#& i love that thematically he is no different from them

[citroncynique]

If you cannot break from the eggshell, the world is naught but a prison where you are blinded and confined.

#genshin impact #furina #neuvillette #genshin furina #focallette #neuvifuri #genshin neuvillette #hydro archon #genshin focalors #THEY ARE UTENA CODED for a lot of different reasons #more like there's thematic parallels also hermann hesse haunts them as he usually does #NEUVI'S TEAPOT LINE BEING THE EGGSHELL QUOTE FROM DEMIAN???? HM. #furina is an unholy mashup of nanami and utena i love her dearly

[mechieonu]

y'all i mean this w love but mha from the start has been a story examining how villains are also victims of the circumstances their world has imposed on them. why would afo be any different

#bnha spoilers #407 is from AFO'S POV #“he must intrinsically be evil” isn't something the narrative is saying but something THAT HE DEEPLY BELIEVES #his birth killed his mother and weakened his brother and there are people who are hunting them down #his method of empathizing w the world is through the lens of fiction #all these things that are happening to him are bad; therefore he MUST be the villain #if there are roles for him to play then that must be where he fits #this was done for dabi and shiggy and toga #& i love that thematically he is no different from them #i also love the unreliable narrator and the fucked up relationship between him and yoichi #yes yoichi is taken cared of. yes afo abuses him and is possessive of him #idk its just that afo dehumanizes everyone INCLUDING HIMSELF #407 spoilers #bnha 407 #and NO this doesn't excuse what he's done! no villain backstory justifies what they do! #it just EXPLAINS them from their POV

[honeysweetcorvidart]

mr schoolfeeder feed me a school

(context here: more fanart of @birchbow ‘s clowns! originally i was just planning to draw the untoxxic a little bit more [waves hands] detailed, and i still intend to eventually, but they did not agree with me on any poses so i gave up and did some Teacher Headshots for fun instead. they have such cool designs!! gosh i love clowns.)

#all ailems know is eat hot chip draw threshie karkat doing an exasperated little smile and lie #apparently. #the inquirer ALSO did not want to be drawn. which seems…thematically appropriate i guess #but travye was sooooo fun. he has a LOOK it’s so different from who i usually draw i had a blast #sungazer’s in a different style because a) i like her outfit and b) i’m a big gay lesbian #anyway i love them. #horrible old people 🥰 and karkat is also here. #dearest followers who have no idea what the hell im talking about: great news! the next thing i post is also going to be like this. #sort of. #birch said the word ‘acrobatterer’ in a recent chapter and i was siezed violently by the need to make a new trollsona. in late 2022. #sketch

[aficionadoenthusiast]

*me, with tears of frustration in my eyes* rick didn't include annabeth's crush on luke or luke's pseudo-crush on annabeth for no reason! it is not something that needs to be cut because it's 'gross'! it serves thematic purpose! it adds to characterization! guys! please!

annabeth is twelve, and luke is the guy she's looked up to since she was seven. she not only has that bond, but she has the admiration from him getting his own quest. she has a lot of hero worship going for him, and it's really not unreasonable that she would like him or even that she would think of him as more than a sibling. beyond that, it's a great example of how a person who has never received real, unconditional love can become unhealthily attached to someone who is not good for them just because they've been shown a modicum of respect. if you want to look at it from a percabeth perspective, it could even tie into how her character has to learn the difference between love and kindness from a place of love and respect (i.e. percy) vs love and kindness from a place of obligation and manipulation (i.e. luke as kronos' vessel)

on luke's side, especially with him calling her his little sister now (in the show) and him literally turning into kronos later, it's symbolism for how he's being pulled farther and farther onto the dark side. as kronos takes over his body, he sees her less and less as a sister and more and more of something else, something that would be considered dark and unhealthy by anyone not on the dark side (for good reason), until eventually she has to remind him of their years on the run when he considered her a sister: "Family, Luke. You promised."

you're supposed to be grossed out by it! that means the theme is working!

you're supposed to see a traumatized 12 year old with a crush on her 19 year old mentor and think, "hey, that's weird! i wonder if her not getting any love or attention until she met him plays a role in their relationship?" and eventually see a 24 year old get a villain-induced crush on a 16 year old and think, "hey, that's really weird! i wonder if his turn to the dark side and how that turn happened twisted his view of her?" and ultimately think, "i wonder what that says about the type of trauma that develops in kids who grew up thinking they were unloved, especially since the author specifically wrote the book for his son with disabilities, the author who used to be a teacher, a profession that regularly encounters kids that are actively being abused and neglected?"

anyway thanks for coming to my ted talk

edit: this post is not speculation! i'm not trying to say i don't think they're going to include annabeth's crush! i am perfectly aware that we are only two episodes in! this post is in response the people i keep seeing say they're glad because they think Luke's little sister comment means they're not going to include the "gross stuff from the books" (other's wording, not mine), and I was trying to explain why including it would be a positive. sorry, i really thought i made that clear

#annabeth chase #luke castellan #pjo #percy jackson #percabeth #pjo fandom #pjo show #pjo tv show #percy jackon and the olympians #rick riordan #percy pjo #percy jackson and the olympians #pjo hoo toa #pjo series #pjoverse #riordanverse #rrverse #tw abuse #tw neglect #tw child neglect #character analysis #analysis #pjo analysis #annabeth pjo #annabeth percy jackson #annabeth chase analysis

[gotta-get-back-to-hatchetfield]

Help! I loved Nerdy Prudes Must Die and am curious about Nightmare Time but don't really have time to commit to watching it all... (a handy guide)

For those of you who don't know Nightmare Time was a series of Hatchetfield one shots that starkid wrote and recorded during lockdown, all of which are of course available for free on YouTube. They go a lot deeper into the lore than the 3 Hatchetfield musicals, including explaining and explore the characters we know and love in more detail, sometimes including shocking revelations.

They also introduce new characters to the Hatchetfield universe, including Stephanie Lauter, Grace Chasity and Pete Spankoffski, who we first met in a Nightmare Time episode.

As they were filmed in lockdown the recording quality is somewhat variable, but Season 2 has a much higher production value than Season 1, and in Season 1 Episode 1 in particular they were very clearly trying to find their feet with it. That being said the actual scripts and content of the episodes is solid throughout.

I've decided to put together this handy guide of which Nightmare Time episodes people might want to check out if they want to learn more about certain things we saw in NPMD.

1) Nibbly - Honey Queen (season 2 episode 1)

If you're curious to learn more about the Lords in Black each of them (bar Wiggly) have an episode of Nightmare Time devoted to them.

For Nibbly, Wiggly's hungriest and pinkest brother that episode is 'Honey Queen' in Season 2 Episode 1.

It explores a very entertaining rivalry between Linda Monroe (from Black Friday) and Zoey (the annoying barista from Beanie's in TGWDLM) that naturally turns very very dark. We also get to meet Linda's husband Gerald who she spends most of Black Friday on the phone to.

As a heads up Nibbly doesn't appear until, shall we say, the end of the episode (with Hatchetfield there's always a twist) and he's not in the super sexy form from NPMD but it's a very strong episode and does give a bit of background to Nibbly's deal.

2) Tinky - Time Bastard (season 1 episode 2 part 2)

If you're curious to learn more about this yellow motherfucker played by Curt then you're in luck because he's in my personal favourite episode and one with a lot of interesting lore surrounding it.

If you're curious about what he means when in NPMD he says 'I could add another Spankoffski to my set', Time Bastard is focused around Pete's brother Ted (from TGWDLM) and the dodgy dealings of CCRP.

It's an extremely clever episode, with lots of really fun twists. It's unfortunately season 1 so has slightly lower production quality, but in terms of raw scripting is just outstanding and has some really interesting reveals about people in the Hatchetfield universe who may not be who we think they are...

