is pushing him away without any sort of explanation. And Ianto is so loyal and doesn't accept it even though it's obvious how hurt he is. I wish we'd had a chance to see how all of that would have evolved from there. Jack does not want to hurt Ianto, but he does, and at some point Ianto would have snapped. He loves Jack, but he would not have let himself be held at a distance forever, not after everything they'd been through and all their relationship development (very much including the audios here).
I would have loved to see their breaking point. The point where one of them would have said "okay, enough," and ended it. I think a proper breakup would have been what they needed, a real cut, to reset from there. To see what being apart is like - especially Jack. But Ianto as well. They NEVER TALK about each other's fears and insecurities and they need to. They wouldn't just see a relationship counsellor or sit down over a meal and talk about their feelings. They need a proper shock to wake them up. Maybe Ianto only almost dying in CoE, a miraculous last minute rescue? And then the two of them having all that between them, Jack's "I take it all back, but not him!" and Ianto's "I love you." That would be something to work through. It would be too easy for that to fix anything, but it would be pivotal enough for them to probably spiral completely out of control as they try to unravel the mess that is their relationship.
TL;dr: I think Jack lashed out because he couldn't leave Ianto but also didn't want the pain of losing him. Ianto deserved more than that. And I think no amount of talking could have fixed them at that point, but if they had let it break them, they might have found the strength to work through it and emerged from it stronger than ever.
And now I'm basically writing fic at this point so I'll stop.
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riverhag2 · 6 months
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my favorite characters die in my favorite media all the damn time
my current hyper focus is a tragic opera that ends with my blorbo having his life flash before his eyes in a horrid fever dream where he's confronted for perhaps the first time with how horribly he's failed everyone he's ever loved and then he dies
death isn't the problem
pointless and hurried stuff-her-in-a-fridge death that doesn't actually even serve the narrative purpose cobbled together as an after-the-fact explanation is the problem
the idea that Izzy's arc was "over" is frankly ludicrous
he'd only just begun to rediscover the parts of himself he'd buried away or lost to piracy, to Blackbeard, to Ed
he'd only just found love with the crew
he'd only just started the arc that Stede and Ed set off on in the beginning of s1
his death does nothing for his character
it also does nothing for anyone else's
smarter people than me have spoken extensively on why the "mentor/father figure" thing is just outright non-existent in the text
even without that, the show is obviously trying to use Izzy's death to free Ed from the mantle of blackbeard and that would be a valid and interesting narrative choice if you'd set that up at any point before the last five minutes of the last episode but um
Ed had already begun the work of releasing himself from blackbeard, and even when he dons the leathers once again, it's not even the tiniest bit for Izzy's sake nor in any way at Izzy's insistence or encouragement (and in fact, Izzy had already encouraged him to step away from it)
whatever is still tying Ed to blackbeard, it is textually very much not Izzy
Izzy's dying sentiment of "they love you" holds no water because out of Ed, Stede, and Izzy, only one of them has actually connected with the crew this season and it sure as fuck isn't Ed
Izzy's dying admonition of "you're surrounded by family" is immediately followed by Ed and Stede fucking off and leaving the ship
there's nothing in Izzy's death that serves Ed narratively
there's apparently then the argument that Izzy is representative of old piracy, a dying world, and therefore he must die (which, ok, fine, but to what end?) but that's *actually insane* in the context of a show entirely about starting over in middle age
killing a character is often a good narrative choice, but if you're gonna kill him, doing it with a stray bullet in the middle of his arc in a way that does nothing to further anyone else's narrative is at best a cheap emotional punch
death also is the problem though
in a show where mortal wounds seem to pass almost unnoticed amongst our heroes, casual death by a stray bullet is bonkers
in a show where the only real villain is a cruel and corrupt state, to punish with death someone at the mercy of that cruel and corrupt state is bonkers
most importantly: in a show that presented itself as ultimately being about queer outsiders finding family in each other, there's no good reason for any of the foundlings to die
even assuming they're planning some miraculous resurrection for Izzy in s3, they work very hard to show you precisely how dead he is here
they want you to know and believe that he absolutely is dead
Lucius falls into the sea in a way that no one ever once believed actually meant he was dead
in contrast, we watch the light go out of Izzy's eyes after he tells Ed he's ready to go
we see him buried in the dirt
if this truly is meant to be impermanent, then it is even more cruel and meaningless than if they actually just killed him for nothing and no amount of "indestructible little fucker" foreshadowing redeems it
I hate everything about this ending, for everyone involved
it's such a disappointment
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pparkerized · 7 months
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misery loves company || tasm roleswap au (rewrite)
ao3 | old version
summary: the one where peter searches for a way to exact vengeance following the death of his uncle. unfortunately there are always consequences to such drastic actions.
word count: 2,066
While Peter crumples against the floor, his body convulsing as agonized screams tear his vocal chords apart, he wonders how he even got to this point.
