#writing and posting without looking back | Explore Tumblr Posts and Blogs

carefulfears · 10 months

Note

top 5 (or 10 if you have em) scully taking care of mulder moments <3

she said IF i have 10 😭😭😭

1/ sein und zeit

i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...

my tags here:

she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.

this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."

she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.

(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)

i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.

the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.

it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)

2/ demons

god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?

i always think about this post:

and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?

and these tags:

this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.

she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."

but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.

what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)

(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)

3/ the end

"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)

i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.

in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.

this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")

following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.

(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)

4/ paper hearts

oh, starbuck. we are really in it now.

paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.

one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."

in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."

i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).

from my newsletter:

There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.

he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?

i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.

what does that mean? what is she really saying?

this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.

and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.

it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.

it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.

(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)

in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.

the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.

this post:

Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”

she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.

5/ redux ii

remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."

the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.

she cries when he won't do it.

6/ herrenvolk

okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?

this is just so scully.

she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.

these tags:

she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.

one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.

there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.

(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.

in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."

remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)

7/ anasazi

ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.

the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.

(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")

8/ fire

girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.

trish, i loved this part of your post yesterday:

scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.

she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?

he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.

trish's tweet:

really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)

(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)

meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.

yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!

(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")

9/ deadalive

oh, you guys remember that time she raised him from the dead, right?

scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.

i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.

then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”

she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.

i always think of this fic and feel so ill:

“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”

she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.

(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)

10/ fight the future

there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).

from my newsletter:

“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)

That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.

there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.

(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)

some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)

how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.

and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.

#i got really really tired by the end but it is what it is #i want y'all to know #that i almost put 'trust no 1' on here #the way that she yells at doggett that she wants to see mulder 'SO BAD'#but in the end: writes to him that she just wants him to be okay even if she can't see him or hear from him #or even if he can't read what she sends him #and the way that she looks over at william in the stroller and puts her hand on his face #just like...that one semblance of mulder that she still has in her life and that she holds onto- in this baby #and he's growing up without his dad and she NEVER wanted that.#and mulder is writing to her that he just wants to come home to her and to will.#and how her voice shakes and she screams when she talks about how badly she just needs to see him. she feels so alone.#and there are only so many solar system onesies and star mobiles and lullabies from the florida woods that she can give #but ultimately she just wants him to be safe and alive and that's what she tells him and that's what she fights for with everyone else #but it's just so fucking unbearably sad and i couldnt do it after the first few i put on here ksjdfk #i would also say!! that her leaving him post-iwtb and their break-up was in a way taking care of him #getting the fuck out of that house. trying to save herself from that trap of grief.#then coming back when it was less haunted and he was healthier and it was able to be their home again #refusing to suffocate there just because he was. salvaging SOMETHING for him to come back to- and ALWAYS being available for that.#asks #sein und zeit #demons #the end #paper hearts #redux ii #herrenvolk #anasazi #fire #deadalive #ftf

91 notes · View notes

bogkeep · 1 month

Text

they found a girl at the beach

her words all washed away

still feeling waves against her legs

and whale skin at her touch

foam in her hair, salt in her veins

they tell her about the sea

#poetry #haiz writes #REPOSTING because the format of a quote post made in 2013 just. breaks! fun #this poem is from over ten years ago i forgot i wrote it but it showed up when i looked for another post of course #the tumblr search function is broken in very interesting ways #the original was in norwegian and the translation needed some editing #but that's the beauty of it isn't it. a piece of art is never really truly finished. you can change it forever. and it will change without #i have a hankering to get back into actually writing poems again. it was a part of my daily life as a teen #but i dont... know how to get into that kind of space anymore. probably because it doesnt exist in the same shape #so i gotta carve it out again and it's hard!#also this is not what the poem is About but i can tell i wrote this after i watched Whale Rider (2002) for a school assignment

21 notes · View notes

rassicas · 1 year

Note

This is gonna be a odd question Ig? but since Marie's splatoon 2 dialogue already seems to be full of translation errors, is the bit about agent 3 having "poor hygiene" a translation thing only? or is it consistent to her japanese dialogue? I ask because what Cuttlefish says at the beginning of Splat3's hero mode (talking about agent 3's hand-me-down suit) seems to kinda contradict what she said

yeah its a localization only thing.

