Tumgik
#you need to show me!!!!!!!!
seenthisepisode · 3 months
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no offence but the reason tumblr is “dying” is, well, yes, of course the cursed like/reblog ratio and the change in user behaviour (because of people being used to how instagram and tiktok work) BUT also the lack of weekly shows. i say it with my whole chest, they don't produce captivating and engaging stupid weekly tv shows anymore because streaming killed that so you have spikes of activity here when Something happens in general fandom or up to three days after a new season of whatever drops and then it's a wasteland. this is obviously an old woman yelling at a cloud missing supernatural and the vampire diaries and pretty little liars and all these other shows type of post but honestly give me back weekly tv shows where i have something to watch for 40 minutes almost every day of the week after work so then i can read and reblog it on tumblr give it back for the sake of my sanity
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notherpuppet · 4 months
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How the old timey prick got his pet
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ambrosiagourmet · 4 months
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
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But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
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This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
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And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
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Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
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Both of these kids deserved so much better from the world.
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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bixels · 10 days
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
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Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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muppetfreak · 4 months
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Mr. Riordan, it is truly a pleasure getting to experience your second draft.
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nouverx · 8 months
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OPLA sketches
I love Luffy a normal amount
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p4nishers · 8 months
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i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down
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kermitthesog · 6 months
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ok I don’t care about Percy having blonde hair, or Annabeth having dark hair, or any skin color at all. BUT IF THE SHOW DOESNT PUT GREY STREAKS IN THEIR HAIRS AFTER HOLDING UP THE SKY, I WILL RIOT. granted, I’ll still watch the show fully and giggle while kicking my feet, BUT I WILL RIOT!!!
you hear me, Disney+? When, NOT IF, when you get to Titan’s Curse, you need to do this or else.
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thevioletcaptain · 1 year
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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starcurtain · 1 month
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2.1 Penacony Spoilers!
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I know the scene after Ratio's "betrayal" can be read a lot of ways but I am shocked I haven't seen more people interpret it as Ratio being so worried about Aventurine that he couldn't stay away even though he was supposed to.
We know:
1) Ratio absolutely knew Aventurine's plan from start to finish, both his gamble to create "death" in the dream and with the three cornerstones. (Wish people would stop underselling Ratio in their analyses; "Three chips are enough" is a direct enough clue that, genius as he is, Ratio would never miss.)
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2) In his own words, Ratio was acting according to Aventurine's instructions while in Dewlight Pavilion and with Sunday and felt that he did a good job not giving them away.
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I think most people are on the same page up to there, but then I've seen a lot of people interpreting this scene after Aventurine leaves Sunday's mansion as Aventurine being genuinely angry at Ratio (possibly after having gaslit himself into thinking Ratio was actually betraying him).
But this doesn't make much sense to me because:
1) Ratio actually has nothing to gain by selling Aventurine out to Sunday. They're on the same side in this mission. Information about a Stelleron on Penacony wouldn't be news anyone with a brain like Ratio's and why would he need someone else's research on Stellerons when he already has ties to the Genius Society through Screwllum and Herta, as well as the Astral Express where the Trailblazer is actively housing a Stelleron?
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2) One of Aventurine's most notable lines of dialogue is how it's perfectly fine and expected for "friends" to use each other and backstab. This is his default understanding of partners--why would he suddenly be mad about something he expected from the start?
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3) If the betrayal wasn't already planned and was just a possibility based on Aventurine's understanding of Ratio, why would he ever have revealed there were "three chips" (aka three cornerstones) in play? If even the betrayal over Topaz's stone wasn't planned, just assumed, why would Aventurine reveal the existence of the third stone? He would gain nothing from doing so.
Instead, I think it makes a lot more sense to interpret Aventurine's frustration with Ratio in this later scene as annoyance over Ratio taking an "unnecessary" risk:
1) As far as Sunday knows, Ratio had just very seriously betrayed Aventurine, completely selling him out and essentially sending him to his execution.
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2) In the scene afterward, Aventurine is out in public in the middle of Penacony where The Family's eyes are always watching, yet Ratio walks right up to him to check on him. Why would someone who just sold you out come up to you immediately afterward to check on your health?!
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3) It's only natural that Aventurine would pump the brakes and go "Wow, didn't think you'd show yourself after you just betrayed me, remember?" Because that's the act they are supposed to be keeping up! They're still being monitored; it's not safe to break character!