He can recall, through the broken shards of his collapsing mind, that he had only resorted to this because he wanted something. No, he had needed something. What he desired was a necessity, even through the crippling pain that was clear to him. Revenge, he thinks numbly, clawing at the floor like a wounded animal. He knows that much, he had done this for a reason and that reason was because he needed revenge. 
The pieces of his mind start to reassemble, though his body feels like it's still being stung by a dozen fire ants. A sharp buzzing makes its way through his entire body, causing him to violently shudder. There's a metallic taste in his mouth and he hacks up a mouthful of blood and saliva. His vision is blurred, hazy, his head throbs and feels as if he's just been hit with a truck. He feels as though he's dying. Yet his body, even though it's been torn apart from within, doesn't give in. 
Revenge. Peter grasps that one coherent thought by the strings before he can lose it, so he doesn't lose himself to the pain instead. He knows why now, in the haze of all the burning he'd almost forgotten. Uncle Ben. Peter wonders if his Uncle had felt much pain when he had died, had he felt his life ebbing away like this? Peter wasn't sure if he was dying or not, but he suspects this is as close to what it feels like as it can get.
His Uncle had been shot dead by a petty criminal five months earlier. And Peter had been too weak and feeble to do anything about it. During those months since, he'd withdrawn from society, from everything. There had been something growing within him since that fateful night when his Uncle was murdered in cold blood. Something twisted, bitter, something ugly. It was that same thing that had driven him to this point.
Oscorp. Spiders. Spider-Man. He remembers asking the new vigilante for help in his search for his Uncle's killer. But Spider-Man, ever noble, had refused him that. Spouting some bullshit about how it was far too dangerous for someone like himself - scrawny, weak - to put himself in harm's way. So Peter had snapped at him in anger, vowing that he'd find a way to do it himself. Which led him here. 
He gasps for breath, the burning restricts his airways, like a pair of hands gripping his neck tight and refusing to let him go. But the fire is less warm now, no, it's ice cold. He isn't sure which is worse, but it hurts just as much and all he wishes is for it to stop. Black spots dance in the corners of his fogged vision, he squeezes his eyes shut, his body convulses  as another wave of nauseating pain washes over him. 
At this moment, he regrets his choice. As desperate for revenge as he is, part of him thinks the pain isn't worth it. The spiders were dangerous, the experiment unstable. They had given Spider-Man his abilities, ones that Peter could only ever dream of having. But perhaps he's simply too weak to handle the process of change, maybe he'll die, never really achieving anything but a stupidly long death. He wishes he'd never come here, he wishes he'd never stuck that syringe in his arm. 
He's dying. It's agony. He hates it. He thinks about Aunt May, she'll have to relive the rawness of grief all over again when they find his body, she'll end up alone with nobody to help her. He thinks about Harry Osborn, his best friend - the boy he loves but is too much of a coward to confess - who had only just returned from Europe. Their friendship, which had withstood the test of distance and time for years, was miraculously intact. It had been as if they had never been parted in the first place.
He doesn't want to die.
Maybe he won't die. But there are fates far worse than death. It's hard to think now, but he has a rather startling thought about ending up like Doctor Connors, though as a spider mutant, rather than a mutant lizard. But Connors' mistake hadn't been his own, not entirely. Peter had helped develop that formula for him. He had given him his downfall on a silver platter.
And now, he's given himself that very same platter.
The fire burns, both warm and cold now. Peter feels numb, the pain doesn't bother him. He isn't even sure if it has completely subsided yet, but he feels lighter. A lot more than he had been earlier. How long has he been here writhing on the floor, screaming himself hoarse? With a trembling hand he starts to push himself up. He fails once and he falls back down, his jaw hitting the floor with a slight crack. It doesn't hurt as much as it should have. The thought should've bothered him, but Peter can't bring himself to care.
Finally, he manages to drag himself to one of the desks. There, he uses all the strength he can muster in order to pry himself up. He puts all of his weight on the sleek, metal table, staggering to his feet. He wavers, his movements sluggish, slow and unsteady but he finds his balance soon after. He feels charred and raw, his mind scattered and his thoughts still scattered. He isn't sure what to think.
But despite all odds, the immense physical and mental torture he'd just endured, he's alive. 