Also worth noting that this is in the same episode (Youtube video) as a different Nightmare Time episode 'Forever and Always'. Most episodes work like this where you have two different stories per episode, they absolutely can be watched independently but usually have some sort of thematic link (in this case it's the things we do for love and how they will inevitably be thwarted by CCRP being sketch).

3) Blinky - Watcher World (season 1 episode 1 part 2)

And if you're curious about the one who's always watching you, he's actually the first Lord in Black we meet through Nightmare Time, in the very first episode when Bill and Alice Woodward (TGWDLM) go on an ill fated trip to a spooky theme park.

Again this is from the first episode so production quality is low but it's a really solid episode and a very interesting look into these characters.

While this is our first meeting of a lord in black in Nightmare Time, I don't believe he's actually referred to as such, and the concept of the Lords in Blacks being introduced as Wiggly's brothers comes in at point 5 on this list.

4) Pokey - Yellow Jacket (season 2 episode 4)

You've already met Pokey through TGWDLM (yep that was his blue shit that destroyed the world!), but you won't truly realise how fucking scary he is until you meet his incarnation 'Otho' in Yellow Jacket.

A solid episode exploring Lex, Hannah and Ethan in a lot more detail, and in a world and lives where (at least at the start of the episode) things seem to be a lot more stable for them than in Black Friday.

And yeh as I've already mentioned Pokey is fucking s c a r y in it. Also you remember James Tolbert's character, Charles that gets a little cameo in Hatchetown? Well he's the main human antagonist of this episode!

We also learn a lot of lore about 'the gift', the thing that makes Hannah able to do magic.

5) The concept of the Lords in Black generally - The Witch in the Web (season 2 episode 3 part 2)

If you're curious about why everyone's been posting pictures of those evil teddy bears and now even more confused that you've met them all as fucked up high school students, the Witch in the Web is the episode where we're first introduced to the 'they don't care bears' as a set.

This is a really cool episode, again about Lex and Hannah, but it also exploring Uncle Wiley (from Black Friday) in a lot more detail.

We also first meet two characters called Duke and Miss Holloway who together form the ship Holloduke that if you were following any of Starkid tumblr during lockdown you will definitely have heard of. They're really cool!

Here we also meet Webby, Hannah's imaginary friend in Black Friday, who turns out to be the lord in black's sister: a queen in white. And she's dope.

6) Pete Spankoffski, Stephanie Lauter and Grace Chasity - Abstinence Camp (season 2 episode 2 part 2)

We first meet the now beloved characters of Pete and Steph and the slightly less beloved character of Grace in an evangelical abstinence only camp. The episode centers entirely around these characters and plays excellently with tropes of the horror genre.

It also has the best song in all of Nightmare Time and it's up to you to decide if I'm talking about 'oh my god it's the axe-man' or 'virginity rocks' (it's both, the answer is both).

That's pretty much it in terms of Nightmare Time episodes that cover things from NPMD, but in case you're curious here's a quick run down of what the rest are about:

The Hatchetfield Ape Man - season 1 episode 1 part 1. Hidgens makes Ted pretend to be a Tarzan style half monkey, half man thing to con Angela Giarratanna out of her inheretence.

Watcher World - season 1 episode 1 part 2. See bullet 3 above. Alice and Bill Woodward go to a theme park and shit hits the fan.

Forever and Always - season 2 episode 2 part 1. Paul and Emma get married. Things are not as they seem (there are robots). One of my personal favourites.

Time Bastard - season 2 episode 2 part 2. See bullet 2 above. Ted fucks with time travel and things end very badly for him. Best episode imo.

Jane's a Car - season 2 episode 3 part 1. Turns out the soul of Tom Houston's ex-wife Jane, who died in a car crash, transferred into the car. This somewhat complicates his budding relationship with Becky Barnes.

The Witch in the Web - season 2 episode 3 part 2. See bullet 5 above. Hannah Foster's having nightmares and somehow a witch and Uncle Wiley are involved. Luckily a good witch (Miss Holloway) is there to try and help.

Honey Queen - season 2 episode 1. See bullet 1 above. Linda Monroe and Zoey Chambers compete to win the Hatchetfield honey queen beauty pageant and things spiral wildly out of control. My personal favourite episode from season 2.

Perky's Buds - season 2 episode 2 part 1. Emma's finally achieved her dream of owning her own pot farm. Just her, her non-binary farm hand Ziggs and some very evil birds.

Abstinence Camp - season 2 episode 2 part 2. See bullet 6 above. Pete, Steph and Grace go to a retreat in the very creepy woods to learn one way or another about the perils of pre-marital sex.

Daddy - season 2 episode 3 part 1. Remember Sherman Young (Jamie's weird creepy guy from Black Friday)? Turns out there's something very weird going on with his mum. We also learn a lot about Frank Pricely (owner of toyzone from Black Friday) in this episode, who turns out to be a very interesting character.

Killer Track - season 2 episode 3 part 2. Miss Holloway must take extreme action to save a young girl and then the whole world against an evil song that kills anyone who listens to it. We learn a lot more about Holloway as a character and she is soooo cool. Another favourite episode of mine.

Yellow Jacket - season 2 episode 4. See bullet point 4. Hannah seeing her sister struggling to provide for them financially decides to find a way of using her power to earn some spare cash.

Hey Melissa - episode aired only on a livestream, type it into youtube and it'll come up. If you've ever found yourself asking 'what if Mariah's secretary character from the start of TGWDLM was really into dom pup play and Paul Matthews was her little pup bitch and she was also a horrific out of control serial killer?' then a) are you Matt Lang because if not I'm concerned? and b) by god this is the episode for you!. I personally really enjoy it I think it's super funny, but obviously heavy trigger warnings for abuse and sexual content warnings (there's a reason they didn't put this in the real series). Fucking excellent tho.

#starkid #npmd #nerdy prudes must die #the lords in black #tgwdlm #nightmare time #black friday #nmt

[heliza24]

I want to talk a little bit about Daniel in the Interview with the Vampire show, because the new trailer material has me stuck thinking about him, and also I’ve never written about how meaningful he is as disabled character to me before.

I don’t see many people thinking about show!Daniel in these terms, but he’s a canon disabled character. And I think the way he is written is just SO good. The acerbic wit, his relationship to doctors and his medication, his rueful acceptance of the way his disability has changed him. It is all so correct!! It’s really incredibly rare to have not only a disabled character written this well but specifically a chronically ill character written this well. His illness is always present; it doesn’t get forgotten about by the story. It gives Daniel insight into the vampires (more on this in a min), but it also gives Louis and Armand leverage over him. When Louis triggers his Parkinson’s symptoms? Deeply not ok. But that’s what made it such a great scene, and really made Louis feel dangerous and threateningin that moment. Armand and Louis arranging Daniel’s meds is a sign of great care and also great power over Daniel. It’s the perfect way to communicate the complicated power dynamic in their relationship.

I also just fucking love that this show takes place in 2022 and doesn’t erase the pandemic. Covid is a very present concern for Daniel and I cannot describe how validating that is for me as someone who is clinically vulnerable to Covid and who has had to really limit my life and take a lot of precautions because everyone else has decided to stop caring whether they pass on Covid or not. The fact that Daniel gets on a plane to Dubai is a BIG DEAL. He’s risking his life to talk to Louis and Armand before he’s even in the room with them. He really wants to be there. I have to make a similar calculation every time I travel, and trust me, getting on that plane knowing getting sick could spiral you into even worse health or kill you is really hard.

I think making Daniel disabled and including the pandemic is kind of a genius level decision on a thematic level. Of course Daniel is now facing down his mortality, which gives him a whole new lens on the vampires and the fact that he once asked them to turn him. And the pandemic further highlights his fragility, and is also possibly being used as a cover for drama that’s happening in the vampire world. But I think it also really sets Daniel up as a foil to Louis.