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But Ratio is a genius, right, so why would he break character here? From the standpoint of the ploy itself, revealing to the Family that he and Aventurine were still on the same side would only jeopardize the plan, not help it.
The logical explanation, then, is that Ratio went to Aventurine here because he felt like he had to.
He had to check in and make sure the situation was still under Aventurine's control.
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(In fact, the entire exchange through the middle of this scene is Aventurine and Ratio confirming the rest of their plot in a veiled manner: Ratio brings up the plan and mentions what's concealed in the gift money bag, Aventurine confirms the cornerstone is good to go; Ratio asks what his next step will be; Aventurine says he's going to do the insane thing of handing out cash while looking pathetic [aka fishing for Sparkle]. Ratio essentially asks if he's crazy enough to take the final gamble with his own life, which Aventurine confirms, and then Ratio sets them up for the finale by gifting him the doctor's note.)
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Ratio was willing to risk ruining their entire plan--something Aventurine does seem to be frustrated about at first--just to ensure Aventurine still felt all right about the situation.
He needed to deliver his note demanding Aventurine stay alive.
He needed to tell Aventurine to come to him if the situation got too painful to bear.
In short, Ratio was worried enough that he could not stay away even though, for the sake of their plot, it would have made significantly more sense for him not to appear. The gain of breaking character was worth more to him than the risk of being caught.
You honestly don't even have to take this in a shipping context. The real point here is that Ratio is an incredibly good person who wasn't okay with Aventurine's self-sacrificial plan and who felt morally compelled to check on a person in pain. He's a healer through and through, and ignoring Aventurine in this condition--ignoring someone who was taking so much risk on themselves--simply wasn't possible for him, no matter the danger it posed to the plan.
But for those who do ship Ratio and Aventurine... I hope more people will come to see this scene as another example of Ratio's genuine concern for his mission partner! He did not have to appear here at all; it would have made much more sense for him to leave Aventurine to his own devices to uphold the illusion of their "betrayal." He showed up in this scene--very likely against Aventurine's expectations--because he was concerned for Aventurine's situation and wanted to ensure Aventurine knew he could fall back on Ratio's support at any time if the plan went awry.
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tl;dr: I wish people would stop interpreting this scene as the aftermath of a betrayal. Aventurine wasn't ticked off with Ratio in this scene because he felt like he'd genuinely been backstabbed; he was ticked off because Ratio was literally breaking their pre-established "betrayer" character just to be fussy over Aventurine's safety and well-being. (Okay, and to double check on the plan, but let's be real, the first part was definitely more important. 👌)
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raynewolfegirl · 10 days
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Meta Jazz, the Arkham Intern Therapist
I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.
~*~*~
The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.
"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside.  As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.
"Back up! Let him through!" Dr. Rylie  shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.
Ah. That was panic.
Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.
"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."
Bane looked stunned for a moment then laughed.
"Five."
The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.
"Four."
"Did you really think that would work?" Bane snorted out, arms tensing more around her.
"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.
"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.
"Two."
"Jasmine..."  Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.
"One." She finished and Bane gave a derisive snort.
Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it -  and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.
"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.
"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.
"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.
"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."
So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.
"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.
"No, Ma'am." He promised fervently.
"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"
"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.
Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.
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quantumshade · 24 days
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can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel
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poorly-drawn-mdzs · 1 month
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Don't Wormy About Me.
[First] Prev <–-> Next
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treasureplcnet · 3 months
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anime-only fans please please please consider reading dungeon meshi because once you hit ch76 your life begins anew
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perfectlyvalid49 · 2 months
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On being Jewish, and traumatized (It’s been 5 months and I want to talk):
Judaism is a joyous religion. So much of our daily practice is to focus us on the things that are good. I know that there’s a joke that all our holidays can be summed up as “they tried to kill us. We survived – let’s eat!”, and you might think that holidays focused on attempts at killing us might be somber, but they’re really not. Most are celebrated in the sense of, “we’re still here, let’s have a party!” When I think about practicing Judaism, the things I think about make me happy.
But I think a lot of non-Jews don’t necessarily see Judaism the same way. I think in part it’s because we do like to kvetch, but I think a lot of it is because from the outside it’s harder to see the joy, and very easy to see the long history of suffering that has been enacted on the Jewish people. From the inside, it’s very much, “we’re still here, let’s party” and from the outside it’s, “how many times have they tried to kill you? Why are you celebrating? They tried to KILL YOU!”