His chest heaves with the effort to breathe, the remnants of suffocation still linger, but it's easier to deal with now. His vision clears and briefly his gaze catches the empty syringe on the table, a single droplet of green liquid drips onto the table and dissolves. Peter watches that spot for a moment, unmoving, his expression completely blank. When he turns away, he finds himself staring instead at his own reflection in a broken circular mirror on the desk, which apparently he must have knocked over at some point.
The longer he stares at himself, he realizes that something isn't quite right with him
His brown hair had always been an utter mess, but it was even more disheveled than usual, and that was saying a lot. But that wasn't the thing that had a creeping feeling growing in his gut, no. It was the fact that his skin is far paler, just as sickly looking as the rest of him. That alongside the hollow bags underneath his eyes make him appear even more like a walking corpse. His ears are slightly pointed, barely noticeable, but the change stands out to him. His irises, which had always been a delicate brown, are flecked almost completely with green that give them an unnatural glow. His veins, which he only now notices, are also green - though much darker, trailing up from his neck and onto his cheek.
Absent-mindedly, he lifts a shaking hand to feel the strange face in the mirror. His eyes catch how unnaturally sharp his fingernails have become, how dark veins now stand out against the once healthy looking skin on his wrists. What had he become?
Better. His mind supplies. It feels eerily like that same thing from within that had been festering for months. So much better.
His mind feels horribly broken, there's damage done that Peter knows he can't fix so easily. But he doesn't know the extent of it. He only knows that his thoughts are becoming less scattered, but more frenzied. He's filled with adrenaline now, his body burns, but this time it isn't in pain. Oh, what had he become?
He grits his teeth. His canines are sharper too. He lowers his head, brown curls brush against his eyes. His expression twists as his head races with thoughts, memories. Something screams and screams in the back of his mind, something that he can't quite make out. It grew louder and louder, whispering unintelligible demands.
A breathless sound escapes Peter's lips. Then another, and another until he finds his chest heaving with uncontrollable, breathless laughter. He leans against the table as his knees almost buckle beneath him, keeping himself upright. Still, he laughs. Part of him doesn't understand why, but he does it anyway. There's something so amusing about the whole situation to him, but he doesn't get the punchline. Only a sense of cruel irony. 
After a few more seconds of laughter, now bordering on hysteria, a strangled noise catches in his throat. A choked sob. The crazed smile that had been painted onto his features becomes mangled, appearing more like a grimace. There's a hollow feeling in his gut, but something else within his mind, they clash together and it makes his head hurt even more.
He's different, he knows that much. Something feels wrong. But if he knows that, then why doesn't it bother him as much as it should?
He doesn't have time to dwell on much when piercing alarms fill his ears. Flashing red lights blare around him and he looks around in a panic. There's only him and the only exit, which was now blocked by steel shutters. He spins on his heel and his gaze locks onto the display in front of him. Behind a layer of protective glass, lies his escape. A hoverboard, coated in a shiny black shell, that seems to be tinted with green. It's no ordinary hoverboard, more like a specialized glider, and it's his only shot at escaping without being caught.
Without hesitation, he forces a fist through the glass - which, either isn't as reinforced as he assumed it to be, or something worked. He registers faint footsteps thundering towards the room, despite the distance. Eyes gleaming, Peter takes the glider and activates it before stepping onto it, he wavers slightly, but quickly manages to find his balance. Just like skating. He thinks idly, slowly rising from the floor.
Peter's head swivels round just as some members of security enter the room, shouting and yelling unintelligibly. Before they can even see him, he's already gone, breaking through the skylight and gliding through the sky. He shakes some glass from his hair and focuses on keeping his feet planted firmly on the glider, as well as getting as far away from Oscorp as possible. No doubt they'd be sending out search parties for the mysterious thief who had stolen a prototype glider.
Prototype. He can work with this. Maybe even make it better.
He adjusts to steering fairly easily. Leaning his body in each direction to test out the flow. But he doesn't want to test his luck, god knows he's been unlucky enough as it is lately, so he sets the glider down on a rooftop far from Oscorp and in the cover of multiple skyscrapers. Peter watches the city from above, he's never really seen his home from this angle before. He expects it to feel invigorating, to give him a new perspective on things. But as he looks down on it now he feels no semblance of such a thing. Instead, something twists in his gut.
Displeasure. He hates it. The city had never done anything good for him, one of its people had taken his Uncle's life. People aren't good, a voice in the back of his mind whispers. Peter agrees. He and his poor Aunt May had been left to suffer because people didn't care about others less fortunate, like them. Anger burns through him at the thought, as bright as the fire that had left him charred within earlier. 