There’s a lot of analysis of the vampire chronicles that reads vampirism as a metaphor for queerness. But I would actually propose that it’s a much neater parallel for disability and illness in a lot of ways. So many of Louis’s initial experiences after being turned resonated with me, as someone who became chronically ill in my 20s. My appetite and relationship to food completely changed, much like Louis. My relationship with the outdoors and the sun changed, because of dysautonomia and allergy reasons. I was very mad, and very depressed, and I too have missed out on birthday parties and big life events like Louis did because I was too sick to go. Hell, you can even say that the way that Louis is treated as evil by his family, that the way vampires literally can’t be a part of society during the day, is reminiscent of ableist exclusion and ugly laws. (Ugly laws were laws that forbid disabled people, especially those with visible differences, from being out in public, and they were on the books in many American municipalities until the 1970s.) You can look at Lestat being an out and proud vampire in the first few episodes on the season and imploring Louis to leave his shame behind as a queer thing, but you can also view it as a disabled thing. Disabled people are portrayed as monstrous so often (and in a way that has gone relatively unexamined compared to say, the queer coded villain trope) that sometimes it’s just easier to embrace that label: I’m the monstrous Crip, but at least I’m not ashamed of or disgusted by who I am anymore.

I do think the real strength of this adaptation is that while you can find parallels between queerness or disability or other forms of marginalization with vampirism, ultimately it’s not a one-to-one parallel. It speaks to the real world but ultimately it is a gothic horror story about supernatural monsters. So I don’t mean to say that vampirism directly equals disability, because it does not. But I do think that making Daniel disabled was an intentional choice to help draw out some of those parallels, and I think the text is richer for it.

So Louis and Daniel have had these kind of parallel experiences of uncontrollable and difficult things happening to their bodies. It sets them up perfectly as foils, and even, I would argue, as the A plot and B Plot protagonists. This is one of my favorite ways of kind of examining the structure of a TV show (or maybe it’s that most of my favorite shows seem to be structured this way?). When TV was all episodic, it would be common to refer to the A plot (mystery of the week), B plot (interpersonal drama happening as the mystery gets solved) and C plot (any overarching plot tying the season together) in an episode. Now that stuff is serialized, there’s often a main protagonist, who has the main dramatic question and the most agency, and then there is often a secondary B plot that explores similar themes and mirrors the A plot, or presents a second main character who is the ldifferent side of the same coin” to the main protagonist. (My favorite example of this is Flint and Max in Black Sails, and I’ve also made the argument that Wilhelm and Sara fit this pattern in Young Royals.) In IwtV, Louis is obviously the main protagonist of the show, especially in the A Plot, which is the stuff taking place in New Orleans/Paris. But I would argue that Daniel is the protagonist of the B Plot set in Dubai. At the very least they’re intentionally set up as mirrors of each other:

They are both unreliable narrators, who are struggling with the way memory contorts (through memory erasure, illness, deliberate obfuscations, and just the passage of time). The most recent teaser trailer, where we hear Louis saying “I don’t remember that”, with panic in his voice, further underlined this similarity between Louis and Daniel to me. I don’t know if it means that Louis has also had his memory tampered with, as I’m assuming Daniel has, but I do think it means that Louis is going to be struggling with feeling out of control of his own narrative more in season 2, a thing that was already starting for Daniel in season 1.

They are also both locked into power struggles with people more powerful than they are. The fact that Louis is under Lestat in the flashbacks and above Daniel in the Dubai scenes in terms of power/status makes it all the more interesting. And, if we want to go ahead and assume that the Devils Minion’s years have happened in the past by the time we get to Dubai— it’s possible that both Daniel and Louis are united in being the less powerful partner in their own respective fucked up gothic romances.

They’re also both the audience’s entry point into their respective stories. Louis’s narration guides us into the world of vampires. Daniel’s questioning satisfies our human curiosity in Dubai.

I think one of the things that makes the show so special is the way that these two protagonists interact. In a lot of shows the a plot and the b plot stay pretty separate. I love talking about Black Sails for this because I think it’s such a good example; Flint and Max never exchange dialogue the entire show, even though they’re so clearly affecting each other the whole time. But the way that Louis and Daniel clash in Dubai is so exciting. We see them both wrestling for control of the narrative. It’s thrilling to watch and it just hammers home the theme of how complicated and changeable stories can be.

I am SO excited to see how the Dubai scenes play out in season 2 because of it. I really can’t wait. I’m really hoping we’ll see Daniel and Louis’s relationship evolve in surprising ways, and I’m holding my breath that we���ll get a lot of Armandaniel material to work with. (I have a whole other post drafted that’s much less smart than this one and is just me waxing poetic about Devil Minion’s theories which I may post at some point. You have been warned.)

I do have two wishes for Daniel in the new season, and they’re 1: that he gets to have romance/sex, because disabled (and older!) characters are so often seen as unworthy of being desired, and I would like to see that challenged and 2: that he continues to refuse to be turned/is not offered a vampiric cure for Parkinson’s. The magic cure for a disability or chronic illness is probably my least favorite disability trope, because it serves to erase disabled characters and representation from the narrative, and I want to see my experiences continue to be reflected in Daniel’s. That means that whatever ending Daniel’s story has will probably have at least a bit of tragedy baked into it, but I’m ok with that.

#interview with the vampire amc #interview with the vampire #iwtv #daniel molloy #armandaniel #devils minion #louis de pointe du lac #armand #my meta #my crip media reviews

[vaguely-concerned]

it probably says something either sad or deeply unfortunate about me as a person, but I'm darkly amused to see some people react to the reveal of the ultimate permeability of souls in tlt as a triumphant thing -- the "you can't take 'loved' away!!!" side of it all -- when my first reaction was such an immediate wave of 'oh, oh so this is why this series is horror, I truly understand now' distress haha. ngl the final confirmation of the self not being inviolable in the deepest way freaks me the fuck out far more than any moment of body horror in the series has managed. (these two elements are of course the two sides of one thematic coin; it's about the horror of our bodies and minds and selves not being inviolable things, and about the effect of violence on them on so many different levels. violence psychological and interpersonal, physical, subtextually sexual, emotional, medical, political, a whole unlovely smörgåsbord of indignity and violation a person can be exposed to, and on a broader scale the spectrum of violence colonialism wields). The world and other people being capable of leaving indelible marks on us for good or ill through their presence in our lives is of course a pretty self-evident demonstrable truth in the real world, but somehow having it be proven metaphysically just uh. Fucks me up! 

It also drives home to me just how perfectly Muir has captured the dilemma at the heart of human connection and intimacy: the fact that the thing that gives us life and meaning is also capable of harming us so deeply. the same thing that can be so beautiful — even in a bittersweet, violently transformative form like with the creation of Paul — when done mutually and consensually and compassionately, is the same process that means someone like John can touch someone else's soul and 'after he's put his fingers on something, you'll never find anyone else's fingerprints on it; too much noise'. I think the text itself — the whole series, because to me this is what it is ultimately about, this tension between individuation/self vs. love/connection/enmeshment — is far more ambivalent in its treatment of it than saying it’s inherently a good thing or inherently a bad thing. The only thing it says for sure is that it is always a thing, that thinking you’re ever getting away from it is the height of futility, and that through being alive (or even through being dead lol) it is something you have to engage with in some way no matter what. Contact with other people is deeply necessary — without it we sicken and die. it can be the most beautiful and meaningful thing in a human life, and the most unspeakably horrific. All of these people are searching for some way to be whole, whether in total self-contained sufficiency on their own or in melding with someone else as their ‘other half’, and stumbling around in the dark they reach for each other and score deep wounds into the thing they’re trying to touch even when they don’t mean to. Taken to horrific extremes with the form of lyctorhood John guided his disciples to when they were ‘children — playing in the reflections of stars in a pool of water, thinking it was space’, because while people hurt each other all the time with differing levels of intentionality behind it, what John did was deliberate. It weaponizes the misapprehension of what closeness must be and destroys everyone involved in the process… and all because it leaves John the one sun their ruined lives have left to orbit around, because that’s the closest thing his soul will allow to connection. He doesn’t understand that to truly touch something you have to truly let it touch you back, and then wonders why he’s never satisfied.   