And I want to start with that because a lot of the rest of this is going to be negative. And I don’t want people to read it and wonder why I still want to be Jewish. I want to be Jewish because it makes me happy. My problem isn’t with being Jewish, it’s with how Jews are treated.
What I really wanted to write about is being Jewish and the trauma that’s involved with that right now.
First, I want to talk about Israeli Jews. I can’t say much here because I’m not Israeli, nor do I have any close friends or family that are Israeli. But if I’m going to be talking about the trauma Jews are experiencing right now, I can’t not mention the fact that Israeli Jews (and Israelis that aren’t Jewish as well, but that’s not my focus here) are dealing with massive amounts of it right now. It’s a tiny country – virtually everyone has a friend or family member that was killed or kidnapped, or knows someone who does. Thousands of rockets have been fired at Israel in the last few months – think about the fact that the Iron Dome exists and why it needs to. Terror attacks are ongoing; I feel like there’s been at least one every week since October. Thousands of people are displaced from their homes, either because of the rocket fire, or because their homes and communities were physically destroyed in the largest pogrom in recent history – the deadliest single day for Jews since the Holocaust ended. If that’s not trauma inducing, I don’t know what is.
And there is, of course, the generational trauma. And I think Jewish generational trauma is interesting because it’s so layered. Because it’s not just the result of one trauma passed down through the generations. Every 50-100 years, antisemitism intensifies, and so very frequently the people experiencing a traumatic event were already suffering from the generational trauma that their grandparents or great grandparents lived through. And those elders were holding the generational trauma from the time before that. And so on.
And because it happens so regularly, there’s always someone in the community that remembers the last time. We are never allowed the luxury of imagining that we are safe. We know what happened before, and we know that it happened again and again and again. And so we know that it only makes sense to assume it will happen in the future. The trauma response is valid. I live in America because my great grandparents lived in Russia and they knew when it was time to get the hell out in the 1900s. And the reason they knew that is because their grandparents remembered the results of the blood libels in the 1850s. How can we heal when the scar tissue keeps us safe?
I look around now and wonder if we’ll need to run. We have a plan. I repeat, my family has a plan for what to do if we need to flee the country due to religious persecution. How can that possibly be normal? And yet, all the Jewish families I know have similar plans. It is normal if you’re Jewish. Every once in a while I see someone who isn’t Jewish talk about making plans to leave because they’re LGBTQ or some other minority and the question always seems to be, “should I make a plan?” It astounds me every time. The Jewish answer is that you need to have a plan and the only question is, “when should I act?” Sometimes our Jewish friends discuss it at play dates. Where will you go? What are the triggers to leave? No one wants to go any earlier then they have to. Everyone knows what the price of holding off too long might be.
I want to keep my children safe. When do I induct them into the club? When do I let my sweet, innocent kids know that some people will hate them for being Jewish? When do I teach them the skills my parents and grandparents taught me? How to pass as white, how to pass as Christian, knowing when to keep your mouth shut about what you believe. When do I tell them about the Holocaust and teach them the game “would this person hide me?” How hard do I have to work to remind them that while you want to believe that a person would hide you, statistically, most people you know would not have? Who is this more traumatic for? Them, to learn that there is hatred in the world and it is directed at them, or me, to have to drive some of the innocence out of my own children’s eyes in order to make sure they are prepared to meet the reality of the world?
And the reality of the world is that it is FULL of antisemitism. There’s a lot of…I guess I’d call it mild antisemitism that’s always present that you just kinda learn to ignore. It’s the sort of stuff that non-Jews might not even recognize as antisemitic until you explain it to them, just little micro-aggressions that you do your best to ignore because you know that the people doing it don’t necessarily mean it, it’s just the culture we live in. It can still hurt though. I like to compare it to a bruise: you can mostly ignore it, but every once in a while something (more blatant antisemitism) will put a bit to much pressure on it and you remember that you were already hurting this whole time.
On top of the background antisemitism, there’s more intense stuff. And usually the most intense, mask off antisemitism comes from the right. This makes sense, in that a lot of right politics are essentially about hating the “other” and what are Jews if not Western civilizations oldest type of “other”? On the one hand, I’ve always been fortunate enough to live in relatively liberal areas so this sort of antisemitism has felt far away and impersonal – they hate everybody, and I’m just part of everybody. On the other hand, until recently I’ve always considered this the most dangerous source of antisemitism. This is the antisemitism that leads to hate crimes, that leads to synagogue shootings. This is the reason why my synagogue is built so that there is a long driveway before you can even see the building, and that driveway is filled with police on the high holidays. This is the reason why my husband and I were scared to hang a mezuzah in our first apartment (and second, and third). For a long time, this was the antisemitism that made me afraid.