Misery. He thinks, his gaze still lingers on the less than thrilling view of New York below. This place brought him nothing but misery.
Well, something curls in Peter's stomach, that same dark feeling resurfaces again. Once hollow brown eyes now gleam with something akin to mania within a haunting green glow. He flexes his fingers, once, twice and his lips pull back into a chilling grin. The whispers in the back of his mind chant in a chorus and this time, just this once, Peter understands them.
Why doesn't he give a little misery back in return?
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juniaships · 9 months
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My idea for Frozen 3
Which surprisingly acknowledges the second movie! Even though I dislike it, I'm not going to pretend it doesn't exist. Well, think of it as a Frozen 2.5 as it's more of a spin-off movie. Rhe story takes the magic mirror elements from the Snow Queen tale. Tw for Flashing Images
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Ominous green fire not included
The movie starts with Hans is still on punishment for his actions in the first movie. He's sick of shoveling horse crap and resents his station in life. One day his father offers him a deal: find a magic mirror and bring it back and he will reverse all charges. Maybe even upgrade his rank. Seeing it as a chance to finally prove his worth and get back at the people who wronged him, Hans eagerly accepts the deal.
He boards a ship set coursed to Westleton as a starting point. But one evening it gets caught in a cyclone and Hans is thrown overboard. Miraculously he lands on a deserted island. Turns out the island is inhabited by a beautiful woman named Kirsten. Her only companions is a female reindeer named Anders and a artic fox kit named Sian (pronounced shee-anne).
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To Hans's surprise Kirsten has the mirror he's looking for. So he puts on the charismatic Prince Charming act to try to trick her. But Kirsten is no Anna: she sees right through it and shuts him down! She already knows about Hans as she heard about what he did from the villagers she often stayed with. She decides to take him as her hostage.
Kirsten says she got the magic mirror from one of her great grandparents. Her family were far from royalty and couldn't make ends meet. One of her relatives stole a precious item from a powerful mage to exchange it for food. As a result they got the entire town cursed, which ultimately led her family's exile. She believes that by returning the mirror back to original place, she can end the curse. She could give it to Hans and pass the curse on to him but that would be taking the easy way out.
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While on the Island Hans and Kirsten try to get along. He's bitter over losing another chance to be a king and she is upset that she's pretty much stuck with the worse guy on Earth. Doesn't help they have to face obstacles such as like giant bugs; a river of lava that can only be crossed via a wonky bridge; and questionable berries.
Gradually the duo starts to get along particularly after Hans saves Kirsten's life. The journey also forces Hans to rely on strengths other than his manipulation.
During a heart to heart, Hans admit the reason why he's so obsessed with getting the mirror is to show up his family; as he was the youngest they blame him for the death of the Queen (who had died giving birth to him). Kirsten replies while that doesn't excuse taking it out on Arendelle, he was still a innocent baby who did not deserve to be treated that way. The honest talk pushes Hans to consider if it's actually worth it.
In Arendelle Hans brothers' are there, not really caring about the possibility of their brother dying. Anna and Kristoff are uneasy working with them but knows that Hans is a potential threat, unaware that he is changing for the better.
After getting to the other end of the island they make it to a coastal village and stowaway to Arendelle (how ironic). Hans is terrified so Kirsten disguises him as a sailor. By luck they arrived during a time of a festival so Kirsten decides to take a breather. Hans teaches her how to dance and Anders and Sian push for them to be a couple much to Kirtsen's amusement.
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After a day of jest Hans and Kirsten resume their quest and make it to the trolls. Grandfather Troll tell them about the hall of mirrors. The others trolls know that Hans is bullshitting with the disguise but Grandfather Troll senses that this is a necessary journey for Hans so they can't interfere.
The quartest go to an abandoned Cave (the mountains Elsa were in the first movie) which turns out to be the entrance to the Mage's house. That's where the ultimate test begins. Hans sees a reflection of himself at various points in his life, and the events that culminated in the monster he was in F1. Realizing he doesn't like what he sees Hans resolves to finally change his life and plans on telling his father the mirror is lost. Kirsten undergoes her own test as her "loner" mentality made her miserable and time with Hans made her regain her sense of trust and joy.
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Confronting their past selves they pass the test. But Just as Kirsten is about to return the mirror, Hans' brothers show up (having tracked them down) and take Sian and Anders hostage. To save Kirsten's life he takes the mirror and asks his brother to put her under house arrest. Kirsten is upset and tells him off, which hurts Hans.