‘The horrors of love’ has been memed to death, I know, but… yeah. That is what it is, isn’t it.

#the locked tomb #the locked tomb meta #the unwanted guest #the unwanted guest spoilers #I wrote most of this right after reading tug for the first time but it's been so hard putting exactly what I mean into words #this is my best shot so far haha #I feel like a lot of a people have approached this lil 'revelation' a bit too... idk mechanistically? for my personal taste #I think it's far more thematically and metaphorically true than a scavenging hunt to see who's been rubbing off on who #spiritually. of course. ( ͡° ͜ʖ ͡°)

[korereapers]

I collaborated with the amazing @laxi0v0 for a cute little event we made in the scriddler server. This is Laxi's art about the fic I wrote, and HONESTLY HONESTLY i couldn't have asked for a better and more supportive partner. Her art is way better than I would ever dream on writing and honestly, Laxi, I'm so glad it was you bc we vibe a lot about our tastes w this ship.

The fic will be on ao3 later, but here, for you guys, before anyone else:

Jonathan takes a sip out his mug, nicely decorated with a pumpkin, the recipe of the pumpkin spice coffee perfected by him for decades. It’s warm, it tastes like fall, and it’s the start of what Jonathan considers to be the best time of the year.

It started like a small tradition for him, when he finally left home and started studying to become the psychologist he wanted to be. Halloween was to be celebrated, especially for freaks like him, abhorrent creatures that made great-granny’s skin crawl. He was proud of that, in a way. It was his moment, it still is, after all of these years, because he is still a freak, he belongs to this weather and these colors more than he belongs anywhere else. He belongs between ocher leaves and the smell of fog, the rain starting to fall over Gotham, only to leave when it’s summer again. The start of his kingdom, of the time he rules over.

Or it would be, if Edward wasn’t so adamant about going to freaking Starbucks.

He doesn’t get it, not really. A malnourished child from Georgia, surrounded by overworked kids that serve them with the most forced smile when Edward asks, yet again, for the infamous Pumpkin Spice Latte. With ice. Oatmeal milk. Whipped cream.

Jonathan wants to die.

“How is this even supposed to be spooky?”

Edward rolls his eyes, green contact lenses barely moving, as if they were starting to get glued to his irises. Which should be a bad sign, but Jonathan is, yet again, not his boyfriend’s keeper.

“Not everything has to be spooky when this time arrives, Jonathan.”

He kind of dislikes it, when he calls him by his full name. He calls him Jon when they are alone, when they are intimate, when their bodies or their hearts are entwined. He doesn’t like when he calls him Jonathan, because that means that Edward thinks he is being too bitter, complaining too much, a complete prick.

It’s not that he dislikes the stupid PSL, either, but it feels like desecrating one of his oldest traditions, and he feels as if he were betraying himself.

“Don’t you like my recipe, then? Do you dislike it so much we have to come here every single week?”

The cashier smiles at them awkwardly as Edward pays for their order, tipping the young lady generously.

“Do you have to take everything personally? I started getting here when I finally had my own money to spend. Is it that hard to just enjoy it, when I want to share it with you?”

Oh. A tradition. Jonathan distractedly drinks from his thematic glass, but says nothing.

They are really different, Edward and himself. To Edward, spending time and money like this… is almost a love language. It’s a lifestyle that he works hard to keep, having dinner in expensive places, getting coffee every time he can. Sharing it with him, because Jonathan is important to him.

Jonathan may be unable to feel fear, and his brain may be as damaged as Edward’s heart, but guilt still crawls its way into his psyche. It still makes him feel uneasy, because he cares, because he understands the feeling, because he wants to share his recipe with Edward because of the exact same reason.

He touches Edward’s hand when they sit, an apology he doesn’t utter but that can be felt in his irradiated orange eyes.

“I like it when you share time and nourishment with me.”

Edward’s expression softens, a glint of blue under the bright green contact lenses.

“Wow, when did you get emotionally aware?” his mouth says instead, and for a moment, Jonathan understands the Bat and his compulsion to punch him in the mouth.

“I’m a psychologist, Edward.”

“... right,” he mutters, his voice cheeky, still clearly a little mad, his thoughts loud. Jonathan loves that about him, his expression when he is deep in thought, when he is trying to understand something. A puzzle, a new riddle in their lives. “That recipe of yours is really important to you, too, if I’m guessing correctly.”

Jonathan nods, his eyes still on Edward’s, who seems to be feeling a little bit too shy to look at him, knowing that they are having an emotionally vulnerable moment.

“It is. I made it myself and… I want to share it with you.”

Edward does smile a little at that, his voice softer when he speaks.

“Let me try it later. I want to give it the thought and recognition it deserves.”

Jonathan’s thumb caresses Edward’s hand, his smile contagious. Like a well concocted virus.

“I would love to.”

—-------------------------------------------

Edward is pretty sure that he is (very unluckily, by the way) dating the man with the poorest taste in the world. Jonathan seems to think that he is hilarious, dressed in his usual costume, even the needles oozing toxin as he sits quietly on the couch.

There is a thing about him that Edward has always loved: how he becomes a different person when the mask is on.

They used to talk about it, back in the day, when they used to share a room in the Asylum. Jonathan felt naked without his mask, his expression dull and almost tense, devoid of what made him himself. Edward, at least, has managed to make those expressions change, the real Jon emerging from behind whatever aloof façade he tries to put on to protect himself, to pretend he is a regular human being and not the freak that makes his heart melt.

He must surely be smiling behind the mask, then. Edward can almost feel him vibrating in excitement, like a small child, and in a way, he kind of is. A reclaimed childhood, the enjoyment of a joy he wasn’t allowed to feel. He can understand that.

Still, the poorest fucking choice of a Halloween costume.

“Really, Jon? The most original idea, I have to say.”

Jonathan looks at him, and he can feel his piercing eyes even behind the mask, the expression of a predator, so dangerous it makes his face flush a little. Birds of a feather, both of them. The Scarecrow sighs, deeply, the sound distorted behind the mask. It’s creepy, he has to admit, which is probably… kind of the point.

“Like you’re one to talk, Herlock Sholmes.”

Edward gasps, indignant. His Poirot costume is nothing to be laughed at.

“Excuse me?!”

He can almost feel the smile behind the mask, because Edward knows him, he knows Jonathan is an avid reader, he knows the difference between Agatha Christie and Arthur Conan Doyle, for fuck's sake. He is doing this on purpose, to rile him up. He always is.

Edward's mind goes somewhere else, somewhere private. Somewhere where he is indeed riled up, and Jonathan touches his cheek, looking up at his face from behind the mask, Edward sitting on his lap, while long, dangerous hands go up his thigh, eyes hungry-

The doorbell rings. Edward goes back to reality, Jonathan's eyes on him as he moves towards the entrance, the tips of his ears surely blushing.

When he opens the door, he has to look down, because damn, kids sure look tinier these days. He cannot remember to be this short, this innocent, this…

Happy.

He feels Jonathan's chin on his shoulder, almost jumping in place because the man is silent like a ghost, no matter how eager he is to take part in the holiday.

One of the kids is wearing a Batman costume, and Edward tries his hardest not to roll his eyes, with better or worse success. Another kid is dressed as Harley Quinn, what makes him wonder if these parents are in need of any kind of psychological help. The youngest, a child dressed as Wonder Woman, looks at them with badly hidden mischief, and Edward feels tempted to just close the door.