"Agent 4, you look just as good as Agent 3!"

#asks #while writing this i discovered the keyboard shortcut to publish an ask on complete accident and posted prematurely LOL #i def remember looking into this years ago but didnt wanna just say it without double checking for the exact jp lines to back it up #luckily i found a reddit post about this exact same localization change from 6 years ago #splatoon translations

171 notes · View notes

trashlie · 10 months

Text

Sowing the Seeds, Reaping Stalkyoo

It’s no secret that everything about the state of ILY since the Christmas party has been my absolute catnip, everything I’ve waited for and wanted to see. We’ve had delicious flashbacks and peeks into the past, we’ve been indulged with Nol and Kousuke going head to head, the reveals of how Kousuke has been manipulated and drugged, and yes, Nol’s return into his friend’s lives. Quimchee has been delivering something that I didn’t anticipate we’d get for a long time yet - I thought so much of Nol and Shinae’s relationship was being set up for the future, that it wouldn’t take root until then, and yet.

And yet.

Ages ago I wrote about the foundations of Stalkyoo, how so much of the framework for their potential feelings and relationship had been carefully laid for feelings to begin to sprout and bloom, anticipating that it would not be until after Nol returns from prison, maybe even until after the timeskip, that those feelings would show themselves. What a fool I was! How could I anticipate that we’d be seeing them so soon, like this?!

Someone on reddit asked at what point did Stalkyoo begin - the feelings, us shipping, when it began to feel real and possible, and finally I was able to put the words together, to really begin this post that I’ve been dying to make. (This post is an expansion of my response on reddit, hehe)

I used to waffle a lot on this thought, because if you reread ILY without a romantic lens, there's a lot of things that CAN come across very platonically - but the key is that context always matters, right? To me, a lot of the build up for Stalkyoo has been simply building a foundation so that their own feelings can develop. There's a difference between having feelings and being drawn to each other, but Nol and Shinae HAVE been drawn to each other from the start. While Shinae initially pushes back on Nol's attempt at friendship, by the time they're at the arcade, I think we start seeing the basis of Shinae reciprocating Nol's friendship. Clearly she's only playing along because she wants to get a free meal out of it, but something about Nol and Shinae that I find really interesting is that it really WAS effortless from the beginning! It's just that Shinae has so much trauma about friendships - not only that Alyssa betrayed her and played hot and cold, but that she can't trust her friendship with Maya and Rika is real and she is LITERALLY only there because she knows Maya is scheming. Yet, at the masquerade and the morning after, we see how easy Shinae falls into a rhythm with Nol - but once she catches herself she back pedals.

Something I think we need to clear before we dig into this is the point in which Nol went from trying to play cupid for Dieter to pursuing Shinae's friendship for himself. I don't think even he was totally aware of it, but when they were at the mall, I think that was a slow changing point for Nol. He could tell that he wasn't going to really be able to play cupid for Dieter (but it didn't stop him from trying) but I think by this point he saw Shinae's facade fully, and how similar it was to his. (I mean, I think he'd already seen this, but this was when it really resonated with him.)

Stalkyoo is really well written in which you can't tell at what point the characters themselves start to have feelings, because that's just the nature of feelings. We can't always pinpoint when we go from feeling friend-ish about someone to when we develop feelings, especially in the case of Nol and Shinae who have SO MUCH ELSE going on that feelings are the furthest thing from their minds. Instead, we see those building blocks, the foundations, the things that LEAD those feelings to grow from platonic to feeling something besides just friendship. It's all the little things! For Shinae, it's that someone was so determinedly persistent, something she hadn't really gotten from her other friends. But more than that, it was the way that Nol saw through her. It was the way Yeonggi evoked the kind of friend she wanted to be but was too afraid to be. It was the safety and security he provided her.