Back in the Southern Isles Hans gives his father the mirror. With the item now in his possession the king starts making plans to invade the other nations in the fjord. Hans is given a new rank but cannot enjoy it as he's guilty for lying to Kirsten even if it was to save her life. Knowing his family's true intentions Hans decides to go to the last person to ask for help; Queen Anna.
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Hans surrenders himself to the Arendelle authorities and is brought before Anna. She's still angry over his actions. Hans pleads that this isn't about that anymore and he is ready to accept full responsibility. But his father is plotting to take over the entire realms, he has one of hus friends locked up, and he needs her and Elsa's help. Anna senses that the desperation is genuine and reluctantly helps him. She learns about Hans's special friend and skeptical over it.
Together with Honeymaren's tribe the heroes go to the Isles and confront the King. Hans sneaks to the tower and frees Kirsten. She punches him and about to do it again when Hans catches her and confesses he only said that to save her life. He has seen what kind of monster his father really is and no longer wants to put up with him. But first they need to stop him before he brings about a world war. Kirsten is relieved that Hans isn't lying, but she makes her grumpiness clear. During the fight they're arguing and accidentally let slip they like each other.
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The heroes end up playing keep away with the mirror but the king gets it and about to turn Kirsten to stone. In an intentional callback to the scene in F1, Hans jumps in the way and gets turned to stone. The king is unsympathetic that he turned one of his own kids to stone. Suddenly Sian bites him causing the mirror to fly out of his hands. Kirsten catches it and smashes it.
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The effects of the mirror ends. But Hans remains frozen. Heh. Touched by his sacrifice Kirsten weeps over his body. Then the ghost of the OG mage arrives, having witnessed Hans' sacrifice. Even though Kirsten's family stole the mirror, her determination to set things right and sacrificing her only chance at breaking the curse, made the Mage so impressed he takes pity on them. That, and Hans finally putting his life towards what's actually important.
Hans is restored and he and Kirsten embrace. Much to the shock of his family, Hans renounces his royal title and leaves for good. After the battle the nations in the region decide to cut the Southern Isles and arrest the King. The twelve brothers fight over the throne which eventually leads to the monarchy getting dissolved. Being replaced by a kinder more just Prime Minister.
While Anna and Hans' don't become friends they do become allies. Hans and Kirsten travels the world a bit more, focusing on helping people and Hans working to repair his reputation. Even meets her family (who live with Honeymaren's village). Shortly afterwards, Hans is working as an ice harvester and Kirsten is a writer and publishes stories based on her adventures.
An alternative version of the final battle is the king almost turns Hans into stone to punish him for his betrayal but Kirsten takes the blow instead. Hans realizes this is exactly what Elsa felt when Anna turned to stone. He fights his dad and gets the mirror and smashes it. He cries over Kirsten's, the act of true love cures her and the original owner of the mirror takes pity and heals her blah blah blah blah blah Yes it is cheesy. It's a fuckin disney princess movie let me have fun dammit!!
And later when Elsa sends a message that requires Arendelle, Hans and Kirsten decides to go as he wants to make it up to Elsa too.
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The story essentially is removing the metaphorical shard in Hans' eye and leading him to experience the world on his own terms and not just what his family expects. You don't have to help the people who ruined your life and doesn't care about you; but also redemption takes a lot of time and work. You might not always be forgiven but the results are truly worth it. Also learn to consider someone else's need and help people without expecting a reward all the time.
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leorawright · 1 year
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Hellooo, saw this on another post in another fandom, though I'd send it here :)
Basically it goes something like s/o wears headphones and battles to music, dancing along to it, and by some miracle every time they move they're dodging bullets by an inch, and normally, their partner is in shock that
A) S/O is dancing on a battle field
B) They're somehow still alive and dodging literal bullets
And C) They're looking badass while doing it and absolutely destroying the enemy.
So I'd like to see how the tf2 mercs would react to this if you're not too busy, I'd advise you to take your time and take as many breaks as you need.
I always get excited whenever I see you post :)
Oh my gosh yes!
Mercs seeing their s/o dance around the battlefield and dodge every bullet
Scout
He was so panicking after seeing you on the battlefield with your headphones on
But you're somehow dodging every bullet and he's just dying silently because he doesn't want to distract you accidentally get you hit
After the battle though he'll just cling to you for a minute and catch his breath
Soldier
He's so confused
How in the actual heck do you manage to dodge every bullet... by dancing
Does dancing truly have this power?