"Trick or treat!" They ask in unison, and before Edward can answer, Jonathan drops a bag in front of them, full of who knows what, but the kids don't ask.

Such blissful ignorance.

"Thank you Mister Holmes! Mister Scarecrow!" The girl dressed up as Batman says, and the one dressed as Wonder Woman purses her lips in disgust.

"Poirot's moustache isn't like that. You're a fake."

The kid dressed as Harley Quinn laughs in response, taking the bag of candy and running away with Wonder Woman. The one dressed as Batman follows who Edward believes to be her sisters, and he blissfully thanks that they don't have any children.

"Please tell me the bag is full of drugs."

Jonathan chuckles a little, his arms around Edward's waist.

"Hershey's," is everything he says, his sudden lack of malice and evil intent a headache for Edward.

"Oh, Jon. Are you going soft on me?"

Jonathan's smile can be felt in the air, a predator, a killer awaiting their next victim.

"Me? Oh, darlin'..." he whispers against Edward's ear, his distorted voice making him shudder in anticipation. "Never."

#scriddler #my stuff #and laxi's #dc #riddler #scarecrow #edward nygma #edward nigma #edward nashton #jonathan crane #i love you laxi.... really

[thethiefandtheairbender]

as a lifelong ATLA fan who narrowly had ATLA dethroned as my top show by The Dragon Prince steadily over the past 5 years, the similarities between the two have very little to do with the surface level parallels that get regularly drawn between them.

Like ATLA, TDP has Books for seasons and chapters for episodes, but unlike ATLA, which only touched on storytelling sparingly as a theme, TDP is obsessed with interrogating storytelling and history and the presence of unreliable, biased narrators throughout many of its episodes (most notably 2x05, 2x06, 3x06, 4x04, and 4x07 among them). Half of what you learn in the 1x01 intro ends up being a lie once you reach S3, with more being steadily deciphered.

Yes, TDP has different magics with people living under those umbrella terms... for the elves. Humans are coming culturally at things from a completely different angle, and the elves' connection to their primal sources are discussed philosophically in detail, informing their practices and their culture first hand, including the way they chafe against humans, who are arcanum-less. Many animals in the world are also connected to magic, which influences both their design and which ones get hunted for humans' more 'clever' solution in dark magic, including each other.

The core issue of the Puppetmaster, down to being a coercive magic formed by someone deeply resentful of their imprisonment? Said puppetmaster is the main endgame antagonist of the entire show with all of S4 onwards being exploring the ethics of controlling people against their will in various methods, and the entire show itself being a thematic battleground of fate (imprisonment) vs free will for virtually every single character.

Where ATLA mostly concerns itself timeline wise with ending the war, very little thought is shown by any of the characters as to what they'll do after the war. This isn't a problem (as it reflects the sheer domineering scope of the conflict) but even Zuko being firelord is only ever really addressed with 2.5 episodes left till the finale. TDP, meanwhile, ends its 'war' in s3 and s4 opens up with dealing with the old wounds festering between people with centuries of history, the struggles that come when people aren't able to let go and believe they're safe or mourn in a healthy manner, and the religious/cultural clashes that may occur when trying to integrate different groups of people.

TDP also has an evil father with a devoted daughter and a brother who eventually defects, but it explores the reality of an abusive parent who loves/will sacrifice for you and your right to leave regardless, even if that means leaving the sibling you truly deeply love and who loves you in turn. Which means that when you and your sibling are on opposite sides of a deep ideological conflict, it actually really fucking hurts bc we've seen first hand just how much they love each other and also how and why everything fell apart not in spite of that love necessarily, but also because of it.

Is this to say that TDP is a 1:1 with ATLA or that it's better? No, not at all, and the latter is subjective. I prefer TDP, but I think they're about on equal ground when you look at each show currently as a whole (although TDP has two seasons left to go).

But TDP takes a lot of what ATLA was doing thematically with some of its most interesting beats and then builds or expands upon them further. It talks further and more consistently about the cycles of violence; in many ways, Jack De Sena's character, Callum, begins the series largely where Sokka had ended (and he's not the most like Sokka anyway; very much his own thing); we get Faustian bargains and centuries' long grief and fucked up people who are trying both succeeding and failing at not doing fucked up things. There are antagonists, but it is very hard to actually label anyone at this point a straight up villain. Moral greyness is where the show starts, and it just continues from there.

That's not to say the show is nothing but dark and depressing - like ATLA, there's a steady thread of hope and humour even as the show gets steadily closer and closer to its 11th hour point - but the show is usually emotionally heavier. There's more blood and potentially disturbing imagery with body horror and on screen death. There's so much foreshadowing you basically can't go more than 5 minutes into any episode without having something that's going to come back around or be referenced again like 3-5 seasons later.

Just to be clear - TDP is like ATLA, but it's like ATLA in interesting ways beyond the more shallow surface level that usually gets attributed to it, while still very much being its own show and its own thing. And that is why I tend to recommend it to people who like ATLA.

Thank you and goodnight

(Also, the fandom doesn't have any ship wars, and the show is queer as fuck)

#tdp #atla #the dragon prince #avatar: the last airbender #mine #parallels #analysis series #also betrayal. tdp talks a lot more about betrayal #now im trying to think if there's any character in tdp who hasn't felt or been outright betrayed #i. DON'T THINK SO?? #atla meta #tdp meta

[kaizokuou-ni-naru]

I love that gear five lets Luffy embody the concepts of freedom, sunshine, joy, etc. But the main thing that has always rubbed me the wrong way about it is that it makes Luffy a god. I feel that Luffy has been positioned as fighting gods and what they represent the entire series (enel, the celestial dragons and doflamingo), and so it feels wrong thematically for him to be one.

You’ve had such wonderful answers to other people’s comments, and so I was wondering what your thoughts were on this. I understand if you’re tired of answering questions about it though!

so, i think there are two different definitions of the concept of 'god' at work here!

with the celestial dragons and enel, for example, they call themselves gods as a way of claiming innate superiority and control over people they view as lesser, 'mere' humans. these villains claim the title of 'god' as a tool of tyranny and domination, but they aren't gods. and that's important! doflamingo, enel, and the celestial dragons are all just bad people who position themselves as gods because it allows them to justify abusing and demeaning those less powerful than them. several villains throughout the series who don't explicitly consider themselves gods also maintain this attitude of superiority- kaidou, for example, judging by his words to yamato about the inferiority of humans.

when it comes to nika, from what we've seen so far, it's very different. in nika's case, i think we can best understand the title of god in the sense that he is the pure embodiment of freedom. he's not a god in the sense that he's someone who sits above the rest of the world and throws lightning down on it- he's a god in the sense that he's a force of nature. and because of that, he falls into natural conflict with anyone who does try to claim such a station of superiority and abusive control. to me, this is actually very consistent with luffy's track record of toppling so-called gods.

#does this make sense? i promise it makes sense in my head #jonny answers #not japanese #one piece #opmeta #character meta #luffy #gear 5 #sun god nika

[songoftrillium]

Meet The Art Team

Hello Kinfolks!

I've been really looking forward to this post for a while, and it's now time to unveil the art team I've assembled to put this project together! They're some heavy hitters that y'all ought to recognize, so without further ado let's meet them!

Mx. Morgan (They/Them)

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Mx. Morgan G Robles (they/them) is a freelance artist and illustrator based in Seattle, Washington. Their work is best known for its use of macabre themes, animals, and nature. They use these themes to explore mental illness, gender identity, or simply to make neat skulls.

They're known for producing book covers for several major publishers, and they've been brought in to design our book covers as well. In addition, they've developed a number of inside pieces as well!