For Nol, it was the way she always saw him, always picked up on those little details, always took concern. That night she ran into him after work, when she got worried he'd sat outside all evening because she was too harsh, she told herself not to care and yet... she couldn't. She had just drawn these boundaries, but she still had concern for him. Nol isn't used to that. I'm not saying this to shame Soushi and Dieter in any way, but we don't really see them reach out to him, and I think Dieter acknowledged this after Yujing drove away with Rand and unconscious Nol. Nol had just seen the eviction notice in her room, and yet she still buys him ointment and medicine out of worry for him with what little money she has. She took notice of his scuffed knuckles, of his cat scratches healing, asks how he’s handling things after seeing what they’re saying on the media. At the hospital she calls him out on that façade, expressing how much awful it makes her feel so how can he not?

We get to see these little details culminate, and how that fosters the development of feelings. How can Shinae not be so drawn to this person who has helped her no matter the inconvenience it is to him, who sees through her and calls her out on her bullshit, who took care of her when she was so very vulnerable at the Kim formal? How can Nol not be so drawn to this person who sees him when others make him feel invisible, who makes him feel worthy of her concern and thoughts when so many others have made him feel like he doesn't matter?

It's the way Shinae disarms him and he finds himself unable to lie, revealing a little bit of the real him, admitting a tiny hint of what's going on that he isn't revealing. It's the way he literally inspires her to be a better friend, and to return the favor.

As a reader, the Kim formal and the following hospital scene really sell the plausibility of them through the parallels. We are shown that this early in their friendship, Nol is able to not only comfort Shinae in ways that reach her, but to anticipate her needs (intercepting her coat after Kousuke sends it away). It's not done to say that Kousuke is not a match for her as much as to illuminate why Nol is, to build out that foundation. During a harrowing night when Shinae is completely out of her element and, frankly, terrified, Nol is able to reach her, able to comfort her, and he provides that sense of protection, and in kind, it softens Shinae even more towards him, because now she can see just what a solid friend Nol is, to really take stock of the things he does for her. It also shows us the ways Shinae meets HIS needs in contrast to Alyssa. This is especially important because part of what really fosters Nol's eventual feelings for Shinae is that she sees him, that she feels concern for him, when everyone around him, including the person he's supposed to call his girlfriend, take him for granted.

Nol struggles SO MUCH with self worth and feeling that he matters, that he is anything but a burden (much like Shinae) but also he struggles with feeling that he even deserves this. But then Shinae comes in and gives him a taste of that, and now he can't help it. He opens up, little by little. Not a lot, but he lets her in, tiny bit by bit. She starts to matter. And we can see in episodes like 73, when Nol calls Shinae and they share the parallel pillow hugging phone call, 93 when he admits he can't stop himself from caring and she replaces his earbuds in his ear, 117 and 118 with the chickie nuggie hand holding and the shared earbuds just how Shinae became this person who brings Nol comfort, who has a morphine-effect on him. She becomes a safe space for him. Her comfort towards him fosters that feeling of seeking comfort in her.

At the end of the day, it ultimately is, I think, that they see each other - that they really see each other. Can Shinae see through Nol's facade? Not really - he still has so much that he's yet hidden away. But in a world when he's treated like he's invisible, when others don't reach out, when everyone takes takes takes without giving (and again I'm not faulting people because that's how Nol built these friendships; they weren't supposed to be real, until they accidentally were) she sees him and makes him feel like he matters. And likewise, he inspires her to be a better friend, to take chances with her heart. Ultimately she wouldn't be where she is without him, because while Dieter has also had a substantial role in how Shinae has grown, if not for Nol, she never even could have built that friendship with Dieter.