But the left has a problem with antisemitism too. And it has always been there. Where the right hates the “other”, the left hates the “privileged/elite/oppressors.” It’s the exact same thing, just dressed up with different words. They all mean “other” and “other” means “Jew.” It hurts more coming from the left though. A lot of Jewish philosophy leans left. A lot of Jews lean left. So when the left decides to hate us, it isn’t a random stranger, it’s a friend, and it feels like a betrayal.
One of the people I follow works for Yad Vashem, and a few weeks ago she mentioned a video they have with testimonies from people who came to Israel after Kristallnacht, with an unofficial title of “The blow came from within.” The idea is that to non-German Jews, the Holocaust was something done by strangers. It was still terrible, but it is easier to bear the hate of a stranger – it’s not personal. But to German Jews, the Holocaust was a betrayal. It wasn’t done by strangers, it was done by coworkers, and neighbors and people they thought were friends. It was done by people who knew them, and still looked at them and said, “less than human.” And because of this sense of betrayal, German survivors, or Germans who managed to get out before they got rounded up, had a very different experience than other Holocaust victims.
And I feel like a lot of left leaning Jews are having a similar experience now. People that we’ve marched with or organized with, or even just mutuals that we’ve thought of as friends are now going on about how Jews are evil. They repeat antisemitic talking points from the Nazis and from the Protocols of the Elders of Zion, and when we point out that those ideas have only led to Jewish death in the past they don’t care. And if someone you thought of as a friend thinks of you this way, what do you think a stranger might think? Might do?
The Jews are fucking terrified. I’ve seen a post going around that basically wonders if this was what it was like for our ancestors – when things got bad enough to see what was coming but before it was too late to run? And we can see what’s coming. History tells us that they way people are talking and acting only leads to one place. I’m a millennial – when I was a kid the grandparents at my synagogue made sure the kids knew – this is what it looked like before, this is what you need to watch out for, this is when you need to run. I wonder where to run to. It feels like nowhere is safe.
I feel like I’ve been lucky in all this. I don’t live in Israel. I have family and acquaintances who do, but no one I’m particularly close to. Everyone I know in real life has either been sane or at least silent about all of this (the internet has been significantly worse, but when it comes to hate, the internet is always worse). I live in a relatively liberal area – there’s always been antisemitism around anyway, but it’s mostly just been swastikas on flyers, or people advocating for BDS, not anything that’s made me actually worry for my safety. But in the last 5 months there have been bomb threats at my synagogue, and just last week a kid got beat up for being Jewish at our local high school. He doesn’t want to report it. He’s worried it will make it worse.
I bought a Magen David to wear in November. At the time it seemed like the best way to fight antisemitism was to be visibly Jewish, to show that we’re just normal people like everyone else. Plus, I figured that if me being Jewish was going to be a problem for someone, then I would make it a problem right away and not waste time. I’ve worn it almost constantly since, but the one time I took it off was when I burnt my finger in December and had to go to urgent care. I didn’t think about it too much when I did it, but I thought about it for a long time after – I didn’t feel good about having made that choice.
The conclusion I came to is that the training that my elders had been so careful to instill in me kicked in. I was hurt, and scared, and the voice inside my head that sounds like my grandmother said, “don’t give them a reason to be bad to you. Fight when you’re well, but for now – survive.” It still felt cowardly, but it was also a connection to my ancestors who heeded the same voice well enough to survive. And it enrages me that that voice has been necessary in the past. And it enrages me that things are bad enough now that my instinct is that I need to hide who I am to receive appropriate medical care.
I wish I had some sort of final thought to tie this all together other than, “this sucks and I hate it,” but I really don’t. I could call for people to examine their antisemitic biases, but I’m not foolish enough to think that this will reach the people who need to do so. I could wish for a future where everything I’ve talked about here exists only in history books, and the Jewish experience is no longer tied to feeling this pain, but that’s basically wishing for the moshiach, and I’m not going to hold my breath.
I guess I’ll end it with the thought that through all of this hate and pain and fear, we’re still here. And we’re still joyful as well. As much as so many people have tried over literally THOUSANDS of years to eradicate us, I’m still here, I’m still Jewish, and being Jewish still makes me happy.
Am Yisrael Chai.
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