Dogblud She/Her

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Dogblud (she/her), is a Midwestern cryptid working as a freelance artist and writer. Her work is near-exclusively sapphic, centering primarily around werewolves, werebeasts, and their strong thematic ties - horrific or otherwise - to all forms of womanhood.

A long-time fan of Werewolf: the Apocalypse, she's joined our team to produce all of the tribe artwork for the book, in addition to a number of other contributory pieces!

Meka (Any Pronouns)

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Meka is a Scottish comic artist with a flair for the dark and extremely bloody and a long-standing love of monsters and what they let us all explore-- for better and worse. Vehemently underground, they build stories about horror, grief, depersonalisation, and the isolation that comes with being just a little too weird and too angry to swallow whole. Art and catharsis go hand in hand, as far as she’s concerned.

In a throwback to the original game series, Meka has joined to produce a 22-page fully illustrated comic for the series entitled Cracking the Bone. A postgraduate in traditional comic artistry, we're extremely fortunate to have them on the team.

M.WolfhideWinter (He/Him)

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He is a part-time freelance illustrator from Scotland. His work is heavily inspired by the rugged terrain (and rain) of Scotland with a focus on werewolves inhabiting the wild landscapes both past and present. He explores themes of mental illness, societal stigma, dark folklore, and sad werewolves in the rain.

WolfhideWinter has joined our team as our monster-maker, dedicating their time towards depicting our primary antagonists of the garou: The Black Spiral Dancers, and the Wyrm's brood! We can hardly think of a body horror artist more fitting for the role.

----

As a final addendum, we have an additional writer that's joined the team at the last minute.

J.F. Sambrano (They/He)

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J. F. Sambrano is an author of horror and (urban/dark/depressing?) fantasy and an advocate for indigenous rights. He lives in Washington (the state) and is originally from Los Angeles (the city); the differences are staggering but the ocean and the I-5 are the same. He is Chiricahua Apache (Ndeh) and Cora Indian (Náayarite). He may or may not be a believer/practitioner of real world magic. If he were, he would not be interested in your hippy-dippy, crystal swinging, dream-catcher slinging garbage. But magic is real, let’s not fuck around.

Beloved Indigenous World of Darkness author J.F. Sambrano is joining our team to depict the Bastet in the Dawn Tribes! A friend and frequent topic of discussion on this blog, we are honored to have him on the team to bring the Werewolf: the Apocalypse he's long-felt the world deserves to life!

#world of darkness #werewolf: the apocalypse #dead mountain #werewolf the apocalypse #werewolves #world building #WoD Artists #Gothic Art #Horror Art #Horror Writing #Indigenous TTRPG #Indigenous authors #morggo #mx morgan #dogblud #wlw #wlw werewolves #wlw werewolf #queer artists #queer authors #queer ttrpg #mekanikaltrifle #horror comics #comic authors #queer comics #werewolf comics #wolfhidewinter #body horror #scottish artists #werewolf the essentials

[deep-sea-scholar]

Okay I need to rant about Glass Onion for several paragraphs

WARNING: SPOILERS!

Glass onion is phenomenal, and I personally enjoyed its themes more than the first Knives Out movie.

Now don’t get me wrong, Knives Out is arguably the better film, but its strengths lie in the complexity and brilliant execution of its core mystery.  It’s a fantastic self-contained story about a shitty rich family and the people they directly affect.  The members of the family range across the political spectrum and all express different ideologies, but the moment a migrant working-class woman has a legitimized shot at their inheritance they band together to prevent her from improving her life.  It's interesting commentary on how wealthy people can talk a big game about helping others and being good people, but ultimately fall morally short when such actions threaten what they feel they “rightfully deserve.” But that's arguably the limitation of the film as its focus is entirely on the interpersonal conflict between the Thrombey family and Marta.

Glass onion isn’t limited by that.

The entire thematic core of Glass Onion concerns the damage that the rich and powerful can do to the world if they aren’t supervised, criticized, or limited. 

Aside from our lovely detective Benoit Blanc, the murdered Andi Brand, and her twin sister Helen, all of the characters are shitty people that are damaging the world in a uniquely horrible way as a direct consequence of the unchecked power and wealth they wield.

To start we have Governor Claire Dubella.  Her success in her political career has relied almost entirely on monetary support and influence from the films big bad and Elon Musk/Jeff Bezos analogue Miles Bron. Her platform has good objectives, and she’s passionate about hard topics like climate change, but her ability to act is entirely limited by the influence Miles has on her.  If Miles wants her to do something, she feels like she has no choice but to, which results in her greenlighting an experimental powerplant that Miles wants built to advocate for his new fuel source.  It’s untested technology, it’s volatile and dangerous as fuck, and Claire feels like she has no choice but to go along with it because if she doesn’t Miles will withdraw support from her career, or worse, support her opponents.  She likens it to selling her soul, and it really is.  She willingly undermined the health of her constituents for the sake of saving her career, and the shitty part is that Miles only controls her because she lets him.  She could deny the power plant, or leave Miles, at any time, but she doesn’t because she perceives the personal risk as to great.  She is a politician that won’t stand up for the people she represents, and no one calls her out on it.

Next, we have Duke Cody, the Alpha male men’s rights streamer who is just like, the absolute worst person in this film.  His views and opinions are incredibly toxic, his actions and beliefs directly hurt the people he influences through the hurtful products he promotes, and thanks to Mile's wealth and influence both he and his terrible, terrible, terrible opinions have official backing and some form of legitimacy.  He’s almost the direct inverse of Claire, being someone who really shouldn’t have support, but is getting it anyway because he’s Mile’s friend.  And because Miles doesn’t care and is giving Duke support and helping him dodge legal trouble, he enables Dukes terrible opinions and lets them influence and hurt people.  

Then we have Birdie, my personal favorite of the disruptors.  She is a fashion designer, media star, and breathtakingly, beautifully, stupid. She’s not actively malicious like some of the other characters, but she is just so fundamentally incapable of thinking things through. When paired with her wealth and influence, this results in horrifying real-world consequences.  She has her iconic fashion line of sweatpants made at the most infamous sweatshop in Bangladesh not because she doesn’t care, but because she thought a sweatshop is just a shop where you make sweatpants.  She’s just very stupid, but at the very least has the decency to be aware of it.  She even decides to own up to her Bangladesh mistake of her own volition, independent of the plot.  The problem is that no one corrected for her, or guided her, or worked to influence her decisions.  Miles just cared about what her brands could do for him and was perfectly willing to throw her under the bus to preserve his image.

Last of the four Disruptors is Lionel Toussaint.  Not much to say about him actually, he’s fairly straightforward.  He works directly under Miles as a scientist and is a parallel for the people that want to have confidence in tech ‘pioneers’ like Elon Musk.  After all they’ve been successful, and things have worked out in the past, surely, we can give them leeway with new technology development.  But there’s a reason why technology is prototyped and tested, and that’s because things always go wrong, and you need to take time and care to figure out how to ensure new technology is safe.

Which leads us to this asshole.

Miles goddamn Mona Lisa Burning Bron.

The absolute, motherfucking, shithead moron directly responsible for everything bad that happens in this film.

I lied about Duke Cody because this absolute buffoon is the actually the worst person in this film.

He manipulates politicians into endangering their constituents for his own gain, he enables the absolute worst and most toxic people by giving them legitimate platforms, he promotes influencers without caring for what their unchecked actions result in, and he deludes the people that work for him and want to believe in him with self-assured delusion.  This man is arrogant, an indiscribable moron (worse than Birdie because at least she acknowledges her failings), dangerously delusional, obsessed with control, and most damning of all, unchecked.