But also, to bring up my earlier point about that effortlessness, that chemistry has always existed between Nol and Shinae, and once she stopped being so suspicious of him and wary, once he brought her that comfort and security at the formal, we were able to see it more, and how they act on it. I never shut up about how Nol is unable to resist Shinae and it's TRUE. All the times that he tries to avoid her often end with him giving in, turning towards her, revealing something. And likewise she is SO drawn to him that when he starts to pull away, she starts to subconsciously act on that and chase after him, pull him back in. I think there's also something to be said about all the very flirty comments Nol makes towards her that he probably isn't even aware are very flirty - but she is picking up on it. It's that, yes, that attraction is there. Not that I think finding someone is handsome = attraction, but the way she's so embarrassed to voice it feels weighted. Also happening at the formal was that moment where Nol makes Shinae laugh and his eye goes wide - even though I don't think he identified it then, it was a significant moment, probably one that really fostered that attraction, that feeling of how pretty her smile is, ESPECIALLY as someone who had her thick thick walls and he hadn't seen her like that.

Honestly, the entirety of the Kim formal arc really sells the concept of Stalkyoo, despite Nol attending “with” his girlfriend. The parallels in their individual relationships with other significant people show just how compatible they are - Nol banking on a fan taking notice of famous girlfriend Alyssa to give Shinae an escape, that moment when Nol is sent away and Shinae calls out to him and he reaches out before the door closes and he loses the opportunity. It’s that tender moment of Nol doing her make up for her, helping her don her armor in order to blend in. It’s the way she goes straight to Nol after her uncomfortable dance with Kousuke, checking on him because she can tell something is off. They just NOTICE! They GET each other!

It’s that moment at the bottom of the pool when Nol feels the opportunity to escape, to give in, to stay at the bottom of the pool because there is nothing up there for him - and then there is Shinae, unconscious. It’s Nol donning that uncomfortable mask to bring her to the surface, it’s him denying his ideation because maybe there is, in fact, something for him up there. It’s that Nol is still here because of Shinae.

How can she not be so significant to him? How could he fight the development of those feelings when she literally is the reason he is still alive?

IT'S JUST. IT'S ALL OF THAT AAAAAAAHHHHHHHHHHHHHHH there's not really one point so much as all along the bricks in the foundation are being laid, the seeds are sown. The structure is going up, the seeds are sprouting. We see the results of that foundation as it fosters these feelings, as it takes these small but significant things and turns them into something grander, until one day Nol is taking comfort on her shoulder, feeling the most at peace he has in a long time, until one day Shinae is crying in the rain chasing after him in absolute desperate fear to not lose him to not lose this. There isn't one moment but, instead, a series of so many moments that build and grow and layer upon each other until one day they are dancing around feelings they weren't aware of until now.

And it's beautiful sobs.

And now that those seeds have sprouted, those feelings have been fostered, they make themselves known. It’s not only Yeonggi that Shinae is drawn to. Yes, that was initially the version of him she knew, who fostered those feelings, but even when he returns to her as Nol - so intense, so unlike Yeonggi - we see the attraction come forth. Rather than Yeonggi, it’s Nol who embodies those aspects of Rand that Shinae finds so attractive - the assertiveness, the intensity - and when Nol stands before her this way, she doesn’t balk. She doesn’t back away. In fact, it’s only when he makes this version of himself known that we start to see her getting flustered, that her heart starts pounding. It’s that intense gaze that she can’t hold, that causes her cheeks to actually flush.

He tells her that his relationship with Alyssa is a shame, that she doesn’t mean anything to him, and it’s like all the boundaries have fallen away. The things she used to call him out on have fallen wayside - she offers him a dance. Though she’s always known that Nol and Kousuke don’t get along, she finally gets a glimpse at how bad it is, how much bad blood is between them.

It’s the way she becomes a grounding rod who interrupts his panic, his anger, who brings him a moment of calm.

In nearly losing him that night, Shinae’s feelings wake up even stronger than ever. She’s already nearly lost him, to nearly lose him this way, in a way that can never be undone... It’s understandable, why she’s keeping vigil.