Don't be surprised if he silently observes you dancing after this moment
Demoman
He'd be out there dancing with you as well of he wasn't worried about being hit
So he'll sit behind cover, cross his fingers, and pray to whatever made the world to save you
Afterwards he congratulates you only to realize you didn't know what was happening
Now he is confusion
Pyro
They, just like you, don't process the danger and just decide to happily dance along with you
And magically both of you dodge all the bullets fired your way
Yet you and Pyro never process the danger much to the dismay of the other mercs
Heavy
He's so tempted to just run into the battlefield and save you but then again he knows he'll die
So he just silently hopes you're not hit
And miraculously his wish came true and you don't have a scratch on you
You confuse and intrigue him to no end
Medic
He'd totally be dancing with you to some ebat that he can't hear
Who cares about healing the other mercs he's dancing with the most wonderful person in the world
Unlike Pyro he knows the danger he's in he just refuses to leave you
Sniper
He's so stressed out just seeing you out there
He forgets to do his job as he's just watching you and sniping anyone who tries to hit you
But all the bullets he couldn't prevent you somehow dodge
After the battle Sniper just hugs you eithout explanation and you're just like ? You good bro?
Spy
He's so done
How in the- does he want to know? The answer is no you're forever a mystery
Spy will never bring this up or question you he's too tired to do that honestly
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raconabhorrent · 7 months
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"thoughts of a dying atheist" by muse is so bachelor-coded actually
youtube
|| patho2 marble nest spoilers btw ||
like, the whole song is about a person who doesn't believe in anything after the end waiting fearfully for that end to come . is that not marble nest summed up in it's entirety?????
AAAAA it describes the moment when the bachelor realizes that this one day he's been reliving over and over is simply a fever dream of him trying in vain to stop the plague while he fights against his own death !!!
i think this one specifically exemplifies daniil in marble nest not only because of the themes of death and dying ("the end is all i can see") BUT ALSO because of the idea of being scared of death ("and it scares the hell out of me"). daniil, as a thanatologist wants to conquer death, and seems to be fearful of it, as one of the herb brides in the camp near the Cathedral tells him ("We fear neither pain nor death. One is immortal while the kin lives. You wouldn't understand."), aspity telling him to "Go without fear", and him admitting to aspity that he's scared.
the emphasis on atheism doesn't exactly line up, as the bachelor is shown to at least conceive the concept of a higher power, but his entire life goal is to take his own life (or more importantly his death) into his own hands, showing a distinct lack of faith or trust in said higher power. using the idea of "atheism" more loosely, you could use it to describe the lack of sympathy and understanding he has for the people of the town on gorkhon and the steppe people, as well as his disbelief in artemy's methods as a menkhu (though he seems to be tolerant of the haruspex as a healer due to his surgical education in the capital) and clara's miraculous ability
as an outsider and as a strict follower of logic, daniil has no tolerance for the spiritual belief systems and traditions that artemy has knowledge of as a member of that community, so the lack of belief could also make him an atheist in this sense
idk i just felt his presence very strongly when listening to this song. the entire album is actually complete pathologic vibes too <3
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soapyscoobert · 6 months
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In 1985 when Starcourt Mall first opened Robin Buckley got a job at an ice cream parlor. And then she almost quit the second she read her shift partners name. Steve Harrington, seriously of all people? She didn't quit because that would be a stupid petty childish move not because she needed the money to run away Steve ended up not being so bad, he treated her like a friend. Approximately two years later in 1987 she was bleeding out in his arms inside of his BMW while Nancy drove to the hospital. Maybe it was better to focus on his racing heartbeat or the sweet nothings he's mumbling into her hair rather then think about how she's dying. Miraculously she's still awake when they walk into the hospital, well when Steve carries her into the hospital. Black dots are invading her vision but she's pushing through that. Steve's shouting though she can't really make out the words, though she knows he's worried. Worried shouting becomes a bit angry, she shifts her head it burns it feels like it's on fire and shit. Just her luck it's who she can make out as her mom, she looks pissed she doesn't look worried which probably explains why Steve sounds pissed. Her grip on his shirt is loosening, that's never a good sign. There's more voices to who she can barely make out as Dustin and Erica, she wishes they weren't here seeing her like this. She kind of wishes Steve would go back to whispering sweet nothings and kissing her head, it'd make her feel a tad bit better. She finally lets those dots take over, she hates to let them win. She tried to tell Steve that she loves him and she's sorry, but she's pretty sure she only said his name. He got the message though.
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mymiraclebox · 3 months
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So the powers of Niisha are capable of turning enemies into friends and vice versa?
For as long as the powers are active, yes, though it is a bit more complex than it sounds. While the Connections can change, memories do not, and that can keep the powers from being as straight forward as it might seem.