Miles Bron is a direct look at how too much unchecked power, wealth, and influence results in unmitigated disasters.  He doesn’t care about helping people, because he doesn’t take the time to make sure untested technology is safe for the public, handwaving legitimate concerns with denial and false assurance.  He doesn’t care about his friends, because he murders two of them the instant, they become a threat to his control.  He’s not smart, because all of his genius is the result of other people, he’s just skilled at advertising it as his own to get the credit.  All he cares about is doing what he wants and being in control, because his opinion and self-worth and legacy is more precious to him than any other thing in the world.  The man is a lie so absolute, so convoluted, and so stupidly straightforward that the slightest piece of truth will bring the facade of his existence crumbling down.  And it’s hard to acknowledge something like that in the real world because someone that successful being that malicious and dumb sounds incredibly stupid.  It’s an easy lie to buy because it’s more believable than how stupid the truth is.

Anyway, ultimately my conclusion is that we see a strikingly accurate portrayal of Jeff Bezos and Elon Musk in this film, and it was very cathartic seeing their hopes, ambitions, and house burn down around them.  Because billionaires like them are shithead morons that lie to and manipulate everyone, and their arrogant and harmful self-delusions compound through the people they manage to influence.

Thanks for coming to my Ted Talk.

#knives out #glass onion #benoit blanc #film #mystery film #movie review #elon musk #jeff bezos #Need a hard kick in the nuts #literary analysis #movies #netflix #eat the fucking rich #can't believe a murder mystery radicalized me #rambling

[aetherialpiplup108]

So, I've always been a little upset at the way Thalia was cast aside after TTC considering how important she was as a thematic clinch for the narrative (like, how wild is it that her death was a primary instigator pushing Luke towards his warped ideology—bro literally spends books 1 and 2 going "oh, you want to talk to ME about Thalia?? Well guess what, she'd be on my side"—and then she shows up with an uno reverse card, effectively ensuring his downfall etc. etc. etc.) and the neglect of her character comes to a head in the climax where she's irritatingly not present even though the entire moment centered around her dynamic with Luke and Annabeth.

But.

There is something to be said about how the only reason Annabeth is there to shock Luke into disillusion is because Thalia shoved her to safety, getting trapped underneath Hera's statue in Annabeth's stead. Thalia never gets the "lost family" emphasis that Luke and Annabeth get because she's always pushed out of the storyline (spending the first half as a three, the latter as a hunter) but even so, her love for them is embedded into every action she takes throughout the series. Luke might have been the one who made the promise to the little girl they found on the streets, but Thalia's the one that kept it.

Still…how cool would it be if the statue fell after the gang already reached Luke—forget Hera, what if it was Kronos/Luke that caused it to fall—and Thalia instinctively pushes Annabeth out of danger at cost to herself highlighting that the main difference between her and Luke is not their feelings towards the gods but that Thalia can't hurt Annabeth or another innocent demigod whereas Luke is so blinded by his personal anger, he's forgotten who he's supposed to be fighting for. And Annabeth sees this and just snaps because this is her family, the only people who were there for her as a kid, and they keep hurting each other over and over for a cause they each believe will serve her. It hurts so much that Annabeth doesn't even look up as Kronos stalks over and Percy screams for her to get out of the way, but she does spit out a bitter, "Family, Luke. You promised", and Luke flinches, turning unconsciously to look at Thalia and sees the legs she broke trying to stop him from hurting Annabeth of all people, and realization crashes upon him like a pile of bricks that he's hurt the two most important people to him in the world. So then he begs Percy—who's watching all of this with a damn, what soap opera did I just walk into expression—for the knife and tries in his last moments to rectify the ridiculous mess he's made and offers a well-deserved apology to the girl who stepped up when he did not and the other who never gave up on him.)

or maybe that's ridiculously cheesy and dramatic and totally stupid. idk.

#pjo #reentering my thalia grace obsession i suppose #rewriting scenes #not saying it's better than the og but i do think i personally would have been more satisfied with this version #and needless to say #absolutely no bs “did you love me” moment here #thalia grace #annabeth chase #luke castellan #tlo

[mushroomwarning]

A sorta long post on why I believe Lightbulb SHOULDN’T win season 2 and instead, the other three should be the candidates for winners

Before I start this off, PLEASE DONT BE MEAN TO ME WAUGHHH I’m just respectfully sharing my thoughts as someone who loves writing and I don’t even hate Lightbulb. I just don’t think she would make a good winner to make the story feel satisfied! So this isn’t LB neg, okay? Also keep in mind, I haven’t seen S2 in a hot minute so maybe I might get SOME things wrong but I’ll try my best to go on with my side.

Lightbulb

To start off, I’ll say it, Lightbulb as the possible winner of II S2 will be the most predictable and bland of the four possible contenders. Out of the four, she’s the one who’s managed to get the most out of the show, new friends, enjoyable experiences, a new pet, etc. She also has gotten a lot of screen time ( I think? ) and is a fan favorite for her wackiness n such. Yeah, she’s a little sad her friends are gone but she could always go and be with them if she just quit.

Her friends are waiting for her, honestly I’d say that’s a prize enough For her story, being able to go back and be with her friends, enjoying her time with them without worrying about the game anymore. She’s shown to be distraught with TT leaves, just go and be with your friends to stop being in this game that’s made people way more miserable. She’s got the winner attitude but it’s just. Boring. Predictable. Something that would not be that fun by a story standpoint tbh, at least in my opinion

The other three, I feel would make great winners in their own ways.

Baseball

I’ll start with Baseball, definitely an underdog and a guy nobody expects to win. That’s why he would be a wild card as a possible winner! It would shatter people’s expectations completely, but here’s the twist…If Baseball were to win, it could possible tie back into his story with Nickel. with Baseball probably thinking Nickel would pressure him to share the prize with him and his thoughts of how much of a doormat he’s been for others, Baseball could make his own decision without others influencing him, giving up the prize and giving it to the second place winner, which could be Suitcase or Knife it doesn’t matter.

THAT WOULD BE COOL WOULDN’T IT? Something that ties together Baseballs story thematically eh eh?

Knife

Anyways, Now onto Knife. He’s different from the other three in that, while he hasn’t lost anything like Suitcase or Baseball ( if I remember correctly), unless you count his dignity, he hasn’t gained anything either, unlike Lightbulb. He’s very much a pretty intelligent and strategical person, very much someone who could easily win if it played his cards correctly. There’s also a bit of a lesson he learns from S1 to S2, due to Trophy.

He learns to become less rash, mellowing out after Trophy gave him a bit of a reality check to the way he acts, even if the way he showed him wasn’t the best in the slightest, Knife learns to control his temper, mellowing out and instead uses his smarts to advance more in the game without relying on others and even gives advice to people Like Suitcase, Pickle and Microphone as he goes on.

He learns to be a better person and would honestly make a good contender for first, to reward him for his growth and change, or maybe second place if you want to show his new found humbleness in regards to his emotions

Suitcase

As for suitcase, while she’s sort of predictable as well, she isn’t as predictable as Lightbulb due to the events that she’s gone through and honestly is sort of the most deserving thematically to win out of everyone. Unlike Lightbulb, she’s lost a lot, not really gaining many friends excluding Balloon and gained mental health issues due to the treatment Nickel was giving her. This game has not treated her well in the slightest and she gains growth as time goes on, learning to stand up for herself and speak on her own.

She very much deserves the prize but at the same time, I don’t think she would care if she won or lost. She’s lost a lot and learned from her experiences in the game

Conclusion!