It’s both Nol and Shinae hating hospitals, finding them to be so uncomfortable, places they don’t want to stay in, but still standing by - Nol outside her door at Hirahara Memorial of all places, Shinae at his bedside waiting waiting waiting. It’s being in a place full of such horrible memories but finding refuge and comfort in each other. As precious at 219 is for Nol’s birthday party, for the flirtations, for the exchanged gazes - the moment Nol wakes up and his panic is quelled when he finds her dozing on the side of his bed is SO important to me. Those moments they share together before anyone else finds out he’s awake feels like the most real they’ve been with each other - no fronts, no masks. It’s them sitting in the place they’d rather never be again, comfortable because of each others’ presence, because of all those experiences before that have cultivated the ability to find comfort in each other.

Security with each other.

The foundation was laid out so beautifully. The seeds were sown and now we watch them sprout, hoping we’ll get a chance to see what comes of them, what grows in this space fostered by them.

God I love them so much sobs

#I Love Yoo #ILY Brainrot #Stalkyoo #Aegi #Shinae Yoo #Nolan Oliver T. Lochlainn #i will never be able to top this post lmao this is it #this is my magnum opus or whatever #this is the best i'll ever be able to write about them to yell about them to verbalize about them #i just LOVE to look at the foundation and see how they've bloomed how they're blossoming #I LOVE looking back and realizing all these little building blocks that got us here #there's no one moment because it was so organic something that just grows and grows until one day you realize it's there #there was never one moment because it's a series of moments a culmination of experiences #it was the environment fostering them #THEY ARE SO IMPORTANT TO ME AND TO EACH OTHER #will Shinae ever get to know? what brought Nol back to the surface at the Kim formal?#will she ever know just how important she is to him?#she thinks she's so easy to throw away but in reality it's that it's so hard to be her friend without wanting more #BECAUSE of how important she is #because as much as he's helped shape her #helped her grow and become an even better version of herself #she has affected him too #she has changed him too #SOBS I LOVE THEM SO MUUUUUUUUUUUUUCH

51 notes · View notes

good-beanswrites · 6 months

Note

🎬: About Es being a past prisoner and the secret 11th prisoner in your AU. But advance apologies if I'm overstepping into your AU!

I had this idea from a story that pretty much did the same thing. Going off there are novels/manga on Milgram and there being another Es and their own prisoners running another Milgram (but differently) I imagine this Milgram projects has been going on for a while, and our Es was from a previous project who might have gotten the worst verdict (or the most spared out of everyone), and was given this final task as a warden for the next group of prisoners. This is why they so readily agreed and had their memories wiped for this Milgram project instead of being weary on a shady project on judging an almost crime, they've already been through this.

(BTW is it bad and worrying for one of our ten fav prisoners to be the next Es if this is legit...)

Anyway, that's why Es is in Milgram in your AU, I guess? And the lore drop that Kotoko picks up on them being the 11th prisoner, I can imagine her also talking to Kazui since he's a policeman to see if she could cross out any theories on who Es is (Did they look familiar. Possible missing child. Any cases to do with an almost crime by a child other than the 10 of them here). Kazui knows Kotoko wants to investigate, but reminds her that, like in their prison while the trial is on, the facilities they're in have high security too. They do have the freedom to move about, but still limited.

If they're trying to investigate Es, maybe Fuuta, Kotoko and Mikoto can try to do the hacking on the comp Mikoto's allowed to use to Photoshop some shots for the MVs and photos (Fuuta and Kotoko seem to be able to search up info they need I think...). Yuno, Mahiru and Muu can work on charming the staff to see if they can spill more deets on Milgram. Not sure how much the group can gather, but oh boy fun times in Milgram can turn into another sort of stress in this AU...

No worries!! Like I said before, this whole au has been a fun collaborative project, so there's no overstepping :) I am sorry I won't be writing a lot on the ending until we get more info, but that's just the perfectionist in me who doesn't want to be proven wrong 😅 Still, I love tossing around and digging into ending scenarios, I really love this!