For example if Niisha's powers were used on Hawk Moth to make it so he no longer viewed LB and CN as enemies but as friends, that doesn't mean he'd immediately hand over the Miraculouses no questions asked. He may no longer have the desire to defeat and destroy them or his strange desire for revenge on them, but he's still Gabriel Agreste under the mask.
He's still a man that loves power and control. Someone that sees Nooroo and kwamis as slaves to his whims. Someone who still wants to save his wife at all costs and intends on using magic to do so. He wouldn't just hand over his Miraculouses to his new friends because he now saw them as friends, knowing that he needs those Miraculouses to accomplish his goals. He would also have all his memories of hating them, wanting to defeat them, and wanting their Miraculouses. A part of him would be very aware that they are on opposite ends of a struggle even if he now views them as friends, and he isn't about to do whatever they ask even if he now doesn't want to throw a hundred akumas at them.
What this could do however is open up an opportunity to talk. This new friendship Niisha created could have Hawk Moth reach out to Ladybug and Chat Noir and tell them his whole story. How his wife is dead and Mayura is dying and why he was seeking their Miracuouses. He would probably hear them out in turn, and be more open to other options the heroes have to help those hurt by the Peacock Miraculous, and be more willing to trust them than he would have before.
---
So basically Niisha's powers can create a very complex mental game in a way. Let's say that someone used it to make Ladybug and Chat Noir enemies, this wouldn't make them suddenly stop being heroes and attack each other instead. Both Ladybug and Chat Noir would still see themselves as heroes that need to protect the city, and they would do so. It is just now that unbreakable trust and teamwork the two had would be gone. They wouldn't be able to look at each other and immediately know what the other needs them to do, and they wouldn't be working side by side. However they probably wouldn't directly interfere with the other while fighting a foe because they have clear memories that show this other person will help them take down the bad guy, even if they don't like each other one bit.
Niisha's powers can theoretically be overcome by someone, but it requires a lot of mental gymnastics. It would require turning against everything your gut and heart is telling you, and leaning heavily on pure knowledge and not emotion, and even then it might be hard to fully get around it. How can you attack someone you know is your enemy when suddenly your heart is telling you that you care for this person as a brother? Could someone hurt one they now love as family? One might be more inclined to run away rather than fight/join someone when Niisha's powers makes them enemies/friends.
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snellyfish · 1 year
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(duck) w. what are your thoughts on drdt ch 2 so far
hmhmhhhmmmmm
I haven't seen the ttttttwo most recent videos I think, so keep in mind there's still some stuff I haven't seen yet, bc me and my bestie have been too lazy to watch them lately HAHA
ANYWAY........
2 unpopular opinions, which make me laugh because I love being passionately wrong;;
Absolutely cannot stand Teruko right now, she's pissing me off so bad it's embarrassing for everypony, but I'll get over it; I do look forward to what they end up doing with her character, but for now I await satisfying character development like a madman....... rip...... Babygirl stop being so edgy we get it. go to your corner if you must.
Unfortunately, I miraculously still love Arturo, I looove freak characters so much (no one is surprised!!) and I do genuinely think there's potential to come out of his...... err.......... What definitely reads like blatant in-character transphobia. LOL. Seeing this man doubled over in terrifying euphoria is truly all I could've ever asked for, so I can't complain.
In general, Arturo weirdly doesn't read like a character that will progressively get worse and worse until he's put down like ol yeller, I feel that he's got some sort of redemption ahead of him,, whether or not he dies afterwards or in the middle of said redemption. Maybe with an attempt to get genuinely close to J but it's rejected and heartbreaking for him, more spiraling but you feel a little bad for him somehow. Idk. Not to be delusional but I also have this idea, that I REALLY hope is somehow true despite every piece of contradicting canon information, that Arturo is transmasc too ..... because like ..... whatever.. crosses my arms.. you wouldnt get it .........
Not to Verturo on main but-- I smiled when Veronika was like "ok whatever ill just go play with Arturo then 🙄!!" I like to think it was super awkward when she did find him because he probably just infodumped about J the whole time. Veronika being like "can we talk about my day for once" GHHGFKJGHDF. LOVE WHAT VERONIKA HAS DONE THIS CHAPTER SO FAR IN GENERAL SHE'S SO SILLY SO YASS SO KIN
Ace is going fucking BATSHIT and I'm so here for it. GO GIRL BESTIE I LOVE YOUUUUUU SO MUUUCH. For the most part I generally don't care for Levi (just not my typea character ig, nothing personnel kid), so while it is a little YEESH that all of Ace's character rn seems to be driving towards Levi and their heads butting together, I am still a little intrigued by said interactions. They're like a chihuahua and a pitbull, ykno, ykno. Would not be surprised if Levi merked him but that might be too obvious of a kill so hmhmmhmhm.