BUT YES. these are my reasons for why Lightbulb should not win. The others have very nice thematic reasons for why they could win but Lightbulb basically gained way WAYY more then they have out of the experience

But yeah, my ranking would go

Lightbulb- not a winner, Fourth place

Baseball - First place ( gives up prize) or Third

Knife - First or Second place

Suitcase - First or Second place too

#sorry if the grammar or spelling is off #object show community #osc #inanimate insanity #ii lightbulb #ii baseball #ii suitcase #ii knife #please be nice and respectful on your opinions.. #Martin nonsense

[ghouljams]

Picked up the Lancer core rulebook for whatever reason and got a flashback to your mech!König posts from the IPS-N Tortuga

This mfer is an insertion specialist so fucking massive it blocks entire starship hallways and practically counts as a terrain feature. Like, this is literally him. Huge bulk, insanely powerful, haunted by an ambiguously sentient computer assistant

Nothing to add or suggest, just struck be the thematic resemblance lol

Ooooh yes

I love the bulk and the utility of its design. Really makes it feel like it's sort of cobbled together to be as big and mean as possible. I imagine König sitting in its opened cockpit, eating his lunch as the computer assistant beeps and whirs, the head turning one way then the other even while it's technically deactivated. He spends more time with the mech than he does other people, just waiting for his handler to come and find him. Scold him for eating in the machine when he knows it messes with the wiring.

König tries to do his own tinkering with the mech, oiling the shoulder joints when his start aching, uncurling the fingers when his start to feel stiff. He snaps wires off and reworks the pathways into incomprehensible patterns. You have to spend hours rewiring everything and somehow the mech doesn't work as well afterwards. König complains about migraines when one of the wires sparks. You spend the whole day trying to justify the neural inconsistencies on the charts to yourself while the computer assistant stays strangely quiet.

König comes back with bullet holes and spark flashing on the outside of the mech, talks about cuts and bruises on the hull like it's on his own skin. Sighs when you solder over the wounds and rework the metal. You find yourself watching the man when you work on the mech, counting the shivers that wrack him, your eyes darting between the mech and König. There's something going on that you won't admit to yourself, that you justify through a million different reports, and solely benefit from.

The power that thing has, the angles of metal that would dig into your back as it holds you tight against its chest. The whir of its mechanics as it moves you up and down, fucking you onto König's cock as the man meets every motion with a thrust of his hips. Everything strange and mechanical, every touch somewhere between man and machine, two different bodies pressing against you and prodding at your holes with thick blunt tips. You can't do anything but shake for them, but try to relax and let them take the pleasure König thinks he's owed. You're owed, he means.

You take sure good care of them, just let them have you, and don't tell anyone.

#cod x reader #x reader #minor dubcon #könig x reader #könig cod #könig mw2 #könig call of duty #könig #konig cod #konig x reader #konig mw2 #mech pilot!König #cyberpunk au #afab!reader

[lurkingshan]

On Boston and Brian Kinney

I’ve seen a lot of folks in the Only Friends tag recently making connections between the show and Queer as Folk, both US and UK versions, which makes sense because QaF is a clear reference for the show, both visually and thematically, and we know Jojo likes to reference western media in his work. One parallel folks are drawing is not tracking for me, however, so I am jumping in the wayback machine and putting on my old QaF stan hat to talk to y’all about Brian Kinney, and why Boston is actually nothing like him. Tagging @bengiyo and @neuroticbookworm who talked this through with me and also @slayerkitty because I saw you were contemplating this connection between the two characters.

So, first, why are people making this comparison? It really boils down to one thing: Brian and Boston are both sluts. That’s… pretty much it. They both like sex and prefer to have it with many different partners, and neither has much use for monogamy. But this is pretty much where their similarities end. 

So let’s remind ourselves who Brian Kinney is: a kind of fantasy of a hot, rich, self-actualized gay man with unmatched sexual prowess and a surface level flippancy masking a heart of gold. Brian is an adult man with a thriving career and money that he earned for himself after leaving his abusive and homophobic family (who would eventually explicitly reject him because of his sexuality). As a result, he is defiant in his commitment to live his life as loudly and queerly as possible—which includes a dedication to fucking and sucking, public sex, and a rejection of heteronormative constructs like monogamy.

Brian has a very clear moral code he lives by, even if it’s not one most can relate to. He decides to have a son with his (lesbian) best friend because part of him wants to believe in a better future and build a family of his own. He is extremely loyal to his found family even as he’s a jerk to their face most of the time, and he is always working behind the scenes to protect them even as he often hurts their feelings with his glib remarks and shitty behavior. Despite his disdain for monogamy, he never actually tries to destroy any of his friends’ happy relationships (in fact, he tries to sacrifice his own friendship with Michael to ensure he stays with his boyfriend).

Brian has a sense of responsibility to others and often takes on the blame for things he didn’t even do, which is why he takes baby gay Justin to Debbie and ensures he is cared for even as he tries to dissuade Justin from getting attached to him, and why he cares for Justin in the aftermath of his bashing. He cares deeply about his community, to the point where he pours his money into protecting the local gay scene, literally bankrupts himself to stop an anti-gay politician from winning an election, and gives up a dream job to stay put in Pittsburgh and help rebuild the community after a hate crime.

Brian is unflinchingly honest and he avoids making promises because once he does, he knows he will absolutely keep them—he takes his commitments seriously and he always does what he says he will. When he falls in love, he does not abandon his core values but he is willing to make some compromises. And he hides his better self and often wallows in self-destructive behavior because he feels deeply unworthy of love, which goes back to the intergenerational trauma he experienced as a child in an abusive home and the parental rejection he felt due to his sexuality. 

Boston, by contrast, is a character who feels more rooted in reality. He’s a pampered rich kid who is indulged in his hobbies and who already has a life plan laid out for him and paid for by his daddy. He likes to sleep around mostly because it’s fun, and because he knows his life here is temporary so he doesn’t see any point in getting attached to people. In stark contrast to Brian’s out and proud and fuck you if you have a problem with it brand of politics, he is still trying to hide who he is in service of his father’s political career, even if he’s pretty sloppy about it (see him fucking Top in a car with giant windows parked in the driveway at a house party).

Boston’s moral code is fungible and ever-changing to fit his circumstances—boy is a hypocrite (see his opinions about people filming and photographing him even as he does the same to others constantly). He has no loyalty and no qualms about hurting and betraying his friends, and actively tries to destroy their relationships for sport or as a means to get what he wants. He does not feel responsible for anyone and often lies and ducks accountability for the things he does. He does not care about his community at all, and in fact already has a NYC escape hatch in his back pocket for when he inevitably burns his bridges. He is not as honest as Brian and sends a lot of mixed messages to keep people guessing and on the hook.

Rather than hurting people by being brutally honest as Brian does, Boston plays psychological games and manipulates his friends and lovers, and he seems to take twisted pleasure in blowing up their happiness. We haven’t seen him make a promise or fall in love, and while there are some signs that he may have some sort of inferiority complex at play (with Mew in particular), his motives are not tied to any past trauma. Boston is just a messy bitch who loves chaos and doesn’t really care who gets hurt as long as he gets what he wants and stays entertained. Where Brian is literally a superhero to his loved ones, Boston is just a very flawed human being. 

But Shan, I hear you saying, I thought you liked Boston! I do, besties, I do. He’s a fantastic character and a very real kind of person many of us encounter in our 20s. Because that’s the thing: Boston is so young. He hasn’t developed any sense of responsibility to others or any understanding of the importance of queer community, and he has never had to take care of himself, which is perhaps the biggest difference between him and Brian. Brian has lived independently for more than a decade when we meet him in QaF, whereas Boston is a spoiled rich kid who has barely lived. Brian is a fully realized adult and his more nuanced characterization is a reflection of that; Boston is actually a pretty basic chaotic drama queen who will grow up eventually. 

TL;DR: Aside from being promiscuous, Boston has very little in common with Brian Kinney. He is more a reflection of a very real kind of person you will meet on the scene in queer communities than an homage to a larger than life fictional QaF character. And while OF is absolutely referencing some of the themes and values and stylistic flourishes of QaF, it is not making direct parallels to its characters. 

#did i write this mostly as an excuse to get brian kinney on this blog? #who can say #only friends the series #queer as folk #thai bl #ofts #only friends #ephemerality squad #shan shouts into the void