Because that would make a lot of sense why they're so willing to subject themself to the whole experiment! They remember how tough their experience was, and are confident they can care for the new set of prisoners while doing their job. I'm imagining they get the opportunity to return as guard, and get to have a nice talk with their own guard first. Once they fully understand what it's like, they're know they can handle it and sign up. It adds a bit of drama, too, since they must have been really young committing their crime in order to complete a years-long experiment prior to this one. They would have been like 10? Oof. (Now I wanna see their three trial songs 👀)

And like you said, that also brings up the question of the new warden. Though I think it's based on verdict results, I can just picture Jackalope keeping an eye on everyone during filming. He studyies their interactions and personalities, keeping his own set of notes on who would make a good successor. (I'm not going to go through every character but there are pros to any choice, it's very fun picturing them all taking the job.) Haha, on the other hand, maybe the reason Kotoko keeps bringing up her role as Es' partner/bringer of justice is because she did discover the truth. She drops as many hints as possible so she can be chosen next 😅

Ooh, I love her working with Kazui on an investigation! The fact that eh may know details on recent crimes (and almost-crimes) is super fun to work with. He's the last person who's going to spill a secret, so the group could go several trials without realizing Kazui had actually heard all about their situation this whole time.

(Getting sidetrack for a sec, I'm suddenly realizing that he and Kotoko may have heard things about the crimes in canon, too. They're a bit unclear about how much time passed between the murders and arriving to Milgram, so maybe he heard some things. I don't know how well-connected Tokyo police departments are, but Yuno, Fuuta, Muu, and Shidou are all nearby. There's definitely a chance he caught word of the vigilante nearby, and she heard about the odd policeman's suicide. Both of them could have heard about the tragic housefire, the disgraced doctor, or horrible schoolgirl murder nearby.)

Anyway, I like that idea of Kazui wracking his brain for any similar cases. Though, if he had, Milgram may have had the foresight to wipe parts of his memory, too. Maybe he does end up using his call to reach out to Hinako and have her look into it from the outside. Sadly, Kotoko seems the type to sacrifice her personal call to reach out to a connection who can help as well. I'll have to think about how closely Jackalope monitors those calls, hm.

I'm going crazy over prisoner investigation team !! Kotoko and Fuuta had the online knowledge to find some good info, and Mikoto and Kazui seem like they'd have a huge network of people they can ask for info and favors from. Haha, I'm torn whether Mahiru would have flirting down to a science or if she'd refuse to do it since it wasn't real love 😂 Still, she's very good at reading people and could definitely help the others charm and bribe their way into some restricted areas. Amane and Haruka can also charm with their innocence/cuteness (though I'm not sure Amane would). Shidou seems very organized, he'd have a plan and backup plan and backup-backup plan ready, no matter what happens. I think it's even funnier, then if Milgram had run several experiments prior. Jackalope would think this was just another runthrough, and for the first time the ten subjects decided to organize together and Cause Problems.

I think there's a beautiful irony in a story featuring ten prisoners planning a jailbreak to save the prison guard...

#milgram #as always thank you for sending 🎬!! these are so fun and big brained ough #lol yeah a fun fact about me is im Such a stickler for canon even in aus like this #the pain of writing a mahiru x boyfriend fic and doing the whole thing without ever saying his name 💀#so i wrote the last chapter of the au as vague as possible so that it had a nice ending but i may go back to make things more accurate when #t3 ends and we (hopefully) find out who es is #i love that this eases some of the pain knowing that es knew exactly what they were getting into :')#and wont be too fucked up upon getting their memories back since they knew it was faked #while also adding extra angst that theyve been there for so long -- theyve spent so much of their childhood within milgram #i was just recently looking at that post about their character locations and had it all marked out on a map #i swear i dont just know that off the top of my head asdfsd #i never realized kazui and kotoko would have outside knowledge >:0 #i really love that concept #between the ten of them they hit so many skill sets -- theyve got the brain and the brawn and the people skills #theyve got intimidation and innocence #theyve got the experience of 40yos and up-to-date kids #theyd be unstoppable -- rip jackalope 😂😂😂#lights camera sing your sins #ask

25 notes · View notes