Speaking of which;; they're also like waaaaaaayyyy playing up the possibility of either Whit and/or Eden dying soon. So I have a feeling they are safe...for now... maybe. Shrugs. I hope Eden gets another layer to her soon, either way, she is very sweet.... too sweet. Take that as you will.
.........Charuko<3
CHARLES IN GENERAL<3
With the tension in the air as it is now, I'm far less worried they're gonna pull another accidental blackened, since idk if anyone remembers but I was very concerned about that in the past. It's fine and fun for a first chapter, though! Gets things rolling I suppose :D Now everyone is incredibly scared and unbearably pissed off at everyone at all times, so yippee!
Fun motive, too, I think the whole secrets thing was a super fun concept in THH and I hope we get to learn everyone's secret at some point. PLEASE I BEG.
GOD. WEIRDLY SOOOOO EXCITED FOR DAVID THIS CHAPTER. REALLY REALLY HOPING HE DOESNT DIE. I WANT TO KNOW MORE HE'S SO SLAAAAAAYY. TWO FACED FREEEEAAAK DOING HIS BEST. PLEASE SNAP. YOU DESERVE IT. THAT IS ALL.
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Little Bridgewater rant so long post
So y'all know how I was talking about how I don't like Thomas Bradshaw? Yeah well I was thinking about that and I've realized he's even more of a bitch than I thought cause if you think about his "plan" to save everyone it makes absolutely zero sense. Like, we know his reasons for being willing to go back into the liminal aren't bad. He's obviously suffering the side effects of his actual age and has made the most likely correct assumption that he doesn't have long in that world. Weather it's him just dying or being taken back in some way. And Alden, a completely innocent kid is left in there alone without deserving it and he wants to give him a second chance at a life. And the rift is open and things are getting out and killing people so someone has to close it. So at first glance his plan makes sense but when you give it like 5 minutes of thought it's completely ruined.
So obviously his main reason is because he feels survivors guilt and wants to get Alden out. Which inherently is selfish and more about himself and his guilt than it actually is about Alden because what kind of life does he think Alden is gonna have? Why doesn't he think that the effects of age are gonna fuck up his body in the way it's been fucking up Thomas's? And if he does think that'll happen, why does he think a 7 year old body suffering the effects of actually being alive for almost 90 years is gonna go better than a 30 year old body suffering the effects of being alive for 70 years?
And on top of that, who's gonna take care of this kid? They never asked Jeremy and obviously if they had he would've said no. Not cause he doesn't care but because he's already expressed that he doesn't want to be a dad plus he is a fucking teacher idk what makes them think he's got the money to be a single father for a kid he doesn't want. Obviously Liv and Vipin are too young, and though Shelly MIGHT have said yes she's already middle aged with two kids of her own and SHE DOESN'T EVEN KNOW ALDEN EXISTS. The only two people who actually give a genuine shit about this kid are the capable adults that are gonna disappear from the universe for this outcome
So let's say he shows up and doesn't have any bad effects? Well now there's no one to take care of him so who are they gonna give him too? Well they can't give him to foster care because no one knows who this fucking kid is. Honestly someone would probably be arrested in the process of them trying to get him in the system cause why the fuck do they have a child with no proof he even exists? And if they try to figure out his identity through DNA or some shit it'll get them nowhere cause either he won't be in the system or they'll randomly have a missing child that should be 87 by now. They literally express that Thomas wouldn't be able to have a life cause of this exact thing, and that he might be taken by the government or something for testing, why does he think it'll go any different for Alden?
Anyway let's say he has no negative side effects and someone in the main cast miraculously agrees to raise him. He still can't have a life without risking that whole last paragraph. He can't go to school and is more or less gonna have to live off the grid his whole life.
So yeah I never ever ever wanna hear Thomas say this shit isn't all about him at the end of it cause it's obvious that he simultaneously cares more about Alden then getting to know either of his actual children or grandchildren, but doesn't care enough about Alden to put any actual thought into what getting him out will actually mean. He just wants to get rid of his survivors guilt with a good cause put in front of it like a shield while also getting to spend the next 40 years of nothing with the love of his life despite it actively depriving two people of a mother/mother figure and two people of a grandmother, especially considering one of those people is a 12 year old boy. Sure Jeremy's a little out of it atm but at least he sees it's useless and is trying to find another way, Thomas never put any actual energy into this and Anne will just do whatever he asks of her if she thinks it'll help someone.
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