Smell of Memories | Galya Popova
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“Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Wait
.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.”
Copyright © 1980 by Galway Kinnell. From Mortal Acts, Mortal Words (Mariner Books, 1980). Used with permission of Houghton Mifflin Harcourt.
[Thanks Leila L'Abate]
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...If somebody
had loved me sometimes,
or even one time,
for my sadness–
unexplained, unfounded
as a cuckoo’s
he had loved my real self,
he had really loved me.
~•Blaga Dimitrova•~
#Blaga Dimitrova beautiful Bulgarian poetess #Kodomo no shiki (Shimizu Hiroshi, 1939)
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melancholic views
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17.
So I guess it’s time
to let go of my
tears, to let you go
on into the night,
quietly, quietly,
as you let the world
go, voice cut from you
by the surgeon’s knife,
only your hands to
say goodbye, touching
the leaves of the
lemon tree one last
time, or Britta’s
pale, shivering arm,
or trying to hold
forever in your eyes
this olive-tree
twisted in the valley
winds, or this flash
of sunlight off
the high Sierra snows.
Burton Hatlen, from Crossing Altamont
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Mariko Kusumoto, Necklace
see here
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Kees Scherer, Paris, 1950s
* * * *
‘And we offer each other words of consolation or distraction or encouragement when we see that one or the other of us is in need of such words.’
Javier Marías, A Heart So White, 1992
[h/t Ina de Bree]
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this evening the sky is the color of peaches in the orchard, and the heart feels as if it has fallen among the soft bruises, forgotten by the wind.
— greg sellers
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Bernd Webler
#art
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huong1952: Heart's measure
The day I let love in
A blue bird sang
A blue moon song
Now or never I pledged
Love in exchange
For grief
The day I let love go
The blue bird was dead
The blue moon faded
I knew
I made a promise
Love for grief
The blue bird is now asleep
Under the faded moonlight
My heart's measure
A ray of light
A long dark night
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Lucy Campbell
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Photo:: T.S.Eliot
* * * *
Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
T S Eliot
(Center of Applied Jungian Studies)
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Tanka # 225
All the lonely night
suddenly come to light,
their bright flame
burning in my heart
burning with your name.
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Lost Book
The book I thought I had lost
returned to me by the grace
of a stranger’s hand —
or was it the wind
who whirled it like a leaf
and placed it, gently,
by my doorstep,
in a place she knew
I would find.
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“Absence is not vacancy. Vacancy has no voice. Vacancy is empty and banal and atheistic. Absence, on the other hand, is a fertile ground where loss and love coalesce around memory to create ghosts that live among us. Absence is alive with energy.”
— Nick Cave
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Marc Bohne
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